#me meticulously setting this up to include the one bed trope

[jayflrt]

𝐲𝐨𝐮𝐫𝐬 𝐟𝐨𝐫𝐞𝐯𝐞𝐫 𝐢𝐧 𝟕𝟖𝟔 19. attention seeker

welcome to the second act. warnings for this chapter include depictions of alcoholism and family issues

'BEING AN INFLUENCER WAS A REAL JOB THAT REQUIRED A TREMENDOUS AMOUNT OF WORK.'

Yeah, right.

Shin Yuna heard phrases along those lines all the time. Whenever she watched other people's content, a good majority of the influencers would rant about how difficult their life was, or how stressful their workload was when it came to recording and editing.

Sure, it took some effort to edit and upload new content. Yuna allocated several hours a week to do so, but all she had to do was set up a livestream for the cash to start rolling in. Wear something skimpy. Bat her lashes at the camera. Pout a little. Play up the damsel in distress act. It was simply too easy.

princessval***: omg girl pls stop drinking 😭 onlyyuna03: she's so messy i love her luvyuna***: you're back already? i thought you were taking a break onlyyuna03: @luvyuna*** you must be new LOL she always does this

But this—the flood of comments that poisoned her screen—was the curse of putting herself on the internet.

It wasn't like this during her first year of streaming. Back in high school, Yuna's parents were fighting every day, and since she didn't have any friends to talk to, she turned to the internet. She would stay up all night in random Discord servers, chatting with strangers and confiding in them about her family issues.

Naturally, these chats turned into voice calls, which later turned into video calls. Initiated by her, of course. No one else had their cameras on, though; Yuna quickly grew comfortable being in the spotlight, basking in the glow of praise from strangers. Comments like 'you're so gorgeous' and 'you should be a model' made her forget all about her family issues for a split second. Like that, it became like a drug for her.

Yuna, who was starved of attention, relished in the validation she got from online strangers. Strangers who wouldn't even share any personal information about themselves, going by fake names and hiding how old they were.

Soon after, she made her own Discord server, inviting everyone who wanted to see her get in front of her camera and talk about her day. She knew how to play her angles well, acting as if she was everyone's girlfriend while using them to satisfy her need for attention. It was a classic marketing strategy: Yuna knew her asset was her beauty, so she used it to her advantage.

All she had to do was send a picture of herself or talk in a cute voice, and everyone would fawn over her in seconds. In a life where Yuna's own parents neglected her, she found people who cared. Maybe their intentions weren't in the right place, but they were present and ready to listen to whatever she had to say.

She got ambitious, deciding to start live-streaming to a wider audience. Yuna started on Twitch, playing various games like Overwatch and League of Legends. She didn't have to be very good as long as people liked her face and stayed for her reactions.

As she grew a following, she moved to YouTube and TikTok, doubling her follower count in only months. Before, she would be talking to an audience of around 20 people, but now she was racking in thousands as soon as she went live.

Of course, there came drama, too. And Yuna found it exhilarating.

If someone called her out on something, all she had to do was come up with some sob story about how she didn't deserve to hear that, and everyone would come with pitchforks to defend her. She was very calculative in that way, knowing exactly when and how to turn the tide if it wasn't in her favor.

For some reason, that never seemed to work with her parents.

"You're a disappointment," her father spat at her the day she showed him her Yale acceptance letter. She had sparkles in her eyes and a bright smile all day, only for her to feel completely crushed. She couldn't understand why; it was her father's dream for her to get into Yale, after all. "This is the only acceptance letter you've got, huh?"

Yuna hesitated. The competition for all of the Ivy League schools was rough this year; she had been getting rejections left and right, but she thought her family would be satisfied with Yale. After all, it was her father's alma mater.

"Yeah," she answered in a small voice. She looked down at her acrylic-damaged nails, neglected from years of biting the skin until they bled. "I thought you'd be happy with Yale."

"Happy?" Mr. Shin barked out a laugh. "You didn't actually get into Yale on your own, you know that, right?" He scoffed when Yuna gave him a confused look. Then, Mr. Shin slammed his phone against the dinner table, causing his wife and daughter to flinch. "Five hundred thousand. I paid five hundred thousand to get you in. Mr. Nakamura only paid two to get Kazuha in, but I had to pay five. That's how useless you are."

"Sunoo? You know my old boss's son?" he would provoke her for the rest of dinner. "He got in all by himself. You know Hyejin's son—Anton—he got into Yale and Brown on his own, too."

"You need to work hard, Yuna," Mrs. Shin said before stabbing at her salad. "Your dad could only get you in as an undeclared major. You need to get into pre-med on your own."

Tears prickled her eyes, but she stayed silent. Even her college acceptance was a fraud; she had done nothing out of her own hard work.

Except her skyrocketing career as an influencer.

The high of her fame only lasted a short while, though. During the summer before her freshman year of college, Yuna's parents discovered what she had been getting up to on the internet.

Shameful, they called it, as if Yuna was committing a crime.

Yuna's parents were surgeons, and rather good ones at that. They both got their undergraduate degrees at Stanford, and then their doctorates at Harvard. The two of them became neurosurgeons after their residency and board exams, and then transferred to Mercy Health where Mr. Shin became the Chair of Neurological Surgery, which set the bar a little high for Yuna.

She was never spectacular. She was always more interested in makeup and clothes instead of science and medicine. Yuna would've rather worked toward a career as a fashion designer, often dreaming about fashion shows she could design for. She knew she would make it far, too—even Donatella Versace told her backstage during Paris Fashion Week that she had an eye for fashion, and that she could go far.

The few times she visited your house, she remembered meeting your mom, a well-known fashion designer herself, and showing off her sketches. Yuna distinctly recalled her words of approval, and she had to bite her tongue whenever your mom would offer to take Yuna on a tour of her studio, only for her parents to turn down the offer.

Her parents were so adamant about Yuna following their path to becoming a surgeon that they threw away all of her sketchbooks and colored pencils when she showed them her work. Even when she got the opportunity of a lifetime to be taken under Vivienne Westwood's wing, her parents crushed her dreams under their heels.

From a young age, she knew that hard work was only determined by her parents. Her true efforts were simply considered a waste of time.

Naturally, Yuna let out all her emotions when she live-streamed. It just so happened that her parents found out through the families of people who knew her. First, she would be grounded. When that wouldn't work, she would get all of her devices taken away. When she found a loophole around that, she would have to endure her father's rage.

Halfway through her first year at Yale, her parents disowned her.

She was on academic probation after her first semester. While she was trying to file a restraining order against someone who was stalking her (who claimed to be a fan), her grades managed to slip until she failed most of her classes. The worst part was, she had been expecting her parents to worry about the stalking incident, but they only cared about her GPA. Casting Yuna away was just protecting the Shin family's shiny status.

Everything was gone. Yuna was no longer part of the world you and Sunoo lived in. All her connections to the medical field, all her connections to the fashion industry—all out of her grasp. Still, maybe it was her flickering hope to somehow please her parents that kept her on the path to become a doctor. Not that it something she was genuinely interested in, but she knew it was the only way her parents would take her back.

Now she had to keep up her influencer career to support herself financially. There was no way she would be able to pay off tuition, even if Sunoo had generously paid the deposit for her small apartment. She had to keep up with bills, rent, and utilities all at once, and it was all too much for an eighteen-year-old to handle.

She got used to accepting help because of that. You helped foot some of her bills, Sunoo helped with tuition, Anton helped make sure she was eating, and the money she got from streaming and posting videos was enough to cover the rest of her expenses.

Even with an outlet to express her concerns to her fans, though, Yuna was struggling with barely making friends. You, Sunoo, and Anton were the only ones who lent a shoulder and an ear for her to dump all her pain and worries to. But she still had to hold them at arm's length. After all, all of their upper-crust families were in close contact with each other.

And then there was Lee Heeseung.

He was a new face in the socialite scene. No one had heard of him or his family before. Heeseung was probably Yuna's ideal type—handsome, intelligent, popular, and someone who hadn't been sucked into her world yet. Although he was alledgedly close to you and Park Sunghoon, no one else had any idea of what his family did.

Over the years, Yuna was terrified that she had built a reputation among the rich families that were in her circle. She could feel the disdain in their eyes when she was at social events, steering clear of every adult that looked as though they wanted to probe her for information about her college admissions.

Heeseung, however, was like a breath of fresh air. There was no judgment in his eyes when Yuna spoke to him, and that might have been the very moment she fell for him.

He was different. He didn't have any expectations of her nor did he feel uncomfortable when he found out she was a streamer. She liked that he came from a humble background, and he never judged her from where she came from. Even when Yuna confessed that she had been disowned, Heeseung never looked at her with pity in his eyes. He simply told her that he would be there if she ever needed him, and he left it at that.

She tried her best to get close to him, but the closer Yuna got, the more she saw under the surface—the more she realized she was heading toward heartbreak. It was clear as day that Heeseung was deeply in love with you, and it seemed as though he had no intention of considering any other woman. Even Yuna could tell he would give up everything in a heartbeat for your sake.

Yuna did her best to avoid conversations about Heeseung with you. She figured that if they never brought him up, then you wouldn't start to feel differently about him.

To her relief, you started dating Park Sunghoon.

Yuna used Heeseung's vulnerability to her advantage. As much as she liked him, he was a coward when it came to his own feelings; Heeseung could only bring himself to come clean about how he felt for you after you started dating another man. Of course, he was turned down—ignored, even. In your mind, you just wanted to keep up the fantasy of having a close childhood friend to the point where you had Heeseung bottle up everything he felt.

Yuna thought you were cruel back then, but she was even more so.

She knew that Heeseung couldn't do anything about his feelings no matter how much it ate at him, so Yuna pretended she wanted to listen to him go on and on about how miserable he was. It was all because of you, and, for a period of time, Yuna despised you for it.

Months rolled by, and Yuna found herself going over to Heeseung's dorm room nearly every day. They talked about anything and everything, and then the conversation would eventually shift to you. Yuna felt something chip at her heart every time he mentioned your name, but she braved through it all.

"Thanks for coming over," Heeseung murmured, running a hand through his already-messy hair. Yuna could smell the alcohol on his breath when she sat down next to him on the floor. Heeseung laughed. "One-month anniversary. Y/N always told me she found those stupid."

Yuna pressed her lips into a thin line. She remembered walking to class with you last week and hearing you gush about everything you bought Sunghoon for your one-month anniversary as a couple. She thought it was sweet back then, but hearing it come from Heeseung made Yuna feel sick.

"You don't have to thank me," she said, hugging her knees to her chest. "I just wanted to be here for you."

The first time she tried to kiss Heeseung was that night.

The first time Heeseung rejected her was right after he stopped her.

"I can't," he said at the time, drawing away from her. "I'm sorry, it's just—"

"You're not over Y/N," she finished for him with a twinge of bitterness.

He shook his head, saying nothing. Yuna felt a surge of misdirected anger.

Yuna knew from the moment she met you that people like you were the shiny gold coins that everyone wanted to have, and people like her were rusted-over pennies on the sidewalk to be stepped on and forgotten. She was a fool to think that Heeseung would see past that.

"I know that." Her tone was sharp as she got to her feet, and Heeseung followed suit right after. "But I suggest you get over her soon because it's not gonna happen."

"What's that supposed to mean?"

"Exactly what I said. Y/N would never go out with you. She already turned you down, anyway."

"Is that so?"

When Yuna turned around to look at Heeseung, his expression was like stone. Something ugly was twisting its way around her heart, squeezing out every semblance of affection she ever had for you.

"Yeah," she replied with a simpering smile, "because she's just too nice to choose the guy who broke her friend's heart."

"Broke—?"

"And," she said louder, cutting him off, "Sunghoon doesn't know, does he? Wouldn't he feel really betrayed if he found out?"

Heeseung kept his face impassive, but Yuna could tell he was seething. She cornered him quite well.

She kept that farce up for years. It was easy keeping Heeseung in line when you only had eyes for Sunghoon, and Heeseung was just so easily discouraged by Yuna's words. It was almost like he had no hope that you would take his word over hers, and that sent Yuna on some sort of power trip.

Her relationship with you was strange. Maybe it was at that moment when she realized that she was someone important to you, and that made her feel invincible somehow. She could do anything as long as you were on her side.

She liked drinking. Not because she particularly liked the taste of alcohol, but she loved the feeling of forgetting all her responsibilities. Every rotten memory of her parents would bury itself under the sand for the time being, and all she could feel was adrenaline pumping through her blood.

But she was never exactly in control. It only took a year to slip up in front of her friend group (thankfully when you weren't around), so she begged Karina, Yeonjun, and Giselle to keep quiet about her crush on Heeseung. They weren't even extremely close at the time, but they knew better than to tread on a situation between you and Sunghoon, whose parents were far more influential than theirs.

"It's only gonna cause more problems if she finds out," Yuna told them through choked sobs. "If Y/N finds out, things will never be the same between us, and Sunghoon doesn't even know that Heeseung has feelings for Y/N." As Giselle stroked her hair gently, Yuna said, "I can get over him on my own. Just please keep this from Y/N."

Karina and Yeonjun exchanged nervous looks before they reluctantly agreed. She had always been wary about Karina. Giselle was overly-empathetic to her situation, Yeonjun was a good listener because he thrived off of drama, but Karina had always seemed more skeptical.

And, as Heeseung knew, Yuna always found a way to silence people who she felt she couldn't trust, so she played dumb when she outed Karina on live.

It was a stupid move on her part, to be fair. Yuna deeply regretted it as soon as she realized what she said. Karina iced her out for months, and everyone else was on the colder side—even Sunoo, who had been her close friend for so long. She always felt strangely jealous of Sunoo, who got the approval of her father when she couldn't, but seeing him give her the cold shoulder nearly sent her over the edge.

"I apologized so many times!" she cried to him. Sunoo kept his guard up, but he always heard her out when she needed him. "I just don't know what else to do. I keep fucking up."

Sunoo frowned. "Do you even feel bad about what you did, or do you feel bad because you were caught?"

Yuna didn't respond to his question, but she knew exactly what the answer was. Was she pathetic? Probably.

She ruined everything. She always ruined everything.

Maybe it was just easier that way. Yuna knew that if she tried her best to please everyone, it would still never be enough. Hurting them before she cared too much was just a defense mechanism, as selfish as it sounded. If you chopped down the tree before it grew too tall, it wouldn't hinder the plants under its shade from growing.

The thing was, Yuna received blow after blow all her life without any acts of mercy. She was struck over and over again, and no one delivered the final coup de grâce.

Naturally, Karina came around and forgave her. Another missed blow. It was like Yuna was drunk off the drama itself because if she kept acting out and causing all these problems, then she could keep everyone's attention on her.

And then she wouldn't have to be so alone.

But the cycle went on and on, so when Yuna found herself texting Jay and Sunghoon in her drunken stupor, she hardly considered the consequences when she mentioned the long-kept secret of Heeseung's first love. You trusted her to keep your conversation with Jay about breaking up with Sunghoon to herself, but she violated that as soon as she could, too. She wasn't sure what it was, but whenever she looked in the mirror, all she saw was that she was as bad as her parents.

Yuna was fated to fall into the same destructive cycle over and over again until it stabbed her in the back for good. Until she bled out, though, everything was fair game.

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SUMMARY ▸ private investigator jay park just wants to complete his mission quietly and move on with his life. you, his new assignment who keeps consuming his thoughts, don't make that very easy for him.

TAG LIST ▸ @zdgx1 @smouches @heesdazed @teawithbucky @leep0ems @peachpie4you @niniissus @kgneptun @jaeyunluvr @hooniesuniverse @zerasari @enhalov @sophiko22 @iselltulips @hoondiors @baekhyunstruly @jays-property @woninluv @heerinnie @fakeuwus @yizhoutv @en-happiness @theothernads @y4wnjunz @dammit-jjk @en-happiness @mari-oclock @enhypens-baby @soonyoungblr @jakeslvt @taetaenic @jebetwo @fairysungx @hsgwrld @shmooooo @ineedsomezzz @mrowwww @enha-stars @isawritesss @seongclb @lockburn-castle @alyssajavenss @enczen @calumsfringe @w3bqrl @luvyev @uhsakusa @luvnicho @wildflowermooon @navsnct

[threeletterslife]

chana, what are some of your pet peeves while reading a story? like things such as bad grammar. btw i love your works!!

god i love this question so much. and thank you for reading! 🥺🥺🥺i really appreciate the love!

i’m seriously going to sound like a grumpy ol’ bitch saying this but i have a LOT of pet peeves lol. i have such specific, meticulous taste that it’s hard for me to find stories (internet fics and irl books alike) that pertain to my weirdass standards 😀

quick disclaimer! just because i don’t like some of these popular/infamous/adored tropes doesn’t mean they’re not bad at all! remember, i’m just rEALLy picky! here goes:

fake dating. (i hate it. i can’t stand it when a story’s main idea is fake dating. i just can’t seem to understand why anyone would want to fake date. the scenarios always seem so bs-ed or middle school-esque to me. but someone is always welcome to prove me wrong.)

bad grammar. (this one speaks for itself. i can’t stand bad grammar. this doesn’t mean i’ll jump on you if you make oNE little mistake <because, i mean, we’re all human, you know>. but if the grammar mistakes are consistent... and far too many... i will be pissed 😀😀😀) honorary mention common mistakes: every day vs everyday; your vs you’re; .” vs ”. ; affect vs effect; anymore vs any more; their vs they’re vs there; lay vs lie; except vs accept; then vs than; -- vs —

bland/generic y/n. (i love writing in 2nd pov. but just because this ‘y/n’ character doesn’t technically have a name... doesn’t mean... she isn’t allowed to have a personality. a bland or mary sue-type y/n with zero dimension can single-handedly deter me from reading the rest of the story. remember, y/n deserves a personality too 😭😭)

starting the story with “I woke up in my bed after hearing my eomma call my name from downstairs.” (this is just a very specific pet peeve of mine that triggers my fight or flight. i’m blaming this on wattpad.)

using honorifics and romanized korean. (this is going to be very controversial. but... i think it kinda has to be said. i do not want to read an english story that is very obviously not set in korea and have to go through words like “eomma” “oppa” “jagi” “saranghae” “hyung” “jimin-ah” “taehyung-ie” “unnie” “noona” and sometimes a whole SENTENCE in romanized korean. as someone who is korean, i find it—for the lack of a better word—cringy. because of some of the stories i’ve seen, i can’t even speak my own language sometimes without cringing. you could NEVER catch me calling my older cousins “oppa” anymore even though i’m supposed to out of literal respect and culture. and it’s thanks to the fact that some (thankfully, a minority of) fanfiction authors romanticize/sexualize it. don’t even get me started on my younger cousins/siblings calling me “noona.” i wanna d-word every time i hear it because it’s been so sexualized in the ff community that i just don’t feel comfortable with them calling me that for platonic/respectful reasons. but i digress. if i can tell the author has done research and it is written well and correctly and in a non-sexualized manner, then i don’t have a problem with it. still wouldn’t read though 😭😭)

idol au’s. (also controversial. but this is mainly my fault LMAO. once upon a time, long ago, little chana first stumbled upon bangtan and decided she wanted to venture into the fanfiction world for them. her first fanfiction was a jungkook idol au. and now she will probably never write another idol au again because she is scarred. but seriously. idol au’s make me want to cry inside because 1. they’re unrealistic 2. the writers usually do little to no research on korea/the music industry 3. personal (humiliating) history 😔which again, is totally on me. i feel like this pet peeve of mine is unjustifiable tho lmao. a lot of people adore idol au’s. but i just can’t get into them)

adding photos in the middle of the story. (this just boils my blood for no reason i’m sorry 😭😭to me, it seems unprofessional. BOOKS may have illustrations. but only if the illustrations are showing a SCENE that the writing describes. not necessarily an outfit. usually, when internet authors put photos in their stories, it’s to show the ootd/makeup/hairstyle/what y/n is supposed to look like. i’m personally not into that. i think that should all be up to the reader’s imagination! that’s why we read, isn’t it? to be able to create our own faces and scene layouts from scratch!)

social media au’s. (VERY controversial. and kinda ironic since i’ve actually made a whole ass text fic. but lemme tell you it was not fun and i will never do it again 😭i don’t know. i’m not very big on social media lol. and a possible romance developing from such unauthentic apps like instagram, twitter, snapchat doesn’t sit right with me. i’m more into traditional/authentic romance! the kind where you sit down face to face and talk and giggle for hours—without the presence of devices)

a bad ending. (man this one’s a very personal pet peeve of mine. imagine slaving away reading a 100k+ fic just to find out the ending is abrupt, the strings are left untied and your favorite character just... dies. for no reason at all. i hate that feeling of no closure. a bad ending doesn’t necessarily mean a SAD one. i prefer sad/angsty endings to a happily ever after. but i think the ending makes up the whole story. and to have a good ending, the ending must somehow still connect to the rest of the story.)

character inconsistencies. (i love character development as much as the dude next door but just because a character does a 180 out of nowhere doesn’t mean they actually developed at all. real people take time to change!!)

when there are author’s notes IN THE MIDDLE of the story. (believe it or not, i’ve seen this happen. it interrupts the flow of the plot and it looks unprofessional. and the fact that i used to do this when i first started writing ff’s bYE—)

when the romance escalates from 0 to 100. (i’m guilty of this. but it’s also a pet peeve of mine to read something like this LOL. but i get it. writing subtle developments in romance is hard 😭😭but it doesn’t excuse itself from being one of my major pet peeves 😀😀)

when mental illness, domestic abuse, trauma is romanticized. (this is a given, i think. don’t romanticize someone else’s struggles for your fictional pleasure, please!!)

telling instead of showing. (probably one of the biggest pet peeves of mine. too often, i see writers outright telling me that their oc is ‘independent’ and ‘strong’ or that oc and jimin’s romance is ‘unparalleled.’ but if i don’t feel that from the writing itself, i’m not going to be able to believe it. but if you show me that oc is independent and that oc and jimin are meant to be with little scenarios and anecdotes, that’s gonna be a lot more effective!)

when’s there’s no chemistry between the couple. (this is probably everyone’s pet peeve LMAO)

the “oh no! there’s only one bed!” trope. (i never understood this because. damn just take the couch or sleep on the floor. OR just sleep in the same bed with a pillow barrier. it’s literally not a big deal 😭unless 👀 idk this one 100% depends on execution)

and i saved the worst for last:

when you read 50+ chapters for an ‘ongoing’ fic but when you get to the ‘end’... you realize it’s been discontinued since 2017 😀😀😀(the pain is fucking real y’all)

um.... that was a lot 😭😭i’m sorry. i actually thought i’d be a lot pickier, but i guess i’m actually really lenient on types of tropes and au’s. i’m okay with basically 99.9% of all tropes (yes, including vampire, abo, love triangle, etc) because i believe all tropes depend solely on EXECUTION. so generally, i keep an open mind. (with the exception of fake dating, idol au’s, social media au’s and the tHeRe’S oNlY oNe bEd trope lmaoo) 

basically, i’m quick to give things a chance but quick to leave too 😔😔

i swear i have more penchants than pet peeves 😭😭but that’s a story for another time!!

[bigmoodword]

11/11/11 Tag

tagged by @silver-wields-a-pen -- thanks a bunch! this was so thought-provoking.

1. Who is your favourite oc? 

probably a toss-up between the two oldest:

a werewolf who hides his cold-burning hate behind a sweet smile and endless offers to make bitchin’ cups of tea/coffee/poison/cocoa

an immortal with unhealthy escapist tendencies, livin’ that long life as if EXTRA is their personal motto

at this point, they’ve run through several names each. here’s hoping i finally set 'em in stone sooner rather than later.

2. What themes do you struggle writing? 

healthy, established romance. i can do flirtation and doomed relationships, but actually solid relationships are a whole different beast. it’s kind of funny, because although there are plenty of problems to work through even in the best relationship, i have a tendency to tidy them with too nice a bow. lucky me, that’s my life experience, but it doesn’t make for the most engaging story.

3. What’s been the best thing about writing your wip?

striking creative oil. it’s wonderful to be so enamored with an idea that all my doubts dissipate and the words just... flow. it’s a feeling i remember from childhood, and it’s a relief to know it can still strike.

4. What themes has your favourite story included? 

survivor’s guilt. betrayal. missed opportunities. miscommunication. learning to let go. learning how to love oneself. abuse. wearing a mask. class struggles. systemic oppression. the importance of hope--whatever that ultimately means for you.

honestly, these tend to pop up in all my stories to varying degrees.

5. What time of day do you prefer writing?

i tend to switch between the night owl and early bird approaches. the former pops up when i’m on a serious roll, the latter when i’ve hit a rhythm of jotting down a few hundred words over coffee.

6. What’s your favourite relationship trope to write? 

a very specific kind of unrequited love. like the two are this 👌 close to actually coming together--they’d honestly be pretty great!--except they fail to communicate mutual interest so each assumes the other isn’t. or maybe they’re too preoccupied with their own issues to have a good relationship, so temptations aside, one or both decide it’s better to pass. it’s the idea of “maybe in another life” or “if only we’d met x years ago or y years from now.” can’t get enough of it!

7. What detail about your ocs has surprised you? 

they’re all so messed up. i mean. granted, most of them are born by taking a personality flaw (whether my own or one i struggle to understand) to a certain extreme, but even those that start on an even keel inevitably hit a significant low point. i think it’s an extension of the idea “everybody’s got something” but i hope someday i can manage to have a character that’s both interesting and well-adjusted throughout.

8. Thoughts on including romance in other genres? 

i’m ace, so romance often misses the mark for me. the fact my favorite romantic trope is two people not ending up together probably says a lot on its own. more specifically, unless the romance really adds to the wider story, i prefer it in the background. i think of certain characters flirting and growing closer as sprinkles atop the main plot’s cupcake.

9. Favourite writing snack? 

coffee! i don’t tend to snack much in general, especially not when writing, but i’m always game to break out the bean juice.

10. Favourite villain trope? 

the anti-villain. as a huge “fan” of gray morality, i guess that’s pretty darn predictable. while obviously i’m not here to root for villains, i like to understand them. i think it’s important to recognize how an otherwise good person becomes villainous, and i also have a certain affection for reformed villains. j/s

11. Best scene you’ve written? 

oooo. that’s a good one. i’m not comfortable calling anything my “best” scene, but i tend to favor those where major plot points finally intersect. here’s one i still quite like--

background: urban fantasy, slayer organization, investigation into a recently caught perp

trigger warning: implied sexual abuse

Sven didn’t bother returning Nina’s call until he was in the werewolf’s ritzy apartment, and when she picked up, she immediately reported how the guy had copped to lying throughout his first interview.

As he examined the titles in the bookcases, Sven figured that meant his perp was smart enough to recognize a boon. The asshole who’d put him in a wheelchair had also thrown him a softball cover story, and if he played along, his pack wouldn’t get hurt. Lucky puppy.

Yet Nina remained skeptical. She specified how Nate—that beacon of truth—had caught the werewolf talking on the sly about a little friend. He wouldn’t just make that up, so of course she expected him to search high and low for any proof. Just in case.

He promised he’d do his best then sat cross-legged before the shelves. He put the phone on speaker, set it on a dizzyingly ornate rug, and began pulling books out. One by one, he’d flip robotically through the pages, looking for anything of note.

Meanwhile, Nina’s voice lost its authoritarian edge, “What was up before?”

“Nothing important. Just a guy. Lonely. Works at the hotel.” Having said the words, he tried not to picture her growing smirk. “One thing led to another and…”

“Good for you.” A pause. “Hey. Hey, Sven. Was he cute?”

“Quite.”

“'Quite.’” He could hear her rolling her eyes. “And? Did you, well, have a good time?”

“Debatably.”

“Huh.” Nina thought aloud, “See, you were awfully mad at me when I called you before. That would imply that you were, in fact, having a good time. Otherwise, you would’ve appreciated the excuse, right? Right. But you didn’t. Since we’re talking about you, that means something.”

He snorted.

“Really! It does, and I hope you didn’t just run this poor guy off, you know? You should try meeting up again. Do a little wine and dine. Something nice. Classy. You have that red sweater that looks nice; you should wear that.”

Sven looked down at said sweater. “… Right. Well, I gave him my number, so we’ll—”

“Damn, Sven! He must’ve been really cute!”

He remembered Drake’s anxious wiggling and cracked a smile. “Yeah, he was pretty damn cute.”

Bit by bit, he shared details, and Nina nearly blew out his phone’s speaker with a squeal. She insisted others would give up their firstborn for the kind of porno romance he apparently lived, and her office chair creaked as she huffed a triumphant sigh. She was so animated about the whole thing, as if it’d happened to her instead of him, and however briefly, he thought maybe he felt a fluttering of that same enthusiasm. He wanted to, anyway. 

Even after hanging up, something twisted in his gut every time he thought about Drake calling or, hell, simply sending a three-letter text. But realistically, that was as likely to be dread as giddiness.

With pen and pad, Sven made notes about bookmarked passages as well as the odd comment in the margins, then restored each book to its original slot. Likewise, he compiled the contents of drawers, filing cabinets, and closets. He’d come prepared to scrub the evidence, but apparently, the evidence already suggested the werewolf lived alone. 

There were no articles of clothing that deviated from the rest of his wardrobe. The master bath featured a single toothbrush, and the kitchen just enough rotting food to feed a particularly voracious adult male. He couldn’t even find a hair that wasn’t deep brown and short.

He bagged a phone and tablet for further examination, then muttered to himself about how he really should’ve done at least that much beforehand. That is, the first time he visited the apartment, but no. He’d made his catch, handed the perp off, and disappeared for a long run in the Boston fog like a coward.

To be fair, the place still gave him the creeps. It bothered him that the overturned furniture, smashed vase, and cracked mirror were all exactly where he’d left them. There were blood stains too. Deep brown and foul.

In a small safe, he found jewelry, yellowed woodcuts, and a first edition copy of Leaves of Grass. Extraordinary, sure. Cataloged, absolutely. Yet, save for the werewolf’s budding psych profile, such finds were also woefully meaningless.

He moved on to the lockbox dug out from under the king-sized bed. As with the safe, he was able to pop it open without too much difficulty, but unlike the safe, its contents raised eyebrows. 

Polaroids. Hundreds of them aggressively rubber-banded into tidy stacks, all meticulously sorted. He held his breath as he unwrapped the first only to exhale a bitter “of course” at the revealed photos.

The shots lacked faces. Just bodies. All slender. All male. All dubiously legal. Twisted. Bound. Violated. Every single one manipulated with an escalating ingenuity. Clearly, the werewolf considered it an art-form. 

After that first stack, Sven quickly flipped through the others. He was convinced the whole stash was worthless. None of the subjects had tattoos, piercings, or any significant scarring. No one depicted could be reasonably identified. He was wasting his time.

But he had to make sure, and the deeper he waded, the more his shoulders tensed, the more he felt walls close in. He caught himself listening for heavy footsteps outside the door.

Childish. At its heart, it was all so childish. 

And pointless.

Then he found a stack with a face. He found Drake.

My questions

1. Who was your first OC? 2. What was the first story you ever wrote? 3. What book (or other piece of media) has most inspired you? 4. How do you fight writer’s block? 5. What is your favorite genre to write in and why? 6. How would you describe your writing style? 7. In general, do you think you’d get along with your protagonists? 8. What do you love most about your WIPs? 9. What is your favorite character trope? 10. What is your least favorite character trope? 11. What’s an upcoming scene you’re excited to write? Tagging: @mvcreates ; @whataremetaphor ; @phloxxiing ; @gaytivity ; @jessica-shouldbewriting ; @oyef ; @blurrywhitelies ; @savannahscripts ; @imaghostwriter ; @quilloftheclouds ; @maabon

[goddamnitdazai]

A small opinion about all the ‘Dazai ex machina’ posts I’ve been seeing. This is by no means meant to disregard/correct anyone’s like or dislike of a character or chapter(s). Y’all feel how you feel and that’s chill, but there’s a few things that I’d like to point out in defense of Dazai’s character and the way this arc wrapped up. This may not be the most eloquent post because I tend to shit out these metas the minute I start thinking about it also I’ve had a lot of coffee to counter the no sleep. I too was disappointed at first in the way this arc ended. It ended too quickly, too easily, and I was slightly confused on how Mori and Fukuzawa were up and ready to fight when they were basically decomposing in their beds in the previous chapter. Looking back on it after the initial shock I realized that was probably the point. A lot of people have been criticizing the writing and saying that it’s lazy or anticlimactic, but look at the way the guild arc ended. That was the practical opposite of this ending, and this ending was so obviously easy that it seemed purposeful. Fyodor may have been surprised to be found, or may have had a Plan B, or maybe it was his plan all along. We don’t know yet, but I’m leaning towards the latter two. If the ending was meant to be short and sweet, it would not have been so abrupt. We’ve seen it end dramatically with Moby Dick so the talent is there. Just don’t count Fyodor out yet, it’d be like assuming Dazai would get caught and whisked away like “oh no ya caught me time for jail”. That’s not how he rolls, and Fyodor has already been compared to Dazai. Let’s be real Fyodor would not walk away so easily. Regardless of this being the original plan or a plan B Fyodor is not even close to being finished. Now, the subject of Dazai being this god like all knowing persona is understandable but kind of a simple assumption at the same time. We watched Dazai and Ranpo work together in the first season with ‘Murder on D Street’ where Ranpo deadass knew the last words of a dead woman he had never met, but that’s Ranpo and he’s that smart right? We know it’s not an ability he’s just smart as hell and even Dazai admits he has no idea how Ranpo figured anything else out. But, Dazai explains to Atsushi how he figured out the few details he managed to catch, yet there’s nothing bashing Ranpo for his intelligence. I understand that Dazai is always portrayed as the one with the plan, and that knows everything but that is his role in the agency. He doesn’t have a combat ability and he’s not very good at physical fighting. What does he have to offer then? His intelligence. His knowledge of the Mafia’s inner workings is helpful sure, but they aren’t always fighting the mafia. The ADA doesn’t exist solely to fight against the Port Mafia--they’re detectives. Dazai and Ranpo are the strategists of the ADA, but Ranpo is a side character thus his amplified intelligence is not over-used. Going back to the Guild Arc Ranpo was the one who planned the ending, figured out where Moby Dick would land and helped Dazai set up the ending with the smoke screen and everything else. Dazai didn’t plop down and within five minutes figure out how to take them down--he needed Ranpo’s help. There’s a moment in the manga where Dazai makes a guess at the ending--he mentions the mountains, and Ranpo corrects him--yes it’s a minuscule part but it shows a sliver of Dazai’s intelligence being beneath Ranpo’s. We also see Dazai reaching out to Ranpo during the Azure Messenger episode to figure out where the bomb is going to be. Dazai knows when he needs help and isn’t afraid to reach for it, but because there have been chapters upon chapters of Dazai being the strategist vs Ranpo these things tend to be forgotten. We also don’t know how these plans come to fruition--if Ranpo and Dazai planned together to bring down Moby Dick how do we know this doesn’t happen with each major plan that’s been laid out? I get it though, Dazai is a main character and his ties to Akutagawa and Atsushi drive the parallels centering around the story so yes, I get why it can get exhausting watching him solve everything. But, we don’t know if he actually figures everything out before hand or if he just shits out side plans based on the information given and goes from there. We don’t know how he thinks--and that’s part of his character. We get small glimpses of him (more than once) looking dejected when no eyes are on him, and that smidgen of emotion is all we are getting (for now). Until we know that he literally knows everything everyone is going to do before they even think it themselves, assuming Dazai is the master puppeteer in the universe is a bit unfair. We also need to remember that Dazai had this logistic mind set drilled into him for 8 (possibly more) years vs his two and a half (?) years out on his own. For a vast change of mindset that’s not much of a time lapse.  I can’t lie and say I wouldn’t like to see Dazai legitimately screw up again but right now isn’t the time for his character development. If he suddenly starts realizing “maybe I shouldn’t be a manipulative shithead all the time” its going to take away from the beautiful development of Akutagawa and Atsushi. This whole arc centered around them (again) just as The Guild arc did because they are the main parallels. If Dazai’s character starts getting the development he needs it would be better to mold it realistically rather than it happen out of nowhere. So I get it, I really do, but Dazai is still not a perfect god like character. We watched him devastatingly fuck up and not realize Mori’s plan in the Dark Era that resulted in Odasaku’s death. Odasaku is clearly a huge influence on Dazai, and there is a possibility this massive guilt could be the reason he’s more meticulous. In the Port Mafia he was more reckless, and that seems to have changed with the way he goes about executing plans. Now, he is not exactly good either. He doesn’t include people in plans, he manipulates, and he uses his perceptiveness to get what he wants. That’s not how he should roll, but that’s what stops him from being a very generic trope. I can understand how people feel his perceptiveness can be overbearing, but there have been snippets of him not always being on top of his game.  I would love to see some serious character development for him and he needs to be tripped up, and I’m hoping that Fyodor is the character to do that. But for now we just have to wait and see if the writers take the right direction.