#memphis tape
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Muitos dos produtores da cena de Memphis nos anos 90 produziam rap num orçamento de baixo custo como também a sua distribuição era à base de fita k7. Uma das principais máquinas para produzir batidas é o famoso Boss DR-660, cujo a sua qualidade se assemelha com o drum machine Roland TR-808 que se usava muito na cena de hip hop dos anos 80, principamente DJs da Flórida que faziam a sonoridade no estilo Miami Bass assim como também os DJs da costa oeste, mais precisamente da cena Gansgta Rap. Além do modelo DR-660, era utilizado DR-5, SP-1200, Gemini DS-1224 e o Korg X3 para compor as melodias abstratas na batidas que eram produzidas.
#Roland#Roland Boss#Boss DR#Boss DR 660#memphis rap tape#memphis tape#Memphis Rap tapes#Memphis Rap#rap#rapper#Gangsta Rap#underground hip hop#Underground#Old School#old school hip hop#Old School Rap#Rap Music#90s hip hop#90s#producer#beat maker#lofi#lofihiphop#lofi beats#cloud rap#trap#southern hip hop#dirty south#southern#hip hop
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Three Rock 103 Wake-Up Crew Cassette Tapes (Audio, 1997/1998/1999)
You can listen to late-90's morning zoo cassette tapes from Memphis, Tennessee here.
#audio#radio#cassette#cassette tape#cassette tapes#memphis#memphis tennessee#memphis tn#tennessee#1997#1998#1999#1990s#90s
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the amount i need modern wrestling fans to study the von erichs until they're able to point at other wrestlers and go "i know where they learned that" is unreal
#[ colour commentary ]#yes yes we always come back to me rambling about kerry and mean mark callous what of it. /j#this is actually a post about fritz and japanese wrestling at heart but progressive diseases are robbing me of my ability to put anything#into words beyond a desperate plea to sit your ass down and Watch the decades of wrestling people have already suffered and died to bring us#and to Feel the impact of wrestlers of the fifties-eighties for yourself. not just be Aware of it. if wrestling as a vessel for storytelling#could be a book you read It Would Be. if it could be a handful of movies/videos you watch It Would Be. but it isn't. and when we#Care about wrestling and want to engage with it we have an obligation to engage With Professional Wrestling. With the athletics. With the#tapes. With the promotional material including printed programs and cut promos and magazine articles. learn about amateur and collegiate#wrestling. learn about grappling. names of maneuvers. origins of some of those names. the names and legacies of venues. the sociopolitical#history of time periods and regions in which wrestling was happening. you will read the gimmicks and you will love the pontiact silver dome#as you would a spouse and you WILL learn about the heart punch and why it is the most devastating move in professional wrestling--#/j okay anyway. i lay back down now#train of thought inspired by the undertaker's kerry-honed drop kicks but Post inspired by fritz literally going to japan to save wrestling#okay. lay down now.#go watch some memphis tapes
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Cassette Tape Museum & Vinyl Gallery
Tapes from early as 1992 with Juicy J - Volume 4
and 2 quality types / tapes of DJ Paul - Volume 12 Part 1
Homicide SOLO TAPE PART II (Featuring Backyard Posse)
Lord Infamous - Solo Tape [Lord Of Terror]
All DJ Paul Volumes on Tape*
VOL. 1 & 2
Live By Yo Rep
check out a few of them alongside a lot of Juicy J tapes..
i have a plan to upload More Mystic Stylez, Chpt. 2 & possibly some vinyl records for 2023,
be on the lookout for possibilities of Da Unbreakables, Chpt. 1 & 2, HCP, When Smoke Clears, tracks from Koopsta KnIcca Side B.. & even more tapes.. from musicians such as South Park Mexican.. also the album More Mystic Stylez has never been played, SPM Tapes are sealed. so the possibilities of excluding these are more than likely since these are available for streaming and are obtainable pieces of work evenly growing increasingly popular..
this is for research, museum like purposes and historic preservations ect.
#memphis#dj paul#rare cassette#cassette tapes#underground#sony#cassetteculture#tapehead#1990s#memphis rap tapes#club underground memphis#memphis underground tapes
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Dj Tape 2000 - Boomin Out The Russia
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So I have this phonk side project under the alias of Dr. Loomis. I'm not sure if I will be actually posting any of these tracks or not but it's something I bring out around Halloween because that's when I really get in the mood for rare memphis shit and all the hissy tape rips so I just kinda do my little thing to sorta emulate that in my own way.
Here's some prior releases as well
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I posted this one hella late and then went on a hiatus with the project.
#memphis#memphis rap#memphis tapes#phonk#phonk music#dr. loomis#spooky#halloween#lofi#beats#instrumentals#side project#kevssecretstash#Youtube
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#soundcloud#soundcloud rapper#memphis rap#brazilian#rap#rapper#rap music#hip hop#underground hip hop#preview#release#old school#old school hip hop#latino rap#boom bap#trap#Brasil#Latin rap#Memphis Rap Tape#Tape#k7#spotify#playlist#songs#sp1200#boss dr 660#beat#beat maker#gangsta#gangsta rap
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Baron Wolman Blues Musician Mississippi Fred McDowell, Overton Park Shell, Memphis TN 1969
“My name is Fred McDowell. They call me Mississippi Fred McDowell, but my home is in Rossville, Tennessee. But it don’t make any difference—it sounds good to me, and I seem like I am at home here when I am in Mississippi. And I do not play no rock ’n’ roll y’all. I just play the straight, natch’l blues. And whenever you want to get somebody to play for you just call for Fred McDowell. I was raised on the farm you understand. The only way you can rock Fred, you got to put him in a rockin’ chair—lay me down you understand? That’s my type of rocking. And my type of blues, I plays with a bottleneck. I first got this style from a beef bone you understand me? Come out of a steak. My Uncle, when I was a small boy in the country, he ground this bone down and filed it with a file and put it on the little finger. But I put it on my ring finger you understand? This here bottleneck sound is better than the bone cause you get more kinda clearer sound out of it. And I would like for you whosever listening to me . . . who buy one of the tapes or albums or anything. I’d like for you to listen to what I am saying. I make the guitar say what I say y’all. If I say ‘Our Father’ it will say ‘Our Father.’ If I give out a hymn it will say it. If I play Amazing Grace it will sing that too. Now that’s my style when you hear me doin’ that. I hope y’all will like it whomever get it.” Mississippi Fred McDowell
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[BEHIND THE RECORD - Elvis onstage from 1969 to 1977] "I Can't Stop Loving You"
Written by country singer Don Gibson, who first recorded it in 1957, RCA Victor released "I Can't Stop Loving You" in 1958, and it became a country hit single. The song was covered by many artists over the years, most notable one being Ray Charles, in 1962, due to how he turned the tune into a No. 1 single on the Billboard chart.
Elvis Presley performed the song in many iconic concerts of his career - from 1969 into the 70s.
The first time Elvis Presley was recorded singing "I CAN'T STOP LOVING YOU" was during one of the American Sound Studio sessions, on February 1969. It wasn't an official recording tho. A jam version of the tune was recorded while EP was warming up with his musicians so they could cut the songs that would be released in his LPs for the times following — "From Elvis In Memphis" being the album this recording session was intending to create at first.
Not long after this recording session, "I Can't Stop Loving You" was worked up as a number to Elvis' concerts. Rearranged, the song gained a more dramatic tone than we can listen to from how it originally sounded in Elvis' voice at the recording taped at the American Sound Studio previously, so from this moment on Elvis would perform the tune in quite a few iconic concerts of the latter era of his career, the very start being during his comeback to live performances on July/August 1969, onstage at the International Hotel's showroom in Las Vegas, Nevada.
Soundboard audios with "I Can't Stop Loving You" recorded during his concerts, including in 1969, were released on some his live albums throughout the years, such as "FROM MEMPHIS TO VEGAS (IN PERSON)" [recorded in 1969], "ELVIS AS RECORDED AT MADISON SQUARE GARDEN" (recorded in 1972) and "ELVIS: RECORDED LIVE ON STAGE IN MEMPHIS" (recorded in 1974).
Live performances of Elvis singing the song were also officially taped, and they are very known to the fans for obvious reasons because they are part of some of the most notable moments of Elvis' history as a performer.
First official taping of EP performing "I Can't Stop Loving You" live took place during one of his engagement seasons at the International Hotel on August, 1970, as released on "Elvis: That's The Way It Is" documentary, then again on April 1972, filmed for "Elvis On Tour" documentary, and not long after that another performance of this tune was filmed during the "Aloha From Hawaii via Satellite" concert, on January 1973.
BUT, BEFORE WE CAN GO TO THOSE FOOTAGES, HAVE YOU LISTENED TO THE JAM VERSION RECORDED IN STUDIO IN 1969?
— NOTE FROM AUTHOR I love sharing Elvis' performances of the same song over the years, but what I would really love you to listen to now is the 1969 jam version of the song we're talking about, for it sounds so different from the live performances the fans are already very familiar with. I didn't knew about this recording until a few days ago and I loved it so much that this track is the reason why I needed to talk about this song. You will read about the moment EP was recording this song soon after.
Elvis Presley in the waiting room of the American Sound Studio, early 1969.
▼ FEBRUARY, 1969: "I CAN'T STOP LOVING YOU", RECORDED AT THE AMERICAN SOUND STUDIO, MEMPHIS, TENNESSEE.
Song starts at 0:35
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Album: American Sound 1969 (2019)
It was an American Studio tradition: paying tribute to the chief with a rendition of “This Time,” a Chips Moman-penned hit for Troy Shondell in 1961. Elvis had heard about the rite, and he serenaded his producer at the start of the February session with the few lines that he knew, segueing into Don Gibson’s “It’s My Way,” a song he had asked Freddy to check out the year before. Plunking along on his acoustic guitar, laughing at his own mistakes but singing his heart out, he drew the band into another Don Gibson number, “I Can’t Stop Loving You,” which he would transform into a dramatic show-stopper six month later in Las Vegas. Excerpt from "Elvis Presley: A Life In Music" by Ernst Jorgensen and Peter Guralnick.
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— NOTE FROM AUTHOR COOL, ISN'T IT? 😍 Have you heard the 1969 jam session version before? Don't know about you but I just can't stop loving it. So, now let's hear how that baby sound onstage.
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[FOOTAGE]
LIVE PERFORMANCES OVER THE YEARS
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REHEARSAL ▼
July, 1970.
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LIVE ONSTAGE ▼
"Elvis: That's The Way It Is" (August 1970) "Elvis On Tour" (April 1972)
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"Aloha From Hawaii via Satellite" (January 14, 1973)
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RECORDED LIVE ▼
Live at Convention Center Arena, San Antonio, TX (April 18, 1972)
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Live at Madison Square Garden (June 10, 1972)
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High Sierra Theatre at the Sahara Tahoe Hotel, Nevada (May 13, 1973)
Live at Mid-South Coliseum, Memphis, TN - March 1974
Song starts at 0:38:
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I can never get enough of how Elvis' history is so amazing. ♥
What are your thoughts about the jam version of "I Can't Stop Loving You" by EP? I'd love to hear from you.
By the way, do you like this track-to-track-history posts? I've written some so far but I have some others I'd like to share too. If you have any requests, any Elvis Presley songs you'd like to know more about the recording sessions or comparisons of the times a same tune was performed live by Elvis over the years, feel free to hit me with it. I sure will have great fun researching it for you.
#elvis presley#elvis#elvis the king#elvis fans#elvis history#elvis fandom#60s elvis#70s elvis#elvis music
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(you can read this article down below or on my blog!)
How to Sell Visual Novels at Conventions
Or, “how do you table at an anime convention and actually get people to stop by your booth and actually get interested in visual novels????”
Picture this – me, someone who’s never been to California nor flown alone arrived to the Hyatt at the San Francisco Bay, being greeted by several online friends I’d known for years but never met in person. After a great time walking around the surrounding Burlingame area and meeting back up with the rest of our group, we had to actually put in some work for the day.
That is, setting up our booth for the convention starting the next day.
We unpacked box after box, taking turns standing around with our hands on our hips and heads tilted wondering “how the hell are we going to set all of this up?”. I decided to make it my job to set up our keychain display. All I had to do was get a copy of each keychain we had and pin them up – we even had a box from prior conventions that had a single copy of (most) of our keychains, for displaying. But as I opened more boxes, I found more and more keychains…
After threatening to change the password on their Vograce account, I found we had 10+ boxes of merchandise for niche visual novels that we were trying to sell at a vtuber convention. Not an anime convention, not a gaming convention, a vtuber convention! Going to bed that night, already tired, I was sure there was no way we would make a profit…..
…And yet, we made more on Friday than they had for the entire convention in 2023. By Sunday, we had made more than double that, having sold items to over 100 customers with most purchases around $40 each. We weren’t selling fanart, we were selling a majority completely original art.
We lived the dream of a lot of indie developers – we sold physicals of our indie games and people bought them. But how did we do it??
a little context
Some background – OffKai Expo is an annual vtuber-oriented convention in Burlingame, California, a suburb of San Francisco and just 15 minutes away from their airport. If you don’t know what a vtuber is, just go watch my oshi Gavis Bettel. In 2023, Studio Élan had a booth at the convention as it’s somewhat local to some of our members. We decided to have another booth at the convention for 2024 and I offered to work at it (what’s a booth without a marketer?).
The only anime convention I’ve ever been to was the local one in Memphis, namely Anime Blues Con, but those are….lacking, to say the least. Not much to do, very limited artist alley, waning attendance (which was already small to begin with), barely any new artists nor sights year after year… I’ve always wanted to go to a convention outside my area, to say the least.
But how did we manage to make the weekend successful?
conceits
What we did won’t be entirely replicable for most devs reading this, but there will be some insights and takeaways that I’ll highlight that are applicable to anyone wanting to table at conventions and sell their games.
Our table was for Studio Élan x VirPro – it was a joint table between our yuri visual novel studio and our indie vtuber friend streaming group, Virtuality Project. We sold some merch for VirPro, but I’d estimate that was no more than 20% of our sales – we still would have made a profit even if we weren’t selling that merch.
this table held our limited VirPro merch. we were able to hang our Élan prints on the wall behind it thanks to our friends at Studio Nekomata allowing us to tape our prints to the backside of their display. we also had a Miho cutout, but she didn’t want to stand up this weekend…
However, it is important to note that Studio Élan is not a new studio. We’ve been around for years, have 15k followers on Twitter, and have several visual novels released. We’re not extremely well known, as we are within a niche within a niche, but we aren’t unknown either. Some people actually cosplayed our characters at the convention! It’s definitely possible some locals came to OffKai Expo just to see our booth & panel (we also held a panel on Saturday where we announced 2 new games).
Another thing to note is that we have a stock of merch from running an online store and having held Kickstarters before. Specifically, we have physical copies of almost all of our games as well as artbooks, soundtracks, clothing, and more. We had tons of keychains and 11×17 prints, sure, but we also sold a lot of merch that is much harder and more expensive to produce.
So, tl;dr, things we had going for us:
We are established developers with a following & released games
We have a sizeable amount of merch already made for our online store, including physical games & artbooks
We were boothing with our indie vtuber friend group and selling their merch on the side
But our main problem:
We were boothing at a vtuber convention, not an anime or gaming convention
Now, with all of that out of the way….
convention standards
First off, let’s look at some basic things you can expect while tabling at a convention. (for the purposes of being specific to visual novels, when I say “convention” I’m only referring to anime & gaming-adjacent conventions—OffKai falls under this as vtubers are both anime & gaming-adjacent)
At a convention, you will typically be selling in either the artist alley or the dealer’s room, which are both referred to as the vendor’s hall. For small conventions, these two may be the same area. The artist alley is typically for artists selling keychains, prints, and more. The dealers room is for vendors that sell larger merch or have more items to sell – this can include artists but also includes people selling imported items (such as anime figures) and companies.
Conventions have a set amount of hours that the events go on and the vendor’s hall is usually not open the entire time. These rooms will usually open in the morning, around 10AM or so, and allow vendors an extra hour for fixing things before opening every day. For OffKai, we had to stay at our booth for about 8~ hours every day, except for Sunday. Sundays are always the shortest days for 3-day conventions, as the convention will usually wrap up around dinner time (if not earlier).
Vendors get time the night before the convention starts (usually Thursday night, with most conventions I’m referencing being Friday-Sunday events) to set up their booths. It took us around 3 hours to fully set up our booth, with 4 of us working on it. Setting up your booth will go a lot smoother if you do a trial run before the convention.
Every convention I’ve tabled at or known a vendor at provides vendors with at least 1 table and a chair. More chairs are usually easy to get, you just need to ask staff before the vendors hall opens up.
tip 1 – bring a friend
Conventions provide tables and chairs, but they don’t provide helping hands! You’re probably going to need help unpacking and setting up the table, but you’ll definitely need to take breaks during the convention for the bathroom, food, and more. You can’t just ask staff to sit at your table and you can’t just hide everything while you’re gone. Bring a friend to help out!
If you have to go alone, make friends with the people boothing next to you and ask them to watch over your table if need be. Be sure to keep your money and payment processors with you if you ever have to step away. And bring snacks & water!
our merch
Like I said, at Élan we have typical merchandise for our visual novels like keychains and acrylic standees, but we also have physical copies of our games for PC & consoles, artbooks, soundtracks, and more.
We had these types of merch:
Acrylic & wooden items
Keychains
Standees
Pins
Print media
PC discs
Console discs & cartridges (Nintendo Switch, PlayStation 4 & 5)
Artbooks (game artbooks, limited edition anniversary artbooks)
Soundtrack discs
4×6 prints (CGs, key artworks)
11×17 prints (key artworks, exclusive convention artworks)
Clothing & fabric
T-shirts (4 designs, 1 color each)
Hoodie (new collaboration design, for all of our games)
Scarf (new collaboration design, for 1 of our games)
Fabric flags (key visuals)
Misc.
Grab bag (misc small items)
$5 bin (misc small items)
Pencil bag
Mousepad
Enamel pin
Plushie (limited Makeship leftovers)
Some of these were items we’d never sold before such as the hoodie, scarf, and 11×17 prints. Some of them were also much more of a hassle than others.
In terms of storage and cheapness to make, prints and stickers are by far the winners (we didn’t sell stickers at OffKai but plan to in the future). Prints are basically the best thing you can sell for production cost:profit, as a 4×6 print can cost you $0.20 but sell for $5+ and an 11×17 print can cost $0.60 and sell for $15-20.
On the other hand, t-shirts can be some of the most difficult merch to work with. They take up a lot of room (we had at least 2 boxes of just shirts/hoodies) and require you to have multiple different sizes. The plushies were great & easy to sell, but at the same time they cost a lot per unit and take up even more space than shirts.
The physical copies sold great, but the cost to produce & room to store them makes them unwieldy for most developers. I would recommend them over more bespoke merch like clothing, though—several people came to our booth, having never heard of our games, and left with a physical game. CD discs rather than DVD cases are much easier to store and can be handmade, although ours are manufactured.
tip 2 – be selective with what merch you make & bring
Unless you’re lucky enough to have a convention down the street from you, chances are you’re going to have to travel to the convention. That means packing everything up, possibly shipping it, etc…. You need to be picky with what you bring if you don’t have multiple cars to throw it all in.
My merch recommendations:
4×6 prints
Ours were $4-5
Dirt cheap to print, easy to store
Easy for people to buy because of the low price point and ease of carrying
Idea – these are so cheap to print, at the very least print some of your key visual & logo to hand out to people for free
Stickers (die-cut or sticker sheets)
Dirt cheap to print, easy to store
Easy for people to buy because of the low price point and ease of carrying
Idea – some conventions won’t allow you to hand out free stickers. For conventions that don’t, I would sell either singular die-cut stickers or sell them in packs
Keychains
Ours were $12-15
Cheap to print, not very hard to store
At this price point people want to have an attachment to the characters before buying
Idea – if your game is relatively unknown but you still want to print keychains, consider packaging them with something else like the game or a sampler CD of the demo / soundtrack
Physical CD disc games
Ours were $30
Not cheap to print, not very hard to store
People will buy copies of games they’ve never heard of because it’s an interesting item to own and seen as more value than a digital copy (even if physical is more expensive)
Idea – it doesn’t cost much to get a 50 pack of CDs, the cost comes from the packaging and time to make the entire thing. If you don’t have a finished game yet, consider printing your demo out on CDs in paper slips to hand out for free
our booth
Now that I’ve talked about basics for conventions and what merch we sold, what did our booth actually look like?
We didn’t have a pre-convention trial run, so we were essentially winging it. With all of the merch I outlined, could you believe we crammed all of the display copies on 1 table, 2 shelves, and 1 clothing rack?!
Our main focus was making sure each of our physical games were visible. After all, we were at a vtuber convention where most attendees didn’t know us, so we wanted to have a way to show off our games. We spent a lot of real estate on showing individual game copies and having brochures spread out.
tip 3 – have an idea of how you’re going to display things before the convention
We also brought several items to display merch. For keychains & pins, we had a simple corkboard leaning on a photo stand / easel. For acrylic standees, we had a clear nail polish stand. For physical copies, we had photo stands and bookends. For clothes, we had a small clothing rack. For physicals, we had 3 small bookcases. These were all extremely helpful, but they are added costs and more things to carry to the convention.
here’s a better look at our 2 bookshelves. the purple ladder one was at the back of the booth highlighting some items and storing various artbooks & bundles and the smaller one was at the front left of the booth by the VirPro merch, basically in the walking aisle
The corkboard and various photo stands were must-haves, regardless of what you’re selling. A corkboard makes it easy to display anything on it, whether it’s keychains, stickers, mini-prints, announcements, posters, and more. Photo stands were also super helpful for propping our corkboard on but also showing off individual physical copies.
this was me trying to arrange the corkboard and acrylic stands. photo stands and art easels can in handy!
Along with the display stands, we also brought some decorative items like pink table clothes and flowers. These aren’t required, but help make your booth more noticeable.
A few miscellaneous items I plan on bringing to our next convention are a hand sanitizer dispenser, a small air purifier, and fliers. I always keep hand sanitizer on me, but it’s easier to use it when it’s in a convenient bottle and place. Several of us got sick after the convention (despite me wearing a mask), so I’m also bringing a small air purifier to keep some germs away from the table. I also want to bring small fliers for our upcoming games—while brochures are wonderful, I want something that’s easy (and cheap) to hand out to anyone who looks at our booth, not just the people we talk to.
tip 4 – be aware of merch thieves
We arranged our table in a way that we didn’t have to worry much about people stealing merch, though that is a problem at some conventions. As you might’ve noticed from the pictures, our smaller items like the keychains are at the far back of the booth, right beside where we sit. That allowed us to keep a better eye on it.
Rather than sitting behind our tables, we arranged our booth to be where people would walk inside it. This allowed us a way to talk to people easier. We also made sure to hide our card readers, phones, and more when any of us left the table, though this was easy because we almost always had 2-3 people at the booth at any time.
my advice
If I were an indie dev looking to booth at a convention and had the time and spare change, I would if it were close enough to drive to and the booth cost under $500. Unless you’re an established developer or have a popular artist working on your project, it’s hard to justify that cost.
tip 5 – don’t forget to budget for…
booth costs
extra badges (most booths come with 2 free badges)
hotel
travel
food
merchandise manufacturing
any shipping fees (your luggage, merch, etc.)
display items, extra things for your booth
While you may find a booth for $250, you also have to remember the travel fees, cost of food, all of the extra items you’ll need aside from merchandise, and more. A $250 booth for a 3-day convention could easily end up costing you $2,000+, and that’s if you don’t pay yourself or coworkers for their time at the booth!
If you’ve never been to a convention before then definitely go to one as an attendee before becoming a vendor. Get a feel for the place and have some fun, even if it means you won’t be able to booth there for months or a year.
tip 6 – be sure to bring…
Some kind of handout for people with your game & logo on it (fliers, business cards, brochures, etc.)
Small stationary merch for your game (4×6 prints, stickers, etc.)
Corkboard to display things on and something to prop it up
A way to take card payments and cash for change
Hand sanitizer
Pen/pencil and sticky notes
Clamps
Tape
this is the inside of our old brochure! it details our different games and highlights some upcoming titles
I’d also try putting your demo on CDs to hand out to people who seem really interested if you can. CDs are pretty cheap to get now, and even if you just get a 50 pack that can run you around $12, which ends up being $0.25/CD. Not a bad cost for getting a potential fan, if you hand them out only to people who are really interested or package them with other merch and sell them.
Your main effort if you’re not an established developer, however, will be awareness. Talk to the people who stop by your booth. Tell them hi and explain to them what you make. I had several people clearly not understand what visual novels were, but I had many more who became interested once I mentioned we made these games. “Wait, you actually made them?!”
tip 7 – talk to people!!!
People at conventions think art is cool. They think indie games are cool. Be honest with them and show them your hard work. Yeah, this means you have to put on your extrovert cap for the weekend. Just don’t treat it like you’re a car salesman—you’re a game dev first and foremost and enjoy this line of work so much you want to share it with strangers at conventions. Let that shine through in your words.
All in all, conventions are stressful, tiring, and a lot of fun when they’re run well. If any of this sounds interesting to you and you find a convention close enough to you or one that will be relatively cheap to attend, I recommend trying it out.
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OffKai Expo was so, so much fun and I’m so happy I was able to attend. It was a well run convention, our booth did amazing, I got to meet actual fans IRL, and I was able to finally see a lot of my online friends in person. I was scared leading up to it but I’m so glad I pushed myself to go. Having an in-person panel there where the room was almost full absolutely blew me away—I kept asking “do they know what room they’re in? Did they get lost?” If you came to our panel or booth, thank you!!
— Arimia
read more of my articles on tumblr here!
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What shipping company do you typically use to ship your snakes? I'm looking to ship 3 adult & 1 subadult cornsnake from (south)California to Florida, and I was also wondering what would be the best way to package them, like would bags or petri dishes be better? I have two males and two females, so would that influence how I should package them? Thanks for any advice you can give!
Hey friend!
I use Reptiles Express as my shipping partner. Redline and Ship Your Reptiles are other popular choices.
The sex of the snakes shouldn't impact how they are packaged, but the size of them definitely does. For anything larger than a yearling, I use snake bags rather than deli cups as they take up less space in a box and offer more cushion. This also prevents snakes from being rattled too much during transport. I put a couple of handfuls of soft bedding into the bags, but some folks prefer to put the snakes in without any bedding and have extra padding around the bags. Either works, just make sure the snakes can move enough to get comfortable in their bags but are padded enough that they won't be jostled if the box is dropped or shaken.
Make sure snakes have had ample time to digest before travel. For adults, don't feed them for at least 5-7 days before they ship out. It's better to skip a meal and arrive a little hungry than risk stress and motion sickness.
Make sure you order your shipping box from the company that you choose to ship with. Many shipping companies will put their own company name on the box, and if there's an issue during shipping FedEx might reach out to them, so you definitely want the shipping partner to be able to find your information easily if they need to contact you. Choose a box that will just fit all of your snakes and no larger. The bigger the box, the more padding and temperature regulation you'll need and the more it'll cost to ship. You'll probably need something like a 12x9x6 box, or thereabouts, depending on the size of the adults being shipped.
Most importantly this time of year, especially considering your shipping origin and destination, is temperature control. Do not ship unless temperatures are above 40 degrees and below 90 along your entire shipping route for the duration of travel. You may need to check with FedEx to determine which routing hub(s) your package would be traveling through, but it's likely either Oakland, CA or Memphis, TN if not both.
Depending on the size of your box, I recommend putting in at least two Phase22 Cryopak cooling packs, once on each side of the box, to maintain a safe internal temperature. These packs won't chill the snakes, but will absorb heat and keep the ambient temperature in your box lower than outside. Don't put them in direct contact with the snake bags, though, just to be safe.
One other thing is that you don't need to poke holes in the box for air, but don't tape up the corners when you're assembling your box. Reptiles don't use as much oxygen as mammals, so those corner gaps are enough to allow for gas exchange. Holes in the side reduce the structural integrity of the box and are just ways for pests and heat to get in.
I definitely recommend checking out the resources provided by each shipping company to see how exactly to pack up your snakes and give them the best and easiest possible trip. These companies want very much for you to succeed and they have guides and videos to walk you through every step of the process.
I wish you a smooth and stress-free experience!
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DJ Sound - 1992 Freestyle
very rare tape from 92 by DJ Sound
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