#me: hey have you watched the hat shop scene in baccano I want to talk about the hat shop scene in baccano why are you screaming come back
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i know i don’t write firo yet but there’s just something about a heavily trans-coded character finding a place && a group of people that see him for who he is && what he brings to the table && even though he has reservations about belonging among them, they make him feel welcome && validated that he deserves to be there because that’s who he is, && he’s proud of that. also he’s like. mean. && I think we deserve that rep
#he’s also the most generic looking white (trans) guy ever and that’s so validating /hj#no one:#me: hey have you watched the hat shop scene in baccano I want to talk about the hat shop scene in baccano why are you screaming come back#wrt the last point tho I just think overall it’s nice to see characters who are genuinely good people but aren’t nice#it’s a weird morally grey spot that I enjoy#something something the opposite of last midnight. you’re so nice you’re not good you’re not bad you’re just nice#actually that’s super Maiza coded… huh#ok anyway. representation for people who are just a little mean#& PATTERN FINDER. ( OOC )
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Baccano Rewatch Rambling Commentary
So. due to having a long and fun talk about Baccano at MCM Manchester, I felt like rewatching the anime and OH BOY I forgot how the first episode goes, so I decided I might as well do (spoilery) commentary on here as I rewatch. Don’t expect anything written nicely or concisely, I do the numberwang, not the wordidoo.
This is the first 3 episodes and because I ramble like hell and I do reference the books, it’s a “Read More”. I apologize in advance, but “Short Form” has never been a thing I can manage. This is me essentially writing down what I say to myself while watching it. I added the formatting later, but I want to keep the rambling as in tact as possible, partly out of laziness and partly out of interest in looking back later and seeing what was going through my head.
Episode 1
I forgot just how much time is spent with the discussion between (Christ me, you literally saw this half an hour ago, how have you already forgotten her name!?) *Carol* (Thanks Baccano wiki, and by extension most likely thanks Rev) and Gustav St Germain. Looking back after reading the books, I like the fact that they used the paper explosion scene and would have loved to see that reappear later had they continued the anime. That would’ve been a nice scene of the anime doing a foreshadow of a scene to come while not making it blatantly so, and that final context would’ve probably put an extra spin on things. (Oh boy, it’s really clear I can’t write short sentences…)
The scenes foreshadowing Book 6 (Was it? I lose track. Either way, the Mist Wall book.) really hurt me. I’d have loved to see Christopher, Adele, (Heck, ALL THE HOMUNCULI) and Maria, along with seeing Ronnie just be Ronnie and fuckin’ be extra as hell with the help of essentially Omnipotent powers.
The sequence initially showing Firo... Y'know, I remember this properly, but I have to say I prefer the book version? In the books, it’s before he becomes immortal and he avoids getting hit by the knife in the first place. I feel that while how this scene was rewritten means it’s good for revealing his immortality, the books help show that he is rather suspicious as a character, which works well considering his discomfort from the fact that even after becoming immortal he is careful due to the knowledge that there *is* a way to kill him. Then again, I’m not a literary master and the change probably works considering the more carefree Firo you see in the show.
I like the setup for the Flying Pussyfoot (even if I’m sad the stuff being called in doesn’t pay off due to them not using Vino in the 1932 arc that *should* be Drugs and Dominoes). What you know from the first episode is:
that the train’s been swapped out do to an “accident”
there’s an assassin on there,
there’s immortals on there,
there’s bombs on there,
a bunch of corpses and a murderous guy with no arm and a woman he’s talking of killing litter the tracks (On an off hand note, I thought that Ladd actually killed Lua there when I initially watched Baccano),
and that the people that are leaving the train are the thieves mentioned earlier (who if you pay attention are probably immortal),
the immortal child (Funny how early it’s revealed that Czes is immortal in comparison to the books),
and a group of people of which the middle one seems to be in great pain.
You also know of an unknown figure reading an unknown message about finding someone, but that’s rather late in the story.
Point is, you are swiftly shown a lot of information you probably won’t piece everything together from, but will help give you one specific idea: Something bad happened on the Flying Pussyfoot and that (probably) included the supernatural.
Episode 2
Okay, I’ll now be writing as things happen, so I might remember names this time! And before I start, let me say this at least once. “Hah! Flying Pussyfoot is a silly name!”
I like the fact they left in the couple where the woman just calls stuff in advance.
I have to say, I am love with Isaac and Miria’s logic. “If we mine, we’re stealing from the earth!”. Along with that, the story of them being shouted at for panning for gold in other people’s land is something I want to hear more about. I’m being reminded that I damn well wish I knew more about Japanese Mythology to be able to directly pinpoint where Isaac went wrong.
Oh, and the letter from Ennis. I like how this directly implies than Ennis is not actually human without going “SHE’S A HUMONCULUS, NOT HUMAN” and then quickly makes you forget about that by having I&M start talking about this clearly means she wants a brother, rather than there having been previous people before her who were destroyed before she was created.
(Oh shit, this is gonna get looooooooong, I haven’t got past the I&M scene yet). This is followed by perfectly showing what I&M are like, by having them figure out how do to a train robbery. i.e not how you actually do one. And then I&M go to the train station, move past the Lemures, and then as they talk about the “Orchestra”, the camera zooms in on Rachel. If only the Dub hadn’t specified Vino’s gender, people might’ve thought she was Vino, that’s how the books spun it anyway. And then we get to Claire, who starts talking before coming on screen and has a conversation with Tony just before Tony gets murdered. It would have been nice if the other conductor got a couple lines here, but this does set up Claire’s anger at Tony being dead later on nicely.
Meanwhile, best panicking wreck of a leader, Jacuzzi Splot, explains what his group are doing on the train, namely stealing something. Then the anime moves focus from Nice to Czes, nicely implying that their aims/jobs are related. I’ll stop listing what happens now, but OH JEEZ I LOVE THE CUTS AND PANS AND FOCUS CHANGES. I don’t know much about cinematography, but this feels good to me.
So to abridge a conversation: Nice: Why don’t you ask them? You might make some new friends. Jacuzzi: (Panics a bit) I don’t wanna. Nice then persuades Jacuzzi to go talk to Isaac and Miria. Not much meaning, but I just wanted to say, SAAAAAAME Jacuzzi. If not for @thingsarenotwholesome taking the place of Nice, I wouldn’t talk to a lot of people. but yeah, then Jacuzzi starts crying because he thinks he’s nothing but some delinquent. Props to I&M for supporting him in the only way they know: By being lovely, funny and acting ridiculously.
Some day Narita, I’d like to see how much of this is them faking it to avoid a bad topic and how much of it is their own joy in insanity. I just can’t accept “They’re a bit mad” with no other details, because even if Isaac routinely gets stuff wrong, he’s weirdly well read. I also love the fact that Jon and Fang spend their time calling out bullshit and commenting on what’s happening. It gives a nice contrast of the straight man, while not overpowering I&M and also properly showing what their influence on Jacuzzi is.
I like that the voice acting makes it clear that Czes struggled to say his own name. Clearly from the immortal thing. Good Dub there.
The Lemures in general feel much cultier than when I was reading the books. Perhaps because in the books the individual greed for immortality in the members is made clear before the operation starts, whereas this has them speak of their unwavering loyalty (yeah fucking right) to Huey Laforet, while the Conductor preaches about how this is all for the sake of freeing their “Glorious Leader”. Shame there’s a Claire on board.
Episode 3
And we start with poor Eve Genoard looking for Dallas, too bad some other poor person has him. [Edit Note: Look, you can’t expect me to remember every detail of the books perfectly, I barely remember what I had to eat most days]
I love the Daily Days and their information based business model. The Runorata Goons just got to experience information based capitalism.
Well, I might have to source the music playing while Lua and Ladd are dancing. This is also the first scene where Lua doesn’t seem to only be some poor girl who was forced into something by Ladd, but someone who actually wants to be with Ladd.
I love Randy and Pecho, those glove burning fools. I’m also starting to realise how damn good this show is at giving you information in off-hand comments. From their short conversation we know they’re friends with Firo and that there’ll be a party, while also starting the fire that kickstarts the events of the Rolling Bootlegs.
Similarly, the anime then goes on to show that Firo is joining the Camorra as a Capo and that I&M are in town at the time. This is also why I’m writing so much, BECAUSE THEY MAKE SUCH GOOD USE OF THE TIME GIVEN. This reminds me though. Narratively, in the books, the hobo attempting to stab Firo happens just before the hat shop. I damn well wish we could properly place that scene somewhere chronologically in the show. It could literally any time still during the depression after Firo becomes immortal.
The fight between Firo and Dallas' Gang really does show the fighting talent Firo has in an impressive way, which again makes Firo getting cut in episode 1 more frustrating.
And here is the first big change to Rolling Bootlegs! Firo does not have the time nor the bottles to swap about his wine with the immortality potion for the heck of it. I'm not sure how I feel about this change, but I will commend the 2016 Manga for keeping to the books on this.
And then Jacuzzi finds the two corpses in the Conductors Wagon, which is surprising when you’re first watching considering we *know* the murderous conductor was using a gun, not sawing off people's faces.(Goddammit it Claire, kill cleaner) You could explain the second corpse as being the white suit we see get the uniform in the second episode, but if you’re looking at the corpses, the body with the face torn off is the one that looks like the Young Conductor, not the Lemure Conductor. This isn’t exactly important considering it’s revealed later, but i like that the detail can be seen. Hey, this anime is doing a better job at the Mystery genre than BBC’s Sherlock!
And at the end, with the faceoff in the Dinner Wagon, I'm calling it a night.
Well, I'll be posting this in the morning evening after as I'll be doing some formatting at my PC tomorrow, but it's midnight and I'm rather tired after MCM Manchester.
#Baccano#Rambling Commentary#Baccano EP1-3#At least I'm learning to text edit on Tumblr#Book Spoilers
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