#me and my two other ruin enjoyer friends are GRIEVING!!!!!! /dramatic

[starheirxero]

People are either in denial or refusal to accept Ruin still being evil.

I'M PEOPLE 💔💔💔

[being-of-rain]

A torrent of random thoughts from my Classic Who watch, this time the first half of season 20.

I don’t know what fandom wisdom says abut Arc of Infinity (fandom wisdom isn’t something I give a lot of credit to anyway), but I’m not really a bit fan. The story structure is so weird, having a plot going on in Amsterdam and the Gallifreyan Capitol that don’t converge apart from the odd phone call until the final part. That said, the scene were the attack on the Tardis is intercut with the boys sleeping uneasily in a crypt was delightfully gothic. But apart from the production team once again taking as many opportunities as possible to show off their overseas location filming, most of the story was some rather dull Gallifreyan politics. It definitely felt like the Doctor should’ve ended up on Earth sooner. Nyssa almost feels like a new character with all the focus she’s forced to get when she’s the Doctor’s only companion. I don’t think she was written or acted as emotionally before she is when the Doctor is in danger on Gallifrey. Plus, it was cool to see her go on a killing spree (or stunning spree, whatever), which is a visual which sticks out in my mind when I think about this story. It’s cool to see Tegan investigating things on her own too, and cute to see the two companions happy to meet up at the end, even if the Doctor is hilariously but obviously annoyed at her rejoining them. That adds to my theory that he kinda left Tegan behind on purpose last story, an action that for some reason goes unaddressed and unexplained, but honestly it was probably good for Tegan to get some time to grieve Adric without the Doctor forcing her to repress everything. Do I just not like the Fifth Doctor? No, I think I just don’t like it when main characters have flaws that go so blatantly ignored. It’s nice to get a Leela reference and a Romana reference! I know the Doctor must have friends on Gallifrey, but it feels weird that Damon and Hedin are treated almost like characters we should know. Maybe it feels particularly weird because the story goes so unnecessarily hard on the ‘good guys are actually the bad guys’ fake-out. Also, some truly weird and unbelievable statistics are pulled out about the Time Lords. I know it feels extra weird now with all the EU content out there, but even for just the show thus far they felt silly. A Tardis recall circuit has apparently only been used twice before in Time Lord history. A Time Lord has only been destroyed (legally executed, presumably?) once before. And Borusa says “You know that capital punishment has long been abolished here in Gallifrey.” Didn’t the Doctor literally get put on death row previously in The Deadly Assassin?? Any other random points? Well, I don’t like to nitpick- no that’s not true, everyone likes to nitpick. I don’t like to let nickpicking ruin my enjoyment, but if a story brings up so many small points that it doesn’t satisfactorily answer, it starts to weigh it down. What exactly is the Ergon? How does the Doctor know about it and its name? What does the Ergon’s gun do to Tegan- teleport her dramatically? If so, why doesn’t it do the same to the Ergon later? The Ergon in general just looked funny enough to kind of ruin the aesthetic of the crypt scenes, sorry, which is a shame because the crypt aesthetic was one of the only things the story had going for it for me. I don’t know where ‘the spacetime element’ is an interesting or bad name for a piece of the Tardis console. Similarly, I don’t know whether I like the title Arc of Infinity- it’s a good title, but the arc is something that isn’t explained very well and doesn’t really have a large part in the story. Is there a little cafe on a walkway of the Capitol? Fun. And everyone talks about “No not the mind probe,” but nobody talks about the even flatter delivery of “Impulse laser?” near the start of this story from a guy who is about to be shot by an impulse laser. Finally, Omega himself looks great when he takes off his mask- gotta love Peter Davison in a black turtleneck. But things take such a turn in the last 10 minutes of the story. Omega has a quick scene where he simply enjoys some organ music and the view of a canal. It adds such a (sudden) tragic element to him, of a man who just wants to live in the real world again. Which is amplified when his final scene is played (again suddenly) extremely gritty, with the Doctor having to shoot him and cause his apparently agonising death. The last-minute tone shift is even more jarring when the show feels like it immediately chickens out on it, with the Doctor almost immediately after saying Omega might not be dead then ending the episode on a light-hearted note. I don’t often criticise the genius of author Nev Fountain, but I can’t help but feel he missed some obvious hooks there in his sequel audio Omega, in which Omega suddenly wants to return to his antimatter universe and leave the real one behind.

Snakedance! I think it’s not quite as good as Kinda, but it’s still really good! The way it creates a very believable and relatable world is so neat (maybe helped by my own interest in archaeology and ancient history studies which is represented in this). There’s always very realistic dialogue and acting. The plot is a little slower and more meandering than Kinda, and it’s a shame Tegan isn’t in it more (a downside Kinda shared). I don’t really have as much to say about the themes of this one like I did with the previous Mara story, though I’m sure they’re there. I’m left with just things to list off that I liked about the story. Part one has another fantastic cliffhanger, made better by the Fifth Doctor theme tune. Some of the Mara moments are genuinely unnerving, like Lon talking with Tegan’s voice. Lon is a great character, and I wish he was in more of it without being possessed tbh. But I did like how sometimes the Mara possessed people, and sometimes it likes to play on the temptations of people in order to manipulate them. I also liked the creepy moment that the carnival man is standing still in the dark cave to surprise someone, with the added irony that that’s what he suggested Tegan do at his hall of mirrors earlier. There’s a lot of altered states in this one; dreams, the sound machine, the snake poison, possession. And the use of sound could be very striking. The cutting between the noise of the ceremony and the calm of the Doctor meditating with Dojjen is very striking. And the same things with the fucking killer ending which goes from the intensity of the Mara trying to manifest to the silent horror of everyone recovering from it, followed by the end credits screaming in before you barely get a moment to process it all. I’m still not sure if I love it or not, but it sure as heck leaves an impression.

I spent ages looking for Mawdryn Undead and Terminus without the optional CGI special effects that were included on the DVD, because for some reason they’re hard to find online. I don’t know why people would prefer those versions: to me the old practical methods and less sophisticated special effects are not only part of the charm, but part of the original production and storytelling. It’s the same reason I enjoy the original versions of the Star Wars films rather than the many re-edits. Not so much because I’m a purist (at least I hope not), but because I like watching these things as products of their historical times as well as for their stories. Besides, the added CGI effects can often break my suspension of disbelief more than bad practical effects (even if it’s good CGI, which is not guaranteed) because it simply doesn’t look like it fits with the rest of the show. Also, literally who would want to watch Mawdryn Undead without the eye-wateringly horrendous original ‘80s training video effect behind Turlough and the Black Guardian when they make their dark deal. The new effect is the most boring thing ever and actually looks halfway good. Get that shit outtahere.

ANYWAY. Mawdryn Undead is a story of many different tones for me. This bit will mostly be me listing off random things in the story in roughly chronological order. The first episode almost felt like it could be a pantomime, though that’s probably mostly because of the Black Guardian in all his crow-headed glory, and the sometimes hysterical background music. If you haven’t watched the scene in the first few minutes when Turlough steals and then crashes the Brigadier’s car, please god look it up. Bloody iconic. It’s hilarious watching how quickly and thoroughly Turlough throws Hippo under the bus for stealing the car, but very satisfying for me personally who wants more deeply flawed and antagonistic companions. Also, my longest-running DnD character is called Hippo, so hearing the name bandied about felt so weird jsldkfj. It was kind of surprising how rude the Brig could be to students, but maybe that’s just what you’d expect to hear at a British public school. Considering how the Black Guardian pretended to have pure intentions, it was also kind of surprising to hear him shout “In the name of all that is evil!” at the end of the episode, but again maybe that’s just what you’d expect to hear at a British public school. I started vibing with the story way more than I expected when it became the Brigadier recounting to the Doctor the events of 6 years ago, which was when the Doctor’s present companions met him, and for the audience both plots were unwinding simultaneously. I love that kind of plotting in a time travel story. Makes it extremely satisfying to follow when the plots effect each other and weave together (eg when the Brigadier says he remembers the Tardis leaving without him, when actually his past self didn’t see that happen until part four). I also liked how the Doctor figures out something’s up with Turlough very quickly and takes a moment to show that he disapproves, but still keeps him around anyway. I imagine it’s a mix of wanting Turlough where he can see him, and wanting to help him. Speaking of what Turlough has going on, is it just me who thought it wasn’t made very clear that he’s an alien in his first story? There’s maybe a few lines that suggest it, and it was obviously the plan from the beginning since the following stories reference it, but honestly if I went into this not knowing he was an alien I’m not sure I would’ve figured it out by the end of this one. Why would Tegan and Nyssa assume that the burnt figure they find is the Doctor? It’s a kinda fun mistaken identity plot that adds to the many moving parts of this story, but obviously the burnt figure was imagined to be a lot harder to identify in the script. But I don’t mind too much when it’s followed up by Tegan’s healthy scepticism in the face of Nyssa’s panicked belief, and the Brigadier’s hesitant attempts to keep both sides happy. Tegan’s honestly very on point in this story. Watching through her episodes make me feel like she gets flanderised a bit in the audios as an argumentative woman who can’t follow a sci-fi plot. As time goes on, she’s shown a lot to be an extremely competent companion in the face of the Doctor’s adventures: see also Earthshock. The backhalf of the story gets a bit bogged down with everyone wandering around Mawdryn’s spaceship. Makes me feel like this would’ve been a very tight three-parter. But it is hilarious that there’s like half a dozen different factions with their own goals, and literally all of them want the past Brigadier to leave. So he spends ages getting shuffled round and out of the way, but he still ends up doing exactly what nobody wanted him to do at the end. The brigadiers creating their own temporal energy is a clever way to end the plot, but the fact that they coincidentally do it at the exact microsecond they needed to feels a bit too contrived. It feels like this could’ve been one of the best plots in Classic Who with just a few tweaks. Finally, the moral dilemma in this story is very interesting, but the Doctor’s response to it is even more so. It’s never brought up that killing Mawdryn’s crew is what he objects to, only that he doesn’t want to sacrifice his own future regenerations. He repeatedly objects to that aspect, and specifically phrases it as the end of him as a Time Lord. Could you say something about the Doctor preaching against the superiority of his people but then hesitating to give up their benefits? Maybe link it to this Doctor’s rather old world British aesthetic? I’m sure there’s other ways you could look at this situation too, since it’s such a complex moral issue.