#mayu shinjo
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Demon Love Spell Vol 3
#demon love spell#Ayakashi Koi Emaki#Mayu Shinjo#Miko Tsubaki#Kagura#comedy#romance#paranormal#demons#manga#mangacap
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Ai Ore! Love Me volume 2 by Mayu Shinjo
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"Shinjo Mayu: Exploitation of Mangakas by Publishers"
I didn't know what to start this blog with until yesterday, I woke up and read a tremendous article of manga artist Shinjo Mayu. I couldn't resist talking about this queen who has been shaking up the Japanese publishing world recently, and I would like to share her experience and thoughts.
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First, let's get to know Shinjo Mayu and how she has reached this point.
Shinjo Mayu (新條 まゆ) is a Japanese manga artist who was born in Nagasaki Prefecture in 1973. She graduated from Yukokan High School and made her debut in Shogakukan's Sho-Comi magazine in the special edition released on February 14, 1994, with "あなたの色に染まりたい." Her success skyrocketed with "Kaikan Phrase" (1996-2000), published in the same magazine as her debut, which was also adapted into an anime between 1999-2000, totaling 44 episodes.
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On May 23, 2007, Shinjo Mayu announced on her blog that she would be leaving the Shogakukan publishing company to become an independent artist. Without giving many details, she mentioned that she planned to experiment with different things.
Nearly a year later, she opened up and stated that she left because the demands from her editors were too stressful and degrading. She even disclosed being threatened by an editor that her previous works would cease to be printed if she left. Seeking legal advice, fortunately, her works continued to be printed. She has expressed that many writers feel dissatisfaction working at Shogakukan due to excessive pressure. Even her editor, when she began creating manga, told her that "she was a manga creator akin to a worm who would never become a serialized manga creator no matter how hard she tried." She revealed that as a mangaka at Shogakukan, she had drawn up to 120 pages a month with an average of 3 hours of sleep per day.
During this time, she has become a highly versatile manga artist, creating works spanning various genres such as shojo, shonen, seinen, and BL. Additionally, she oversees a comprehensive housing production called Maison de Cocon. In 2021, she started a new series titled "Nijiiro no Ryuu wa Megami wo Daku" which is available on various manga applications.
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Many authors, including Shinjo Mayu, feel distressed by the sudden passing of mangaka Ashihara Hinako. Even today, her case is still being discussed in the news and on social media. I will make a separate post about this topic, but in summary, Ashihara Hinako posted on January 26th on her blog a critique of Nippon TV because the television adaptation of her manga "Sexy Tanaka-san" was not faithful to her original work. She emphasized that she had repeatedly told Shogakukan to urge them to take action, but without success. She later deleted the post and apologized. However, on January 29th, her lifeless body was found in Nikko, Tochigi Prefecture, under suspicion of suicide.
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Since then, Shinjo Mayu has expressed that not a day goes by without her remembering Ashihara Hinako and what led to her tragic end. Through social media, she denounces the mistreatment that manga artists receive, specifically at Shogakukan. She mentioned that when she wrote the blog about her departure from Shogakukan, an editor told her that there was a meeting where they said they "should control the writers so they don't make such big statements." On the other hand, at Shueisha, they said: "Before something like this happens, let's find out if the writers are dissatisfied."
Clearly, there are very good relationships between editors, manga artists, and publishers. However, as we have seen, there are also times when relationships are not so good. But it was yesterday, February 14th, where she exposed the Japanese publishing world by publishing an article on note.com titled "The Era is Beginning Where Manga Artists are Being Exploited by Publishers."
She has firmly expressed that she doesn't care about the consequences her statements may have on opportunities with other publishers, although she feels it is necessary to do so. From their manga, manga artists only receive 10% of the profit. In the past, working with an editor made things easier for manga artists as they only had to worry about drawing the manga. Editors, on the other hand, took on many responsibilities such as promotion and distribution. This is how they consolidated their role in the publishing industry. Therefore, the remaining 90% of the profit was considered "necessary expenses." However, now, in the digital era of e-books, manga delivery is simplified as the manga artist only has to create the manuscripts and send them. The functions between the editorial department and the publisher have been divided. Publishers are now responsible for granting distribution licenses to platforms and transmitting data. Overall, publishers have less work than before, so what is the true involvement of publishers in e-books? The royalty rate for manga artists in e-books is between 15% and 20%, but few people receive 20%. Previously, negotiating to increase e-book rights put distributors in a very vulnerable position due to threats from Shogakukan, as Shinjo makes clear: "without manga provided by the publisher, there was nothing to distribute." But the situation has now reversed, and it is the publishers who ask for works to be converted into e-books. Over time, more authors realized that publishers were charging too much in terms of e-book royalty rates. In this way, the publisher becomes an exploiting intermediary. Distribution companies don't charge as much because they aren't the authors; but publishers, who own the related author rights, receive significant rates without doing as much work.
Shinjo Mayu denounces that publishers are paying very low salaries to their staff and encourages manga artists to seek fair and equitable compensation for their work. She also urges publishers to recognize and adequately support those who contribute to the creative process.
Currently, she works at the distribution company "ナンバーナイン," which has an editorial department. Therefore, the company itself is responsible for sending data to applications, conducting advertising, negotiating, and managing the data transfer and management process on behalf of the mangaka. However, their editorial department is responsible for providing feedback on manga, creating data reports, and offering advice and guidance. Shinjo Mayu considers these companies to be modern and flexible, so it's a good idea to try negotiating manga and distribution fees. In fact, she says that one can be a manga artist without needing to go through a traditional publisher.
I wonder if publishers could be in danger in the future for not offering their workers the respect and rights they deserve. I love magazines, but Shogakukan is getting a terrible reputation for not taking care of its artists (and for quite some time). Some are even encouraging a boycott of the publisher.
"Who can truly say they are supporting manga artists when those who work the hardest are the ones receiving the least money?" - Shinjo Mayu.
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Sources:
https://www3.nhk.or.jp/news/html/20240208/k10014352711000.html
https://www.sponichi.co.jp/entertainment/news/2024/02/07/kiji/20240207s00041000428000c.html
https://note.com/mayutan126/n/n54607a9ecd37?sub_rt=share_b
https://www.animenewsnetwork.com/news/2007-06-05/sensual-phrase's-mayu-shinjo-leaves-shogakukan
https://www.animenewsnetwork.com/news/2008-06-10/sensual-phrase-shinjo-explains-why-she-left-magazine
https://book.hikaritv.net/book/static/141015_magazine/data/index.html
https://twitter.com/shinjomayu/status/1755101152188969429
https://twitter.com/shinjomayu/status/1757622214437072975
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Oh yeah, have this sketch too, they made takumi take the picture after arc 1 act 17
#koukatsu's rambling again#digimon rearise#michi shinjo#mayu kohinata#keito tamada#frigimon#quaila hashimoto(oc)
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"We hold hands and i cry as we both never lived out the dreams we planned with each other, your throat was infected"
#rdl art#my art#takumi hiiragi#mon digimon rearise#mayu kohinata#michi shinjo#keito tamada#quaila hashimoto(oc)#digimon rearise#heat abnormal
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Like the Marquis - he's insane to me.
He appears to have been in love with FL. He did not cause her death but desperately tried to save her. And now he thinks he knows it's her, alive.
OK.
But like - all he does now is terrorize her, intrude into her space despite her repeatedly showing "I don't like you" AND he's planning to murder her favorite family member, a brother she's clearly super close to (and by extension ruin her whole family.)
How does he think that is gonna work out for him? "Rapes until she likes it" method of wooing is not usually successful outside The Sheik or Mayu Shinjo's Haou Airen but that's basically his next stop after his "terrorize her and kill her brother, she will totally jump into my arms and we'll cuddle it out" current plans.
LIKE IT'S THE SAME LACK OF LOGICCCC
Has it not occurred to him to - you know - fucking EXPLAIN?!
Is his hat so tight it cuts off circulation to the brain?
Ci Sha is a ridiculously hot man but this character isn't just gross, he makes no sense as a person with a functioning brain stem!!!!
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La creatrice di manga Mayu Shinjō denuncia le pratiche di sfruttamento dell'industria che "strangolano" gli autori giapponesi Shinjo cita alcune esperienze personali che indicano l'atteggiamento degli editori nei confronti dei mangaka. Info:--> https://www.gonagaiworld.com/la-creatrice-di-manga-mayu-shinjo-denuncia-le-pratiche-di-sfruttamento-dellindustria-che-strangolano-gli-autori-giapponesi/?feed_id=432387&_unique_id=65d059f6e860a #Culturaotaku #MayuShinjo
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Every Book/Manga I read in March 2023
The Sea of Monsters by Rick Riordan (Percy Jackson & the Olympians, Book 2)
Den of Vipers by K.A. Knight
Black Bird (1-18) by Kanoko Sakurakoji
Blinding Beauty by Brittany Fichter (Classical Kingdoms Collection, Book 2)
A Duel with the Vampire Lord by Elise Kova (Married with Magic, Book 3)
Curse of Shadows by A.K. Wilder (The Amassia Series, Book 2)
X 3•in•1 (1-6) by CLAMP
Nightfall by Rose Alexander (The Huntsman Clan, Book 1)
Darkness Watching by Emma L. Adams (The Dark World Series, Book 1)
Demigods Academy by Elisa S. Amore & Kiera Legend (Year 1)
Reflection by Elizabeth Lim (A Twisted Tale, Book 4)
Hunt the Fae by Natalia Jaster (Vicious Faeries: Dark Fables, Book 2)
A Touch of Brimstone by McKenzie Hunter (Magic of the Dammed, Book 1)
Poor Unfortunate Soul by Serena Valentino (Villains, Book 3)
Demon Love Spell (1-6) by Mayu Shinjo
A Witch and A Fish by Selene Charles (The Grimm Files, Book 3)
A Word So Fitly Spoken by T.A. Lawrence (The Severed Realms, Book 1)
Cinderella Soldier by Allie Burton (A Glass Slipper Adventure, Book 2)
Late as a Rabbit by Kendra Moreno (Sons of Wonderland, Book 2)
Soul Symmetry by J.L. Weil (The Raven Series, Book 3)
Court of Raven and Ruin by Eliza Raine (The Shadow Bound Queen, Book 1)
Ask Alice by Kell Frillman (The Tainted Wonderland Series, Book 1)
Demons by G.K. DeRosa (Darkblood Academy, Book 3)
The Fae King's Curse by Jamie Schlosser (Between Fawn and Dusk, Book 1)
The Faerie Mates by Michelle Madow (The Faerie Games, Book 3)
Crown of Blood and Ruin by LJ Andrews (The Broken Kingdoms, Book 3)
Beauty and Beastly by Melanie Karsak (Steampunk Fairy Tales, Book 3)
Satan's Affair by H.D. Carlton
The Queen's Crown by K.M. Shea(Magiford Supernatural City: Court of Midnight and Deception, Book 3)
Resident Evil: The Umbrella Conspiracy by S.D. Perry (Book 1)
Scarred by Emily McIntire (Never After Series, Book 2)
The Vampire Fate by Michelle Madow (The Vampire Wish, Book 4)
Crush by Tracy Wolff (Crave Series, Book 2)
#book/manga reading#kindle books#march books#manga#booklover#book reads#booksbooksbooks#books#reading
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Demon Love Spell Vol 3
#demon love spell#Ayakashi Koi Emaki#Mayu Shinjo#Miko Tsubaki#Kagura#comedy#romance#paranormal#demons#manga
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U FUCKiNG LIAR
GIVE BACK TO ME MY TEARS
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#haou airen#mayu shinjo#I'm rereading old shoujo mangas of my childhood#the story is so fucking dumb st my 26's but stil hurts me hakuron's death
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Rearise sillies
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(Tw implied impailment and the rearise kids dealing with blood and freaking out)
Hey, you guys remember that one time takumi watched us get hit by rasenmon FM? Crazy how he watched us almost die huh?
#rdl art#my art#artists on tumblr#quaila hashimoto(oc)#digimon rearise#takumi hiiragi#michi shinjo#mayu kohinata#rasenmon#tw blood#i fuckin guess its heavily implied but just to be safe
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Demon Love Spell
6 volumes.
Licensed by Viz Media.
Miko is a shrine maiden who has never had much success at seeing or banishing spirits. Then she meets Kagura, a sexy demon who feeds off women's feelings of passion and love. Kagura's insatiable appetite has left many girls at school brokenhearted, so Miko casts a spell to seal his powers. Surprisingly, the spell works - sort of - but now Kagura is after her!
Status in Country of Origin
6 Volumes (Complete)
Tags:
Apprentice/s
Bickering Love
Exorcism
Ghost/s
Human-Nonhuman Relationship
Kiss-Based Powers
Live-in Lover
Lust
Magic
Possessive Lover/s
Sealed Power
Shrine/s
Spirit/s
Tsundere
#Demon Love Spell#Ayakashi Koi Emaki#SHINJO Mayu#comedy#romance#shoujo#smut#supernatural#shojo beat#viz media#Margaret#shueisha#2008#2000s#manga#completed
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Sono Koe de, Sono Uta wo. Vol.1
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#Kaikan Phrase#manga#manga cap#mangacap#shojo#shoujo#mayu shinjo#shinjo mayu#manga girls#manga confession#manga couple
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Demon Love Spell Vol 1
#manga(visual)monday#demon love spell#ayakashi koi emaki#mayu shinjo#miko tsubaki#kagura#comedy#romance#manga
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