#meisner acting technique

[emi-thestarlightsapphic]

Rehearsals for show #1 have begun! This show is going to have the shortest rehearsal progress. We actually open in two and a half weeks, and we have three acts to get through.

My biggest priority right now is going to be memorization! I spend a lot of my free time between my classes memorizing lines. I’ll bunker down in the coffee shop on campus or I’ll find a nice spot outside. I try to not hide out in my apartment because it helps me to get out of the space where I live because I’m tempted to take a nap or relax more.

I’ve always been coming up with character choices for myself. Using a bit of the method I talked about once when my character has a secret that only I know. Except, one of those secrets, I have let my scene partner know since it’s something that’s a secret between us.

This show requires me to be a lot more sexual than I actually am lol. So, that’s been real interesting. Having to find and unlock this flirty and sensual side of myself so that I can play up the comedy. A big part of that is connecting with my scene partner, and building trust with him so that we both feel comfortable enough to bring that tension to life.

[neworkimprov]

Finding Focus: Exploring the Power of Public Solitude in Acting

The stage lights are blinding, the audience a sea of expectant faces. In this electrifying atmosphere, actors must create a world of their own, embodying characters and emotions with complete conviction. But how do they achieve this level of focus while surrounded by so much external stimuli? The answer lies in a seemingly paradoxical concept: public solitude. Pioneered by the legendary Russian…

[righteousdelusions]

finally understanding my acting classes a bit more. Just two days ago I was complaining to my aunt that I hated acting.... I just don't like improvising much, but I know it's an important skill to develop, specially in live theater. If I see it that way, I can do it. If I have more focused directions I can do it.

[crguang]

fluff fic where r is obsessed with taking pics of kafka somehow made me wonder if like what if director r and actor kafka...

like kafka's a very well known actress, her influence in psychological thriller movies cannot be denied... and any movies that kafka stars in and is directed by r is always expected to be a box office hit... like there is this special way r potrays kafka that no other film director can cuz of how the emotional connection between them or something something

in a way, r is the muse of kafka in violinist au, she keeps playing cuz she thinks only r can make it perfect. so maybe it can be the reverse here and r is the one who is obsesssive. like it's still gearing in my head...

im gonna lose my mind. im gonna LOSE MY MINDDDD UGH YOUR BRAIN. GIVE IT TO ME. director x their darling actor is so fucking good… every director has that one actor they love working with and who is used to their way of doing things so the process is a lot smoother and imagining that with kaf is causing me heart palpitations she would be such a good actress😭😭😭😭😭😭 love that you said she plays in psych thrillers (her fav movies). omfg celebrity!kafka always gets me because she has the aura for it fr… shes so suave and elegant and sexy she would easily be a media darling. combined with r who can bring out skills she didnt know she had, they’d be thee hottest duo on earth im so giddy rn. obsessive r who has to have kafka in projects that are close to their heart, who pushes her acting/retention abilities further than anyone has before, who encourages her to use the meisner technique because it’s easier for her to focus on everything else and draw from that rather than connecting with her own emotional self— UGHHHHHH YES. the first time they work together everyone’s shocked at the final product because it’s a side of kafka they’ve never seen before… you can tell whoever shot that movie loved her down IM GIGGLING SO HARD RN HGFFJFDSHSA NEEEEEED I NEED IT. kafka’s always acting in one way or another, director!r would be the one to see past those layers and unravel her for the cameras… director!r who constantly takes shots of her outside of the studio just to experiment with her different facets through film. director!r who gets her that oscar and helps her achieve her dreams ough this is so good. what if they’re the one who sought her out… they saw her play in a movie and thought she might be perfect for this lead role in a film they’re making. they have her audition and are instantly blown away not because her skills are perfect but because she can be molded into all these different roles with the right guidance and they’re confident they can make her great. they revolve their cast around who compliment her best. she embodies their vision so well they lowkey dont wanna work with anyone else again… and shes spoiled asffff anything she needs to do her job perfectly, she gets. she’s as protected from the media as she can be and everything, they just cant say no to her (which she’d lowkey abuse). losing my mind rn……

[gameo-archive]

Hi cheeky monkeys! Did you have any favourite theatre games? What acting techniques did you study in the acting schools? I'm quite obsessed with movement, mainly locomotion and gestures. Have you done any study on animal movements in drama classes? Seen some gameodens being shared around and smeg it, George I LOVE your facial expressions! (Jayden I still love your Twitch streams, lemme love George with this 🤫) Smoke me a kipper, I'll be back for breakfast with more requests!

Transcript below:

"J: Tan! Once again, wow! This is becoming, just, yeah, I-I can’t even, I can’t even put it into words, but, anyway let’s go! J: “Hi cheeky monkeys. Did you have any theatre games? What acting techniques did you study in the acting schools?” G: Um, I, the earliest kind of theatre game I remember is “splat!” Which is a great one and “Zip, Zap, Boing!” That’s always a big energy booster. Um, and in terms of acting techniques? Uh, one that I think is, uh, particularly great for screen acting is the “Meisner Technique.” G: Um, you also said, you’re “quite obsessed with movement. Mainly locomotion and gestures. Have you done any study of animal movements in drama classes or anything alternative?” J: Oh! When I did a short film in 2013 {"Mohammed"], I was feeling really nervous, uh, because it was my first time on camera, and our director, Mustapha Kseibati, made me walk around the room like an eagle. And at the time, I didn’t know why he was doing it, but I realised it was just to bring me out of my shell, and d’you know what? There was something quite primal about it, and I think it brought out like a fire within me and it was great. Um, “I’ve seen some Gameodens being shared around in and smeg it, George—“ G: Amazing, thank you so much, Tan, for all of these things. We’re so grateful. Um, and, uh, every—like we said—every time it’s like you’re a Dead Boy Detective super fan. So props to you. Take care, Tan!"

[keepershortfilm]

Keeper Test Shoot

General Notes on Shoot

I felt the shoot was a success, getting the performances I was looking for, and being happy with all the visuals and sounds captured on the day. The working relationship I have with everyone I think is great, nobody overstepped any roles and we built a great relationship with Merchiston North Football Club. We finished an hour ahead of schedule thanks to Rosie’s Assistant directing skills, and the actors and crew were all fed and happy throughout the day. A very successful test shoot in my opinion. Definitely areas to improve which I will touch on in a moment but we are on the right track for the main shoot.

Directing Notes on Shoot

On the test shoot, I worked closely with Lewis (Will) and Stuart (Coach,) as well as, worked alongside Claire (2nd AD) to “herd” 8 supporting actors through a blocking. My objective for this shoot is through the research I have been doing on Meisner and Adler. Going to classes that Catriona Macinnes is running with the 3rd year acting students (How I Met Lewis) and through my research of Ken Loach techniques and directing methods on actors. I learned about improvisation and keeping truthfulness in a performance. Now, what does that even mean? What I think I learned on the shoot is the more you can surprise your actor and keep that reaction as authentic as possible, there is nothing better. So on the shoot, I purposefully kept Stuart away from Lewis to keep that hierarchy and asked the actors Lewis was trying to get the attention of to “be difficult to command” This really caused Lewis to struggle with controlling the football team as well as keep that feeling you get when you are around an adult who is a professional. I also wanted to keep everyone warm and really get across this feeling that Stuart was in control so I asked him to do a training session when everyone was in costume.

However, due to focusing so much on performance, I do feel I was not properly focusing on the tone and feeling of the piece. By not clearly communicating my vision to HoD I feel that the project suffered because of it. I am the only one to blame for this and this caused Alex (Cinematographer) and I to rethink the way we approach projects, as this shoot taught me I currently have a very collaborative documentary approach to making short fiction films. Whilst, this is beneficial in getting everyone included in the discussions on the film, it doesn’t give the production a vision to shoot for, relying more heavily on the edit to produce the final film. I don’t mind this, but the way we shot the film was very streamlined and specific which does not work the best with a more documentary approach in mind. 

Going forward, I am going to try and have a clearer vision when communicating to my team, I think I am there with my actors but my vision with the crew is lacking. Thank goodness I have such a caring team working alongside me.

[lgcjino]

FILE: 지노 _ PLOT CALL _ q4 —  this is totally late but we'd definitely like to plot and get things rolling if anyone still has some room on their trackers. below the cut are some suggestions / ideas to jumpstart a thread ! ◡̈

SUB: EVENT

⤷  RE: ACTING MISSION

new actor trainee, moon jino reporting for duty !

improv study — you overheard jino listening to a youtube video that's verbalizing improv cues, you just so happen to see him right when he's supposed to act out a demoralizing heartbreak or his personal interpretation of a fish out of water -- either or, both are equally as mortifying for him.

acting techniques — specifically the meisner technique: unfortunately for jino he got called on in class to counter react a partner's acting, you just so happened to notice jino, not so in his elemental, appearing quite obviously taken back by such a display. for lack of better word, it's hilarious and something that needs to be commented on after (or more amusingly, during) class.

any other acting mission ideas, welcome!

⤷  RE: LGC HALLOWEEN 2023

costume tbd he's going as jock spiderman ◡̈

jino didn't know the candies were fake — sure there were signs, but jino can't read 🤷‍♂️ — and now the candy is lodged in his throat and oh no, is he choking? nah — forcefully dispelling air through the tiny hole in his throat that's currently blocked by a pea-sized fake sweet treat is not choking, is it?

insert thread about costumes that i will update once i 100% narrow down jino's costume options

"i love you, i swear i do, but we're not wearing matching costumes."

idk much about the carpet but best believe jino is gonna will smith-jada moment whoever is beside him at that moment

any other halloween ideas, welcome!

⤷  RE: LGC RETREAT

he's in lgc agency as an actor but he got placed with crystallis !

ghost hunting at the haunted high school x excited puppy jino

jino 100% trying to do a hsm! scream parody of troy bolton along the lockers

running into jino on the way to the bathroom a la haikyuu boot camp jump scare w jino being backlit by the bathroom lighting and his tall ass frame he's practically a slenderman cosplay at night

jino standing in the back of the show me your face game ( mostly bc he's so tall and worried about blocking anyone ) until he realizes that's the point of the game and he's gonna be using his huge af hands to block out the faces of his fellow tall giants

jino 100% mingling and moving from table to table during lunch, also him trying to hand off his kiwis to people bc he doesn't like the fruit kiwi

him dumping flour all over the person behind him's head bc his arms are too long and his reach is too high and inadvertently covering them in flour 🤝 jino trying not to laugh as he tries to help them wipe their face w a wet towel after

SUB: GENERAL

⤷  RE: Q4 ( NEW TERM, NEW GENERAL THREADS ! )

"i really appreciate that you're getting into the halloween spirit, but it's ten in the morning. please turn off the slasher films so i can eat my breakfast in peace."

"what do you mean you've never gone trick-or-treating?!" — but rather than going door to door it's convenience store to convenience store and jino footing the bill on the sweet or salty treats 😋

"you're like the toughest person i know! am i really supposed to believe that a horror film is enough to have you cowering into my lap?"

"hot cocoa is the americano equivalent for kids!" "your point is?"

"how to look suspicious 101"

someone reporting jino for having a pet. the pet in question: link.

jino burning banana bread in the oven and someone comes over for banana bread but ... it's burnt ☹️

jino watched the greatest showman for the first time and now he won't stop singing rewrite the stars and someone needs to shut !!! him !!! up !!!

NOTE

⤷   also i'll be keeping any threads that are still being replied to ( except the lgc au threads ) no matter how old they are unless you'd like to drop and replot, please let me know if that's the case ◡̈

[lilleejean]

About Lillee Jean:

Lillee Jean is an actress from New York City. Lillee has trained at the T. Schreiber Studio, intensively studying Meisner Technique and dialects. Her latest productions include two short films she directed, produced, and wrote including 'Miss Roxie' (2023), and 'Peony and Violet'. As part of her recent show, 'So Lillo Qui' she released episode 12, Proof.

[thepallikoodam01]

The Pallikoodam’s Online Acting Class Now Available inside the USA – Learn Indian & Global Techniques Online

In an interesting improvement for aspiring actors across america, The Pallikoodam has officially released its a splendid deal-anticipated Online Acting Class USA. With a very specific mixture of Indian theatrical traditions and modern international performing strategies, this path opens the level for university youngsters throughout the U.S. To examine the art work of acting from the consolation of their houses.

Bridging Cultures Through Performance

The Pallikoodam is renowned for its culturally rich and holistic technique to acting schooling. Founded by using passionate artists and educators, it offers training that celebrates the intensity of Indian theatre—drawing from Natya Shastra, classical ordinary performance strategies, and folks traditions—at the same time as additionally incorporating Western techniques like Stanislavski’s machine, Meisner technique, and Method Acting.

Now, this aggregate of East meets West is accessible to a wider target market via the Online Acting Class USA, imparting university students an extraordinary threat to discover the first-rate of both worlds.

Why Choose an Online Acting Class?

Online mastering has revolutionized the manner people acquire new talents. Acting, although traditionally taught in-person, has determined a effective new medium online. The Online Acting Class USA with the aid of The Pallikoodam is carefully designed to make the maximum of this layout, turning in live instructions, usual performance critiques, and one-on-one mentorship—all online.

Here’s why this elegance stands proud:

Flexible Scheduling: Perfect for college kids, jogging experts, and anybody looking to pursue performing without disrupting their recurring.

Live Interactive Sessions: Not truly pre-recorded motion pictures, however actual-time commands where college students can have interaction, carry out, and get direct comments.

Global Exposure: Learn not just from Indian theatre however also dive into Western acting practices, enhancing your versatility.

Personalized Mentoring: Individual attention helps college college students grow at their very own pace.

Affordable Pricing: World-elegance acting education that doesn’t value a fortune.

What You Will Learn

This comprehensive course covers every trouble of acting. The curriculum includes:

Voice Training & Diction: Improve your readability, modulation, and expressiveness.

Body Language & Movement: Understand a manner to apply your body as a tool for expression.

Character Building: Learn a way to dive deep into roles and painting achievable characters.

Script Analysis: Break down scenes, understand person arcs, and supply powerful performances.

Improv & Scene Work: Develop spontaneity, quick questioning, and actual-time normal performance abilities.

Acting for Camera: Explore the nuances of appearing for display in place of degree.

Each module in the Online Acting Class USA is designed to help novices benefit confidence, beautify creativity, and grow to be compelling performers.

For Beginners and Advanced Learners

Whether you're a whole newbie with no revel in or an intermediate actor in search of to refine your craft, The Pallikoodam’s Online Acting Class USA caters to all levels. The instructors paintings intently with each scholar, presenting tailor-made guidance and assisting them find out their unique voice as an artist.

Learn from the Experts

The Pallikoodam group consists of experienced theatre professionals, film actors, and educators who bring years of on-stage and on-show enjoy. Many have worked in Indian local theatre, Bollywood, or even worldwide movie festivals. Their collective records forms the spine of this notable Online Acting Class USA.

Cultural Sensitivity and Inclusivity

In addition to performance skills, the elegance emphasizes cultural sensitivity and emotional intelligence. Students learn how to constitute diverse characters and cultures with appreciate and authenticity. It’s now not pretty a great deal appearing—it’s approximately expertise human conduct across the globe.

Success Stories

Many college students who've trained at The Pallikoodam have long long past on to act in internet collection, indie movies, theatre productions, and quick films. With the Online Acting Class USA, the institute is prepared to nurture the subsequent wave of global appearing expertise.

How to Enroll

Enrolling is straightforward. Visit The Pallikoodam’s internet site, take a look at the agenda that works great for your time place within the USA, and sign up for the Online Acting Class USA. The direction gives batch alternatives, weekend schooling, and even considerable workshops.

A free trial elegance is likewise to be had for people who want a sneak peek before committing.

Final Thoughts

Acting is extra than memorizing traces—it’s about storytelling, empathy, and transformation. With The Pallikoodam’s Online Acting Class USA, students can now embark on a adventure of inventive discovery without geographical limits. Whether you are dreaming of Broadway, Bollywood, or growing your very very own YouTube series, this magnificence can be the correct start line.

[neworkimprov]

The Legacy of Lee Strasberg, Stella Adler, and Sanford Meisner: Shaping American Acting Methods Derived from Stanislavski

The world of acting is a vast and dynamic field, shaped by the contributions of countless pioneers and visionaries. Among the most influential figures in the realm of American theater and film, Lee Strasberg, Stella Adler, and Sanford Meisner stand out as titans who left an indelible mark on acting techniques and training. These three luminaries began their careers together at the legendary Group…

[skill-talent123]

The Best Acting Schools in India: Exploring Career Options with IICS India

India’s vibrant film, television, and OTT industry continues to grow, offering countless opportunities for aspiring actors. With the right training, passion, and exposure, anyone can break into the entertainment world—but the first step begins with choosing the right acting school. In this dynamic landscape, IICS India is making waves as one of the best acting schools in India, redefining what it means to train for the big stage and screen.

Whether you're dreaming of becoming a Bollywood star, a theatre performer, or a digital content creator, attending a reputable drama school is essential to hone your craft and gain the confidence needed to shine in front of an audience or camera.

Why Choose a Professional Acting School?

Natural talent is important, but acting is a discipline that requires rigorous training, technique, and emotional depth. A professional acting school helps you:

Master vocal delivery, body language, and emotional expression

Learn the nuances of stage vs. screen acting

Explore different acting methods (Stanislavski, Meisner, etc.)

Build stage presence and camera awareness

Receive constructive feedback from mentors

Network with peers and industry professionals

By enrolling in one of the best acting schools in India, students dramatically increase their chances of landing roles in films, theatre, television, and web series.

Leading Drama Schools in India

India is home to several respected drama institutions, including:

National School of Drama (NSD), New Delhi

Film and Television Institute of India (FTII), Pune

Anupam Kher’s Actor Prepares, Mumbai

Barry John Acting Studio, Delhi & Mumbai

IICS India, New Delhi

Among these, IICS India stands out for its industry-forward training, personalized mentorship, and deep understanding of the evolving entertainment industry.

Why IICS India is Among the Best Acting Schools in India

1. Industry-Focused Curriculum

What makes IICS India unique is its tailored curriculum, developed in collaboration with working actors, casting directors, and filmmakers. Every module is designed to reflect the current demands of Bollywood, regional cinema, and OTT platforms. Students are not just taught how to act—they are trained to perform in real-world auditions and live sets.

2. Expert Faculty & Guest Mentors

The faculty at IICS India includes theatre veterans, film actors, and voice coaches who bring decades of experience to the classroom. Additionally, guest mentors—well-known personalities from the film and TV industry—frequently conduct masterclasses and workshops, sharing insights that go beyond textbooks.

3. Practical Training and Performance-Based Learning

Learning acting is not about theory—it’s about doing. That’s why IICS India emphasizes practical training. Students participate in:

Scene work and monologue practice

Improvisation exercises

On-camera acting sessions

Stage performances

Short film projects

This hands-on approach builds not just skills, but also confidence—an essential trait for any aspiring actor.

4. On-Campus Auditions and Casting Opportunities

Unlike traditional institutions, IICS India has built strong connections with casting agencies, production houses, and OTT platforms. This allows students to take part in real audition opportunities during the course itself. Many alumni have landed roles in short films, music videos, and web series while still in training.

5. A Modern Campus That Mirrors Industry Standards

IICS India boasts a fully-equipped campus with dedicated rehearsal rooms, black box studios, green screens, and professional camera setups. This gives students the chance to simulate real production environments and practice acting for both stage and screen.

6. Flexible Programs for Aspiring and Working Actors

Whether you're a beginner, a college student, or even a working professional exploring a career switch, IICS India offers a range of short-term and diploma programs. From weekend classes to full-time diplomas, the institute caters to different schedules and career goals.

7. Career Guidance and Alumni Success

What truly sets IICS India apart from other drama schools is its commitment to long-term career support. Students receive training in audition techniques, resume building, and even portfolio shoots. Alumni success stories include actors now working in Hindi serials, independent cinema, and digital content platforms.

Choosing the Best Acting School in India: What to Look For

When evaluating an acting school, consider:

Faculty experience: Are they working professionals with real-world success?

Course structure: Does it offer practical, performance-based learning?

Industry exposure: Are there casting or internship opportunities?

Facilities: Is there access to modern studios and production equipment?

Alumni outcomes: Are graduates working in the industry?

IICS India consistently excels across all these parameters, making it a top choice for students who are serious about acting as a profession.

Final Thoughts

Acting is an art—but it’s also a craft that demands dedication, discipline, and direction. For aspiring

[hothaonhi]

🔥 Is Your Feed on Fire? The Hidden Algorithmic Sparks Behind Body Mod Visibility 🔥

We've all been there: scrolling through a feed filled with stunning tattoos, bold piercings, and jaw-dropping body modification. Yeah, it’s undoubtedly a visual feast showcasing human creativity and self-expression. 

But the question is, why did this particular piercing went viral, or why that incredible tattoo artist seems to dominate your "explore" page? Prepare to have your perception tweaked, because there's more to online body mod visibility than meets the eye.

Carah and Dobson (2016) talked about "body heat" on social media. This term refers to certain hot female bodies that attract attention in the context of nightlife (Carah & Dobson, 2016, p.1). Similarly, in the realm of body modification, body heat means the images aligning with dominant, often "hetero-sexy" visual codes that might generate more algorithmic "heat" through increased likes, shares, and saves (Carah & Dobson, 2016, p.1). That’s right, instead of a neutral reflection of user interest, the algorithm learns to prioritize images aligning with what is already deemed "hot" (Carah & Dobson, 2016, p.1). This raises critical questions: Whose bodies and modifications are considered "hot" and therefore visible? And how does this algorithmic bias potentially silence or obscure body modifications that challenge these narrow standards? The initial virality of a post isn't solely based on artistic merit but is significantly influenced by its adherence to pre-existing, often exclusionary, aesthetic norms that the algorithm learns to favor (Carah & Dobson, 2016, p.1).

This algorithmic prioritization intertwines with Drenten, Gurrieri, and Tyler's analysis of "sexualized labour" in digital culture. They argue that many influencers, particularly women, engage in embodied performances, often adopting a "porn chic" aesthetic, to garner attention and potential monetization (Drenten et al., 2019, pp. 42-43). Showcasing body modifications can become intertwined with a "porn chic" aesthetic, utilizing specific poses, styling, and editing techniques to cater to certain ideals of attractiveness and capture valuable attention (Drenten et al., 2019, p.42). The "flawlessly filtered, perfectly posed shot" isn't just self-expression; it can be a calculated act of digital labour aimed at capturing the algorithm's attention and, by extension, a wider audience (Carah & Dobson, 2016, p.8). So, that seemingly effortless, artfully angled shot of a new tattoo? It could be part of a calculated digital performance aimed at maximizing visibility and potential monetization.

But here’s a crucial reality check, as highlighted by Duffy and Meisner's work on "platform governance at the margins": the digital playing field isn't level. Algorithms aren't neutral; they can exhibit biases, leading to uneven visibility (Duffy & Meisner, 2022, p.387). Creators from marginalized communities or those showcasing body modifications that deviate from mainstream norms often experience algorithmic visibility (Duffy & Meisner, 2022, p.285). This can manifest as content moderation or biased algorithmic boosts that inadvertently suppress "non-normative" expressions (Duffy & Meisner, 2022, p.285). That unique and boundary-pushing body art you were hoping to discover? It might be getting algorithmically sidelined, preventing it from reaching a wider audience.

Then, how do we navigate this algorithmically influenced landscape?

Well, be aware that what's popular isn't necessarily representative of the full spectrum of body modification artistry (Duffy & Meisner, 2022, p.300). You need to actively seek out diverse creators and styles that might not always dominate your main feed. Engaging with creators showcasing a wide range of body modifications, identities, and artistic approaches will be great as well. Your likes, shares, and thoughtful comments can help challenge algorithmic biases and boost marginalized voices (Duffy & Meisner, 2022, p.300). And understand that creating compelling content and navigating algorithmic pressures, potential biases, and content moderation can be demanding and often unpaid work for creators, especially those from marginalized communities (Duffy & Meisner, 2022, p.285). They might even resort to self-censorship or circumvention tactics to avoid algorithmic penalties  (Duffy & Meisner, 2022, p.285).

References

bouncing-flowers. (2025, March 20). Post by @bouncing-flowers | 1 image. Tumblr. https://www.tumblr.com/bouncing-flowers/778569490636111872/who-knew-humans-looked-so-tasty?source=share

Carah, N., & Dobson, A. (2016). Algorithmic hotness: Young women’s “promotion” and “reconnaissance” work via social media body images. Social Media + Society, 2(4), 1–10. https://doi.org/10.1177/2056305116672885

Drenten, J., Gurrieri, L., & Tyler, M. (2019). Sexualized labour in digital culture: Instagram influencers, porn chic and the monetization of attention. Gender, Work & Organization, 27(1), 41–66. https://doi.org/10.1111/gwao.12354

Duffy, B. E., & Meisner, C. (2022). Platform Governance at the margins: Social Media Creators’ Experiences with Algorithmic (in)visibility. Media, Culture & Society, 45(2), 016344372211119. https://doi.org/10.1177/01634437221111923

fangophilia Taro on Instagram: “Bangkok pop up shop till Dec.8th 12:00-19:00 At WWA Chooseless Thonglor soi 20, Ekkamai soi 21 #silverjewelry #silverjewellery #silveraccessory #earrings #nosejewelry #blacktattooart #blacktattoo #facetattoo #bodymods #bodymodification #bangkok #fangophilia.” (2021). Instagram. https://www.instagram.com/p/DDRhunfSSkx/

fanta30. (2024, January 3). Post by @fanta30 | 1 image. Tumblr. https://www.tumblr.com/fanta30/738524319686311936

[brennanhenderson]

MED 472 - Brennan Henderson - Blog 2 (Week 2)

Five different ways a director can motivate an actor to get an end result is to have actors be believable (i.e. they play their roles in a way that is realistic and that resonates with the audience), have actors be vulnerable (i.e. they play roles that involve emotion and dealing with the unknown), make sure they understand their roles (i.e. know what the character is about and who the character is), have actors collaborate with you (i.e. make sure actors are being positive off-screen and that the director and actor can work together to make the project better), and have actors freely bring their creativity out and be surprising (i.e. the actors should be allowed to bring what they believe is good for the role they are playing within pre-made character parameters/qualities).

Asking questions can be used as a directing technique by getting together with actors/actresses and asking them questions like, "Based on the facts of who the character is, how do you see the character based on your experience?" Another example would be asking crew members, "What ideas do you have that may align with the overall vision I have in mind of the film?" The overall goal is collaboration, and asking questions is a way to be humble as a director and open yourself up to other peoples ideas that you may find more appealing for your vision than what you previously had in mind.

The "Technique of the Possible Three" is a directing technique that employs "As if...", "What if...", and "It's like when...". This directing technique works as having a Plan A (Have a plan), Plan B (Have a back-up plan), and Plan C (Have a back-up plan for the back-up plan). It also serves as using suggestions when necessary for a line and/or scene that calls for something different.

The five schools of Acting Techniques consist of Stanislavski's Method (this method is about playing character's based on the character's circumstances throughout a story), the Chekhov Acting Technique (this technique is all about physical motions and interactions, also about the sub-concious), Method Acting (this acting technique involves being as real as possible with emotions and using you're background to better the performance; becoming the character in real life), the Meisner Acting Technique (this one deals with improv; in other words, coming up with something on the spot for the role your playing), and the Practical Aesthetics Acting Technique (this technique is about entering into the character's world and embracing the identity of the character for a more realistic performance).

In Directing Actors (Judith Weston), the "In The Moment" section describes how we as actors should perform our roles in the moment, instead of overthinking the process and trying to find the "right" way to perform; it's a means of letting go of real life and just act. The "Character Has Free Will" describes attaching free will to the character you're playing to give a character more of a real feel for the audience instead of a "robotic" feel, as in the character having to deal with the unknown; a way to make the character and audience relate. In "The Character Has A Subconscious Mind", it's mentioned that the actor should let the character "borrow" his/her subconscious mind, and, in doing so, be courageous when acting despite what goes on in the subconscious. Finally, in "Permission To Fail", it simply talks about how directors should give actors the ability to make mistakes (since we're all human) in trying to act out an idea the director has come up with; this makes the actor/actress more comfortable in acting out their roles in trying to give their best performances.

An end result is something directors expect out of actors and their performances when it comes to their vision of what they hope to be the finished product of a film, show, etc. Directors should avoid this because it makes them look like puppeteers and micromanagers. Directors should be open-minded and focus on being more collaborative with actors and other crew members alike and allow them their creative freedom in bringing about their vision.

Robert Downey, Jr. on the set of Avengers: Endgame (2019) performing his role as IronMan and Tony Stark.

[whistlingwood]

Unlock Your Creative Potential with Professional Acting and Filmmaking Courses

The world of cinema and performing arts is a mesmerizing blend of creativity, skill, and passion. For those aspiring to make a mark in the industry, pursuing professional acting courses or filmmaking courses is the first step toward mastering the craft. These courses not only hone your talent but also provide the technical know-how and confidence to excel in your chosen field. Whistling Woods, a renowned name in the realm of arts education, stands as a beacon of excellence for aspiring actors and filmmakers.

The Significance of Acting Courses

Acting is much more than memorizing lines or delivering dialogues; it’s an intricate art form that requires deep emotional intelligence, stage presence, and adaptability. Professional acting courses are designed to nurture these aspects while introducing students to various acting methods and techniques. From Stanislavski's system to Meisner’s approach, these programs expose students to a wide spectrum of acting styles.

Moreover, acting courses also focus on practical aspects like voice modulation, body language, and character analysis. By enrolling in a structured program, students gain the opportunity to practice their craft through workshops, performances, and collaborations with peers and mentors. Such hands-on experiences are invaluable in building the confidence and skillset required for a successful acting career.

Why Filmmaking Courses Are Essential

Behind every great film lies the vision of a filmmaker who weaves together storytelling, cinematography, and direction to create magic on screen. Filmmaking courses are tailored to equip students with the knowledge and technical expertise necessary to turn their creative ideas into reality.

These programs delve into various aspects of filmmaking, including screenwriting, cinematography, editing, and production management. By exploring these domains, students learn how to bring stories to life while working within budgets and timelines. Furthermore, filmmaking courses emphasize the importance of collaboration, a critical skill in the highly interconnected world of cinema.

Comprehensive Learning Experience

The educational offerings at institutions like Whistling Woods are designed to provide an immersive learning experience. Students have access to state-of-the-art facilities, experienced faculty, and industry exposure, which collectively contribute to their holistic development. Such programs not only prepare students for the technicalities of their respective fields but also instill a deep appreciation for the art of storytelling.

Career Opportunities

Graduates of acting and film making courses have a wide array of career opportunities awaiting them. Actors can explore roles in theater, television, films, and even digital platforms, while filmmakers can venture into directing, producing, editing, or screenwriting. The rise of OTT platforms has further expanded the horizon for both actors and filmmakers, creating more demand for original and compelling content.

The Whistling Woods Advantage

Whistling Woods has consistently been at the forefront of arts education, offering world-class programs in acting and filmmaking. With a strong emphasis on innovation and creativity, the institution has produced some of the finest talents in the industry. Students benefit from a curriculum that balances theoretical knowledge with practical application, ensuring they are industry-ready upon graduation.

[the-rsace]

Part Time Acting Course

Duration in months - 3 Months

Duration in weeks - 12 weeks

Course Duration (in hours) - 72 Hours

Total Sessions - 36 Sessions

Per Week Session - 3

Duration of Session (in hours) - 2 Hours

Eligibility

☛ Candidates must have passed or appeared for SSC or equivalent examination. 

Ramesh Sippy Academy of Cinema and Entertainment (RSACE) takes Pride in offering a Certificate Courses in Acting Accredited By :

Key Highlights

Certificate Course : Awarded by Ramesh Sippy Academy of Cinema and Entertainment and the University of Mumbai’s Garware Institute of Career Education and Development.

☛  Sessions conducted at the lush campus of the University of Mumbai. ☛  100% Placement Assistance. ☛  Cutting edge international training techniques. ☛  65% practical exercises. ☛  Weekly assessment & feedback.

Introduction

The Part Time Acting Course at RSACE, is an unique intensive course which includes in its curriculum almost all the cutting edge international training techniques created by the Great Masters of Acting like

☛  Constant in Stanis lavsky ☛  Lee Strasber ☛  Meisner ☛  Michael Chekov ☛  Jeannette Nelson and others.

The bouquet of international acting techniques, taught across One hundred and forty four hours of didactic time, is carefully designed to help an aspiring actor in developing their own acting method after testing out all the techniques in which inputs are given. This also allows the actors to prepare well for different roles, making them capable of doing justice