#me brains is marinated and I’m happyyyyyyy
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quillyfied · 1 year ago
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Things I’m noticing on this rewatch, which I’m hoping to take slow and ponder on but we will see how it goes, PART ONE (obviously major Good Omens season 2 spoilers throughout, specifically for S2E1):
- Angel Crowley’s hair is so bright and curly! The shade feels more like his new post-apocalypse ‘do, which I find curious. New hair is obviously still much darker but it’s that more unnatural shade of red that could be very bright indeed under the right lighting.
- Aziraphale trying to soften angel Crowley up for his warning by complimenting the colors of the nebula first. People pleaser already, I see.
- The opening: that bit where they separate. They’re on the wrong sides. Then they move past each other to the right sides. Then they separate backwards to the wrong sides again, and that’s when the bridge between planets behind them breaks apart. Pretty obvious visual representation of where they end the season, but I do have to wonder about the emerging “they swapped again” theory and if this back and forth motion could be pointing to that.
- Initial analysis about Maggie: cute as a button, blonde, runs a shop of antiques not particularly useful or lucrative in the modern world, formal style of writing, accommodating to the people around her (perhaps to excess), vintage aesthetic all the way around: immediate thought is that of course she’s a mirror to Aziraphale the same way Newton Pulsifer is. Let’s see where it goes.
- I COMPLETELY FORGOT ABOUT THIS SPY EXCHANGE ON THE BENCH BEFORE SHAX SHOWS UP. Also why aren’t we talking about Shax more??? She’s a delight! The way she’s absolutely befuddled by how humans outdo her at her own job, the weird strained but sort of mentor/mentoree and also informant relationship she has with Crowley, how she is also probably one of the best dressed in Hell without the smell and blemishes and obvious animal aspect…she’s fascinating and I can’t wrap my head around her. Is she supposed to be a dragon? I could deffo see dragon.
- “What’s the point of it all?” Oh Crowley. So correct.
- His hair matches her dress. Significant that they match??
- Half rations of what???
- The correction of the peas. I weep. Has the air of all the times Neil has probably been corrected about it on tumblr and elsewhere for the bread in the book XD
- There are a lot of Statues of Liberty in Nina’s coffee shop. Why??
- Initial analysis about Nina: cool, collected, blunt, friendly but not familiar, hipster vibes, popular store and business model without being a model business owner, seems like she has it all together but has a pretty big lingering anxiety in the form of a controlling relationship: perfectly fine mirror for Crowley, like Anathema Device. Continuing to see where it goes.
- John Hamm’s befuddled face is the highlight of his performance for me, bc he has such a commanding gregarious menace for playing Gabriel and it’s weird to see it replaced for just…gregarious :P
- I know this is a horrifying moment but can we take a moment to just appreciate the comedy of Aziraphale seeing Gabriel’s whole bare bottom before realizing whose bottom it is? Gosh and the hug. So awkward. (THE JIGGLE)
- John Finnemore also excels at writing idiots. Jimbriel has John’s fingerprints all over it. The conversation is golden.
- This conversation with Michael makes much more sense now tbh but. Want to talk about it in full later, when we have all the information.
- I’ve noticed it since we got promos but: Jimbriel using the angel wing mug and Aziraphale using the blue teacups just…strikes me. Could be because he’s having tea and not cocoa. But still. Hmm. Interesting.
- Aziraphale’s immediate panic over knowing what it’s like to be close to a person. Hmm. Yes. Quite. (And a moment to enjoy Gabriel, even in some pretty extreme amnesia, knowing Aziraphale is safe and will help him. Not so much warm fuzzies over GABRIEL knowing that as it is Aziraphale getting to HEAR that from someone who should by all accounts not feel safe with him at all. Guardian instincts being validated. This won’t backfire.)
- Listen maybe it’s just because I watched the Barbie movie the night before I watched GO2 but all I’m thinking when seeing Jimbriel is that his Kenergy is off the charts. And I know that basically just means he’s at peak himbo performance but Kenergy feels more appropriate right now. More introspections there later, I think.
- Formulating a thought about the box, about how it has very prominent double red arrows and “this way up” on it…and the instructions were on the bottom. Something something Heaven/Hell Gabriel/Beelzebub symbolism?? Foreshadowing for The Final Fifteen Minutes, maybe for season 3 itself????
- “You’re funny. I love you.” UH HEY JIMBRIEL. JIM CAN WE TALK ABOUT THAT. GUYS CAN WE JUST. DISCUSS THE LAYERS OF THAT. Not here, obviously, but at some point.
- The thing about writing an idiot is that they have exactly the wrong intelligence for the situation at hand. It makes them very funny. Even more so when their intelligence actually happens to be helpful.
- THE FLYYYYYYY
- Muriel!
- Oof. Sexy Bentley animations.
- “Now that I’m not reporting to Heaven” INGRAINED BEHAVIORS THAT NEED ADDRESSING, PERHAPS?
- I feel like we don’t talk about “six shots of espresso” enough. I realize it’s been like two days and there’s a lot going on but SIX. SHOTS. OF. ESPRESSO. CROWLEY. It expressly does not calm him down. Oh hey instrumental Bohemian Rhapsody!
- I paused just to fully take in the affronted look on Crowley’s face at “naked man friend” XD
- Crowley downs six shots of espresso in one go and then comes face to face with the exact being of his worst nightmare. No wonder he blows a literal lightning gasket.
- Aziraphale knows about Shax. Interesting.
- Ask him properly? Interesting turn of phrase. And Crowley leaps in immediately between them. Of course he does. Ask him properly meaning be threatening about it this time, I suppose?
- I. AM. DUSTING. ITS YELLOW. HHHHHGK.
- Crowley solution: get rid of the problem, run from it. Get away from it. Aziraphale solution: confront the problem, solve the problem, go charging into the helping of the problem. Hmm. Interesting.
- The whole “our exactlies are not the same exactly” IIIIINTERESTING.
- “I thought we carved it out for OURselves.” “SO DID I.” Y’all I cannot WAIT for the parallel gif sets. This conversation, the bandstand, the sidewalk, and The Final Fifteen Minutes. Phew. Knockout parallels.
- That was a surprisingly petulant lightning strike tbh
- Michael and Uriel sniping at each other. Somehow love it. BUT ALSO. This conversation has so many damn LAYERS now!! Heck!!!
- The floating armchair. Heck yeah.
- The distance between Muriel and the archangels, the way they talk down to her so thoroughly…heck.
- Like how the Resurrectionist matchbox has the skull and crossbones but also the Bible verse on the side. The two halves of the sign, brought together.
- MORE FLIESSSSSS
- Beelzebub’s tactic for trying to get Crowley to help find Gabriel is…interesting. I might have to make a whole separate post to analyze this scene. The matching chairs, the determined way Beelzebub’s pursuit of the hunt isn’t immediately suspicious, the flattery, but most importantly, it’s getting its own bullet point:
- The way Beelzebub shares the bit about Extreme Sanctions and how that is enough to flip Crowley’s Protect Aziraphale switch. He’s on the hook, because now there are actual stakes.
- I wonder, though, at how I didn’t immediately catch that Michael saying “anyone found HELPING him” was said. Anyone caught helping Gabriel. Why would helping an archangel be cause for Extreme Sanctions?? Surely it would be a good thing for anyone, even Aziraphale, to have kept a vulnerable Gabriel safe all this time. I’m chalking it up to first time watching excitement and sleep deprivation but huh. HUH.
- Anyway, back to Beelzebub; they immediately offer a reward to Crowley, a carrot instead of the stick. And Duke of Hell is on the table. Interesting. Weird. And their wording is anyone “involved in the affair.” Very slightly different context. Wouldn’t give away that Heaven is indeed on a manhunt (angel hunt?), but not for the exact reason you would expect.
- I wonder about the temporal implications of being erased from existence. And how this very serious and apparently mythological mode of punishment is coming back in season 3. Hmm. Hmm hmm hmm.
- Also Beelzebub’s “report to me first” I SEE YOU NOW
- Nina and Maggie’s lock-in is…hmm. The “no judgement” about drinking thing strikes me as something someone with a very religious upbringing would say to a friend who drinks. Bit clunky, lot condescending. Interesting way to get to a segue.
- Good old fashioned lover boy better have an amazing comeback next season XD
- LOVE seeing the onscreen effects for the text messages, love the way they’re like crumpled up notes, love the immediate energy that brings to this already suspicious relationship. Sigh.
- I knew “I’m back” had petty marital bickering energy from the trailer but I HAD NO IDEA HOW MUCH.
- Also brief moment of real sadness for how this is a rehash of “angel, I’m sorry, whatever I said, I didn’t mean it. Good? Yes? Get in the car.” Just smoothing over the rough patch so they can move on rather than. Yknow. Talking about it and fixing it.
- Also notice how the apology dance doesn’t actually involve saying “I’m sorry.” It’s more an admission of the other person’s intellectual or moral superiority. Which is. Funny! But also. Sad!
- Jim. Jim you were just outside earlier. Jim please.
- I notice the “little” miracle is done over the portal to heaven. Hmm. I thought at first maybe Jimbriel’s latent archangel abilities were at play but I much prefer the “together Crowley and Aziraphale are super powerful without meaning to be” interpretation, because it makes The Final Fifteen Minutes make SO much more sense.
- The miraculous plume is pink <33333
- The inherent comedy of “nobody will notice a thing!” *BLARING ALARMS* XD reminds me of “he’ll have an enormous hellhound with him! He’ll be easy to spot!” *cut to Dog* from season 1 :P
- Okay, final thoughts on this first rewatch: yeah the foreshadowing and scene-setting is impeccable. Great energy. Loving it! Picking up on so much more tiny hints and clues! Missing God’s narration but it really says a lot, actually, that She isn’t there anymore. No Agnes Nutter book for guidance, no scriptural references to necessitate God’s voice being present…different flavor.
Okay! Might do episode 2 tonight, as well, but I have Things to do first! We will see!
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