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dragonnarrative-writes · 8 months ago

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Transferrable Skills Part 1

Transferrable Skills Masterlist

Your therapist warned you about superstitious thinking. You've been working on it. In fact, you've been very good at catching it, challenging yourself to relax, and letting things go. Even before this big work trip, you consciously avoided the "unhelpful" rituals and reminded yourself that the little ones were just to make you feel secure, not to actually influence the future across an ocean.

"I'm very nervous," you had told Señor Snuggly two weeks ago. Your worn out stuffed lizard hadn't said anything back, of course. "That's normal, because it’s an international flight. So I'm going to give you a hug good-bye, and you're gonna stay here to watch the house. I know it's not going to change anything, but I'll feel better knowing you're here."

At the airport, you realized that you had forgotten your toothbrush. It had satisfied the part of your brain that was looking for one (1) thing to go wrong. Superstitious thinking, but the kind that helped you to relax and listen to music until you boarded.

Now, forced to sit on the floor, surrounded by shouting men with guns, your brain is stuck on your lopsided stuffed animal and blue toothbrush. Of all the things that could pop into your head, why those?

You almost let out a nervous giggle at the mental image of Señor Snuggly using your toothbrush as a shiv to save the day. And then the idea of what would happen if you started laughing right now almost startles you into another burst of giggles. You clap your hands over your mouth and curl into yourself a little bit more.

Next to you, your boss throws you a sympathetic look. "You okay?"

"No talking!" The nearest assailant yells in heavily accented English. You're pretty sure the attackers have been speaking Russian, but you could be mistaken. He brandishes his gun. "You want to die?"

"She needs to go to the restroom," your boss answers.

"No, I don't," you protest. You really, really do, and have for the last two hours. But being escorted out of the room alone seems like enough of a Bad Idea that your bladder can wait.

"No, she does not," the man confirms. "Shut up. Do not talk."

You meet your boss's eyes and try to silently convey, Why are you trying to get me killed?

His doughy face says back, I am a white man who goes to the gym once a week, and I really like the John Wick movies. I have delusions of being a hero. If one man takes you to the bathroom I have the mistaken belief that I can overpower two men with guns to save everyone. Also you're a black woman, so don't you have super powers? I believe in you, queen.

You may be projecting.

Ten minutes later, just as you're wondering if you should suggest a group field trip down the hall to the bathrooms, a series of gunshots rings through the building. The energy in the room goes from nervous to frantic in an instant. Your bladder shuts up. The Russian men start shouting and waving their guns, apparently too agitated to speak English. Two hostages start crying because no one else speaks Russian, just English, French and your half-forgotten, informal, Mexican Spanish.

Another three Russians come bursting in the room, snarling something you can’t understand. They grab at a couple of people, force them to stand at gunpoint and gesture to the rest of you. And then everyone is up and kind of moving in the direction of the door. But you can’t get out of the door because they’re blocking it, but they’re really agitated that the room is still full of hostages. And then some people are being pushed back down to the floor. Your boss ends up sitting back down again. A hard hand closes on your arm before you can get down, and you and four others are dragged out.

The leader says, “You all are dignitaries, yes? Your embassies will send money or they will watch you die.”

This is, potentially, the worst possible scenario. None of the five of you are even remotely important, let alone dignitaries. You’re not 100% sure about most of the others, but you’re an aid. An aid to an aid, really. The blonde woman with the remarkably sharp bob is a personal assistant. Today’s conference was about health data management, of all things.

You decide you’re not going to die with a full bladder. You look to the man holding your arm in an iron grip and point to the upcoming door on the right. “Can I please go to the restroom? I’ll be quick.”

He asks the leader something in Russian, and then you’re being shoved through the bathroom door. He doesn’t follow you into the stall, but it’s still so awkward to pee knowing that there’s a man with a gun waiting for you. You’re so glad you aren’t on your period - opening the wrapper on anything right now would feel louder than it has since middle school.

The door to the restroom opens just as the toilet finishes flushing. You hear a scuffle, an aborted shout, and then something heavy hits the floor. You freeze, heart racing. But then there’s no more sound.

You wait for what feels like an hour but must only be a minute before calling, “H-hello?”

You don’t get an answer. Unlocking the door and easing it open, you peek out and stifle a gasp. The man who had escorted you is on the ground, a pool of blood growing around him. His gun is gone.

You’re halfway through washing your hands before you realize you’re on autopilot.

It takes everything in you to fight down the urge to freeze in place and make yourself inch around the body to the door. When you poke your head out, the hall looks so normal that it makes you dizzy for a second. You try to decide what to do through the anxiety fog. You can’t hide in the bathroom with a dead body, and you probably can’t go back to the big room with everyone without getting shot. You have no idea where the other faux-dignitaries were taken. Apparently, there’s at least one person going around killing people in bathrooms.

You try to think of what your therapist would say in this situation. All of the options feel bad, she would say. So you can’t not do anything because it feels bad. Thank the anxiety for trying to keep you safe, then try to pick the least awful course of action.

“Fight, flight, freeze, fawn,” you whisper to yourself. Fighting is right out. “Flight, freeze, fawn.” There’s a body pouring blood right behind you. “Flight, fawn.” No one is around to appease. “Flight.”

Another gunshot and shouting. It sounds like it’s coming from the left, so you head right.

You shuck off your sensible kitten heels and fervently wish your otherwise sensible pantsuit wasn’t pastel purple in this very beige hallway. Not that a thicker-than-European-average black woman mincing around in a Swiss hotel and conference center would be inconspicuous in a black suit, your mind counters itself. You try to force your brain to shut up, with mixed success.

You wander a good five minutes, reminding yourself not to panic at every locked door you try. The halls are so quiet that you half convince yourself that you’ve gotten out of immediate danger. So of course, right as you’re about the round the next corner, one of the Russians appears, reeling backwards. And then he collapses, a knife sticking out of his neck.

You can’t really worry about that, though, because right after him comes one of the largest men you’ve ever seen. He must catch sight of you out of the corner of his eye, because his head snaps to look at you. You barely register the assault rifle in his hands because his eyes bore into you through the top half of a human skull.

Oh, I’m glad I already peed, you think, staring into the eyes of Death.

“Fuckin’ ‘ell,” the man says, growls really. “What are you doing here?”

“I… bathroom? Please don’t kill me. I’ll cooperate.” you squeak out. Oh, fawning! Cool.

“Price, I’ve got one of the hostages,” he says, nonsensically. “I’ve cleared the east wing.”

You jump when his walkie-talkie - of course it’s a walkie-talkie - squawks back an “Affirmative. Status?”

“She’s up and walking,” the man says, not taking his eyes from yours. “Seems uninjured.”

“Stow her somewhere safe.”

“Negative,” Death says. Before you can panic because what the fuck does that mean? he says, “Bringing her back with me.”

“Copy.”

When he takes a step toward you, you stop breathing. Everything in you is screaming RUN and DON’T MOVE at the same time. His second step in your direction results in a full body twitch. You get the impression that the gun is pointed at the ground, but the only thing you can really see is bone white over a black mask and what might be really pretty brown eyes, but the shadow from the overhead light really makes it hard to tell and your vision is going a bit darkaroundtheedgesandohI’mstillnotbreathingthat’snotgreat.

You’re shocked into gasping when a gloved palm touches the side of your face. The rough material helps you settle into your body, just in time to start hyperventilating.

And that’s when things get weird, because Death says, “Easy, lovie. Settle, f’ me, yeah? Deep breaths, like we’ve practiced.”

Your brain latches on to the familiar command to settle before you can even question why it’s familiar. The way the man makes a long, low shushing noise makes you so suddenly weak in the knees that you stagger where you stand.

And then it clicks. Holy shit. You know this voice. You know these commands. You’ve been listening to and learning them at least once a week for the last six months. He doesn’t even sound that different from over the phone or on a video call.

“There you go, that’s good,” Simon, the dominant you’ve been seeing online, tells you through his skull mask. “Keep breathin’. In through the nose, out through the mouth.”

It’s the second time in your life you’ve been surprised out of a panic attack. “W-what the fuck? Si?” you gasp. “What are you doing here? Did you kill that guy?”

“Questions are gonna have to wait,” he says. “Keep breathing. In for four, hold for two. In for two, out for eight. Can you do that?”

“Why are you in Switzerland?”

“Breathe,” he rumbles. “Settle.”

“No,” you hiss, even as your shoulders relax another fraction. The corners of your eyes start prickling with tears.

“This is a double red light situation,” Si says, staring into your eyes. “I know you’re scared, but I’m going to get you out of here. You trust me?”

“You are wearing a skull on your face.”

“And you’re wearing a purple suit,” he answers. “There are people who want to shoot both of us. You get one more outburst, then you’re breathing and following me. Acknowledge.”

What the fuck? “This isn’t a scene!”

His eyes bore into yours. “Might surprise you, but I’m aware. Acknowledge.”

A distant shout makes you flinch. You relent. “Acknowledged. Four in, hold two, two in, out eight. Follow.”

“Good girl,” he says, patting your cheek once. “Stay behind me.”

#dragonnarrativewrites fanfiction #transferrable skills #simon ghost riley #simon riley x you #kink fics #this turned out so much more humorous than i expected and is so much fun to write #manic pixie dream ghost

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hotvintagepoll · 7 months ago

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Propaganda

María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.

Julie Andrews (The Sound of Music, Mary Poppins)—Oh where to start .... I'm not sure I even know how. She's just perfection. And it's not fair I can't bring post 70s work into this, because she just gets better and better, and her drag performance in to die for. But in the era I CAN talk about, she shows she has THE RANGE. Beautiful, feisty, funny, holding her own against Christopher Plummer, Paul Newman, Rock Hudson. Oh she's luminous.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

María Félix:

She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.

"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz

María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.

Julie Andrews propaganda:

"She has such a simple but amazing beauty to her. Not to mention her amazing and melodic singing voice!"

"Roles like nannies and governesses can make us forget how attractive she was! A perfect combination of elegant and adorable, with the most incredible vocal range to boot!"

"Besides having one of the most amazing singing voices ever to grace the silver screen, Julie always had an understated beauty to her that wasn't always shown off on screen. But it's there nonetheless because her characters managed to pull some of the hottest men ever to grace the screen."

"The juxtaposition between carefree Maria and stern but fun Mary Poppins shows the power of the acting of this HOT VINTAGE MOVIE WOMAN"

"Charming, genteel, incredibly charismatic, beautiful, and has an angelic singing voice to boot. Her screen roles as Maria in The Sound of Music and Mary Poppins are absolutely iconic for a reason and she originated several well-known Broadway roles before those."

"the most beautiful woman 12 year old me had ever seen possibly"

"OMG OMG OMG she’s definitely been submitted before how could she NOT but!!!! I loveeee her so muchhhh rahhhh prebby!!!! cool!!!! mary poppins the beloved <33333 some people dislike it but I love jolly holiday so much because it IS a jolly holiday with Mary!!! no wonder that it’s Mary that we love!!!!!"

"I know many people who were taught in singing lessons "when in doubt, pronounce words how julie andrews would pronounce them." THATS CALLED INFLUENCE. THATS CALLED MOTHERING THOUSANDS."

#julie andrews #maría félix #hotvintagepoll #fuck that old woman #ladies 4

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