#meisner acting technique

[thestarlightsapphic]

Rehearsals for show #1 have begun! This show is going to have the shortest rehearsal progress. We actually open in two and a half weeks, and we have three acts to get through.

My biggest priority right now is going to be memorization! I spend a lot of my free time between my classes memorizing lines. I’ll bunker down in the coffee shop on campus or I’ll find a nice spot outside. I try to not hide out in my apartment because it helps me to get out of the space where I live because I’m tempted to take a nap or relax more.

I’ve always been coming up with character choices for myself. Using a bit of the method I talked about once when my character has a secret that only I know. Except, one of those secrets, I have let my scene partner know since it’s something that’s a secret between us.

This show requires me to be a lot more sexual than I actually am lol. So, that’s been real interesting. Having to find and unlock this flirty and sensual side of myself so that I can play up the comedy. A big part of that is connecting with my scene partner, and building trust with him so that we both feel comfortable enough to bring that tension to life.

[neworkimprov]

Finding Focus: Exploring the Power of Public Solitude in Acting

The stage lights are blinding, the audience a sea of expectant faces. In this electrifying atmosphere, actors must create a world of their own, embodying characters and emotions with complete conviction. But how do they achieve this level of focus while surrounded by so much external stimuli? The answer lies in a seemingly paradoxical concept: public solitude. Pioneered by the legendary Russian…

[ripdragonbeans]

Learning that Ewan Michell uses Method Acting (a combination of like 4 different teachers to create its core) makes me so happy and him explaining it made me HAPPIER bc dammit the extreme stuff that some main stream actors do is um not really it it shouldn't be that intense and shouldn't be used as an excuse to be a dick

[actingstudio]

Key Principles of the Meisner Technique [Infographic]

A brief introduction to the meisner technique for beginning actors. For information visit here: https://www.emasla.com/key-principles-meisner-technique/

[keepershortfilm]

Keeper Test Shoot

General Notes on Shoot

I felt the shoot was a success, getting the performances I was looking for, and being happy with all the visuals and sounds captured on the day. The working relationship I have with everyone I think is great, nobody overstepped any roles and we built a great relationship with Merchiston North Football Club. We finished an hour ahead of schedule thanks to Rosie’s Assistant directing skills, and the actors and crew were all fed and happy throughout the day. A very successful test shoot in my opinion. Definitely areas to improve which I will touch on in a moment but we are on the right track for the main shoot.

Directing Notes on Shoot

On the test shoot, I worked closely with Lewis (Will) and Stuart (Coach,) as well as, worked alongside Claire (2nd AD) to “herd” 8 supporting actors through a blocking. My objective for this shoot is through the research I have been doing on Meisner and Adler. Going to classes that Catriona Macinnes is running with the 3rd year acting students (How I Met Lewis) and through my research of Ken Loach techniques and directing methods on actors. I learned about improvisation and keeping truthfulness in a performance. Now, what does that even mean? What I think I learned on the shoot is the more you can surprise your actor and keep that reaction as authentic as possible, there is nothing better. So on the shoot, I purposefully kept Stuart away from Lewis to keep that hierarchy and asked the actors Lewis was trying to get the attention of to “be difficult to command” This really caused Lewis to struggle with controlling the football team as well as keep that feeling you get when you are around an adult who is a professional. I also wanted to keep everyone warm and really get across this feeling that Stuart was in control so I asked him to do a training session when everyone was in costume.

However, due to focusing so much on performance, I do feel I was not properly focusing on the tone and feeling of the piece. By not clearly communicating my vision to HoD I feel that the project suffered because of it. I am the only one to blame for this and this caused Alex (Cinematographer) and I to rethink the way we approach projects, as this shoot taught me I currently have a very collaborative documentary approach to making short fiction films. Whilst, this is beneficial in getting everyone included in the discussions on the film, it doesn’t give the production a vision to shoot for, relying more heavily on the edit to produce the final film. I don’t mind this, but the way we shot the film was very streamlined and specific which does not work the best with a more documentary approach in mind. 

Going forward, I am going to try and have a clearer vision when communicating to my team, I think I am there with my actors but my vision with the crew is lacking. Thank goodness I have such a caring team working alongside me.

[lgcjino]

FILE: 지노 _ PLOT CALL _ q4 —  this is totally late but we'd definitely like to plot and get things rolling if anyone still has some room on their trackers. below the cut are some suggestions / ideas to jumpstart a thread ! ◡̈

SUB: EVENT

⤷  RE: ACTING MISSION

new actor trainee, moon jino reporting for duty !

improv study — you overheard jino listening to a youtube video that's verbalizing improv cues, you just so happen to see him right when he's supposed to act out a demoralizing heartbreak or his personal interpretation of a fish out of water -- either or, both are equally as mortifying for him.

acting techniques — specifically the meisner technique: unfortunately for jino he got called on in class to counter react a partner's acting, you just so happened to notice jino, not so in his elemental, appearing quite obviously taken back by such a display. for lack of better word, it's hilarious and something that needs to be commented on after (or more amusingly, during) class.

any other acting mission ideas, welcome!

⤷  RE: LGC HALLOWEEN 2023

costume tbd he's going as jock spiderman ◡̈

jino didn't know the candies were fake — sure there were signs, but jino can't read 🤷‍♂️ — and now the candy is lodged in his throat and oh no, is he choking? nah — forcefully dispelling air through the tiny hole in his throat that's currently blocked by a pea-sized fake sweet treat is not choking, is it?

insert thread about costumes that i will update once i 100% narrow down jino's costume options

"i love you, i swear i do, but we're not wearing matching costumes."

idk much about the carpet but best believe jino is gonna will smith-jada moment whoever is beside him at that moment

any other halloween ideas, welcome!

⤷  RE: LGC RETREAT

he's in lgc agency as an actor but he got placed with crystallis !

ghost hunting at the haunted high school x excited puppy jino

jino 100% trying to do a hsm! scream parody of troy bolton along the lockers

running into jino on the way to the bathroom a la haikyuu boot camp jump scare w jino being backlit by the bathroom lighting and his tall ass frame he's practically a slenderman cosplay at night

jino standing in the back of the show me your face game ( mostly bc he's so tall and worried about blocking anyone ) until he realizes that's the point of the game and he's gonna be using his huge af hands to block out the faces of his fellow tall giants

jino 100% mingling and moving from table to table during lunch, also him trying to hand off his kiwis to people bc he doesn't like the fruit kiwi

him dumping flour all over the person behind him's head bc his arms are too long and his reach is too high and inadvertently covering them in flour 🤝 jino trying not to laugh as he tries to help them wipe their face w a wet towel after

SUB: GENERAL

⤷  RE: Q4 ( NEW TERM, NEW GENERAL THREADS ! )

"i really appreciate that you're getting into the halloween spirit, but it's ten in the morning. please turn off the slasher films so i can eat my breakfast in peace."

"what do you mean you've never gone trick-or-treating?!" — but rather than going door to door it's convenience store to convenience store and jino footing the bill on the sweet or salty treats 😋

"you're like the toughest person i know! am i really supposed to believe that a horror film is enough to have you cowering into my lap?"

"hot cocoa is the americano equivalent for kids!" "your point is?"

"how to look suspicious 101"

someone reporting jino for having a pet. the pet in question: link.

jino burning banana bread in the oven and someone comes over for banana bread but ... it's burnt ☹️

jino watched the greatest showman for the first time and now he won't stop singing rewrite the stars and someone needs to shut !!! him !!! up !!!

NOTE

⤷   also i'll be keeping any threads that are still being replied to ( except the lgc au threads ) no matter how old they are unless you'd like to drop and replot, please let me know if that's the case ◡̈

[lilleejean]

About Lillee Jean:

Lillee Jean is an actress from New York City. Lillee has trained at the T. Schreiber Studio, intensively studying Meisner Technique and dialects. Her latest productions include two short films she directed, produced, and wrote including 'Miss Roxie' (2023), and 'Peony and Violet'. As part of her recent show, 'So Lillo Qui' she released episode 12, Proof.

[the-rsace]

Part Time Acting Course

Duration in months - 3 Months

Duration in weeks - 12 weeks

Course Duration (in hours) - 72 Hours

Total Sessions - 36 Sessions

Per Week Session - 3

Duration of Session (in hours) - 2 Hours

Eligibility

☛ Candidates must have passed or appeared for SSC or equivalent examination. 

Ramesh Sippy Academy of Cinema and Entertainment (RSACE) takes Pride in offering a Certificate Courses in Acting Accredited By :

Key Highlights

Certificate Course : Awarded by Ramesh Sippy Academy of Cinema and Entertainment and the University of Mumbai’s Garware Institute of Career Education and Development.

☛  Sessions conducted at the lush campus of the University of Mumbai. ☛  100% Placement Assistance. ☛  Cutting edge international training techniques. ☛  65% practical exercises. ☛  Weekly assessment & feedback.

Introduction

The Part Time Acting Course at RSACE, is an unique intensive course which includes in its curriculum almost all the cutting edge international training techniques created by the Great Masters of Acting like

☛  Constant in Stanis lavsky ☛  Lee Strasber ☛  Meisner ☛  Michael Chekov ☛  Jeannette Nelson and others.

The bouquet of international acting techniques, taught across One hundred and forty four hours of didactic time, is carefully designed to help an aspiring actor in developing their own acting method after testing out all the techniques in which inputs are given. This also allows the actors to prepare well for different roles, making them capable of doing justice

[naturecoaster]

Live Oak Conservatory Offers Advanced Class in Scene Study Taught by Ron Dykes

Live Oak Conservatory has expanded its Acting classes by offering an advanced class in Scene Study for acting students ages thirteen through adult. This class is designed for the actor who wants to focus on the dynamics of the text and further investigate "living truthfully under imaginary circumstances." (Meisner) Scenes will be studied and interpreted utilizing core acting principles and techniques. Students will explore the use of voice, body, emotion, and imagination to create characters that are alive and work directly from what is received from their scene partner. It is recommended that students have some prior acting experience. The class will be taught by Ron Dykes, a longtime member of Live Oak Theatre. About Ron Dykes Ron Dykes received his Master of Arts degree in Theatre from Villanova University in Pennsylvania. He has taught Acting Classes at Hedgerow Theatre in Media, PA, and at STRA-BIS-MUS Theatre Company in Ridley Park, PA. He has numerous directing credits and currently serves as an Acting Coach at Live Oak Theatre in addition to being the Lighting Designer. Live Oak Conservatory Offers Advanced Class in Scene Study Taught by Ron Dykes Conservatory classes begin the week of September 9. Youth Theatre classes begin on August 13 with a parent meeting and audition date to be announced. Live Oak Theatre offers a wide range of opportunities for children (PRE-K – 18) and adults to learn about all the performing arts. Some of the classes offered include beginning and advanced tap, jazz and ballet, voice, musical theatre, improv, and acting at various levels. Private lessons in a wide range of musical instruments are also offered at the conservatory. All classes are taught by veteran performers and instructors. Visit https://www.liveoaktheatre.org/conservatory, email Marie@liveoaktheatre.org, or call 352-593-0027 with questions. About the Live Oak Conservatory Programs Live Oak Theatre & Conservatory is – above all - a family-friendly theatre program which exists to enrich families, individuals, and the community by providing positive artistic experiences in the Performing Arts - including excellent, affordable, and edifying family-friendly entertainment, performance, and educational opportunities. We offer group classes and private lessons in acting, improv, youth art, musical theatre, singing, hip hop, tap, jazz, ballet, Acro, and most musical instruments including piano, guitar, and violin. To compliment Live Oak Theatre’s tradition of bringing top-notch musical theatre entertainment and training to our community, our Conservatory offers classes in dance, music, and drama which together make up a well-rounded and versatile performing arts educational program. Children… and adults… can take these classes to enhance their creative and artistic skills and combine them with other fine arts and performing arts skills. The Live Oak Conservatory is Hernando County’s one-stop destination for education in the performing arts! Image courtesy of depositphotos.com Read the full article

[neworkimprov]

The Legacy of Lee Strasberg, Stella Adler, and Sanford Meisner: Shaping American Acting Methods Derived from Stanislavski

The world of acting is a vast and dynamic field, shaped by the contributions of countless pioneers and visionaries. Among the most influential figures in the realm of American theater and film, Lee Strasberg, Stella Adler, and Sanford Meisner stand out as titans who left an indelible mark on acting techniques and training. These three luminaries began their careers together at the legendary Group…

[prajadhav]

Diploma in Acting for Film and Television (TV) Course in India | AAFT University

The entertainment industry is a vibrant and dynamic field that attracts creative minds from all over the world. Acting for film and television offers a platform for individuals to showcase their talent, tell compelling stories, and bring characters to life. In India, the demand for skilled actors is ever-growing, driven by the booming film and television industries. For aspiring actors, a Diploma in Acting for Film and Television is a crucial step towards mastering the craft and breaking into the industry.

Why Pursue a Diploma in Acting for Film and Television?

A Diploma in Acting for Film and Television provides aspiring actors with the necessary training and knowledge to excel in the competitive entertainment industry. This program is designed to enhance your acting skills, improve your understanding of the technical aspects of filmmaking, and prepare you for the challenges of working on set. Whether you dream of becoming a film star, a television actor, or a versatile performer, this diploma can be your gateway to success.

Course Overview

The Diploma in Acting for Film and Television is a comprehensive program that covers various aspects of acting and filmmaking. Here’s an overview of what the course typically entails:

Curriculum

The curriculum is designed to provide a well-rounded education in acting, focusing on both practical skills and theoretical knowledge. Key subjects include:

Acting Techniques: Training in different acting methodologies, such as Stanislavski, Meisner, and Method Acting, to develop a versatile acting toolkit.

Voice and Speech: Exercises to improve voice modulation, diction, and speech clarity, essential for delivering impactful performances.

Movement and Body Language: Techniques to enhance physical expressiveness and body awareness, crucial for portraying characters convincingly.

Camera Acting: Understanding the nuances of acting for the camera, including blocking, eye lines, and working with different camera angles.

Script Analysis: Learning to analyze scripts to understand character motivations, story arcs, and scene objectives.

Improvisation: Developing spontaneity and creativity through improvisational exercises and activities.

Audition Techniques: Preparing for auditions with tips on monologue selection, cold reading, and self-taping.

Practical Training

Hands-on training is a core component of the diploma program, providing students with real-world experience. Practical training includes:

Scene Work: Performing scenes from various genres and styles to build versatility and confidence.

Short Film Projects: Collaborating with peers and mentors to create short films, gaining experience in front of and behind the camera.

On-Camera Practice: Regular sessions to practice acting techniques specifically for film and television.

Workshops and Masterclasses: Sessions with industry professionals to learn about current trends, casting processes, and networking strategies.

Industry Exposure

Exposure to the industry is essential for aspiring actors. The diploma program often includes:

Guest Lectures: Talks by successful actors, directors, casting agents, and other industry experts.

Industry Visits: Visits to film studios, television sets, and production houses to observe professionals at work.

Networking Opportunities: Events and platforms to connect with industry professionals and peers.

Career Prospects

Graduates of the Diploma in Acting for Film and Television have a variety of career opportunities available to them, including:

Film Actor: Acting in feature films, short films, and independent productions.

Television Actor: Performing in TV serials, web series, and commercials.

Theatre Actor: Working in stage productions, bringing characters to life in live performances.

Voice Actor: Providing voices for animated films, TV shows, and commercials.

Casting Assistant: Assisting casting directors in finding the right talent for various projects.

Acting Coach: Teaching acting techniques and skills to aspiring actors.

Conclusion

A Diploma in Acting for Film and Television is an excellent starting point for anyone passionate about acting and storytelling. This program offers comprehensive training, practical experience, and industry exposure, preparing you for a successful career in the entertainment industry. Whether you aspire to shine on the big screen or captivate audiences on television, this diploma can help you achieve your dreams.

Embark on your journey to stardom with a Diploma in Acting for Film and Television. Transform your passion for acting into a profession and bring your unique talent to the world. [Read More]

[sufferingisnotoptional]

Explaining acting to an alien

Terry spent most of this lesson explaining to us the philosophy behind the Meisner technique and the importance of training in general.

Hitting the mark consistently. Far too many people in the acting world accept that when taking on a role, they might not hit the mark 100% of the time. Wouldn't it suck if plumbers had this same attitude towards plumbing? Imagine what the world (and our pipes) would be like if it was normal to call a plumber to fix a leak, and be told that there is a 20% chance that they won't succeed. Actors should aim to be at a skill level where they can deliver 100% of the time.

Perfectionism - we're not born with it. There is this weirdly common myth that people who can act are just born with everything they need to put on flawless performances. In reality, learning to act is like learning anything else. You have to fail to get better. We've all done it before, this learning from zero thing. We've had to do it to learn how to walk and talk.

[bodhrancomedy]

It’s not from method, it’s from Stanislavski’s System. Method originated from Stanislavski’s System and is an American offshoot developed primarily by Lee Strasburg, which takes the elements of the System to a more extreme level with immersive method acting. Actually, all those techniques you describe are from the System.

Now, people tend to attribute more to the System and Method than actually exists. For example, focusing entirely on the other person and considering them the only “real thing” rather than your own internal thoughts is the Meisner technique and then Stella Adler’s method is about imagining a character’s world through small senses like sound and minor details.

I use the System mostly, like the majority of Western actors. There are other methods like classical or Brechtian or Practical Aesthetics. It’s really what works for the actor.

But honestly, Method is the most extreme and - certainly in my opinion - the least effective one. The only thing I’ll agree with Hitchcock on is that it creates a ���poor photograph” and not a rich picture.

I also refuse to method act because I get a lot of abused and mentally unwell characters and I like being mentally stable :)

[whistlingwoods]

Unveiling the Art: A Journey Through Acting Courses

Acting, a craft as old as storytelling itself, has the power to transport audiences to distant lands, evoke emotions buried deep within, and breathe life into characters both fantastical and familiar. For those captivated by the magic of the stage or screen, embarking on a path of acting courses can be the gateway to a world of creativity, expression, and personal growth. Whether you're a budding thespian or a seasoned performer looking to refine your skills, these courses offer a spectrum of opportunities to explore, learn, and hone the craft of acting.

The Foundation: Introduction to Acting

Every great performance begins with a solid foundation. Introduction to Acting courses serve as the cornerstone for aspiring actors, providing a comprehensive overview of the fundamental principles. From understanding character development to exploring different acting techniques such as Stanislavski's method or Meisner's approach, these courses offer a playground for experimentation and discovery. Students delve into the nuances of body language, voice modulation, and improvisation, laying the groundwork for captivating performances on stage or in front of the camera.

Finding Your Voice: Voice and Speech Training

In the realm of acting, the voice is a powerful instrument. Voice and Speech Training courses focus on unlocking the full potential of vocal expression. Through exercises in articulation, projection, and vocal dynamics, actors learn to command the stage with clarity and emotion. Whether it's mastering various accents for diverse roles or harnessing the power of silence, these courses empower actors to convey a character's inner world through the spoken word.

Mastering the Stage: Theater Acting

For those drawn to the intimacy and immediacy of live performance, Theater Acting courses offer a deep dive into the world of stagecraft. From understanding stage directions to the art of blocking, actors learn the intricacies of bringing a script to life in front of a live audience. These courses often culminate in stage productions, providing students with the invaluable experience of performing in a theatrical setting. The camaraderie forged during rehearsals and the adrenaline of opening night create memories that last a lifetime.

Lights, Camera, Action: Film and Television Acting

In an era dominated by screens big and small, Film and Television Film Acting Course equip actors with the skills necessary to thrive in the world of on-screen performance. From close-ups to wide shots, actors learn to calibrate their performances for the camera, understanding the subtleties that make a scene come alive on film.

Courses often cover on-camera audition techniques, script analysis for screen acting, and the collaborative nature of working on a film or television set. With the rise of streaming platforms hungry for new content, these courses open doors to a multitude of opportunities in the world of visual storytelling.

The Art of Character: Character Development Workshops

Behind every memorable performance lies a well-developed character. Character Development Workshops immerse actors in the process of creating complex, multi-dimensional characters. Through exercises in backstory creation, emotional memory work, and psychological exploration, actors breathe life into characters that resonate with audiences. These workshops often challenge actors to step outside their comfort zones, embracing the vulnerabilities and strengths of the characters they inhabit.

[maggie-flanigan-studio]

NYC Acting Dreams: How Drama School Can Ignite Your Career

The bright lights of Broadway, the electrifying energy of off-Broadway productions, and the captivating allure of television and film – New York City pulsates with the energy of aspiring actors chasing their dreams. But amidst the hustle and bustle, how do you turn that raw passion into captivating performances?  The answer lies within the dedicated walls of a drama school, where talent meets training, and dreams take flight. Here at Maggie Flanigan Studio, a premier drama school in the heart of NYC, we understand the transformative power of drama school in igniting the careers of tomorrow's stars.

From Hopeful to Headliner: The Power of Drama School

Drama school is more than just memorizing lines and taking center stage. It's a dedicated space where raw talent meets seasoned instructors, rigorous training intertwines with supportive environments, and the initial spark of passion ignites into a burning desire for excellence.  Within a drama school, aspiring actors develop the technical skills, emotional intelligence, and collaborative spirit that define a successful career in the competitive world of acting.

Unlocking Your Potential with the Meisner Technique

At Maggie Flanigan Studio, we empower our students with a comprehensive curriculum rooted in the renowned Meisner Technique. This powerful approach emphasizes truthful and grounded performances, fostering a deep understanding of character and scene. Through a series of progressive exercises and workshops, students learn to connect with scene partners on a deeper level, tap into their emotional wellspring, and bring authenticity to every role they play.

A Flexible Learning Environment in the Heart of NYC

Balancing the demands of acting school with the whirlwind of New York City can be daunting. That's why Maggie Flanigan Studio offers a flexible schedule to accommodate aspiring actors with busy lives.  Our extensive class offerings run from Tuesday to Monday (9 AM to 10 PM), allowing you to pursue your acting dreams  without sacrificing other commitments.

A Supportive Community: Your NYC Acting Family

Drama school offers an experience that transcends the classroom walls. Maggie Flanigan Studio fosters a supportive community where students can learn from and collaborate with their peers. Whether you're honing your craft through scene work or brainstorming approaches to a character, this collaborative environment fosters a sense of camaraderie and shared passion for the art of acting.

Ready to Ignite Your NYC Acting Journey?

If you're an aspiring actor with a burning desire to captivate audiences on the stages of New York City, a drama school can be the catalyst for your success.  Maggie Flanigan Studio provides the tools, training, and supportive environment you need to transform your talent into captivating performances. Contact us today and let us help you ignite your career in the heart of NYC!