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chips1977 · 5 years ago

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WARNING : I'm just an addict ... addicted to music. There are people who are born to make music, o8 thers are born to hearing. Whenever was part of this second group. Maybe it's. a habit, I gotta use, even if it 's rock, jazz or the quiet storm. Great pictures of the things I love - music, painting, books, photography, architecture, design, women, and more. I love music more than lasagna. Better to burn out than fade away. The older you get, the better life gets. But time also seems to be accelerating, the clock running too fast. So, looking at those early days, everything is very slow, stretched, and great significance. The most recent time, I spent busy with simple things.People think rock and roll is only about teenage rebellion, but why can not exist old rebel too? THE RESIDENTS is my Biggest Addiction, and,THE RED KRAYOLA, OLD TIME RELIJUN-ARRINGTON DIONYSO,R. STEVIE MOORE,SHRIMP BOAT,SMEGMA,THE SUN CITY GIRLS, LEGENDARY PINK DOTS,MINIMAL COMPACT,FRANK ZAPPA,CAPTAIN BEEFHEART,THE VELVET UNDERGROUND,THINKING FELLERS UNION LOCAL 282,THE EX,CAN,FAUST,WEEN,TELEVISION,THE MODERN LOVERS,SNAKEFINGER,MILES DAVIS,SUN RA,KRAFTWERK,ANAL MAGIC & REV. DWIGHT FRIZZELL,MICHAEL YONKERS,MOONDOG,THE WORK,RAYMOND SCOTT,THE GO-BETWEENS,SLAPPY HAPPY,ART BEARS,NAKED CITY,HENRY COW,SKELETON CREW,JOHN ZORN,FRED FRITH,THE FIBONACCIS,BONGWATER-MARK KRAMER,SHOCKABILLY,BAND OF SUSANS,THE PAINTEENS,STUMP,RENALDO AND LOAF,CERTAIN GENERAL,THE THREE JOHNS,CHROME,PRIMUS-LES CLAYPOOL,EUGENE CHADBOURNE,ESKIMO, MINUTEMEN, MISSION OF BURMA,FUGAZI,BLURT, GLAXO BABIES,THIS HEAT,THE SEA AND CAKE,SAVAGE REPUBLIC,TUXEDO MOON, XTC,U.S,MAPLE,THE PAPER CHASE,DANIEL SMITH- DANIELSON FAMILE ....... Other musical priorities are: HENRY FLYNT, THE FEELIES,PERE UBU,THE CLASH, JOY DIVISION, PROTOMARTYR, CAR SEAT HEADREST,THE BETTER-BEATLES, DARKSIDE,THE MEMBRANES, THEATRE OF HATE, NOCTURNAL PROJECTIONS,THE LINES,CARDINAL,CLEANERS FROM VENUS,THE JAZZ BUTCHER, ELVIS COSTELLO,THE MONOCHROME SET, TELEVISION PERSONALITIES, ALTERNATIVE TV, GONG,ANNIE ANXIETY, THE DEL-BYZANTEENS, WALL OF VOODOO, BUTHOLE SURFERS, RICHARD DAWSON, MAC DeMARCO,WOVEN HAND,16 HORSEPOWER, DAVID EUGENE EDWARDS,SHELLAC, SLINT-PAPA M-DAVID PAJO, LUNGFISH, OM, EARTH,THE BOOK OF KNOTS,LOUNGE LIZARDS-JOHN LURIE,ANTON FIER-GOLDEN PALOMINOS,PETER BLEGVAD,PETER HAMMILL,TOMAHWAK,FANTOMAS,MR. BUNGLE, MIKE PATTON, SUICIDE-MARTIN REV+ALAN VEGA,AARON FREEMAN,JAPAN,STEREOLAB, SPACEMEN 3, SPECTRUM, SWELL MAPS, SILVER APPES, SWELL,MORPHINE, HAWKWIND, DEVO,FLYING LIZARDS, MAGAZINE, RALPH CARNEY,ROBERT WYATT, JOHN WILKES BOOZE, KEVIN COYNE, DAEVID ALLEN, SLEEPYTIME GORILLA MUSEUM, MX-80 SOUND, SOPOR AETERNUS & The ENSEMBLE of SHADOWS, THE AUTEURS,MAN MAN, DAMIEN JURADO, DAVID DONDERO, CHAD VANGALLEN, LONG FIN KILLIE, MAGIC TRICK-TIN COHEN, CHRIS COHEN, DAVID BAZAN,VAMPIRE RODENTS, JON WAYNE, PRAM,THE OLIVIA TREMOR CONTROL, PAVEMENT, PATTI SMITH, FUGS, PEARLS BEFORE SWINE-TOM RAP, UNITED STATES OF AMERICA-JOSEPH BYRD, FAMILY, GODZ, BONZO DOG DOO DAH BAND,PENTANGLE,THE INCREDIBLE STRING BAND, SLOVENLY, CHEER- ACCIDENT, TARWATER, COIL,THROBBING GRISTLE, SHAWN LEE, CLUTCHY HOPKINS, JURYMAN AKA IAN SIMMONDS AKA WISE IN TIME+SANDALS, ZOOGZ RIFT, THE BOOKS,NEW THRILL PARADE, CHRIS KNOX , DAVID KILGOUR,THE BATS,THE CLEAN,THE PIN GROUP, CRIME CITY SOLUTION, ROWLAND S. HOWARD,TOM WAITS, VIC CHESNUTT, JOE HENRY, ALEJANDRO ESCOVEDO,THE TAPE BEATLES,THE GUN CLUB, MAGAZINE,THE DENGUE FEVER,THE PAPER CHASE,THE FIERY FURNACES,THE MICROPHONES-PHIL ELVRUM,GARY WAR,RAILROAD JERK, KARL BLACK- SOCK HEADDED PETERS-LEMON KITTENS,THE MUSIC TAPES,THE SHAGGS, BOBB TRIMBLE, FISH AND ROSES, DIABLO SWING ORCHESTRA,POP D`ELL ARTE,MLER IF DADA,TOM ZÉ, WALTER FRANCO,OS MUTANTES,CAETANO VELOSO,MILTON NASCIMENTO, ARNALDO ANTUNES,VINICIUS CANTUARIA,JORGE BEN,CAZUZA,CEREBRO ELECTRONICO,CORDEL DE FOGO ENCANTADO,ROGERIO SKYLAB,OTTO, MOMBOJÓ,CRIOULO,MAX CASTRO, METÁ METÁ, ATALHOS, ROMULO FROES,WADO,ORQUESTRA IMPERIAL, LENINE,APANHADOR SÓ,MUNDO LIVRE SA,NAÇÃO ZUMBI, ALÇEU VALENÇA,ANT- BEE, BILL FAY,RON SEXSMITH,EL GUAPO,DAVID GRUBS,TORTOISE, SAM PREKOP, GASTR DEL SOL,HENRY KAISER,HOME & GARDEN, BOB DRAKE, MY DEAD IS DEAD, AKRON FAMILY, SWANS,THESE IMMORTAL SOULS, UNREST WORK & PLAY,THE TAPE BEATLES,THIS KIND OF PUNISHMENT,SWOLLEN MONKEYS (Ralph Carney) LIARS, SNAPPED ANKLES, CAVERN ANTI-MATTER, GANG GANG DANCE, THE DAMAGE MANUAL,THE BLACK ANGELS,SCOUT NIBLET,DIE FORM,LONELADY,COP SHOOT COP,WAR ON DRUGS,THE MONKS,TIM HUEY,TRACHTENBURG FAMILY,THE TRIFFIDS,THE CRUEL SEA,THE MEKONS,THE METOD ACTORS,THE SOFT BOYS,THE MISTAKES,THE MOUNTAIN GOATS,THE NEW CREATION, BRUCE HAACK, LOREN MAZZACANE CONNORS,GLEN BRANCA,ALBERT MARCOEUR,LOS ANGELES FREE MUSIC SOCIETY, SHELLEY HIRSCH,NEW YORK GONG,THE POLYPHONIC SPREE,LYDIA LUNCH,LOVE, LUCIA PAMELA,FATIMA MIRANDA,SAFETY SCISSOR S,RICHARD HELL & VOIDOIDS, SACCHARINE TRUST, ADAM FORKNER of [[[[VVRSSNN]]] YUME BITSU, ROY MONTGOMERY,RUN ON, LOVELY LITTLE GIRLS,SAFETY SCISSORS, BRIDE OF NO NO,TONE DOGS,TREAT HER RIGHT,TRIPOD JIMMIE,LIFTER PULLER,THEY MIGHT BY GIANTS,GANG OF FOUR,THE POP GROUP, WIRE, JOSEPH K, ORANGE JUICE, RAIN PARADE, THE GREEN ON REED, THE RENDERS,SOUL COUGHING-MIKE DOUGHTY, MAZARIN, KARATE- GEOFF FARINA, SECRET STARS,THE CHURCH, BLANK DOGS, FROG EYES, JOAN OF ARC, PURE X, YUNG WU,WAKE OOLOO, SPEED THE PLOUGH, DRIVE BY TRUCKERS, CAMPER VAN BEETHOVEN, MARTIN NEWELL, ERLAND and The CARNIVAL, CRIPPLED BLACK PHOENIX,CALIFONE,RED RED MEAT, LOW, Eels, LOWER DENS,THE BLACK HEART PROCESSION, KING MISSILE, THE NOTWIST, CLINIC, QUICKSPACE,THE COMSAT ANGELS,THE ASSOCIATES, EZRA FURMAN and THE HARPOONS, EFF BARZELAY, BORN RUFIANS, FERGUS & GERONIMO, CHAIN AND THE GANG-IAN SEVENONIOUS-WEIRD WAR-THE MAKE UP,ESCAPIST,MOONFACE, DEAN BLUNT,COLLEEN,ZERO 7,THREE MILE PILOT,LIFE WITHOUT BUILDINGS, CLOUD CULT,BLACKOUT BEACH,PINBACK,ARIEL PINK,MAGIC HOUR,MAJOR STARS, MAPS & ATLASES, MEGAFAUN,MENOMENA,TAME IMPALA, AMPS FOR CHRIST,ARBOURETUM,TRUE WIDOW,NANA GRIZOL,TIMBER TIMBRE,THE, IMPOSSIBLE SHAPES,THE LOVE EVERYTHING,THE MAE SHI, DEAD SKELETONS,THE SHIPPING NEWS,NEW WET KOJAK,GIRLS AGAINTS BOYS,LES SAVY FAV,GERMAN SHEPHERDS,SILKWORM,DIANOGAH,31 KNOTS,90 DAY MEN, 17 PYGMIES,PARENTHETICAL GIRLS, GUN OUTFIT,VAMPIRE RODENTS, PUMA JAW-PINKIE MACLURE and JOHN WILLS, SLUG GUTS, DOG FACED HERMANS, GOD IS MY CO-PILOT, THE SKULL DEFEKTS, CUL de SAC, PELL MELL, FOR CARNATION, MARVIN PONTIAC, ARIEL PINK, FLAT WORMS, AMEN DUNES, IDDLES, WAXAHATCHEE, WOLF PARADE, SUN KILL MOON, NATALIE PRESS ,CHELSEA WOLFE, SHILPA RAY, INCA SILVER, IBEYI, ANGEL OLSEN,THE COMET IS COMING,SLEAFORD MODS, VAGABOND, SUUNS, MADONNATRON, BIG THIEF, FAT, SHAME, SAVAGES, ICEAGE, OMNI, PARQUET COURTS, WHITE FAMILY, LYDA HUSIK, SHARON VAN ETTEN, dEUS, MITSKI, LAUREL HALO,JULIA HOLTER, MARISSA NADLER, JOSEPHINE FOSTER,TRACY BRYANT, MALE GAZE, TY SEGALL,THEE OH SEES, TYVEK, GOAT, WAND,YUCK, THE MOONLANDINGZ, VIET CONG, OUGHT, ALLAH-LAS,THE FRESH & ONLYS, WHITE FENCE, LAURA MARLING, EMA, PHAEDRA, LHASA, FIRST AID KIT, JANE WEAVER, WYE OAK, CAROLINER AKA CAROLINER RAIBOW ... E gosto de viajar, andar de bicicleta, de comboios, de animais.... não gosto de pessoas superficiais... sem cultura.Gosto de dança, de arte o que quer que isso seja!. Não gosto da monotonia. Gosto de criticar no sentido positivo. Não gosto de sonhar em ficar rico. Gosto do “Vive cada dia como se fosse o último “. Não gosto de despedidas. Gosto de pormenores.Gosto de perfumes. Não gosto de mentir nem que me mintam, não suporto hipócritas.Gosto do mar. Não gosto de quem não acredita em nada e não se importa com nada e tem a profundidade de uma colher... Gosto de viajar, gosto de ajudar e de saber que pude ser útil a alguém em qualquer coisa. Não gosto da efemeridade da vida e da constante lembrança da proximidade da morte. Não gosto de não perceber. Não gosto de atrasos e de quem não é capaz de cumprir as suas promessas, não gosto de quem volta atrás com a sua palavra e ainda menos que voltem atrás comigo. Não gosto da cusquice.Gosto de amigos e da camaradagem, não gosto das” amizades “que se perdem por coisas que no final das contas não significam nada... Gosto de palavras e de conversas sem fim... Gosto de pessoas originais, com humor,com ideias próprias... e com classe. Não gosto de carinho quando estou nervoso.Gosto do campo. Não gosto de seguir a onda.Gosto de coisas pouco claras, mas bem esclarecidas. Gosto de dominar. Não gosto de brincar com os sentimentos dos outros.Gosto de toques e de trocas de olhar, de demonstrações de carinho e de cenas sensuais. Não gosto de ficar bêbado até dizer a verdade. Gosto da grandeza das coisas simples, e gosto de coisas complicadas mas não gosto de complicações... O comum não me atrai, gosto normalmente de coisas que passam despercebidas... Gosto de gostar e de não gostar de tudo isto e muito mais...

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sinceileftyoublog · 5 years ago

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Riot Fest Sucks

BY JORDAN MAINZER

Riot Fest Sucks. It’s a tongue-in-cheek phrase that occupies multiple meanings and connotations, referencing the organizer’s self-deprecating recognition that they’re not gonna make everyone happy with the lineup and scheduling conflicts. It’s the name of a Goose Island Beer Co. pale ale made for the Fest, at times served lukewarm, its $10 price tag a symptom of a somewhat pretend punk festival bombarded by corporate sponsors whose presence fails to belie the lack of close, cheap parking, credit card lines, and functioning ATMs. Oh, and Riot Fest Sucks because hours into it my girlfriend sprained her ankle exiting the Vans popup experience down the 20-foot fire pole with no soft landing. So unlike previous years, this year, I left after a couple sets on Friday.

I won’t get there yet--first things first, Caroline Rose. When I walked up to her stage and heard Natalie Prass playing on the loudspeaker, I thought what I initially did upon first seeing Rose’s name in small print on the lineup poster: “Why not Pitchfork?” But as soon as her band gradually came out--first "nicest legs in the band” drummer Will Morse, then “handsome and single” bassist Mike Dondero, then “best friend” Abbie Morin--and started playing a surf rock melody as Rose entered, it was clear that her unique mix of electro pop and retro rock--not to mention her early folk and country material--had her suited for a festival that embraces classic sounds. They began with new song “Everybody’s Making Out”, potentially from the new album she just finished, and then “Cry!”, the band providing a plinky breakdown to the LONER standout. Rose alternated between genuinely appreciative of a fairly large crowd coming out early on a Friday to hear some upbeat but sad songs, and being playful and goofy--essentially conducting the band with her feet while playing keys on another new spacey synth pop song, all before noticing the camera and posing as if she was in a photoshoot. Her joking fit the sarcasm of songs like “Money”, which was interrupted by Rose chugging a 312 and barely smashing the can on her head and then playing Aerosmith’s “Don’t Wanna Miss A Thing” on kazoo. Rose is as fun at a festival as she is forlorn on record.

But then the incident happened. I listened to a remarkably nonstop and consistent Hot Snakes set through the medical tent next to the stage as my girlfriend iced her foot, leaving for urgent care right as Neck Deep’s catchy but juvenile pop punk began, not to return until mid way through Turnstile on Saturday. Thankfully, we were able to rent a wheelchair for the next couple days. Navigating the grounds with a wheelchair was a challenge, parking for free on Roosevelt before going through the grass of Douglas Park and the various street curbs separating the Ferris Wheel and the Rebel Stage from the main area. For what it’s worth, save for a couple unsavory comments (“You’ve got him trained well!”), most people were extremely aware and respectful, moving out of the way when necessary, and even helping us out of the mud. We chose not to get ADA access next to the sound stage until Sunday, partially because we were unaware of the possibility, but also because we wanted to be with friends and in the crowd. And from my brief experience, Riot Fest and its attendees walked the walk as much as they talk the talk about acceptance and zero tolerance for discrimination against differently abled bodies.

Speaking of Turnstile, what I saw from them was a perfect mix of rap rock, hardcore, and nu metal, favoring songs from last year’s Time & Space like “Generator”, short ditty “Bomb”, and standout “Moon”, the last played twice, once regularly and once a capella by vocalist Brendan Yates to close the set. It was much more inventive and progressive than the band who commenced immediately afterward, nonetheless Riot Fest staple Gwar. This time around, most of Gwar’s set surprisingly focused on the generic thrash music, not as many antics, just costumed men playing and spraying blood willy nilly as opposed to as part of a plot. (Except when they killed Donald Trump--that was great.) It’s not Riot Fest without Gwar, but at this point, their sick jokes and edgelord humor is appealing mostly to dudes like the one in the Joe Rogan 2020 shirt I saw leaving the set.

We then traveled to the secluded Rebel stage to catch supergroup The Damned Things, who thankfully came on late, since on the way we got caught up in one of many “What happened?!?” conversations with a friend. The band first formed in 2010 to release their debut album Ironiclast, then consisting of Joe Trohman and Andy Hurley of Fall Out Boy, Scott Ian and Rob Caggiano of Anthrax, and Keith Buckley and Josh Newton of Every Time I Die. Nine years later, they’ve released their second album High Crimes, and this time around, Caggiano and Newton have left, and in has come Alkaline Trio’s Dan Andriano. At Riot Fest, they played half songs from the first record, half from the new one, including the first four tracks of the latter, which showcase equally what The Damned Things do well and where they fall into the traps of MOR rock. “Cells” is more raw than you’d expect from a band with FOB and Alkaline Trio members, both on record and live, and is a surprisingly great introductory song to the album. The other songs they played from High Crimes, including cheesy cheerleader chanting “Something Good” and “Omen”, whose lead riff can’t decide whether it rips off Tame Impala’s “Elephant” or Muse’s “Uprising”, could have been ditched in favor of record standouts like “Carry a Brick” or “Young Hearts”. The former combines the vocal urgency from Buckley that we’re used to with ETID, with Anthrax-worthy thrash metal, while the latter (along with the record’s centerpiece “Storm Charmer”) interpolate a menacing blues rock stomp that could have been emphasized over the pop punk sheen of the Fest. Not to mention “Let Me Be (Your Girl)”, whose music is straightforward but whose lyrics feature gender inversion when assumed sung from the perspective of the lead singer. I left enjoying the set but wishing they had played for longer so I could hear the deeper cuts.

Album score: 6.3/10

Of course, the scheduling gods put Testament, also known as “if Metallica was still good,” during The Damned Things, so we had time for just a bathroom break before catching The Struts. In case you’ve never heard of them, The Struts are English glam rockers, fronted by a man who wears a shirt with batwing sleeves, who fancy themselves the lovechild of Queen and Def Leppard but end up falling closer to someone like The Darkness--which is not a bad thing! Their second album Young & Dangerous is catchy and somewhat undeniable, and the band’s fanbase came out to support them at Riot Fest, British flag in tow. It was probably the crowd’s enthusiasm that fed off lead singer Luke Spiller that made the set infectious; “If you’re not ready to dance and sing, then you might as well fuck off,” he proudly proclaimed, a nice, clear contrast to drummer Rafe Thomas oozing out the words “Hello Chicago” in the most droll voice possible. Sure, the lyrics “I bet your body’s so sweet” are even more cringey in 2019 than they would have been in the 70′s and 80′s, and the “instructing the crowd to get down to the ground” maneuver is pretty tired, but it was refreshing to see a band so unabashedly and unironically unashamed of their influences. “Don't wanna live as an untold story / Rather go out in a blaze of glory,” Spiller sang on the opening lines of “Could Have Been Me”, and upon ending the song, he instructed the crowd: “Ladies and gentlemen, remember our names!” It felt like a scene from a movie, and I couldn’t help but think that such cinematic flair is exactly what the band is going for.

I had time to catch a little bit of underrated electro pop band Pvris and pick up an Orange Wit from All Rise Brewing Co (another Riot Fest staple whose most popular beer has actually improved over the years) before catching Wu-Tang Clan, almost by default. The legendary group seems to be Riot Fest’s token hip hop booking every other year, and so I’ve seen them play Enter the 36 Chambers about 36 times. They ended up doing it again even though not billed to do a complete album set, but was I really going to see Rise Against, Manchester Orchestra, or Andrew W.K. over some of the greatest artists, let alone the greatest hip hop collective, of all time? I’ll take time number 37.

Then came what I knew was going to be the most difficult decision of the weekend, and one I kept thinking about even after it was made. Thrash metal titans Slayer were playing their final Chicago area show at Riot Fest, and their other supposed farewell show I saw last year was phenomenal. Then again, who am I to believe that this would be the time Slayer would finally stop cashing it in and retire? Instead, I opted to see something I very likely would not see again: Bloc Party playing their 2005 debut Silent Alarm in full. Based on how surprisingly great their Lollapalooza 2016 set was, I was eager to hear a set filled with, uh, only good songs, and the idea of the first sounds of the set being the echo of the opening drums to “Like Eating Glass” traversing through the crowd, was one that supplied me with a rare kind of glee. So when the band came out donning masks, launching into the album’s slow final song “Compliments”, I realized that what I initially heard as speculation--that they would be playing the record in reverse--would be true. There went my dream. The sounds and images of fire coming from Slayer’s stage filled me with regret.

But as the set went on, I realized that the choice was one that was both strategic on the part of the band, making the crowd stay to hear favorites like “Banquet”, and beneficial to the crowd. Each song was more energetic and frankly better than the previous one, from the sweet dancefloor melancholy of “This Modern Love” to the stop-starts of “Positive Tension” and “Helicopter”. Of course, “Like Eating Glass” proved to be a worthy singalong, everyone around me air drumming like nobody was watching. And I even got to see Slayer close with “Angel of Death” on the way out!

With one full day of Riot Fest finally in the books and surprisingly sore from navigating a wheelchair over patches of grass, mud, and curbs, I was thankful that the first batch of sets we were interested in seeing on Sunday was at the same stage, where I could grab beer and food and come back, and we could switch off between the grass and the ADA stage (which, awesomely, had free water). Arriving to hear the end of wildly cool and catchy Chicago post-punk band Ganser, we sat and waited for Nick Lowe with Los Straitjackets (and watched a different kind of “jacket” swarm unfortunate members of the crowd who mistakenly wore too much cologne). With the masked instrumental rockers (another band with masks?!?), two years ago Lowe released an album of instrumental versions of some of his best songs, so I was curious to hear how they would fare as his backing band. They got a slowed down “So It Goes” out of the way, as if to say to casual fans in the crowd, “I dare you to leave,” before burning through a variety of early era Lowe classics like “Without Love”, given a country spin by the band. The band delivered a mid-set instrumental performance as Lowe took a break, showing their guitar chops and stop-on-a-dime dynamism, before Lowe came back for “Half a Boy and Half a Man” and the other song everybody was waiting for, “Cruel To Be Kind”. Before playing set closer “Heart of the City”, Lowe said to the crowd, “Thank you, music lovers!” the quintessential statement from a true “music critic’s band,” but one with the pop songwriting talent to reach beyond.

I took the one-two punch of the “Save a lollipop, suck a dick” t-shirt and the tardiness and subsequent flatness of The Village People’s set as a sign that I should leave and walk by Less Than Jake opening their set with Back to the Future music, be mad again at the scheduling gods for putting the amazing-sounding Ride at the opposite end of the park from where Guided By Voices was about to play, and grab some delicious Harold’s Chicken for myself and unfortunately protein-lacking pad thai for my girlfriend. But there’s nothing like GBV to fix a less-than-ideal situation or improve an already good one. “How do you follow The Village People?” Robert Pollard hypothetically asked as the band went on. “With the village idiots!” With even less time to play than they had at Summerfest, GBV churned out practically all hits, starting with their usual set closer “Glad Girls” and revealing a barrage of known live gems--“Cut-Out Witch”, “Motor Away”, “The Best of Jill Hives”--and some they haven’t played in a while, like Isolation Drills’ “should have been a hit” “Chasing Heather Crazy” and “Echos Myron” prelude “Yours to Keep”, during which a crowd member actually blew a whistle when Pollard sang, “the whistle blows.” The latter was part of the band’s Bee Thousand finale, giving a crowd of casual fans exactly what they wanted and pleasing diehards no matter what.

Deciding to forego sprinting and catching any of Against Me!’s full albums (two of them!) set or Dave Hause & The Mermaid, I planted myself in a spot where I could see Kate Pierson and Cindy Wilson’s beehives. The B-52′s followed a recipe for success in their set, leading off with track one of their debut, placing one hit early (“Private Idaho”), segueing a couple more from their debut into “Roam”, saving the two you knew they were gonna save for last. (Though I didn’t know they’d introduce “Love Shack” with War’s “Low Rider”.) The band was appropriately absurd and silly, frontman Fred Schneider’s sprechgesang adding hilarity to his response to Pierson’s “Something’s on fire in that pizza joint!” (“That’s my dinner!” he responded.) After the band ended with “Rock Lobster”, Pierson broke character and said two very serious things: 1) “Please vote!” and 2) “Go see Patti!”

And Patti Smith we did see, in all her glory. Her voice was as strong as ever on “People Have The Power”, “Dancing Barefoot”, “Free Money”, “Because the Night”, and “Gloria”. Unfortunately, almost half of her set was covers: “Are You Experienced?”, The Rolling Stones’ “I’m Free”, “Walk on the Wild Side”, “After the Gold Rush”, and for some reason, Midnight Oil’s “Beds Are Burning”. I would rather have heard something from her excellent later career albums like 2012′s Banga.

Hey, but she got a tribute during The Raconteurs’ set, as they chanted a little “Gloria” during “Top Yourself”. Along with shouting out headliners Bikini Kill (and the fact that they call God a “she” on new album closer “Thoughts and Prayers”), was it all part of Jack White’s plan to reveal himself as a feminist punk? I’m not sure; I do know that sociopolitical ideas aside, Help Us Stranger is a bit underwhelming as compared to the previous two Raconteurs releases, which were no White Stripes albums themselves. In any case, the band gave a very good set, because Jack White live is not to be reckoned with. The generic charge-up of album opener “Bored And Razed” was a buzzing jaunt on stage, and the blue-eyed soul of “Now That You’re Gone” was actually a nice change of pace from the blues-rock mashing of “Top Yourself”. On record, though it’s a welcome Ryan Adams diss track, “Don’t Bother Me” is straight up annoying, the repetition of the title after each line well-intentioned but flat--again, live, it somehow worked as a piece of absurdism. Thankfully, the band did play some of Stranger’s highlights, like the beautifully melancholy “Only Child” and power pop jam “Sunday Driver”. I wish they had replaced the comparatively generic “Somedays (I Don’t Feel Like Trying)” with catchy punk dirge “Live a Lie” or “Thoughts and Prayers”. The latter is the best song on Help Us Stranger. From the title, you think White might be trying to comment on gun control, but the song is at heart about life, a zooming folk odyssey rife with synths and fiddle and mandolin. “There’s got to be a better way / To talk to God and hear her say / ‘There are reasons why it is this way’,” White sings. It would have been an appropriate Riot Fest song: realistic, yet inspiring.

Album score: 6.3/10

But it was Bikini Kill’s triumphant reunion that was the perfect way to end the weekend, with dizzying instrumentation courtesy of Tobi Vail’s drums, Kathi Wilcox’s bass, and Kathleen Hanna’s guitar and siren of a howl. You knew they would sound great and play everything you wanted, from “Rebel Girl” to “Demi Rep”, the latter of which I hope will expose a new generation of fans to the band as the theme song to Hulu’s excellent PEN15. But the most fitting, even if not entirely poignant, was Hanna’s commentary, decrying “Let’s take this country back” white feminists and men who think they know everything, calling out rape culture more explicitly than anybody at the entire fest. “I’m sure Slayer talked about this a lot,” she quipped at one point. But it was a thought-provoking off-handed comment, one that makes me look forward to future lineups. Forget my forced symbolism of a $10 dollar beer. And I know the inherent problem of having a private, very white festival in a public park in a neighborhood made up of predominantly people of color, is not going to go away as long as the fest stays in said park. But Riot Fest can make a statement with the curation. Do they continue to market to nostalgia with minimal radical politics? Or will the festival live up to the name and, in their own words, stop sucking?

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3thurs · 5 years ago

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Third Thursday events and exhibitions for September 19

The next Third Thursday — the monthly evening of art in Athens, Georgia — is scheduled for Thursday, September 19, from 6 to 9 p.m. All exhibitions are free and open to the public.

This Third Thursday will offer three events in addition to the exhibitions. One of the venues will be closed.

Georgia Museum of Art, University of Georgia

Yoga in the Galleries, 6 p.m. — Join us for a yoga class surrounded by works of art in the galleries. Led by instructors from Five Points Yoga, this program is free and open to both beginner and experienced yogis. Space is limited and available on a first-come, first-served basis; tickets are available at the front desk starting at 5:15 p.m. Yoga mats provided.

Museum Mix, 8 – 11 p.m. — The museum’s thrice-annual late-night art party features a live deejay, free refreshments and galleries open until 11 p.m. The music will be by DJ Zelium. Sponsors of the event include The National, Marti’s at Midday, Depalma’s Italian Café and Dondero’s Kitchen. Free admission. #museummix

On view:

“Color, Form and Light” — This focused exhibition consists of rarely seen minimalist works from the permanent collection or on long-term loan.

“Before the War: Photographs of Syria by Peter Aaron” — Photographs by Peter Aaron of Syrian monuments, many of which are now destroyed.

“Storytelling in Renaissance Maiolica” — Colorful tin-glazed earthenware from 16th-century Italy, including two new acquisitions by the museum.

“Drama and Devotion in Baroque Rome” — Paintings on loan from the Museum and Gallery at Bob Jones University that show the influence of Caravaggio, including works by Rubens, Orazio Gentileschi and Simon Vouet.

“Rachel Whiteread” — Five cast-stone sculptures by Rachel Whiteread reinterpret the artist’s earlier resin castings of the space beneath chairs.

Permanent Collection — Thirteen galleries house a large portion of the Georgia Museum of Art's collection, including many of the 100 American paintings that made up Alfred Heber Holbrook's founding gift.

Lamar Dodd School of Art Galleries, University of Georgia

“Fool-ectomy” — by Dodd graduate student Mac Ballentine

“Legion Pool” — by Carol John

“Turbulent Femme” — by Dodd graduate student Alex McClay

Lyndon House Arts Center

“Autumn’s Arrival: by David Hale” — Exhibition of woodblock prints used to illustrate Hale’s new book, celebrating the adoption of his daughter.

“Elemental Clayscapes by Love Hawk & Mendelwhite” — A pottery collaboration between David Hale and Marci White.

“Georgia Watercolor Society Member Exhibition 2019”

“Purvis Young & James de Molyneux” — A collection of African American vernacular artist Purvis Young’s paintings inspires a collector, de Molyneux, to create.

“This Is It!” — featuring artists balancing their practice while working in the service industry. Artists include Lucy Calhoun, Toby Cole, Chris Collins, Kayla Cox, Jess Dunlap, Alexei Gural, Anna LeBer, Tim Root, Maximos Salzman, Elinor Saragoussi, Jessica Smith, Vernon Thornsberry and Robyn Waserman.

“Lounge Gallery: Photographs by Nathaniel Burkins”

“Collections from Our Community: Rachel Barnes’ White Ceramic Cats”

ATHICA: Athens Institute for Contemporary Art

“YELLOW: 2019 Juried Exhibition” – YELLOW is ATHICA’s annual juried exhibition, featuring contemporary art in all media that explores or references YELLOW, which is found in art, nature, literature, science, society and language as a color, a concept and a construct with many different connotations. Work has been juried by guest juror Kevin Sipp, cultural affairs and public art coordinator for the City of Atlanta Office of Cultural Affairs Public Art Program and Gallery 72.

Ciné

Reception, 6 – 8 p.m.

“Suspended: Leah Mazza and Laurel Fulton” — For the past seven years Fulton has focused on metalsmithing, integrating photography to show how her objects function on the body. Mazza focuses on costume design, mask making and special effects for musicals. Both artists are in their final year of the master of fine arts program at the University of Georgia’s Lamar Dodd School of Art.

Hotel Indigo, Athens

Closed for installation of “FUN,” opening September 26.

The Classic Center

“Good Vibrations” — Taking a note from the Beach Boys, this show celebrates the end of the summer easing us on a smooth, harmonious, feel good transition into fall. Brittainy Lauback photographs cruise life, capturing the seascapes and portraits aboard a Carnival ship. Warren Slater draws from his Australian upbringing and interest in Aboriginal mark-making to create his pulsating pointillist landscapes picturing beaches and surf culture. Hannah Betzel’s vivid abstractions vibrate almost musically, conjuring images of the sea.

“Building Facades” — In Gallery II, on the second floor, Mike Landers’ solo exhibition of sophisticated, symmetrical, minimally composed photographs will take you down memory lane. Images of Barnett’s Newsstand, Helix and The Gap will make you nostalgic for nights wandering downtown Athens in the late 1990s and early 2000s and make you realize how much has changed.

Third Thursday was established in 2012 to encourage attendance at Athens’ established art venues through coordination and co-promotion by the organizing entities. Rack cards promoting Third Thursday and visual art in Athens are available upon request. This schedule and venue locations and regular hours can be found at 3thurs.org.

Contact: Michael Lachowski, Georgia Museum of Art, [email protected].

#art #athensga #free #3thurs

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dogcunt · 3 years ago

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ROJECTIONS, THE LINES, CARDINAL, CLEANERS FROM VENUS,THE JAZZ BUTCHER, ELVIS COSTELLO,THE MONOCHROME SET, TELEVISION PERSONALITIES, ALTERNATIVE TV, GONG, THE DEL-BYZANTEENS, RICHARD DAWSON, MAC DeMARCO, WOVEN HAND-16 HORSEPOWER- DAVID EUGENE EDWARDS, SHELLAC, SLINT-PAPA M-DAVID PAJO, LUNGFISH, OM, EARTH,THE BOOK OF KNOTS, LOUNGE LIZARDS- JOHN LURIE, ANTON FIER- GOLDEN PALOMINOS, PETER BLEGVAD, PETER HAMMILL, TOMAHWAK, FANTOMAS, MR. BUNGLE, MIKE PATTON, SUICIDE-MARTIN REV+ALAN VEGA, AARON FREEMAN, JAPAN, STEREOLAB, SPACEMEN 3, SPECTRUM, SWELL MAPS, SILVER APPES, SWELL, MORPHINE, HAWKWIND, DEVO, FLYING LIZARDS, MAGAZINE, RALPH CARNEY, DANNY COHEN, ROBERT WYATT, JOHN WILKES BOOZE, KEVIN COYNE, DAEVID ALLEN, SLEEPYTIME GORILLA MUSEUM, MX-80 SOUND, SOPOR AETERNUS & The ENSEMBLE of SHADOWS, MAN MAN, DAMIEN JURADO, DAVID DONDERO, CHAD VANGALLEN, MAGIC TRICK-TIN COHEN, CHRIS COHEN, DAVID BAZAN, JON WAYNE, PAVEMENT, PATTI SMITH, FUGS, PEARLS BEFORE SWINE -TOM RAP, UNITED STATES OF AMERICA-JOSEPH BYRD, FAMILY, THE GODZ, BONZO DOG DOO DAH BAND, Hapshash & The Coloured Coat, PENTANGLE,THE INCREDIBLE STRING BAND, SLOVENLY, CHEER- ACCIDENT, TARWATER, Red Temple Spirits, SHAWN LEE, CLUTCHY HOPKINS, JURYMAN AKA IAN SIMMONDS AKA WISE IN TIME+SANDALS, ZOOGZ RIFT, THE BOOKS, NEW THRILL PARADE, CHRIS KNOX , DAVID KILGOUR, THE BATS,THE CLEAN, THE PIN GROUP, THESE IMORTAL SOULS, CRIME CITY SOLUTION, ROWLAND S. HOWARD,TOM WAITS, VIC CHESNUTT, JOE HENRY, ALEJANDRO ESCOVEDO,THE TAPE BEATLES,THE GUN CLUB, MAGAZINE, THE DENGUE FEVER,THE PAPER CHASE,THE FIERY FURNACES, THE MICROPHONES-PHIL ELVRUM, GARY WAR, RAILROAD JERK, KARL BLACK- SOCK HEADDED PETERS-LEMON KITTENS, THE MUSIC TAPES, THE SHAGGS, BOBB TRIMBLE, FISH AND ROSES, DIABLO SWING ORCHESTRA ,POP D`ELL ARTE, MLER IF DADA,TOM ZÉ, WALTER FRANCO, OS MUTANTES, CAETANO VELOSO, MILTON NASCIMENTO, ARNALDO ANTUNES, VINICIUS CANTUARIA, JORGE BEN, CAZUZA, CEREBRO ELECTRONICO,CORDEL DE FOGO ENCANTADO,ROGERIO SKYLAB, OTTO, MOMBOJÓ, CRIOULO, MAX CASTRO, METÁ METÁ, ATALHOS, ROMULO FROES, WADO, ORQUESTRA IMPERIAL, LENINE, APANHADOR SÓ, MUNDO LIVRE SA, NAÇÃO ZUMBI, ALÇEU VALENÇA, ANT- BEE, BILL FAY, RON SEXSMITH, EL GUAPO, DAVID GRUBS, TORTOISE, SAM PREKOP, GASTR DEL SOL, HENRY KAISER, HOME & GARDEN, BOB DRAKE, MY DEAD IS DEAD, AKRON FAMILY, THESE IMMORTAL SOULS, UNREST WORK & PLAY, THE TAPE BEATLES, THIS KIND OF PUNISHMENT, SWOLLEN MONKEYS (Ralph Carney) LIARS, SNAPPED ANKLES, CAVERN ANTI-MATTER, GANG GANG DANCE, THE DAMAGE MANUAL,THE BLACK ANGELS, SCOUT NIBLET, DIE FORM, LONELADY, COME, WAR ON DRUGS, THE MONKS,TIM HUEY, TRACHTENBURG FAMILY, THE TRIFFIDS, THE CRUEL SEA, THE MEKONS, THE METOD ACTORS, THE SOFT BOYS, THE MISTAKES,THE MOUNTAIN GOATS, THE NEW CREATION, LOS ANGELES FREE MUSIC SOCIETY, ART ZOYD, NEW YORK GONG, UNIVERS ZERO, THE POLYPHONIC SPREE, MATERIAL, ETRON FOU LELOUBLAN, U TOTEM, 5uu's, Motor Totemist Guild, BRUCE HAACK, LOREN MAZZACANE CONNORS, GLEN BRANCA, DNA, MARS, ALBERT MARCOEUR, RHYS CHATHAM, RED TRANSISTOR, VON LMO, Weasel Walter's The Flying Luttenbachers, James Chance & The Contortions, THE SLITS, LORA LOGIC, POLY STYRENE, LITTLE ANNIE aka ANNIE ANXIETY, DANIELLE DAX, SHIRLEY, GRACE JONES, SHIRLEY HERSCH, LYDIA LUNCH, JARBOE, DIAMANDA GALAS, LUCIA PAMELA, ANNE CLARK, MEREDITH MONK, ANNETTE PEACOCK, FATIMA MIRANDA, Strawberry Switchblade( Jill Bryson and Rose McDowall), SAFETY SCISSORS, RICHARD HELL & VOIDOIDS, SACCHARINE TRUST, ADAM FORKNER of [[[[VVRSSNN]]] YUME BITSU, ROY MONTGOMERY, RUN ON, LOVELY LITTLE GIRLS, SAFETY SCISSORS, BRIDE OF NO NO,TONE DOGS,TREAT HER RIGHT, TRIPOD JIMMIE, LIFTER PULLER,THEY MIGHT BY GIANTS, LOVE, GANG OF FOUR, THE POP GROUP, WIRE, JOSEPH K, ORANGE JUICE, RAIN PARADE, THE GREEN ON REED,THE RENDERS, SOUL COUGHING-MIKE DOUGHTY, MAZARIN, KARATE- GEOFF FARINA, SECRET STARS, BLANK DOGS, FROG EYES, JOAN OF ARC, PURE X, YUNG WU, WAKE OOLOO, SPEED THE PLOUGH, DRIVE BY TRUCKERS, CAMPER VAN BEETHOVEN, MARTIN NEWELL, ERLAND and The CARNIVAL, CRIPPLED BLACK PHOENIX, CALIFONE, RED RED MEAT, LOW, Eels, LOWER DENS, THE BLACK HEART PROCESSION, KING MISSILE, THE NOTWI

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familyvisionis2020 · 5 years ago

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Day 5 - Huntsville

Jeremy’s up the earliest and sends a text to us that he’s getting breakfast with Noah at a place called the Grit. Rather than opt to join I just post up on the porch with Trey and indulge in a long long blog post.The weather is cooler and grayer, joggers and dog-walkers and kids on bikes roll down the streets, slow syrupy sunday morning, humidity and gristle, butter pats wouldn’t melt if you left them out on your plate but they wouldn’t be too taut to sink your teeth into. I feel a fundamental sense of repair from typing, reviving a column of spirit I’d quietly suffocated, knock loose a clot of rust in my clockwork and the machinery is humming along again. Now that I have the link to the blog to share to people I feel like I’m gingerly handing the missing puzzle piece to my patrons and well-wishers and companions, indulging a curiosity and rounding something out to myself that might prove the regard and sensitivity my quietness can bely, might be a kindness or a service to people who find me austere or impenetrable or bristly. I was staring at a picture of a cactus and identifying with it the other day, tall, two arms, tiny head, spiky, full of water, not so bad if you’re careful with them, just like me.

Later tonight I will watch Tired Frontier play the last set of their tiny tour with us and what will end up being our last show of the tour as well. Watching the face of the guys I see things so so different then when I saw them for the first time, when they were complete strangers, tourmates but sight unseen. What I saw in their faces the first time I saw them play: Royal is tall and broad-shouldered and country and active and maybe a little sloppy and expanive and reminds me a ton of my friend Mike, so I have love for him off the bat, also his weird tuning and rococo pedal board setup and heedless mustache and you know, wife, set off little clockworks of insecurity in me and my mind props up baseless criticisms of him sourced solely from my ignorance of him. After three shows we are not friends but I know him much better, have seen him from more angles, have a better sense of him, he loves doing bits and laughs high and loud and chills endlessly, in this way he matches the tone and cadence of Kabir magnificently. Paul is beautiful and has a face like a svelter Jim Carrey and kneads the keyboard effortlessly, digital dough, his fingers are narrow and elegant and move only enough to play the next keys, the same sort of parsimony of motion I used to see from chefs with expert knife skills. I envy his bouny raven thick-sable hair. Trey looks plainly joyful when he plays drums. He extends his crash cymbal hardware to the maximum length so his crash is preposterously high up. I can’t discern a reason other than it’s kind of fun or different. He’s enthusiastic about my writing, I get to share him some other work I’ve done, he says he loves it, I swell with gratitude and we exchange emails.

The morning in Athens goes more or less like the morning before: me and Kabir and John and Paul all go get breakfast at Donderos’ again, drink tea and coffee, pack up our stuff. We take some group photos with both bands outside on the porch with the orbs and they’re cute and silly. Kabir flipped a coin to decide whether me or John drives the next stretch, it’s me, I’m a little apprehensive because I haven’t driven a 15-passenger van in awhile, but once I’m in it’s like riding a bike, I have muscle memory of driving big vehicles from U-Haul trips and, before that, the box truck I drove to transport food donations to the pantry of the Servant Center in Greensboro. I’m a good driver, I check my mirrors, I put on a halloween mix I made in 2015 and I am feeling myself, focused, caffienated, surrounded by friends, there’s some clouds in the sky and drizzles but it’s not bad and we’re making good time. The boys just listen along with me to the DJ mix for awhile then start up a new crossword puzzle and we all 4 do it collaboratively, one person describing the clue, letters, cross-clues, and we brainstorm for answers, between the four of us we’re really good at this, and we’re all laughing and in great spirits as we methodically complete the puzzle. We stop in Marietta Georgia at one point to use the bathroom, we stop at a KFC with a 20-foot mechanized/animatronic chicken head whose eyes roll back in its head and whose giant beak opens and closes in regular time like a campy pendulum. I buy a postcard and a souveneir cup from here because I think my Mom has family from Marietta Georgia but when we’re back in the car I can’t remember if it’s Marietta Georgia or Marietta Ohio, but I figure it will be well-received either way. We get back on the road and now we’re off the highway and onto some more remote state routes and we pass into Alabama and the rain lets up but its still overcast so the light is gentle and diffuse, the hills are rolling, we pass a colony of tiny homes, weird, livestock, bulls with giant horns that when I see them I just say ‘aurochs’ absent mindedly, livestock and cotton fields and when we see police someone will just say ‘ops’ and the whole drive everyone is just in a good mood, making jokes, kind and breezy. I marvel at how these boys do not seem to carry the same sort of darkness I feel I do, or maybe they just don’t wear it on their sleeves, or maybe none of them are neurodivergent or addicted or traumatized, or maybe they are but hide it well, or have coped and healed…something I’m used to is being around people who require a space to talk about extremely serious and heavy and heartbraking things. Maybe it’s a vestige of a lifestyle I’ve left behind. In all the time I’ve spent with Kabir and Jeremy and John and David (our NC bassist who plays home shows when Jeremy is in NY), I’ve never seen anyone come close to losing their temper, yelling, crying, crumbling, whatever. I marvel at the putative stability of my friends. I like having stable friends, I like having a stable life, it’s not how my life has always been. There is a level of tranquility and calm that washes over me while I’m driving through rural Alabama with my stable friends in a well-maintained van in my healthy body wrapped around a heart that is not broken and a mind that feels as clear and capable as it has ever been. Grace is unearned, I’m told.

We make it to Huntsville on time, the venue is called the Salty Nut, kind of a spacious and tidy bar with a kind bartender my height but with a double thick country accent and the show booker is slight and soft spoken and exceedingly kind, he receives us and then points us in the direction of a nearby restaurant called Banditos Burritos. The restaurant is festooned with vaguely southwestern or hispanic decorations and also random camp like a dirty 1990s Bart Simpson doll, a ruined acoustic guitar, a King Khan poster, a garden gnome on an old-fashioned scale with the sliding thing, a skateboard without trucks painted with a sleeping cactus person wearing a sombrero, etc. The people there are so so nice and when we say we are playing the Salty Nut tonight the guy behind the counter explains that menu items with steak and all beers will cost, but otherwise we can order whatever we want for free. We get burritos, nachos, beans, rice, salsa, hot sauce, ice water in a paper cup. We feast, scarf down, all hungrier than we realized, it’s essentially a non-franchise Taco Bell by my appraisal, which is absolutely perfect as far as I’m concerned, the beans and rice feel good and substantial. Tired Frontier shows up a little after us, gets the same stuff basically, we eat and laugh and finish and go back to the venue and wait around for awhile, I join Jeremy and Royal outside skateboarding and act crazy and try to film them doing tricks but my phone dies and and eventually they stop and we go inside and set up and play. The show goes fine, TF sounds as good as they have so far. They’re playing to a crowd of the other two bands and maybe 8 people in the bar sitting at a table eating food they brought over for Banditos Burritos. The show is fine, unremarkable. When we play, I do the usual routine of trying to play my hardest and with my whole body, and end up dropping sticks more than once and missing some snare hits and not being able to keep up on the driving floor tom parts, mostly because I’m not warmed up and maybe not focusing enough, I’m letting myself get a little carried away trying to play hard and fast rather than keep things tight, I worry this may miff the other guys but after the show there is no indication that anyone even noticed it or cared. There was a cool part where I dropped a stick but instead of it falling to the floor it bounced around on top of the snare and tom and I managed to snatch it out of mid air and keep playing and Jeremy noticed that and that made me feel cool. We played hard and to my ear we got good claps between songs, we are pretty live and high energy and I think even if people don’t like our sound they appreciate the energy, but also some of the songs are earworms and catchy and people like that too, I’ve heard. We finish, the other drummer from the other band, Golden Flakes, says great set man, we perch at the merch table but sell nothng. We listen to Golden Flakes play for close to an hour, very jam band vibe, many many guitar solos, kind of sloppy, sort of high energy rock and roll I guess, I by this time am tired and pretty disinterested, get on my phone for most of it. Toward the end of their sets someone who I assume is a townie is drunk and heckling them between songs in a way that they are clearly fine with and they know the guy and to me for some reason he looks the way I imagine the way the protagonist John from Shit Town the podcast would look. We are in Alabama after all. He sounds like John (not from our band, from the podcast). He’s annoying and I’m being judgy in my head about him when I should maybe feel sorry or indifferent, idk. It feels sad to me, I don’t feel like writing more about it. It’s awkward enough, the heckling and banter from Golden Flakes, that by the end of the set we all kind of joke-rush out of there, quietly agreeing that what’s happening is awkward and unpleasant and we should go. We get put up in Thomas’s apartment, and on on the ride home the guys talk about how Huntsville’s claim to fame is being the place where the Nazi engineers taken during Operation Paperclip were taken after WW2, whose skills were put to use developing rockets, and that all manner of testing has taken place in and around the nearby military base, the Redstone Arsenal. Kabir tells a story about how a nuclear warhead was dropped on NC and by freak chance did not detonate. It would have wiped out the population of the entire Southeast. I didn’t believe it but you can read about it here:

https://en.wikipedia.org/wiki/1961_Goldsboro_B-52_crash?wprov=sfti1

At the apartment I make a b-line for the couch, get my sleeping stuff out, eat an apple and a banana and a bunch of peanut butter out the jar and go to sleep. At the end of every day I feel so much more irritable and grumpy than I do at other times. I still really treasure a quiet space all to myself to sleep in and so this troubles that. But I just listen to a youtube video on European history, learn nothing, and have no dreams I remember.

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