#me looking at fandom: please appreciate sumi more

[auncyen]

I believe I'm about 3/4s of the way through Persona 5 Royal: The Beginning: The Movie, can't wait until I get Ann and closer to actual free Palace exploration

I do like Yoshizawa's character, at least conceptually, but both her in media res introduction and the actual chronological first meeting are like whyyyyy. who gd throws their melee weapon at the enemy farthest from them and closest to the person they're trying to help. why do the writers try to make it sound like Oh When They Last Fought Together Is A Big Deal when they know it's going to make it a let down later. the whole "ahhh senpai I have to thank you for the train on which nothing really happened". "oh my gosh people are talking about her except why would we care about that gossip when Ryuji, Ren, Ann and even at times Shiho are getting much harsher things said about them than 'wah wah she's so thin I'm jealous'"

it's not just Yoshizawa's introductions, it feels like so many little things Royal added at the very beginning are not improvements. they're just distracting clutter. "Kawakami brings her maid fliers to school where they could get her fired, haha" "let's have a pointless extra scene so Akechi and Sae can walk by" There are improvements later (and the bullets reloading is the first definite "oh thank god") but. augh.

[mistresseast]

A big thing too is there is no guarantee Atlus will do anything with what they baited in Royal and I know that's why I'm frustrated. I know a lot of people don't have confidence because nothing they've done with Goro makes sense, and its based on getting fans to spend money, not because they care about a character, so it feels like sunk cost? He's still left out of things and I wouldn't feel negative about Royal if I knew for sure they would bring him back. Ppl are tired of being baited.

If you were just after commiseration: ugh! I know!! It’s so frustrating! Atlus is bad in general about payoff and the problem is on glaring display with Goro. You’d think with a whole ass remake and all the money Vanilla made, they’d have the resources to figure out how to handle a complex character in a satisfying way, but those homophobes couldn’t write their way out a wet paper bag and the brilliance of Goro Akechi was almost certainly a happy accident.

If you want my more tough love advice and analysis: expecting a big company like Atlus (ESPECIALLY one with Atlus’s reputation) to deliver on the very specific stuff that fans like us want is indeed a one-way ticket to frustration. I won’t go into speculation about how the character of Goro came to be, but I will say that he feels like a character who was developed for one purpose and then as the writing went on he adopted more importance to the story but the initial plan for what happened to him didn’t adjust to match. Stuff like that happens in writing all the time, and particularly in stories as complex and with as many people working on them as p5. So when I feel like something about Goro’s handling doesn’t make sense, I try to look at it from that perspective. It’s not a deliberate mishandling or a disregard for the character; it was just an early-development failure to accurately predict what would be necessary for his specific arc. And imo Royal put a lot of work into fixing that, but the simple fact is that a truly satisfying outcome for this character would require some significant rewrites and adjustments to the basic fabric of the game, and the devs just aren’t in a position to do that, for lots of reasons. So no matter how much I like the third semester, nothing we were going to get was ever going to feel as complete as it could. So if you are holding out for canon content to somehow justify or validate all of the energy you’ve put into this character and shuake as a ship, then I’m sorry to say you’re probably right and that nothing we get will ever feel like enough. If you feel like that means being engaged with the story and characters isn’t worth it, then you should consider putting your time into something else, to save yourself the frustration. I can’t say how much of the “baiting” around Goro’s character is intentional, but I don’t have any confidence that this lingering feeling of incompleteness is going to be resolved, and I know that people do leave fandoms for that reason. Personally, I am pleased and compelled enough by what we have to stick around, and in fact I might prefer Atlus leaving well enough alone at this point. They’re notorious for wrecking character arcs and tbh I don’t trust them not to ruin Goro Akechi. They can just hand him off to us, it’s fine. We’ll treat him better.

As for Goro being left out of stuff, maybe I just don’t pay enough attention to the tie-in media, but I’ve never been as upset by that as I know a lot of people are. It’s disappointing that he’s not in Scramble, it really, really is, and I wish he could have had at least a cameo, but I also understand why he’s not there and it’s not a malicious choice by the company. Scramble was in development at the same time as Royal, so characters whose very presence would spoil Royal obviously couldn’t be included, which also leaves Sumi and Maruki in the lurch. It’s not ideal but it is understandable. Goro is in the dancing game, as well as pq2, and he just got to be a major part of the train mystery AR game that happened a while ago. He’s even getting a lot of love in the musicals, showing up early and getting more attention at this point in the story than he did in the actual game, almost like the writers are realizing his importance should have been seeded earlier and now, with hindsight, are able to correct some mistakes. He gets a lot of fun stuff in the anime, which I generally don’t like, but their handling of Goro is one of the things I approve of. Rokuro Saito, who writes the Mementos Mission manga, obviously likes him and puts effort into his appearances. I suppose I’m not really sure what he’s been “left out of” other than promo material and like,,, some official art. Due to the nature of who he is in the story, he’s a difficult character to work into things. The people creating this content walk a thin line between not wanting to spoil Vanilla OR Royal for folks who might still spend money to buy the game, and knowing that Goro’s status as a “traitor” means it’d be weird for him to just be included in group shots of the characters. Do I wish there was more content of him? Yes, but I also don’t really see a concentrated effort to leave him out of stuff.

I’m not trying to invalidate your feelings at all, of course. I see sentiments like yours all over the fandom from people who clearly enjoy the story and care deeply about the characters, and I know exactly how frustrating and pointless it all feels. I toss and turn at night thinking about all the ways the game could have treated Goro better, treated Akira better, treated its own themes better, and sometimes I just want to claw my own skin off at all the wasted opportunities, But ultimately, I channel that discontent into my own creativity and appreciate the folks who work to make sense of the nonsense. It’s not a dealbreaker to me. These negative feelings only serve to remind me how much I love these characters, and I know none of us would rage so hard if we didn’t connect to this story in some way. But I can’t count on the source material to make me happy. That’s not the source material’s job. And in the end you have to ask yourself if it’s worth it to you to stick around for something that’s only going to keep disappointing your specific needs.

I don’t want to discourage people from coming to me to vent, but just know that I've been through the gamut with this fandom and I’ve got opinions about Everything, so if that’s not what you need, sorry! I just want to soothe negativity if at all possible but I know not everyone is interested in a lecture <3

[miscellaneousfurbies]

Previous years: 2012, 2014, 2015, 2016 It is again time for the annual roundup! It feels this was not a particularly good animanga year in terms of amount of series consumed, but when it comes to enthusiasm Attack on Titan has single handedly offered more excitement than anything else in the past... I dunno, 3 or 4 years. Attack on Titan

Finally ended up giving this a proper chance, mostly by accident, and I'm still in that hole. I'd say that a sizeable amount of my appreciation for this manga comes from how it stands out from all the other action shounen I've read in terms of how it deals with common shounen characters, themes and tropes, but as of late I've learnt to appreciate more how it stands on its own as well. Also as upset as I am that I'm so late to the party at least catching up to happened at a relatively good spot, since I found it was easier for me to get into the new arc without the main cast when I just had gotten some 50 chapters worth of material with my favourites. And with the new developments the wait was definitely worth it, even if I'm as thirsty as everyone else for the rest of the main cast's new designs.

Awards given: Best manga, Best boy (Eren), Best OP that I didn't actually see (didn't watch the anime outside listening to some music), Best friendship (Eren and Historia), Best mentor (Levi)

Made in Abyss

Heard this got a lot of praise so I decided to check it out too, knowing only that it's supposedly pretty grim. At first it seemed like just a "plucky kids go on an adventure" kind of show, even if the darker elements were always there (like how the main characters embarked on their journey fully aware that they won't be coming back). The upper layers of the titular Abyss felt pretty easy for their rumoured danger level, but when things finally went south they did so spectacularly. Very bad things happen to children in this show! Overall I really liked the Abyss as a location, the characters were great and especially the female characters were way above average (as in, pretty much got treated equally with the dudes). 

Awards given: Best anime, Best OP I actually saw

Miss Kobayashi's Dragon Maid

This one I watched just because it looked cute. Which it was I guess, KyoAni's animation is always a pleasure to watch, but I got little else out of it. Kanna teeters between actually cute and manipulative-and-kinda-disgusting.

Awards given: Best cute animation, Best side boy (Fafnir)

Spirit Circle

Finally bothered to get into another manga from one of my favourite authors, and it was definitely worth it. The story revolving around the two protagonists reincarnating in different periods and often ending up killing one another was definitely something more unique than usual, the plot was well thought out, and the character work was just as great as I had learned to expect from the author (plus the female characters don't suck). On top of it all there is the strange calm and positive atmosphere despite sometimes grim subject matter that Lucifer and the Biscuit Hammer also had. The art still isn't that amazing and sometimes the space-time talk gets way over my head but otherwise an excellent read.

Awards given: Best girl (Kouko (and iterations)), Best laughs, Best romance

One Piece

Not sure if it's because of the quality of the manga itself or because Attack on Titan dethroned One Piece from the top spot, but my interest in OP has waned a little in the past year. I haven't been able to get into Sanji's family drama, and the stuff with Big Mom has raised some good expectations but so far hasn't quite managed to live up to them. However my interest has only decreased in relation to the series itself, and compared to everything else I've consumed OP still stands tall, and Best Bunny Carrot even got to do something so I'm good I guess?

Awards given: Best side girl (Carrot)

The magical girl corner:

Doki Doki! Precure

I thought this was from last year but apparently no. So here it is, my least favourite magical girl series of all time! Might also be the least favourite anime in general (judgement pending)! Those interested can find a long rant here, but the tl;dr is that the show revolves around glorifying the main character who has no flaws, has no character development since she's amazing from the start, gets all the other characters' personal storylines be about her too, gets the story to bend so that she's always right in the end, and so on. Ugh! Though I must say that at least that in a way the series was interesting in how blindly and confidently it assumes everyone in the audience has the default assumption that the main character is the most amazing thing to ever grace this earth with her presence.

Awards given: Worst anime, Worst girl (Mana), Worst “romance"(whatever it is when everyone proclaims their 'love' for Mana), Worst friendship (Mana being the center of everyone's universe)

Kira Kira Precure a la Mode

Tried watching an ongoing Precure series this time, and while I'm still some episodes behind it could be a lot worse. Overall a really lackluster season and suffers from the same problems as the other Precure seasons I've seen: generic, unambitious, noncommittal, repetitive... There's very little going on with the plot, and while I do like some of the characters it's hard to care when the show is so adamant at doing nothing interesting with them. However it's still the best out of the Precure seasons I've seen so far properly, which probably says more about the other two's (HapiCha and DokiDoki) quality. And I do have to commend KiraKira for sticking to the sweets theme; at least it's clearly about something.

I've also watched some Go! Princess Precure which blows the other three Precure I've seen out of the water, but I haven't made very far. Hopefully I'll be able to finish it next year.

Yuuki Yuuna is a Hero: Washio Sumi chapter / Hero chapter

Why is it always the dark magical girl shows that try anything new and interesting!? I find that the new YuYuYu stuff has had some really clunky and awkward direction, stock characters, limited animation and ham-fisted drama, but I still appreciate what it's doing with its plot. Also gotta love the veteran magical girl's reaction to the new magic system which allows them to trade defence barriers for +1000% power: "lol back in my day we didn't have any shields in the first place!"

Awards given: Best magical girl outfits

Also finished Flip Flappers (final verdict: cool premise and looks interesting, execution a little uneven but still worth watching), Punchline (an uneven but still interesting little thing with great character designs), Uta Kata (a slow moving dark magical girl show with some nice ideas, good outfit designs, poor animation and awkward fanservice) and Pop in Q (mostly forgettable upbeat magical girl thing; though it did manage to hold interest for its short length).

Awards given: Biggest WTF (Uta Kata's poorly implemented fanservice), Best character designs (Punchline)

I also watched the second season of Hibike Euphonium, but I can't remember if it was at the end of 2016 but either way I don't have a lot to say about it.

Animal Crossing Pocket Camp

Good old Animal Crossing in mobile form, there's not much else to it and there's very little to do, but I'm a sucker for collecting and the leisurely and friendly atmosphere is worth it. Seeing Tom Nook ask for real money this time was definitely the highlight even if I'd never pay for a mobile game myself.

Awards given: Biggest Time-Waster (but I still keep playing it)

I've also kept playing Pokemon Go but there's not a lot to say about it, like can you add some new gameplay stuff to it please? Also did not get Ultra Sun/Moon. I didn't care too much for Alola and most of the new content seems to be about the Ultra stuff which is unlikable to me by default; I've never been into the legendary/mythical/ultra/save the world from apocalypse aspect of the games, like just let me train my pets to become the very best like no on ever was.

Not a lot of negative awards this year it seems. The bad stuff I read was just forgettable instead of bad in a funny way or so bad it's fun to hate it.

Plans for 2018:

Finally watch the Attack on Titan anime to catch up with the rest of the fandom and prepare for my favourite arc getting adapted

Finish with the mostly disappointing Digimon Adventure Tri.

Watch the newest Precure as it airs, finish Go! Princess and at least one of the earlier seasons

More magical girls! Maybe finally check out Cardcaptor Sakura Clear Card arc, finish Matoi the Sacred Slayer (which has been on my list since 2016...), Pretear, series where the magical girl is a side character (Concrete Revoutio, Samurai Flamenco, re:Creators, Invaders of the Rokujyoma!?)

Finally watch Neon Genesis Evangelion (been working on it since 2005) and finish Gurren Lagann

Finish reading Neuro

Read Sengoku Youko, NaruTaru and Rozen Maiden

maybe get a Switch and the new Zelda and Mario games for it

Maybe I'll get to at least a fourth of these...?