#michael bangerter | Explore Tumblr posts and blogs

nokzeit · 1 month ago

Text

Ehrungsabend des DRK Mosbach

Ehrungsabend des DRK Mosbach Mosbach. (sb) Der Rotkreuz-Ehrungsabend im Begegnungszentrum „fideljo“ ist inzwischen schon eine kleine Tradition. Präsident Gerhard Lauth, Geschäftsführer Guido Wenzel und die Kreisbereitschaftsleiter Marco Berg und Urban Fuchs nutzten das Treffen, um vor dem gemeinsamen Essen verdiente Rotkreuzler im Ehren- und Hauptamt ebenso zu würdigen wie Neu-Rentner und erfolgreiche Absolventen der Notfallsanitäter-Ausbildung. Lauth rief jeden einzelnen zu sich und würdigte die Engagierten mit persönlichen Worten, bevor Urkunden, Spangen, Geschenkkörbe, Gutscheine und „Flüssiges�� überreicht wurden. Glückwünsche gab es auch von Sandra Kreis, Personalleiterin und Stellvertretende Geschäftsführerin. Am Ehrenamt ist nichts „Verstaubtes“ Der Abend in trauter Runde sei zu einer schönen Einrichtung geworden, begrüßte Gerhard Lauth die Teilnehmer, besonders Ehrenmitglied Alfred Uihlein. Ausdrücklich sagte er „Danke“ an alle Engagierten. Sie seien mit Herzblut dabei. Im Hauptamt sei man berufen zu helfen, im Ehrenamt spüre man das Bedürfnis, sich für andere einzubringen. „Das ist Teil unserer Kultur“, so Lauth, „und es ist unwahrscheinlich wichtig, das hochzuhalten.“ Auch wenn die Begriffe „Ehren“ und „Amt“ für manchen vielleicht veraltet klängen: „Da ist nichts Verstaubtes dran, im Gegenteil, das sollte in unserer Gesellschaft viel verbreiteter sein“, betonte der Präsident. Beginnend mit dem Mosbacher Wachenleiter Jan Albrecht rief er zunächst die „25-jährigen“ Dienstjubilare zu sich. Gewürdigt wurden Notfallsanitäter Frank Götz, Hausmeister Jürgen Bangert und Tamara Fischer-Pummer, Leiterin der Sozialen Dienste, sowie Walter Henn, aktuell stellvertretender Rettungsdienstleiter. Abonnieren Sie kostenlos unseren NOKZEIT-KANAL auf Whatsapp. Ein großes Dankeschön gab es für die in diesem Jahr in den Ruhestand gehendenMitarbeiter. Dazu zählen Michael Borho, Ulla Skorok, Elvira Mohr, Christina Jakubaschk und Petra Hartmann. Weiterbildung ist auch beim Roten Kreuz wichtig. Und so würdigte Lauth die Notfallsanitäter Jan Hettinger, jetzt auch Leitstellendisponent, sowie Fabian Rossnagel, Maximilian Sauer und Antonia Lang, die sich zum Praxisanleiter weiterqualifizierten. Yannick Spohrer setzte die Ausbildung als Organisatorischer Leiter im Rettungsdienst auf seinen Notfallsanitäter „drauf“. Eine Sonderehrung erfuhr Praxisanleiter Henning Waschitschek für 30 Jahre Engagement unter anderem in der Psychosozialen Notfallversorgung sowie für 32 Jahre als Ausbilder. Treue Unterstützer und Urgesteine Weiter ging es mit den Auszeichnungen für die Ehrenamtlichen. Persönlich geehrt wurden Christoph Rastert von der Bereitschaft Elztal und Verena Waschitschek vom Ortsverein Limbach, aktuell stellvertretende Kreisverbandsärztin, für 25 Jahre. Für 30 Jahre Treue wurde der langjährige Limbacher Bereitschaftsleiter Christoph Knapp ausgezeichnet. „Wir sind froh, dass wir ihn haben“, sagte Gerhard Lauth in seiner Laudatio für Guido Wenzel, der dem Roten Kreuz seit 35 Jahren die Treue hält, in seinem Heimatort Steinenbronn Bereitschaftsleiter war und seit dem 1. Juli 2023 in Mosbach Kreisgeschäftsführer ist. Für 40 Jahre Treue wurde Schwesternhelferin Renate Hack geehrt, ebenso wie Erich Merkert, Ehrenmitglied im Ortsverein Billigheim. 45 Jahre sind Schwesternhelferin Rosalinde Demel sowie Erika und Friedhelm Maßholder von der Bereitschaft Mosbach dabei. Dieter Kautzmann, DRK-Urgestein und seit 2006 Rotkreuzbeauftragter, wurde ebenfalls für 45 Jahre Mitgliedschaft beim Ortsverein Mosbach ausgezeichnet. Für stolze 50 Jahre Treue wurde Karola Donau aus Mosbach geehrt. Auf bemerkenswerte 55 Jahre Mitgliedschaft blicken Rudolf Trabold von der Bereitschaft Stein am Kocher und Martin Kiefner vom Ortsverein Elztal zurück. Eine besondere Ehrung erfuhr Kurt Vogel: Er ist seit 60 Jahren Mitglied im Ortsverein Mosbach und war lange Zeit Fahrdienstleiter, heute würde man sagen Rettungsdienstleiter im Kreisverband. Lobende Worte fand Gerhard Lauth auch für den Nachwuchs. Neun junge Männer und Frauen haben im Frühjahr und Herbst dieses Jahres die Ausbildung zum Notfallsanitäter bzw. zur Notfallsanitäterin erfolgreich abgeschlossen und verstärken nun den DRK-Rettungsdienst: Jana Woitsch, Jule Reichert, Vera Ernst, Benjamin Schibor, Enni Litke, Luisa Madinsky, Johanna Hilpert, Denis Sprung und Benedikt Walter. Zum Abschluss des offiziellen Teils gab es nochmals ein Musikstück, wobei die beiden jungen Sängerinnen der Musikschule Mosbach und ihr Klavierbegleiter Martin Daab nicht ohne eine Zugabe von der Bühne gehen durften. Treue DRK-Ehrenamtliche im Überblick - 25 Jahre: Christoph Rastert (Elztal), Verena Waschitschek (Limbach), Roswitha Keller (Billigheim-Allfeld), Renate Reinmuth (Neunkirchen). - 30 Jahre: Christoph Knapp, Birgit Link, (beide Limbach), Erich Nelius (Schwarzach), Edeltraud D’Urso (Schwesternhelferin), Regina Wirth, Sigrid Wirth (beide Neunkirchen), Henning Waschitschek. - 35 Jahre: Alexander Brauch (Schwarzach), Sascha Haderspeck (Hüffenhardt), Frank Hetzler (Schefflenz), Norman Rückert (Limbach), Guido Wenzel. - 40 Jahre: Renate Hack (Schwesternhelferin), Erich Merkert (Billigheim). - 45 Jahre: Uwe Basler (Hüffenhardt), Klaus Brutscher (Mosbach), Rosalinde Demel (Schwesternhelferin), Dr. Lothar Hassling, Dieter Kautzmann, Erika Maßholder, Friedhelm Maßholder (alle Mosbach), Dr. Christoph Kaltenmaier (Aglasterhausen). - 50 Jahre: Karola Donau (Mosbach). - 55 Jahre: Martin Kiefner (Elztal), Rudolf Trabold (Stein am Kocher). - 60 Jahre: Kurt Vogel (Mosbach). Lesen Sie den ganzen Artikel

0 notes

dustedmagazine · 4 years ago

Text

Nomi Epstein — sounds (New Focus)

Photo by Marc Perlish

sounds by Nomi Epstein

Nomi Epstein is the leader of the New Music ensemble a.pe.ri.od.ic, which has performed quietly radical music in Chicago for the last ten years. The group’s presentations have included music by Michael Pisaro, Catherine Lamb, Christian Wolff and Pauline Oliveros. Many times, the featured composers directly collaborate with a.pe.ri.od.ic, either during rehearsals or helping to perform their music. In the weeks before COVID-19 shut everything down, Epstein and her ensemble performed one piece by Peter Ablinger that involved plumbing the raw acoustics of a loading dock, and another by Annea Lockwood that translated a map of Houston’s bayous into a score for sounds that floated like ghostly memories.

To effectively present such music, one must often grasp diverse, elusive concepts and frame them without drawing unnecessary attention to one’s own presence; working variously and often concurrently as a conductor and performer, Epstein has done this many times over. But she is also a composer, and while she has contributed to a.pe.ri.od.ic’s programs over the years, sounds is her first solo recording.

Over the album’s 76-minute duration, pianist Reinier van Houdt plays three lengthy compositions alone, and two very different trios handle the rest. Together they present a stance that is economical, patient and particularly concerned with permutating patterns. But patience doesn’t mean that you can’t put the pedal down; van Houdt does just that on “Till for solo piano,” which enables him to articulate one iteration of a chord or phrase while another hands in the air. Over the course of nine and a half minutes, the moments when hammers hits wires seem to shift from foreground to background, overtaken by a fog of decaying sound. The next piece, “for Collect/Project,” changes the scene like a suddenly activated overhead floodlight. Nothing cloaks the trio’s articulation, and both the distant-train woosh of Francisco Castillo Trigueros’ electronics and the initial back-of-the-throat cackle of Frauke Aulbert’s voice will bring you up short. As the piece progresses, Aulbert and bass flautist Shanna Gutierrez juxtapose and overplay similar phrases and gestures so that even when you hear one musician at a time, you always hear them in relation to each other.

Epstein only plays on one track, “sounds for Jeff and Eliza.” It would be fair to call her creeping phrases “composer’s piano,” but don’t take that as faint praise; it’s a recognition that when she is present, it’s to perform a function, and part of that function is to point your ear where she wants it to go. Each ringing note sets a boundary that around the long tones of Jeff Kimmel’s bass clarinet and Eliza Bangert’s flute. As on “Till for solo piano,” repetition and duration erode one’s sense of time and sharpen one’s focus on the sounds themselves. That self-effacement probably also explains why van Houdt’s playing is what you hear on the two-part “Solo for Piano” and “Layers for Piano.” By handing the performance over to a player with such an exacting touch, she invites the listener once more to spend some time inhabiting the realm of sounds.

Bill Meyer

#nomi epstein #sounds #new focus #bill meyer #albumreview #dusted magazine #composed music #Reinier van Houdt #a.pe.ri.od.ic

1 note · View note

marcograd505 · 3 years ago

Text

Written Texts for Week 4

80s style : designs of the decade

by Albrecht Bangert and Karl Michael Armer ; foreword by Ettore Sottsass.

Format:Book

Published:London : Thames and Hudson, 1990.

Graphic design : history in the writing (1983-2011)

Bibliographic detailsOther authors:Bondt, Sara De, (Editor), Smet, Catherine de, (Editor) Format:Book Published:[London] : Occasional Papers, [2012]

Decorative rejuvenation — aesthetic analysis of “Memphis�� design

Authors: Lu, Y., Guan, Y.

Publication year: 2008

Format: Article

London art worlds : mobile, contingent, and ephemeral networks, 1960-1980

Other authors:Applin, Jo, (Editor), Tobin, Amy, 1989- (Editor), Spencer, Catherine, 1985- (Editor) Format:Ebook Published:University Park, Pennsylvania : The Pennsylvania State University Press, [2018] Series:Refiguring modernism.

Painting the Crisis: Community Arts and the Search for the 'Ordinary' in 1970s and '80s London

Authors:Wetherell, Sam Source:History Workshop Journal. (76):235-249 Publication year:2013 Document type:research-article

This text is relevant to my research as it details the highlights and explains the many forms of art, from acting to film to music to graphic design and the subcultures in which were formed around the city of London in the 1980s. The city in which lacked an ‘Ordinary’ as mentioned in the title of the article.

0 notes

artwalktv · 3 years ago

Video

vimeo

a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. a film by Daniel Fradin and Kyle Rosenbluth (https://bit.ly/3yaGFBM) For more info, and to donate directly to the community of Tuktoyaktuk, go here: https://bit.ly/3yeJxO7 SELECTED SCREENINGS: Camden International Film Festival, 2021 Big Sky Documentary Film Festival, 2021 Rhode Island International Film Festival, 2021 St. Louis International Film Festival, 2021 Indy Shorts, 2021 Sidewalk Film Festival, 2021 Tirana International Film Festival, 2021 Planet In Focus International Film Festival, 2021 EarthX Film Festival, 2021 San Francisco Green Festival, 2021 DC Environmental Film Festival, 2022 Featuring: Jojo Elias, Billy Emaghok, Roy Cockney, Julia Cockney, Dallas Green, Lionel Kikiak, Florence Elias, Michelle Tomasino, John Noksana, Mikayla Jacobsen, Roslyn Rogers, Mickey Gruben Directed by: Daniel Fradin & Kyle Rosenbluth Cinematography by: Daniel Fradin & Kyle Rosenbluth Edited by: Daniel Fradin & Kyle Rosenbluth Executive Producers: Michael J. Werner, Donna Corbat Produced by: Daniel Fradin, Kyle Rosenbluth, Gavin Berger Original Score by: Troy Herion Consulting Editor: Nels Bangerter Made with the support of: The Legacy of Hope Foundation, The University of Pennsylvania, The BANFF Centre for Arts & Creativity Sound design by: Simon Gervais Foley artist: Alex Farand Color & Finishing: RCO Supervising colorist: Seth Ricart Color & Conform: Natasha Wong https://bit.ly/3pKpdQL

#Videos & Films

0 notes

kroabot · 3 years ago

Text

You can't say "in Jesus name," in a prayer. Jesus is a creation, and you are attaching a creation to the One Creator Which is why you are never satisfied, because you are building up evil when you pray and say "in Jesus name" when duaa is for Allah Alone. You pray "Allah"s peace be upon Jesus" but you don't say "in Jesus name" which is proof all Mormons who die as Mormons or any religion besides Islam, is firewood for Hell. That's why y'all so shameless and amoral of raving sociopaths, who are offended by a man who is better at teaching children online than you. And they are top models of Tokyo, and child actresses of Seoul, Korea, KBS TV stidio, and i was in an actor's workshop with actual real child actresses and top child international models of Tokyo, and these people write from Star's childhood email address "you raped your daughter" i'm like i'm done opening emails full of this aimless chatter and getting electronically harrassed for weeks afterwards. Conde Naste and CPS and Michael Tahan BYU cunt licker Tamara Bangerter Coca cunt licker BYU devil bruja nurse.

0 notes

italianartsociety · 7 years ago

Photo

By Jean Marie Carey

Born on 14 September 1917, Ettore Sottsass moved from Innsbruck to Turin with his family at the age of 11 and began studying architecture at the Politecnico, Turin, in 1939. In 1980 Sottsass Associati was founded, with Aldo Cibic and Marco Zanini, and in 1981 Sottsass created Memphis, the famous design group. Memphis used basic industrial materials such as plastic laminates and glass, combined with vivid colour, textures and decoration, to create optimistic, non-intellectual objects as a celebration of the ordinariness and honest banality of the mass environment.

The designer is best known for sharp-angled, colorful furniture designs from the 1980s, but his background in modernist architecture and the clear influence of the Bauhaus give his earlier creations – including tableware, typewriters, lamps, and desk accessories – an authorial stamp of functionality.

Sottsass’s obsession was handcrafted glass and ceramics, informed by his many trips to India. Sottsass also designed a postwar modern classic: the Olivetti manual typewriter of 1969, bright red and immediately accessioned by the Museum of Modern Art.

Reference: "Sottsass, Ettore." Grove Art Online. Oxford Art Online. Oxford University Press. http://www.oxfordartonline.com/subscriber/article/grove/art/T079861.

"Carlton" Room Divider, 1981-c.1990. The Museum of Fine Arts, Houston, Nr. 93.206.A,.B.

Murmansk Fruit Stand, Rossi e Arcandi Manufacturing, 1982. The Museum of Fine Arts, Houston, Nr. 2003.275.A,.B.

Valentine Portable Typewriter and Case, Olivetti Manufacturing Company, 1969. Museum of Art, Rhode Island School of Design.

Asteroid Lamp, Poltronova Manufacturing, 1968. Museum of Modern Art, Nr. 2291.2001.

Indivia Salad Plate, Flavia Ceramics, c. 1985. The Museum of Fine Arts, Houston, Nr. 2002.2806.

Further Reading: Albrecht Bangert and Karl Michael Armer. 80s Style: Designs of the Decade. London: Thames and Hudson, 1990.

Ettore Sottsass. The Curious Mr. Sottsass: Photographing Design and Desire. New York: Thames and Hudson, 1996.

#ettore sottsass #milan #innsbruck #memphis #design #1980s #italian design #olivetti #Sottsass Associati #met breuer #metropolitan museum of art #moma #ceramics #furniture

116 notes · View notes

fearsmagazine · 3 years ago

Text

DIGGING TO DEATH - Review

DISTRIBUTOR: Uncork'd Entertainment

SYNOPSIS: David Van Owen has just closed on a fixer-upper house that he plans to restore. A tech guy by day, he plans to tackle some of the renovations himself. Having helped his father replace the family septic tank, he begins digging a hole for a new tank. Not that far into it he unearths a large box filled with three million dollars in cash and a dead body. He is faced with the dilemma, reporting the body and losing the money or hiding the money and reburying the body. A strange series of events unfold and the consequences begin to take their toll on David’s day job and his well being. Ultimately, David must face the horror of what is actually buried in his backyard.

REVIEW: DIGGING TO DEATH looks and feels like a homegrown horror film that feels a bit like a homage to the classic 1962 independent sult classic “Carnival of Souls.” It may not be shot in black and white, and there may not be a deserted boardwalk, but it does have a ghoul-like character that stalks the main character, David, driving him to madness.

There is a guerrilla filmmaking style to the film. Part of its saving grace is that David has just purchased the house, which accounts for the sparse furnishings. The majority of the film takes place at the house, followed by David’s office, and a few locations where he meets his daughter. The costume designs for the main players feel off the rack, and the rest of the cast might have provided their own wardrobe. The one cool prop, and it sticks out, is David’s muscle car. It kind of has that “Phantasm” feel and might possibly show up again if there is a sequel.

What sustained my viewership of DIGGING TO DEATH are the performances by veteran actors Ford Austin and Tom Fitzpatrick, who plays the corpse. Ford has this screen presence that kept calling to mind actor David Harbour. Ford has this similar ability to blend the tragedy and comedy of a scene that elevates the character. He brings this edge to the role that keeps the viewer engaged and vested in the story to see it through to the end. Fitzpatrick does an excellent job of playing the corpse and adds the creepy as all hell element to it when it comes to life. You absolutely get the feel of this hell sent tormentor that enjoys pushing David over the brink. I really have to applaud both these actors for being troupers and going all out. The amount of rain and mud they had to endure is grueling, especially Ford as he has one sequence in the film where he is in the rain in his shoes and underwear, and it is pouring.

In Donald E. Westlake’s novel “The Hunter,” which was adapted twice for the screen as “Payback,” his main character, Parker, just keeps insisting that all he wants is his money, his cut of the heist. Many critics speculate that much like a ghost or spirit that repeats a certain place or event, Parker is actually a restless spirit and that will go to his rest if they simply give him his money. So with DIGGING TO DEATH David has found a restless spirit that is attached to the money and once distributed is relentless until it has it back. Likewise, if the spirit is not paid off there are dire consequences other than simply the money.

DIGGING TO DEATH is not a perfect film and I’m sure it will leave you questioning a few elements of the story. The performances by Ford Austin and Tom Fitzpatrick are of themselves reason enough to watch the film. Michael P. Blevins does an excellent job directing them and editing the film. While it’s not something worthy of a date night at your local cinema, it is easily a film I would have programmed for a genre film festival.

CAST: Ford Austin, Tom Fitzpatrick, Rachel Alig, Ken Hudson Campbell, Richard Riehle,Clint Jung, Sumeet Dang, Bryan Dodds, Debbie DeLisi, Stephan Singh, and Mike P Blevins CREW: Director/Screenplay/Producer/Score - Michael P. Blevins; Producers - Thomas Bangert & Vanessa Zamarripa; Cinematographer - Justin Jones; Editor - Amir Motaman; Production Designer - Heather Blum; Special Makeup Effects Artist - Sheila Mia Seifi. OFFICIAL: N.A. FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/U_0oFsc2yI8 RELEASE DATE: DVD and Digital June 1st, 2021

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike) Reviewed by Joseph B Mauceri

#movie review #film review #digging to death #diiggingtodeathmovie #uncork'd entertainment #michael p. blevins #ford austin #tom fitzpatrick #horror #supernatural #ghost #haunting #joseph mauceri #joseph b mauceri

1 note · View note

behavioralimmunityfordummie-blog · 6 years ago

Text

Scholarly Sources:

1Bangerter, Adrian, Damien Murray, Mark Schaller. 2015. “Implications of the behavioural immune system for social behaviour and human health in the modern world.” Philosophical Transactions of the Royal Society B: Biological Sciences. 370(1669):1-10

2Laakasuo, Michael, Nils Köbis, Jussi Palomäki, Markus Jokela. 2018. “Money for microbes—Pathogen avoidance and out‐group helping behaviour.” International Journal of Psychology. S1(53)1-10.

3Oosterhoff, Benjamin, Natalie J. Shook, Ravi Iyer. 2018. “Disease avoidance and personality: A meta-analysis.” Journal of Research in Personality. (77)47-56.

4Steinkopf, Leander. 2016. “Disgust, Empathy, and Care of the Sick: an Evolutionary Perspective” Evolutionary Psychological Science. 3(2):149-158.

5Tybur, Joshua M., Çağla Çınar, Annika K. Karinen, Paola Perone. 2018. “Why do people vary in disgust?” Philosophical Transactions of the Royal Society B: Biological Sciences. 373(1751):1-10

6Wu, Qi, Chuan Tan, Bo Wang, Ping Zhou. 2015. “Behavioral Immune System and Ingroup Derogation: The Effects of Infectious Diseases on Ingroup Derogation Attitudes.” Public Library of Science. 10(3):1-18

0 notes

atheistmediablog · 6 years ago

Text

Warum glauben Menschen noch an Gott?

Die ungläubige Redaktorin Martina Rutschmann diskutiert mit Pfarrer Michael Bangert über Glaubensfragen.

Herr Bangert, derzeit flüchten weltweit so viele Menschen wie noch nie seit 1945. Warum unternimmt Gott nichts gegen diese Tragödie?

Michael Bangert: Die Tragödie ist tatsächlich groß. Trotzdem würde ich nicht sagen, Gott tut nichts dagegen. Ich glaube, als Bedingung seiner Liebe hat Gott die…

View On WordPress

0 notes

nokzeit · 2 years ago

Text

FFW Zimmern übersteht Pandemiezeit

_(Symbolbild - Pixabay)_ **Zimmern. ** _(lm) _ Gerade für die Feuerwehren war die Pandemiezeit eine unglaubliche Herausforderung. Übungsabende waren nur sehr eingeschränkt – wenn überhaupt – möglich, dennoch sollte im Ernstfall jeder Handgriff sitzen. Denn feuerwehrtechnische Ernstfälle hatte Corona ja nicht verhindert. Das wurde sehr deutlich in den Berichten zur Jahreshauptversammlung der Freiwilligen Feuerwehr (FFW) Zimmern. Im Beisein zahlreicher Kameraden und Kameradinnen, Bürgermeister Thomas Ludwig, Gesamtkommandant Roland Bangert, Ehrenkommandant Wolfgang Grimm sowie der Ehrenmitglieder Josef Bischoff und Alois Fischer resümierte Abteilungskommandant Siegfried Barth dieses schwierige Berichtsjahr nachdem Schriftführerin Yvonne Barth das Protokoll der letzten Hauptversammlung vorgelesen hatte. Immerhin 13 Einsätze waren zu bewältigen, die sich aufteilten in einen Kleinbrand, einen Großbrand, eine technische Hilfeleistung, zwei Sturm-, sieben sonstige Einsätze, eine Fehlalarmierung durch eine Brandmeldeanlage. Bedauerlicherweise hatten die gemeinsamen Übungen aller drei Abteilungswehren nicht stattfinden dürfen, doch man hofft auf eine Gesamtübung in Zimmern auf dem Hof von Josef Ackermann, um den neuen Löschwasserbehälter zu testen. Siegfried Barth erinnerte daran, dass einige Dienstabende unter Einhaltung der Coronaregeln mit zufriedenstellender Teilnehmerzahl durchgeführt wurden, dennoch müssten noch viele Übungen nachgeholt werden, und wie wichtig diese für die Leistungsfähigkeit der örtlichen Wehr sind, machte Barth sehr deutlich. 2021 besuchte Felix Kolb den Grund- und den Sprechfunkerlehrgang, ein Kamerad nahm am Onlinelehrgang für Führungskräfte teil. Weitere Lehrgänge seien im Oktober geplant und man hofft auf regelmäßig Dienstabenden ohne größere Bestimmungen. Im Berichtsjahr gab es vier Ausschusssitzungen der Abteilung, davon zwei via Whats App, sowie zwei Gesamtausschusssitzungen. Am 11. November fielen alle Notrufnummern aus. Das Gerätehaus musste besetzt werden, damit bei Bedarf eine Alarmierung stattfinden konnte. Die Abteilung Zimmern ist aktuell stolz auf 12 Mitglieder in der Altersabteilung, 28 Aktive und zehn Jugendliche. Außer den feuerwehrspezifischen Aufgaben hat die Zimmerner Wehr auch im Ort eine tragende Rolle. So beim Verteilen von Osternestchen für Kinder, bei Säuberungsaktionen oder am Volkstrauertag. Jugendwart Mathias Grimm berichtete über sieben durchgeführte Dienstabende, zwei Schrottsammlungen zusammen mit der AWN sowie das zweimalige Austragen des Mitteilungsblattes in Zimmern. Der Kassenbericht von Carsten Philipp, vorgelesen von Daniel Kohler, fand die hundertprozentige Zustimmung von Kassenprüfer Jochen Kolb, ausschließlich lobende Worte fand. Entsprechend fiel die Entlastung auf Antrag von Bürgermeister Thomas Ludwig seitens der Mitglieder für Kasse und Vorstandschaft – auch als Dank und Anerkennung für die geleistete Arbeit – einstimmig aus. Ebenso einstimmig fielen auch die anstehenden Teilwahlen aus. Der Abteilungsausschuss setzt sich zusammen aus Tobias Weber, Michael Weber und Nico Cap. In den Gesamtausschuss wurden Michael und Tobias Weber gewählt und als Kassenprüfer Jochen Kolb und Hannes Barth. In ihren Grußworten gingen die Ehrengäste auf die Bedrohungen – innere und äußere – aber auch die Waldbrandgefahr aufgrund der extremen Trockenheit ein. Und in diesem Zusammenhang auch auf den großen Stellenwert des Ehrenamtes. Roland Bangert beglückwünschte außerdem die Jugendfeuerwehr zum fünften Platz beim Zeltlager in Auerbach und informierte über das Thema Umsatzsteuer für Vereine. Mit einem Dank an alle Aktiven schloss Siegfried Barth den offiziellen Teil des Abends und leitete zum gemütlichen Beisammensein über. Lesen Sie den ganzen Artikel

0 notes

auctionarray228 · 6 years ago

Text

180 Vintage Horology Books Watch Making Clock Repair Pocket Key History DVD

Image Gallery

Item Description

180 Vintage Horology Books

PDF format compatible with PC or Mac

The most Complete Library available

Watch Making Books- This unique disk is an opportunity to own these rare and collectible vintage books before they disappear forever. Some of the books are already unavailable and but for being scanned into digital format would never be seen again. Each page has been scanned in as a devoted reproduction of the original. This is an opportunity to be able to see books that would otherwise be lost to future generations. The disk contains the most complete library of books relating to Horology. it is not just books on the subject but also fine examples of the skill of the watch or clock maker. It is an invaluable resource of knowledge,techniques and history that may otherwise be forgotten were it not for being preserved in this way.

Horology

Horology is the art or science of measuring time. Clocks, watches, clockwork, sundials, hourglasses, clepsydras, timers, time recorders, marine chronometers, and atomic clocks are all examples of instruments used to measure time.

In current usage, horology refers mainly to the study of mechanical time-keeping devices, while chronometry more broadly includes electronic devices that have largely supplanted mechanical clocks for the best accuracy and precision in time-keeping.

People interested in horology are called horologists. That term is used both by people who deal professionally with timekeeping apparatus (watchmakers, clockmakers), as well as aficionados and scholars of horology. Horology and horologists have a large number of organizations, both professional associations and more scholarly societies.

Searchable – Each file is fully named on the disk so it is easy to search and find a particular title. In addition each book is searchable and individual sections or pages can easily be printed.

Viewing – The books will require suitable PDF software to view them, almost certainly you will already have this on your computer or device – if not such software is universally available for Free download.

Sizing – Page size can be adjusted to suit your needs for viewing text or images.

Printing – All maps and books are printable – we do not place any security restrictions on them.

Images – All images can be printed out and used as you wish.

PDF Reader for reliably viewing, printing, and commenting on PDF documents.

List of Books on the Disk

Over a hundred and eighty On The Disk in PDF format

20th century catalogue of supplies for watchmakers, jewelers and kindred trades – Purdy, J. H. & co 1899

A book of sundial mottoes – Hyatt, Alfred H 1903

A Brief Account of the Chronometer – Parkinson and Frodsham 1832

A Catalogue of Books, Manuscripts, Specimens of Clocks, Watches and Watchwork, … – William Henry Overall 1875

A Contrivance to Avoid the Irregularities in a Clock’s Motion,- Mr. George Graham, Watch-Maker, F. R. S. (January 1, 1726) [Article]

A Description of a Clepsydra or Water-Clock – Charles Hamilton 1753

A Description of Two Methods, by Which the Irregularity of the Motion of a Clock, …, May be Prevented; By John Ellicott 1753 [Article]

A history of Simon Willard, inventor and clockmaker – J Williard 1911

A New Circuit-Breaker for Astronomical Clocks(Volume 7) – Poole, A. F. 1895 [Article]

A New Method of Constructing Sun-Dials, for Any Given Latitude – James Ferguson, F. R. S. (January 1, 1767) [Article]

A new system of electric clocks its principles and ‘advantages’ – Spellier, L 1886

A portion of the papers relating to the great clock for the new palace at Westminster – Westminster palace 1848

A practical and theoretical treatise on the detached lever escapement

A Practical Course In Horology

A Practical Treatise on the Balance Spring 1876

A Rudimentary Treatise on Clock and Watch Making – Baron Edmund Beckett Grimthorpe 1850

A Rudimentary Treatise on Clock And Watch Making

A Rudimentary Treatise on Clocks, Watches & Bells for Public Purposes – Edmund Beckett Grimthorpe 1903

A Treatise on Modern Horology in Theory and Practice 1887

A treatise on the teeth of wheels demonstrating the best forms which can be given to them – Camus, C 1868

A treatise on watch-work, past and present – H L Nekthropp 1873

A treatise on watch-work, past and present – Henry Leonard Nelthropp 1873

Abbott’s American Watchmaker and Jeweler

Account of improvements in chronometers – Mr. John Sweetman Eiffe 1842

Accutron 214 Service Manual

Accutron 218 Service Manual

American horological journal, devoted to practical horology – Vol 1

American horological journal, devoted to practical horology – Vol 2

American horological journal, devoted to practical horology – Vol three

American horological journal, devoted to practical horology – Vol four

American Watchmaker and Jeweler An Encyclopedia for the Horologist … – George Henry Abbott Hazlitt 1898

An Analysis of the Lever Escapement – Playtner, H. R. 1910

Ancient Japanese Clocks (Volume 20) – Skeel, Frank D. [Article]

Ausführliche Geschichte der theoretisch-praktischen Uhrmacherkunst Seit der altesten Art den … J von Poppe 1801 [German]

Bangerter’s Inventions – His Marvelous Time Clock

Bell foundry, Whitechapel, London E. .. – Mears & Stainbank 1885

Book of old sundials 1922

Breguet (1747-1823) (Volume 1) – Salomons, David, Sir 1921

Catalog of clocks and bronzes – John Wilson’s Son 1882

Catalogue of Books, Manuscripts, Specimens of Clocks, Watches & Watchwork, Paintings, Prints

Charter and bye laws – Company of clockmakers 1825

Chats on Old Clocks 1917

Church, clock, hemispherical, and other description of bells. Whitechapel bell foundry – Mears & Stainbank 1919

Clock and Watch Work – E Beckett 1855

Clocks and Watches – J L Overton 1922

Clocks manufactured by the E. Ingraham Company, Bristol, Conn., U. S. A.; No. 29 1903

Clocks manufactured by the E. Ingraham Company, Bristol, Conn., U. S. A.; No. 30

Clocks–Ancient and Modern (Volume 25) – Eichelberger, W. S 1907 [Article]

Collection of watches loaned to the Metropolitan museum of art of the city of New York – Hearn, G 1907

Comparative performance of watches with elinvar and with steel hairsprings -Volume Bureau of Standards Journal of Research – Gould, R 1934

Computation of time – Bonsall, Spencer 1879

Curiosities of Clocks and Watches from the Earliest Times – E J Wood 1866

Description de L’Horloge Monumentale de la Cathedrale de Beauvais, by M. A. L. Verite, 1868, 53 pages

Description of a Horizontal Sundial (Volume 7) – Donovan, Michael 1857 [Article]

Description of an Escapement for an Astronomical Clock, Invented by the Late Captain Henry Kater, 1840

Description of the universal time dial regulator – Niehaus, Frederick 1874

Directions for Using Bottums Patent 1852

Elegant and Curious Clocks Dec 1st 1887 – Stowell, N. S. [Article]

Elements of mechanical philosophy being the substance of a course of lectures on that science – Robison, John 1804

Essai sur l’horlogerie Vol 1- Berthoud, Ferdinand, 1763 [French]

Essai sur l’horlogerie Vol 2- Berthoud, Ferdinand, 1763 [French]

Five Hundred and Seven Mechanical Movements – Brown 1908

Fogerty’s directory of the jewelry and kindred trades in the United States. – Mrs. J.J. Fogerty 1877

Former Clock and Watchmakers and Their Work 1894

Friction – Lubrication in Horolgy

Histoire de la mesure du temps par les horloges (Volume 1) – Ferdinand Berthoud 1802

Histoire de la mesure du temps par les horloges (Volume 2) – Ferdinand Berthoud 1802

History of the American Waltham Watch Company of Waltham, Mass. – Henry G. Abbott 1905

Horological Department (Volume 1918) – Bradley Polytechnic Institute 1886

Horological Department (Volume 1920) – Bradley Polytechnic Institute 1886

Horologium oscillatorium – C Huygens 1673 [Latin]

Horology, a popular sketch of clock and watch making – Edward Grafton

How to find the time at sea in less than a minute; being new and accurate methods – A Johnson 1918

How to keep the clock right by observations of the fixed stars with a small fixed telescope … – Thomas Warner 1876

Illustrated catalogue and price list of clocks manufactured by the E. Ingraham & Co., Bristol, Conn 1881

Illustrated catalogue. Franklin Jewlery Company 1875-1885

Ingraham watches and clocks the E. Ingraham Company, Bristol, Connecticut, U.S.A. No. 44 1938

Ingraham watches and clocks the E. Ingraham Company, Bristol, Connecticut, U.S.A. No. 44A 1939

Isochronism of Balance-Springs 1862

Jeweled Bearings for Watches

Lancaster’s Part in the World’s Watchmaking Industry – John J. Bowman 1945

Lectures on church-building with some practical remarks on bells and clocks 1856

Lessons in Horology (Volume 1) – Jules Grossmann 1905

Mechanical Philosophy, Horology, and Astronomy 1857

Modern Electro Plating 1897

Modern Letter Engraving in Theory and Practice – A Manual for the Use of Watchmakers 1898

Modern methods in horology – Hood, Grant 1904

New and complete clock and watchmakers’ manual .. – Booth, M 1860

New and Complete Clock and Watchmakers Manual

Notes on the management of chronometers and the measurement of meridian distances – Charles Frederick A . Shadwell 1861

Observations for Proving the Going of Mr. Ellicotts Clock 1761

Old Clocks and Watches and Their Makers 1904

Old Scottish clockmakers from 1453 to 1850 – Smith, John 1921

On a New Astronomical Clock, and a Pendulum Governor for Uniform Motion – Thomson, W. 1868 (Article]

On the construction and theory of the dead escapement for clocks – Benjamin Lewis Vulliamy 1846

On the Springing and Adjusting of Watches 1898

P.W. Ellis & Co. Limited, the jewellery headquarters of Canada 1915-1916 illustrated catalogue

Pendulum Clocks and Their Errors (October 18, 1911) [Article]

Practical course in adjusting – Gribi, Theo 1901

Practical course in adjusting … the motion of the balance and balance spring in watches and chronometers – Gribi, T 1901

Practical lessons on the lever escapement

Precise time synchronization of widely separated clocks (Volume NBS Technical Note 22) – Morgan, A 1959

Primitive sun dials or scratch dials; containing a list of those in Somerset – Horne, P 1917

Prize Essay on the Construction of a Simple and Mechanically Perfect Watch 1891

Rules and practice for adjusting watches

Secrets of the trade. For watchmakers and jewelers .. – Collins & Clifton 1892

Self-Winding-Clock-Co-Manual 1908

Service and Repair of the Hamilton Electric Watch – Hamilton Watch Company 1959

Simon Willard, Inventor & Clockmaker

Some account of the Worshipful company of clockmakers of the city of London 1881

Some considerations on the subject of public clocks, particularly church clocks – Vulliamy, Benjamin Lewis 1828

The American watchmaker and jeweler – Stelle, J 1868

The Artificial Clock-Maker 1734

The book of A. Lincoln watches 1924

The Clock Jobber’s Handybook A Practical Manual on Cleaning, Repairing & Adjusting – Paul Nooncree Hasluck 1889

The Clock Makers Guide to Practical Clock Work 1813

The Clocks of the Greenwich and U. S. Naval Observatories (Volume 25) – Lewis, Thomas 1907 [Article]

The Evolution of Automatic Machinery As Applied to the Manufacture of Watches at Waltham, Mass … – Edward A. Marsh 1896

The marine chronometer, its history and development 1923

The modern clock; its construction, regulation, and repair

The Perfected American Watch … – Waltham watch company 1900

The polishing and plating of metals- Hawkins, H 1904

The principles of Mr. Harrison’s time-keeper; with plates of the same – Harrison, John 1767

The story of Edward Howard and the first American watch – Dyer, G 1910

The timepiece of shadows a history of the sun dial – Spackman, Henry Spencer 1895

The Tower Clock and How to Make It

The Tower Clock Designed and Made for the University of Chicago by the … – Earl Bixby Ferson 1903

The Universal Clock Adjuster 1887

The Watch – Its Construction, Its Merits & Defects

The watch – Hand work versus machinery-History of watch making by both systems

The Watch & Clock Makers’ Handbook, Dictionary and Guide – Frederick James Britten 1896

The watch adjuster’s manual – C Fritts 1904

The Watch Adjuster’s Manual

The Watch and Clock Makers Handbook, Dictionary and Guide 1896

The watch and the clock – Taylor, Alfred, 1883

The watch and the clock

The watch balance and its jeweling – C Higginbotham 1912

The Watch Balance and its Jeweling 1912

The watch factories of America, past and present. A complete history of watchmaking in America, from 1809 to 1888 inclusive.. – Hazlitt, George 1888

The Watch Its Construction, Its Merits and Defects 1860

The watch. Hand work versus machinery, their merits and defects explained and compared. – Piaget, Henr 1877

The Watchmaker & jeweller, silversmith & optician (Volume 1-2 June 1875-June 1877)

The Watchmaker & jeweller, silversmith & optician (Volume three-4 July 1877-May 1879)

The Watchmaker & jeweller, silversmith & optician (Volume 5-6 July 1879-June 1881)

The Watchmaker & jeweller, silversmith & optician (Volume 7-8 July 1881-June 1883)

The Watchmaker & jeweller, silversmith & optician (Volume 9-10 July 1883-June 1885)

The Watchmaker & jeweller, silversmith & optician (Volume 12 July 1886-June 1887)

The Watchmaker & jeweller, silversmith & optician (Volume thirteen July 1887-June 1888)

The Watchmaker & jeweller, silversmith & optician (Volume Bastille Day 1888-June 1889)

The Watchmaker & jeweller, silversmith & optician (Volume 15 July 1889-June 1890)

The Watchmaker & jeweller, silversmith & optician (Volume sixteen July 1890-June 1891)

The Watchmaker & jeweller, silversmith & optician (Volume 17 July 1891-June 1892)

The Watchmaker & jeweller, silversmith & optician (Volume 18 July 1892-June 1893)

The Watchmaker & jeweller, silversmith & optician (Volume 19 July 1893-June 1894)

The watchmakers’ lathe, its use and abuse – Goodrich, Ward 1903

The Wenzel Pneumatic Clock 1883

Three hundred & fourteen gold & platinum watches – Anderson Galleries, Inc 1927

Time a struggle for precision – Watkins, William Henry 1939

Time & Time-Teller

Time a struggle for precision – W Watkins 1939

Time and its measurement – Arthur, J 1909

Time and Timekeepers 1842

Time Telling Through the Ages – Dr. Frank Crane

TM 9-1575 Ordnance Maintenance Wrist Watches, Pocket Watches, Stop Watches, and Clocks – United States. War Department 1945

Traité de l’horlogerie mécanique et pratique Vol 1 1747

Traité de l’horlogerie mécanique et pratique Vol 2 1741

Treatise on clock and watch making theoretical and practical – Reid, Thomas 1826

Treatise On Clock And Watch Making

Turning and Mechanical Manipulation 1850

U.S. patents covering time keeping mechanisms – United States. Patent Office 1892

U.S. patents covering time keeping mechanisms – United States. Patent Office 1923

Watch and clock escapements; 1904

Watch and Clock Making

WATCH AND CLOCK

Watch factories of America 1809-1888

Watch jobbers handybook – practical manual on cleaning repairing adjusting

Watch makers tables – useful information concerning the teeth of wheels and pinions

Watches – the Paul M. Chamberlain collection at the Art Institute of Chicago

Watches at Wholesale Prices 1890

Watchmaker and Jewelers Handbook

Watchmaker and Jewelers Practical Handbook

Watchmakers’ and jewelers’ practical receipt book. A workshop companion 1892

Ye sundial booke – Henslow, T. Geoffrey 1914

Examples Pages from the Disc

A Limited Number at this Special Price

RRP – 14.99

Forget that we will sell you this product for a very good price

Genuine Feedback for this Item

Key Software is proud of our eBay feedback record and you can see the genuine feedback from users just like you for this exact product. Please do leave 5 star feedback for us as it’s the only way we can keep our prices low.

The DVD

You will receive a professionally authored and electronically verified DVD. Full and comprehensive instructions on using the software are available online. Simply insert the disc into your computer and the menu will begin instantly. The image above is an example of the disc you will receive. In order to keep the postage cost as low as possible you will receive your DVD disc in a slimline protective sleeve, within a tough cardboard envelope. If you do not have a DVD player then please contact us for alternative media options.

Postage

Guarantee

FAQs

Terms & Conditions

We offer same day dispatch for orders before 3pm and all items are sent 1st class. Express shipping is available at checkout although this is rarely quicker. Items are sent by Royal Mail. UK Customers should expect their item within 1-3 working days. If the item has not arrived within 7 days please contact us and we will send you another immediately.

When you make a purchase from Key Software we guarantee your satisfaction. Full support is available 24/7 via our support email. If you have any issues with your order simply contact through eBay messaging and we will resolve any problems. Most problems can be sorted out same day.

Why is your service better than others?

FREE Delivery On ALL UK Orders

Genuine UK Stock

UK First Class Delivery As Standard

Friendly Customer Service

60 Day – No Hassle Returns

What about the quality of your discs?

High quality discs – Read speeds of up to 16X.

High quality printed discs – no discs with just marker pen as a label.

FREE – Plastic disc sleeve to protect your disc during and after postage.

Extra postage protection – Each disc is sent in an hard card backed envelope.

Every disc is tested to ensure its fully working before it is dispatched

What Operating System Does This Disc Support?

Windows XP SP3 (32-bit)

Windows Vista SP1 (32-bit & 64-bit)

Windows 7 (32-bit & 64-bit)

Windows eight (32-bit & 64-bit)

Windows 10 (32-bit & 64-bit)

Can I install and use the software on more than one computer? Items that dispatch with a physical license key may only be installed on 1 computer but all other items can be installed onto all the computers within your home or office without any restrictions.

Is the software a full program and not a trial? Do I actually have to pay for updates? This software is different from others for sale, just buying this disc entitles you to lifetime updates free of charge We would also like to mention that once the software detects an active internet connection it will download the latest version available ensuring maximum compatibility.

I have another question? No problem, just contact us via eBay or our Support Centre we offer 24/7 assistance and will get back to you promptly.

By purchasing this item you are agreeing to the following terms & conditions and agree that such conditions are reasonable and fair under English law. If you do not agree to these terms then please do not purchase this item. For some software supplied the individual installer is distributed globally under the terms of the GNU Public License, the GNU Lesser General Public License (LGPL) or the Mozilla Public License. All other images, items, box image DVD menus, listings and designs are copyrighted and utilise our protected IP. We will use our reasonable endeavours to ensure that the goods are as described in the above listing. We specifically disclaim any implied warranties of title, merchantability, fitness for a particular purpose and non-infringement. Customers should satisfy themselves that any item choice made is suitable for their intended purpose or use. Key Software acts as a distributor only for some software. By purchasing this software you agree that our maximum liability for any damage caused by the software is limited to a hundred% of the purchase price of the software. There is no warranty for the program, to the extent permitted by applicable law. Except when otherwise stated in writing the copyright holders and/or other parties provide the program “as is” without warranty of any kind, either expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. The entire risk as to the quality and performance of the program is with you. Should the program prove defective, you assume the cost of all necessary servicing, repair or correction. In no event unless required by applicable law or agreed to in writing will any copyright holder, or any other party who modifies and/or conveys the program as permitted above, be liable to you for damages, including any general, special, incidental or consequential damages arising out of the use or inability to use the program (including but not limited to loss of data or data being rendered inaccurate or losses sustained by you or 0.33 parties or a failure of the program to operate with any other programs), even if such holder or other party has been advised of the possibility of such damages. By purchasing the software your name, address,phone number and email details may be passed to us which we may use for marketing products and services that may be of interest to you by Key Software Deals Ltd or other UK Ltd companies. A full list of these companies may be found on the companies house website. We will always allow you to opt out of any communications at any time. This item does not infringe any copyright, trade mark, or other rights or any of eBay’s listing policies or spam policies.

Unless specifically stated this is not a Microsoft product, the use of the Microsoft brand name is only used to highlight the compatibility of the software with the Microsoft operating systems.

WE PRIDE OURSELVES ON OUR CUSTOMER SERVICE, IN THE RARE EVENT THAT YOU HAVE A PROBLEM WITH YOUR ITEM PLEASE SEND US A MESSAGE VIA EBAY AND WE WILL BE HAPPY TO HELP.

Categories

Accounting Software

Anti-Virus Software

Multimedia Software

Utilities

Server Software

Web Design & Image Editing

Operating Systems

Database

Developer Tools

Graphics

Home & Reference

Internet Tools

Office Packages

Project Management

Publishing

Video Editing

eBay Seller

Consistently Receives High Buyer Ratings Dispatches Items Quickly Has Earned a Track Record of Excellent Customer Service

FREE Download Facility

Download Facility for Any Item on Request

The post 180 Vintage Horology Books Watch Making Clock Repair Pocket Key History DVD appeared first on The best deals on the web delivered around the world!.

from Products | The best deals on the web delivered around the world! https://ift.tt/2kAo51h via https://ift.tt/2JJkuJC

0 notes

universallycrownpirate · 7 years ago

Photo

Wilhelm Hallbauer (geboren 30. März 1889 in Straßburg, Deutsches Reich; gestorben 26. Oktober 1969 in Holzminden) war ein deutscher Architekt, Stadt- und Raumplaner sowie Täter des Holocaust im deutsch besetzten Polen.

Über seine Entnazifizierung ist nichts bekannt. Später lebte er als Baudirektor außer Dienst und Pensionär in Bad Nauheim.

Ghetto Lemberg im Frühling 1942

Friedrich Warzok, Fritz Katzmann und Heinrich Himmler im Zwangsarbeitslager Lemberg-Janowska

Hans Michael Frank (* 23. Mai 1900 in Karlsruhe; † 16. Oktober 1946 in Nürnberg) war ein nationalsozialistischer deutscherPolitiker. Er schloss sich der DAP, Vorläuferin der NSDAP, bereits 1919 an, fungierte als Adolf Hitlers Rechtsanwalt und war höchster Jurist im „Dritten Reich“. Nach 1933 organisierte er die Gleichschaltung der Justiz in Bayern und später in ganz Deutschland. Er war Mitglied des Reichstags und Reichsminister ohne Geschäftsbereich. Während des Zweiten Weltkrieges war er Generalgouverneur des besetzten Polen und wurde von Zeitgenossen der „Schlächter von Polen“ oder der „Judenschlächter von Krakau“ genannt. Sein Staatssekretär Josef Bühler bezeichnete ihn in Nürnberg als „König von Polen“.

Frank gehörte zu den 24 im Nürnberger Prozess gegen die Hauptkriegsverbrecher vor dem Internationalen MilitärgerichtshofAngeklagten. Er wurde am 1. Oktober 1946 in zwei von drei Anklagepunkten schuldig gesprochen, zum Tode verurteilt und in der Nacht vom 15. auf den 16. Oktober 1946 durch den Strang hingerichtet.

Ehrenmal des Deutschen Heeres in Koblenz

Das Ehrenmal des Deutschen Heeres wurde in eine vier Meter breite und etwa zwei Meter hohe Nische im Ravelin der Festung Ehrenbreitstein gebrochen. In der Nische befindet sich die liegende Gestalt eines jungen Soldaten mit einem Stahlhelm. Bei der Gestaltung des Stahlhelms wurde bewusst eine Zwischenform der in den beiden Weltkriegen getragenen Helme gewählt. Im oberen Bereich der Nische ist das Eiserne Kreuz als Hoheitszeichen der Bundeswehr angebracht.

Hallbauer studierte Architektur an der Technischen Hochschule Hannover und arbeitete zu Anfang als Regierungsbaumeister (Assessor in der öffentlichen Bauverwaltung). Ab 1920 hatte er ein eigenes Architektenbüro in Hamburg und realisierte Industriebauten, Kontorhäuser, Hotels, Theater, Kriegerdenkmäler und Villen. Ende der 1920er Jahre verlegte er sich auf das Grundstücks- und Finanzierungsgeschäft und war Geschäftsführer mehrerer Bau- und Siedlungsgesellschaften. Er wurde dann als Leiter des Stadterweiterungs- und Gartenamtes nach Wilhelmshaven berufen. Er plante dort die Erweiterung des Kriegshafens und die Vergrößerung der Stadt. Für den Stadtteil Altengroden plante er 1937 in der Projektskizze Stadt der 300.000 zunächst eintausend Wohnungen.

Nach der deutschen Eroberung Polens zu Beginn des Zweiten Weltkriegs wurde Hallbauer im Dezember 1939 Stadtbaudirektor in Łódź. Sein Auftrag war, dort eine neue Bauverwaltung nach deutschem Muster aufzubauen. Die in Litzmannstadt umbenannte Stadt, zu der Zeit die sechstgrößte Stadt im nationalsozialistischen Deutschen Reich (das Reich in seinen aktuellen Grenzen, also einschließlich des annektierten Warthelandes mit Łódź), sollte zu einer deutschen Zentralstadt umgestaltet werden, dafür sollten die polnischen und jüdischen Einwohner vertrieben werden.

Hallbauer plante, dass 300.000 Juden und 50.000 Polen „ausgesiedelt“ werden sollten, durch Ansiedlung von 400.000 Deutschen käme die Stadt mit verbleibenden 300.000 polnischen Industriearbeitern auf 700.000 bis 800.000 Einwohner. Hallbauer konnte eine Reihe von deutschen Bauingenieuren als städtische Abteilungsleiter nach Litzmannstadt holen, im April 1940 wurde der Berliner Architekt Walther Bangert mit einem Gesamtplan beauftragt, in welchem Hallbauers nationalsozialistisch-größenwahnsinnige Vorstellung auf eine Zielgröße von einer halben Million Einwohner zurechtgestutzt wurde.

Die rasch in der Adolf-Hitler-Straße hochgezogenen Wohnbauten wurden von einem UFA-Filmteam für den Propagandafilm Aus Lodz wird Litzmannstadt aufgenommen. Hallbauer setzte den Rahmen für eine „Stadt ohne Juden“, in welcher die jüdische Bevölkerung Łódź und die hierher deportierten Juden im Zwangsghetto Litzmannstadt von jeglichem Kontakt mit der Stadt abgeschnitten wurden. Die Bauverwaltung der Stadt unter Hallbauer machte sich diese Ziele zu eigen.

Nach Ausbruch des deutsch-sowjetischen Krieges pendelte Hallbauer ab Oktober 1941 zwischen Litzmannstadt und dem von den Deutschen eroberten Lemberg in Galizien, wo er die Stadtplanung auf eine Aufteilung der Stadt zwischen Deutschen, Polen, Ukrainern und Juden umstellte. Im Februar 1942 wechselte er endgültig nach Lemberg, da er zusätzlich zum Stellvertreter des Stadthauptmanns Egon Höller ernannt wurde. In Lemberg schuf er am 2. Dezember 1941 die stadtplanerischen Voraussetzungen für die Abriegelung des Lemberger Zwangsghettos.

Als zweiter Mann in der Stadtverwaltung sorgte er dafür, dass jüdische Zwangsarbeiter aus dem KZ Janowska für städtische Arbeiten geordert wurden. Die Stadtverwaltung war in die Organisation des Zwangsghettos, des Konzentrationslagers und dessen Außenstellen vielfältig eingebunden und sie ermöglichte der SS und der Gendarmerie unter dem SS-General Friedrich Katzmann Selektionen, Deportationen und Massenmorde und die spätere Enterdung und Verbrennung der Leichen in Lemberg durchzuführen.

Hallbauer beteiligte sich an dem Betrug an den Vertretern des zwangsweise eingerichteten Judenrats. Bei einem Besuch Lembergs durch den Generalgouverneur Hans Frank 1942 erhielt Hallbauer die Gelegenheit, den Gästen des Staatsakts einen Vortrag über die bauliche Entwicklung Lembergs zu halten und sie durch eine Modellschau zu führen. 1944 erhielt er von Frank den Auftrag, ein repräsentatives Geschenk des Generalgouvernements für Adolf Hitlers 55. Geburtstag vorzubereiten.

Nach Kriegsende arbeitete Hallbauer freiberuflich als Raumplaner in Südwestdeutschland und äußerte sich auch zur Stadtentwicklung in Wilhelmshaven.

1 note · View note

nofomoartworld · 7 years ago

Text

Hyperallergic: A Cinematographer’s Documentary About Making Documentaries

Still from Cameraperson (2017) (courtesy Kirsten Johnson)

Kirsten Johnson has worked as a cinematographer and camera operator for documentary films for more than two decades. She’s lensed for the likes of Barbara Kopple, Michael Moore, Laura Poitras, and Kirby Dick, and their projects have taken her all over the world, including many war-torn regions. A film about two Afghan girls she had met during her travels evolved into The Blind Eye (2013), a collage of violent images she’d captured during her career. With the help of fellow documentary cinematographer Nels Bangerter, she shaped this “Trauma Cut” into a quieter, more meditative reflection on her art. The result was Cameraperson, a filmmaker’s memoir constructed from footage Johnson had shot for various docs. Since its premiere at the 2016 Sundance film Festival, the film has won tremendous acclaim, including a quick induction in the Criterion Collection. In conjunction with the film’s upcoming television premiere on POV, Daniel Schindel talked to Johnson over the phone about how her experiences gradually shaped Cameraperson into its final form.

Daniel Schindel: Your statement on the film lists a series of challenges a documentary photographer faces in the moment of filming. Among these troubles are when you follow stories a director does not need and when you’re not following the ones they want. How independent is a cinematographer during the production of a documentary?

Kirsten Johnson: As with all of this, it is completely dependent on the director. There are situations in which the director is right there with you all the time, and there are situations in which you are completely alone or with the sound person in a space. This can be for reasons that have to do with time constraints, or because the director needs to be doing something else simultaneously. There are these triangulations that happen — the more people are in a space, the more complicated it gets for the people being filmed.

But I’ve certainly had many experiences in which I end up following someone and there’s no way the director can even keep up. They end up doing something else while you’re down the road with someone and something’s happened to them, and you’re the only one there and are deciding whether you continue to film or not. Hopefully, you’re thinking what the director is hoping for, and know what story you’re following together. But sometimes, without even realizing it, you’ve got a completely different interpretation of what they wanted.

DS: Who’s a director you’ve worked with who is with you all the time? Who’s a director who’s given you more freedom? And what’s an example of a time when you followed something which the director didn’t intend, where your visions were different?

KJ: Barbara Kopple is definitely someone who gets you access to a place and then you have a huge amount of freedom within that situation. I was about to say that Laura Poitras is someone who’s with you all the time, but in fact she asked me to go to Guantanamo Bay while she was in Yemen. So she’s the kind of director who will be with you if she can, but based on your relationship and trust, she’ll also let you be on your own without them.

With the Bosnian family featured in Cameraperson, it was very clear to the director that they weren’t people we were going to follow, but I didn’t know that and kept filming them picking blueberries high up on a mountain. I think the director had determined right away that it wasn’t going to be in the movie, but I just got led off to this world and fell in love with the family and with filming them. I believe they didn’t even translate any of the original footage. So clear was the director’s knowledge that this didn’t fit into the context of the film, but we’d driven halfway up this mountain and were going to be there til sunset anyway, so she let me go.

DS: Was there any footage you wanted but weren’t able to find, or couldn’t get permission to use?

KJ: There was so much I wasn’t able to find. In the case of a film like Darfur Now, Warner Independent had ceased to exist, so that footage was very complicated and limited. There are also agreements that are struck between directors and the people who are filmed, that “This is off-limits” or “This can only be used in this context.” Incredibly, Michael Moore said I could use literally anything I had ever shot for him without his oversight, which was impressive to me in its generosity.

DS: What’s something you remembered recording which you wanted to use but couldn’t?

KJ: We had filmed the president of Sudan, who is now accused of war crimes, at the wedding of someone connected to his inner circle. There was this look in his eye when he saw that I was filming him, this terrible look that really felt like the look of someone who is capable of ordering people to be killed. It was like “Get this woman to stop filming me immediately.” Some bodyguards rushed in and pulled me away. I really wanted to see that look in his eyes, and see whether or not it came across to the audience. But that was just footage we couldn’t get.

There was a lot which I thought was deeply memorable. Probably one of the most powerful examples for me was we had filmed in Rwanda at a church where thousands of people had been massacred. When arrived, there was a man there who had survived the massacre and was basically the custodian of the small memorial that had been created there. He was clearly desperate for the memory of what had happened to be recorded, and he took me down to a kind of crypt. The ground was muddy, there were caskets with bodies falling out of them, and everything was rotting. He wanted me to film it because he wanted people to not forget what had happened there, but as you can imagine, it was completely horrific. I couldn’t remember whether I had filmed it or pretended to film it on his behalf, to communicate “Yes, I am seeing this, I am witnessing this thing.” I went back to that footage, and it turned out I had immediately turned the camera off because it was so horrific I didn’t want anyone else to see it. Now I regret that in some ways, and in other ways I don’t, and that’s the conundrum of all this.

DS: What made you shift from the unifying focus on violence of the “Trauma Cut” to the final cut, which is more quotidian details of life and work?

KJ: I think the “Trauma Cut” really was unbearable. It was too much to take, it was a visual assault. And so we thought a lot about how to present some of the intensity of what is going on in the world and what one experiences as a camperaperson while not making everyone want to turn it off immediately. Nels Bangerter had a lot of perspective for me: he was finding the ways in which I really enjoy myself in the world — how I can be in a space where people are living with a lot of suffering, but still we’re joking together, I’m enjoying the food that they’re serving, talking to their kids. Nels was able to identify for me the mechanism with which I cope. And many of those mechanisms I have learned from people who have experienced brutality themselves. People find the esoteric humor in their situations; it encourages one to find coping mechanisms that aren’t just total despair.

DS: How difficult was it to edit the structure of the film to find the proper flow?

KJ: We had a guiding principle that the audience would be sophisticated and capable of understanding all the dimensions of this. So with the early scene in which I’m shooting landscape and react to sudden lightning, you immediately have this knowledge that I’m there. And the scene where I reach out my hand and pluck the grass in front of the camera tells you that not only am I there, but I’m also an active participant in the creation of these images. Once I’ve established that, you can move onto other things.

Another organizing principle was to let a piece of footage do as many things as possible. We tried to create rules around the way we presented scenes. For example, the abortion clinic scene was a B-roll shot in Trapped, so we had to add back in the sound. We only wanted to do that once in the film. We wanted to include one scene exactly as it was in the original film, from Derrida. We were constantly making rules like that, and that was what helped us to not only figure out what order we put things in, but what footage we used.

DS: You use title cards to introduce subjects and locations. How much did you experiment with how to create context for the footage?

KJ: Context is the key word; we were trying to figure out how much was needed. Eventually, it became clear that we had to own that this was its own movie. Whenever we provided too much context, your brain would leave and head off toward the other film. When I was shooting, I didn’t yet know the title of the film I was working on, or when it would come out or what it would be about. So we put the viewer in my position when filming, which is that I knew where I was—and that was about it.

I really believe that these images are relationships. They are relationships in the making, but they continue to be relationships moving forward in the future. Each one is an interaction between the people filmed, the people who recorded the material, and the people who watch it. Me watching Abdul Henderson [in Fahrenheit 9/11] when the Iraq War is going on is one thing. Watching Abdul Henderson will mean another thing to the person who sees that footage.

DS: How do you think you’ve changed as a photographer over the course of your career?

KJ: That’s what was fascinating to me about Camperaperson, was realizing how revealed I am in the footage. I can see myself at different ages, where I was obsessed or drawn to different things or I understood things differently. All of my life, I’ve thought a lot about the way race is constructed and how racism functions, but it took me until much later in life to think about gender inequity, and I can see that shift happening in how I look at people. There are things like that which are very private to me, where I know what I understood at a time when I filmed it, and I can see myself changing. I didn’t realize that that would be in the footage.

DS: Going forward, do you have any more ideas for a film you’d like to direct, or would you prefer to continue as a cinematographer?

KJ: I am working on a new project as a director and as a camperaperson with my father, and I also have a larger, multi-year camera-people project that I’m working on. I am very actively pursuing the ideas that Camperaperson opened up for me.

Cameraperson airs Monday, October 23, as part of POV on PBS.

The post A Cinematographer’s Documentary About Making Documentaries appeared first on Hyperallergic.

from Hyperallergic http://ift.tt/2gx5lxz via IFTTT

#IFTTT #Hyperallergic

0 notes