#meguhime

[prettycurefever2024]

[curelore]

Megumi, what are you dreaming about ?!?!

[prettycurefever2024]

I’ve always liked the idea of Hime x Seiji more than Megumi x Seiji tbh

I prefer Hime x Seiji over Megumi x Seiji even though it didn’t happen lol

Submitted by: Anon

[waveknight]

FFXIV Polyamory Week - Day 3 - Date Night

There are Benefits to one of your partners being hyper-fixated with cooking

(Characters drawn by me, background/colors/objects drawn by @meguhime , dialogue written by @sladez ! All done in Magma!)

[rknchan]

HAPPINESS CHARGE PRETTY CURE LOVE POST

i just finished hcpc and i really enjoyed it !!!!!! its not going to be some kind of deep analysis i just gonna be silly about things i like in hcpc

THE CHARACTERS i adore each and every one of them (except for namakeruda i wanna punch him with lovely punching punch)

MEGUMI CHAAAN shes so precious to me !!!! so pure so truly lovely her desire to make everyone happy is so heartwarming megumichan always puts a smile on my face whenever shes on screen ^^

i saw people thinking shes mary sue but i cannot agree :c for me marysue is a character so perfect that theyre unbelievable (!)

and megumi IS believable to me . people like megumi do exist,,,,, and she has more serious flaws than being clumsy and bad at studying;

shes all about helping others but cares about herself little, when shes suffering her pain is hidden behind a smile to the point she can't resist her pain anymore, she worries about being weak and her help is not needed - altruistic people like megumi often experience this feelings too

also she reminds me of my fav person </3 and she motivates me to become a better person myself and believe in love and happiness,,, sorry it sounded cheesy but its true.. thank you megumi ^^

HIME HIME HIME my blorbo !!!!! at the beginning her anxiety and arkwardness, feeling of being not worthy enough to be a precure, escaping from problems felt so relatable :c and it felt so good to see her grow. the moment when she saved iona was so powerful. i wish we saw more of her family when she returned to blue sky

btw i love meguhime as friends and as a pairing theyre so pure so cute they care for each other so much awwww,w,w,,w,w,w, *holds them gently*

YUKOO precious rice bean and the most canonical lesbian of hcpc

i love her rice song its cute and catchy i often chant it ahhahaha

also i like how she always wants to keep peace, to befriend villains and give them love they lacked !!! "why keep fighting if we can eat delicious rice together" SAY THIS LOUDER QUEEN HONEY shes so based for this

i can't say much about iona maybe ??? shes a deep and realistic character and her story with cure tender makes me cry but tbh she put me off in the beginning as it was uncomfortable to watch her being harsh on hime (tho its justified)... but she grew a lot too ,,,,

i expected to dislike seiji but actually he was such a nice character and a loyal friend who actually has chemistry with megumi and role in the plot

QUEEN MIRAGE is my fav villain ever and tbh i can even relate to her

deranged traumatised emowoman ily

the story of her relationship with blue breaks my heart ... the moments when she still wants to be loved by blue but cant resist her anxious thoughts and red's manipulation... HER PURIFICATION SCENE WHEN ALL THE CURES COMFORTED MIRAGE;;;;; HER REUNION WITH BLUE;;;;;;;; sobs

the generals are so fun to watch :) dorks with goofy hats

hosshiwa remains my crush forever..... and oresky and namakeruda are just fuking silly smashing them smashing them

tho their final battle with the cures and their purification was such a deep and impressing scene

i love how brutal and creative was this season with its attacks. lovely punching punch <333 lovely beam <33 princess bullet machine gun <333 let cute girls do some violence

and their innocent form attacks are just beautiful

hcpc is often criticized for its repetitive designs and i sorta agree... but at least they were creative with international cures designs (aloha and bomber girls are my favourite, also im glad to see a cure from my country !!!! cure katyusha <3) and form changes AND FOREVER LOVELY DESIGN JUST SLAYS. SHE LOOKS LIKE A LITERAL ANGEL

also maybe theres a meaning behind the similar designs??? like, all the cures all over the world have similar costumes and it can symbolize they have a lot in common, theyre unite, they are a million-cure team .. while the phantom generals are all different, there's nothing uniting them, there's no team spirit or friendship between them

also the soundtrack is so good and catchy !!!!! i adore the opening and the rice song (and especially honey and hosshiwa's song battle) and the innocent song !!!!

i love the message of hcpc that everyone is worthy to be happy and loved, even if youre in deep despair, disappointed in life, thinking you'll never be loved and thus love is worth nothing - someone is always going to be here for you

but at the same time it points out that love can be a destructive force (red, mirage, dark seiji), that its impossible to be happy all the time, that feeling pain and hate is valid

sorry it turned out so long i hope i could share my love for happiness charge with you ,,,,,

i love you megumi i love you hime i love you yuko i love you iona i love you blue i love you red i love you mirage i love you seiji i love you masukomio i love you phantomu i love you hosshiwa i hate you namakeruda i love you oresky I LOVE YOU HAPPINESS CHARGE

[sladez]

Happy anniversary to the OT3 of all time!!

(in honor of the anniversary of our WoLs' ot3, here's a short excerpt from a fic i'm working on about how they all met! Bertram belongs to @waveknight and Styrnrael belongs to @meguhime!)

Searing pain shot through Seishin’s left calf like a bolt. He cried out a guttural curse as the slimy form of a black eft slithered out from the reeds and leapt back into the Yugr’am river with a splash, kicking its tail quickly to escape, or perhaps to rear back and strike again. In one fluid motion Bertram drew his blade and stuck it into the dewy flesh of the eft’s back, twisting his wrist to cut short the beast’s scream until its last breath bubbled to the surface. He flicked the sword to remove its black blood, splattering it across the muddy riverbank.

“Seishin, I’ve got you!” Styrnrael ran to catch him before he could topple over, putting a hand on his back and easily supporting his much larger frame. Seishin winced as Bertram and Styrnrael each linked one of his arms like a chain and lowered him down onto a log to rest. Each tension of his calf shot another hot knife up his leg and side and split him from the inside out, and he ground his teeth together to keep from crying out. The pain snuffed out the rest of his senses like water on a fire. Bertram knelt to his side and removed Seishin’s boot with a practiced hurry and care, and pulled the leg of his trousers up to his knee, careful to avoid the wound. “What happened, Bertram?” Styrnrael placed a hand on the Viera’s shoulder, peering down with him at Seishin’s leg. “Did it bite him? Will he be okay?”

“Hmm,” Bertram hummed as he inspected the bite, hovering his scarred hand over the gash as though tracing its jagged route with his finger. “Ja, it’s definitely poisoned. Look at the redness here around the bite. Luckily it isn’t too deep… and the venom wouldn’t have spread far yet.” He quickly tied the hem of Seishin’s gaskin below the knee as a makeshift tourniquet. “You don’t move,” he said, firmly locking his stormy gray eyes with Seishin’s.

Seishin nodded, trying to focus his feverishly swimming mind on Bertram’s words. Cold shivers were beginning to run up his back and neck. His ivory scales felt like they were clattering against each other. The twisted orange skeins of the Burning Wall overhead tried to double in his vision, and he shook his head to ward off the dizziness. He had been in this part of eastern Thanalan before, gathering herbs outside Highbridge for pennies for the Alchemist’s Guild. Severian had told him about eft venom and the special unguents that could neutralize it. Seishin looked up at Styrnrael, not wanting to distract Bertram from his ministrations. “Styrn, there’s a plant that grows around these parts,” he grimaced. The words tasted metallic and he struggled to get them out. Styrnrael looked between them both with a wide-eyed nervousness. Were this a foe to be bested with a blade or a strategy she would not be outdone, but identifying and gathering herbs was far outside her element. “Yellow ginseng,” Seishin continued. “It… it grows in clusters of three to five leaves. The flowers are star-shaped—”

Bertram waved a hand towards Styrnrael. “No need,” he said, continuing to inspect Seishin’s wound. “I have some in my pack, ja. It’s in, umm, the third pocket on the right side. Beneath the strap. It’s a yellow-brown, kind of amber root in a little pouch. Could you grab it Styrnrael? I’ll need my mortar too, in the main compartment at the top. Better yet, could you bring me the whole thing?”

“Right away,” Styrnrael nodded, relief writ plain on her face as she ran to grab the satchel.

Bertram looked up at Seishin, who couldn’t stop the flush spreading across his face. “What? You didn’t think you were the only herbalist here, did you?” he smirked.

When Styrnrael returned, Bertram took the bag and motioned for her to take over. “Hold his leg steady,” he said as she took his place, kneeling and resting Seishin’s ankle on her thigh. She ran her fingers softly across his lower shin in a soothing motion as they watched Bertram add the roots and several oils to his stone mortar and start mixing them into a thick ochre paste. The sweet, earthy smell emanating from the mixture already seemed to ameliorate Seishin’s cold sweats.

Bertram knelt and looked up at Seishin. “This is going to sting a little. Let me know if you need to bite down on anything, ja?” Slowly, methodically, he scooped a small bit of unguent from the bowl and started spreading it along the wound, rubbing it in gentle circles with his middle and forefinger as Styrnrael watched intently. Seishin hissed, gripping the bark of the log so tightly that the wood began to crack. As Bertram continued massaging the salve over his skin, his hands gradually began to relax. He wasn’t sure what was more soothing: the coolness of the ointment against the burning of the venom, or Bertram’s and Styrnrael’s fingers gently rubbing his leg; calming, comforting. Seishin closed his eyes and breathed deep, relaxing and allowing their tender touches to wash over him until the pain at last subsided.

Bertram and Styrnrael carefully lowered Seishin’s leg back to the ground, and Bertram unwound the gaskin from his knee, hinging his leg back and forth slightly to allow the blood to flow freely. “Good as new. Now I just need you to relax for a while. You do know how to do that, don’t you?” He raised an eyebrow and smiled. “Could you keep an eye on him for me, Styrn? I’m going to wash up and make us all some dinner.”

[benjaminagunn]

tagged by: @asterofthevoid

Get to know you game! Answer the questions and tag 9 people you want to know better.

Last song I listened to: the Enya playlist I fall asleep to that destroyed my Spotify algorithm

Currently reading: keep meaning to start the Percy Jackson books and A Ballad of Songbirds & Snakes

Currently watching: Bob's Burgers

Currently obsessed with: Recently started playing WoW again (sorry everyone) to endure the Winter Madness, so I'm very into my night elf OC right now. This is a reprieve from the Amazing Race hyperfixation that was happening November-January.

tagging @avalonauggie @myrmeraki @queer-crusader @sinnersandsapphics @thesundanceghost @meguhime @sladez @5bi5 @excitedsquid

[sladez]

I can't believe how quickly time has passed! Ten years ago, I asked you to marry me. Though we'd been together for nine (!) years, and had already been through so many of life's highs and lows together, we were still in the prologue of our story. Since then we've traveled to so many places, met so many wonderful people, been creative and silly and lovely and funny; we have a home and a marriage and a life together all our own. Next year will be 20 (!!!) years, and it still feels like we're in chapter one of the most wonderful and magical book I've ever read.

Happy 19th anniversary @meguhime 💖💖💖

Happy 19th anniversary @sladez 💖💖💖 I'm losing my mind about the fact that it'll be 20 years next October.... How is that even possible!? I feel like we just took these yesterday but these photos are from 10 years ago already!!! The most amazing thing to me is how all these years can pass and yet we still have so much to laugh about, so much to learn, the way we've both grown and continue to discover and create ourselves, and our love grows as we share our love with our loved ones around us 🥰 I love you so much!!!

[105ttt]

FELLAS... IS IT GAY?

[sambart93]

2018.08.21-22 Sengoku Night Blood, SenBura Stage [Review]

Official Site here Official Twitter here Press Coverage 1, 2, 3, 4, 5, 6 Video Coverage 1, 2 DVD PreOrder here and here and here

CAST and CHARACTERS

ODA CLAN Kubota Hidetoshi as Oda Nobunaga Matsumoto Hinata as Akechi Mitsuhide Yokoda Ryugi as Mori Ranmaru Hagio Keishi as Niwa Nagahide Kishimoto Takuya as Shibata Katsuie

UESUGI CLAN Maeyama Takahisa as Uesugi Kenshin Jinnai Sho as Naoe Kanetsugu Aramaki Yoshihiko as Uesugi Kagekatsu

TOYOTOMI CLAN Akazawa Tomoru as Toyotomi Hideyoshi Sadamoto Fuuma as Takenaka Hanbei TAKA as Kuroda Kanbei Yamamoto Ikkei as Maeda Toshiie

Mizukoshi Ayumi as Yuzuki Fujiwara Natsumi as Imari (voice only) Sasaki Yoshihide as Ishida Mitsunari (voice only)

Ensemble: Ando Keisuke, Izumi Shintaro, Ichinose Yoshihito, Terada Yohei, Matsumoto Naoya, Shinozaki Atsushi

NON-SPOILER REVIEW

Overall: This was not as bad as I was expecting (Pre-Thoughts under the cut) but it wasn’t that much good to be honest. The story was pretty boring (it’s a carbon copy of the anime, I was hoping they’d spice something up) but the characters (in terms of personality) were different to what they are in the anime/game; the songs were cringey - especially where they placed them - and honestly were totally unnecessary -- keeping it as a straight stage would’ve been best. The action choreography was very boring, very repetitive, and none of them have unique fighting styles at all; except MakiChan who was obviously given the ‘OK’ to incorporate the choreography he’s learnt from TouStage into this stage. Some parts of this story just DRAGGED OUT while other parts of the story, that should’ve been longer, were short as fuck. The balance, and what they chose to extend, and what they chose to skim over were just all poor choices. The comedy in this IS good; huge kudos to KishiTaku, Ikkei, Tomorun and Taka for the comedic moments because they were very funny and got huge laughs from me and from almost all the audience every time. But the comedy is stretched out with no real rhythm; the entire middle section is just serious whereas the beginning and end is comedy; would’ve been better if they had spread it out more evenly rather than at either end. The costumes looked GREAT! I do give huge kudos to the stylist team because those outfits were very detailed and very well made, I really enjoyed spending time looking over them all. There ARE chunks of this stage that I did enjoy: Kagekatsu’s entrance, Shibata&Niwa’s banter, the higawaris, Tomorun as Toyotomi was perfect etc., but there was so much more that annoyed me or that I wish was different or that I wish had been added that my overall feeling for this stage is meh. And I just felt sorry for the actress in all honesty. I watched her during the curtain call everytime and she just didn't seem happy. When everyone was walking off stage, being stupidly and waving in the crowd, she just kept this small smile on her face with her hands behind her back and walked off quietly; she obviously knows the fans outrage but I wanted her to join in somewhat too. She was already there, she might as well enjoy it. I did feel bad for her. To be honest, the best part of this whole stage? The curtain call! The curtain call was absolutely hilarious! I watched 3 times so I got curtain calls from Sadamoto, Kubota, Hagio, MakiChan, MaeChan and Jinnai-kun. And their curtain call speeches were absolutely hilarious and so much fun! The three from Uesugi clan; Mae, Maki and Jinnai were absolutely hysterical! They were sooooo funny in curtain call!  There was no point giving them individual curtain calls because they all ended up talking together and messing around and doing some skits with each other; they were so funny! Absolutely hilarious! But it is technically really sad that the best part about this stage was the damn curtain call and when they were all able to be themselves again...  Rating: 4/10. If we include the curtain calls then 5/10 because they really were worth the 2 hour struggle.

SPOILER REVIEW

I had enough time, shhh we're ignoring the fact of how far behind I am on my OTHER reviews, to write down some PRE-thoughts and predictions and stuff. I like remembering what I was thinking and feeling beforehand too... So for the stuff this month (ie. in August), each one has this written.

Pre-Thoughts: I am so worried about this play! I was SUPER excited at first but then they announced it was going to be a MUSICAL and not just a stage... THAT'S a terrible choice in my opinion. I think this would be a lot stronger as a normal stage. Next worry I have, in particular, is Sadamoto Fuma and Yokoda Ryugi. Not because of the actors themselves, but because both of them are playing characters I ABSOLUTELY love and adore in the game and I really, really don't want them to fuck it up... Then we have Hagio who, from my previous things I've seen him in, I just don't understand his acting, I just don't like him. So that's another I'm not hopeful about. Then we have MaeChan and Jinnai... while I trust them as actors... for some reason I'm worried about them playing Uesugie and Naoe... especially because Uesugi is really popular and important and is a fan favourite, and Naoe... I just have a connection to him because he's a character in Honoo no Mirage so I already have MakiChan and Hiramaki Jin as my Naoe. Then my finally worry is the damn story... the only COMPLETE clan in this stage is Oda-gumi, so that means it'll be Oda-history-central. So does that mean we're getting ANOTHER stage about Honoouji no Hen? TouStage already covered Oda's history. We already have Hakuouki and TouMyu for historical musicals. So WHY is SenBura a musical and focusing on Oda?! Finally, the other story worry is... they announced the female character’s actress the Sunday two weeks before the damn show started... hmmmm.... ALSO the damn Arasuji-Synopsis hasn't even been put up yet! It STARTS in two weeks! ARGH!!! So yes I am completely filled with worry BUT that isn't going to stop me going and watching it three times...

*

Real spoilers start now...

If you’ve seen the anime or played the game then you know the story so I won’t bother writing it out. Also we’ll be sign coded: ☆ for neutral or positives and ★ for negative comments.

General Comments:

★ The amount of empty seats at each show. Especially in the front rows just made me sad. The first show, the entire third balcony was empty. The second show, the third floor was half empty. And I think again for the third show, I went to, the entire 3 balcony was empty. There was almost no one for touji every time. And think their only sold out show was the first Sunday night show and that's it. Just hurts. And I always had at least 2 seats on one side of me all to myself; I had a 9th and 10th first floor seat. When I was on the 3rd balcony, I had the ENTIRE row to myself. Just hurts my heart...

★ The story is a carbon copy of the anime/game story which really bummed me out. I kind of wanted some of it to be different, especially with how great all the guys (personality wise) are in this, I wanted some more. I especially wanted more historical aspects and their relationships between each other to be more detailed and in-depth.

★ There isn’t so much of a plot.... I really felt like ‘why is she here?’ because even the romance plot-line was non-existent besides the one or two scenes she has with Toyotomi and the only reason Toyotomi has this plot line is because Tomoru is one of the lesser actors so fans won't get as pissy about it if it’s him with the plotline -- you can obviously tell who the bigger stars are by the way their stories are written and their relationship with Yuzuki (very much non-existent so the fans of theirs don't get pissy) and the fact that only THEY got SOLO SONGS. And even with her in, they don’t really explain WHY she is there. The mention Meguhime ONCE and that's all! And then we spend the rest of the play looking for her stupid phone -- why would she need it?! Why does she need it here?! It ain't gonna work! So why look for it?! Ugh... And they don't explain her at all. They very quickly go 'oh we know you have magical blood but none of us will use it as a weapon of war' and that's it! So why is she there?! Just ughhh.... you could've very easily taken her out of it and just kept it between the boys and their stories and their dynamic. She really was unnecessary. There’s literally nothing about her that is explained that’s linked to the main plot and there isn’t really a plot at all. But I guess that matches the games plot... sorry, I stopped reading the stories after the first Uesugi chapter xD

★ But going ALL against that, I feel like almost all their personalities in this are different to what they’re like in the game - or at least how I’ve imagined it. And this caused problems for me. But this also goes back to my non-spoiler comment of 'they spent more time on stuff that wasn't important and didn't flesh out the parts that would've been good' and one of these parts is the boys' personalities and histories and relationships etc. I wanted ALL that! I wanted more! AND the very short time we do spent with, say, Niwa...Hanbee...Kuroda...Ranmaru... I felt like ALL their personalities were SO different to what we've become accustomed to in the game. Especially Hanbei and Ranmaru. I LOVE these two in the game! Hanbei is CRAZY as shit in the game! He's so damn creepy and he's so risky and loves putting Yuzuki in danger, but in this stage? He is literally her BFF and just acts like a child. WHAT? That's not Hanbei! And with Ranmaru?! Where's his creepy as voice?! Where's his constant threaten to steal Yuzuki's blood in this?! There was none of it! Give me my creepy boys back! So yeah, safe to say I didn't like Fuuma or Yokoda as my favourite boys. BUT again, I blame this on the script, and the fact they didn’t want to piss fans off. If they had spent more time, especially with the Ranmaru x Hanbee fighting scene, then maybe we could've seen their personalities more, we could've heard their voices more, they would've had more time to show me the characters that I love. But no -___- Oh and MakiChan's character?! He changed him COMPLETELY! First of all his voice was no where near as soft and he very quickly changes all because of Yuzuki! Which pissed me off! Kagekatsu is supposed to be this shy, quiet, timid, I'm worried about what my father will do and what he thinks, type of guy but in the stage, MakiChan basically goes to Yuzuki straight away, he opens up STRAIGHT away, he goes against his father STRAIGHT away, he goes to save her rather than his father STRAIGHT AWAY. It really rubbed me the wrong way. Again, if we had spent MORE time with the transition of this character then maybe it would've been more justified but he literally changes within a day.

Sigh... let's get some good in here...

☆ KishiTaku, Ikkei and Tomorun were the funniest! They were absolutely hilarious! Their parts during the higawaris were genius and even when it was scripted comedy their timing and their performance of those comedic moments were spot on and perfect and had me laughing hard (and most of the audience) every time! They were so good as the comedic ones and I wish they had been given more time to be funny. TAKA and Hagio had a very funny moments too! They both were good but were a little bit inconsistent compared to the three above, but that could just be down to their personality/their acting style/their stage experience.

☆ TAKA looked very pretty as Kanbei and he did a really good job as Kanbei too!

☆ The costumes looked much better and more fitted in person than it does in the visuals and everything. Their costumes were so gorgeous and so detailed! I spent just as much time looking and googling all over their costumes as I did watching the play. They were seriously well made and looked so gorgeous!

☆ I realised afterwards just how many damn PuriStage actors there are in this! We have KishiTaku, Hinata and Ayumi -- okay maybe not so many but when I realised, it made me think that maybe the casting director had been to PuriStage and dediced to take a few from there. But PuriStage was a big project so maybe it's just a coincidence xD

Okay back to a few more bad points...

★ I wish...I really wish... I REALLY wish... I really, REALLY wish they hadn’t put the songs in this. They felt so unnecessary. And the parts where they did put them in felt so awkward and out of place and just didn't fit in my opinion. And the dances in them were so cringey too. Everything to do with the songs were cringey. They really were not needed. And the favouritism in the songs too! Only MakiChan, MaeChan and Ikkei got solo songs. Why? Because they're the most popular actors? Because they sold you the most tickets? Because they're getting the biggest salary? Because (2 of them) they did the game as well as the stage? Just what was the stupid logic against giving them solo songs? Their characters aren't even that important -- as in they aren't the main characters! Why give Oda a group song, then Maki and Mae solo songs, then a Toyotomi group song and finally an Ikkei solo song? Seriously, what was the fucking point besides 'cos their fans are the ones that'll be coming the most' such bullshit. And the songs... just why put them in.... and oh god the dancing during the songs.. especially Jinnai's dance during MaeChan's song... that was weird as fuck. I cringed so much in my seat.

★ There’s not enough comedy spread evenly. There's comedy with Oda Clan and Toyotomi clan but smack in the middle where we have this huge Uesugi plot line, there is no comedy and it really drags the story and the stage. Spreading the comedy out more evenly would've been best.

★ The fighting choreography wasn’t good. None of them were unique. They literally all had the same exact style, except for MakiChan who obviously was allowed to use his TouStage skills. It was bland, uninteresting, you couldn't tell any uniqueness between any of them, it was all very repetitive skills. Maybe I've just been spoiled by the magnificence that is TouStage's choreography but... even Shinobi no Saga (review still to come), every single character had a unique way of fighting and you could easily see the difference between them all! And that's supposed to be from a production company that's way below Marv and Kadokawa's level and even they managed! I seriously tried to find something different about each of their fighting styles but it was all the same...

★ The final point is me being nitpicky but I really hated how they did ‘Oda’s Castle’ and ‘Later that Night’ and ‘The Night Day’ signs in the background. I understand it’s because ‘ooohh just like the game!’ but it just felt condescending and pointless to me. We KNOW we’re at Oda’s castle, and it really doesn’t matter how much time passes or whether it’s the same night or not; it really does not matter for this story.

Back to the final few neutrals/positives!

☆ I noticed MakiChan is still favouring his left leg when he runs and fights and spins and stuff but it’s understandable. We don't want him going completely back onto his right leg and fucking it up again.

☆ I really, really enjoyed that for a lot of the play there is a lack of music and it's just the characters talking. I noticed it straight away and at first it was odd but I grew to love it very quickly.

☆ Imari is cute as all hell okay. I will fight anymore who thinks any different. And I absolutely love HOW they animated him and the different situations they put him in in this!

☆ Related to the costumes but, the wigs in this also are very well done! They looked very well made and they flopped around properly and looked really good!

*

Now for specific parts; I’ll split this into the order in which the story flows:

1. Yuzuki going from her world to the introduction of SenBura’s world:

☆ The show opens with her. The introduction of her is very quick and they establish her transportation to the SenBura world very quickly too which was nice. Within the first 2 or 3 minutes we go into Senbura’s world and we get thrown right into a fight scene where all the members are individually introduced.

☆ I like how quick the opening is.

☆ I like how they introduce each character. They each come in and then they pause as their name and title pops up on the screen behind, and a spotlight is on them. A very quick and efficient way of introducing everyone.

☆ The yakuma/bad guys/creatures’ first entrance is really good and the stunts they do here is great! One of them does a back flip and such.

★ The Yakuma picks Yuzuki up but then immediately puts her back down. Why?? You successfully captured her at that point? I really don't understand, besides plot-armour, why they grabbed her and then put her back down...

2. With Oda Clan:

Yuzuki is very quickly snatched by Oda while Toyotomi and Uesugi bicker as to who should take her. So she goes to Oda's castle first.

☆ I really, really, really loved KishiTaku's comedy in this. He was so funny and so perfect as Shibata! He had so many good moments! A few to mention is just after Yuzuki gets comfortable there and Shibata decides to bring Niwa and Yuzuki along to go boar hunting with them, but before they leave, he wants to get some stuff so he's like 'You should come (with us on the trip). But wait here (while I get the goods)' but she doesn't understand if he just changed his mind about her joining and she goes 'well which one?' and his reply 'どっち？どっちでも 笑 // Which one? Both! *laughs*' and it was very well timed and delivered.

☆ So they go boar hunting but they spot Imari who they think is a regular tanuki, so Shibata declares 'change of plans! We chase the tanuki instead!' so they run on and off stage about 3 times chasing Imari (it's very funny) and eventually get more tired every time. It gets to sunset and they're exhausted with no boar or tanuki in hand. But they completely forget to check that Yuzuki stayed with them so Shibata turns around, sees her and goes 'yup... いるな / she's there!' and continues chasing the tanuki xD I really love the Tanuki chase scene so much. It’s very funny seeing them getting more and more out of breath as they keep going past.

☆ After chasing the boar, Shibata tries to hug Niwa but Niwa is like 'don't touch me! You're covered in sweat' but Shibata continues to try and hug him and jokes 'well from now on you can be... not Nagahide, but Asehide! (ase means 'sweat')'.

☆ Later, Shibata and Niwa manage to get the boar and bring back it's meat but they start arguing over who actually got it. 'I was the one who suggested we go' 'But I was the one who captured it!' 'But I was the one who brought the meat here!' And when they argue amongst themselves, Yuzuki laughs and says something like 'you both did well! That's so cool!' and they turn to her and immediately their faces soften and they go 'な！！！な〜〜 // I did it, RIGHT!! *Yuzuki talks* ...riiiight' all happily. It was very funny.

☆ Akechi gets injured and has to rest at one point and so all the boys want him to feel better. Ranmaru is on his way with food for Akechi when Yuzuki spots him and he gets all embarrased and lies who the food is for. Then Shibata and Niwa come back with the meat and try to give it to Akechi and Ranmaru is like 'at least cook it before you give it to him!', and then Niwa takes out these Obako leaves (= the English is 'Plantago asiatica'.) and tries to give them to Akechi but Ranmaru slaps them out of his hands and they fall to the floor. Immediately Niwa gets all quiet and depressed and is like '....洗ったのに / I even washed them.... I washed them.... even though I washed them...' and Ranmaru feels very upset so picks them up, cleans them and puts them in the rice porridge for Akechi. It was a very cute moment! The next moment was great too! So they're all in Akechi's room and they get super upclose to him as he goes to eat the rice porridge, in anticipation of what he thinks about it, but they get too close and so Akechi feels uncomfortable and stops, then tries again, then stops again, and tries again. Finally he does eat it and says it's good and they all smile and are relieved. It was cute. Also, because Akechi is okay and is enjoying the rice porridge, Shibata starts crying and Niwa looks up to the sky to try and stop himself crying.

☆ Shibata cries about two or three times while we're in this first section and it was adorable and really cute.

★ I was a little sad to find out just how much of the comedy was scripted. I really wanted the AseHide to be higawari, and I really wanted the 'どっち？どっちでも 笑 // Which one? Both!' to be higawari and/or ad-lib too but it wasn't. So I was a little disappointed, BUT kudos to KishiTaku who made it feel so natural every time and the timing was always so good!

★ The Oda group song is right at the end of their story arc and it just felt really sudden and out of place. It's not a bad song but the placing is really awkward and the dancing is pretty cringey. I think for the group songs they just used the anime clan ones, but the solo songs seem original for the play.

★ I wish we had been allowed penlights and audience participation because penlights would've been perfect for this Oda group song.

★ As predicted in my pre-thoughts, I didn't warm up to Yokoda's Ranmaru. First, his voice is too low, in comparison to the characters visuals and the seiyuu's voice in the game, and he just wasn't creepy enough and he didn't seem as innocent.

★ Oda just 10000% reminded me of Hakuouki's Hijikata in this. I know both of them were similar in real like; both are pretty disliked, both are stern, both are strict, but I didn't like how Kubota's Oda just reminded me of Hakuouki's Hijikata completely (FYI I HATE Hakuouki's Hijikata).

★ Hagio did well in some parts, like he got a giggle out of me from the Obako scene (his delivery was inconsistent for it though. The second show I saw, he did the best delivery of this scene), and I liked Nagahide and Shibata arguing at each other, but for the most part he was very.... forgettable. Outside of those two scenes, I don't remember him in this stage at all. He's just so forgettable to me. And one of these scenes, he's only good in it because he's got KishiTaku to work with who's really good at these angry but comedic scenes; he had someone to work with so it wasn't even with his own acting skills that I enjoyed those scenes. And Niwa is very much the same as every other character I've ever seen him play so he wasn't memorable to me in this. I know he has a LOT of fans so, 

DEAR HAGIO FANS: is there a stage of his you recommend I see? What was his best performance? I'm open to changing my mind!

★ At the end of this story arc, they end up fighting the Yakuma again and this is when Toyotomi shows up again to fight Oda, and Kagekatsu saves her while they fight amongst themselves. During this battle scene, I wanted more Ranmaru x Hanbei fighting so I could get a better opinion on the actors and their performance. But in this scene, they just clash swords and then run off stage, so all their fighting is done OFF STAGE. Which really annoyed me! Why not spend more time showing me the boys fighting and their dynamics? I don't need to see Yuzuki getting saved; you can do that off stage! Show me the boys fighting each other, give me interesting dialogue between them, show me their rivalry! ESPECIALLY show me a long fight between Ranmaru and Hanbei because they're my two favourite characters!!!! Ugh...

3. With Uesugi Clan:

So during the last battle, Kagekatsu shows up, almost like a spy because he's all covered up, and saves Yuzuki from the battle field and takes her to Uesugi's castle. Here Kenshin explains that Oda wants to use her blood as a weapon, but here they swear never to use it for such use and that she should just relax here for the time being, especially because she got injured during that battle so it'll take some time to heal.

☆ Kagekatsu gets attacked during that Oda-arc-ending battle pretty badly by the Yakuma and he ends up on the floor in a lot of pain, but being close to Yuzuki, who's leg was cut open, he can sense her blood and I really liked how here we had Kagekatsu's heartbeat as the main sound and every time his heart beat, Maki would jolt to the sound, it was very well done. I really liked this small moment.

☆ Also during this battle, Kagekatsu first comes on stage with a hood on, so as to hide his face, but when the Yakuma attack, his hood naturally falls down and it's really nice. In the third show actually, the hood even fell of his shoulders but he caught it very smoothly and just kept it in his hand as he pulls Yuzuki away from the battle.

☆ Again, staying with this battle at the end of Oda's arc, you can tell MakiChan got to choose and do his own choreography, because it was far advanced compared to everyone else's, and it at least looked unique compared to everyone else too. It's really obvious that it's his choreography from TouStage.

☆ I really, really liked the practise/keiko scene between Kagekatsu and Naoe. It was a small scene but I really appreciated and enjoyed it.

☆ Prior to MaeChan’s solo, there is a scene between him and Naoe where they talk about Kagekatsu and how he has changed as well as how Kenshin plans to keep Uesugi's clan alive and Naoe is like ‘I will protect you no matter what, I will always be by your side’. I really liked this scene between them.

☆ So we have MakiChan's solo... I'm on the fence about this one. It IS a good song and you can tell he was really putting his all into the song, and he's not necessarily a bad singer. BUT again, it just feels out of place to randomly have a song put here and there.

☆ At the end of this arc we have a battle between Uesugi and Toyotomi, Toyotomi's clan essentially ambushes Kagekatsu and Naoe so they can steal Yuzuki. Once Yuzuki has been taken, Kagekatsu and Naoe are to the front-right of the stage with a single spotlight on them and you just know that on the DVD/BR that is going to be a great two shot on it! Also you can clearly see the chemistry between MakiChan and Jinnai in this!

★ I feel MakiChan’s Kagekatsu was much different in this compared to him in the anime and game itself. It felt like he very quickly changed from being this shy and timid and worried character to suddenly defying his father and being stong and outspoken. It was all a bit strange and sudden. And it was even weirder when at the end he goes to save Yuzuki rather than his father which is also strange because he would never abandon his father, especially when you see how he is in the game.

★ MaeChan's solo song. It was awkwardly placed, it's not a good song and oh god the worse part is Jinnai in this song. Jinnai's dancing during MaeChan’s solo is weird. Weird as all hell. I hate the projection mapping visuals in this song too.

★ It was strange that MakiChan and MaeChan got solo songs in this rather than an group Uesugi song... Favouritism much?

★ This middle section arc with Uesugi has no comedy in it so while it is intersting to an extent, it felt like it dragged towards the end of this arc. Even though, I think, it's the smallest arc out of the 3 clans, it drags compared to the other two arcs because they have stupidity and silliness in them.

4. With Toyotomi Clan:

So Toyotomi ambush Naoe and Kagekatsu while they are in the forest looking for Yuzuki's phone (apparently a main plot of this stage, ugh. Why would you need your phone?! You cannot use it here! Dumbass.)

☆During the ambush, Ikkei came on stage with a kimono wrapped around his body and head and he was pretending to be a girl and stealing Yuzuki xD 

☆ Obviously Yuzuki is pissed when she's first taken to Toyotomi so she pushes him away and Toyotomi is just like  'chinmoku // you won't respond'. I really like the end of this scene when Toyotomi goes 'Ki ga Kawatta == I've changed my mind' and everyone think he's pissed because Yuzuki pushes him away but instead he's like 'let's go find your SumaBo'.

☆ I love how they call it a SumaBo instead of a SumaHo (for Smartphone). And after she's explained it they're like 'So you press it and then... do this. So thiiisss then thiiis / こうでおう〜' which got a lot of good laughs.

☆ The higawaris were gold in this! I'll try and break it down by each performance. The set-up for the higawari is that they get a letter and a stone from Ishida Mitsunari and he says it looks like something every time so then they have to improvise and each time a different member was chosen too. Tuesday Night: The rock was balancable so Ikkei tried to balance it on his purlicue but he kept dropping it and we all died of laughter. Wednesday Afternoon: The rock was omanjuu so Kanbei tried to eat it, but it didn't work so then he tried to cut it with his sword. And Ikkei was at the other side of the stage yelling 'Mada Kanbei Ikeru! // It's still alive Kanbei!' so Kanbei kept trying to break it.  Wednesday Night: The rock was a yakizakana (fried fish) and Sadamoto had to do the improve for it this time so he put the rock down and pretend to fry it and cover it in salt and everything. It was pretty funny.

☆ Toyotomi gets drunk one night and ends up running out of the castle. Eventually he comes back, claiming he's found Yuzuki's SumaBo and when she opens the box, inside is a まつぼくり/Matsubokuri/Pine Cone. At first she's like 'what is this?' and Toyotomi replies 'well you said it was something with lots of buttons and you press it and then you put it to your ear. Well, that's it!' and she's like 'this isn't it'. So in horror Toyotomi slowly turns to Kanbei for confidence and Kanbei just nods so Toyotomi turns back to Yuzuki, 'no, this is a Sumabo!'. But she replies 'but... what can I do with this?' and again he turns to Kanbei, but this time Kanbei turns away from Toyotomi's stare. There's a moment of silence before Toyotomi yells out in anger, picks up the pine cone and throws it off stage. Kanbei goes running for it and when he comes back (at least in the second show,) he jumps down the stairs and lands perfectly in front of Yuzuki and gives it back to her. The comedic timing in this scene is very well done and had me giggling everything time. During the Wednesday afternoon show when I saw this, part of Taka's outfit actually broke off and fell next to Toyotomi, and Tomorun picked it up so confused which got everyone laughing. It was almost like he was thinking 'why you giving me this?!' xD and then Tomorun smoothly gave it back to TAKA who was also confused, so he hadn't realised it'd come off xD

☆ Drunk Tomorun/Toyotomi was great!! He really knew how to act, and he would stumble about and the boys would try and keep him upright and such.

☆ TAKA's Kanbei was actually very good too! He looked very pretty too!

☆ There are scenes where MakiChan and Tomorun both fall to the ground and I thought both of them did very well at it. It looked realistic enough.

☆ Also Tomorun is really great with the big jumps he had to do.

☆ One thing I've always loved about Tomorun's acting is how fluidly he can switch between temperaments. There's some scenes in this where he goes from really happy and then suddenly gets really dark; or the other way around, and I love it when he switches between two. It really worked well for Toyotomi's character!

☆ There is actually a proposal scene from Toyotomi in this arc and it was really sweet; It's when they're going through the streets of his town and I really enjoyed it. It was super cute that he was like 'after this war, please be my wife.' and she replies 'are you proposing to me?' and, with a nice detail, he replies 'what's a propose?'.

★ For the Toyotomi group song, I really wish there had been audience participation for it because of how fun it is! The boys clearly were singing about and making it look like they were celebrating and having a party while singing, so it would've been nice if the audience had been allowed to clap and cheer along with them.

★ There is one part of this play that really irked me. So there is a scene where Hanbei explains, to make her feel welcome, that he'll make whatever she wants to eat, so she replies 'Pasta'. Naturally the boys don't know what pasta is, given the time period, so they ask her what it is and she replies 'oh that's difficult to explain'. Now the first time around, this didn't bother me, BUT upon my second and third viewing, my brain immediately thought 'hold up bitch, they fucking know what noodles are! Why not just explain that pasta is HARD, straight noodles?! Stupid idiot.' Seriously, noodles were brought to Japan from China about 800AD in the Heian Period, which is WAY before the Sengoku period! It really, really, really, really, really has gotten to me that she was too dumb to liken pasta to noodles!! THEY HAD NOODLES!!!! JUST EXPLAIN PASTA IS LIKE NOODLES!!! Can you tell how much this little skip-over in the script and the fact she didn't even both explaining what pasta is, has gotten to me?! Is Yuzuki supposed to be this stupid, ignorant 21st century adult who never paid attention to history class? Because I'm pretty sure IN THE GAME she realises who she's with and she realises 'oh I can't say what'll happen to them in case I change history' or was I making that part of the game up for myself? ALSO the freaking production company is MARV; they KNOW their audience knows and likes history, they KNOW this audience has seen Hakouki, TouStage, TouMyu, so WHY skip over this nice little tidbit of history that would've been a nice little addition to the script. But NOOOO she was too lazy to even bother to explain WHAT PASTA IS!!! I need to go breathe somewhere...

★Linking to this argument. There are two times in fact where she says '説明は難しい = this is difficult to explain' rather than actually explaining. That is SLOPPY, POOR writing. You could've easily just explained away the pasta thing. The other scene where she sloppily says this is when she's with them and she says 'Oh this place is much like my own world, yet it's different too' and they asks her 'why?' and she just replies '説明は難しい = this is difficult to explain'. But to me this is again just sloppy writing! You could've easily had her say 'oh the sakura trees and the architecture is the same but where I'm from we have these huge buildings and giant lights that stay on all night' or something like that. It just sparks laziness to me that the script writer couldn't be bothered to have her say even this much. Did they just want her to be dumb as fuck or something? Just *sigh*...

****Or maybe it's just me; maybe people usually just go to enjoy and to be entertained and don't think so logically about things. Maybe it's just me and my personality; I really love looking into such details, I really love thinking over such things; this is why my reviews will always have a negative to them. I don't go just to be entertained: I want to be entertained, but I also want to be made to think, I enjoy thinking things over. So yes, this really got to me! I can’t even think of pasta the same way anymore...

★ At the end of this scene, Toyotomi clan finds out that Uesugi have gone missing and that Oda have been ambushed by the Yakuma. It's at this moment that the boys are like 'lets take over their castles while they're gone!' but Yuzuki is against it and starts yelling that they should go and help them. Now I understand she had good intentions, but my god, her screaming and yelling is the worst ugh. It was really difficult to understand what she was saying because it just wasn't clear when she was yelling and screaming.

5. Final Battle:

So the final battle is when Toyotomi is finally convinced he should help Uesugi clan, who have gone missing, and Oda clan who are ambushed by the yakuma, and there is a giant yakuma roaming the land.

☆ There was slow-motion during Ikkei's solo as they were battling which I thought was really cool!

★ But why Ikkei got a solo song (besides favouritism and fan-service) I have no idea, because he isn't exactly a main character. But it wasn't a bad song.

☆ I really, really liked the duo fight scene with Kenshin and Naoe in this final battle.

★ But the choreography in this final scene was very obviously the same for everyone else and repetitive.

☆ Towards the end when Toyotomi swoops in and save Naoe and Kagekatsu, Kagekatsu tries to help Toyotomi out but he's like 'go to your father! Go and help him!' and Tomorun's final 'Ikeeeee / LEAVE NOW!' to Kagekatsu was so cool and so great!

★ I hated the synced fight-dancing from the rest of the cast during Ikkei’s solo song. At first they were fighting the yakuma but the second half of the song, they all just faced forward and did a fighting-dance thing and I hated it. I wanted to see them actually fight. Why not during this point do solo fighting scenes and switch in and out between them? Seriously, this stage is just LAZY.

☆ I loved when Oda demands he uses Yuzuki's blood so he can get his strength back and fight the final boss, and Toyotomi is just begging Yuzuki not to. But Toyo's also on the ground very weak so he drags himself over to her and when he tries to grab her hand, she's just far enough away that he misses and flops down onto the floor. I super loved this hand grab moment! You could see and feel the desperation in Tomorun's eye and voice. It was VERY well done. Also when he's like 'please don't make me take your blood (so I can fight too)' and you can tell he really doesn't want to and he’s on the ground yelling ‘fucks sake / kuso!!!’ because he’s too weak to help and save Yuzuki without her blood’s assistance. It was great acting on Tomorun's part.

★ There is NO henshin! They (3 of them) take her blood but none of them change their forms! I wanted to see their henshins!!

6. Ending Scenes:

☆ The ending was satisfactory because it ends with them all swearing they'll never use her blood as a weapon or for their own gain. They also swear that they won't get angry if she doesn't choose them. But it perfectly ends with her not explicitly choosing any of them, and suddenly it goes into the final song with all the boys singing as she walks off stage. It was the best choice for the ending they could've made without pissing any of the audience off.

Curtain Call Goodness

NOW FOR THE BEST PART OF THE WHOLE PLAY! THE CURTAIN CALLS!!!

☆ TUESDAY NIGHT: Curtain Call Speeches from Oda/Kobuta and Naoe/Jinnai. Kubota talked about how much he sweats in his costume and that he's managed to lose 5 kilos so far just from all the sweating and he said he hopes to lose 5 more before the end of the run. Jinnai talked about how he and MaeChan have been working together and have been debuted for 8 years now and have worked together on a lot of projects and that it was his first time with MakiChan but he was enjoying it and having so much fun. To this point MakiChan replied and continued the conversation and talking about how fun their dressing room is with the three of them. It was very clear and very obvious how much Jinnai and MakiChan get along. It was very obvious how well all three of them get along which made me very happy! And at one point MakiChan burst out ‘Why am I talking during your speech?!’ and Jinnai hit him on the shoulder xD They also talked about they love playing the game 'UesugiGokkou' in the dressing room so they did an example of it for us all: It is/was Maki and Jinnai pretending to argue with MaeChan trying to get in the middle and being the mediator but the both end up hitting him on either side of his arms. It is/was very funny!

☆ WEDNESDAY AFTERNOON: MakiChan/Kagekatsu curtain call greeting (sorry, I don't remember who else..) and when Tomorun said 'Kagekatsu!' Jinnai replied instead and everyone burst out laughing. As MakiChan spoke about his usual 'this is super fun, I love working with MaeChan again. We work together a lot actually. And it's so fun in the dressing room. I hope we can finish this run without any injuries' but then Jinnai suddenly complained 'your sword keeps hitting me every time you move!' so then MakiChan started doing it on purpose xD

☆ WEDNESDAY NIGHT: Fuuma and MaeChan's curtain call (I am so bloody lucky I got all three of theirs!). As MaeChan was talking and thanking people, MakiChan and jinnai slowly went around the back of MaeChan, and then came up in front so they were blocking his view of the audience, and then they started aruging between the two of them who Kenshin prides better/more. So then Maechan tried to break it up but of course, at the same time on either side of him, they hit him on the shoulders. MaeChan said they had been practsiing all day for this moment xD and Tomorun was like ‘we ALL do it you know! It's not just your group who does this in the dressing room!’ xD Fuuma's speech was just about how he had to do the rock higawari today and he hoped everyone could understand what he was doing and if it was fun. We all applauded so he understood we enjoyed it and understood it.

Seriously, the curtain call was the best part and so funny and it was so great being able to see just how well Mae, Maki and Jinnai get along ^_^ it made me very happy in my heart xD

*

And there we go! There’s a lot of negative but I think I gave enough positives so that people who aren’t as logical or critical as me will enjoy this stage. There is a lot to like about this stage.

[linuxmints-archive]

Cure Princess?

favorite thing about them

they’re a shy extrovert. very relatable. i lov her so much...

least favorite thing about them

i can’t hate her dude,... shes too good....

favorite line

that time when she chucked The Orb at megumi and was like ur my friend now

brOTP

MeguHime...... someone stop them tho they are Wild

OTP

IOHIME...... the scene where hime, despite being selfish usually, gave up all her precards for iona was so cute...

nOTP

uhhh idk if it’s a thing but Seiji/Hime?? it was Cancelled by the show and this is the show with the weird love pentagon

random headcanon

she gives off big autism vibes,,,, (im not projecting shhhh). i also hc her as pan!

unpopular opinion

she’s a good cure, brent

song i associate with them

an ending (pre megumi)

savior of the waking world (post series)

favorite picture of them

[maimishou]

HibiKana sweep. MeguHime is good but aside from maybe MiraiRiko no ship in Precure is gayer than HibiKana.

ULTIMATE PRECURE YURI-OFF: Round one

Strong starting duos!

[waveknight]

FFXIV Polyamory Week - Day 1 - Sleeping Positions | First time sleeping together

They’re jet-lagged from their flight to Tural :,)

Bertram (Viera): me | Seishin (Raen): @sladez | Styrnrael (Xaela): @meguhime

We’re doing little Magma collabs for this event because it’s fun to work together! (And unfortunately we’re busy adults with opposing schedules). I did the foreground and megu did the background!

[rknchan]

ooh! seiji and megumi or hime and megumi for the ship bingo :O?

1 meguhime 2 seimegu

comfort kids comfort kids 🥺

[sladez]

On the way to school with @meguhime !

[paopuofhearts]

Totally forgot to summarize the other Educational Gaming panel I went to before sushi last night.

So it was mostly aimed at children with social difficulties [the presenter specifically worked with kids on the autism spectrum, though she did make it a bit more general and had links to dealing with anxiety / stress / etc.]. And it was mostly specific situation [or example comparison] studies that contrasted why video games worked over more generally acceptable methods of nurturing socialization.

[This is ridiculously long, because I’m hardcore with taking notes, and this was about the psychological impact of video games on socialization, SO I was down for this.]

Anyway, she started with the idea that video games act as entertainment that teaches, as it is work presented as play, and went on to discuss the benefit of how video games tend to be more immersive [in a mental sense] and therefore act as a stabilizer to build better teamwork and, therefore, build deeper empathy [and this was used in comparison to group discussion methods, board game (the more acceptable type of educational gaming), and other turn based experiences, which - from what I gathered - is because turn based situations create a dissonance between people through the negative (not “bad”, but “absent”) space that is created].

The other topic was on how video games are relevant media, which provides a basis of common interest that gives an accepted background of understanding, which allows connections to form faster [as in, video games are common knowledge and most kids play them, so instead of random questions like “do you have a pet”, where the experience may not be shared, the experience of playing video games is shared and therefore the background commonality is already there as doesn’t need to be built, so you can just skip to the building conversation part]. [[The example was in interruptions of conversation escalating anxiety and anger: when there is no background of understanding a common interest, interruptions are seen as negative put downs - but when there is a background of understanding a common interest, interruptions are seen as positive contributions]].

This developed into the idea that video games provide an acceptable platform of safe risk taking [which lessons the stress of taking risks] because the actions do not take place in reality and therefore any negative consequences have no legitimate value. However, any positive consequences do have legitimate value, because they offer boosts in self-esteem in dealing with similar real life situations.

It got a bit more specific to children social difficulties, as the examples used were then based on the socialization process of being able to recognize emotions and develop empathy for others. The first example was a classic, wherein a child is shown a video and then goes through and identifies the emotions characters reflect - and then discuss ways to deal with those emotions, whether from themselves or from others. However, her example was in how video games can do that, and then go beyond: allowing real life group attempts under the guise of play that provides a safe space to practice this recognition. She used the example of Kinect Bowling, in how she had three students play one turn each, and then they discussed their emotions - when they won or failed - and what they saw in others - when they won or failed. But the best part was that the actual building of empathy happened before the discussion, as the students would cheer each other on in real time because they all wanted to win and it wasn’t competitive. And they could recognize what they had done in discussion. It was a poignant point on the difference of active experience in a group vs. passive watching and analysis.

Which then led to a thread on cooperation and resentment [as those are two primary difficulties encompassing socialization]. She discussed how games give real time experiences that are unconscious [one example was kids playing Mario, and one kid fell behind - which also set back the other kid - and the optional response was to either help out or get upset]. And video games provide that platform where you can ask “what triggers in game events can lead to the choice of cooperation or resentment in order to continue playing”, and then leading to “how can you deal with your emotions when that happens”, and if you’re in a good place “how can you help others when that happens”. The difference between normal practice and video games is that, in normal practice you deal with the turn taking and real life - whereas in video games it’s all immediate simultaneity and unreal space.

Then you had this kid later on who was talking about his experience with this difficulty and said this profound line on how “blaming others when you’re playing a video game doesn’t do anything, you have to cooperate - blaming others never works, not ever” [showing he took what he learned from a video game environment and applied it to the real world; and this example in particular was interesting, because usually when a child with social difficulties gets upset, parents cave in - but in video games, caving in to that upset mindset doesn’t do anything, because that’s not how gaming works: for example, if you throw a tantrum and drop your controller to waste time screaming at someone, your character isn’t going to be doing anything, so it’s a total waste of time, because your character isn’t doing anything productive or efficient to reach the game goal].

This then got into the topic of emotional value for children, in how video games - by their sole structured nature of entertainment - allow an environment to develop these critical thinking strategies kids use for socialization, while still allowing a type of escapism from real life problems [many kids mentioned homework] that releases stress and pressures of real life problems because video games are fun and exciting. One kid even said that video games boosted his endorphin levels and therefore “energized him enough to do his homework afterwards”.

There was also another profound quote about games that went something like “teachers have expectations, and therefore they have unconscious judgment - machines have directives, but only outcomes”, and related to how teachers - as humans - have emotional investment, but video games are impersonal, and therefore emotions aren’t indirectly being pushed on to kids to excel in their learning; rather, they do it at their own speed, with nothing forcing them to keep up.

And then there were discussions on strategies of bringing what children learn without realizing into helping them apply that in legitimate interactions - bridging what they gather to how they deal.

It was good; way better than the Cultural Identity And Bullying panel [as that one was good, but ended terribly - as mentioned in my previous “what I did at PAX” summary. Though I can go into more detail on the good stuff from it if people are interested].