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youryanderedaddy · 1 month ago

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Summary: You run into your snobby ex boyfriend after a drunken party. Things go south from there. tw: female reader, hinted murder, possessive behavior, condescension, financial(?) abuse, classism

You know this is a stupid, stupid idea. Going home at God knows what time in the pitch black is never a good idea, you think drowsily, head still spinning from the last beer, but even more so when you're tired, pissed off and tipsy. You're freezing, naked shoulders wet from the chilly midnight rain - but instead of soft damp linden, you smell molden concrete and metal. You fucking hate this city. You hate the stupid, flashy, obnoxious parties for rich people, and this shitty university in the middle of nowhere, and even the scholarship that forced you into close proximity with the freakish upper class of east New Hemptison.

"Baby!" A familiar voice sinks into the muddy darkness and you have to physically restrain yourself from emptying your stomach right there on the street - and knowing your neighbours, you'd have to clean it after too. His steps fasten and soon you feel his hand gripping your shoulder to turn you around. Standing before you, glistening just like some prince from a fairy tale, is everything you despise about this town. The fact that he's perfectly prim and proper despite the pounding rain, that his teeth seem almost pearly white in the dark, that his hair is crisp and slicked away tastefully, that even now he's wearing a fucking Armani shirt with the cheesiest pair of jeans (ones you could never afford) - it makes you want to crawl back to the cave you came from, two continents away, and never look back.

"Baby, where have you been?" He sounds terribly concerned as he pulls your shivering body in for a tight bear hug, running his hands through your absolutely soaked hair - murmuring something incomprehensible to your drunken mind. "I was worried sick, missy." His voice drops slightly, but it's all for show. He's playing the part of the good boyfriend, like always - and you fell for it once, you did, but you know better now. "I called you, like, sixty eight times. And nothing." He swallows, big hands trembling around you. "Just radio silence. I thought something bad happened to y-"

"Oh, f-uucking beat it." Your patience finally snaps and you push him off swiftly, barely contained anger starting to resurface again. Today was supposed to be about you, about healing, about feeling better, but just your luck - the very problem had found you, just like always. No matter where you go, your troubles follow. "You know what you did, asshole. Don't you d-aare play innocent with m-me." You hiss drunkenly, stumbling all over your words before hitting the wall all on your own. Mathew, of course, doesn't waste the oppurtunity to get closer to you - just so he can help you regain your balance, of course. The golden boy of Saint Hemptison would never take advantage of an intoxicated girl - much less his ex girlfriend who he's still hopelessly in love with, supposedly. Right.

"Baby, please, you're drunk - you're not making any sense." The man whispers softly, placing his hand at your hip. "Let's go to the penthouse. We can talk about this in the morning when you are more aware of your thoughts."

When you're more aware of your thoughts? You almost laugh. It's quite bittersweet when it hits you that he doesn't respect you even now - maybe he never has in the duration of your miserable relationshop, that in his eyes you'll always be the poor girl in need of a white knight. Just a little trophy to show off, if a bit broken in certain spots.

"I am not going anywhere with you." You mumble, trying to calm down - to appear cold and collected, the complete opposite of what he wants you to be. "Look, I know that you're mad at me, babygirl, but I'm sure your little temper tantrum can wait until tomorrow. You know I don't like this neighbourhood. Let me take you to a safe place for the night, okay?" He reaches for your hand again, but this time you swat it away in fury.

"Who are you to act so worried about me, huh?" You can hear your voice breaking as the tears prick at your eyes - hot and shameful. Crying in front of him is the last thing you want to do, but god, it's so hard not to when this whole night has been a disaster after a disaster. You're truly at your wits' end. "After what you did? You are truly shameless." You squeal, and admittedly, it feels fucking great to finally say it.

Your former lover's face twists into an unrecognizable grimace as he watches you tear into his heart with ease - and as you turn to leave, he grabs your wrist painfully. This time something is different about his eyes - they're not longer smiling. Now they're two bottomless gray pits devoid of kindness, the same eyes you saw the night of the accident as he caressed your cold cheek with bloody knuckles.

"And what did I do, love? Hm?" He tilts your chin up by squeezing your throat, forcing you to meet his eerie gaze. Suddenly all your tipsy bravado evaporates into thin air. "Please, refresh my memory. I really can't recall the events of the past two weeks - since you've been avoiding me and all..." His fingers dig into your skin and you wince just like a kicked puppy - but he doesn't bulge an inch. Suddenly everything comes flooding back - the touches you convinced yourself were sensual, not possesive, the glances you once thought of as romantic, the constant interrogations, the strange emails, the cryptic calls, the dead roses at your door. "I couldn't sleep - or eat for that matter. I am half a man without you. I lose myself completely."

It all makes sense now. You feel like crying, because it's so crystal clear... and you've been a willing fool. You had closed your eyes, because it was easier to lie than to accept the truth bubbling just under his surface - under the dimples and the smiles, and the hundred jewelry boxes still lying unopened under your bed.

"You - you killed him! You monster!" You gasp, unable to stop your lips from uttering the lethal. You thrash around to no avail, you're stuck. "How could you? Jack was your friend!" You hide your face in the crook of his neck to stop the sobs, too scared to look at the crazed man holding you. He simply rolls his eyes, letting you soak his shirt with your pretty tears. "Don't be so dramatic - it's just some broken bones. He'll be fine... as long as he stays away from my things."

You raise your head shakily - you're drowning between hatred, fear and misery. The adrenaline is making you even more disoriented than the liquor percentage in your bloodstream.

"I am not a fucking thing for you to-" You hiccup, growing woozy as you hit weakly against his chest. The corners of his lips curl up slightly as he chuckles at the pitiful display. "For you to just own!" You keep going, cheeks purple from pent up fury - there's something tearing at your insides like you want to scream, you need it to come out, but you find yourself unable to push it off your flesh like it's been ingrained with glue and a shovel.

"You're wrong, baby. I do own you." Mathew says with the sweetest, softest voice you've heard in your life, sugary and bitter like poisonous honey. "Let's say you want to break up-"

"We already broke u-"

His eyes pierce you mid-sentence. You quickly close your mouth.

"Let's say," He repeats through gritted teeth, holding you so tightly you might just merge into one being. "That you want to break up with me." He inhales deeply, nostrils flaring. "Hypothetically. Then what? You have no place to live. I know you're staying at that shithole of a hotel down the street right now - it's filthier than a brothel, no?"

You want to say something - to argue, to scream. To tell him that he's being a rich, condescending asshole again, that you like the hotel - despite the mold and the cockroaches and the way there never seems to be hot water. Despite having to lock your door four times so you don't get assaulted in your sleep.

You say nothing.

"You don't have to confirm it. My agent tracked you down a week ago. Whatever - you'll run out of money in, approximately, 9 days." He smirks maliciously, with unhidden spite - just like a little devil. "Then what? You don't even have an address. And you know the city hall will take their sweet fucking time to help you register - if they don't make you pay a fine first." He strokes your chin cruelly. "We both know just how much they care about clueless little foreigners with less than a penny to their name." He whispers, twisting the dagger in. "Hell, they may even cut your scholarship. And. then. what." Your ex pronounces each word slowly - making sure you can understand it, feel it - fear it.

You imagine your family back at home. You can hear their voices over the phone, your mom smiling as you tell her about your day, your father asking you what you plan to do after college - whether you will still remember them, whether you'd take care of them once they have nothing left, since you took everything with you. The money, the hopes, the happiness...

"F-fuck you..." You whimper faintly, falling against him. You feel defeated, and the sharp words are all you have left. "Why are you doing this to me?" You mumble to yourself, suddenly feeling drained to the very bone. The man begins stroking your hair as he rocks you gently to the side. "Because I love you." He slowly kisses down your neck. "Because I'm the only one in this city who gives a fuck about you, and-" You can feel his smile against your burning cheek. "Because you're mine."

#yandere #yancore #male yandere #male yandere x reader #yandere oneshot #yandere x you #yandere male x reader #yandere oc #yandere oc x reader

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turbulentornado · 2 years ago

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still thinking about how fucked it was for the almond mom looking yoga woman (fr, she literally owns a yoga business) in my anthro class to comment on the high amount of white ppl in anthro by saying "i dont think anyone should have to feel bad or apologize for existing" ...... my professor was right to ignore that and keep the discussion going cuz boyyyyy was i about to ream her ass!

How tf can you say that tho? Literally sitting in a class with not one person of color and you wanna say that. Like girl what are you talking about?? Like if u feel guilty or like u need to apologize.. then youre a racist. You may not know it yet, but youre certainly prejudiced against people who dont look like you. Yet you wanna appropriate Indian spiritual beliefs and always use that as your examples in class. Funny how that works, huh? Its almost like you should appologize for approproating a culture thats not yours as a white person 🤔

Ppl like this woman are the exact reason why im so disenchanted with anthropology as a field. And its the same reason why my #1 anthropologist inspiration and hero is zora neale hurston. She did all the research she wanted despite everyone trying to stop her or tell her she was "under qualified" bc of the color of her skin and her access to money/funding. Even the most "progressive" anthropologists of her time still judged her based on her race. Yet, she was still massively successful all by her own hard work and merit! Anthropologists in academia dont give a fuck about you unless you have money and are white, period. So it was really telling when that statement just flowed so freely from her stupid ass mouth.

#this same woman also said that what was happening w hijabs in the middle east generally was oppresive #i looked at her ass and i said yea well take a look at how our goverbment made it illegal for women to have the right to chose if they want #an abortion or not #and she looked at me dumbfounded LMFAO #like girl america is fucking terrible too idk what u get by comparing ppls struggles #women have a right to their bodies no matter the choice

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luminalunii97 · 2 years ago

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This is a revolution

Now before I start I like to point out that this revolution is the most unpredictable thing this regime has ever dealt with. At first, It was so unbelievable when Mahsa Amini's murder sparked a full-on revolution, many of us Iranians didn't believe it would go anywhere. There have been protests before with anti-regime chants but non of them lasted long. Now three months in everyone is sure it's the regime's ending. In the first month of the revolution, protests happened completely randomly. Each night a new city or district would rise but there was no guarantee tomorrow would be like the night before. And most of the calls were very vague, they didn't choose a place or exact time. It was like "tomorrow we're calling people to come to the streets" and people did. This unpredictability made the anti-riot forces irritated because they didn't know where they should go or station until the protests were already full on. Some of the places whose people protested were so unexpected. Recently, a new city, Ardakan in Yazd province, joined the protests that they're believed to be one of the most religious cities in Iran. Therefore some expected most of them to be brainwashed by the regime. But nope. They came to the streets, many of them, to chant "down with the regime" and "death to Khamenei".

There was a three-day call for strikes and protests in Iran on 14, 15, and 16 of Azar (December 5, 6, and 7). Iranians new tactic of protesting is now walking silently. The silence has made the anti-riot forces really confused as to whether they should attack protesters or not! And then on the last night of the protests, something amazing happened.

Students have been at the forefront of this revolution (I have a post exclusive on that coming soon). There has been a call for students to not limit the protests to campus and bring their movements to the streets so that people can join them. 16 of Azar is the national university students day in Iran and for the first time since Mahsa Amini's murder, students of Tehran university brought the core of their protests to the streets and people started to join them.

The number of people on Enghelab street and Enghelab square, where Tehran university is located, grow rapidly and these people started to move towards Azadi street and Azadi square. (Btw Enghelab means "revolution" and Azadi means "freedom". The protests started from "revolution" sq and reached "freedom" sq, as ironic as that is!)

The protest started in the afternoon, I believe 3 pm, and by sunset, twitter was filled with the call for Tehran residents to join. And girlll didn't they join! Every street leading to Azadi square was locked due to heavy traffic. We couldn't reach the square by car. The sounds of horns blasting in protest awakened half the city.

The regime shut down the internet for a couple of hours and they turned off Azadi Tower lights. But the protests continued to the early hours of the morning. Because of heavy traffic, the anti-riot vehicles couldn't reach the square and mostly Basiji motorbikers were there and they couldn't do much to suppress the protests. They broke some car windows though. There are going to be more videos uploaded later when the connection gets stronger. For now, look at these:

At the same time, this was happening in Tehran, other cities were at it too. Capital is the heart of this regime, Tehran falling to the hands of the people is the regime's falling. But it's important to keep every city in Iran bustling so that the regime's focus is scattered all over Iran.

Last night many of those who have never been on the streets protesting joined which has made everyone very optimistic about the next call, which is going to be on Saturday, December 10th.

[image translation: rally with us, compatriots! Strike and silent demonstrations to respect our martyrs. Saturday 19 of Azar at 3 pm. Tehran and other cities]

#iran #mahsa amini #iran protests #human rights #politics #us politics #middle east politics #middle east matters too #islam #muslim #religion #islamic republic vs iran

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boreal-sea · 3 months ago

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This is why I do not call for the destruction or dismantling of countries. This is why I am wary and judgmental of those of you who do.

You sound like my right-wing father. You sound like the worst of American society.

I grew up in the 90’s. I grew up during a military operation called “Desert Storm”. To most people, they know it as the Gulf War. I grew up with a military father. I grew up with right-wing rhetoric. I grew up with someone who called for the destruction of countries.

“Glass the Middle East and turn it into a parking lot” was a very common sentiment at the time, and not just from my father. By “glass”, people mean to bomb these countries (many of which are deserts) so brutally that the sand itself melts into glass.

It is a call for genocide. It is the call for the dismantling of entire countries because their governments were “too evil”.

(Of course, that’s just the line the public was fed. Behind the scenes, it was also largely about access to oil, and we all know that)

The Gulf War was specifically about Iraq, but let’s be clear: Americans did not give a fuck which country it was, “The Middle East” was talked about as a single entity that was evil because it was Muslim. The civilians of these countries were simultaneously evil guerrilla combatants (because they were Muslim) and victims needing “liberation” by Americans. American soldiers were described as bringing “freedom” to the poor oppressed ignorant people of the Middle East. My father still hates all Muslims to this day.

10 years later, 9/11 happened.

Time will never erase the stomach-clenching fear I felt. Not fear of Saudi Arabia. I was 17 by then and I knew better. No, I was afraid FOR them, because I knew what America would do, and I hated it. I saw the people all around me once again calling for the destruction of a country, a government, and deciding America had the right to do it. I watched people froth at the mouth and pound their chests the chance to attack another middle eastern country. Islamophobic propaganda was absolutely everywhere, and life in America for anyone even suspected of being Muslim was a living hell.

So do excuse me when I side-eye you as you call for Israel’s destruction. Excuse me if I roll my eyes when you claim Hamas are “freedom fighters”. Excuse me when I hear you spreading blatant antisemitic propaganda like it’s truth. Excuse me as I see you blocking Jewish students on campuses, attacking synagogues, and screaming antisemitic slurs at Jewish school children.

Because at the end of the day, all of you calling for Israel’s destruction sound like my father.. It doesn’t matter what your justification is. I just see the same hatred that has consumed Americans since the 90’s aimed at MENA countries. You’ve just moved on to the next target. I grew up with this hateful rhetoric and I REJECTED it.

Why have you embraced it?

“But this time the country we’ve chosen to hate and that we’re saying deserves to be glassed actually deserves it! This time the civilians really are evil!”

Yeah. Sure.

#I/p

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rooksamoris · 5 months ago

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I RAMBLED A LOT IN THE NOTES BUT I SWEAR IMMA HELP YOU WHEN I GET KN MY COMPUTWR

Kalim's Birthday Fanart

As some of you may be aware already, for each twst character’s birthday i tend to make art of the birthday boy to celebrate, and my plan for this year was to use said art to promote different charities and local stores from countries in need. The next birthday on the list is Kalim’s and I wanted to make it special to promote a lot more charities than usual in a single post for the following countries: Iraq, Jordan, Lebanon, Palestine, Syria, Turkey, Tunisia and Yemen (I wanted to include Sudan as well, but I’m not sure if it would be okay to do so given the fact that it’s in Northeast Africa, either way I’ll be making another special art piece focused on African countries for Leona’s birthday but I really want to add Sudan to Kalim and Jamil’s art as well, please do let me know if that’s alright).

My plan for these is to put Kalim in these countries’ different traditional clothing (yes, all of them if possible, I like to put the boys in at least 2 different outfits for their birthday and I don’t mind putting them in more if given enough time), and while I’ve found something in my investigation I also feel unsure of how accurate said information is, as well as the fact that I haven’t been able to find good reference for each article of clothing (most pics I’ve found are low res and I can’t see the details like that). So, after consulting with my sister about it, I decided to make this post to ask for help for this, since I’m not from any of the countries mentioned and I truly don’t want to end up doing something offensive due to lack of information when my objective is to try and bring more attention to what is happening there and hopefully spread the charity links to help the victims.

So please, if you can help me in any way to verify the information I gathered or link me more sources and references I can use (especially if you’re a part of any of these cultures) I would be incredibly grateful!

Notes and List of sites I gathered and consulted under Read More.

Notes:

My plan for Kalim’s outfits based on the information I have so far goes like this:

First outfit: white Thobe w/ embroidered neckline and cuffs + red and white Kuffiyeh/Shumagh (possibly over his shoulders instead of in his head, but I might change it) – OR – Kurdish traditional clothing (sharwall, long sleeved jacket, dress shirt and pshtwen/pshten).

Second Outfit: simple white Dishdasha + Champagne colored Bisht (given his social standing, please let me know if it’s innapropiate) + classic black and white Kuffiyeh/Shumagh.

Third Outfit: Dishdasha w/ blazer + embroidered belt + Jambiya + Shawl wrapped like a turban (colors and patterns not yet decided).

Fourth Outfit: Jalabiya + scarf + skullcap (colors and patterns not yet decided).

I don’t really know if that number of outfits is enough to represent all of the mentioned cultures or if I should add more, so please let me know! I’m also trying to find more reference pictures so that I can be as accurate as possible, so links to online shops that sell these garments also work pretty well for me (preferably, with models wearing them so I can see how the fabrics and layers interact with movement).

Sources I’ve found/consulted so far:

Arab Clothing: The Ultimate Guide | IstiZada

Video: Muslim Dresses Around The World Countries 2022 | Islamic Traditional Cloth For Men | Islamic Updates - YouTube

What is a dishdasha and how is it worn? (custom-qamis.com)

What is the Difference Between a Thobe and Dishdasha? – newarabia

Bisht | Abu Dhabi Culture

Clothing – The School of Abbasid Studies

Home - Nationalclothing.org

Clothing - Kurdish Central

Again, thank you so much for the help! If you also want to send me links of charities whose proceeds go to the mentioned countries, that would be just as appreciated!

#SCREAMING THIS IS SUCH A GOOD IDEA #IM YEMENI WITH DISTANT IRAQI ROOTS ON MAMAS SIDE #SOMEONE REMIND ME TO REPLY TO THIS POST WHEN I GET OJT OF BED AND ONTO MY COMPUTER #twisted wonderland #kalim al asim #jamil viper #twst fanart #also i do recommend not including sudan since sudanese people are not arab despite speaking arabic due to their region #sudan has been arabized due to its region and expansionism #the nubian languages/dialects are in decline as a result of it #afro-arabs and black arabs do exist though #i just wanted to say that #the african and arab debate has gone on forever and the results are always just people screaming back and forth #arabs are semitic and the people of sudan are not #colorism also plays a huge role in it too #i will say that there have been arabs in sudan for centuries but that just mirrors the effects of the yemenis in somalia #africa and the Middle East are right next door to each other #so of course there’s mixing #also you can speak semitic languages without being semitic in your roots #the ethiopians are a group of africans that come to mind when i think of african semites as well as the mixed people of socotra island #the native languages of sudan that aren’t arabic don’t come from the semitic tree #think beja being a cushitic language and nubian/fur being their own groups of language #there are cushitic people in ethiopia as well #but due to their proximity to yemen and the red sea they have a lot of semitic tribes as well #the same can’t be said about sudan who had semitic people #expand into their lands and so on #while im sure there’s native arabs to sudan #the fact of the matter is the native cultures of sudan have been dying due to many things such as colonialism #but also rancid arab superiority and colorism

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ceilidho · 11 months ago

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take me home, country road

prompt: 1800s price/reader…. reader flees to his town where Price is the sheriff after a murder in her previous town only to be mistaken for the mail order bride that Price just sent for ….and he’s not interested in hearing any of her excuses when she tells him that he’s got the wrong girl (part 2) part 1

The solid hand at your back guides you through the dusty streets towards the courthouse in the middle of town. It’s not an easy walk. Your shoes catch on the skirt of your dress a handful of times in Price’s haste, each time almost causing you to tumble forward before you manage to catch yourself.

It’s patently unfair. The strides of his long legs would easily have you losing him in a crowd were it not for the way he refuses to leave you behind; every time you so much as slow down a tad to catch your breath, the firm hand on your low back presses you forward again. You’d be snippier if you weren’t still addled from the events of just five minutes previous.

“I beg you, please—” you plead, heart skittering in your chest when you chance a glance up to find Price’s face set. Everything about him feels purposeful now, driven. “If you just—if you would just let me explain!”

“Nothing more to know, darling,” he says, not bothering to meet your desperate eyes. Clearly not in any mood to continue arguing with you on the status of your identity.

He tugs you along when he takes a right turn down a road leading into the center of town. The belt of bullets around his waist rattles with every step. It’s a constant reminder of who you’re with and why you should not be with him. Every step feels like a step towards your own sentencing, like accompanying your jailer to your cell. It’s perhaps fool’s luck that the sheriff hasn’t inquired further into your identity or your reason for coming into town. Makes you think that perhaps there isn’t yet a warrant out for your arrest. Maybe that’s only to come.

“Sure there’s more!” you insist. “There’s—there’s—” It’s like the words fly right out of your head, bucked off like a bronc rider. Too much has happened in too short a time. “There’s the matter of—oh, would you quit that, I am walking!” The last bit comes out snappish, peeved as Price pulls you towards the stone steps of a red-bricked building.

The words County Court House are inscribed above the second-story door girdled by a wrought iron balcony. It’s a simple building, far from the colonnaded buildings from back home with their cupolas and hand-carved lintels. Even in size it hardly compares, a meager three stories with perhaps a basement. Still, it catches the eye in a town as small as this, by far the most imposing building for miles around.

It’s also the one he pulls you towards, hand moving from the small of your back to take firm hold of your waist. You flinch at the touch and the way his fingers dig in, almost proprietarily. It’s a physical shock to your system. While you’re not unaccustomed to the rougher ways of men, you’ve also been largely shielded from it yourself. By chance or fortune or luck. Men may take an attitude with you, as they’re wont to do, but none have yet manhandled you the way Price feels free to do.

“Take a big step there now, darling,” he says, lifting the front of your dress for you a tad, to your shock. “No accidents before the wedding.”

“The wedding?” you shriek, face heating at the heads that turn to look over at the two of you.

The courthouse is bustling with townsfolk, still not as busy as in the bigger cities back east, but still clearly at the center of all business activities. The few people that pass you by on the way out of or into the courthouse are bold in their perusal, eyebrows lifting when they take notice of Price at your side—and how could they not, with the size of him and the badge pinned to the lapel of his vest that glimmers when it catches the light.

“If you were expecting something grander, you should’ve turned up last month when I sent for you,” Price says, stern again. In the foyer of the courthouse, you can see the way the long hallway cuts through the building, leading into the adjacent rooms until finally culminating with the courtroom at the very back. You watch as a man slowly closes the door to the last door, shutting the occupants in. “Might’ve been more amenable to it then.”

“I’m not asking for a nicer ceremony—”

“Good, then you won’t be disappointed.”

“—but that’s because I’m not the woman that you intended to marry in the first place,” you finish, quieting to a hissed whisper, conscious of those still lingering close enough to eavesdrop. In all likelihood, the other people milling around probably already know that the sheriff has been waiting for his mail order bride to arrive. They wouldn’t be the first people to mistake you for her.

He pulls you into an alcove off the side of the foyer. When Price turns to face you, no longer just the heavy presence at your side, it takes a moment for you to gather your bearings. He seems larger somehow, with his arms crossed over his chest and feet rooted into the floor, drawn up to his full height. The hair on his forearms draws your eyes momentarily before he steps into your space, forcing you to meet his eyes again.

He stares down at you with an intensity that makes you flinch. “Now, far be it for me to say that I know my wife-to-be by her demeanor alone, given that we’ve hardly corresponded beyond our initial agreement. But I find it mighty strange that a single, unaccompanied woman would show up in town with all of her earthly belongings as I’m expecting my own woman to show up any day. Hardly seems coincidental.”

“Don’t you think I would have sought you out if we were intended to wed?” you ask beseechingly. “Or that I would put up such a fuss now? What sort of bride would do that?”

“You want to know what I think, darling?” The timber of his voice deepens as he lowers his head slightly, wrapping the conversation in a layer of intimacy despite its public nature. There’s a darker note to his voice now, a thinly-veiled anger. “I think you’ve been keeping yourself housed and fed off the back of men like me and the money you’ve been sent to compensate for the rough journey. I think your guilty conscience brought you here because you know that the Lord doesn’t look too kindly on swindlers and thieves.”

“I’m not a thief,” you hiss in protest, affronted. Ironic that you’d be insulted by his words when the truth is far worse.

“I’m sure you had your reasons,” Price permits, a reluctant softness in his voice. “But your conscience did you right. Marriage will suit you far better than a life of crime ever could.”

If only he knew. “You’ve still got it all wrong—I’ve never once even glanced at the matrimonial pages or the personals. And I certainly didn’t come to town expecting to be wed.”

You did, however, arrive in town with a guilty conscience. Even you’re wise enough not to mention that, though.

“Then if you're not her, who are you?” he asks.

It’s clear from his tone that Price doesn’t believe you, but the question itself makes you antsier than even the thought of marrying this man. He still stares down at you in challenge, an eyebrow cocked. If you wanted to, you could easily answer his question and even furnish proof—a letter from an aunt or uncle or a telegram from a previous employer.

That last thought makes your throat squeeze tight. You could furnish proof, but at what cost? You’re still unclear on how much information has been disseminated or whether you're a wanted woman. Though only weeks have passed since the event that caused you to flee in a haste, there’s no telling whether a warrant has been put out for your arrest, no telling whether word has reached a town this far west.

“Not that it matters, but I’m from New York,” you say, scrunching up your nose.

The look he gives you is unimpressed. “I’m sure you lost the accent on the train ride.”

Embarrassment makes you dig your heels in deeper. “I didn’t grow up there, it’s just where I’ve lived for the past few years.”

“And what’s your name?”

“…Elizabeth Smith.”

It’s the first name that occurs to you, but the moment the words come out of your mouth, you can’t help feeling like you’ve made a huge mistake. Price must sense it too because he draws back up to his full height, lips twitching into a small smirk.

“You have family or a post back in New York, Miss Smith?” he asks in a patronizing tone.

“Family.”

“Alright, then it shouldn’t be too hard to get confirmation and settle this whole issue.” He points behind you to one of the unoccupied rooms. “Telegraph’s office just behind you. We’ll get in touch with the Census Bureau and ask them to confirm your identity. And, if you are who you say you are, Miss Smith, then we can put this issue to rights.”

Your blood goes cold. “That’ll—that’ll take time though. I can’t marry you today if they only get back to you in a week’s time.”

Price nods, his expression dissatisfied but resolved. “Wouldn’t be proper for you to stay at the house either, but I’ll make sure the inn lets you stay free of charge until this is settled. You’ll be in good hands under the Pattersons’ watch.”

He doesn’t say it outright, but you hear the implication in his words. You’d be essentially under house arrest, perhaps free to move about town, but certainly not free to take the next train out.

Your pulse thumps nervously at the base of your throat. Even swallowing takes effort now. The weight of his stare takes root in you, a living coil in your belly. No getting out of it. There’s no getting out of this. You don’t know why you thought you could, how you tricked yourself into thinking for even a moment that a man as formidable as the one set in front of you would simply give in. Let you go. You’ve hardly even moved the needle.

It’s there still in his eyes. Not even doubt—something quite far past that. Certainty.

“‘Elizabeth Smith of New York’, was it? Come, we’ll have them start the message and you can give me your birthday as well so it’ll be an easy find—” Price says, attempting to slip around you to head to the telegraph’s office.

“No.”

It slips out of you inadvertently, high and panicked. He pauses at the word. More than just your words. When you look down, you notice your fingers clenched in the fabric of his sleeve, bringing him to a halt. It pulls taut against the muscle of his forearm.

Softness bleeds back into him at your touch. You can see it smooth out the lines of his forehead and the jut of his brow. He ignores the onlookers still hovering by the double doors to twist back to you, now obscuring their view of you. The breadth of his shoulders nearly blocks the rest of the foyer from sight when he looms over you like this. Down the hall, you can hear a gavel pound down on wood and a litany of raised voices in unison from behind a shut door.

“You don’t have to make up stories,” Price murmurs, drawing a hand up to cup your cheek, holding it like a precious thing. “I told you before—all’s forgiven.”

His words remind you of being trapped in his office, drawers stripped down your ankles and skirt pulled up to your waist. Your bottom still smarts from the palm of his hand, still hot and sore to the touch. It’s hardly been long since then and yet it feels like an age ago, like trying to find your way in a dust storm.

You open and shut your mouth, lost for a way out. Caught between a rock and a hard place. Marriage or a jail cell. You swallow. Both sound like a sentencing.

But there are the cold, metal bars of a cell, and then there’s John Price. The first man in an age to elicit more than a passing glance from you. Deep blue eyes crinkled with the folds of old laughter, wide shoulders, and barrel chest. In another time, you think you would’ve jumped at the chance to be courted by a man like him. Keeled over at the very thought of being chased the way he hunts you down now.

“Alright,” you say instead, giving in. The hand fisting his sleeve shakes. “Alright.”

It’s not a pleasant giving in. Your permission is handed over with shot nerves. The coil bunched up in your core burns white hot, hissing and spitting like a rattlesnake.

Still, when he drags a thumb over the slope of your cheek, you fight not to let your eyelids flutter shut. “Good girl. We’ll make it work, love. Won’t be easy, but it never is.”

You don’t anticipate that it will be, but your mouth stays shut. Price must think you mollified, soothed rather than resigned to your fate, because he passes his thumb once more over your cheekbone, this time so tenderly that you wait for his lips to descend upon yours again, sure from the heat in his eyes that he won’t be able to keep from stealing another kiss. You lick your lips out of habit—not just to see the way his eyes follow the motion.

Then the door at the back of the building bursts open to a cacophony of shouts and hollering voices. The moment broken, Price drops his hand away from your cheek, only to take your hand in his this time, pulling you down the hall towards the register’s to await the circuit preacher. He makes you walk on the side closest to the wall, shielding you from the men that burst out of the courtroom, surging towards the doors. You think that someone must have been found guilty because the lot of them look joyous, clamoring over each other for attention.

You think that you might be spared another minute or two, enough time for them to clean up and reset the courtroom, but you’re shocked to find the circuit preacher ready to conduct the ceremony in the cramped register’s office. He and Price shake hands enthusiastically, the preacher turning to you to grasp your hands in welcome before turning back to the sheriff. They have a camaraderie that speaks of old friendship.

The cramped room where you’re married smells of patchouli and moth wings, like holes burrowed into sweaters at the back of a closet. The bookshelves along the walls are stacked with books old enough that you know they’d crinkle deliciously if opened. You try to listen as the preacher begins the introductory prayer. Behind you, another man slips into the room, a witness. He hardly bothers to introduce himself for such a brief affair.

You haven’t been to many weddings, but you always imagined that yours—if you were privileged enough to have one—might have more fanfare. The wedding you actually get is a brusque affair, a brief recital of vows that ends only when the preacher enjoins Price to kiss his wife.

His wife.

Your eyes go wide when a hand flattens along your spine and pulls you into a hard chest, John dipping his head down to kiss your mouth again. His kiss is less chaste this time, not restricted by convention as earlier. This time, his tongue licks hot into your mouth, like no kiss you’ve ever had before, beard scratching your face. His mouth tastes like something you’ve never had before, like heatburst. Hot and wet. Soft and suckling. Any kiss you’ve had before pales in comparison—juvenile fumbling, all dry and half-humiliated, unsure of yourself. Nothing like being kissed by your husband.

Your husband.

He only pulls away when the preacher finally clears his throat, a tad embarrassed. You’re too dazed to feel the same, fingers still sunk into the lapels of Price’s vest, clutched there. It takes a moment for your brain to catch up and your hands to unclench. You feel Price tug your hands away and slip something onto your finger.

The few documents needing to be signed hardly takes any longer. You finally notice the man that had slipped in behind the two of you, a masked man even larger than Price, who nods at him before glancing at you only long enough for you to notice that his eyes seem curiously blank.

“Thanks, Simon,” Price says as the man—Simon—signs under your names, but he only grunts. The ink is still wet when he leaves.

“How was it so fast?” you ask absently, staring at the papers as the ink sits drying and the preacher takes his own copy before handing John his.

“Everything’s practical out here, darling.” His hand holds you by the waist again, relaxed this time. Not worried about whether you might run. “Even the weddings.”

“You don’t…you don’t even serve dinner? Invite guests over? No gifts?” The questions are irrelevant, but you ask them anyway because it’s a way to focus on anything other than the preacher handing you the final copy of the papers and Price leading you back down the hall and out the doors.

There’s a ring on my finger, you think, looking down. It sparkles when you twist your hand from side to side. Topaz, instead of diamond.

“Maybe if you’d showed up on time,” Price reminds you. He no longer sounds upset about it, but it still seems to come out as an admonishment.

You don’t respond to that. Perhaps you’re still shell-shocked, looking at the world through new eyes. It feels unreal that in the span of less than a day, you’ve been plucked up and married off, to the sheriff no less. The one man you would’ve tried your hardest to avoid crossing paths with.

No chance of that now.

“Where are we going?” you ask, still in a daze. The sun makes you squint when you leave the courthouse, making you miss the hat back in your room at the inn. Maybe you can convince Price to let you go back to collect your things.

“I think we’re due for a honeymoon, don’t you, darling?”

You go doe-eyed at that. When you look up, your husband is already smiling down at you, crow’s feet wrinkling at the sides of his eyes.

“Let’s go home.”

#ceil writing #cod mw2 #cod x reader #john price #captain john price #price x reader #john price x reader #captain price #cod price #price/reader #price x you

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marzipanandminutiae · 5 months ago

Text

"EUROPEANS ATE GROUND-UP EGYPTIAN MUMMIES!!!! ALL THE TIME!!!"

sounds much more dramatic than

"Europeans sometimes consumed ground-up Egyptian mummies, or fluid found inside the chest cavities of mummies, or a type of tree resin that became associated with mummies because it kind of looked like the bitumen used in the embalming process, or the dried and ground flesh of very specific European dead- most likely a bit of all of the above at various times in various places. but it's hard to say what the proportion of each was- and at least one early Middle Eastern physician, Abd al-Latif al-Baghdadi from modern-day Iran, also advised the use of the Body Cavity Liquid variety hundreds of years before the first documented use of mummy by Europeans. so it was a medicinal thing in the areas from whence the mummies came, too. unsurprising seeing as a lot of cultures- including Europeans -have done Corpse Medicine with their own people for centuries. there was also been pushback against the medicinal use of mummies in Europe since at least the 16th century; it remains unclear how popular the notion was at any given time. so the answer to Is This A Good Symbol For The Effects of European Colonialism In Egypt remains a resounding 'ehhh...?'"

"because the whole idea is, is it not, that Europeans were literally consuming the dead bodies of a non-European people who would have had no reason to sell their dead without a European market. and that's kind of true! there was a market that created a demand! but they were also already putting the bodies to these uses closer to home before Europeans started, because this whole thing began with both Arab and European doctors misinterpreting other Arab doctors who were talking about the medicinal qualities of tree resin. so really it's not as simple a situation as we might like to believe."

"and Mummy Brown paint is like this whole other situation where it was supposed to be made from ground-up mummies but often wasn't because Cost-Cutting, and a lot of artists didn't really like it anyway, and others used it thinking the name only referred to the color, and one time Edward Burne-Jones attempted an Egyptian funeral for a tube of Mummy Brown paint because he was so horrified with the origins, so while that's a more straightforward as an Oh Shit Violent Colonialism situation, people merrily waltzing into shops and buying one tube of Dead Egyptian Person, please, my good man! wasn't quite as widespread as one might now think"

"for me, the more compelling image of Europe Fucking Egypt Over is that of a white archaeologist peering curiously into a pit where Egyptian people are working tirelessly to excavate a tomb, their names to be lost to history in favor of whatever rich white person they toiled for. even that image is not without complicating factors- I, imagining it, am a white woman who cannot ask those Egyptian men what they think and feel about all their role in all this -but to me it seems more reliable than the VERY complex and often misinterpreted history of the mummy trade, even as I understand it after like an hour of research"

"on the OTHER HAND, does it even matter if people in the Middle East were already doing mummy medicine, when Europeans increased demand? does it even matter if Europeans felt bad or at least grossed out about Mummy Brown paint or if it wasn't ~always~ real mummies? maybe it doesn't! maybe my instincts as a history worker to say It's More Complicated are clouding my judgment on the nature of colonialism! or maybe they aren't! or maybe different people will think I'm right or think I'm full of shit and that's just the nature of doing public history on The Tungles!"

"anyway I have COVID and should probably go to bed now"

"this article and the Wiki page for Mummia are very well-sourced"

#long post #history #mummies

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astraystayyh · 5 months ago

Text

Starry night.

in which you and hyune fall in love through paintings.

idol!hyunjin x museum guide!reader. love at first sight, kinda. both mc and hyune are romantics.. lots of art analysis and conversations. very fluffy and soft. like so soft i hurt myself with this you guys.

all the info about Vincent Van Gogh’s life and works are from the Van Gogh Museum. the interpretations are my own but im not an art critic, obvi, just a yearner 💔 please enjoy, feedback is highly appreciated 💞

thank you to the lovely reader who commissioned me!!!! the money went to our stayblr fundraiser for palestine. please consider donating if you are able too as well <3333

“You’ll be able to do it, right?” Your manager Martin looks at you expectantly, and you blink slowly in response. It, referring to leading a private tour of the Van Gogh exhibition.

You’ve been a museum guide in New York for four months now. When you’re not painting, you’re here, amidst the array of artworks nestled in a quaint street near East River. You’ve led group tours before, always under the watchful eye of Martin, a middle-aged man who never forgets to bring you a vanilla bourbon macaron every morning.

However, you’ve never handled a private tour before. You see the desperation in Martin’s eyes as he awaits your answer—he’s the one who usually handles these tours, but he has urgent family matters to suddenly attend to.

You blink again, your tongue unknotting in a split second. “I’d be happy to,” you beam. The exhibition feels like a second home to you; you’ve visited it countless times long before you started working here.

Martin heaves a sigh of relief, smiling back at you. “I believe in you,” he reassures, placing a comforting hand on your shoulder. “Remember why I chose you.”

You grin at his words, nodding vigorously. Your love for art brought you here; your very being seems molded to breathe in paintings and live among them. It’s as sweet a life as it can get.

“You’ll find all the details about our guest in our log. He’s famous, so he’ll be a bit discreet. He’ll expect you to be too,” he explains, hurriedly packing his things. You nod, taking the keys to the art gallery from his hand.

“Don’t worry, the gallery is safe in my hands.”

“I know,” he says with a comforting smile, before finally waving goodbye. You take a deep breath and check the booking for tonight’s exhibition—Hwang Hyunjin.

The name is unfamiliar to you, and so is the face that greets you at 8 p.m. sharp—at least, what you can see of it. He’s wearing a navy cap and a face mask, with a varsity jacket sitting perfectly atop his broad shoulders. He looks young, roughly your age.

“Hi, welcome to our Van Gogh exhibition,” you greet him with a grin. He bows slightly in response.

“No one’s here, so you can remove your mask if you wish. I can take your bag as well,” you offer with a smile. He nods and hands you his black duffel bag, which you quickly pass to the security guard, who places it inside a safe cabinet.

Hyunjin removes his Versace cap, running a hand through his silky black hair. There is an aura of assurance around him, as if he’s poised before a camera in a professional photoshoot. But then, a shy smile appears on his face as he finally removes his face mask, his eyes glinting beneath the golden lighting.

You feel your breath catch in your throat; for a split second, the world around you seems to still, the paintings dimming before the beautiful face in front of you.

“Right,” you clear your throat, “shall we?”

Hyunjin nods, falling easily into step with you. You pause before the first painting, ‘Woman with a Child on her Lap’, 1883.

“This is rumored to be about Sien Hoornik, who became both Vincent’s lover and model. She was a former prostitute, pregnant at the time, and had a five-year-old daughter. Vincent was determined to help her through her hardships, and they dated for a year and a half. But then, he broke it off because he said she was too far gone to be saved.”

Hyunjin nods, his eyes fixated on the painting, his head tilted slightly to the side. “The eyes are telling,” he speaks for the first time, and his voice floods your being like dewdrops reviving flowers at dawn. It is smooth and soft, the end of his words getting lost in the air and caught by your heart.

“The way the mother and daughter look at each other, I mean.” He clarifies, stealing a fleeting glance at you. “There is disdain on the mother’s face, but more toward herself, I think. Maybe because she sees her reflection in her daughter.”

Groups usually scurry past this painting, eager to see Vincent’s more renowned works. You feel your heart soften at how much he seems to be thinking about it, lost in his own world. You’re not even sure he remembers you’re there.

“Vincent was really determined to help her, although his brother Theo disapproved. His parents did too.”

“Isn’t that what love is? To hold someone’s hand even if everyone tells you to let go,” he mutters quietly, his eyes still lost in the painting. A hue of vulnerability colors his words before he clears his throat, as if unwittingly revealing his inner thoughts.

“That’s a beautiful way to view it,” you smile, and he nods, shyly biting his lower lip. For some odd reason, his timidity stirs something unfamiliarly tender within your heart.

You walk over to the next set of paintings. “When Vincent moved to Paris, you can see how his style developed. He let go of the darker tones he used in his infamous ‘The Potato Eaters’ and began using lighter colors, like here,” you explain, pointing to ‘The Hill of Montmartre with Stone Quarry’.

“Do you think it’s because he was happier?” he suddenly asks, and you frown slightly. “Pardon?”

“The shift to lighter colors. ‘The Potato Eaters’ is so sorrowful and shrouded in darkness. ‘The Hill’ is much more colorful, lighter, you know?” His eyes glide to yours, a twinkle of curiosity glimmering in them.

“Vincent did flourish in Paris. For once, he was in the same city as his brother Theo, whom he loved dearly. But he was mainly influenced by modern art, which uses much lighter colors than his previous works. Art critics usually attribute this change in the influence of his contemporaries, such as—”

“But what do you think?” he interrupts softly, leaning against the wall, his arms crossed over his chest. His eyes are penetrating, and you find yourself lost in the seas of emotion they contain.

You quiet down, licking your lips tentatively. No one has ever asked for your opinion on these tours before.

“Well,” you begin slowly, “I think it’s possible. Being around his brother and other artists who embraced brighter palettes could have uplifted his spirit. But also, maybe the light colors were his way of reaching for happiness, even if he didn’t always feel it. Art often mirrors our hopes as much as our realities.”

Hyunjin listens intently, a thoughtful look on his face. “I agree,” he finally says, smiling sincerely. You don’t know why the sight of his grin renders your brain putty, like melted ice cream under the kind sunrays.

“His use of lighter colors continued when he moved to the south of France. He was delighted with the bright colors in Arles, painting orchards in blossom and workers gathering the harvest,” you explain, pointing to the respective paintings.

“That’s when he told his brother that he wanted to open a studio for fellow painters. He wrote in a letter the following: 'you always lose when you’re isolated.' He sent out many invitations, but only one painter agreed to come.”

“Paul Gauguin,” Hyunjin swiftly replies.

“Exactly. He was the first and last painter to move in with Vincent.”

“It seemed like the more he tried to escape loneliness, the more it found him,” Hyunjin muses, his eyes fixed on ‘Portrait of Gauguin’ by Vincent. The bright colors he asked you about earlier make you wonder if, beneath the spotlight, Hyunjin too feels lonely.

“Sometimes loneliness becomes a friend. You have to make room for it to allow other things to come in,” you say softly.

“It’s sad how nothing good came out of that roommate situation, though” he frowns, and you nod in agreement.

“Paul and Vincent were very different. They had a lot of eclectic views that often led to disagreements. I assume you know their most prominent one.”

“Yes, when Vincent cut off his ear.”

“Correct, he then wrapped it in newspaper and presented it to a prostitute in the nearby red-light district.”

“A prostitute…” Hyunjin muses, his thumb swiping slightly across his lower lip. “It seems like phantoms of his first love found him again. Even in his most disoriented state, he somehow remembered her.”

“You speak of love beautifully,” you suddenly say, before biting your tongue harshly, instantly regretting your words. But Hyunjin’s eyes seem to soften as he gazes at you, the warm light dancing across his pupils.

“It is a beautiful feeling.”

“Only to those who have beautiful souls,” you speak earnestly, and your words seem to morph into brushstrokes, painting the gallery in hues of red. Intimate, soft, too intimate all of the sudden.

“Vincent’s mental health rapidly declined, and he put himself back into the mental asylum,” you quickly clear your throat, though you can still feel Hyunjin’s eyes on you, not the painting. “Still, that’s when he created some of his most famous artworks, like ‘The Starry Night’. He was inspired by the view from the asylum’s window. It’s dominated by vivid yellow and blue, and the colors and paint seem to describe a world outside the artwork itself.”

“It’s breathtaking,” Hyunjin marvels, lost in the painting, leaning in until his nose almost brushes the canvas.

You suppress a giggle, but your laughter fades as you take in the mole right by his jaw, then the one by his neck. The delicateness of his face, the plumpness of his lips, and the curve of his lashes.

He’s beautiful. The painting could seep him in and he’d fit right in with the silver stars. Outshining them too, surely.

“I really liked the tour,” he smiles, nearly two hours of lazy strolls later. “Thank you.”

“Of course,” you grin back, grabbing his outstretched hand. His fingers wrap around yours slowly, deliberately, as if on a mission to ignite your nerve endings. To set your soul ablaze with his palm alone.

His hand holds yours for a few seconds longer than necessary. Your blush mirrors his when he finally lets go.

He quickly bows again, grabbing his bag from his manager, who was waiting by the door. He almost bumps into the handle on his way out, and you let out an endeared chuckle, your eyes lingering on his figure until he disappears into his black van.

You think you'll never see him again, two lines crossing serendipitously at one point, never to cross paths once more. The thought sends a pang of sorrow latching onto your heart, before you quickly brush it away.

But then you do see him again, the very following night, at that.

It is near nine p.m. when Martin exclaims suddenly, “Mr. Hwang!” and you freeze in your place, book guide in hand.

It has been exactly twenty-four hours since you last saw Hyunjin, but when his voice softly echoes through the art gallery, it feels like a lifelong ache finally soothed.

“Please, call me Hyunjin,” he says, shaking Martin’s hand, though his eyes quickly find yours. They stay on you, unmoving yet tender, like a cotton blanket draped over your being.

“How was the tour with Miss Yn?”

“Ah—“ his gaze finally drifts away from yours. “Yes, it was really nice. That's why I came again,” he explains, a touch sheepishly, and your quizzical eyes meet Martin’s.

“Hyunjin booked another private tour. He specifically requested you to be his guide,” Martin explains, and your eyes widen in shock. You don’t have time to reply because your manager quickly scurries away. “I’ll leave you two then. Have fun!”

You wait until Martin disappears into his office before turning to Hyunjin, who avoids your gaze, one hand deep in his pocket, moving side to side. You remain silent for a few moments, simply admiring the side of his face. You’ve always had a deep appreciation for art running through your veins, after all.

“Hi,” he finally says, his eyes quickly meeting yours. You can’t stop the smile that floods your face, coating every nook and cranny of your features.

“You came back,” you say with a breathy giggle.

“Mm,” he instantly grins. “I don’t know when I’ll be back in New York, so I wanted to truly memorize the art here.”

“When are you going home?” you ask as you take his bag again, your eyes taking in his outfit—a green cap this time, a knit vest over a white shirt, and a silver teddy bear necklace nestled perfectly against it. Pretty.

“Tomorrow. We had a tour stop here, and we’ll go back to Seoul now.”

“And you’ll be spending your final night in the city here?” you chuckle slightly, and he shrugs as if it’s the most obvious decision he ever had to make.

“Why not? I think it’s beautiful here.” though his eyes never move to look onto the paintings, gliding across your face instead.

“And I forgot to take pictures yesterday,” he quickly adds, pointing to the camera in his hands.

“I’ll help you then,” you offer, and he smiles so brightly that it renders you speechless, suddenly wondering if the first person who ever drew a portrait had a similar thought—that they saw a smile so beautiful they just needed to immortalize it.

Hyunjin is at ease before the camera. You can tell by the way he almost pretends the device isn’t there, his eyes fixed on the paintings, mere centimeters away from the canvas. He’s whisked away into another world. You see your love for art mirrored in his soul as well.

“Do you paint, by any chance?” you ask between pictures, and he nods.

“Whenever I have free time. And you?”

“I do. I can show you later, if you’d like.”

“I’ll hold you to that,” he says, pointing his finger at you, before looking directly into the camera this time. “I’ve been painting magnolias lately.”

“Really? Why magnolias specifically?”

“I read a poem about them. It said that when magnolias wither, they aren’t considered beautiful anymore. But that doesn’t mean they weren’t at one point. It really moved me.”

“You have to be very optimistic to view it that way,” you say as you finally hand him the camera, satisfied with your pictures. You are both standing in front of ‘Almond Blossom,’ the pastel colors drawing you in.

“Withering flowers mean that at one point they were in full bloom. Grief means that at one point you did love,” you muse. “It takes a lot of gentleness to find beauty in endings, to celebrate them as proof of what once was. Don’t you think so?”

You turn to look at him when the flash of a camera catches you off guard.

Hyunjin looks at your picture, a soft smile on his face. “You fit right in with the flowers,” he compliments, though it does not feel superfluous or bearing a hidden intent. It’s a simple observation he wished to share.

“Thank you,” you say quietly, a blush sprouting from your very veins. You quickly fix your posture, pointing to the painting. “I told you yesterday that Vincent painted this for his brother Theo, to celebrate his newborn, whom he named after Vincent.”

“Yes, I remember,” he nods, slinging the camera over his neck and taking a picture of the painting up close. “It seemed to bring Vincent a lot of solace in his final days.”

“I’ve been thinking about your question, whether Vincent was happy. I think he was hopeful more than anything. He had hoped his works would be recognized, he had hoped he wouldn’t be as lonely anymore. Sometimes hope keeps you going much more than happiness.”

“Because happiness will eventually wear off?”

“Right, it’s only natural. But hope… it’s like a flame that never goes out. It might flicker and dim, but it will still be there on your darkest nights.” You bite your lip slightly, your thumb digging into your palm.

“I hope you’ll always have hope in your life, Hyunjin. You’ve been my favorite person to talk about Vincent with,” you say sincerely, your eyes unwavering from his.

You imprint the way his gaze softens into your mind, the slight blush that powders his cheeks, the way his teeth peek behind his smile. You memorize his velvety voice in your mind, the way he accentuates certain letters and how it pulls at the strings of your heart when he says—“I’m very happy I met you, Yn.”

May is gone, and with it Hyunjin, and you think you are a fool for thinking of him as often as you do after only five hours in his presence. You don’t know why your mind is permeated with his essence. But why wouldn’t it be? is the better question. When he’s beautiful, truly, body and soul.

You feel slightly less foolish when a postcard is delivered to your exhibition on a sunny Saturday, one month later. It depicts the front entrance of the Museum of Modern Art in Seoul.

June 13.

“yn,

i saw Vincent’s works once again in this month’s exhibition. somehow they seem less beautiful without our conversations.

i hope you’re surrounded by art, too.

hyunjin.”

June 23.

“hyunjin,

i visited claude monet’s immersive exhibition, you have to visit it as well, once you’re back in new york.

i am still surrounded by art, as always. i don’t think i could ever part from it.

did you finish your magnolias? i hope you’re seeing beauty in them even after they wither.

yn.”

July 5.

“yn,

claude’s works are so different from vincent’s... don’t you think it's beautiful that they lived at the same time yet depicted their world so differently?

my magnolias are finished. i’ve been drawing scenes from your exhibition lately, the picture i took of you is particularly inspiring. i hope you don’t mind.

hyunjin.”

september 26.

“hyunjin,

leaves are falling all over new york. new beginnings are upon us. i hope this view of my window inspires you too.

i wish you happiness no matter the season.

yn.”

october 7.

“yn,

i just saw the first snow at dawn, it was such a pretty view! i’m happy i’m alive today.

i hope snow reaches you fast enough, too.

stay warm.

with love,

hyunjin.”

october 23.

“hyunjin,

i’ve always preferred spring, but snow brought me such a happy opportunity. i’m invited to an exhibition in seoul, next month!

i’ll enjoy it well and think of our conversations.

with love,

yn.”

october 5.

“yn,

the weather is beautiful in seoul lately. i’m happy you’ll be here to see it.

it is late at night, and the moon is shining brightly. i hope it’ll shine as brightly for you too, in new york.

with love,

yours.”

The click of your black heels against the marble floors echoes through the museum, a comforting sound as you stroll through the immersive Vincent exhibition; now gracing Seoul. The colors wash over you, reflecting off your skin, swirling around you until you feel as though you’re being drawn into the very heart of the paintings.

“Enjoying the art, Yn?” a voice like honey drips across your being. Your heart skips a beat, plummets to your knees and races back to its place once again. You feel an ache inside you unfold. memories of Hyunjin’s voice rewriting themselves, perfecting your recollection of his accent and the tender way in which he spoke your name.

“It’s beautiful,” you murmur, though you refuse to turn around and meet his eyes. Not yet. The scent of his rose perfume is enough to have your heart rattling against your ribcage— a bird wishing to escape its cage and deliver your love letter to its rightful owner.

“Isn’t it an amazing coincidence we met here? In Seoul, no less,” he says, his voice airy as he inches closer.

“I know you’re the one who invited me,” you giggle, finally turning to meet his gaze. His eyes widen slightly before morphing into crescents, as if lifted from Vincent’s Starry Night.

“How did you know? I thought I kept it a secret in our postcards,” he grins sheepishly.

“I kept pestering Mr. Martin about why the museum invited me specifically until he finally told me you were behind it.”

“Well,” he licks his lips, his eyes roaming over your face. “I admit, I missed you. I wanted to see you again. And I happen to be a major contributor to the museum.”

“Fancy,” you beam, before your grin morphs to something much softer, as you realize that you are away from your work, and that the Hyunjin of your postcards is finally before you.

“I missed you too. Show me around?”

“Am I your guide now?”

“Mm. I expect you to be an expert.”

“Oh, I am.”

Hyunjin speaks of the paintings as if it’s his first time seeing them, finding new things to admire, new details to point out to you. You find it hard to keep up, only because your eyes seem more interested in observing him. You’ll tell him later that you were right in thinking he’d make every painting more mesmerizing.

But for now, you stroll together, his hand brushing against yours every now and then. Before long, you’re far from the museum, walking into the chilly Seoul night, his jacket draped over your shoulders.

And you talk, you talk about every painting you’ve seen since his departure, the flowers you’ve picked, and the strawberry field you visited at the end of June. He shares stories of his favorite painters and his beloved dog, Kkami, whom he misses dearly. He speaks of the moon and how your postcards lessened his loneliness. You tell him you’ve kept every card by your bedside, the first and last thing you see each day.

Suddenly your pinky is entwined with his, your cheeks ache from how much you’ve spoken and laughed, your heart lighter than it had ever been.

“Thank you for walking me to my hotel,” you smile softly.

He nods, his thumb swiping across your palm tenderly. It’s only after a while that he speaks again. “I know you said that happiness wears off eventually. But right now, the happiness i feel… I think it will last me for the next four months, at least.”

“Just four months?” you tease, and he giggles, tipping his head back. You wish you had your paintbrushes, your camera, a simple pen, anything to commit his laugh into something tangible.

“For a long time,” he finally says, quietly, resigned. Tomorrow’s flight ticket makes your heart ache, all of the sudden.

“I… I’ll get going. Thank you for inviting me,” you smile, dropping his hand. You know it’ll hurt the more you hold it, the easier it’d be for you to remember the softness of his hand.

So you walk back, you’re near the hotel door, a hand suddenly wraps around your wrist, the security guards both discreetly look away.

“Yn,” Hyunjin turns you around, his eyes are as wide as the full moon hanging close to earth, listening in to your conversation.

“You didn’t- you didn’t show me your paintings.” he says a bit too quickly, desperately.

“What?” you ask, confused.

“Back in New York, you promised to show me your paintings. You didn’t.”

“You remember?”

Hyunjin's chest heaves in response, his warm palms cradle your cheeks, his eyes speak of a yearning you haven’t thought existed. When his lips crash upon yours, fervently, passionately, like the collision of all stars in Starry Night, you have your answer.

He remembered. He remembered as much as you.

Epilogue— seven months later.

“Now… next question,” Hyunjin grins as he takes out a folded paper from a glass jar, five sets of camera’s all pointed at him in the shooting set of Elle Korea.

“If you could feel only one emotion for the rest of your life, what would you choose?”

Hyunjin puts the paper down, adjusts the sleeves of his Versace blue silk shirt. He doesn’t need to think too much to answer— he already has his reply.

“Someone told me, a long time ago, that hope keeps you going longer than happiness. Because happiness wears off eventually. But hope doesn’t. hope is like a flickering flame, it surges and it dims, but it doesn’t go out, so I choose hope.” he smiles suddenly, eyes looking into those of the staff behind the camera.

“That got deep all of the sudden, right? Done worry, Stay, I have hope, happiness and love, all at once.”

He chuckles quietly, picking up the last piece of paper.

“Finally… who’s your favorite painter? Ah, easy, it’s Vincent Van Gogh.”

“What's your favorite painting by him?” the shooting director asks behind the camera, his eyes fixate on the lens. He knows his love will be watching.

“A woman with a child on her lap. It’s not very known, but… if you look into it closely, beautiful things might come into your life and change it forever.”

from left to right, Woman with a Child on her Lap, 1883 — Portrait of Gauguin, 1888— The Potato Eaters, 1885—The Hill of Montmartre with Stone Quarry, 1886— Almond Blossom, 1890— The Starry Night, 1889.

#stray kids x reader #skz x reader #stray kids fanfic #stray kids fanfiction #skz fluff #stray kids fluff #skz imagines #stray kids imagine #stray kids imagines #skz scenarios #stray kids scenarios #hyunjin x reader #hyunjin fluff #hyunjin fanfic #hyunjin imagines

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jewelleria · 8 months ago

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I don’t usually talk about politics on here, if ever. But it’s been almost six months since the conflict in the Middle East flared up again, and I’m finally ready to start. Here are some of my thoughts.

I say ‘flared up’ because this has happened before and it’ll happen again. Because, even though what's currently going on is absolutely unprecedented, those of us who live in this part of the world are used to it. Let that sink in: we are used to this. And we shouldn’t have to be.

But I use that term for another reason: I don't want to accidentally call it the wrong thing lest I come under fire for being a genocidal maniac or a terrorist or a propaganda machine, etc., etc.—so let’s just call it ‘the war’ or ‘the conflict.’ Because that’s what it is. Doesn’t matter which side you’re on, who you love, or who you hate.

This post will, in all likelihood, sit in my drafts forever. If it does get posted, it certainly won’t be on my main, because I'm scared of being harassed (spoiler: she posted it on her main). I hate admitting that, but honestly? I’m fucking terrified.

I also feel like in order for anything I say on here (i.e. the hellscape of the internet) to be taken seriously, I have to somehow prove that a) I’m “educated” enough to talk about the conflict, and b) that my opinion lines up with what has been deemed the correct one. So, tedious and unnecessary though it is, I will tell you about my experience, because I have a feeling most of the people reading this post are not nearly as close to what’s happening as I am.

How do I explain where I live without actually explaining where I live? How do I say “I live in the Red Zone of international conflicts” without saying what I actually think? How do I convey the fear that grips me when I try to decide between saying “I live in Palestine” and “I live in Israel”? I don't really know. But I do know that names are important. I also know that, due to the various clickbaity monikers ascribed to the conflict, it would probably just be easier to point to a map.

I haven't always lived in the Middle East. I've lived in various places along America’s east coast, and traveled all over the world. But in short, I now live somewhere inside the crudely-drawn purple circle.

If you know anything about these borders you probably blanched a bit in sympathy, or maybe condolence. But in truth, it’s a shockingly normal existence. I don't feel like I've lived through the shifting of international relations or a war or anything. I just kind of feel like I did when COVID hit, that dull sameness as I wondered if this would be the only world-altering event to shape my life, or if there would be more.

I've been told that, in order for my brain to process all the horrific details of the past six months, there needs to be some element of cognitive dissonance—that falling into a sort of dissociative mindset is the only way to not go insane under the weight of it all. I think in some ways that’s true. I have been terrifyingly close to bus stop shootings when my commute wasn’t over; I have felt my apartment building shake with the reverberations of a missile strike; I have spent hours in underground shelters waiting for air raid sirens to stop.

But. I have also gone grocery shopping, and skipped class, and stayed up too late watching TV, and fed the cats on the street corner, and cried over a boy, and got myself AirPods just because, and taken out the trash, and done laundry on a delicate cycle, and bought overpriced lattes one too many days a week. I have looked at pretty things and taken out my phone because, despite it all, I still think that life is too short not to freeze the small moments.

So I'd say, all things considered, I live an incredibly privileged life—compared, of course, to those suffering in Gaza—one filled with sunsets and over-sweetened knafeh and every different color of sand. One that allows me to throw myself into a fandom-induced hyperfixation (or, alternatively, escape method) as I sit on the couch and crack open my laptop to write the next chapter of the fic I'm working on.

But there are bits of not-normalness that wheedle their way through the cracks. I pretend these moments are avoidable, even if they’re not.

They look like this: reading the news and seeing another idiotic, careless choice on Netanyahu’s part and groaning into my morning coffee. Watching Palestinian and Jewish children’s needless suffering posted on Instagram reels and feeling helpless. Opening my Tumblr DMs to find a message telling me to exterminate myself for reblogging a post that only seems like it’s about the war if you squint and tilt your head sideways.

These moments look like all the tiny ways I am reminded that I'm living in a post-October seventh world, where hearing a car backfire makes me jump out of my skin and the sound of a suitcase on pavement makes me look up at the sky and search for the war planes. They look like the heavy grief that is, and also isn’t, mine.

Here's the thing, though. I know you’re wondering when the ball will drop and my true opinion will be revealed. I know you’re waiting for me to reveal what demographic I'm a part of so that you, dear reader, can neatly slap a label on my head and sort me into some oversimplified category that lets you continue to think you understand this war.

No one wants to sit and ruminate on the difficult questions, the ones that make you wonder if maybe you’ve been tinkered with by the propaganda machine, if you might need to go back on what you’ve said or change your mind. We all strive for our perception of complicated issues to be a comfortable one.

But I know that no matter what I do, there will always be assumptions. So, while I shudder to reveal this information online, I think that maybe my most significant contribution to this meta-discussion spanning every facet of the internet is this:

I am a Jew.

Or, alternatively, I am: Jewish, יהודית, يَهُودِيٌّ, etc. Point is, I come from Jews. And, like any given person, I am a product of generation after generation of love.

I'm not going to take time to explain my heritage to you, or to prove that before all the expulsions and pogroms, there was an origin point. If you don’t believe that, perhaps it’s less of a factual problem and more of an ‘I don’t give weight to the beliefs of indigenous people’ problem. But, in case you want to spend time uselessly refuting this tiny point in a larger argument, you can inspect the photos below (it’s just a small chunk of my DNA test results). Alternatively, you can remember that interrogating someone in an attempt to make their indigeneity match your arbitrary criteria is generally not seen as good manners.

Now, let’s go back to thathateful message (read: poorly disguised death threat) I received in my Tumblr DMs. I think it was like two or three weeks ago. I had recently gained a new follower whose blog’s primary focus was the fandom I contribute to, so I followed them back. I saw in my notes that they were going through my posts and liking them—as one does when gaining a new mutual. Yippee!

Then they sent me this:

I tried to explain that hate speech is not a way to go about participating in political discourse, but the person had already blocked me immediately after sending that message. Then, assured by the fact that I surely would never see them complaining about me on their blog (because, as I said, they blocked me), they posted a shouting rant accusing me of sympathizing with colonizing settlers and declaring me a “racist Zionist fuck.” Oh, the wonders of incognito tabs.

Where this person drew these conclusions after reading my (reblogged) post about antisemitism…. I'm not actually sure. But I greatly sympathize with them, and hope that they weren’t too personally offended by my desire to not die.

For a while I contemplated this experience in my righteous anger, and tried to figure out a way to message this person. I wanted to explain that a) seeing a post about being Jewish and choosing to harass the creator about Israel is literally the definition of antisemitism and b) that sending a hateful DM and refusing to be held accountable is just childish and immature. But I gave up soon after—because, honestly, I knew it wasn’t worth my effort or energy. And I knew that I wouldn't be able to change their mind.

But I still remember staring at that rather unfortunate meme, accompanied by an all-caps message demanding for me to Free Palestine, and thinking: the post didn’t even have any buzzwords. I remember the swoop of dread and guilt and fear. I remember wondering why this kind of antisemitism felt worse, in that moment, than the kind that leaves bodies in its wake.

I remember thinking, I don’t have the power to free anyone.

I remember thinking, I’m so fucking tired.

And before you tell me that this conflict isn’t about religion—let me ask you some questions. Why is it that Israel is even called Israel? (Here’s why.) Why do Jews even want it? (Here’s why.) But also, if you actually read the charters of Islamist terrorist organizations like ISIS, Hamas, and Hezbollah (among others), they equate the modern state of Israel with the Jewish people, and they use the two entities interchangeably. So of course this conflict is religious. It’s never been anything but that.

But I do wonder, when faced with those who deny this fact: how do I prove, through an endless slew of what-about-isms and victim blaming, that I too am hurting? How do I show that empathy is dialectical, that I can care deeply for Palestinians and Gazans while also grieving my own people?

There's this thing that humans do, when we’re frustrated about politics and need to howl our opinions about it into the void until we feel better. We find like-minded souls, usually our friends and neighbors, and fret about the state of the world to each other until we’ve gone around in a satisfactory amount of circles. But these conversations never truly accomplish anything. They’re just a substitute, a stand-in catharsis, for what we really wish we could do: find someone who embodies the spirit of every Jew-hating internet troll, every ignorant justifier of terrorism, and scream ourselves hoarse at them until we change their mind.

But, of course, minds cannot be changed when they are determined to live in a state of irrational dislike. In Judaism, this way of thinking has a name: שנאת חינם (sinat hinam), or baseless hatred. It's a parasite with no definite cure, and it makes people bend over backwards to justify things like the massacre on October seventh, simply because the blame always needs to be placed on the Jews.

So when a Jew is faced with this unsolvable problem, there is only one response to be had, only one feeling to be felt: anger. And we are angry. Carrying around rage with nowhere to put it is exhausting. It's like a weight at the base of our neck that pushes down on our spine, bending it until we will inevitably snap under the pressure. I’m still waiting to break, even now.

I wish I could explain to someone who needs to hear it that terrorism against Israelis happens every single day here, and that we are never more than one degree of separation away from the brutal slaughter of a friend, lover, parent, sibling. I wish it would be enough to say that the majority of Israelis (which includes Arab-Israeli citizens who have the exact same rights as Jewish-Israelis) wish for peace every day without ever having seen what it looks like.

I wish I could show the world that Israel was founded as a socialist state, that it was built on communal values and born from a cluster of kibbutzim (small farming communities based on collective responsibility), and that what it is now isn’t what its people stand for.

I wish the world could open their eyes to what we Israelis have seen since the beginning: that Hamas is the enemy, Hamas is the one starving Palestinians and denying them aid, Hamas is the one who keeps rejecting ceasefire terms and denying their citizens basic human rights. Hamas is the governing body of Gaza, not Israel. Hamas is responsible for the wellbeing of the Palestinian people. And Hamas are the ones who are more determined to murder Jews—over and over and over again, in the most animalistic ways possible—than to look inwards and see the suffering they’ve inflicted on their own people. I wish it was easier to see that.

But the wishing, the asking how can people be so blind, is never enough. I can never just say, I promise I don't want war.

When I bear witness to this baseless hatred, I think of the victims of October seventh. I think of the women and girls who were raped and then murdered, forever unable to tell their stories. I think of the hostages, trapped underneath Gaza in dark tunnels, wondering if anyone will come for them. I think of Ori Ansbacher, of Ezra Schwartz, of Eyal, Gilad, and Naftali, of Lucy, Rina, and Maia Dee, of the Paley boys, of Ari Fuld and of Nachshon Wachsman. I think of all the innocent blood spilled because of terror-fueled hatred and the virus of antisemitism. I think of all the thousands of people who were brutally murdered in Israel, Jews and Muslims and Christians and humans, who will never see peace.

My ties to this land are knotted a thousand times over. Even when I leave, a part of me is left behind, waiting for me to claim it when I return. But when I see the grit it takes to live through this pain, when I see the suffering that paints the world the color of blood, I look to the heavens and I wonder why.

I ask God: is it worth all this? He doesn't answer. So I am the one, in the end, to answer my own question. I say, it has to be.

Feel free to send any genuine, respectful, and clarifying questions you may have to my inbox!

EDIT: just coming on here to say that I'm really touched & grateful for the love on this post. When I wrote it, I felt hopeless; I logged off of Tumblr for Shabbat, dreading the moment I would turn off my phone to find more hate in my inbox. Granted, I did find some, and responding to it was exhausting, but it wasn’t all hate. I read every kind reblog and comment, and the love was so much louder. Thank you, thank you, thank you. 🤍

Source Reading

The Whispered in Gaza Project by The Center for Peace Communications

Why Jews Cannot Stop Shaking Right Now by Dara Horn

Hamas Kidnapped My Father for Refusing to Be Their Puppet by Ala Mohammed Mushtaha

I Hope Someone Somewhere Is Being Kind to My Boy by Rachel Goldberg

The Struggle for Black Freedom Has Nothing to Do with Israel by Coleman Hughes

Israel Can Defend Itself and Uphold Its Values by The New York Times Editorial Board

There Is a Jewish Hope for Palestinian Liberation. It Must Survive by Peter Beinart

The Long Wait of the Hostages’ Families by Ruth Margalit

“By Any Means Necessary”: Hamas, Iran, and the Left by Armin Navabi

When People Tell You Who They Are, Believe Them by Bari Weiss

Hunger in Gaza: Blame Hamas, Not Israel by Yvette Miller

Benjamin Netanyahu Is Israel’s Worst Prime Minister Ever by Anshel Pfeffer

What Palestinians Really Think of Hamas by Amaney A. Jamal and Michael Robbins

The Decolonization Narrative Is Dangerous and False by Simon Sebag Montefiore

Understanding Hamas’s Genocidal Ideology by Bruce Hoffman

The Wisdom of Hamas by Matti Friedman

How the UN Discriminates Against Israel by Dina Rovner

This Muslim Israeli Woman Is the Future of the Middle East by The Free Press

Why Are Feminists Silent on Rape and Murder? by Bari Weiss

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