#maybe not a narrative foil but like. in my mind they are twin sisters

[evilmagician430]

billy in the big 2020s. read my tags for more information

[tomcats-fandom-blog]

“So let’s circle back to my old favourite punching bag: Age Of Ultron. Specifically the bit where Quicksilver dies. See, Age Of Ultron spends basically the whole movie trying to convince us that Hawkeye's going to die. He gets injured early on, sarcastically announces that he's going to live forever, and we learn he's got a secret family with a loving pregnant wife and two adorable kids and he stares at a picture of them before heading into the final battle. Then, when he runs into danger to rescue a kid and gets attacked by a gunship, Quicksilver zips in behind a car, gets riddled with bullets, says "you didn't see that coming,” and dies.

Couple of problems, and by a couple I mean... WOW.

So, category one, "the twist makes no sense." The movie shows us that Quicksilver is fast as Hell. I have NO trouble believing he could get Hawkeye to safety. But I do have trouble believing he couldn't ALSO get himself to safety. Like, did he... Carry Hawkeye most of the way to the car and then push him while he was still in the open? That seems kind of unsafe at those speeds. It makes more sense that he carried him behind the car, but then why was Quicksilver still out in the open to get shot? The movie doesn't convince me that Quicksilver had to die, and in fact gives me reason to believe he's absolutely fast enough to NOT die in this specific situation. We've seen what bullets look like to him! And it's pretty embarrassing for him to go out like a punk when barely a year earlier Days Of Future Past showcased exactly what a speedster like Quicksilver was capable of. Not a great look.

Category two, "the twist isn't as clever as it thinks it is." When your plot twist looks directly into the camera and cheekily says "you didn't say that coming,” please just... Stop. And maybe fire your writers. More importantly, I did see it coming and so did a lot of people. See, when you give us a lot of really obvious death flags on an important character but then introduce a bunch of disposable new characters, it's not hard to assume that you're faking us out. Vision and Wanda are famous for their relationship in the comics so they were both out of the death running, which just leaves us with Quicksilver, who's arcs are mostly centred in things like Magneto and the X-Men, AKA stuff Marvel doesn't have the rights to. Yeah, it wasn't hard to see that one coming.

Category three, "the twist is less interesting than not having the twist." I want you to picture for a moment, a world where Quicksilver existed for the events of Civil War, Infinity War and Endgame. He'd already started outgrowing his angry, jaded personality and had begun recognising the Avengers as heroes, seeing them do their absolute damndest to save Sokovia from a problem he indirectly helped cause. He started off hating Tony but changed his mind to side with him instead, recognising that all Tony wanted to do was fix the problems he caused. So, if Quicksilver survives Age Of Ultron he becomes an Avenger, most likely as fiercely loyal to them as he was to Ultron, just in time for them to tear themselves apart in Civil War. Say he sides with Tony, seeing the accords as just another step in Tony's journey away from being a weapons dealer he hated. It puts him in opposition with his sister, the first time they've really fought, and would be cool to see them fight! Even if it... Probably wouldn't last very long.

Say he survives the snap in Infinity War, the first time he's separated from his sister. The way they played out Endgame, during those five years there were almost no active supers on the planet. Thor was getting drunk and Hulk was getting therapy, but I don't see Quicksilver taking armageddon lying down. He could be doing his damnedest to keep the peace Flash-style, maybe even clashing with Hawkeye's one man vigilante crusade, a narrative foil situation, each of them responding to the loss of their family in very different ways. Maybe he's doing for Earth what Captain Marvel is doing for the rest of the galaxy, desperately running around keeping things working while the rest of the team searches for a real solution because he's the only one with the powers to do it. Then Wanda comes back after the snap and suddenly there's a five year age difference between these twins. Wanda's still mourning Vision, Pietro's just happy she's alive, and- My God! The emotional baggage they could unpack there. There is SO much potential here, but Age Of Ultron wanted a death and Pietro was available so... Sucks to be him. Bad twist.

Category four, "the twist has no meaningful impact." You guys notice nobody liked Quicksilver? Literally nobody but Wanda. And his death just made her kill Ultron-bots slightly faster than she already was. Quicksilver dies, Hawkeye lives, the cast expands by two instead of three, nobody mourns, nobody gets a funeral, nobody cares. Hawkeye grimaces sadly for a couple of minutes and then everyone puts on their Dark Serious Pants for Civil War. (And I'm pretty sure they don't even mention him in Civil War.)”

-Red from Overly Sarcastic Productions on “Why The Quicksilver Twist In AOU Is Poorly Written.” (Trope Talk: Plot Twists)

[linkspooky]

Maki and Megumi pt. 2

Maki and Megumi are distant cousins and two characters connected by their shared blood in the Zenin family, but usually they’re almost polar opposites. I discuss this in my previous post about the two. However, despite their differences or maybe because of them they work rather well together as complementary personalities. Here’s an analysis on Jujutsu Kaisen chapter 108 and why it was Megumi who showed up to fight with Maki. 

All of the fights in Jujutsu Kaisen aren’t just there fore the sake of showing off cool patterns, every fight and fight matchup has thematic meaning. That means there’s something the author has to say in comparing and contrasting whoever participates in a fight in Jujutsu Kaisen. 

We see Maki and Megumi fighting together again like they did in the Sister School Event, because they both have something to learn from this fight. The Shibuya Incident Arc is such an excellently planned out arc that there are several parallels already going into this fight.

1. NobaMaki Parallels

Ever since Gojou got boxed the theme of this arc so far has been that while individual strength is important, it’s not everything, and simply being stronger is never going to win you every fight. This is why we see characters who are strong individualists getting hit hard this arc. 

Maki’s entire current goal revolves around the idea of her own individual strength. The way she sees it, in order to fight for her place in the world, and prove her family wrong about her she has to get stronger than even the toughest Jujutsu Sorcery user in her family all on her own. 

This is something we see Maki has sacrificed several personal relationships for, including any kind of healthy relationship with her own twin sister who she was much closer to when she was younger. Now Maki’s bad relationship with Mai isn’t her individual fault, it’s the family situation that created the tension between them, and both Maki and Mai are bad at reaching out to each other or understanding one another. However, Maki even says as much to Mai that she has to prioritize herself. 

In Maki’s mind, rising up to the top alone is more important than anything else, even being together with her twin sister. Maki’s not wrong for thinking that way she’s just an individualist, she’s very strong and singleminded. However, an individualist mindset does not win the fight in every situation. Which is why her parallels with Nobara come into play this arc. Nobara, Maki and Gojou are all characters that strongly parallel one another they all seem to believe they can accomplish anything with their own individual strength. They are, highly motivated and confident individuals, and most of the time this attitude works for them but not always. 

Nobara is also someone who uniquely sympathizes with Maki’s situation. You can see her sympathy arises for two reasons, one Nobara’s always attuned to people who get judged by unfair standards (she hated the people in her small town for judging her only friend instead of getting to know her), and two because Maki fought back against that unfairness. 

Nobara tends to like people who fight back against their circumstances with everything they have. She tends to dislike people who succumb to their circumstances and lash out. She has almost no pity for them. (Just a reminder you don’t... have to sympathize with someone going out of their way to hurt your friend because they don’t know how to communicate their abandonment issues in a healthy way). This is the entire point of setting up the Maki / Mai parallel where Nobara sympathizes with one of them, and doesn’t sympathize with the other even though they’re both reacting to the exact same situation. 

It’s because the way Maki copes really really alligns with Nobara’s world view, which is that with self confidence and strength she should be able to overcome everything. Whereas, Mai who is part of the Kyoto school who tends instead cling to connections of other people around her. (To Mai, her connection with Maki was what was more important than being a Jujutsu sorcerer, hence why she feels abandoned. Mai’s so close to her Kyoto friends one of them literally tries to explain the situation to Nobara.) The Kyoto kids are in general known to be much closer and more trusting than the Tokyo Kids who all fight side by side, but tend to be distant. 

Two different ways to react to a situation. However neither one of them is wrong, and neither one will work for every situation. Which is why Nobara loses her first major fight in the Shibuya Arc so far, because her go to strategy was to use herself as a decoy and charge in alone. As a result she was taken by surprise. She was stronger than her opponent but strength was not enough. 

Now paralleling that situation we have had several comments in the last three chapters on how Maki is completely out of her depth. Yes, Maki is strong, however she’s still not quite there yet. 

Maki’s worldview is that strength is everything, so what can she do when she’s just not strong enough to contribute to the situation? Maki isn’t going to be as strong as two much older sorcerers when she is still pretty much just a kid. It’s impossible to become that strong that fast no matter how hard you push yourself. 

So, what Maki experiences is the frustration of reaching her limit. She’s strong, but not strong enough, and therefore she’s just getting in the way in this situation, and even had to be protected by a man she hates. 

Maki is getting picked on so relentlessly by characters here in order to put a crack in her world view. There are situations where her strength will not be enough. Even if she was the strongest person on earth (Gojou) she would still be caught in those situations. The solution isn’t to get stronger, the solution is to open yourself up to different possibilities and be flexible rather than try to solve every problem in one way. 

Maki even admits it. This was her mistake 1) refusing to listen to Nanami when he told her she probably should not be here, and 2) not going to meet up with Megumi because she wanted to prove herself. (Though in that dialogue she’s kind of also in denial about it, she says her real mistake is that she didn’t take it out fast enough but... the fact that Megumi saves her this chapter indicates that her mistake was indeed leaving Megumi). 

Maki’s mistake would have cost her her life, if Megumi had not shown up. Her narrative punishment is that one she’s put in a situation where despite being crazy strong, she’s just a burden to the others around her, and two isn’t able to overcome the situation with guts and her brash attitude alone and has to sit back and be saved. 

2. MegumiYuji Parallels

Megumi and Yuji are also strong narrative foils to the extent Nobara and Maki are. It’s no coincidence that literally right after we see Yuji lose a battle, Megumi comes in the clutch. What’s really interesting about this arc is that it’s a deconstruction of the piece of advice Gojou once gave Megumi. 

Gojou tells Megumi that he needs to stop downplaying himself for the sake of others, and instead learn to swing for the fences the way he and Yuji do. While this is good advice, once again it’s not entirely right. It’s also advice steeped in Gojou’s world view. 

Remember Gojou is someone traumatized by the fact that his only friend Getou went rogue and betrayed him. He once believed that as long as him and Getou were together as the strongest duo they could accomplish anything, only to be struck with his own powerlessness when Getou left and he could do nothing to save him, or make him stay. Gojou is someone who ever since then had a habit of taking everything on his own shoulders. Gojou’s advice is good to break Megumi out of his self sacrificial habits, but it also comes from a place of Gojou assuming that you’ll always die alone because nobody could ever fight alongside him after Getou left. 

Gojou’s decision to go alone into the subway system is the mistake that starts this whole arc up. When characters decide to cooperate together in this arc they’re rewarded, when they try to run ahead alone they’re punished. There’s a reason both Yuji and Megumi fought together before splitting off to fight on their own. 

This fight established that cooperating with another person is often harder than fighting alone, but also something ultimately worth it because strength would not have won Yuji this fight. The reason Yuji won is because Megumi’s strategy, and Megumi needed Yuji’s cooperation with him to overwhelm the enemy. 

Megumi, after unlocking Chimera Shadow Garden has developed into more of an individualist. He’s followed Gojou’s advice. The most important part of Gojou’s advice however isn’t that Megumi had to stop cooperating with other people and become more like Gojou, but rather the problem is Megumi’s way of cooperating with people is a tendency to sacrifice himself, and belittle himself for the sake of others. Megumi as a person is someone who is very repressed. 

There’s a reason Megumi was a delinquint in middle school, but is a very distant and quiet boy now. Megumi is someone who is always deeply angry, but instead of trying to deal with those feelings he represses them. He feels a deep hurt for being abandoned by his father, but insists to Gojou he doesn’t care. He feels deep protective feelings for his sister, but distances himself from her as much as possible. Megumi’s tendency to sacrifice arises from this, because he’s repressing himself. He thinks the only way he can help others is to sacrifice himself. However, true cooperation is what he did with Yuuji, it’s butting your heads together and both sticking up for what you believe in and finding a compromise between that. Getting along with people can often mean fighting with them too, and Megumi tends to be a very conflict avoidant person. 

In the current arc it’s Megumi whose grown in this particular aspect, and Yuji who hasn’t. The manga makes it clear that Yuji and Choso are pretty much neck and neck, the fight could have gone to either person. So, what is it exactly that loses Yuji the fight? 

This moment right here where Yuji decides that helping other people means sacrificing himself. He becomes more like Megumi, but is taking on a negative aspect of him rather than a positive one. This is also a flaw that’s been present within Yuji’s character from the start, he’s borderline suicidal sometimes in how willing he is to throw himself into danger and rather than focusing on survival he’s always trying to make peace with his death and find a good death. Yuji is someone who accepts his death far too easily, because he views himself as someone expendable. 

Yuji makes a decision midfight to keep fighting even if it means dying, instead of trying to live to the next day even though he promised Megumi this before the fight. 

That’s the flaw in Yuji’s logic. Him deciding to pull a heroic death in the middle of a subway tunnel isn’t helping anyone, whereas he could have made the decision to fall back and wait for help. Maki only got saved because Megumi was there to help him. In this situation mirroring Maki, Yuji was only saved because Getou’s surrogate family was there to help him. 

Yuji despite sacrificing himself for others is still really only thinking with an individualist mindset here. He’s making decisions without really thinking about how it will affect the people around him. Whereas, Megumi who has been the most cooperative character this arc, and also directly faced his tendency to take a dive so other people can succeed gets to show up in Maki’s fight. 

3. Future Predictions

There are several parallels between Maki and Megumi. Just to summarize, they’re both connnected to the Zenin clan. But while Maki’s entire life is dominated by the Zenin clan, Megumi doesn’t really care about his connection to the family. They both have sisters who are incredibly important to them. They also both chose to distance themselves from their sisters at one time, Megumi lost his sister to a curse and wants nothing more than to go back and apologize. Maki’s sister is still alive but she’s too prideful to apologize. They are both people who were taken in and helped by Gojou, Maki reflects Gojou’s ideology whereas Megumi is ideologically the exact opposite of Gojou and a much more cooperative person. 

They are set up as characters who have several similiarties, but almost always make opposite choices. Even from their family situations, Megumi was born outside of the clan but has a powerful Jujutsu Sorcery, Maki was born inside of the clan but was born with no Jujutsu Sorcery technique. 

The point of having such similiar but opposite characters together is so they can work together. They both have a lot to learn from each other, Maki has to learn how to more effectively fight in a team because there are going to be situations where her strength can’t solve everything. Megumi has to learn not to repress himself. Which is Maki’s greatest strength she never represses anything, because to her the absolute worst thing is the death of the self and having to let go of her pride. 

However, more than that Megumi and Maki being brought together now is likely because they are going to face an even bigger opponent than Dagan. Dagan is cute and all, but he’s not exactly someone who would bring about character development from them other than being a hard opponent to fight again.

However, one last similarity with Megumi and Maki is that they both heavily parallel Toji. Who just... happens to be running around right now. 

Maki and Megumi both share several flaws with Toji. He serves as a shadow archetype for both of them. 

The shadow exists as part of the unconscious mind and is composed of repressed ideas, weaknesses, desires, instincts, and shortcomings.

A shadow archetype is a character meant to highlight the repressed flaws of other characters. Toji is made up of Megumi and Maki’s flaws, but rather than being a work in progress as a person, Toji let those flaws utterly ruin him. 

For Maki - Toji parallels her in two aspects, one her desire to prove herself stronger than everyone else despite not having a Jujutsu Sorcery technique through her own strength alone, and two her choice to abandon her family members. 

Toji represents the extreme consequences of Maki’s choice. Maki is much more sympathetic than Toji, but she still displays unhealthy behavior that’s not going to be good for her in the wrong run. The thing about Maki is that she can have both, she can have both her connection with her sister, and also want to become strong enough to prove her family wrong about her. She just refused to compromise. Toji is someone who followed his own selfish desire to the end and regretted it. 

He thought the only important thing was being stronger than his opponents, and because he only lived for that strength, he abandoned everything else in his life, including his moral and his own son. Toji is a bad future if Maki continues to make that choice. 

For Megumi - Toji is Megumi’s father (obviously), and while he never raised Megumi they are similiar personality wise. They both repress themselves to an extreme amount. 

It’s not that Toji didn’t feel guilty for abandoning Megumi and killing people, it’s just no matter what he did he always repressed it and refused to face his actions. He was so good at denying his own feelings that he didn’t realize how much he regretted abandoning his son until he was literally at the brink of his own death and it was too late to change it. 

Megumi is also someone who tends to seriously regret things. He regrets the way he interacted with his sister, because now she’s gone he can’t apologize to her. Megumi and Toji are both bad at handling their own emotions, and especially their traumas. Megumi’s reaction to Toji’s decision to abandon him is to put a lid on all feelings related to his father and pretend he doesn’t care. 

That’s never healthy and it’s likely the lid is going to come off when he faces Toji again. Here’s my prediction for the arc, Toji is going to show up and it will be Maki and Megumi who fight together against them, because he’s a shadow archetype for the flaws that both of them need to overcome. 

[drnucleus]

I don’t know what to expect from IX. I’m really hoping it is endgame and they don’t just drop the romance angle, but it’s also kind of what I’m expecting? Like I don’t expect follow-through from it, even though I would love it if it happened

Hi Nonnie, 

I totally get it. I understand that completely. Do I think it’s endgame? Yes. 

However am I going into IX with any expectations? NOPE. I’m a fandom granny. No seriously I have lived through so many fandoms that I simply go in with no expectations. That way if what I think might happen if even in some small way happens then I will be super happy and overjoyed and if it doesn’t I am usually able to divorce myself from my disappointment and respect the creator’s vision.

As a writer and someone who was professionally trained to do so, I know that creators have a vision. They have an endgame in mind. And they drop breadcrumbs about it from the beginning and if you’re clever enough to see them you usually can figure out any story. 

This is why I ruin police procedurals for my mom. My dad and I made a game of it watching Law and Order as a kid growing up (and I mean OG Law and Order with Det. Lenny Briscoe). Whomever could figure out who committed the murder first won. We used to keep a running tally. My dad was really good at it, but when I got really into reading and started reading mystery novels and horror novels and other stories that rely heavily on mystery boxes I started getting better at it. We also watched Law and Order because my two actor 2nd cousins have been guest stars as defense lawyers idk how many times but that’s neither here nor there.

And tbh ESB’s twist of Vader as Luke’s father came as such a shock because IDK if even Lucas really knew he was going to do it until he did it. Luckily the story was vague enough in ANH that a throw away line about certain points of view was enough to close what could have been a crippling plot hole. 

My mom is an OG Star wars fan. Mostly bc she loves the pew pew and the lightsaber battles, and secondly because Harrison Ford is a very handsome and talented man (tbh my first crush was Han Solo and second was Indy).

My mom was there when everyone was UP IN ARMS about Leia and Luke kissing. And how that was SOOOOOO going to be endgame. Which originally Lucas had intended that Leia would be a love interest for Luke and that the twin sister would be revealed in 7, 8 and 9 someday. However during writing ROTJ and filming ESB he decided to really hone in on Leia and Han’s chemistry (granted Irving was directing then) but he made the narrative choice to make Leia the sister and Han her love interest. It simultaneously elevated Leia’s narrative importance and made her the leading lady of her own story on equal footing to her equally powerful twin brother instead of just being Luke’s sidekick love interest.

Even when I was a KID and I saw ESB it always kind of made me laugh that Leia’s response to Han goading her about liking him was to smack lips with the only other humanoid male in the room just to prove how NOT smitten she was with Han. (AND if that doesn’t make her simultaneously Padme and Anakin’s child I don’t know what will convince you otherwise).

TPM came out when was was 13 and a half which will be 20 yrs ago next May - HOLY FUCK. And I’ve been an avid reader since I could read so I had gobbled up countless numbers of books by then. I was in the theater with my parents and legit held my hand up over Ian’s eyes and gasped and tugged on my mom’s sleeve. 

“Mom that’s THE EMPEROR” and she was like “No honey he’s just a senator who’s now chancellor of the republic”

And this was still in the age of Dial-up internet and no IMDB. So I did my own digging and found our VHS copies of the OT and looked at the cast listing at the end of the movie. And saw the same name playing the Emperor as the man playing Senator-Chancellor Sheev Palpatine. Now the movies in the OT never actually say the Emperor’s real name. He’s just the shadowy, scary Emperor with lightning bolts shooting out of his hands. So like we knew in TPM that Palpy was going to become the emperor. Now say what you will about the Prequels but Lucas did do a fair bit of narrative arc planning with it than what he threw together with the OT. 

He knew we had to meet Anakin as a boy, see him as a caring and compassionate individual who is uniquely gifted in the Force. And that had circumstances been different he would have probably been the paragon force sensitive and balanced the force. However due to realistic flaws of all characters, good and bad alike, including flaws within Anakin’s character himself he falls prey to the darkside and it’s temptations and then becomes the very thing he feared.

Tbh next to TLJ, ROTS is right up there with ESB as my favorite in the saga. Sure the dialogue is wooden and clunky. Lucas is not a dialogue director. He’s a vision director. He has a scene in his mind, and he wants it played like that. Which is fine. He also came from a school of thought in the 1970s where sci-fi was pure camp and overdramatic. His style never really changed. The OT is so lauded because he didn’t direct all of them. He had other people come in and he had script doctoring and his first wife in the editing room taking his vision and turning it into a cohesive narrative. We seem to forget that Lucas was a young dude right out of film school when he made ANH. He barely knew how to string a narrative together and the early cuts of ANH were terrible and nowhere near what people saw in the theater. Don’t believe me? Google “how star wars was saved in the editing room” it’s a remarkable story about how Lucas’s first wife and principal editor basically made ANH into an actual story instead of a mish mash of ideas that it was before. The prequels had Lucas at the helm for all three. Yes by then he had gotten a hold of narratively what he wanted to convey, but he still didn’t always convey it in the most efficient ways.

But there are moments in the prequels that I’m stunned by their perfection. “This is how liberty dies? With thunderous applause.” as Padme watches in horror as the Republic becomes an empire before her eyes. It’s perfect to convey the horror she feels and her disgust at what the thing she’s fought for so long to just crumble and slip away. 

Or the entirety of the Anakin v. Obi Wan Mustafar battle. Visually STUNNING, and heartbreaking. You can feel how much neither of them want to fight the other but how they both are so entrenched in their now opposite ideologies that they know they have to fight. 

I’ve also been a fan of JJ’s for a long time. 

Sure he loves mystery boxes but he usually makes the answer SO obvious that most people ignore it. 

Like on Lost which I never actually watched save for maybe a few episodes, it’s pretty clear that something metaphysical is going on in that island with the crash. And there are clues dating back to the pilot as to what happened in the finale. 

In TFA we’re introduced to Rey. We’re given a mystery box of who is Rey and why is she important and who is her family. But we’re also given the answer. She’s no one. And that’s why she’s important. She is no one. She doesn’t need to have this huge galactic sized legacy on her shoulders to be important, to be special. SHE IS NO ONE. And that’s why the Force chose her as its vessel. 

Reason why is that she’s narratively the perfect foil for her counterpart Ben Solo/Kylo Ren. He has all that legacy and weight on his shoulders. They’re equals in power in strength, in light and darkness. They are complete equals. And TFA was all about establishing that fact. Now TLJ was all about deepening that initial connection. To get them both to scratch beneath the surface of one another, and get under one another’s skin. In doing so Ben learned that Rey just wants to belong, to be loved and have a place in the galaxy. And Rey, she learned that Ben is just as lonely, but has rejected his birthright because he felt rejected and abandoned by those who should have unconditionally loved and protected him from Snoke (which granted OT Trio tried but they def didn’t have great parenting examples either sooooo).

Now as an adult Ben is bitter, full of resentment and rage because the people he should have been able to count on fucked up royally. And I love that. I resonate with it because of my own experiences as an abuse survivor too. But even more so because it makes Han, Leia and Luke less perfect legends and more human. It makes them real and relatable that they tried to do everything right by their kiddo but ended up fucking him up.  Luke’s betrayal itself was the least shocking part of TLJ tbh. Like does no one remember him going ABSOLUTELY banana balls insane when Vader threatened Leia in ROTJ?

That kind of Skywalker level extra doesn’t just go away with age. 

And yeah Ben needed someone in the fam to be like “so kid, um, lets talk about this.” No one in the OT Trio is good at talking about their feelings. Luke tries to control his by just not dealing with it - the kind of thing you’d expect from a “pray the depression away” type. Leia ignores it and bottles that shit until it comes out as thinly veiled anger. And Han is the most ridiculous of the three with his constant hot and cold routine throughout ESB.

The ST is yes about the failures of the OT trio, the failures of the Jedi and the Sith. But it’s also a story about the force and it’s two chosen vessels. A girl from nowhere and the last scion of the Skywalker line. The fact that their connections in TLJ are coded as sexual awakenings is very indicative of where I think this is all going to go. The Force is basically the Skywalker Patriarch if we’re going on the whole immaculate conception with Shmi. And Ben fell from his path for years now thanks to the other Skywalkers falling from the path and inadvertently pushing him down the rabbit hole with Snoke, manipulating everything like a master of puppets. 

JJ himself even said he was upset that he didn’t get to direct TLJ because he loved Rian’s script so much. 

I have faith we’re going to get a hell of a finish to the 9 film Skywalker saga. With Reylo as endgame or not I think we’re going to get something truly satisfying that links all 9 movies together in a way that will have meta writers writing for years to come about all the parallels and thematic Leitmotifs within the narrative as a whole that encompasses technically 4 generations of Skywalkers (Shmi, Anakin, Luke/Leia, and Ben).

When Ben killed Han in TFA and you get that focused in shot of Adam’s face as the weight of what he just did HITS him and his eyes widen and his lips part, you see the exact moment he shatters his soul realizing that he just seriously fucked up. I leaned over to my best friend that night in the midnight showing and said “do you smell redemption arc?” and I’ve been on that train from day one. 

If he were truly irredeemable he wouldn’t have split his spirit to the bone by killing his father. He wouldn’t have cared to try to convince Rey to be her teacher in the middle of their battle. He wouldn’t care that Rey stares at him like she did that night and call him a monster. A real monster wouldn’t care at being called one. And is so very shook and pained by that moniker with his lower lip quiver and his eyes red rimmed. If he were truly irredeemable he wouldn’t have killed his master just to save the girl, he’d have just usurped power and shrugged her off instead of trying to convince her to stay with him. He wouldn’t have addressed her fear and insecurity of being nothing and no one while shaking his head and saying “but not to me”. If he were truly a monster he would have pulled the damn trigger when his had the bridge of the Raddus in his sights but couldn’t because he felt his mother’s love for him even after everything he’s done.

Has he done terrible things? YES. He definitely has. But he has the equal potential for amazing things as much as he has for the terrible things he’s done. And I for one will be happy to see him begin to even slightly embrace that potential by the end of ep 9. Reylo or no Reylo I’m sure I’m going to be happy with ep 9. There’s no way Adam and so many other brilliant actors would have signed on without at least knowing where this is all gonna go. Adam himself was hesitant to take on the burden of SW but was convinced to do so because of the complexity of Ben’s character. That to me says we’re getting something amazing in ep9. And I can’t wait.