#miley cyrus billboard

[hit-song-showdown]

Year-End Poll #74: 2023

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Morgan Wallen, Miley Cyrus, SZA, Taylor Swift, Metro Boomin and 21 Savage, Rema and Selena Gomez, The Weeknd and Ariana Grande, Luke Combs, SZA, David Guetta and Bebe Rexha. End description]

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Before getting into the ramble, I'm just going to get ahead of the responses and clarify that when I name a song on these polls, I use the official name of the song as it's listed on the Billboard charts (obviously unless the official title includes an uncensored slur or the song was credited to an artist's deadname, which I haven't had to deal with as of now.) Luke Comb's cover of Tracy Chapman's Fast Car is simply listed as "Fast Car - Luke Combs" on Billboard. Not "Luke Comb's cover of Fast Car" or "Fast Car by Tracy Chapman (Luke Combs version)."

Now that I got that out of the way. Hi. Good to see you all again. Welcome to the end of 2023. We made it.

This is going to be an interesting entry on this blog for me. Because not only is this the first time I posted a poll from the current chart, this is also the first time since 2009 when I have not been closely monitoring the charts all year. So right now, I feel like I'm trying to look back to figure out what happened.

So. What happened?

Ever since the streaming era began, it's been clear that pop success matters less and less, but that feeling was especially strong this year. I'm not saying any of these songs are bad (that's not the point of this blog). But streaming splintered people's listening habits so much that everyone is able to listen to their own thing. Before I got big into chart watching, I was not an avid pop listener. But I was still knew which songs were popular because they were so much harder to avoid.

As I'm writing this, I've been listening to various Top 40/100 stations on the radio. Even ignoring the number of Christmas songs, I have yet to hear a song that came out in 2023. It makes sense to hear songs from 2022, since songs often take a while to build momentum (such as the tracks from SZA's SOS), but I've heard songs from 2014, 2013, 2006, 1995, etc.

And that's not even touching the year-end chart itself which includes 1. songs from 2022 (Kill Bill, Anti-Hero, Snooze, Calm Down), 2. a remix of a song from 2016 (Die for You), 3. a cover/remake of a song from 1996 (Creepin), 4. a cover of a song from 1988 (Fast Car), and 5. a song with an interpolation of a song from 1998 (I'm Good (Blue)). There are only 2 songs on the top 10 that are from 2023.

This year's tendency to look back is emphasized further by the genre which had the largest presence: country music. Not just because country music tends to be more traditional, but country music hasn't had a presence this big on the top 100 since the 90s. The biggest song of the year is a country-pop track by Morgan Wallen, whose 36 track album debuted at number one on the Billboard album chart. Not the country album chart. The Billboard 200. Beyond that, we have Luke Combs, whose cover of Fast Car reached the top 10, but two other singles from his album Growin' Up reached the Billboard Year End 100 without relying on the usual techniques country songs often need to cross over to the pop charts. Additionally, each year as of late tends to have it's pick of "think-piecey songs," whether it's Blurred Lines in 2013, WAP in 2020, or [insert any Taylor Swift song here]. The two most controversial songs of the year also happened to be country, with Oliver Anthony's Rich Men North of Richmond and Jason Aldean's Try That in a Small Town.

Why was country so big this year? One of my theories is that with streaming splintering people's listening habits so much, chart metrics will tend to favor physical media. I don't think it's a coincidence that Taylor Swift tends to dominate the charts while also being one of the top-selling artists on vinyl. If people are willing to pay actual money for your music instead of letting it stream in the background, the charts are going to calculate that differently. Not only are country fans more likely to buy physical music, but the two previously mentioned controversial country songs were also helped by right-leaning listeners boosting their sales, resulting in the two songs receiving a 78 and a 66 position on the year-end chart respectively.

As I'm writing this, I'm worrying that I'm not giving country music its proper credit. "Why was country music so big?" is a question that doesn't need to have a deeper answer. "A lot of people liked it so it had a larger presence" is also a sufficient answer. Country music doesn't have to cheat to reach the charts. The reason I'm delving into this is not the mere fact that country was popular, but the fact that country was so popular and seemed to shape the pop landscape as a whole, while not having the usual staples of a country-pop crossover. Unlike previous crossovers, none of the songs I mentioned needed a pop star or a rap verse to break onto the pop charts.

But speaking of a genre requiring a pop star to find a mainstream chart presence, 2023 marks the year of the first afrobeats song to reach a billion streams on Spotify, with Rema and Selena Gomez's Calm Down. But even without the pop feature, afrobeats also had an explosive year in 2023, and it's possible we'll only see the genre grow more popularity, similar to how reggaeton took over the pop landscape after Despacito crossed over to the mainstream American charts in 2017. If you, like me, aren't that familiar with the history of this genre and you would like to learn more, please know that afrobeat and afrobeats are two distinct genres. This article also does a good rundown of the differences and their respective histories. Also, while the song itself isn't afrobeats, Unavailable by Davido came out this year and it's incredible. The full album is amazing too. It's dreamy and atmospheric with energetic drums and I need to find a slot for it in my favorite releases of the year.

For a year where pop music was widely considered to have a down year, I sure had a lot to talk about. I haven't even touched on the "decline of rap music" (especially sad since it's the 50th anniversary of the genre), Taylor Swift's dominance (I mentioned her twice though; she'll live), or delved deeper into the presence of older songs on the charts. It certainly was an interesting year in music to talk about. But listening to it? Well, I'll let you decide that.

But if you look past the top 10 (or even the top 100), this was an incredible year for music. I haven't had the time to listen to every new release (thanks law school), but I still listened to enough that I came out of this year with some of my favorite musical projects of all time. I plan on sharing my favorite songs/albums of the year in a later post.

Thank you for spending this year in music with me.

[celebratingwomen]

Miley Cyrus photographed by Brian Bowen Smith for Billboard, 2017

[goldenmusicmoments]

Demi Lovato Breathes New Life Into Her Hit Singles On Revamped:

Demi Lovato decided she’d revisit some of her previous hits and give them new life by giving them a rock inspired twist. She releases ‘Revamped’ a collection of ten reinvented tracks. She really went all in when giving them a rework, from switching up the production to redoing the vocal. She worked with different producers, those that are known for making rock music and decided to get a feature on the new take on her hit single ‘Neon Lights’. The body of work wasn’t something we were expecting Demi to give us, however its been a pleasant surprise. The ten tracks have a completely different dynamic to them when comparing to the originals and you’ll find that some of these outdo the originals.

There are so many moments on this record that take you by surprise. Interesting production choices and she pushes herself to new heights vocally. Particularly when it comes to the climax moments of the songs, where she delivers the vocals with such power and conviction. She lets you know that she’s got so much more to give each time and that she is willing to keep testing her limits. There are intense moments of chaos that really let you know that rock is at the forefront and highlight Demi’s stellar ability to be so versatile when it comes to creating music that can translate from one genre to another. However she still manages to hone it in to give you respite from the more in your face moments during the verses. ‘Neon Lights’ in particular is a standout moment and actually outdoes the original. 

Demi has had quite a bit of changes occur recently the major one being her detaching from Scooter Braun. Someone who she shouldn’t have signed up with to begin with as he hasn’t done much for her or her career. When we first heard of the two partnering up, it seemed as though she was going to now reach a completely new height in her career. However the venture didn’t really do much for her, in fact it had quite the negative impact. She released a great album ‘Holy Fvk’ that deserved a lot more recognition. Though her management aren’t the sole reason, certain things she’s said or done have had a detrimental impact on her career. Where its ended up putting some people off. 

Here is to hoping that whoever she partners up with next in terms of management does right by her. She’s a greatly talented artist that at times feels under appreciated. That deserves to have the same level of of commerciality to that of her peers like Miley Cyrus, Selena Gomez or Ariana Grande. She is someone who’s versatile and such a powerhouse vocalist. She sometimes can be misunderstood and that gets in the way of her art at times. 

Do go check it out and be ready for a rocky ride.

[mileybyicons]

like if save/use or credit at mileybeloved

[stoneyocean]

Air Jordan Retro 9 review

Air Jordan http://StoneyOcean.com/shop

[lonesomedreamereccentriclover]

Happy Birthday Miley Cyrus!

[starsingnal]

[makhonkit]

Miley Cyrus 'Flowers' - Ray Mak Piano Mix

[alltrekvarnews]

Taylor Swift, SZA y Morgan Wallen lideran las nominaciones a los Billboard Music Awards.

[dailymusicnews]

The Blossoming Brilliance of Miley Cyrus and Her Hit Song 'Flowers'

From her auspicious start as Hannah Montana to her status as a pop music icon, Miley Cyrus has continuously pushed the boundaries of artistic expression.

This Grammy-winning singer, known for her remarkable vocal range and bold stylistic choices, recently returned to the Billboard Hot 100 with a captivating new hit, 'Flowers'.

Miley Cyrus, the daughter of country music star Billy Ray Cyrus, first entered the spotlight in her early teens. Throughout her career, she has experimented with diverse musical genres, from pop and country to rock and hip-hop. Cyrus has been nominated for several Grammy Awards, recognizing both her vocal talent and innovative music production. In addition to her success in music, Cyrus has also been a strong advocate for numerous social causes, using her platform to raise awareness and support.

Her recent single, 'Flowers', is a testament to her evolution as an artist. This Billboard chart-topper has captivated audiences worldwide with its thoughtful lyrics and compelling melody. Drawing from her personal experiences, Cyrus delves deep into themes of growth, renewal, and the beauty of resilience in this masterpiece.

The story behind 'Flowers' is just as compelling as the song itself. Written during a time of personal transformation for Cyrus, the song serves as a metaphor for her journey. The lyrics "Blossoming even when the sun doesn't shine" beautifully encapsulate her strength and resilience, demonstrating her ability to grow amidst adversity.

The lyrics of 'Flowers' also resonate with listeners on a universal level. The underlying message of hope, resilience, and the potential for rebirth, especially in challenging times, is something that everyone can relate to. It's a powerful testament to Cyrus's gift for connecting with her audience, both emotionally and musically.

'Flowers' is a masterstroke from Miley Cyrus, blending her incredible vocal prowess with poignant, introspective lyrics. This hit song further cements her position as one of the most versatile and compelling artists in contemporary music. It's clear that Miley Cyrus continues to bloom in her career, much like the flowers she so beautifully sings about.

[mileycyrusguatemala]

¡Celebrando que “Flowers” ​​sea el número 1 en todo el mundo nuevamente esta semana! Me encanta que este disco conecte de una forma tan positiva y es un placer seguir creando música para vosotros. Estos hitos solo son posibles gracias a los oyentes y mis increíbles fans. Infinitamente agradecido.

#1 Australia

#1 Bélgica

#1 Canadá

#1 Dinamarca

#1 Finlandia

#1 Francia

#1 Alemania

#1 Irlanda

#1 Países Bajos

#1 Nueva Zelanda

#1 Noruega

#1 Suecia

#1 Reino Unido

# 1 Billboard Hot 100 de EE. UU.

[goldenmusicmoments]

The GRAMMYs Award Show:

So last night were The 66th Grammy Awards. It was quite the eventful night and on most part the winners were worthy of taking home the trophies they did end up taking. I guess my predictions weren’t correct in the end.

During the Pre-Grammy award ceremony there was as a hiccup in which Nicki Minaj’s track ‘Barbie World’ was announced as the winner in one of the rap categories prematurely on X and on the website. However on the live show it was awarded to a different artist. This caused quite the chaos on social media as the Barbz in particular were furious as they believed that it was taken away from Nicki last minute to make a mockery out of her. Then you had others that were saying this was karma for how Nicki Minaj had treated Megan Thee Stallion. In actuality it was neither as an error like that had occurred once before.

During the main show Miley Cyrus who won her first ever Grammy award for Best Pop Vocal Performance gave quite the performance of the winning song ‘Flowers’. She really had fun with it and it ended up drawing a lot of positive attention for being a standout moment. The song went on to win Record Of The Year as well. So a huge congratulations to her on winning two awards.

Taylor Swift surprisingly announced that she will be releasing a completely new album titled ‘The Tortured Poets Department’ this year during her acceptance speech for her album ‘Midnights’ winning Best Pop Vocal Album. Many expected that she was going to announce ‘Reputation (Taylor’s Version)’ and instead she threw everyone off with that announcement.

There was a lot of speculation around who was going to present Album Of The Year, as the academy had hinted at a big name who wanted to keep it a surprise till the very end was going to be presenting the award. People at first thought it was Beyoncé, however she was seen at the award show and had to be there since Jay-Z was being honoured with an honorary award. During his speech he called out the Recording Academy for not awarding his wife the award for Album Of The Year, seeing as she’s the most awarded artist. He even said that there were nominees that didn’t even belong in that category.

Some people had caught a picture of Celine Dion backstage and then it was her who everyone now suspected. Celine Dion was the surprise star and she presented Taylor Swift with the Album Of The Year award. Taylor who now holds the record for the most wins in that category was overjoyed and dragged Lana Del Rey with her to the stage. Lana seemed hesitant, however Taylor was insistent on her being up there with her. When Taylor got on stage she was very much all over the place and a little lost in the excitement of the moment. That she forgot to acknowledge Celine Dion and grabbed the trophy, going straight to then making her acceptance speech. People on social media went wild with that. Stating that she was mean for doing so, especially since Celine has been so poorly health wise and yet she made the effort to come present the award.

However there wasn’t anything malicious in it. Taylor was very joyous when Celine was presenting and the two took a cosy photo backstage. Taylor’s win in the category also generated a lot of criticism. As many believed that SZA’s album ‘SOS’ should have taken the award home. Which is true, ‘Midnights’ though a solid album didn’t actually deserve to win over the likes of ‘SOS’ or ‘The Record’. Which at this point shouldn’t be surprising as the committee always seem to sometimes make a decision that is questionable.

Overall it was an eventful night and there was a lot to celebrate. Let’s see what this year brings in terms of music releases and then what the next Grammy nominations will look like.

[animusiem]

Every Billboard #1 Hits Review: Flowers by Miley Cyrus

Oh yeah...sorry for not posting for a while now. Adjusting to the new college semester and also planning for jobseeking. But now I have settled and what a coincidence that we have a new #1 song here. Don't worry I will continuing to chronologically go through every #1 songs, but I may wanna do some Throwback review so stay tune.

Anyways, this song is Miley's lead off singles from her upcoming album and.... You know it's kinda fitting that this song came out (yes maybe a bit of an accidental timing) after Shakira goes on Bizarrap Session to make a pop diss track to his ex boyfriend Pique (btw dude how do you fumble this hard???). I do think both songs are decent but I prefer the BZRP Session more because of how blunt it is at airing dirty laundry of her relationship with Pique. Whereas this song kinda don't have any punches? And also she should've made this with the production from her last album I swear. Again I do think this is a decent song, but Flowers is a definition of a radio song and the fact that it has done well in streaming is down to the management than anything.

[stoneyocean]

Inspirational

Love yourself https://stoneyocean.com/product/stoney-ocean-vs-princess-mixtape-1/

[ask-serendipity-sky]

Jimin's article written by a fan...

On March 24, Jimin released “Like Crazy” (with no features). "Like Crazy" didn't need a feature.

Outside of his work with BTS, Jimin’s highest-charting Hot 100 hit as a solo artist was “Set Me Free pt. 2,” his own song, at number 30.

There were a lot of noteworthy new songs coming out the Friday “Like Crazy” was released, including “Eyes Closed” by Ed Sheeran, “Spice Marley” by Spice and “Don't Play With It Remix” by Lola Brooke ft. Latto and Yung Miami. Not only that, but songs like “Flowers” (Miley Cyrus), “Last Night” (Morgan Wallen), “Kill Bill” (Sza) and “Die For You” (The Weeknd and Ariana Grande) continued to dominate streaming charts. With all that in mind, let’s take a closer look at how “Like Crazy” performed in its first week. The chart data for the seven days following March 24 was reflected in the Billboard chart dated April 04.

According to Billboard, “FACE” and "Like Crazy" massed 10 million streams and sold 234,000 units on the week of its release. According to Oricon, "FACE" recorded 222,120 sales on the first day, making it the 3rd album with the biggest first day sales. Jimin earned the BIGGEST First Week sales for a Korean album by a Korean Soloist in Oricon History. Immediately after its release on March 24, Jimin’s album made Hanteo history by being the first to surpass 1 million first-day sales of an album by a Korean soloist, despite the unclear issues that arose that day and the sales that were deleted. Even though the cd single of "Like Crazy" has not been restocked after 4 months, the sales it pulled from full album sales and digital sales were impressive. Although most were not counted after week 2 because fans were not informed of the rule changes Billboard had made to its chart. By the end of the first week, the song had been streamed nearly 22 million times and sold 234,000 album equivalent units in the US. With those 234,000 sales—the second highest of any song for the week—thrown on top of all its streaming figures, “Like Crazy” climbed to the top spot on the Hot 100. 

The song’s performance on the charts is noteworthy, but what is particularly impressive is its extensive streaming numbers, especially worldwide. On Spotify, “Like Crazy ” swiftly rose to number one on Worldwide iTunes Chart, Worldwide iTunes Song, European iTunes, and Japan's Line Music. "Like Crazy" also topped Spotify’s Daily Top Global Songs chart and Jimin was the first Korean soloist to do so. "Like Crazy (English Version)” also debuted at no. 2 on the daily Global Top Songs chart with 6.6 million streams. Out of the 7 tracks, 6 of them took up the top 6 positions on the Oricon Daily Digital Ranking, showing how much the album had been anticipated. The album also dominated the Worldwide Apple Music Album Chart and all songs were top sellers in Digital Music New Release, Digital Music Best Seller, International New Release, and International Best Seller in Amazon Music USA. According to Melon, "Like Crazy" in its first day, peaked at #8 and maintained the position in the chart. After 24 hours, "Like Crazy" obtained almost 3 million streams on Melon. Even after months have passed by, the song continues to be streamed over 2.5 million times every day. So far, the song has been no.1 in 111 countries, setting the record for the most no.1 on iTunes in 2023.

It's pointless to compare "Like Crazy" to other Western Songs or Korean song because there is nothing like "Like Crazy". It is one of a kind.

The song is written in Korean and there is also an English version that should be combined but hasn't been despite other artists having theirs combined, this marks an even more historic debut for an Asian artist, and the fact that it had only 0.6m of radio airplay is reflecting that significance. A sultry club synth pop song was the last thing I was expecting among solo discographies of BTS members. But the fact that this song has become one of the biggest K-pop hits is beyong exciting. As K-pop continues to explore new themes and approaches, the bold move of “Like Crazy” and its early and ongoing success may serve as inspiration for the next generation of K-pop artists, even his own company, to take similar courageous steps.