#miff 2021 | Explore Tumblr posts and blogs

dragongirlfangs · 2 years ago

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He compartido 19.094 publicaciones este 2022

¡Son 6734 más que en 2021!

12 publicaciones originales (0 %)

19.082 reblogueos (100 %)

Estos son los blogs que más he reblogueado:

@chaoticrushu

@severedned

@coldgoldlazarus

@mailgirl-bellwether

@barsom-fearce

He etiquetado 1134 publicaciones en 2022

#worm: 81 publicaciones

#nona the ninth spoilers: 46 publicaciones

#ntn spoilers: 43 publicaciones

#nona spoilers: 42 publicaciones

#yes: 33 publicaciones

#goncharov: 25 publicaciones

#yeah: 22 publicaciones

#taylor hebert: 18 publicaciones

#oh my god: 15 publicaciones

#lmao: 10 publicaciones

Longest Tag: 139 characters

#in fact i thought that the thing with pietro's aura was either direct foreshadowing that he'd have to sacrifice himself to revive her again

Mis publicaciones más populares este 2022:

Heyo! I’m writing another fanfic, and a multichapter one this time, another Rachel/Taylor ship but on the canon ‘verse this time

Check it out if you’re interested, and I hope you enjoy it if you do!

8 notas. Fecha de publicación: 24 de enero de 2022

So I was thinking about RWBY, and I was wondering what would be your take on RWBY's theme being Altruism?

Team RWBY and JNOR about altruism in the face of despair and loss.

While Ironwood, Adam, and Roman are all about being self-serving or cruel, often trying to justify their actions based on "moral grayness"

I think that's why so many Rewrites fail!

Because Jaune fanfic writers, Roman Fanfic Writers, and Adam fanfic writers are so obsessed with the idea of Moral Grayness and punishing idealism, they fail to grasp the key aspects of RWBY which involves idealism, hope, taking risks, and altruism.

But yeah, what do you think?

Honestly, nothing you haven't already said! a lot of people don't (or refuse to) understand that altruism is the theme of RWBY, and how much it matters to the story, how much it's at the center of it.

That's honestly a reason why it miffs me so much to see those people obsessed with making RWBY darker and edgy, they're all missing the point, inentionally or otherwise. Because it already can be dark, but it isn't cynical nor does it punish idealism like you said, it's idelistic and it lets hope exist, and it lets it flourish even if things don't always go well.

So, yeah! I agree with you.

13 notas. Fecha de publicación: 22 de julio de 2022

I have read and finished Nona the Ninth

21 notas. Fecha de publicación: 20 de septiembre de 2022

I’ve finally made good on the “writes sometimes” part of my bio, and wrote a (no powers AU) Rachel/Taylor oneshot.

So, if you read it, I hope you enjoy it! https://archiveofourown.org/works/36288802

26 notas. Fecha de publicación: 8 de enero de 2022

Mi publicación más popular de 2022

“Fia is Fortissax” theorists be like

62 notas. Fecha de publicación: 20 de octubre de 2022

Descubre tu resumen del 2022 en Tumblr →

#tumblr2022 #resumen del año #mi resumen del 2022 en tumblr #tu resumen del año en tumblr #year in review #my 2022 tumblr year in review #your tumblr year in review #huh #I did not remember I had made more than like #3 posts #neat

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didipromocode · 1 year ago

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October in Melbourne: A Month of Culture, Cuisine, and Color

Melbourne is a vibrant city with plenty to offer year-round, and October is no exception. While my knowledge is based on information up to September 2021, I can provide you with some general ideas of things to do in Melbourne in October 2023. Please keep in mind that events and activities can change, so it's a good idea to check local sources for the most up-to-date information. Here are some suggestions:

Melbourne International Arts Festival: This annual event usually takes place in October and features a diverse range of performances, exhibitions, and cultural events, including theater, dance, music, and visual arts.

Melbourne Fashion Festival: If you're into fashion, October often sees the Melbourne Fashion Festival showcasing the latest trends in Australian fashion. Attend runway shows and explore pop-up shops around the city.

Melbourne International Film Festival (MIFF): MIFF is one of the oldest film festivals in the world, and it usually takes place in August or early August. However, some events and screenings may extend into early October.

Melbourne Spring Racing Carnival: October is the beginning of the Melbourne Spring Racing Carnival, which features world-class horse racing events, including the famous Melbourne Cup. Dress up, place your bets, and enjoy a day at the races.

Royal Botanic Gardens: Spring is a beautiful time to visit the Royal Botanic Gardens. The gardens are usually in full bloom with colorful flowers and offer a serene escape from the city.

Explore Street Art: Melbourne is known for its vibrant street art scene. Take a stroll through neighborhoods like Fitzroy and Hosier Lane to admire the ever-changing street art and murals.

Yarra Valley Wine Tours: October is an excellent time to visit the Yarra Valley wine region, just a short drive from Melbourne. Enjoy wine tasting, vineyard tours, and scenic views.

Visit the Great Ocean Road: Take a day trip or a weekend getaway to the Great Ocean Road. You can explore the stunning coastal scenery, visit the Twelve Apostles, and enjoy the picturesque beaches.

Melbourne Food and Wine Festival: While the main festival usually takes place in March, there are often food and wine-related events and promotions throughout the year. Check for special dining experiences and wine tastings in October.

Beaches: Melbourne has several beautiful beaches along its coastline. Whether it's St Kilda Beach, Brighton Beach, or others, October can still offer pleasant weather for a day at the beach.

Sporting Events: Depending on the year and schedule, you might be able to catch an Australian Rules Football (AFL) or soccer match at one of Melbourne's stadiums.

Cultural Institutions: Explore Melbourne's museums, galleries, and cultural institutions such as the National Gallery of Victoria (NGV) and the Melbourne Museum.

Remember to check local event listings, official websites, and COVID-19 guidelines for any specific events or activities you're interested in during your visit to Melbourne in October 2023. Enjoy your trip!

#melbourne #melbourneinoctober #melbourneinternationalartsfestival #melbournefashionfestival #melbourneinternationalfilmfestival #melbournespringracingcarnival #royalbotanicgardens #explorestreetart #yarravalleywinetours #visitthegreatoceanroad #melbournefoodandwinefestival

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aristocratslog · 1 year ago

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vimeo

DING by Malte Stein from Malte Stein on Vimeo.

Read interview on maltestein.weebly.com/ding.html

Written and directed by Malte Stein

Synopsis:

Haunted by a little thing, a man gets driven to the edge.

Date of completion

01.06.2021

AWARDS

BEST ANIMATED SHORT Fest Anča International Animation Festival 2022, Slovakia SPECIAL JURY AWARD ANIMAFEST ZAGREB - World Festival of Animated Film 2022, Croatia

Grand Prix Animation Short Film Tatsuno International Film Festival 2022, Japan Manfredo Manfredi Award for the film that gives place to doubt Sardinia Film Festival 2022, Italy Honorable Mention 7th Annual Florida Animation Festival 2022, USA

FESTIVALS

FAB Festival of Animation Berlin BLON Animation and Games Festival OFF Odense International Film Festival LINOLEUM Animation Festival Animadeba Animated Film Festival Turku Animated Film Festival Silhouette Film Festival 2022 33rd Sao Paulo International Short Film Festival Animist Tallinn 2022 MIFF MELBOURNE INTERNATIONAL FILM FESTIVAL La Guarimba International Film Festival 13th annual We Like ‘Em Short Film Festival Fest Anča International Animation Festival 11th International Animation Festival CHILEMONOS 2022 Anibar International Animation Festival Insomnia International Animation Film Festival 45th Outdoor Short Film Festival of Grenoble 7th Annual Florida Animation Festival Festival d`Animation Annecy (Special Program WTF) ANIMAFEST ZAGREB - World Festival of Animated Film ANIFILM 2022 ITFS 29. Internationalen Trickfilm-Festival Stuttgart 22nd Landshut Short Film Festival GLAS Animation Festival 34.FILMFEST DRESDEN 23rd MUSIC & CINEMA - Festival International du Film à Marseille Kaboom Animation Festival Animocje International Animated Film Festival Mecal Pro 2022 Barcelona International Short and Animation Film Festival Palm Springs Animation Festival 17th Athens Animfest MONSTRA - Lisboa Animation Festival 25. MFF ZOOM - ZBLIŻENIA FluXus Animation Film Festival Spokane International Film Festival 32. Bamberger Kurzfilmtage PIAFF, Paris International Animation Film Festival Acocollona't. Girona Fantastic & Horror Film Festival MACAU International Short Film Festival 2021 ANIMATEKA GIRAF animation festival 2021 PÖFF-Black Nights Film Festival 2021 Interfilm Berlin - 35th International Short Film Festival KFFK/Kurzfilmfestival Köln N°12 LIAF 2019 London International Festival Cartoons Underground Singapore Feinaki Beijing Animation Week New Chitose Airport International Animation Festival Bit Bang Fest DOK Leipzig/German Competition 13th Annual TAIS Animation Showcase ANIMEST Bucharest International Animation Film Festival Ottawa International Animation Festival 2021 Strasbourg EuropeanFantastic FilmFestival 19. FANTOCHE International Animation Film Festival

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cineastua · 2 years ago

Video

vimeo

DING by Malte Stein 2021 from Malte Stein on Vimeo.

Written and directed by Malte Stein

Synopsis:

Haunted by a little thing, a man gets driven to the edge.

Date of completion

01.06.2021

AWARDS

BEST ANIMATED SHORT Fest Anča International Animation Festival 2022, Slovakia SPECIAL JURY AWARD ANIMAFEST ZAGREB - World Festival of Animated Film 2022, Croatia

FESTIVALS

0 notes

falkenscreen · 3 years ago

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Film Fight Club S5E29: MIFF & SFF Updates, Disney Sued & Jolt

Where we fight about the Melbourne International and Sydney Film Festivals’ different approaches in light of COVID-19, Disney versus its stars and Kate Beckinsale versus bad screenwriting – Wednesdays 7:30PM on 2SER + subscribe to the podcast on iTunes & Spotify

Listen here

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leotanaka · 3 years ago

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miff films i’m hoping to watch over the next few days:

australian short stories

coming home in the dark

pebbles

gaza mon amour

the girl and the spider

nafi’s father

madalena

celts

the edge of daybreak

queen of glory

#miff 2021 #to watch #there were more i wanted to watch but they're sold out :(#probably too many films here to watch in 7 days but who knows might be able to :)

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augustfandi · 2 years ago

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August's interview with Kinopoisk Russia (November 10, 2021). I translated from Russian and I am not native. If there is a mistake, I am so sorry. Have fun!

- "Woland" is your second project based on Russian material (the first was "Kursk"). Is it an accident or do you have some special interest in Russia? What is it connected with?

• Yes, I have always been interested in Russia, especially literature and music. I have always felt some kind of connection with your country. Perhaps the thing is that I grew up on Russian fairy tales. I remember Baba Yaga from childhood. (Laughs.) In a working sense, the first project was the theatrical "The Seagull", with which we first went to Russia. It was 20 years ago at the Chekhov Festival, I played in Treplev's Moscow Art Theater. Then I came to the MIFF twice. I don’t even remember what films. In any case, then it was a completely different Moscow.

When I became interested in cinema, I immediately fell in love with Tarkovsky. It seems to me that to this day nothing has had a similar effect on me. Music - I don't even know where to start, it's so rich. But, in general, I am not unique in this enthusiasm: there has always been a connection between Russia and Germany, long before the revolution. It's something on a subconscious level, it's hard to describe... A gigantic topic, you can write books here. I don't even know what to call it. There is a certain common space, mutual understanding, much more significant than between France and Russia or Italy and Russia. Perhaps there is some connection at the linguistic level or in the abundance of tragedies that occurred in the 20th century in our countries.

- I wonder how it happened that Russian fairy tales were read to you in childhood? Are they popular in Germany?

• Oh yeah! Along with the fairy tales of the Brothers Grimm, Russian fairy tales are very popular!

- You say that 20 years ago the country was completely different. What are your impressions now?

• I am surprised by the technological effectiveness of your life. In Germany, people still pay in cash or by card, but here by phone. In this we are far behind. Much I imagined differently, but much coincided with my expectations and with what my brother told me (Jacob Diehl is also an actor; one of his famous works is the TV series "Dark".).

- Did you learn Russian for the role?

• The offer to play Woland came quite shortly before filming, I simply did not have enough time to learn the text in an unfamiliar language. If I had known about this a year earlier, perhaps everything would have been different. But I played Woland in my native language. In principle, in the history of cinema there are enough such cases - for example, spaghetti westerns. They were filmed in different languages and then voiced. Although I'm still worried and I'm already starting to learn the text - I will voice Woland in Russian.

- I know that you read Bulgakov's novel twice before Woland. How has the perception of the book changed from time to time?

• Already even three times. I read this novel for the first time when I was 18-20 years old. At that time, we had a real fan club of The Master and Margarita at our school. It was a romance that many associated with drugs, Satanism - in general, with what teenagers are usually addicted to. Then I did not really understand him. It seemed to me too psychedelic, too cumbersome. I was ill with Dostoevsky then, all other literature did not interest me at all. Later, I re-read the novel in Alexander Netzberg's new translation and was absolutely delighted. And not only from history and coverage of topics, but above all from Bulgakov's language. It has incredible humor, poetry, impudence - a unique combination for Russian literature.

- There is a whole literature about The Master and Margarita in Russia. What is this novel about for you?

• Hmm, tough question. For me, The Master and Margarita is like three novels in one. The first, which serves as the basis for the plot, is a look at Russia in the 1930s from space or from the point of view of the devil. It presents the most extensive panorama of life at that time, and it is Woland, who has been living in the world for a long time, that gives Bulgakov this opportunity. There is a lot of satire in this part, but it still cannot be called pure satire. What happened in the USSR in those years is shown very realistically and reliably, albeit with a strong mystical tinge. The second novel is a story about Christ and Pilate, and the third is the novel itself, a love story, obviously based on the life of Bulgakov himself. It is also interesting how many motifs inspired by Goethe's Faust are there. Due to this complexity, it is not possible to accurately define the genre of the novel. Americans call this helter skelter - chaos, a nightmare, which in the finale gives catharsis. And it is interesting that the devil here turns out to be a figure who frees the heroes

- And which of these novels is your favorite?

• I like the whole part with Pontius Pilate and Ha-Nozri the most. Yes, and in terms of language, Bulgakov becomes a poet here.

- Who was your favorite character?

• Of course, Woland! But it seems to me that I am not the only one, everyone likes this hero. This is the main character of the novel, if there is one main character at all. Formally, the Master is important, but in fact there is very little of him in the novel. The rest of the characters form a complex puzzle, but it is Woland who assembles it.

- So you were not at all upset that you were offered to play the devil, and not a romantic hero like the Master?

• (Laughs.) Having read the novel, I would by no means want to play the Master. We meet him in a lunatic asylum, he is already at the end of his journey. What is there to play? In our film, however, he has a more significant role. But if I immediately after the first reading thought about who I want to play, I would ask Woland or Koroviev. Koroviev is the coolest role. He is Satan's assistant. Even Woland is partly in his shadow.

- Now I can’t help but ask how the film differs from the novel.

• I hate this expression, but: I don't want to spoil it. I repeat, the difficulty is that in the novel there really is no main character, but in the film this is necessary, otherwise the viewer will not know with whom to associate himself. We have a Master in this capacity. This, of course, entails significant changes in relation to Bulgakov's text. The love story in the film is also much more detailed than in the novel. So the main character is the Master, the antagonist is Woland, and between them is Margarita. But I play another role, since the action takes place on different levels of reality. We have different levels. The one who comes to Moscow is a Foreigner. And he becomes Woland already in the novel that the Writer writes. That's it, I won't say anything more. (Smiling.)

- And how did you work on your image? What is your devil?

• During the preparation, I studied different images of the devil, he can be completely different. There is Mephistopheles, Satan, Lucifer - we meet all these names in Bulgakov. I decided that it would be an easy, ageless gentleman who looks at humanity like a tourist looks at a foreign country. He is inquisitive, he is never bored, despite the fact that for 800 years or already 1000 years he has been participating in the same endlessly repeating game.

- In Russia, "The Master and Margarita" is a novel that everyone has read, and each of the readers has already filmed their imaginary film adaptation. Aren't you afraid of such responsibility?

• I have long been accustomed to this responsibility, it is familiar to every theater actor who plays Hamlet or Treplev. About these heroes, each viewer has his own opinion. So for me it's just part of being an actor, nothing new. In general, of course, I worry before each project. But it's a pleasant excitement. Of course, Woland is a challenge. Yes, the whole movie. As well as the fact that I, a German, play this role in Russia. But I love challenges, risks are the most interesting thing for me.

- It is interesting that before the role of Woland, you played Franz Jägerstetter, canonized as a saint, in "A Hidden Life" by Terrence Malick.

• Yes, it's very funny how it all happens. I never thought when I was filming "A Hidden Life" that in three years I would be playing Satan. But before that, I played evil fascists and could not think that in three years I would play the role of a saint whom the fascists killed. I also like this in acting: you never know what awaits you next. You can, if you wish, see the relationship between these works. In a sense, Woland is also a saint. In general, I see some solid line between my roles, an internal logic in their sequence.

- And if you take these two jobs, which one is more difficult?

• I don’t even know how to compare a fictional character with a real one. It's like comparing Bach and good pop music. What's better? I do not know. After all, both are music.

- I also ask because both of these films are dedicated to the 30s and 40s of the last century. What was this era, in your opinion?

• These years were key years for both our countries, for Europe, for the whole world, and it was they that shaped the world in which we now live. This is the time of the biggest catastrophes in the last 300-400 years. And at the same time, it was then that so many wonderful novels, poems, theatrical productions, paintings were created - an incredible combination. This time will always lead me to reflection. Everything we deal with today originates in these two decades.

- What should be the role for you to agree to it?

• Oh, that's a very good question! When I read a script, I read it as a spectator, I don't focus on my role. And if I read the script avidly, I want to see this film myself, then most often I say yes.

- Do you continue to work in the theater? What is the difference between theater and cinema for you?

• Yes, I continue, I need it. If I shoot for too long, then I start to be irresistibly drawn to the theater. I think that we all, even actors who have never played in the theater, but only play in the cinema, we all come from it. What a film actor does is like a photographed theater.

I have been working in a conventional theater for a long time and need it to this day. I like to work on the play for a long time, to participate in its life. There is nothing like it in cinema.

- And the last question. You played the saint, you played the devil. Is there any cherished dream role left?

• Hamlet was the role of my dreams, but now I don't even know ... Probably, there is no such thing now. Dream roles happen only in the theater, because there you can endlessly stage already existing texts, interpret well-known images. This is impossible in the cinema, there must always be something new there. I'd love to play Travis Bickle from Taxi Driver, but that's unfortunately not possible.

#august diehl #augustdiehlfan #аугустдиль #woland #воланд #master and margarita #мастеримаргарита #interview

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ratherembarrassing · 3 years ago

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this week

watch: annette (2021, amazon video). OUTSTANDING. AMAZING. BATSHIT FUCKING CRAZY. 11/10. i cannot stop screaming about this.

watch: the witches of the orient (2021, MIFF). a doco about the 1964 olympics japanese women's volleyball team. top shelf sports doco that sits a little uneasy with the current vibe of "hey how about we don't abuse the shit out of athletes to get them to perform", but it neither celebrates nor condemns the reality of what these women went through to achieve their immense success. however, the real draw is the archival footage of their training, what looks to be restored and colorized olympics footage, and the incredible use of the anime based on the team, which is why this was worth the price of admission to stream it. if you like sports docos or volleyball anime, it's worth tracking down.

watch: the chair (2021, netflix). sandra oh, my love!!!!!!!! this show was so unexpected. i'm going to watch it again. the soundtrack is amazing. i'm going to be thinking about ji-yoon and juju forever, rip my heart.

listen: lorde's solar power. except no, don't listen. what a flop.

read: i am once again giving priory of the orange tree. i'll report back in about 100 years when i finish this brick.

#this week in ashleigh

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londonjets · 3 years ago

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Baltasar (2021) - Erwin Rado Award for Best Australian Short Film, Melbourne International Film Festival 2021.

You can stream all the MIFF Accelerator shorts for free online until the 22nd of August via the MIFF website. I highly recommend checking out this year’s winner for best short film, Baltasar, which is a powerfully shot and exquisitely acted piece. Honestly, you should watch all the shorts if you can, they’re free and made by serious talent. Win-win!

#baltasar #baltasar film #baltasar short #babou cham #brietta hague #melbourne international film festival #miff #miff2021 #australian film #short film #filmedit #film festival

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themovieboards · 3 years ago

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#movies #movie #film festival #MIFF #MIFF2021 #Melbourne international film festival #Melbourne

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instantarbitercollective · 4 years ago

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FANTASMAS/GHOSTS/Short Film/MIFF 2021/Spain

#short film #movie #spanish movie

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thegeekx · 2 years ago

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Relive the best of the fest with the MIFF Shorts Collection | Movie News

Murmurs of the Jungle Director: Sohil VaidyaOrigin: India (2021)Language: Marathi with English subtitlesGenre: Documentary , Experimental , Fantasy , MysteryFeatured Subjects: Baby Bhoir, Nitin Bhoir, Pradeep Bhoir, Rahul Bhoir, Sonabai Bhoir, Sunil Bhoir, Vijay Bhoir A grandmother teaches her grandson about the origins of their remote Indigenous village in this stunning, ethereal short. In…

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gig-photography-with-rue · 2 years ago

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The revival for Zines and Music Mags - Online and Print

Earlier in the year, I had my first ever experience interacting with a physical publishing company, in which my photographs were used for a music magazine publication. The photographs were featured for a review of a musician named Under the Sun, as well as published online on their (now private) Instagram.

This prompted me to start researching physical print zines as a method of getting my work published. To look into this, I researched some local photographers and purchased their zines in order to review how they approached creating one.

Firstly, I wanted to research what a zine actually is and what it means to make one. Wikipedia defines a Zine as:

" A zine (/ziːn/ ZEEN; short for magazine or fanzine) is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. Popularly defined within a circulation of 1,000 or fewer copies, in practice many zines are produced in editions of fewer than 100. Among the various intentions for creation and publication are developing one's identity, sharing a niche skill or art, or developing a story, as opposed to seeking profit."

Miff Pleasant Zines

Firstly, I began by looking at a former class-mates' zine publications, which specifically focus on documentary slice-of-life style photography from a Co-Op housing group for the Ipswich punk community. These zines really standout to me, especially as they understand their demographic and the publication scene so well.

This ex-student prints their zines using a combination of externally sourced prints and with hand-binding techniques. The zines are mostly black and white, 40 pages, and printed on 135gsm coated art paper

Will Fraser - Tour Zines

The next zine that really stood out to me was the Bleak Soul Uk Tour 2021, published and photographed by Will Frazer. I have yet to go on tour as a part of my music photography, but making a zine for a specific event is a really good idea that had never occurred to me.

The zine consists of a mix of colour and B&W photos, as well as notes, interviews and documents. I really like this style of publishing information about a specific music event, and I really would like to try making my own zine for my work at the Smokehouse over the summer.

Rodeo Mag

Next I looked at some photography from Rodeo Magazine, and how they manage their print based magazines. The publication released quarterly issues of their magazine that are "showcasing the best in new music across genres of alternative, indie and Americana".

The magazine aims to take unique approaches to presenting music journalism, such as its Haiku Reviews page for newly released albums.

The visual aesthetic is inspired by "American country music and diner aesthetic, though covers an eclectic range of great alternative music" which I thought was particularly interesting for a visual approach.

So Young Magazine

Similarly to Rodeo Magazine is the creative platform and magazine, So Young. The magazine aims to blend illustration, photography and music into a publicized platform for the community. Founded in 2013, the magazine started as a publication but now "interlinks a record label, live shows and provides a creative platform to champion music and art from the underground up"

Interestingly, I noticed that So Young have options for both printed and online copies of their work. This was particularly interesting to me as it demonstrates that, whilst the print industry is not dying, you can still modernise your magazine publications in a way that doesn't harm your success at all.

Dislocated Zine

This zine is an art and music based publication focused on providing a platform to local creatives to showcase their work. The layout features poetry, interviews, music photography, playlists and more.

The zine is exclusively online, with no print copies available. This is interesting to me, as I reckon this direction will be seen significantly more and more amongst publication companies. The publication industry is not necessarily dying, it is modernising itself by moving articles and issues online instead.

I really like the layouts, and I think the way they've approached moving the brand online has worked really really well. I will definitely be submitting work to this zine in the near future.

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ercjng · 3 years ago

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About

Eric Jiang is a queer Chinese-Australian writer based in Sydney. He’s interested in exploring intense, toxic, beautiful non-romantic relationships in whatever form they take, playing with form to create tender, intimate and joyful work.

Playwriting

Rhomboid

https://www.kingsxtheatre.com/rhomboid

(August–September 2023)

A contemporary comedy centring a queer Asian man. The show is about the labels we use to define our relationships to each other, and the limits of language in describing intense, deep forms of love, and asks if we can hold onto and nourish that which we can’t easily name. The show garnered great reviews and sold out its second (also its last) week, and will be published by Australian Plays Transform.

“a delightful, sassy saunter through the life of a friendship as it is redefined and liberated from the shackles of expectation” —

Theatre Thoughts

“a pureness in thought and purpose that really shines, for a work memorable for both its style nad meaning ... joyful” — Suzy Wrong

ORIGIN STORY

https://www.flightpaththeatre.org/whats-on/everything-but-the-kitchen-sink-1

(October–November 2023)

A 40-minute comedy which follows an Asian superhero and her housemate, as she navigates her public and personal duties and the limits of “representation.

“dense and tender ... funny and heartwrenching.” — ArtsHub

Playwriting Development Programs

Awarded: National Studio by Australian Theatre for Young People (2020)

Awarded: Fresh Ink by Australian Theatre for Young People (2021)

Awarded: The Laboratory by Montague Basement (2020)

Selected Screen Work

no place like tomorrow

(25 minutes) Created for Shopfront’s Arts Co-op ArtsLab Residency (2021).

We Regret To Inform You That

(post-production)

don’t look at me, look at my ghost

(8 minutes), created for The Waiting Room Project’s exhibition ‘a brightness beyond’ (2022).

Selected Poetry

'worms’, Going Down Swinging (2022) — https://goingdownswinging.org.au/archives/worms/

'Gilly G’, Cordite (Tell Me Like You Mean It V) — http://cordite.org.au/chapbooks-features/tmlymi5/gilly-g/

'burning’, Peril —https://peril.com.au/back-editions/edition-47/burning/

Selected Culture Writing

‘On Cold Enough for Snow’, Liminal Review of Books. https://www.liminalmag.com/liminal-review-of-books/to-sit-in-an-uncertainty

Interview with Lila Avilés, director of Tótem, MIFF Revue. https://miff.com.au/blog/view/8959/we-are-part-of-everything-interview-lila-aviles

Capsule review of ‘Riceboy Sleeps’, The Big Issue (Issue #704)

Capsule review of ‘The Blue Caftan’, The Big Issue (Issue #686)

All Poetry

‘diasporic content’, Cordite (Liminal) — http://cordite.org.au/poetry/liminal/diasporic-content/

'honey’, Liminal Magazine (Sanctuary) — https://www.liminalmag.com/sanctuary/honey

‘touch’, Emerging Writers Festival (Vignettes) — https://soundcloud.com/emergingwritersfestival/season-4-episode-5-touch

‘if a future came, id save the last piece for you’, Crawlspace — https://crawlspace.cool/if-we-came-across-a-future

‘medusa’, Cordite (Open) — http://cordite.org.au/poetry/open/medusa/

'on holding / being held / being / etc’ for Cordite (No Theme) — http://cordite.org.au/poetry/notheme-11/on-holding-on-being-held-being-etc/

'Gilly G’, Cordite (Tell Me Like You Mean It V) — http://cordite.org.au/chapbooks-features/tmlymi5/gilly-g/

'burning’, Peril —https://peril.com.au/back-editions/edition-47/burning/

'i am the ellipsis waving’, Going Down Swinging (2021) – https://goingdownswinging.org.au/archives/i-am-the-ellipsis-waving/

‘Rooms’, I Am Not A Virus, republished in Peril — https://peril.com.au/back-editions/edition45/rooms/

'worms’, Going Down Swinging (2022) — https://goingdownswinging.org.au/archives/worms/

'we made this desert’, Voiceworks (Butter)

'forecast’, Voiceworks (Root), reprinted in Australian Poetry Journal

'drifting’, Rabbit (Science)

Poetic Responses to Art

Response to the Flo Pergoleto’s solo show “Your Bookcase Is In Love” at the Waiting Room Project — https://www.instagram.com/p/BzulcvJJoWw/?hl=en

Response to Andy Carney’s solo show “andy 6000″ at the Waiting Room Project — https://www.instagram.com/p/B1r0yQ9gBJE/?hl=en

Response to Joselo Ortiz’s solo show “Human Papillomavarius Meets the Skin” at the Waiting Room Project — https://drive.google.com/file/d/1WxeTlIIipRnSarckt58Feg9Hf31Rb7mZ/view?usp=sharing

Response to Jesse Hui’s solo show “Water in Forms” at the Waiting Room Project — https://drive.google.com/file/d/18K-XktPYmyh3MM6qE_t_ZiEjcNrCnVe_/view?usp=sharing

Response to Wu Tsang’s “Moby Dick; or The Whale”, unpublished — https://drive.google.com/file/d/1HdHQnkAbg_YSd1Y-KyvXMC7WBhkWsemS/view?usp=sharing

Editing for the Waiting Room Project

HEY, I SENT U A KISS, DID YOU RECEIVE IT? — Kiki Amberber, written for “Tending Distances” by Annie Areum Shin and Sophie Lane (July 2021) — https://www.waitingroomproject.net/kiki-amberber

Upset memory and the restorative power of involvement — Jack Poppert, written for “Moving Oceans” by Anastasia Vorgias, Giyal’dha Guwaali, Josh Ophel and Lucien Wing Yin Leung (November 2021) — https://www.waitingroomproject.net/jack-poppert

Pitching

Finalist: Queer Screen Pitch-Off (2022)

Twitter

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