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Additional Readings for the Eager...and or, those with the Saga-Fever!
As we dig into the wonderfully fantastic saga that is Eyrbyggja Saga, I wanted to give readers the opportunity to look at discussions in Old Norse Scholarship that have buzzed with the themes and topics brought up by this saga! Politics, Gender, Magic, Law, the Restless Undead, Religion-Belief, and the construction of a saga itself! Below this cut you’ll find a regularly updated haphazard Bibliography separated into sections.
Those entries with an * (asterisk) present are free and accessible online–I will be happy to send you a pdf of every other article/chapter if I have it, just DM me the particular article you want at @cousinnick and I will do my best to send it to you. If you have any suggestions to add to the list, I’d be happy to look into them!
Old Norse Read-Along Bibliography: Eyrbyggja Saga
Íslendingasögur/Icelandic Family Sagas:
Andersson Theodore M. The Icelandic Family Saga: An Analytic Reading. Cambridge, Massachusetts: Harvard University Press, 1967.
Andersson Theodore M. The Displacement of the Heroic Ideal in the Family Sagas. Speculum 45, 575—93, 1970.
Byock, Jesse. Medieval Iceland: Society, Sagas, and Power. Berkeley, 1988.
Hastrup, Kirsten. “Defining a Society: The Icelandic Free State Between Two Worlds.” Scandinavian Studies, vol. 56, no. 3, 1984, pp. 235–255.
Jonas Kristjansson. Eddas and Sagas: Iceland’s Medieval literature, trans. Peter Foote. Reykjavik: Hið Íslenska Bókmenntafélag, 1988.
Ian Miller, William. Emotions and the Sagas in Palsson, Gisli 9th ed. From Sagas to Society. Engield Lock: Hisarlik, 1992.
O’Donoghue, Heather. Old Norse-Icelandic Literature: A Short Introduction. Blackwell, 2004.
Vesteinn Olason. Dialogues with the Viking Age trans. Andrew Wawn. Reykjavik: Heimskringla, 1998.
Vesteinn Olason. The Icelandic Saga as a Kind of Literature with Special Reference to its representation of Reality, in Learning and Understanding in the Old Norse World: Essays for MCR, ed. Quinn et al. Brepols, 2007.
Eyrbyggja Saga:
Chadwick, N. K. “Norse Ghosts (A Study in the Draugr and the Haugbúi).” Folklore 57.2 (1946): 50-65.
Kanerva, Kirsi. The Role of the Dead in Medieval Iceland: A Case Study of Eyrbyggja Saga. (2011).*
Sayers, William. “The Alien and the Alienated as Unquiet Dead in the Sagas of the Icelanders.” Monster Theory: Reading Culture. ed. Jeffrey Jerome Cohen. Minnesota: University of Minnesota Press, 1996.
Draugar/Revenants/Restless Undead:
Ármann Jakobsson. “Vampires and Watchmen: Categorizing the Mediaeval Icelandic Undead.” Journal of English and Germanic Philology, 2011, Vol. 110.3., pp. 281-300.*
Ármann Jakobsson. The Troll inside You: Paranormal Activity in the Medieval North. Earth, Milky Way: Punctum Books, 2017.*
Ármann, Jakobsson. “The Fearless Vampire Killers: A Note about the Icelandic Draugr and Demonic Contamination in Grettis Saga.” Folklore, 2009, Vol. 120, no. 3, pp. 307-316.*
Ármann, Jakobsson. “The Taxonomy of the Non-Existent: Some Medieval Icelandic Concepts of the Paranormal.” Fabula, 2013, vol. 54, pp. 199-213. *
Ármann Jakobsson. “The Trollish Acts of Þorgrímr the Witch: The Meanings of Troll and Ergi in Medieval Iceland”. Saga-Book, 2008, Vol. 32, pp. 39-68.*
Chadwick, N. K. “Norse Ghosts (A Study in the Draugr and the Haugbúi).” Folklore 57.2 (1946): 50-65.
Cohen, Jeffrey Jerome. Monster Theory: Reading Culture. Minneapolis: U of Minnesota, 1996. Ebook Central.
Glauser, Jürg. „Supernatural Beings. 2. Draugr and Aptganga.“ In Medieval Scandinavia: An Encyclepedia, Edited Phillip Pulsiano, pg. 623. New York: Garland, 1997.
Hartnell, Jack. Life and Death in the Middle Ages: Medieval Bodies. New York: W.W. Norton & Company Inc, 2018.
Kanerva, Kirsi. The Role of the Dead in Medieval Iceland: A Case Study of Eyrbyggja Saga. 2011.*
Kanerva, Kirsi. “Having No Power to Return? Suicide and Posthumous Restlessness in Medieval Iceland.” Thantos, 2015, Vol. 4, pp. 57-79.*
Kanerva, Kirsi. “Restless Dead or Peaceful Cadavers? Preparations for Death and Afterlife in Medieval Iceland.” Dying Prepared in Medieval and Early Modern Northern Europe. ed. Anu Lahtinen and Mia Korpiola, Leiden: Brill, 2018.*
Kanerva, Kirsi & Koski, Kaarina. “Beings of Many Kinds—Introduction for the Theme Issue ‘Undead’”. Thantos, 2019, Vol. 8, pp. 3-28.*
Laurin, Dan. The Everlasting Dead: Similarities Between The Holy Saint and the Horrifying Draugr. Scandia, 2020. N. 3.*
Merkelbach, Rebecca. Monsters in Society: Alterity, Transgression, and the Use of the Past in Medieval Iceland. Kalamazoo, MI, 2019. The Northern Medieval World.
Sanders, Karin. Bodies in the Bog and the Archaeological Imagination. Chicago, Ill.; London: University of Chicago, 2009.
Sayers, William. “The Alien and the Alienated as Unquiet Dead in the Sagas of the Icelanders.” Monster Theory: Reading Culture. ed. Jeffrey Jerome Cohen. Minnesota: University of Minnesota Press, 1996.
Gender and Sexuality:
Ármann Jakobsson. “Óðin as Mother; the Old Norse Deviant Patriarch.” Arkiv För Nordisk Filologi 126 (2011): 5-16.*
Clover, Carol. “The Politics of Scarcity: Notes on the Sex Ratio in Early Scandinavia.” Scandinavian Studies 60.2 (1988): 147-188.
Clover, Carol J. “Regardless of Sex: Men, Women, and Power in Early Northern Europe.” Speculum 68.2 (1993): 363-87.
Jesch, Judith. Women in the Viking Age. Woodbridge: Boydell P, 1991.
Jochens, Jenny. Old Norse Images of Women. Philadelphia: U Pennsylvania v, 1996.
Jóhanna Katrin Friðriksdóttir, ‘Women’s weapons a re-evaluation of magic in the Islendingasogur.’ Scandinavian Studies 81.4 (2009): pp. 409-28.
Laurin, Dan. But, What About the Men? Male Ritual Practices in the Icelandic Sagas. Kyngervi, 2020.*
Price, Neil. The Archaeology of Seiðr: Circumpolar Traditions in Viking Pre-Christian Religion. Brathair 4 (2), 2004: 109-126.*
Raffield, Ben, Neil Price, and Mark Collard. “Polygyny, Concubinage, and the Social Lives of Women in Viking-Age Scandinavia.” Viking and Medieval Scandinavia 13 (2017): 165-209.
Ström, Folke. Níđ, Ergi and Old Norse Moral Attitudes. London: Published for the College by the Viking Society for Northern Research, 1974. Print. The Dorothea Coke Memorial Lecture in Northern Studies; 1973.
Wallenstein, Frederik, The Burning of Rǫgnvaldr réttilbeini, (Nordic Academic Press, 2013).*
Politics and Law:
Jesse Byock. Feud in the Icelandic Society. (Berkeley 1982).
Firth, Hugh. “Coercion, Vengeance, Feud and Accommodation: Homicide in Medieval Iceland.” Early Medieval Europe 20.2 (2012): 139-75.
Miller Ian. William. Choosing the Avenger: Some Aspects of the Bloodfued in Medieval Iceland and England, Law and History Review 1, 159-204.
Miller Ian. William. Law and Literature in Medieval Iceland. Stanford: Stanford University Press, 1989.
Miller, William Ian. Bloodtaking and Peacemaking: Feud, Law, and Society in Saga Iceland. Chicago, Ill.; London: University of Chicago, 2005.
Fantasy:
Hume, Kathryn. Fantasy and Mimesis : Responses to Reality in Western Literature. London: Methuen, 1984.
Larrington, Carolyne. “The Psychology of Emotion and Study of the Medieval Period.” Early Medieval Europe, 2001, Vol. 10, no. 2, pp. 251-256.
Mundal, Else. The Treatment of the Supernatural and the Fantastic in Different Saga Genres. (2006)
Ross, Margaret. “Realism and the Fantastic in the Old Icelandic Sagas.” Scandinavian Studies 74.4 (2002): 443-54.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Cleveland: Press of Case Western Reserve U, 1973. Print. A Volume in the CWRU Press Translations.
Mythology/Vikings:
Clunies Ross, Margaret. Prolonged Echoes : Old Norse Myths in Medieval Northern Society. Odense: Odense UP, 1994. Print. Viking Collection. v. 7, V.10.
Hayward, John. The Penguin Historical Atlas of the Vikings. London: Penguin, 1995.
Jesch, Judith. The Viking Diaspora. New York: Routledge, 2015.
Jones, Gwyn. A History of the Vikings. (OUP: 1968 rev. 1984)
Lindow, John. Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs. Oxford: Oxford University Press, 2002.
Price, Neil S. The Viking Way : Religion and War in Late Iron Age Scandinavia (2002).
Sawyer, Peter. The Oxford Illustrated History of the Vikings. (OUP, 1997)
Williams, Gareth, Peter Pentz, and Matthias Wemhoff. Vikings : Life and Legend. London, 2014.
Magic in Icelandic Family Sagas:
Ármann Jakobsson. ‘The Trollish Acts of Þorgrímr the Witch: The Meanings of troll and ergi in Medieval Iceland. Saga-Book of the Viking Society 32 (2008): 39-68.*
Davidson, H. R. Ellis. ‘Hostile Magic in the Icelandic Sagas’ in The Witch Figure, rd. Venetia Newall. London: Routledge & Kegan Paul, 1973. 20-41.
Dillmann, Francois-Xavier. Les magiciens dans l'Islande ancienne. Uppsala: Kungl. Gustav Adolfs Akademien for svensk folkkultur, 2006.
Gísli Palsson. “The Name of the Witch: Sagas, Sorcery and Social Context.” Social Approaches to Viking Studies, ed. Ross Samson. Glasgow: Cruithne Press, 1991. 157-68.
Heide, Eldar. Spinning Seiðr. Old Norse Religion in long-Term Perspectives: Orgins, Changes and Interactions. (2006 Lund: Nordic Academic)
Jochens, Jenny. The Prophetess/Sorceress in Old Norse Images of Women. (1996)
Jolly, Karen. Definitions of Magic in Witchcraft an Magic in Europe: The Middle Ages. (2002)
Kieckhefer, Richard. Definitions of Magic in Magic in the Middle Ages. (1989)
Laurin, Dan. But, What About the Men? Male Ritual Practices in the Icelandic Sagas. Kyngervi, 2020.*
Lindow, John. ‘Supernatural Others and Ethnic Others: A Millennium of World View’ Scandinavian Studies 67.1 (1995): 8-31
Meylan, Nicolas. Magic and Discourse of Magic in the Old Norse Sagas of the Apostles in Viking and Medieval Scandinavia. (2011)
Miller, William Ian. ‘Dreams, Prophecy and Sorcery: Blaming the Secret Offender in Medieval Iceland’ Scandinavian Studies 58.2 (1986): 101-23
Mitchell, Stephen. Skirnismal and Nordic Charm Magic. (Turnhout: Brepols 2007)
Mitchell, Stephen. ‘Magic as Acquired Art and the Ethnographic Value of the Sagas’, Old Norse Myths, Literature and Society. Ed. Margaret Clunies Ross. Odense: UP Southern Denmark, 2003. 132-52. (attached).
Mitchell A. Stephen. Witchcraft and Magic in the Nordic Middle Ages. (2011)
Morris, Katherine. Sorceress or Witch? The Image of Gender in Medieval Iceland and Northern Europe. (1991).
Price, Neil. The Archaeology of Seiðr: Circumpolar Traditions in Viking Pre-Christian Religion. Brathair 4 (2), 2004: 109-126.*
Raudvere, Catharina. Trolldomr in Early Medieval Scandinavia’, Witchcraft and Magic in Europe: The Middle Ages. London: Athlone v, 2002. 75-171.
Steven, Justice. Did the Middle Ages Believe in their Miracles? (2008)
Ward, Benedicta. Miracles and the Medieval Mind: Theory, Record and Event 1000—1215. Philadelphia: University of Pennsylvania Press, 1982.
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WJM AND JD ZAZIE AT SPEICHER II
2018/06/15 -17 Speicher II festival Wasserspeicher von Prenzlauer Berg Berlin - DE
"Speicher II", festival for site-specific music organized by bohemian drips, celebrates its second edition from June 15 to June 17 in the old water reservoirs of Berlin-Pankow. The immense acoustic scenery of the two water reservoirs will host eleven concerts and offer the audience a big spectrum of experimental styles; all of which share the interaction between music and architecture.
Roberta WJM will join this edition of the festival on Friday June 15, playing in the small tank a site-specific live set with Morph! - her recent duo with Mia Dyberg. They will share the night with Audrey Chen and with Microtub, trio by Robin Hayward, Peder Simonsen, Martin Taxt. The night will start at 6 PM sharp.
JD Zazie will play with the sound of the small tank on Sunday June 17 and will share the night with Air Cushion Finish, duo by Jayrope and Lippstueck, Clive Bell & Sam Weaver and the trio Sawt Out, by Mazen Kerbaj, Burkhard Beins and Michael Vorfeld. The night will start at 5 PM sharp.
Please check in detail the whole program of the festival at this link.
15-17 June 2018 Speicher II Wasserspeicher Prenzlauerberg access: via Diedenhofer Str. Berlin - DE
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Isa Suess NJ
New Post has been published on https://nerret.com/netmyname/isa-suess/isa-suess-nj/
Isa Suess NJ
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Christie’s Poised to Sell Most Expensive Collection Ever—and the 9 Other Biggest News Stories This Week
Catch up on the latest art news with our rundown of the 10 stories you need to know this week.
01 Christie’s will auction selections from David Rockefeller’s estate next spring.
(via The Wall Street Journal)
The auction house announced Tuesday it had won the right to what will likely be the most expensive estate sale in the history of the industry. Christie’s will have roughly 2,000 pieces available to sell, from an estate valued in Rockefeller’s will at over $700 million, according to The Journal. Rockefeller, a billionaire banker born into one of America’s wealthiest families, was an avid art collector whose tastes “initially leaned toward heavyweights like Paul Cézanne and Camille Pissarro, but over time…[included] a broader array of artists, from American painters like Andrew Wyeth to post-war mainstays like Willem de Kooning,” according to The Journal. Some significant works from the collection are already pledged to the Museum of Modern Art, which was founded with the help of his mother, Abby Aldrich Rockefeller. A family spokesman told The Journal that proceeds from sale of the estate will go to a dozen charities, universities and cultural institutions.
02 The second half of documenta 14 in Kassel, Germany, has received less less-than-glowing reviews ahead of its public opening this weekend.
(Artsy)
The show, which is split between two cities for the first time in the quinquennial’s six-decade history, unveiled its first half in Athens in April. Roughly two months later, “Learning From Athens” debuts in documenta’s historic German home of Kassel this weekend. Curated by Adam Szymczyk, the show—featuring more than 160 artists spread across 35 venues—has met with mixed reviews. “To call the exhibition scattered doesn’t quite capture the disjointed, often haphazard assortment of artworks that visitors find,” writes Artsy’s Tess Thackara, concluding, “but if there’s one idea that documenta 14 does put forth with success—the meaning that we can draw from all of this—it’s precisely that of the collective experience of being subject to power, and doing our best to refuse it, wherever we live.”
03 Two people have been charged with involuntary manslaughter over the fire that engulfed the Oakland arts venue “Ghost Ship,” killing 36 late last year.
(via the Los Angeles Times)
Property manager Derick Ion Almena was responsible for transforming the warehouse into a concert venue and residence for artists, while “creative director” Max Harris organized the show that took place the night of the fire. Prosecutors claim the two men “knowingly created a fire trap” by allowing up to 25 people to live in the warehouse illegally, when it lacked fireproofing measures or clear exit paths. Court documents also note that Harris blocked off a second stairwell in advance of the concert, limiting attendees to a “single point of escape.” Both Almena and Harris have been arrested with each facing 39 years in prison, according to officials. They declined to comment on whether or not others, including the building owner, will face charges related to the deadly blaze.
04 An Arizona auction house announced the potential discovery of a Jackson Pollock painting, which was uncovered in a local homeowner’s garage.
(via the Arizona Republic)
The Sun City, Arizona, resident first called Josh Levine, owner and founder of J. Levine Auction & Appraisal LLC, about a collection of sports memorabilia signed by basketball star Kobe Bryant. But when Levine visited the home, he also found a chest of artworks—including one that seemed to be an iconic Pollock drip painting. (Others appeared to be the work of artists Kenneth Noland, Jules Olitski, and Cora Kelley Ward.) To determine if it was genuine, Levine said he spent more than $50,000 to trace the work’s provenance. Investigators determined that the homeowner’s sister, Jenifer Gordon, was a friend of both art critic Clement Greenberg and collector Peggy Guggenheim. A forensics report also proved that no paint had been added to the work after the artist’s death. “I'm brave enough to call it a Jackson Pollock and put my entire reputation on it,” Levine said, though no art historian has yet weighed in. The question remains if collectors will buy the backstory when the work goes up for auction on June 20th; Levine estimates it will sell for at least $10 million.
05 A London art dealer is facing extradition to the U.S. over accusations that he was defrauding his clients.
(via the Daily Mail)
Dealer Timothy Sammons could serve 25 years in an American jail following years of civil proceedings in both the U.S. and U.K. Sammons served as head of the Chinese art department at Sotheby’s before leaving to set up his own advisory firm in 1995, handling works by artists including Picasso and Chagall. Now, American prosecutors have charged Sammons with grand larceny and fraud, alleging that he failed to turn over proceeds from sales he made on collectors’ behalf while also taking out major loans against their pieces. Accusing him of running a “ponzi scheme,” the New York County District Attorney’s Office—which filed the extradition request—claims that Sammons would use the proceeds from a sale of one work to pay a separate collector money owed from a prior sale. According to the Daily Mail, a judge in the U.K. has approved Sammons’ extradition, and he will face trial in New York unless the Home Secretary intervenes.
06 On Wednesday, The Armory Show announced the curators for the New York art fair’s 2018 edition, plus a curatorial summit.
(via The Armory Show)
Gabriel Ritter, curator and head of contemporary art at the Minneapolis Institute of Art (Mia), will oversee the fair’s Focus section (helmed this past year by Jarrett Gregory), which is dedicated to solo and duo presentations of “today’s most relevant and compelling artists,” according to the press release. Jen Mergel, formerly the senior curator of contemporary art at the Museum of Fine Arts, Boston, will oversee Platform (previously curated by Eric Shiner), which brings large-scale, site-specific works to The Armory Show’s piers. The fair also announced a curatorial summit, chaired by Museum of Contemporary Art Chicago curator Naomi Beckwith, which will bring together roughly a dozen of the “world’s most prominent curators” for a day of forward-thinking discussions on the curatorial landscape’s present and future.
07 Plans to ceremonially burn Sam Durant’s Scaffold have been put on hold, allowing Dakota elders additional time to determine the fate of the controversial sculpture.
(via the New York Times)
Durant’s 2012 work—which references the gallows used by the U.S. government to hang 38 Dakota men, among others—set off protests when it was recently installed at Minneapolis’s Walker Art Center. The artist apologized for the way his work was received, signing the intellectual property rights for the sculpture over to the Dakota people last week. At that time, the elders announced their intention to dismantle and then burn Scaffold in a healing ceremony. Although the sculpture has since been taken down and transported to a local park facility, Dakota elders have postponed plans to burn the remains until additional members of the tribe can meet. “The elders may decide that the wood from the sculpture should not be burned and instead should be used/disposed in some other way. Or they may choose to proceed,” a mediator wrote in a statement Wednesday. “But this decision will be made [in] their way and their time at the site of their choosing.”
08 Artist Dale Chihuly, who was sued last week for using unpaid studio assistants, has responded with a counterclaim that frames the lawsuit as blackmail.
(via the New York Times)
The suit was filed last Friday by Michael Moi, a former contractor who said he first worked for Chihuly doing construction jobs. Later, Moi said, he began participating in “myriad clandestine painting sessions” for which he was promised some measure of compensation that never materialized. The suit asks that Moi be designated as co-author on several works and be given a stake in ownership. Chihuly’s counterclaim, which the New York Times described as “unusually detailed,” states that the artist has been diagnosed with bipolar disorder and that Moi has possession of certain documents which reveal sensitive details about Chihuly’s deteriorating mental state. “Under the thin guise of this litigation, Mr. Moi is threatening to make such documents public as purported ‘evidence’ in his lawsuit unless Dale, his family, and Chihuly Inc. pay him $21 million for his silence,” wrote the artist’s lawyers. The countersuit also acknowledges that Chihuly has worked with studio assistants for years, but rejects Moi’s claim that he was among them.
09 Museums across London have instituted additional security measures in the wake of recent terrorist attacks.
(via The Art Newspaper)
Following Sunday’s attack on the London Bridge—which killed seven and injured dozens—12 cultural institutions near the area issued a joint statement pledging to remain “safe, open and welcoming to all.” Among them were the Tate Modern and the Hayward Gallery. Museums across London—including the Royal Academy, the British Museum, the National Gallery, and the Tate—have increased security measures following Prime Minister Theresa May’s decision to raise the country’s threat level to “critical.” In addition to increased bag searches, the British Museum will no longer allow large containers, such as suitcases, on the premises. A spokeswoman for the National Gallery told The Art Newspaper that “the safety and security of our visitors are our absolute priorities—particularly following these recent tragic incidents.”
10 Banksy ceased offering limited-edition prints to U.K. voters who opposed the Conservatives in Thursday’s election after authorities warned him the scheme could invalidate results.
(via The Guardian)
The famous street artist announced the promotion—for those who voted against Conservatives near Banksy’s home of Bristol—in the lead-up to the general election on Thursday. But shortly after the scheme went public, police and the country’s Electoral Commission cautioned that it was illegal to offer goods in return for votes. In a statement posted to his website on Tuesday, Banksy announced: “I have been warned by the Electoral Commission that the free print offer will invalidate the election result. So I regret to announce this ill-conceived and legally dubious promotion has now been canceled.” In the end, Banksy’s prints weren’t necessary: A massive youth vote helped Jeremy Corbyn’s Labour party deal a shocking blow to the Conservatives, resulting in a hung parliament.
—Artsy Editors
Cover image: Peggy and David Rockefeller, May 1973. Photo: Arthur Lavine/Rockefeller Estate. Courtesy of Christie’s.
from Artsy News
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