#midoriya analysis

[silentfanmusings]

Dark Hero Arc and Deku’s Mask

The Dark Hero Arc and the Symbolism of Deku’s Mask

Izuku’s original costume design was created to invoke All Might. The No. 1 Hero’s iconic upwards bangs were added to Deku’s bunny-eared cowl, and the constant All Might smile recreated with Deku’s mouth guard.

"Just trying to meet expectations! A smiling... dependable... cool hero... That's what I wanna be!”

There’s a lot of symbolism in All Might’s bright smile and hair shape being the most iconic parts of All Might’s image that Izuku chose to imitate with his own hero costume. But those parts of the costume are also what cover up Izuku’s face and keep his actual features and emotions hidden from view, especially during the Dark Hero Arc where he’s wearing the mask constantly, something he hasn’t seen a need to do prior to this arc.

Which is why pulling down the mask is such a good indication of where Izuku is at mentally post war.

He’s hiding behind a figurative All Might mask for most of his arc.

And in his imitation of trying to be like All Might also shows up the dark side of All Might’s heroic traits and martyrdom that Izuku has picked up on. The never sleeping, never stopping, having to be constantly on the move or he won’t be fast enough or strong enough to save everyone.

All Might became the only pillar of society, and that left him isolated from everyone around him and leaving him with nothing else besides his persona as the Symbol of Peace. He was a symbol of heroism, and it’s no wonder he didn’t think he had a right to be human anymore as he was put upon pedestals and took on the burden of upholding peace and justice in society.

Deku’s mask shows us how becoming like All Might isn’t going to fix anything. The Dark Hero Arc is supposed to show us the problem with the one pillar type system of heroics that All Might pioneered over the use of teamwork and cooperation.

As the strongest hero, All Might didn’t wait around for the other heroes to keep up, and was only focused on being a symbol to inspire others.

“All Might... I’m fine now. You don’t have to follow me.”

It’s why All Might and Deku feeding into one another’s drive for heroism isn’t a good thing in the long run and ends up with Izuku running worn and ragged and unable to do anything as those around him are left behind and unable to keep up and get him to slow down and rest.

It’s why I also think that Izuku losing the hood and face-guard are so important. It’s a way to show him more open and vulnerable. To be more relatable to those around him.

"If I can't save one little girl right in front of me... Then how can I ever hope to be a hero who saves everyone?!"

All the biggest moments that Deku has acted as a hero for others, took place where he wasn’t wearing a mask. Those were the moments he was the hero Deku; not just an “All Might wannabe” hidden behind a hooded cowl or face-guard. Not when his eyes are shadowed and dark where only his irises are visual.

Izuku’s biggest heroic moments are when he isn’t doing things All Might’s way, but relying on his own strengths and powers as a hero.

All Might’s constant smile and hair tufts were his version of a hero mask - and those are the aspects that Izuku took inspiration from in his original costume; and those were the parts of the mask present for the majority of his fights in the Dark Deku arc.

"I smile to show the pressure of heroes and to trick the fear inside of me."

All Might used his smile and image to mask his own fear and insecurities.

And when the masks came off, we could see that Izuku wasn’t smiling at all during his arc. He stopped taking care of himself. He only allowed himself to be Deku, and was taking his heroism to the extreme to live up to the symbol that All Might had created and that Izuku took on as the Symbol of Peace’s successor.

“In order to smile... for everyone to live in peace...”

It’s why Izuku’s mask coming off during Deku vs Class A is so important to them coming together and working together by the end of the arc. 

When Iida, Uraraka, and Bakugou all reach out to save Midoriya from himself during this arc, none of them are wearing masks. They’re not hiding behind a façade, and are being their most genuine selves. And that is what ultimately opens them up to save Izuku. Losing the mask by the end and knowing that his friends are by his side.

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[lilybecca1]

So they say that how you show affection reflects how you've been raised. And wellllll let's say that Bakugo didn't exactly learn how to show his affection in a healthy manner.

As we've seen so far, he and Mitsuki usually just scream at each other and his mom often boinks him or shoves his head down. Ahh such motherly love

But all this rough handling doesn't mean they don't love each other right? It's just their way of showing their love. And we also know Katsuki isn't exactly good at showing his emotions and telling people he loves them, but that's just something that he hasn't learned through his childhood.

So if children learn how to show their affection for the people they care about from their parents, then Bakugo probably expresses his love in a similar way to Mitsuki. Or to put it simply, through ✨violence✨

A prime example

To a stranger who doesn't know him, it would seem like he's actually mad, but no. This is actually his way of showing that he cares about his friend. He sat down with Kirishima to tutor him which he definitely wouldn't do to people who don't matter to him, so act of service is definitely a big one for him, and also physical touch in a way, apparently. Of course, this doesn't mean he cares about everyone he hits, but these are harmless and this is just how he learned to express himself through childhood.

But this doesn't happen a lot, EXCEPT

aaand here it goes

EXCEPT with Deku.

Like you literally don't see a single interaction between the two of them without Bakugo in some way hitting Deku. Or just shoving him. Or really anything. Like my dudes, this guy CRAVES physical contact when it comes to Deku I SWEAR.

Just look at a couple of them

He literally goes out of his way to shove or make physical contact with Deku in some way even when Deku is just minding his own poor f*king business. And he sure as heck likes to shove his head especially, kinda like how his mother does to him too. Like he just wants to reach out and touch his hair a lot...we all know you want to Bakugo, don't deny it

I swear Bakugo is like one of those kids full of testosterone that push and pull the hair of their crushes cause they don't know how else to express that they like them and they don't know what to do with those feelings

He initiates contact even when it's not necessary, and mostly with just Izuku. If violence is really the way Katsuki shows his affection then he basically showers Deku with it 🚿

And yeah, he shows that he cares to his friends too, but he seems like he cares about Deku a lot doesn't he? When we look back at all the interactions that they had, and how Bakugo generally gets ticked off by the mere presence of Deku, that makes him want to scream at him and shove him all the time..all that might just be him not knowing what to do with all that affection inside of him that he wants to express, because he never learned how to express it.

When we look back at everything, it just looks like a boy who doesn't know how to show that he cares about the people he loves in a healthy way, and it's very easy to misunderstand that and think that he dislikes everyone around him. But in reality he's just a boy who very much craves that affection too, just doesn't know how to give it and how to ask for it, so he naturally does what he has seen his parents do.

[sleepingpopplio]

A Reminder about MHA’s last chapter

Dear MHA fandom, the leaks never said that Class-A lose complete contact with Izuku for the last 6 years, only that they haven’t been able to see eachother because of scheduling conflicts. TEXTING, CALLING, AND VIDEO-CHATTING ARE STILL A THING. FOR ALL WE KNOW THEY’VE BEEN TEXTING 24/7 SO PLEASE STOP REACHING SUCH AN INSANE CONCLUSION WHEN THATS LITERALLY NOT THE CASE.

Translations say they “haven’t had enough time to get together”, which means seeing each other in person. It doesn’t mean anything about other forms of communications. Long-distance relationships happen all the time. Dont you remember still keeping in touch with others after moving away or after highschool/college? It’s the same case here.

So, let’s all take a deep breath, no matter who you ship or care about most, and remember that these kids all care about eachother and nothing can change that.

[hotpotatopotat]

Why I don't think Shigaraki or his legacy is over.

I don't normally do canon delves but I am compelled as a Tomura fan to dissect the final battle. This isn't a post on whether it's good or bad, but observations on what's been told.

Shigaraki's crux has always been that he feels like no one can possibly understand what he is trying to accomplish, that his message and suffering is pushed under the rug, and that society is so rotten there's nothing to be done. Deku's goal is to try and understand this.

When Deku breaks through in mha417, Tomura challenges him on this. What would even change if you saw what happened to me? What would you even DO about it? Deku declares to the one person that needs it most: To reach out and give you peace, and "that is why...I am here"

But... When given the chance to go back to a time when he was happy, Tenko chooses not to. "Nah." he says. I think this is often overlooked, but Tomura didn't WANT to leave behind everything he's done.

Tomura says, even if you got rid of my hatred, even if you succeed in "saving me", it doesn't change the fact that I still believe in the future I'm fighting for, to destroy. The villains need a hero, the suffering needs to end, and things need to change.

Hang on to that for a moment. All for One shows up. He mocks him, his dream, his goals, claiming that they weren't real, that they weren't his, that his heart doesn't matter, that none of it does. He's evil.

All for One does kill Tomura here... or at least he would have....

With Deku's final blow, he ignites any remaining embers, Shigaraki, included. They land the final blow to All for One. Without that spark, and without Nana having saved Tomura from fading away, he wouldn't have been able to do this. Tomura would have died before.

Tomura's vestige is still decaying away, and he laments the fact that maybe...he wasn't more than the crying kid Deku said he was. He couldn't do anything. He didn't even destroy Deku's hands. His dreams are over.

Izuku says that he wanted to stop the cycle of grief and suffering. Tomura gives him a soft "hah..." This is such a cathartic moment for them, because I believe that Tomura finally feels understood. He's actually quite relieved.

Strangely, Tomura is soft here. He's not decaying away anymore, he's solid, he's wearing his old shirt. He's NOT the same. He declares how he wants to be remembered, as the one who never stopped fighting to change the world. Izuku says, it's already been...but...

In mha424, Tomura instantly challenges this. With a giant smirk, he tells Deku that he better do his damn best to make sure that things change. It depends on the choices that he continues to make, not the conclusion of one battle.

424 feels like a giant wink wink nudge nudge for the reader. Deku is dissatisfied with not getting that instant gratification of "saving" Tenko, just like after a final battle, he won't get the instant gratification of changing the world. We don't get the gratification either.

But honestly, I really do believe that Deku will carry on Shigaraki's legacy and internalize it just like All Might's.

One final thing... You see his hair change textures. Left to right, It's decaying like in the final form, it's defined and stringy like in his early days, and it's airy and blocked like in his liberation days. This is such guardian angel energy, I swear.

I don't think this is the last we will see of him. And if it is, at least physically the last we see of him, I'm happy Deku will carry on what was truly in Tomura's heart.

[probablyinthevoid]

[lerrryyyyy]

Deku-Sensei ☺️💚

°°°

Do not edit or repost my art.

[k3r0deku]

erm hey. never posted this but have had it for like a month now. bkdk tattoo

designed myself :p

if anyone wants a whole analysis on the design i’ve got one HAHAHA

[tawney]

PLEASE pile up on me your favorite Teacher Izuku fics. Ones with some depth and personalities to the students rather than just a one-shot, I'd love to see slice of life fics with Deku dadzawa-ing his students and his students being Deku's personal problem children and all the sweet casual fluff crap 😭 all these tropes and ideas I'm seeing on twitter and tumblr are making me long and I'm close to just starting an ao3 account and writing them myself.

[coladaminx]

So if you watch this scene izuku and kacchan are sitting on both ends of the couch and what makes this scene so sweet and kinda sad is that izuku consciously or maybe unconsciously brings himself closer to his kacchan with the Manga version you can actively see him scooting closer (HE WANTS TO BE CLOSE TO HIM) and be able to actually talk with him Normally ;A; which we find out later he feels blessed being able to be near him and ya know talk and katsuki didn't push him away THEIR INSANE YA'LL!

[thekingofwinterblog]

My Hero Academia - How NOT to do an Open Ending

In 2022, the American animated series Amphibia ended with an open ending that left all of it's ships up in the air, and the question of where the main characters would go from there up to the reader.

That might be a rather weird way to open an essay about how My Hero Academia failed, but the reason I do so, is to illustrate a point.

Namely that there is a way to do what Hori tried to do with MHA right.

Amphibia ending has the main human trio of that series reuinte after a long timeskip, with all 3 of them having found their passion in life and built careers for themselves, and while there are some suggestions that Sasha and Anne are a bit closer than what might be apparant on screen, it ultimately left the situation of their romantic relationship at this point, and from there on, up in the air withouth confirming or denying anything, beyond the fact that they for whatever reason drifted apart in highschool, but have come back together again at this point in time.

It left you with enough pieces to figure out the specifics, and how you can understand how things got from one point to another, while still giving all the characters a satisfying payoff, continued the shows themes, had no real plot holes, and wheter you ship any of the characters in question or not, it didnt ultimately matter for the quality of the ending.

The fun part about an open ending is that there is room to speculate, so long as it manages to balance all of the above.

A story does not HAVE to end on the main characters hooking up. it does not have to end with tying every single character up in a relationship and showcasing the beginning of the next generation. It does not have to have a definite ending that gives all the answers to be good.

That is one way to end a story, but it's not the only one.

There certainly are stories that NEED to end like that to be good, stories with a greater mystery, or revenge tales, or who's entire story was about one, specific romantic relationship are shit endings if they ultimately end on an open ending withouth answers.

within the context of MHA, Hori managed to weave this balance very well with it's villains.

The story of the Todoroki family in particular has all the definite endings, and tells us where all the players ends up... but it also leaves the possibility, and question of wheter or not dabi ultimately managed to make peace with his family or not up in the air.

This is a good, satisfying, tragic ending.

Spinner and compress both end up in jail for the rest of their lives, but Spinner resolves to write a book, that for better or worse will tell the league's version of the story. It's not AS good an ending as the above, but it still works just fine.

Clearly Hori CAN write a good open ending that still gives closure.

Which is why it's so baffling that MHA 430, ends up doing EVERYTHING WRONG as far as an open ending possibly could.

It has no closure, it has plot holes aplenty, it manages to leave the question of will they or wont they unanswered, not by being ambigious, but by telling us, in the most unintentionally agressive manner possible that it did NOT happen, and most damningly of all, it shits all over the Story's themes.

MHA ends with the cast all grown up in an "and the adventure Continues!" ending, similar to justice league Unlimited.

That's not a BAD way to end it... The problem is EVERYTHING ELSE in this chapter.

Because we learn WAY too much in this chapter. the gaps in the timeskip is filled... but not in a good way. instead in an infuriating manner that pisses you off if you actually starts to break it down.

Let's start with Izuku being forgotten.

So i have seen some people try to shut down criticism about the fact that Izuku didnt win fortune or fame, by noting that from the thematic point, being a hero was NEVER about that from Izuku's point of view.

And that is true... but this argument misses the bigger and more obvious problem.

The story REFUSES to tackle this from that angle.

As many have pointed out, this is a BAD outcome ending for Izuku.

He returned to being quirkless, he had to settle for a job that wasn't being a hero, he has been mostly forgotten after his one big highlight, and his friends have effectively begun to move on.

And he does not care.

At all.

Hell, a 14 year old izuku who for one brief moment gave up on his dreams to chase a more realistic future, has more genuine and mixed emotion and mixed feelings in one shot, than Izuku has about actually living through a much more bittersweet scenario.

Hell, the one moment Izuku has when he looks genuinely down in this chapter, is when Aizawa admonishes him for not being strict enough with his students.

Basically the premise here is sound. Izuku ended up in a bad personal ending to set up the return to actual heroics at the end of the chapter... And that could have worked if it committed to that.

If he was portrayed as actually having regrets about his lot in life. you know, the same thing All Might's ENTIRE STORYLINE was built around!

MHA has ALWAYS been a human story that confronted the fact that people had regrets, and problems, and they need to be honest about them to deal with them.

To not bottle everything up inside and pretend the problems arent there.

For the story to end, with Izuku doing EXACTLY THAT is a slap in the face that goes EVERYTHING this story has preached about how you need to communicate with the people around you. the entire point of chapter 429, the CHAPTER RIGHT BEFORE THIS ONE!

Then of course there is the whole "Everyone Growing apart" thing too.

Now, it's not as bad as the early translation made it seem, but the point still stands that despite the entire chapter right before the end then emphasises how everyone went their separate ways.

This chapter COULD have shown us moments where Izuku is still in contact with the rest of his class, but it does not. instead it emphasises how distant he is becoming from the rest of his former friend group. He is the lone one out, the one guy who seemingly is no longer in regular contact with the rest.

The reason for that, is that Hori wanted to make the moment where he returns to the fold that much more impactfull... but it does not work, because it basically tells us that none of the class was able, or willing to make the personal sacrifice to keep in regular touch with him during those 5 years.

But FAR more egrigiously, and spitting in the face of the Theme of actually communicating and talking with the people you care about, is HOW Izuku gets back into the game.

Apparently they spent the last 5 years pooling their money to finance a high tech suit for him to fight crime in.

And i get it. I get what Hori WANTED to do with this. He wanted to show "See, Class 1-A didnt forget Izuku after all, they still love him!".

Thats the intended message.

But the problem is, it does not work. and in fact, not only does it NOT work, but it completely goes against EVERYTHING that the story has been trying to preach for the entire 10 years of it's run.

The rest of class A never told Izuku about this. ever. Why? apparently because they wanted it to be a surprise. So they just let him go on with his life for 5 years, all while none of them really bothered to keep in regular contact with him.

There is... so much wrong with that.

But before going over the way it just hammers in the point that actually talking with the people you love isnt important after all, let's go over how this entire stupid plan could have backfired SO badly on the part of class A. Hell, it kinda did actually, if not quite as spectacularily as it could have.

What if Izuku had gotten married and moved overseas during this period? What if he had gotten married in Japan, but his entire family dynamic and plans had revolved around the fact he had a job that did not require moving around much and so got to spend a lot of time at home? Hell, even within the context of what actually Happened, U.A is still going to find itself suddenly short of one teacher who his classes relies upon, if he actually wants to go pro for real.

There are so many ways this stupid 5 year scheme of secrecy could have backfired, and it does not take a genuis to be able to see them.

basically the entire class planned out Izuku's life ahead of him withouth telling him anything about it, withouth giving him the context or preparation for how to plan his future with it in mind, and how none of them seemingly cared about how this might upend his actual personal life.

And thats just the logistical issues.

Morally speaking, this just repeatedly hammers in how this final chapters just completely abandons the themes of how you need to actually work, talk and discuss your personal matters and feelings with the people around you.

1-A did none of that.

They let their relationships with Izuku cool, when they didnt have to, seemingly with the idea that it didnt matter in the end because he'd join them anew as a hero later anyway, and they could catch up then.

Which leads me to discussing the one, actual ship who's ending actually DID matter from a storytelling perspective.

Izuku and Ochako.

Now i have seen so many bad takes across the web from the people who are happy this did not happen, or argue that it does not matter.

But the brutal truth is, it does.

And the reason it does, is not because Izuku HAD to end up with Uraraka, or even that they had to be together in the final moment of the series.

It's because one of the longest running stories of this manga had NO ENDING, NO RESOLUTION, and rather than that, it wants to suggest it might still happen anyway... Despite unintentionally KILLING IT in the most infuriating way possible.

Out of all of the cast, it is Uraraka's character who is butchered by this stupid 5 year plan, to the point it even taints her entire new character direction at the end.

Uraraka ends the story having reformed the Quirk system for people growing up, helping those with difficult quirks get past mental problems... But just all the rest of her class, she chose to neglect her relationship with Izuku under the seeming thought process that she could patch it up later... Or that she could finally confess her feelings.

I'll let Shigaraki speak for my feelings on this way of thinking.

"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you built. That means your system's rotten from the inside with maggots crawling out. It all builds up little by little over time."

The intended message of MHA is a refution of this... but in this final chapter, Shigaraki's words ring true, at least as far as class A is concerned.

As they became Heroes, they neglected the one amongst them who needed the most support and instead went off to, as shigaraki put it, Help Strangers.

They pretended that Izuku's situation in the moment did not matter, because in the long haul it would all be worth it.

And just like their predeccessors, it taints everything they do.

But Uraraka most of all. If you ignore the romance angle, she has started a massive program to help strangers in need... while also neglecting and frankly mistreating someone she loves and cares about her who needed her support in his weakest period.

If you do take Romance into account, it gets even WORSE, because then you have to accept that Uraraka ultimately rejected the message that she preached with Toga, the thing that got the blonde girl to turn coat for her.

She in the end did not manage to live a life where she actually was able to do what she wanted to do, and instead remained the exact same wishywashy girl who refused to actually be open about her feelings.

Instead, she, in her final shot of the series, is in the exact same spot she was back then. A girl who would forever pine after Izuku, but never be able to open up about it.

Which would be a bad enough way to end her character on... But then when you take into account that she also participated in the 5 year plan, and there is nothing to suggest she kept in touch with him more than the rest, just makes it so much worse.

I have said before that with this ending, Uraraka's love story was an objective waste of time, and i stand by that.

Hori didnt have to end the series with Izuku and Urarak married, engaged or obviously in a relationship, but by refused to actually make it happen, and lumping Uraraka in with the entire rest of the class, he instead did something way worse.

He made it abundantly clear that regardless of what Uraraka's feelings on the matter, the relationship to Izuku was not something special. She was NOT his Hero in the moment when he actually needed one.

Neither as a friend, or as a love interest.

Her actions tainted everything else.

And of course, there is the big plot hole of this chapter.

The single biggest, and most obvious hole that is just gaping through it, that for this story to work you have to completely ignore.

Namely that 1. All Might is one of the richest peoples in the world. Class A should not have had to actually fund Izuku's suit. All Might could, and SHOULD have done that all on his own. and 2. That this tech EXISTED 8 YEARS AGO!!!!

All Might's armored suit made him one of the most powerfull figures in this entire series.

Sure it was a bit experimental, but it WORKED! it was not some unstable prototype that coudl explode at any moment, it would have worked just fine as an actual permanent power up!

For this entire stupid 5 years of Sidelines Izuku to work, you have to just PRETEND this massive hole does not exist.

And it's not a small hole that you can justify that the characters didnt think about it. It's there, and it's MASSIVE.

The only reason it's not talked about as much as all the rest is that while this is the big Material problem of this chapter, everything else is so much worse because it attacks, destroys, and taints pretty much every theme MHA had over the course of it's long run.

---Edit---

Apparently there is a throw away line in the Trivia section of Volume 39 that All Might apparently spent almost his entire fortune on his Mech suit.

Meaning that while this isn't quite the plothole I assumed it was, it IS still TERRIBLY communicated within the story itself why All Might didn't just fund Izuku's suit themselves.

---

The themes that more than anything else was what set it apart from every other battle manga that ever existed. The Human themes of actually talking to the people around you that made MHA a special story, far more than it's superhuman battles ever did.

That is why so many people are pissed off about it.

It's also why MHA is such a textbook example of how NOT to do an open ended story.

Hori could have kept the details about Izuku's life, be it his personal or proffesional life incredibly vague, beyond the basics... but he choose not to, and instead peeled back the curtain... but rather than showcasing depth, it just made the whole thing fall apart by giving us the specific details that we did not need, and which pretty much tainted the entire ending down to it's core... All completely unintentionally.

He didnt have to show that Izuku had NO specific remaining bonds with any single members Class A that were still more important to him than the rest.

But he did.

He didnt have to go out of his way to show that Izuku was completely forgotten by society at large.

But he did, and subsequentially did not actually choose to explore that.

He didnt have to show us deep, long, internal monologues from izuku's perspective where he is cartoonishly at ease with his lot in life.

But he did.

He was too specific and detailed about the things he NEEDED to keep vague, and not specific about the details that we actually needed to know, and so it all collapses in on itself in a mess of broken Themes and morals, and shattered logic, and above all else, he managed to carelessly and unintentionally cheapen every single relationship Izuku formed with the rest of his classmates over the course of this story.

[rirururu]

Bakugou in chapter 1 said his goal was to become the number one hero and the richest person in the world. He was adamant that Deku couldn't do anything without a quirk.

He went from that to working his butt off for 8 years and spending his entire life savings to give adult quirkless Deku his dream of being a hero back. And expecting nothing in return except the wish that they can "compete and chase each other for the rest of their lives." 😭

Bakugou Katsuki grew so much. I will miss such an amazing character. 🥹

[dekusleftsock]

Someone described Katsuki’s thoughts on their future as this “catch and chase” esc game and I can’t stop thinking about catch-a-Kacchan now. The symbolism of that now is so telling with Katsuki’s new admission. Oh my god.

Like of course izuku could never catch Kacchan: that was the game. The hope that their rivalry and therefore their new found relationship could stay this way forever. He would never lose Izuku because they were always trying to catch each other—chase, grab, hold, let go, and chase again.

IT EVEN PUTS A NEW PERSPECTIVE ON KATSUKI’S PHRASING OF CALLING OFA A “CURSED POWER”

Honestly it almost feels like the end to this statement, one he never quite articulated to himself, and especially not to the world. Ofa gives power, ofa gives hope, and ofa ties itself to the people it interacts with. Ofa breathes the life into the game of their lives, catch and release.

Ofa may be a cursed power, but I just thought we’d be competing, and I’d be on your heels, for the rest of our lives…

Because ofa is the beacon that, on a very literal level, allows catch-a-Kacchan to exist. What do I do if I don’t have an excuse to be with you? What if I don’t deserve it?

AND THE NUMBER ONE RULE OF HOW KATSUKI ALWAYS WON CATCH-A-KACCHAN WAS THAT HE HAD TO TAP IZUKU ON THE BACK… HE HAD TO MANEUVER HIMSELF BEHIND IZUKU TO WIN…. WHAT ARE YOU DOING TO ME

And it’s such a small detail of symbolism, and idec if it’s purposeful, it’s just the fact that it exists at all that I love it so god damn much.

As Izuku tries to comfort him in the only way he really knows how (“well I still have the embers! It was a nice dream while it lasted! Please don’t cry you’re just overly sensitive right now, I’m sure you won’t feel this way later..”), and as Katsuki believes that the only way he’s allowed into Izuku’s life is this small glimpse into their rivalry—and, in spite of it all, allmight reminds them that they have changed.

The world, it has changed. The winds still blow high across the country, and we are reminded that the most important part of despair is the connection we have with each other. They are not just heroes, they are the greatest heroes—together.

The world will never be the same—and isn’t that the most beautiful part of it all? That we have changed, together?

[floworence]

I absolutely love how mha handles Toshinori and him being The Symbol of Peace.

Horikoshi could've went with the very popular route, having the guy who seems like The Hero™ be secretly corrupt, using the protagonist, the whole, single entity that is responsible for corruption of society, but he didn't do it.

When you first see All Might, you see this God-like figure, worshiped by everyone, someone larger than life. You see all that, and expect him to be a superficial, shallow, asshole who does it all for fame.

And then the reveal happens and we partially see the man behind the legend. Disabled, middle-aged man who is becoming jaded and bitter by the state of the world and heroism at large. First interactions we have with Toshinori Yagi and not All Might?

He is an asshole.

Except he is not.

Looking back at the first interaction he has with Izuku, he is really not trying to be mean, he really is trying to be helpful. He saw first hand what heroism does to people. He experienced it. He knows that heroism chews you up and spits you out, even with such power like OfA. He sees this trembling boy, with stars in his eyes, worshiping him like he is a God and all he sees is yet another person disillusioned with what heroism is, so he tries to keep him safe in the only way he knows at that moment: by crushing his dreams and facing them with harsh reality.

You have to remember that at this point he doesn't know Izuku, his impression of him is only of a hero fanboy who doesn't understand the dangers of hero life. Should have he been softer? More mindful of what he is saying? Yes, of course but this first interaction is important for his characterization.

Why?

Because, we as the audience see him make a mistake.

With this, we see that he is not a God. He is a human, a man, and that is the most important part of his character.

His humanity.

From then on we move onto the training montage, where we see more and more of the man, rather than the legend. We see that he is sassy, silly, caring and a rather mediocre mentor. We see good and bad. During season one and two, we as the audience familiarize ourselves with the man behind All Might, but actually we don't see him fully yet.

We are still like Izuku in a way, we know he is a human, not a God, but there is still this level of invincibility to him, yes he has his limits but still, he is this giant figure casting shadow.

It is not until post Kamino Ward arc we realize on who exactly All Might was casting shadow.

Yes, yes, yes, I know what you are expecting me to say here, that he cast the shadow on other heroes, Izuku, students, Japan, whole world even, and he did but we will get into that in a bit.

The person which was hidden the most was Toshinori Yagi.

It's not a coincidence that not only the story got darker with "All Might" not longer being present but that we also get a lot more moments with Toshinori being vulnerable.

Only after the protective shield of All Might is gone do we really start to see AND understand Toshinori.

We see exactly why he became a hero, his complete disregard for his own self, the workaholism, the pressure he was under to keep it all together.

Then, society collapses in on itself and Toshinori is left with a gaping void in his heart knowing it was all for nothing.

Horikoshi could've had All Might be corrupt, he could've been an asshole looking for fame but instead he made him into this deeply empathetic, caring, kind, loving man who just wanted to save others.

Society's dependence on All Might wasn't Toshinori's fault. He was just one individual put on a pedestal, held to such high standards that it almost killed him. Scratch that, it would've killed him if it wasn't for Izuku.

After Shie Hassaikai Arc, you see one thing that I haven't seen done before.

You see how Toshinori was also the victim of the hero society. You see how that man sees no value in himself except for what he can do for others. He feels completely worthless and undeserving to be even alive.

He wanted to become The Symbol of Peace, yes, but society made him into their only defense with even other pros admitting they are "rusty" because of All Might.

He never wanted to be the only one but after he was put on that pedestal he had the whole world on his shoulders and he carried it for years until the world bled him dry and then discarded him.

People becoming complacent wasn't his fault, he never advocated for everything to be left to him, never bragged he was the best, never made others feel lesser, and yet everyone took him for granted and that ultimately lead to the catastrophe that was the Final War.

You know what is the worst though? That he still felt like it was his fault and he will probably forever carry that guilt with him.

But in the end, it wasn't all guilt. Yes there was the guilt for not being able to stop the war, for indirectly causing the society to become complacent, for not being able to stop his students from risking their lives, probably the guilt of thrusting the weight of the world onto Izuku's shoulders (unknowingly, but that is for another post).

Final war arc is also Toshinori's final arc and his biggest realization.

His realization that Toshinori Yagi and All Might aren't two separate entities. That it's all him. The realization that he also had in the first epilogue: quirk doesn't make the hero, it's the heart.

That's what Iron Might represents. He answers Izuku's question here and he says:

Yes, you can become a hero without a quirk.

And with that, his sclera is once again white, because he is whole and he has hope once again.

[sleepingpopplio]

The Powerful Theme Behind BNHA’s Nuanced Ending

As I’m posting this we only have one more chapter of the manga and I don’t know how the ending is going to exactly play out, but I do know one thing. The deaths of Toga and Tenko were not in vain, and the author is still trying to give readers hope while also still maintaining some realism and bitter-sweetness in his messaging. Therefore, this is what I think Horikoshi is trying to tell his readers, especially the young people who have their whole lives ahead of them to make a difference on the world:

I see how this theme, the one that’s been built up throughout this manga yet simultaneously feels like it’s coming out of left field, is one of those themes that is a hard pill to swallow. Basically, no matter how hard we can try and push to do good and help others/make the world a better place, we’ll often fail again and again. A lot of bad things can happen, society can choose to remain apathetic, and it can seem like nothing’s ever gonna change because you just put all that hard work in towards the future for nothing. However, even if sometimes you can’t save everyone or society keeps trying to push issues under the rug, that doesn’t mean we should give up trying to fight for social issues we care about. We might never get to see the perfect world Deku and Urarak dream of, and Tenko and Toga may be gone, but their fight for a good and accepting world will someday be worth it cus their actions do have weight by showing that redemption is possible, even if no one has seen it except them. Young people like them just have to make sure to leave their mark so that others can follow.

My Hero Academia is about how we all can become the greatest hero, not by magically destroying the world’s problems and apathy overnight, but instead by continously reaching out a helping hand to people who might not initially seem like they want it.

[ladymiria]

I also want to give my opinion on Chapter 424 because it's really... HUGE. As I've been saying for years, Mha is a story of two: the story of Deku and Kacchan, or rather, Izuku and Kacchan, since Bakugo hasn't used that nickname anymore since his apology.

First of all, Chapter 424 makes it clear to us once and for all that Kacchan cares about Izuku, but it goes much further than that. Kacchan cares much more about Izuku's fate than the fact that he may have lost the use of his dominant arm forever. The fact that he shows that he cares more about Izuku than himself is related to and clarifies the scenes that come after.

Showing vulnerability:

Izuku says "this isn't like you," surprised by his tears, but it's not new! It's already happened several times, especially in Deku vs Kacchan 2, and there was a lot of desperate crying and vulnerability. The huge difference is that back then, Kacchan was talking about himself. His quotes to All Might and Deku were all centered on himself and his own perceived failure. His frustration was entirely personal and Kacchan-centric. Now, his despair is entirely projected onto the injustice suffered by another, and when he turns back to himself, it's always in relation to the other person.

His panic is about their entire future together - and I don't think it's a coincidence that he turns away right as he says these words. He's not embarrassed by the crying, but by the intimacy of the speech. In the distant past, they were friends, but with the new Izuku, he's built a relationship that is almost (almost) healthy, based on competition. It's no wonder that, having to give that up, he fears that he won't have any other kind of relationship with Izuku. It's not just a matter of desire; it's the unknown, the difficulty of relationships, and the fact that Kacchan DOESN'T know how Izuku feels. It's certainly not just Kacchan who has been solely focused on competition since the U.A. arrived on the scene.

He will probably overcome this fear soon. After all… in the end, they laugh and cry together. And their attitude is open and relaxed. They are facing each other without any challenging attitude. We've never really seen them like this before. And it is All Might himself who tells him: their relationship has changed, they have changed.