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bananayuyu · 21 hours ago

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all tied up {part 1}

Pairing: Yunho x f reader

Genre: angst, eventual smut

Word count: 10.5k

Summary: You never thought you'd have such an awful rivalry with a coworker. How is he so mean, so petty, so under your skin...?

Warnings: smut, MDNI, mentions of reader wanting to die and past traumas, dub con/non con, reader is physically bound against her will, mean yunho, nipple play, fingering, unprotected penetration, after care of sorts (all the smut happens in part 2)

A/n: Well I had the goal of making this maybe 2k words initially, and now it's 22.4k so I decided to split it into two parts. Let me know if you'd like to be tagged for part 2, I will be posting it very soon! (and please read the warnings and don't read this if you aren't in the right headspace <3)

Read it on ao3

"Morning."

Your coworker's tone is cold as ice, as if he swallowed the winter air on his way to the building and was now spitting it at you.

"Hi," you grunt, not bothering to look up from your desk.

It was a biting, harsh morning, and the headache you were nursing wasn't doing any favors to your mood. Only minutes into your work day you already felt bleary, your legs still shivering from the short walk between the subway station and the twenty-story building your office rested in. In the mornings you woke it from its slumber; the lights in the lobby blinking on, even the heater rumbling awake as you walked through the door, as if it took a break from its job all night, too. It certainly felt that frosty in here, especially at 7am sharp, when you stumbled in before everyone else. You preferred this early shift and were thankful to be walking out the door so early each day, early enough that even in the dead of winter the sun hadn't yet set. The early mornings never bothered you; the solitude was tender and warm with you, even if the air was cruel on these freezing winter mornings.

The intrusion of your steely coworker was unwelcome, to say the least.

"Why are you here so early?" you ask, a sharp edge to your tone. You're bitter that you won't have your usual hour to yourself, especially given the meeting you are set to have with your boss in just a few hours. You'd needed this time to mentally prepare, and here he was ruining your plans, yet again.

"I figured I'd come in early to get work done before our little meeting with the boss," he replies, a slow sigh leaving his lips and betraying just how tense he is. Well, at least it wasn't just you. You had been dreading this morning since last Friday, when the two of you had your worst argument yet, prompting your boss to demand a meeting with you both. You had no idea what would happen; you'd never had your boss demand a scheduled meeting with you in the six years you'd worked here. Things were different now, now that you worked as a grant writer and not at the front desk, but still it was concerning. He always just met with people spontaneously, and the scheduled bi-weekly meetings for the entire administrative staff were the time where conflicts and confusion were dealt with. He'd never called just two people into his office like this; then again, no one at your company had ever butted heads like you two, so badly that it left the whole office simmering with frustration, everyone dreading the sour expression that permanently settled on your features by the end of each day. You were so different now, so changed from the calm and happy woman they all knew.

You stood to make your way to the kitchen, passing by his desk as you went to turn on the kettle, boiling water for your first tea of the day. This morning called for multiple cups, your throat scratchy and dry from nerves, your body depleted from your lack of sleep. You'd stayed up far too late with your best friend last night, rambling about the meeting, begging her to help you come up with an excuse to stay home. She'd laughed with you, throwing out a few random ideas, but she knew as well as you did that you'd be here today. As much as you dreaded it, you would only miss this meeting if you were on your literal death bed, your job meaning too much to you to lose it.

From this angle he had a perfect view of you, your face scrunched up in concentration as you set the kettle to temperature, placing other employee's dirty dishes from the sink into the dishwasher. You were too obsessed with organization, in a way that made him irrationally angry, but he couldn't stop watching you every day, watching the way you adhered so severely to your little routines, watching the way his interruptions cast your face in worry and made you snap at him. Today, like every Monday, you wore your favorite shoes, the black platform Mary Janes. Up your legs stretched your thigh-high wool socks, also black, held up by a ruffled stretch of gray lace at the top. Over your hips lay a gray tartan skirt, reaching almost down to your socks, leaving an inch of bare thigh exposed in a way he thought wasn't really work appropriate. And then there was your black turtleneck, tight and accentuating your obviously braless chest, the curves and shapes of your body not hidden in the slightest. He was watching you intently, waiting for you to finally notice, and boy was he not disappointed when you finally did.

"You've hid my mug, haven't you," you spit, slamming the dishwasher harder than you needed to. You hadn't seen it in the cabinet, so you'd gingerly searched through the dishwasher too, desperately hoping someone else hadn't used it the previous week and neglected to wash it. Not finding it in there was a relief in some ways, but immediately you knew who was at fault for its disappearance, and his dark chuckle in response to you confirmed your suspicions ten fold. "You're such a dick," you grumble under your breath, reaching for any other random mug in the cabinet, needing something to house the tea you desperately need.

"What was that?" he asks, his tone mocking you, knowing exactly the sentiment of what you'd said even if he hadn't heard you clearly. You sigh and roll your eyes, ripping open your tea bag and plopping it in the mug, gently pouring the steaming liquid over it. "You just love to blame me for everything, don't you, even if you have no proof." His voice is low, dark, and it makes a shiver run through you even as the steam of the water warms your face. "You're cruel y/n, so cruel." His tone of voice makes you feel trapped, even all these feet away, and you just freeze for a bit, your tea steeping a bit longer than it should have. A creak of the building snaps you out of it, and you fling the tea bag into the trash, gently blowing over the mug and taking a tiny sip, testing the temperature.

Finally you turn, catching a glimpse of him. Jeong Yunho, the newest addition to your little office, hired about six months ago now, you realized. The date hit you in the gut this morning; the year had flown by, especially the last half, and in days it would no longer be this year anymore, no longer be the ending of an adventure but rather the start, when you'd have to plan again, think again. His suit today is stone gray, the color only barely darker than his wool overcoat, his tie a dark navy that really just looked black. His shoes were dark navy too; which you only knew because of the difference in the toe box from his other black shoes, the ones he normally wore. It must be a special day, he must be heading to something important after work. Some sort of meeting? No, that wouldn't really make sense, you all didn't work in a field where meetings were held outside of work hours, in restaurants or bars. Unless the meeting was about getting out of here, finding another placement. Maybe a date? Who'd want to date such an asshole, though?

He was rich and good-looking. Even you could recognize that. And boy did it irk you, that he looked so good in his suits, that he wasn't too masculine or too feminine, that his nose sloped in just the perfect way, that his smile was soft and bright and so endearing. You hadn't met many people in your life who were so captivating at first glance, and sure, when he'd first started here a part of you hoped something might happen between the two of you. You'd eat lunch at each other's desks, excitedly discussing your newest grants or talking about your favorite shows, which of course, were the same. It was a blissful few weeks, a beautiful honeymoon of sorts. Of course it couldn't last forever; you landed your dream job, everything you'd been working towards finally coming true last year, a new perfect apartment with your best friend being the cherry on top. Of course this year a man appeared and tried to ruin everything.

The two of you work in silence until 7:45, when everyone else starts arriving for the day, led of course by Dr. Acharya, the supervising psychotherapist. Next is Tally, who gives you a short wave as she heads to reception, her horn-rimmed glasses peeking over the window to blow you a kiss when she finds the mug of tea you'd made waiting for her. Soon many others scramble in together; Marnie, Amir, Rua, and Keisha, each making their way to their individual offices to ready themselves for their first clients. Soon Jongho, in charge of billing and accounting, walks in too, sitting down at his desk next to Yunho. And finally Eliana stumbles in just before eight, her giant coffee in hand, her eyes slightly dark with panic like they always are as she rushes into her office. Your boss, Mr. Kangsoo, won't be in for another hour at least and the day lurches forward as the first clients of the day are brought back for their counseling sessions, the office breaking into a low hum that will stay with you until you leave.

Your digitizing task today is boring but necessary, and that headache isn't leaving you, even with the tea warming your throat and your favorite piano concerto comforting you through the morning. You always loved Rachmaninov in the winter. But even so, your mood was sour, too sour. Yunho and Jongho's comfortable chatter was making your blood boil, making it hard for you to focus on your stupid, tedious task. In a huff you stand, heading straight for the reception office, papers in hand.

"Hi hi," Tally greets you as you open her door, gently closing it behind you.

"Dude, I'm dreading this meeting," you say immediately, sighing.

"Why? I'm sure nothing bad will come of it, Mr. Kangsoo loves you," she says, canceling an appointment on her screen and typing out a note.

"I know, I'm just already pissy today, not exactly the best mood to be bringing to the boss's office," you chuckle, setting your papers on the corner of her desk. "I kept neglecting digitizing this pile and now I can't stop obsessing over it. And Yunho came in early today, and hid my fucking mug. Again."

"Did you see this?" she asks, grabbing a sticky note from the corner of her computer and holding it out to you.

Can you please let the pretty one know she's never driving me from this job, no matter how hard she tries?

"God he's such an ass," you whisper, making Tally giggle. "Thank god for you girl, I don't know what I'd do without you here."

"You're 100% sure it's Yunho?" she asks, eyeing you.

"Who else would it be?" you reply, rolling your eyes, making her laugh again.

"Well, I guess now 'the pretty one' has been told," she giggles, rolling her eyes too as she crumples up the note and tosses it in the trash.

"Like I said, he's an ass," you reply, not as quietly this time. A parent obviously waiting for their child snaps their head up, looking in your direction. They're maybe twenty feet away, and the window between the lobby and the reception desk is small, so you doubt they really heard you. But you balk in embarrassment anyway, silencing yourself.

"I should get back to my desk, I guess," you say, sighing as you pick up your stack of papers once again.

"Just ignore him," Tally says, smiling kindly.

"I'll try," you sigh, earning a disapproving look from Tally. "I will, I promise. You're right, I know, I should just ignore him," you answer, looking over to see the back of his head, his large hands crossed over each other and resting there on his jet black hair. Fuck him, you can't help but think. Everything had been going so well, and you'd never been someone who got into drama at work, ever. It was a point of pride for you for a long time, a huge reason why your boss gave you the position he did and trusted you to be a part of his team. Now it had all been ruined, by this fucking asshole, in his perfectly tailored suits.

The day dragged on, your mind spinning with anxiety. It wouldn't leave you until that dreaded meeting, you knew that, so you busied yourself with scanning and organizing the files, not bothering to try to get any writing done. There was no way you would, not in this state.

Finally your boss arrived, his heavy footsteps sending waves of dread through you, your stomach a fluttering mess. You hadn't been able to eat this morning, which was very unlike you; you could feel how weak you were from the lack of sustenance, the adrenaline making you shakier than it normally did. You stumbled on wobbly legs towards his office once he called for you, Yunho's presence dark and foreboding behind you, and you swore you heard him whisper 'behave yourself' as the two of you passed into the office. Your blood was boiling as you sat down, the two chairs facing the front of your boss's desk, your face a permanent scowl as you stared Yunho down, watching him settle himself down in the chair and spread his legs farther than he needed to, looking all too comfortable.

"Ok, to start, this is not to scare you, or fire you," your boss begins, already zeroing in on the dynamic between you; the cool and collected look of Yunho, and the angry, stricken look of you, your eyes deep with worry when you meet your boss's gaze. "You both know me, I don't really do this sort of thing. I don't need to control you all, to be a good leader." He sighs deeply, looking almost as pained as you do, like he's mulled this over for too long himself. "I just can't let this go on any longer. The conflict between you two is affecting everyone, and it's clearly affecting your own work, too. I can see it in the quality of your writing. You are both very smart, very good grant writers, and even so you've been doing a good job, but I know you both can do better. And this fighting, it really needs to stop." He sighs deeply again, shaking his head subtly, like his subconscious is trying to rid itself of the stress you two have caused him. It makes so many feelings bloom in your guts, but the overwhelming one is guilt, the feeling so entirely consuming that you have the urge to jump to the floor now and start babbling out apologies. But you stop yourself, stop the tears from coming, and taking a deep breath you regain some composure. You know your boss, and you know his cadence, so you know he has more to say.

"So, we're figuring this out today. I don't care what it takes, we're settling this. So tell me, why do you two fight so much?" His eyes sweep back and forth, eyeing each of you for any sign, any subtle movement that could give him some idea of what was going on. He had his own theories, but he really couldn't be sure, and due to his laid back nature with his staff, he hadn't been monitoring you two enough to really know. With a sigh he leans back in his chair, letting the silence hang in the room until one of you is willing to break it.

"Sir, I don't think she's liked me from the moment I started here," Yunho finally speaks up, leaning forward in his chair and setting his elbows on his knees, the casual and confident gesture making your skin crawl. "I think she's been trying to make me miserable, so I'll leave-"

"That is not tru-"

"I think she feels some sort of ownership here, cause she's worked here so much longer than m-"

"That is absolutely not true!" you cry, your shot nerves leaving you unable to control your volume. "I would never try to run someone out of the office that way, that's completely unprofessional! He's the one who started all of this, he's the one who leaves nasty notes for me and hides my things and puts me down constantly in every admin meeting, trying to make me look like an idiot in front of everyone! If we're really gonna go there, I think he feels intimidated by my experience here, by the fact that I have a clearly established relationship with everyone, that you and all the therapists like me, and that even though he has more experience than me I'm still writing better grants!"

"Y/n, please keep yo-" your boss starts.

"I'm sorry, sir, but he left a note for me on Tally's computer this morning! How unprofessional is that! Now he's dragging her into our drama too, which I promise you I've never done! I-"

"Oh sure, you've never complained about me to anyone in the office," Yunho juts in, rolling his eyes. "It's not like everyone here sides with you on everything, always. If it weren't for Jongho I think you would have made everyone in this office hate me by now."

"Everyone loves you here, what do you mean?" you shoot back, your eyebrows furrowed in frustration. "I never talk about you to any of them, not even Tally. Because I know it would be wrong. Maybe everyone sides with me on certain issues because I'm right, have you ever considered that?! And by the way, Tally thinks poorly of you because of her own observations, because she doesn't like the things you say to me. So that has everything to do with you and your shitty behavior-" you cut yourself off, slapping a hand over your mouth. Because as comfortable as you are with your boss, you never, ever curse in front of him. It's an unspoken rule in the office, and one you'd never struggled to follow before. Shame washes over you like a wave of boiling water, making your whole body begin to shake.

"I'm so sorry, sir," you bow your head to him, your eyes closed as you fight to keep yourself from bursting into tears.

"She's obviously quite emotionally unstable, sir," Yunho pipes up from beside you, and of all the things he's said recently it's definitely the most hurtful. Your head shoots up, a single tear racing down your cheek despite your attempts to keep it at bay, and you just stare at him, your face betraying everything you're feeling.

"There's no need for that sort of insult right now, Yunho," your boss scolds him. "I need you two to resolve this, not fight even more. So tell me about this note, what did it say? Why did you leave a note for y/n on Tally's desk?"

"I'm sorry sir, I understand," Yunho responds, his perfectly respectful tone and gestures looking so put on. "And honestly sir, I have no idea what y/n is talking about. I didn't leave any notes for anyone this morning."

"Oh, so you're going to lie right to our boss's face?" you ask him, your volume lower but your anger still evident. "Do I need to go grab Tally? Seriously?"

"Did this note have my name on it anywhere?" he chuckles, fixing you with a strong gaze. And if you aren't mistaken, there's some sort of twinkle in his eye, almost like he's enjoying this. Is it seeing you suffer, seeing the anger and sadness in your eyes that makes him feel joy? Or maybe it's just messing with you in front of your boss, forcing you to over-explain yourself to the point of looking hysterical. Whatever it is it makes you uneasy, your stomach feeling like it might fall out of your ass at any moment.

"Sir, it said, 'Can you please let the pretty one know she's never driving me from this job, no matter how hard she tries?" you say, exasperated. "He just said he thinks I've been trying to drive him out. It was obviously him who left that note." You turn your body to face your boss again, not wanting to catch even a glimpse of Yunho anymore, your eyes pleading with Mr. Kangsoo to believe you.

"Sir, I did not write that. I would never say something so inappropriate about a coworker," Yunho adds, and though you don't see it, he's staring right at you. Your boss sighs heavily, your eyes fixed to the way he's staring at Yunho, the lines in his forehead deep with frustration. He looks like he's about to start speaking but then stops himself, another deep breath moving through his lungs, before running his hands through his hair and leaning back in his chair again.

"God, I wish you two would just sleep with each other already and get it out of your systems," he groans under his breath, but you hear it loud and clear, your whole body on high alert.

"What?!" you snap, your response involuntary. You had respected this man for years, admired the way he ran this office with calm confidence and respect for everyone, and you couldn't believe something so inappropriate had just come out of his mouth.

"Y/n, I'm sorry, I don't mean to be gross. I just can't help but wonder if part of the issue between the two of you is, well, the obvious attraction," Mr. Kangsoo responds, sighing deeply. "I do sincerely apologize if I'm reading things incorrectly, or if that last comment made you uncomfortable. I don't in any way want to encourage my employees to sleep with each other, obviously, and that just slipped out of my mouth. It was inappropriate, I know. I just feel like I'm at my wit's end with you two, and I feel desperate to find some sort of solution. Because you both are incredible employees and I don't want to have to get rid of either of you."

"I'm so sorry sir, that this whole situation with us two has caused you stress, but I can assure you there's no attraction here. Only dislike," you reply, letting out a shaky breath.

"No attraction at all, sir," Yunho adds, making you feel disgusted at actually agreeing with him for once.

"Then why the constant arguing?" your boss asks.

"Like I said sir, he's been tormenting me-"

"She clearly has something against me sir, and I don't know what I could do to change tha-"

"You don't know what you could do?? Maybe stop being so mean to me!" you cry out again.

"Y/n, keep your voice down, this is my last warning," your boss cuts in, his face stern. "You know I see you as almost a daughter to me, you started working here when you were what, 17? And now you've finished your degree, made so many strides in the last few years. I'm proud of you and everything you've accomplished, but I'm struggling to feel proud right now, with how you've been acting recently in the office. It isn't like you. I know Yunho is at fault for this too, and I want you to know I've already talked to him about his comments made during our admin meetings. What he said a few weeks ago, insinuating that you didn't understand the "actual point" of your role in this company because you have less experience than him, was uncalled for. So was his comment earlier. But I see too that you are quick to jump on everything he says, to assume that everything he does has ill intent towards you, and I don't think that that's fair either. I know you're more mature than this," he finishes, his eyes soft as he looks at you.

"I don't think I am, sir," you squeak out, your voice breaking as more tears well in your eyes.

"Y/n, I won't have this. I need you to approach this like you've approached everything else in your life, with the goal of actually understanding it. Don't give up on this now," he says, his voice stern but encouraging in that special way only he can be.

"Sir, how am I supposed to feel watching you accept her hysterics?" Yunho asks, his face tense with annoyance.

"God, you're cruel," you whisper, curling into a ball on your chair, not caring that you're wearing a short skirt and you probably shouldn't be holding your legs this way.

"Yunho, you're getting on my last fucking nerve today," your boss snaps, and both of you have wide eyes of shock, Mr. Kangsoo not one to curse in the office, either. "This entire conversation went worse than I expected, and your uncalled for comments show me that maybe you're not as mature as I originally thought you were. You came in with great references, son, and you clearly are very smart, but you must realize you're up against someone who's been working for me for six years, and who has proven time and time again to be basically the perfect employee. This conflict is a blip on the radar for her, but for you it's been happening almost the entire time I've known you. I want to believe the best in you, but you must understand how this looks from my perspective."

You both just sit frozen, like two kids in time-out, your faces different versions of disappointment. Your eyes are slightly red from crying, and your knees are still pulled up to your chin, your arms squeezing so tightly around them that it hurts.

"I've had it with this conversation, I don't think this is going to work. Which I should have known, it's clear that conversation between the two of you always leads to conflict," your boss continues. "I'm sending you both home, right now, and I'm demanding that you figure out this thing between you, or I'm firing you both. You have a week. Do not return to this office until the two of you have sorted out your issues, and can promise me you will not fight ever again going forward," he states, his arms crossed over his chest.

You both gawk at him, your faces looking almost identical, as you try to take in what he's just told you.

"Sir, I-" Yunho starts, but even he's stumbling over his words with just how shocked he is. "I don't think this is fair, sir. You should- you can't force us to make up, that isn't going to happen. This- we- we'll both be fired by next week," he stumbles out, his collected demeanor finally shattering.

"With all due respect, son, this is my company. I can do what I want. And this is what I feel is best. So both of you go, now, I won't hear another word. Out," he demands, standing and nodding towards his door.

You rise without a word, your body shaking dramatically from the heaps of adrenaline still coursing through you. Silently you grab your coat and scarf, packing up your bag and slinging it over your shoulder, walking to the kitchen to grab your lunch out of the fridge. You make your way towards the front door, stopping briefly at reception to look at Tally, her curly hair hanging down as she furiously types away at a document. Finally she looks up and sees your face, her own twisting into concern and confusion.

"What happened?" she whispers.

"I- I don't know," you respond, shaking your head. "Ask boss about it, I'm sure he'll tell you," you sigh, wiping another tear from your eyes. "I can't stay, I have to go," you squeak, giving her a quick hug, before turning and walking towards the front door again, nearly bumping into Yunho. You don't give him the courtesy of an apology, instead storming past him, walking angrily towards the elevator.

And of course you take the elevator down together, the silence awkward and tense and indescribable. You know he'll probably be walking down to the subway station with you, and it doesn't even surprise you when he gets on the same line as you, heading the same direction. But when he gets off at the same exact stop and you feel him walking up the stairs behind you, you can't just accept it any longer.

"Are you fucking following me?" you spit over your shoulder, your eyes dark with anger.

"No, y/n, I live up this way," he retorts, pointing ahead of you two in the exact direction of your neighborhood.

"God, don't tell me we're neighbors," you groan, trudging down the street, the remnants of last week's snow still stuck in the gutters.

"You live in Arbol Village?" he asks, almost sounding impressed.

"On Maple street," you sigh, with a nod.

"Me too," he chuckles, shaking his head in disbelief.

"This isn't funny, you fucking psychopath," you retort, angry that he's still here in your proximity, and angrier that there's only one path up into your neighborhood from this side, and the hill that leads up is making you out of breath in a way that's nothing but embarrassing.

"And you say I'm the mean one," he responds, smiling as he shakes his head.

"I really don't get how you can be so blasé about this," you huff out, your footsteps heavy as you nearly crest the hill and enter your neighborhood.

"Workplaces are shit, this is how it goes. If I have to find another job, I will. But don't think I won't go down without a fight. Mr. Kangsoo is by far the best boss I've ever worked for, so I'm going to do whatever I can to keep my position," he says, his breathing annoyingly stable even after walking the entirety of the hill. Slowly you two start into the neighborhood, but suddenly he's turning down a path towards the second house on Maple Street, the large dark one with an almost Victorian structure.

"Of course the fancy one is your house," you sigh, seeing the ornate curtains covering only part of the front window.

"Come in, we need to talk more," Yunho says, beckoning you with his hands, but you can't be bothered.

"Fuck no, are you crazy?" you respond, already stomping down the sidewalk past his house, not bothering to look back. The last thing you could bear is his presence right now, and for some reason you feel like you're not totally in control of yourself anyway, your legs moving so firmly they'd probably still be going even if you protested. Yunho just sighs, himself drained from the meeting you'd just left, and not having the energy to fight more. Later today, or tomorrow morning, he promised himself, he'd call you and start sorting this out for good. But for now he just watched you grow smaller and smaller, your hair blowing gently behind you in the winter breeze, your legs looking weak.

Once you were home, two and a half blocks from your asshole of a coworker, you collapsed on your bed, passing out in moments. In the late afternoon you woke to the sound of the front door slamming shut, your roommate, Yunji, calling, "shit, sorry! The wind is crazy out there!"

"You're good!" you called back, but your voice made it apparent to her that it was one of those days where you needed to be left alone, so she didn't come into your room. You picked yourself up and stripped off your work clothes, finally freeing your thighs of the tight elastics that held up your socks, two red rings now visible on your skin. Automatically you brushed your teeth, grabbing your comfiest hoodie and sweatpants, and passed out in your bed again, not even eating dinner, not checking your phone. The sun had already begun to set, the sky outside rearing for another stormy night, and your body was lulled to sleep within minutes, your head buried deep into your pillows as you pulled your comforter over your head.

You woke in what felt like minutes, your room eerily quiet. The light looked bright outside, very bright; it was disorienting, both the quiet and the light, and you lifted yourself up, squinting around in search of your phone. You'd forgotten to plug it in last night, so it surely would be almost dead. You found it still in your work bag, hanging on for dear life with the battery at five percent. The time astonished you, 9am, and you gawked at yourself. No wonder you felt so disoriented; you'd been sleeping for nearly sixteen hours.

And as you finally sorted through your notifications, your shock over the time left your brain entirely. Because the shock of having a missed call from Yunho, having two missed calls from him, floored you, literally. You sank down to the ground, furiously clicking to see the times. One was last night, at about 7pm, and the other was this morning about an hour ago. This morning he'd left a voicemail too, presumably right after you hadn't answered. With shaky hands you clicked on it, holding the phone tight to your ear so you wouldn't miss a word.

"Y/n, I know you don't like talking to me, but we really should try to sort this out earlier rather than later. Please call me back as soon as you get this."

Well, fuck.

He sounded disappointed, and frustrated, and perturbed to even be leaving the message. But god was that voice convincing, even to you, the way he worded things so eloquently and politely, like he's genuinely a good and thoughtful person. It hit you hard while listening that maybe your anger wasn't justified, maybe you'd been unfair to him like your boss had said. The sneaking feeling had graced you many times over your months of conflict, but now it felt too strong to ignore. Did he really want to sort this out? It sounded like it. Why, why, why was this so damn confusing for you?

Your mind raced as your stomach growled, as you tried to get ahold of yourself. Still sprawled out on your carpet you felt exhausted, your body somehow still feeling pulled towards sleep despite the hoards of it you'd just been allotted. You peeled yourself up, standing carefully, moving towards your window to get a view of the backyard. Looking at the garden always calmed you, even in the winter when most of the flowers were gone. And as you opened your blinds you realized why things seemed so bright this morning, and why you were barely hearing a sound.

A thick blanket of snow covered everything, flakes still falling gently from the sky which was dotted with clouds. The sun shone through a gap in them, reflected bright off the entirely white ground. You breathed out a sigh of relief, knowing that everyone had been forced to stay home today, so your missing work wasn't really a disruption to the office. Whoever was miffed about having to take your early shift wouldn't have to, after all. It was like the world was granting you a favor, as you often felt that she did, and you were so thankful. Because this, too, was a great excuse to avoid Yunho longer. There was no way you could leave the house with so much snow outside; it wasn't safe. You breathed in a sigh of relief, shaking it out as you finally connected your phone to charge, slipping on some thick socks and gliding your way out to the kitchen.

After breakfast you popped back into your room, shooting off a quick text.

Y/n: I just saw the snow, I don't think I can come over. Let's see tomorrow.

Almost immediately a call comes through from him, but you let it ring out. There was no way you were going to waste this beautiful snow day talking to him, and you had a whole week to resolve this anyway. It gnawed at you, in the back of your mind somewhere, but presently you just couldn't find it in yourself to voluntarily speak to him.

Yunho: We can still talk on the phone. And we really should. Y/n: We should take a break from talking and cool off. For today.

That was how you were justifying it to yourself. You needed a break, deserved a break from him. You wouldn't be able to really resolve anything if you were still pissed, and with the shock of the morning's weather and your body's obvious need for even more rest, you just couldn't take it today. Plus, everyone else was getting a day off, why couldn't you?

Yunho: I disagree

You flip your phone over, setting it on your bedside table, and you walk away. You'd had it with him arguing with you over text too, and the idea of curling up on the couch with Yunji, sipping hot cocoa and watching your favorite movies, sounded too enticing. You were not going to think about him anymore today. It was decided.

And surprisingly you were mostly able to keep your promise to yourself, the day passing in all its wintery glory, your favorite tradition with your roommate leaving you just as content as it always did. With a gentle sigh you both finally stood up, moving to the kitchen to wash the dishes you'd made all day, finally putting away the snacks you'd covered the coffee table with. As you both walked past the window in the hall you stopped short, eyes fixed on the scene unfolding before you.

"Holy shit," Yunji said, grabbing onto your arm. You both were used to the snow here, having grown up in the next town over. But this snow, that now seemed to be three feet deep, was something you hadn't seen since the one glorious winter more than a decade ago. You were eight that year, and the day after Christmas it snowed furiously, continuing all the way until New Year's Day when the ground was so covered that everywhere you looked outside all you saw was white.

You hadn't realized it was snowing all day, that the sky had turned dark in the early afternoon with all of the cloud cover. You were both too engrossed in your fun to notice.

"Well, I guess we're not going back to work for another few days," she laughed, sighing at how lovely it looked.

"Thank god," you replied, sighing in relief.

"Has Yunho been giving you trouble again?" she asked, and you turned to her with a downturned smile.

"When is he not," you sighed, laughing.

"Hey, how did your meeting go, yesterday?" she asked.

"Fucking terrible," you reply, a frustrated hand running through your hair.

"What happened?"

"Boss said that if the two of us can't resolve our differences, he's letting us both go," you answer, sighing harshly.

"Oh my god, that's crazy! How could he do that to you??" she replied, eyes wide.

"Girl, I know. I don't even know how it got to this point."

She moved to hug you, knowing just how much this situation had weighed on you, and just how much your job meant. She'd seen it in your eyes, even if you hadn't always told her exactly what was going on. She knew how sensitive you were, and she couldn't believe your boss would say such a thing. Especially given the years of dedication you'd given to that office, that you so genuinely cared about.

"What are you gonna do?" she asks, pulling back.

"Well I guess, try to resolve it. I don't know how, though, every time we talk he just pisses me off and we fight. He's not reasonable about anything. He's always joking, nothing is ever totally serious. I saw him stutter for the first time yesterday, when Mr. Kangsoo gave us that ultimatum, but earlier in the meeting he was way too casual about everything. He was calling me hysterical and unstable, and, just, how the fuck does my boss think I'm going to solve this? That man is fucking impossible," you say, shaking your head.

"He sounds like a sociopath," she replies. "If I ever see him I will wring his neck, I swear to god."

"Well, you might. He lives in this neighborhood." Yunji's eyes go wide at your comment, her mouth hanging open. "Yeah, I know. He lives on our street, too, you know the fancy looking house that's second in from the road? Like if you're walking from the station this direction, the second house on the right? Yeah, that's his. I found out yesterday when I was walking home."

"How the fuck does a single guy in his twenties afford that?" she asks, baffled.

"He clearly has family money, he must. I'm sure he's made decent money for the past few years, but not enough to afford that. And all of his stuff, his suits and his briefcase and everything, looks expensive. And it's not like, shit that just looks expensive or name brand stuff. It's subtler than that, it just seems like everything he owns is so high quality."

"Fucking rich boys. I guess it isn't surprising, given how he's behaved. Like he's always gotten his way and never been told no."

"It really seems like it. Everyone always loves him, it's so annoying," you roll your eyes, thinking of every other staff member's reaction to meeting their shiny new coworker, and his easy demeanor, always saying what people want to hear. Except to you, it seemed.

"Well you can't really meet up and talk right now," Yunji says.

"No, but he said we should talk on the phone. I missed two calls from him, and he left me a message. But I can't bear to speak with him on the phone. I don't ever talk to my coworkers outside of work, no matter how close we are," you reply, shaking your head. "It just feels weird. I don't know what I'm gonna do, but I'm ignoring him for the rest of today."

"Understandable," she responds, squeezing your arm for a moment. "I should try to get some work done on my thesis, I guess, but you rest this evening. You deserve it."

As you both retire to your rooms, you sigh into your pillow. Despite the lazy day, despite the sixteen hours of sleep last night, you still feel tired. It must be mental, it's the only explanation at this point. And you know that means you should probably avoid your phone. But you reflexively check it; the anticipation brewing in your head isn't letting up.

You find two more missed calls from Yunho, and another text.

Yunho: How are we going to solve this if you keep ignoring me?

You suppose it makes you feel a little bad, a little guilty. Still, you can't be bothered to respond. You don't know why; you can't explain it. That feeling like you're not totally in control of your actions, like someone else is calling the shots, is back, and it really doesn't feel like something you can fight, or should fight. There's an eeriness about it, but it's so far in the back of your mind that you don't give it a second thought. After turning over your phone you climb into your covers, the light barely there outside as the evening approaches, the sky still covered in dark clouds and the snow still falling.

And just like that, two days pass. The snow has stayed heavy, making it unsafe to leave, the whole city quiet as few feel brave enough to venture outside. A desperate run to the grocery store calls a few, but thankfully you and Yunji have plenty of food in the pantry to last you a few days. She's taken the opportunity to really focus on her work, and you thought maybe you should, too. You never worked on grants at home, but you could bet Yunho was also taking advantage of the quiet time. You didn't really have anything better to do, yet you couldn't bring yourself to work at all, not when your head and gut were rolling with anxiety and fear and a crushing hatred of yourself. That first day avoiding Yunho had felt, well, not good, but justified. But the past two days, more missed calls and texts unanswered, you felt straight up guilty, and stupid. Not really for ignoring Yunho, as much as letting down your boss, which you knew you would. This couldn't be resolved; no matter what the two of you did you'd never get along, and it was clear that there was something in Yunho that made him unable to leave you alone. You hadn't particularly liked the last guy in his position, either, but the two of you had basically ignored each other, easily. But since his entrance to your office, Yunho seemed unable to not bother you, not leave notes, not piss you off every chance he got. And now you couldn't help but ignore him, even though you knew that doing so was fucking you both over, making it certain that you'd never return to that beloved office and your dream job.

You felt stuck. The literal fact of not being able to leave your apartment was eating you alive, making you feel scared and paranoid and vulnerable in ways you knew were illogical. Every little sound started to make you jump; you were losing it, slowly but surely coming apart at the seams. You swore you started hearing your mom's cat meowing for you, and once in the kitchen it sounded so real you spent minutes furiously searching the hall and your bedroom for her. You collapsed on the floor, waves of anxiety rolling over you as you held yourself in the fetal position, not even crying, just hyperventilating.

Yunho: You're being really immature and unfair by not responding to me. Not even giving this a chance of maybe working itself out

You hadn't responded to him in days, but something in you finally broke. It was in the way his words reflected how you felt about yourself, and the severe guilt that it brought you alighted in flames and suddenly felt like nothing but red, hot anger.

Y/n: Fuck you Yunho: Oh, so you are alive

Breathing heavy you stared at the screen, a sudden realization washed over you. You knew it was over; you'd maintained at least some level of professionalism up to this point, albeit not much, with him. Even when you fought in the office you didn't say anything personal or unnecessarily nasty. You only cursed at him under your breath, never loud enough that anyone could hear. But now you had said something nasty, in writing no less. Even if you both somehow made it back to work on Monday, he'd no doubt show your boss what you had said. And even with your long standing relationship with Mr. Kangsoo, you doubted he'd be willing to keep you on after seeing that.

So that was it. It was over. Logically you knew that you could find a new job, that this wasn't the end of your life. The new year was right around the corner, which was always a good time to find new placements. But you had studied communications and psychology specifically for this job, had dedicated years to learning everything you could about funding and mental health care and the ways your boss ran the office. Though it'd never been said directly, you had a feeling that one day you'd become his second-in-command, and maybe even take over running the place once he was ready to take a step back and retire. You loved this part of the city, loved living with your best friend here, and the commute was easy. You'd planned everything so well, yet it still was about to crumble in your hands. And with every passing minute, it felt like you were waiting for your life to implode, which made not being able to leave all the worse.

The next morning you woke to a call from your mom.

"Good morning," she answered, after your muffled and confused, hello? "Happy New Year sweetie."

"Hi mom, Happy New Year," you responded, rolling over to tuck yourself into the covers again. It had gotten bone-chillingly cold with the perpetual precipitation, and pulling the covers off in the morning felt torturous.

"Since you can't come down to see me today I thought I'd call. Are you two doing okay? Do you have enough food?"

"Yeah, we're doing fine," you say through a yawn. "We've got plenty of food, as long as this lets up in a few days."

"God, it better. I'm glad I got to see you on Christmas Eve."

"Me too."

"Are you doing okay? You sound off," she asks you, making your heart sink. She has no idea what's been going on; you've done an expert job of keeping it a secret from her, as you often do with your struggles, because you know she can't really handle it. You know she has too much to deal with on her own, and you never really feel like she gives you good advice, anyway. But with how you've been feeling mentally, hearing someone ask that has you panicking internally.

"Oh yeah, I'm fine, I just woke up is all," you lie, yawning again to punctuate your point. "I'm not really enjoying being stuck inside, I guess."

"That's not like you," your mom laughs, and you know she's shaking her head side to side the way she always does. "You used to always love when you were stuck inside, or stranded somewhere. Do you remember when you got lost at that theme park in Ocean City? When we found you at the ticket booth you were happy as can be. We thought we'd find you crying. The teenage boy who was watching you said you were quiet as can be, just sat in that little nook in total silence. You were such a funny kid." There's a mystical air to her tone telling the story, because she loves to reminisce in that way, and unfortunately you really, really don't. Because that was the time of your life when your dad was still around, and despite the years of therapy you still can't move past it all.

"Yeah, I remember," you placate her, sighing. You wish you could travel to see her today, just to calm her nerves and make her not worry, because her worrying is the absolute last thing you want. As you stare out the window you see the sky is a bit clearer, and there don't appear to be many flakes still falling. But the snow is still thick and there's surely ice everywhere. You're not even sure if the three separate subway lines you have to take to reach her house are still running.

"Well, sweetie, the weather report said the snow's finally supposed to let up today, so maybe you can get some fresh air soon."

"That sounds good," you mutter, rolling over in bed. "I should go make some breakfast, I'm feeling really hungry. Thanks for calling, love you," you finish the call.

"Okay, love you too sweetie. Talk to you soon," she replies, before you hang up the call.

New Year's Day. You'd forgotten yesterday what day it was, and had been sort of avoiding your phone because of Yunho's texts and calls. You hadn't stayed up till midnight, hadn't welcomed the New Year in any way. You were surprised Yunji hadn't said anything, but then again neither of you really were the types to party or celebrate holidays much. You both had bad memories of them from growing up, or good memories that had turned bad once you'd matured and looked back without your naiveté. And your face and posture were probably screaming 'leave me alone,' Yunji always able to tell if you were upset. You were thankful for that, thankful that she knew how to leave you alone when you needed the space. Really, what did it matter what day it was? New Year's was like any other day of the year, it just had the honor of being first in the lineup. So why was your head spinning so much? Why couldn't you stop thinking about what your resolutions should be?

The morning was strange, even with a delicious bagel and a warm cup of Jasmine tea. It felt strange seeing the sky after it had been covered for days; it even felt strange looking out your living room window to the front yard, the snow on the street gray and muddy and pounded down by the tracks of the few brave souls who'd trekked out or driven in this weather. You saw one neighbor diligently shoveling snow off her driveway, bundled up head to toe in a giant puffy jacket and boots that looked too big for her. Her head snaps up, and you walk towards the window to see what she's seeing; a snow plow was making its way down your street, the drivers finally able to start their work today now that the worst of the storm was behind you. Even the sidewalks looked not so bad, as the clear day had allowed the sun to begin melting the thick snow, the air hot enough that it might not be too icy out there. Something in you called at you to go outside, but the second you thought about it a wave of dread hit you, and you knew you'd be too scared. It would be another day stuck in here, another day avoiding Yunho's texts and feeling so guilty, and you weren't sure if you could take it.

It had gotten to that point now. It had been so long since you felt like this, like you'd rather die than live another moment. Now, just like the first time, you felt so ridiculous and shameful for feeling that way, looking around to see the physical evidence of your privileged life. Your safe and cozy apartment, the food filling the fridge, the brand new washing machine you'd both bought yourselves as a Christmas gift. How could this be so awful? You had all sorts of entertainment, anything you could need to keep you busy while you waited for these snow days to end. You could be updating your resume, starting the search for a new job. You could be calling Yunho back, and trying to find a way through your conflict. You could be doing yoga, meditating, making soup from scratch, reading, writing, learning a new language...

It all sounded horrible. Your mind was collapsing on you, but this time you're not a kid, this time you don't have a great excuse. You'd let some petty drama taint your every waking moment, and you didn't have anyone to blame but yourself. You were too scared to do the right thing, you could see that now, that back when this conflict had started you'd assumed your boss and everyone else would side with you, just because they already knew you. You'd let Yunho get under your skin, to the point that every word he uttered made you angry, letting him in so deep that there was no way out. Not now. You knew this wouldn't be resolved, because you couldn't do it; you could never admit these things to him that you'd just admitted to yourself. You could never apologize, never acknowledge that you played a part. You'd sat yourself staunchly in a position, the innocent one who'd been wronged time and time again by the aggressor, and stepping down from that pedestal would hurt you more than you thought you could bear.

It was the shame of fucking up. Of not being perfect. A conversation from therapy, from almost ten years ago, ricocheted to the front of your mind. 'You're quite a perfectionist, y/n. Do you realize that? It makes you avoid doing certain things, even if you know they're the right thing to do.' You can still see your old therapist's face, her glasses near the tip of her nose as she eyed you. How could you still be right where your fourteen year old self was? You looked like her too, your skin burning with embarrassment at how you hadn't realized that yourself. It felt humiliating to have to be told, because that in and of itself proved you were imperfect. That you weren't totally and completely self aware. The biggest shame you carried was knowing that despite how hard you tried, you never were very good at knowing yourself.

You laid face down on your bedroom floor. You didn't have the energy or motivation for anything else. You knew clinically speaking, this looked like the start of a depressive episode. But you hadn't had one in years now and were out of practice. What were you supposed to do now? All that felt okay was sinking more into your head, letting the darkness envelop your mind and take you on a ride through your worst memories, your heart racing despite your complete lack of physical exertion.

By early afternoon you'd had enough of that horrifying roller coaster. When you sat up your neck ached, your body screaming at you to never collapse in that position again. You felt jittery, restless, but nothing at home sounded appealing still, not in the slightest. Your eyes catch on your winter boots in the corner of your room, too big to fit on the shoe rack by the front door. And suddenly your mind is made up in less than a second. It was time to go for a walk, to get out of the house. Maybe the cold air would clear your mind.

"Hey, I'm gonna go grab some snacks at Smith's, do you need anything?" you call through Yunji's bedroom door.

"You're going out in this weather?" she asks, opening it.

"The snow let up a lot today, and I'm running low. And I'm feeling too cooped up. It's only five blocks, I'm sure I'll be fine."

"Ok, well, I don't think I need anything. I stocked up on Pocky last time we were there. Are we almost out of toilet paper or paper towels?" she asks.

"No, I just checked," you respond.

"Okay. Be careful," she says, smiling.

"I will, I promise," you say before walking toward the front closet, grabbing your big winter coat and zipping it up.

The outside air is a shock as it greets your face, making your cheeks turn pink almost instantly. The world is still bright, the sun shining the warmest it will all day, but you can see darker clouds off in the distance. You hope they aren't moving too fast; there is only a slight breeze in the air, and mostly it's just so quiet, even with a second snow plow heading down your street. It does feel relieving, a least a little, to finally be outside, and a part of you feels proud for actually going out, given how scared you were this morning. You feel like you're maybe proving to yourself that you aren't such a wuss, that you aren't so prone to avoiding things that one day it'll ruin your life. You walk briskly, your nerves buzzing as your heart rate rises to keep you warm.

It feels nice to be buying your favorite snacks, and you're able to get lost in the normalcy of it for a few minutes. The store is almost empty, so you try making light conversation with the one cashier working, his long hair covered in a beanie. Strolling back outside you're met with the chilly air again, a gust of wind nearly knocking you off your feet as you make your way through the small, empty parking lot. You could have sworn you were only in there for maybe ten or fifteen minutes, but the sky looks almost completely different now, those dark clouds having descended on your area. You start your way back up the hill, bracing yourself against the growing winds, when the sky lets out a low rumble that shakes you to your bones. Suddenly it's raining, the air warm enough to turn the snow into sleet, and it's soaking your face and your hat and your gloves faster than you can believe. The paper bag holding your snacks is disintegrating in your hand, and you shove it under your coat to try to protect it, the cold bag on your stomach making you shiver.

"Fuck, this was a bad idea," you mutter to yourself, shakily making your way finally into your neighborhood, crossing the street that separates the houses from the row of commercial buildings. Your whole body is shaking, your head turned to the ground as you try to avoid getting sleet in your eyes and try to avoid falling. You're moving much slower than you were on your way to the store, carefully planting your feet one in front of the other as you hold your snacks against your stomach. Your brain feels fuzzy, the wind whipping past your ears, and all you can manage to think is, 'just make it home, just make it home.' It's only about three more blocks, you should be able to make it just fine, if you just keep putting one foot in front of the other, if you just keep going, keep goin-

Suddenly someone has grabbed you, your body thrown up like a rag doll, your upper half thrown over their shoulder. You let out a guttural scream, the sound hoarse and weak and getting lost in the storm. You're furiously flailing your legs, wiping the water from your eyes to try to get a look at anything, your lungs heaving as you scream again, this time, "Let me go!!"

The grip on your legs only tightens after your outburst, and then you're hearing a door whooshing open, warmer air greeting you as you enter some house, your eyes able to make out hardwood floors and the large boots of whoever's holding you hostage. You're breathing ragged, trying to get ahold of yourself and figure out where the hell you are, and when you catch a glimpse into the front closet of this house you see those navy blue shoes, with that very unique toe box...

#ateez x reader #ateez fanfic #ateez fic #ateez yunho #yunho x reader

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silentscrying · 2 days ago

Text

🎸 out of my mind ! 💿 track two: kowalski, status report

guitarist!ino x drummer!reader

summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.

warnings: language, alcohol, mentions of drugs/drug dealing, toge bullying, unbearably cute dogs. || sfw. 9k words.

"I SHOULDN'T CUSS in this, right?"

It’s the day before the other four artists premiere their sets at Battle of the Bands, and you haven’t been home since six in the morning. You’re running on caffeine and spite and the pursuit of the story, parked on a high stool across the bar from the one and only Ieiri Shoko.

Toge leans on the counter beside you, opting to stand. He’s agreed to pay for the next snack run in return for you letting him be your partner. You both know you’re going to end up doing most of the writing, but you don’t really mind. Toge would if you asked him to, but you love this kind of thing in a way he just doesn’t. Plus, he’s better with a camera than you, and he’s taking photos tomorrow night.

You laugh, pulling out your phone to record. “You can say whatever you want as long as it’s honest. Be candid.”

“You might regret saying that!” Gojo calls from the back, and Shoko silences him with a glare.

“Are you coming or not?”

Gojo grins and finishes up whatever he’s putting away in the storage room, then strides out and leans his elbows on the counter.

“Do you mind if I record?” You point to the open voice memo app. “Makes it easier to quote you correctly.” You also just hate running interviews when you’re scribbling hand-written notes the whole time. You’d much rather have a genuine conversation and worry about the details later.

Shoko waves a hand airily. “No problem.”

“Absolutely,” Gojo says. “You can probably sell that for thousands.”

You set the phone on the counter, next to one of the tiny pumpkins scattered across it in celebration of the beginning of October. You and Toge bounce back and forth as you run through the standard start-of-interview checklist, having them spell out their names, getting their ages, hometowns, degrees, all that jazz. And then you launch into the stuff you really care about.

“So, you opened The Fix about ten years ago now, correct?”

Shoko nods. “Yeah, a little over two years after we graduated.”

You look at Gojo, whose eyes are even more alarmingly blue in the daylight. “And you were hired right away?”

“Utahime first, then me,” he nods. “Best for last, y’know.”

Shoko snorts. “We knew each other in school. I just took pity on him.” She smirks as Gojo’s jaw drops. “You can quote that.”

“Right, so all of you were friends in college. And you came together to start this place—what was the idea behind it?” Toge chimes in. “You said you studied nursing, Shoko?”

And you sit and listen as Shoko explains. Back in college, she was at the top of her class. By graduation, she’d been accepted to basically all the best med schools. She had her pick. She could do whatever she wanted. But she realized that what she wanted wasn’t that at all.

The medical field is brutal, she tells you. It’s all late nights and emotional burnout. People yelling at you, misplaced anger when you give them the bad news. Getting attached to people only to watch them waste away.

“I needed to get out before I got too far in. Maybe it was selfish,” she admits. “But I wasn’t cut out for it. I have so much admiration for medical professionals, but I couldn’t be one of them. A few clinicals and I was already feeling the consequences of giving too much of myself and getting nothing back.” She shrugs. “So I named it The Fix, as some kind of homage to the medical background. And I figured I’d just make sure it’s safe.”

Something sits heavy in her gaze as she stares at something behind you, middle distance, like she’s remembering.

“Why a college bar?” you ask, nudging the phone across the counter to pick up her voice better. “I mean, the extra security, thinking about underage drinking, dealing with a bunch of broke university kids. You could’ve just as easily opened a different bar in a more lucrative area. What was the appeal?”

She smiles crookedly. “Appeal. Well. My senior year, I was working in the local ER. And I saw… god. So many kids came in there needing their stomachs pumped, or kids who’d done laced drugs, gotten roofied, harassed, it was… I mean, it was a city university club scene. They weren’t safe. And I just felt like I needed to give them that. I couldn’t stay there as a nurse or a doctor. But I could do this.” She shrugs. “Sorry. That was probably way too much.”

“No,” you say quickly, smiling at her. “That was—that’s what we came here for. Shoko, that’s amazing. And it’s not selfish, taking care of yourself. You’re still here taking care of others.”

You don’t know Gojo well. Most of your stories about him come secondhand from Nobara, who knows him through Megumi. She paints the picture of a flamboyant, obnoxious bartender who’s more like a weird uncle to her than anything. From what you’ve seen of him at The Fix, you know this to be mostly accurate—he’s rarely serious, always taking flack from the students and giving it right back, ragging on Utahime, begging Shoko to play his playlist instead of Geto’s and knowing she’ll never cave. But now, as he listens intently to Shoko, you think you’re seeing another side of him.

There’s something troubled on his face as she speaks, like he wishes he could reach into the past and help. Like he regrets it.

The bar’s not the only thing that has a different side in the daylight.

“She’s right,” Gojo tells Shoko. It’s not much, but she looks up at him a bit surprised, something in her expression softening. A smile tugs at the corner of her mouth, not quite there but not quite not. “You’ve got a pretty big heart under all that RBF.” Shoko rolls her eyes, the moment over.

“What about you?” You turn to Gojo, nudging the phone his way. “Why a college bar?”

Shoko turns toward him, leaning a hip against the bar, just as curious as you are. “I think kids deserve to be kids,” he shrugs. “And if I—if we—can create a space where it’s actually safe for them to do that, it feels important.” His gaze shifts from you and Toge to the empty bar, the stage and floor and high-top tables that tomorrow will be full of music and laughter and students knowing they’re allowed to let loose here.

“There aren’t a lot of places out there that are exclusively for students,” he continues. “It’s this weird phase, college, where you’re figuring out who you are, trying to take risks without losing too much. It’s a lot. And you look at the crime rates, date rape drugs, theft, DUIs, in the city, and it’s just—this place gives them the room to learn and grow and mess around and have a good time without the danger of the… I don’t know. The outside world. Does that make sense?”

He drums his fingers on the countertop, then seems to abruptly remember the recording and stops. “I think it’s just… well, no one’s allowed to take youth away from young people. So that’s why I’m here.”

You wonder what Gojo was like in school. He majored in gender studies, which you’re pretty sure is what Todo is at least minoring in, too—you’re not sure how it’s applicable to anything, but Nobara says he likes to pull his diploma out from behind the bar and say he’s an expert in women. It seems a far cry from this rare, more subdued version of Gojo you’re seeing right now. You’d guess he’s grown quite a bit in the time he’s been here. And Shoko’s been here to witness it.

He’s not a business owner, like Shoko or Geto. And according to Nobara, he definitely doesn’t need this gig to make a living. He’s here because he wants to be.

“These last few years have been nice, in particular,” he offers. “Just ‘cause some of us have kids going here. I mean, you know the Fushiguros. Suguru’s got the twins. And I know Ino’s not Nanami’s kid, but they’re tight.”

“Wait, what?” Nanami is the bar’s primary security guy, a bouncer who never lets a fake ID fool him. He’s part of the reason this place is so safe. Toge spins to look at you as you blurt out the question, caught off guard. “Uh, sorry. I just didn’t—I didn’t know they knew each other.”

Shoko studies you with tired, intelligent eyes, and you can’t help but feel the tables have been entirely flipped. You’re the one being interrogated, wordlessly, by the woman across the counter. You feel like every thought in your head is scrawled across your face for her to read.

“Yeah,” Gojo says, unaffected. “Ino looks up to him a lot, I think. Even though he’s an old man who reads the newspaper for fun.” He snorts. “He’s a good guy, though. And Ino’s a good kid.” He finally clocks the way Shoko’s looking at you and cocks his head, appraising.

Thankfully, Toge cuts in with another question. “So, we’ll be around tomorrow for the bands and to take some photos and observe,” he explains, glancing at you to make sure he’s got the information right. “Will Geto be around?” You’d wanted both owners’ perspectives, and now that Gojo’s reminded you of the twins, you’re even more curious.

“Yeah, Suguru and Utahime will be here tomorrow night,” Shoko says. “And Nanami. Geto would totally be down to talk to you some other time, too, when it’s a bit quieter.”

“Amazing,” you say, pulling the phone back toward you. You’ll need details, follow-ups, but you need to process this first, write some things down while they’re fresh in your mind. ‘Thank you so much for this. We appreciate it.”

“Anytime, kid,” Shoko says, waving you off. “See you tomorrow.”

As you turn off the recording, Gojo and Toge have already devolved into conversation about the bands and predictions about tomorrow night. A few posters are scattered across a low table near the door, and you pick one up, smiling at the blocky lettering advertising Black Flash. There are posters advertising all of the artists, and they look amazing, straight out of one of the alt rock venues in the wider city.

“They’re sick, right?” Gojo calls, nodding to the posters. “I gotta hang those up, actually. Thanks for the reminder.”

You wave goodbye to Shoko and Gojo and lead the way out, Toge just behind you.

“Man,” he says, and you brace yourself, recognizing his teasing tone for what it is. “They said Ino’s name and you look like scared Bambi or some shit.”

“Shut up,” you mutter, elbowing him.

He holds his hands up. “I’m just living in pursuit of the truth! Like Kusakabe would want.”

“Is your camera battery charged for tomorrow?” you say in a blatant attempt at a topic change.

“Who do you think I am?”

“Toge Inumaki, chronically irresponsible student and—”

“Okay, sorry I asked, holy shit.” He sticks his tongue out at you. Then he hesitates, frowning, and then he’s pulling out his phone and calling someone in his favorites list before you can see who it is. “Hey,” he greets. “What? No, she didn’t kick me out. Hey. Hey.” You snicker and Toge glares at you, pressing the phone closer to his ear. “Yutaaa,” he whines. “Do you know where my camera battery is?”

—

Even when you’re not the one on stage, you live for Fridays at The Fix. Tonight you’re doing double duty—because of the dual elimination at the end of the round, all of the competing artists are here. It’s not a requirement, but you want to see what you’re up against, and the sentiment seems to have carried. You and Toge are also in reporting mode for your project story.

The band on stage right now is… well, you can’t say new wave metal is really your thing, but it’s definitely theirs, and the audience is loving it. The Cull, you write in your notes. Look up names.

You couldn’t make out the lyrics if your life depended on it. It’s three guys and a girl, vaguely familiar, but you’re fairly certain they’re seniors and absolutely certain they’re baked right now.

“God, this is loud.” Yuta winces, turning to face you, and then his eyes flicker to something over your shoulder. You divert your attention from the stage and just catch the brief commotion in your periphery. Nanami has a kid by the elbow, and he’s escorting him out the side door, expressionless. The kid’s obviously drunk out of his mind, tripping over himself, shouting something that Nanami doesn’t bother to respond to.

Maki follows your gaze and wrinkles her nose up in distaste.

“Who’s that?”

“My cousin,” she says flatly. You glance quizzically at Megumi, who is definitely standing five feet away and not being escorted out of the bar.

“Dude, how much family do you have at this school?”

She sighs. “Just Mai and Megumi and him. Naoya. He’s a piece of shit.”

“Clearly,” Toge says. “He broke the M theme. No respect for the family alliteration.” Maki kicks him in the shin.

“One last round for The Cull!” Panda calls from the stage, and your ears slowly, very gradually stop ringing with the raging new wave music. The stage techs get to work behind Panda as he introduces the next group.

“Up next, making their debut, we’ve got a sophomore girl pop trio. Give it up for MOTION CAPTURE!”

There’s a big cheer from the bar, and you turn to see Geto grinning. Three girls take the stage, the blonde one grabbing the mic and adding, “All caps!” The girl beside her is very obviously her twin sister, though her hair is straight and dark while the blonde’s is tugged into pigtails. Light and dark. The girl on keys has a long, black bubble braid that she pushes out of the way as she settles in to play.

The blonde plugs in her electric and calls out, “Alright, I’m Nanako.” She tests out a chord, the sound reverberating, filling the bar all the way up to its high ceilings. “That’s Mimiko, that’s Remi, and we’re just here to have a good time.”

“Hey,” a voice says behind you, and you jump. You turn to find Takuma holding two drinks, offering one to you.

“Oh! Aw, thanks, you didn’t have to do that. How much do I owe you?”

He rolls his eyes. “Nothing.”

“Takuma—”

“Nothing,” he reiterates. “Anyway, The Cull. Thoughts?”

You take the drink and try it while you think on your answer—it’s the same thing Nobara got you last week. How did he know?

“I didn’t really understand any of the lyrics,” you admit, shrugging. “They weren’t bad. Not really my genre. Do you know them?”

Takuma shakes his head. “I had a gen ed once with that Rin kid, but I don’t know the other ones. These girls aren’t bad, though.” He’s right—they’ve launched into an Olivia Rodrigo cover that’s actually decent. They could work on their voice control, but they’re young and fun and having a good time and working the crowd, and that’s what it’s all about, isn’t it?

You sing along, alternating between your drink and exchanging quips with Toge and talking with Takuma. You like this new balance between your band and his, the easy camaraderie.

When the girls wrap up their set, you whoop and cheer and Kirara shamelessly watches Hakari move things off the stage, arms bare in his cut-off tank.

“You’re subtle,” Takuma tells her, and she tugs his beanie down over his face.

“Hey!”

You grab his drink before he can spill it and grin as he yanks his hat off and readjusts it. His hair is a fluffy mess underneath, and it’s kind of endearing.

When the girl pop trio is done, two guys take the stage, one in white and one in black. They’re clearly related, dark hair and pale skin and piercing eyes, and Panda introduces them as the Kamos. You don’t know if they’re brothers or cousins or what. But they’re good—they sing a few alt rock covers, play guitar.

“Damn,” Nobara sighs, a little longingly, her gaze settling on Choso as he takes over the chorus. “They’re…”

Beside her, Yuji wrinkles his nose. “Dude. That’s my half-brother.”

Nobara hums noncommittally. “And?”

He groans, tipping his head back and staring at the exposed beams of the ceiling, run through with colored lights. “Why does this always happen?”

Toge is taking more photos of them than is strictly necessary, considering your story is about the bar and not the band, but you let him have this. Scattered throughout the crowd are more kids with cameras, freshmen from the entry-level reporting classes with big underage stamps on the backs of their hands. Somebody mistook Toge for one of them earlier, and Maki hasn’t let it go all night.

You jot down atmospheric notes on your phone, little things that’ll help set the scene for your project lede, keeping an eye on the bar as much as you can. Geto has jumped in at the bar, which he usually does when the place gets busy, and Gojo is terrorizing Utahime again.

“How’d your interview go?” Takuma asks, nodding at your notes. It shouldn’t faze you so much that he remembers what you told him about your story, but you can’t help the little kick of your heart in your chest at the reminder.

“Good! Really good.” And then you catch sight of Nanami, back at the door after calling a cab for Maki’s asshat cousin. “Actually, Gojo mentioned you.”

Takuma’s brows shoot up. “Gojo? Why?”

Nanami has always seemed incredibly reserved, stony and silent in a way Takuma has never been. You don’t want to pry, but you’re also curious about the relationship between them, how they met, what they are to each other. The journalist in you wants to know.

And then there’s the part of you that just wants to know Takuma.

“Well, he was talking about the twins and the Fushiguros, and he kind of mentioned something about you knowing Nanami?” You try to sound casual, jerking your chin toward the door where Nanami is posted, like a tall, blond guard dog.

“Oh,” he says, surprised, but he shrugs, not seeming too alarmed by the question. “Yeah, I’ve known Nanami for… a long time. He’s kind of a mentor. He’s the reason I met Fushiguro in the first place, actually, ‘cause of him knowing Gojo.”

You’re considering asking how exactly they did meet when the Kamos wrap up, Nobara staring up at them dreamily, and the stage clears out for the final artist.

Whatever questions you had are thrown out the window, because you know who this is. Everyone knows who this is.

Fifth-year student and resident SoundCloud rapper, Ryomen Sukuna. Or D!SH0NORED1, according to the posters.

“Oh, here we go,” Megumi groans.

Despite his reputation on campus, you don’t know anyone who’s actually close to Sukuna, except Uruame. You mostly know that he deals at the skate park and that he’s clean about it.

And that his raps are truly, genuinely horrible.

He lets Panda give a stilted introduction and launches into a verse, mic too close to his mouth, making hand gestures or stepping to the beat of his backing track. His tattoos are even more stark and bold under the stage lights.

“My blood type’s B, your type is me, my zodiac Caprisun, it might be controversial but you’re still lookin’ at me, son!”

“Oh, sweet Jesus,” Kirara mutters. “I’m gonna bleach my eardrums.”

“Caprisun?” Nobara whispers. “Oh, dude.”

You might be a terrible person for thinking it, but watching this guy’s performance makes you feel infinitely better about your odds of advancing in the tournament.

His final song is a new one he introduces as Frosted Flexin’, and Maki looks like she’s about ready to keel over dead.

“Frosted flexin’, I'm the cereal king, pourin' oat milk in the mix, yeah, I'm doin' my thing,” Sukuna spits in his low voice, swaggering up to the front of the stage. You are trying so hard not to lose it.

“Sukuna being an oat milk truther wasn’t on my bingo card,” Toge says.

“Got the swag of a squirrel and the brain of a dove, call me trash, but you're still showin' me love.”

“Thoughts on the amount of swag a given squirrel possesses?” you ask Takuma. He laughs, loud and bright, and then seems to very seriously consider the question.

“I don’t know if campus squirrels have swag. They live in luxury. They probably eat better than we do,” he says. You can’t argue that—you did once see a squirrel outside your sociology class run by with a full bagel in its mouth. “The wilderness squirrels, though, I think they got a scrappy kind of swag. Like, I wouldn’t cross them.”

You nod sagely. “I want them on my team in the apocalypse.”

He nudges you with a shoulder. “Am I on your team?”

You glance at him, make a show of looking him up and down. Maybe you’re imagining it, but you think he’s blushing a little. “I don’t know. How fast can you climb a tree?”

Sukuna is nearing the end of his song, now, saying, “Off-tune, out of sync, yeah, I know it's a sin, but you'll play it back twice 'cause I still might win.”

He actually, physically drops the mic and Hakari swoops in and catches it, clearing his throat and saying into it, “Yep, friendly reminder that equipment’s expensive! Everyone give our last artist of the night a hand, yeah?”

There’s scattered applause and more than a few confused faces as Sukuna lopes off stage, and Panda hops back up to explain the voting system for anyone who wasn’t here last week. “QR codes to the Google form are posted around the bar,” he says.

Out of all eight artists, the bottom two will be eliminated. You’re nervous. But voting was open last week too. You can’t vote as a member of the band, and it’s all done through school Google accounts to avoid double votes or the link getting sent out to non-students.

“Open until tomorrow morning,” Panda reminds the audience. “Results and second round schedules will be posted on the Instagram at some point tomorrow! That’s it for this Friday at The Fix. Have a great night, folks. Get home safe.”

Gojo whoops dramatically from the bar, and Panda gives him a weird look before getting off stage.

Your friends start heading toward the door, and you grab Toge and excuse yourself to catch Geto at the bar. Gojo sees you first. “The newsies!” he calls.

“Like the musical?” you say in lieu of a greeting. “Banger soundtrack.”

“I could dance on newspapers,” Toge says.

“Geto!” The Fix’s other owner smiles at you, soft and genuine. Part of his dark hair is pulled back and the rest hangs loose over his shoulders, a stark contrast to Gojo—like the Kamos, you think, or like Nanako and Mimiko. Light and dark. “We were wondering if you’d be down to set up a time to talk. Has Gojo told you about our story at all?”

Geto smiles, drying a glass and leaning against the bar. “He told me he’s gonna be the front page of every paper in the city, which I assume is a horrid exaggeration,” he says. Gojo looks affronted. “Shoko mentioned you’re doing a feature for class, though. I’d be happy to.”

“We have our Monday night class time open for field reporting the week after this one,” Toge offers. “Will you be around?”

“I will indeed. Utahime, too, if you want to speak to both of us. And Gojo won’t be here, which might be beneficial for you.”

“Suguru,” Gojo gasps, pretending to stagger back. “You wound me.”

“Mhm,” he says, unaffected. “What time works best for you two?”

You set up a time to interview Geto and Utahime, then say goodbye to him and Gojo and run to catch up to your friends. It’s a nice night, and since you didn’t have to deal with instruments, you all decided to walk.

“How goes the… journalisming? Journaling?” Takuma asks when you fall into step beside him.

“Good, all good. Reporting is maybe a better word, but valiant effort.”

“I like journalisming. Can you just submit words to the official dictionary? I’m gonna do it.”

“No,” Toge says, and you blink. He shrugs. “What? I tried once. But the only submission form I could find was for the Bureau of Linguistical Reality and it wasn’t like, a legitimate dictionary form. There’s all these requirements, it’s horrible.”

“What word did you try to submit?” you ask warily, not sure if you actually want to know.

“Some things,” Toge says solemnly, “are better kept secret.”

The night is hazy, only small rays of moonlight piercing through the cloud cover, and you make your way through the campus roads guided only by the streetlamps and Maki’s reliable sense of direction.

Part of you wants to ask Takuma to come over, or Yuji to insist the band come over to his place again, just so you can keep talking. But you have work to do, things to write and transcribe, lists of follow-up questions to make, and that’s only your workload for this one class. You still have exams this week, and you need to study now so you can balance it with rehearsals. Assuming you actually advanced to round two, that is.

And part of you worries you might be taking this too fast, too. You don’t typically integrate people into your life so quickly. You like spending time with Takuma and Kirara and Yuji and even Megumi, though he’s pretty quiet. You just don’t want to jump in too far too fast.

At your place, you say your goodbyes and head up to your room to get some work done. Toge uploads his photos and puts them in your project folder on Drive. And you spend the night doing what you do best, aside from drumming—writing.

Youth for the young: JU alumni run safest live music bar in city limits

You don’t even notice the time until it’s past one in the morning, and you’re nearly asleep at your desk. The dark has crept across your room, the only source of light the desk lamp and your laptop screen. Finally, you push the computer shut and flick off the light, flopping into your bed. A few missed messages pop up when you hold your phone up, wincing at the bright screen.

takuma: just letting you know i made the treacherous journey home safely takuma: many miles of hardship takuma: thought i was gonna die halfway there

You smirk and type out a reply.

you: did kirara have to save you takuma: i resent that takuma: (yes) takuma: wait why are you up it’s so late you: journalisming you: why are YOU up takuma: travel adrenaline takuma: (coding project due monday that i just started) you: TAKUMA

The next text to come through is a voice note, and you can’t help smiling as you hit play and his voice fills the open air of your bedroom.

“Okay, in my defense, I thought it was due next Monday. Which maybe isn’t my defense because it means I just can’t read due dates, or maybe I just can’t read, but I thought I had a lot more time and then one of my classmates texted me asking for help on this block of code and I told him I hadn’t started and he was like oh my god, Ino, it’s due in three days, and I was like no it’s not, we have so much time—turns out we don’t have so much time, so I’m over here staring at my screen until the vessels in my eyes pop—”

He yawns, and it makes you yawn too, despite the screen separating you. “Sorry, agh. Anyway, I have to write this program that uses some kind of randomized generator…”

You find your eyelids fighting gravity, exhaustion washing over you as he explains the project and all the reasons he’s not that worried about getting it done by Monday because actually he’s on a roll and it turns out the code isn’t that different from a similar project he did last year so he can just lift the main blocks over and wow, he’s tired, and you stifle a laugh as the voice memo comes to an end and he says, “Okay, gosh, I should go to bed. You should go to bed. Stop journalisming, Skip, get some sleep. G’night.”

You grin, plugging your phone in and sending him a voice memo of your own.

“I’m done journalisming. Still haven’t written that story on you, though. Night, Takuma.”

The last thing you see before you fall asleep is his reaction to your text. It’s a thumbs up, but after a few seconds, it disappears, replaced with a heart.

—

“I’m gonna die,” Nobara groans.

You’ve been checking Instagram every hour on the hour for the bracket results, but to no avail. The five of you are sprawled out in the living room, a Fleetwood Mac record spinning in the corner, cups of coffee and tea and scattered remnants of breakfast dotting the table and the floor and the windowsill.

You have post notifications on for the Battle of the Bands Instagram page, but you check anyway, as if you somehow missed it.

“Okay,” Maki says. “Cut it out. No phones.”

“Maki,” Toge groans. “How do we live with the suspense?”

“Go around and give a rundown of your week?” Yuta suggests.

“Aw, highs and lows, it’s like elementary school,” Nobara says happily. “I’ll go first! High: annoying slacker guy in my marketing class got a shit grade on the group project and the rest of us got As. Low: Skipper won’t give me Ino lore.”

“Lore,” you mimic. “I don’t have any lore. We’ve known each other for like, two weeks.”

“That’s enough time for lore,” she insists. “What’s your high? Ino?”

“Okay, jeez,” you say. “Maybe it’s that Toge and I had a really good first interview for our project story.”

Toge blinks at you.

“Fine, maybe it’s Takuma.”

Nobara grins in a way you can only describe as malicious. “Okay,” you say, pointing at her. “Low: whatever that is.” She sticks her tongue out at you.

“My low is Skipper bullying me in class,” Toge says. “And my high is she said she’d be my partner, so I’m not gonna fail.”

Yuta nods sagely. “Maki?”

“Uhh,” she says eloquently. “My parents won’t stop pestering me about fall break. But I aced a test on Thursday in anthro, so there’s that.”

“You’re not going home, right?” you ask. She shakes her head resolutely. Maki doesn’t go home unless she absolutely has to—one thing she and Mai actually have in common.

All of your phones go off at once, a mix of buzzes and beeps and Apple watchfaces lighting up, and Nobara screams. “I can’t look!” she cries. “Someone tell me!”

You click on the notification and pull up the post, heart racing.

The first slide is a generic Battle of the Bands announcement with the cool ass graphics you’ve been seeing on the posters. Whoever designs those needs a raise. The second image is the bracket for next Friday, with the first knockout round of three—only one group will move on to the finals. “Who is it?” Nobara asks anxiously, pacing the room. “Oh god, I’m gonna die.”

“Shibuya Incident,” you read off, unable to keep the smile from your face. “Angel.” Nobara groans overdramatically. “And the Kamos.”

You swipe to the next screen, heart in your throat. OCTOBER 18, it reads. THE CULL. CURSED TECHNIQUE. BLACK FLASH.

“Oh my god!” you scream. “Oh my god, we made it!”

Toge yanks you to your feet and starts hopping around the living room, and Nobara shrieks with joy as you pull her into the celebration. Even Maki and Yuta are sporting wide smiles as they watch the three of you bounce around like kids on a sugar rush.

“What, no Sukuna?” Maki teases when you’ve calmed down. Toge clears his throat and does his best impression, going as far as to make his pants sag a little around his waist.

“Frosted flexin’, I’m the cereal king, pourin’… uh, duh nuh nuh, something doin’ my thing,” he says in a deep voice. “Uh… squirrel? Somethin’ fuego, that’s Spanish, uhhh…”

“Oh my god, let me look it up,” Nobara cackles, pulling up SoundCloud. “It’s I’m the king of bad decisions, got a throne made of Legos, took a bite of my mic and said these bars are fuego.”

Yuta physically winces. “Does he really sag his pants like that?”

Toge shrugs. “It felt right in the moment.”

“Wait, who’s the other one eliminated, then?” you ask, running through the bands in your head. Yours, Takuma’s, Black Flash, the Kamos…

“Motion Capture,” Maki says.

“No, it’s all caps. You have to shout it. MOTION CAPTURE!” Toge hollers. Nobara snorts.

You aren’t entirely surprised, but you have a feeling the girls aren’t too put out about it. They’re young, too—they’ll have their time to shine eventually.

You grin, flopping back onto the couch. “Okay, rehearsal when? Tonight?”

“Yeah, I have to go to a friend’s to figure some stuff out for a project, but I’ll be back at like… five?” Yuta says.

“Oh, fuck, I gotta go too!” Nobara says, darting toward the stairs.

“Group project?” Maki asks.

“Shopping! I gotta pick Miwa up in like, ten minutes!”

Maki rolls her eyes fondly. Yuta stands up and grabs his bag, heading toward the entryway, and the rest of you gravitate instinctually to the kitchen. Nobara is out the door moments later with a wave and a shout, and Toge grins.

“What,” Maki deadpans, not a question.

“I printed memes to hide on her Polaroid wall. Be right back.”

You snort, turning your attention to the window to watch Nobara cruise down the block. The view of her sleek, small car is interrupted by Yuta’s jungle of plants.

“I hope they’re not too cold,” he says, frowning as he tugs a jacket on over his white hoodie. “Do they look okay to you?”

“Yeah,” you say, pointing to the one in the white, ovular pot. “Especially this one, it’s getting so big! What’s his name, Snorlax?” Yuta had a phase where he named at least six plants in a row after Pokèmon.

“No, that one’s Rika, after that TV show,” Maki corrects, not looking up. Yuta blinks, looks between her and the plant, whose vines have started to creep up the window. A smile tugs at the corner of his lips. Both of your eyes on her have her looking up from her phone, expression flat and unaffected. “What?”

“Yeah,” he says slowly. “I didn’t know… anyone paid attention.”

Maki shrugs. “You talk to them out loud.”

“Yeah, I guess I do.” Yuta laughs and waves one last time before he walks out, closing the door behind him. You count to five in your head and then whirl on Maki, entirely unable to keep the shit-eating grin off your face.

“Kowalski, status report.”

She blinks at you. “What?”

“I said—”

“No, I know, just—on what? What happened?”

You groan, dragging the heels of your hands down your face. “Maki. Please.” You gesture wildly between her and the door, wondering if she’s genuinely this oblivious or if she’s just as good a liar as Mai. “Are you—did we not just witness the same interaction? Jesus, Maki, put the boy out of his misery!”

Seeing Maki frazzled is not a common occurrence. The most agitated you ever see her is talking about her family or trading passive aggressive jabs with Mai. This is an entirely new sort of disarray—she’s flustered.

“I—what?! I can’t do that! And he’s not miserable. He’s that nice to everyone.”

You groan, burying your face in your hands with your elbows on the counter. “Maki! He likes you. And your face is telling me you like him back.”

She scoffs, turning her head down and crossing her arms defensively. “I’m not messing things up by dating my bandmate. We live together, Skip, he’s my best friend, if things got messy—”

You hold up a hand. “First of all, offensive. I’m your best friend. Second of all, I hear no denial. Also, it won’t get messy. You are the two most mature people in this house and you know how to separate personal from practical. If anything, it’s gonna kill the vibes of the band and the house if you just keep stewing in the sexual tension.”

“Oh my god,” Maki groans. “There. Is. No. Sexual. Tension.”

“There’s always sexual tension,” Toge announces, walking in and jumping up onto the countertop, legs swinging. He looks between the two of you innocently. “What are we talking about?”

“You might be of some help, actually,” you say, turning to Toge with your hands clasped.

“Uh, actually? Not oh, Toge, you’re always so helpful, thank god you live with me and keep my life interesting—”

“Nevermind.”

“No, pleeease,” Toge insists, sticking out his lower lip. “What?” His gaze shifts to Maki, who’s blushing a furious red. His mouth turns into a small O. “This is about Yuta?”

You didn’t think she could get any more scarlet, but here she is.

“Does everyone think that?” she groans, throwing her head back in exasperation.

Toge shrugs. “I thought we were all just quietly skirting around it until you both snapped.”

“Nobara doesn’t skirt around anything,” Maki says.

“Well, there’s no way she doesn’t know,” you point out. “Maybe she just respects both of you enough to leave it alone.”

“Hah!” Toge snorts, poking you in the ribs. “That means she doesn’t respect you. She wants the Ino lore.”

“I’m gonna tell Nobara about the memes.”

“You wouldn’t dare.”

Abruptly, you realize you never got around to Yuta for highs and lows, what with the chaos of the brackets dropping. “Ah, guys,” you say. “We missed Yuta.” You pull up the house group chat.

you: YUTA DROP YOUR HIGH AND LOW IN THE CHAT you: YOU ARE NOT FORGOTTEN freak no. 1: yes you are utah: haha aw that’s nice utah disliked a message from freak no. 1 utah: uhh low is maybe that toge keeps leaving memes all over our room. like i keep finding them tucked in my notebooks and everything freak no. 1: SLANDER freak no. 1: LIBEL you: not the same thing freak no. 1: SHUT UP utah: high is someone remembers the names of my plants!! :) nobara: Sorry, using voice text while I drive. Who knows the names of your plants? You and God? utah: maki! :)

“Okay, well, respond,” Toge says, poking Maki in the side. She glares at him and likes Yuta’s message.

“Guys,” she says exasperatedly. “What the hell am I supposed to do? Does he know?”

And you’re not sure, honestly. You don’t know that Yuta is even aware of his own feelings, let alone aware that Maki reciprocates them. You shrug helplessly. “How about… ask?”

“Jesus,” Maki says.

“Not him, Yuta.”

Maki socks Toge in the shoulder and levels him with a disdainful look. “You are the bane of my existence.”

“And the object of all your desires,” Toge proclaims in a horrendous Bridgerton accent. He made you watch all of it with him in two days. Maki refused.

Now, she just shoves him, and he squeals as he falls off the kitchen counter.

“Children,” you sigh. “Do you need to be separated?”

“Yes!”

—

“Why is this so hard?” You stand with your feet planted on Takuma’s skateboard, which is confoundingly, entirely different than balancing atop your longboard. “Oh my god.” You lurch forward as the board rolls a bit to the left, unable to stifle the squeal that comes out of your mouth.

Takuma stops it with one foot.

“Your center of balance is lower on a longboard,” he laughs. “Like, here.” His hands wrap around your waist and you tense under his grip, and he immediately freezes, jerking his arms back. “I’m so sorry, I didn’t—”

“No! No, it’s okay,” you blurt, sheepish. “I just wasn’t expecting it, I—here.” You try to fight the blush furiously rising in your cheeks as you take his wrists in both hands, putting them back where they were. You clear your throat, suddenly too warm. “Um. Okay, so—do you turn the same way?”

“Pretty much. You just lean,” Takuma says, and you shift your weight to your heels, letting him steady you. “It’s a bit harsher than you would on a longboard, though. Unless you want me to send you right into kickturns?” His tone is teasing and you pretend to consider, tapping a finger against your chin.

“Mm. Maybe later.”

You’ve been at the skate park for a while now, and you’ve only recently ditched your longboard for the skateboard. Takuma brought the extra board you saw hanging on his wall the other day, and he uses it to demonstrate while you practice riding back and forth, getting a hold on your balance. After you feel like you can make it a good distance without pinwheeling your arms, you come to a staggered stop beside him.

A flash of blue-green hair grabs your attention, and you watch a kid in a lightning bolt hoodie slip under the ramps. The park has been pretty deserted today aside from a few guys doing tricks in the pit, a chilly Sunday with the sunlight muted by the clouds.

“Ooh, drug deal in action.” You poke Takuma in the side.

“Ah, probably Sukuna. He deals here all the time.” Sukuna’s business is one of those things everyone’s aware of but nobody talks about. He’s consistent and pretty safe, as far as drug dealers go, but he’ll deny any involvement while smoking a joint if he has to.

“Who’s space buns?”

“Uhh…” Takuma narrows his eyes, and the guy slips out again. “Damn, that was fast. Oh, that’s Hajime. Another senior, I think. They hate each other. Fastest deals I’ve ever seen.”

“I wonder how much of his songwriting is just… while he’s really, really high,” you muse. Swag of a squirrel doesn’t strike you as a particularly levelheaded thought, but hey, it’s certainly memorable.

Takuma leans in and says conspiratorially, “I’m pretty sure I heard him dropping bars here the other day when I was with Yuji.”

You snort and look up at one of the smallest ramps, one you think you could handle without falling on your face, and point to it with a raised brow.

“Oh, moving up in the world?” Takuma kicks his board up and starts walking over, and you do the same. Before you put the board down at the top of the ramp, though, you hold it up to the light, noticing a few short, white hairs caught on the surface.

“Is this… fur?” Maybe there was a cat hiding out somewhere when you were over. Kirara seems like she’d have a cat.

Takuma sighs. “Yeah, the dogs shed like crazy. It gets everywhere. I don’t think I even left that on the ground.”

Your jaw drops, and you stare at him until he looks back at you. “Dogs?”

“What? Yeah, Fushiguro’s—”

“Fushiguro has dogs? Dogs plural? In the house?”

“You didn’t know?”

“No!” you cry. “What? Oh my god! Where were they on Wednesday? How many? What are their names?”

Takuma leans back on the rail next to the ramp, grinning. “I can’t believe you didn’t know. Oh my god. They’re so cute. Tsumiki had them Wednesday, I think. Mandated auntie time. Do you wanna meet ‘em?”

“Do I want to meet them?” you repeat, practically bouncing on the balls of your feet. “Uh, yeah. Are they home? Oh my god. I love dogs.”

“I couldn’t tell,” he deadpans, but he’s smiling still. “Yeah, they’re home. And you can meet them if you go down this ramp without dying.”

“You’re cruel,” you say, situating yourself on the board. “But I will. And then I’ll meet the dogs and become their best friend and they’ll love me more than you and Megumi combined.”

“Confident.” He comes up beside you, checking your stance. The ramp didn’t look steep or long at all from your vantage point across the park, but now that you’re atop the board, it feels suddenly very steep and very long. “You got it. Just don’t panic, keep your stance.” He drops his own board and cruises down the ramp, hardly even trying.

“Okay, go!” he calls from the bottom. “C’mon, Skip, the dogs are waiting.”

“Oh, god,” you murmur, the wind catching your words and whisking them away. You ball your hands into fists and push off, planting your foot back on the board and trying to keep your knees bent, but not too stiff, as you careen down the ramp. Don’t panic, keep your stance. You’re at the bottom in what feels like nanoseconds, and the sudden shift from ramp to flat ground has you stumbling off the board with an embarrassingly high-pitched squeak of alarm.

“Nice!” Takuma laughs as he catches you, the board rolling a few more feet ahead. His arm is wrapped around your front, the other holding you up by the shoulder, and this time you don’t tense under his hands.

“Thanks,” you say a little breathlessly, grinning, the tiny spike of adrenaline making you almost lightheaded. He lets his hands drop when you’re steady on your feet, and part of you mourns the warmth a little. But there are more pressing matters at hand. “So, about those dogs?”

You opt for your longboard on the way back down your street, cruising along beside Takuma, who has his extra board tucked under his arm. You’ve got a lot to do tonight, all the last-minute preparation for another crazy week, but you can and will drop everything to pet a puppy. Or two. Always.

And they’re actual angels. Big, fluffy angels on earth, one white and one black, and they’re all over you the second you open the door.

“Hi!” you say happily, sinking down to their level. The white one immediately tries to burrow into your lap. “Oh, hello! You’re so nice, aren’t you?” You glance up at Takuma. “Where’s Megumi?” You grab the white one’s collar and check the tag—Shiro.

“Shiro thinks she’s a tiny dog,” he says, bending down to ruffle the fur behind her ears. “Uh, Fushiguro’s at the animal clinic. He works there Sundays. And Tuesdays, I think.”

“Wait, really?”

“Yeah, he’s a vet student. You didn’t know?”

“I did not.” The black one is licking your face, and you giggle and check his tag, too. Kuro. “Hi, Kuro. You’re a good boy, aren’t you?”

“He’s got such a soft spot for animals,” Takuma says as he kicks off his shoes. “You should see when they both try to sleep in his little twin bed. It’s ridiculous.”

“I love them,” you say, burying your face in Kuro’s scruff. “Hi, doggies. You’re awful cute, you know that? Mhm. Yes you are.”

When you finally look up again, Kuro’s cold nose nudging insistently at your palm, Takuma is leaning against the wall, looking down at you with his phone discreetly angled your way. “Takuma!”

He laughs, not bothering to hide it anymore, very clearly taking photos of you with the dogs. “It’s cute!” he insists. “I’ll send them to you. Proof for Fushiguro of your master plan to make them like you more than him.”

“And you,” you remind him.

“Well, I don’t know about that.”

You gesture pointedly to the two dogs, who are all over you and not him. It’ll be a nightmare trying to get all of Shiro’s white fur off your black jacket later, but it’s worth it.

“You’re new,” he says. “New scent. It’s the novelty factor. I am their favorite.”

“You sure? I’m pretty hard to compete with.”

He smiles, looking from you to the photos he took of you and the dogs. “Yeah,” he says. “You are.”

—

The first half of the new week goes by in a rushed routine of classes, homework, and rehearsals, each night ending with you collapsing into bed, new and old lyrics fighting for dominance in the back of your mind. Sticks re-taped and drum heads re-tuned, assignments turned in and drafts edited. Your classes are ramping up as midterms approach, and Yuta bounces between his own work and poking his head into everyone’s rooms, making sure they don’t forget about dinner.

Toge follows through on his snack run promise, and the two of you spend hours on Tuesday afternoon trading two different flavored bags of Doritos back and forth, Toge writing photo captions while you edit your story lede.

Takuma, Hakari, and Kirara have offered to help Cursed Technique record a single on Wednesday night, and the five of you have been drilling the new song you wrote up, down, and sideways.

Finally, Wednesday arrives, and you’re all crammed into the recording studio space, instruments set up and headsets tuned in.

“Yeah, I’m good,” Nobara says to Hakari on the other side of the glass. She taps a finger on the mic in demonstration, and you hear it in your own headphones.

“Great,” he says. “Skipper?”

“Skipper? I hardly know her,” Toge says, earning a harmless smack upside the head from Yuta and a not harmless smack upside the head from Maki.

“I will throw these at you,” you tell him, holding up your sticks. Toge sticks his bottom lip out, pouting.

A snicker from beside you draws your attention back to Takuma, kneeling just beside the throne as he adjusts the kick mic. He has you hit it a few times while Hakari monitors the levels. You feel oddly self-conscious like this, him looking up at you, but then he smiles and it’s not strange at all. It’s stupid how fast he can put you at ease with a look.

“Nice,” he says. “Okay, that should work, yeah, Hakari?”

It’s Kirara who answers, “Yeah, you’re good.”

Takuma stands up, claps his hands together once, and looks at you. “Okay. Kill it, Skip.”

“Yessir.” You salute him with a stick and he makes his way to the other room, closing the door behind him.

“All good?” Yuta asks, glancing at each of you in turn before giving Hakari a thumbs up. It’s strange to be on this side of the glass, to think about your music being played back, to think about it on Spotify, out in the world.

“Next Fix,” Takuma says into the mic, locking eyes with you through the window. “Take one in three, two…”

The song starts out simple. You click your sticks together near the mic, on two and four, while Maki lays down a four-bar loop.

Yuta keeps glancing at Maki while she plays, utterly unaware, and the look on his face is so soft you want to shake Maki by the shoulders until she does something about it.

Nobara’s got her eyes closed with the headset over her ears and her hands around the mic, entirely engrossed in the song.

“It’s comin’ on, comin’ strong, spinnin’ up out of the blue, mmm,” she sings, stretching out the vowels. “And I’m on the ground, bleedin’ out, until my next fix of you, ooh.”

Now you start up with a light rock beat, closed hat and a bit of a dragging buzz on the snare hits. Just as you transition into the beat, Toge comes in with some low chords and Yuta moves down the line in syncopated sixteenths.

Hakari is nodding approvingly and Takuma has a wide grin on his face, and you can’t help smiling back.

“I need it like a lung,” Nobara sings, swaying a bit. “I need it like a light. It’s got me twisted up. I need you here tonight, tonight, tonight, oh, oh, I wanna—”

And this part is your favorite—Nobara sings each two-syllable phrase while you pound on the toms twice, emphasizing it with the kick, and then the backup vocals echo her. Get my (get my) next fix (next fix) of you (of you, of you, of you.)

Kirara pumps her fist in the air twice, in time with the beat, and your bandmates can’t keep the smiles off their faces. You’ve got something here, you really do. This might be your best one yet.

When the song’s over, Nobara whoops and tugs off the headphones, jumping around the cramped studio space with a grin on her face. “That was so cool! Oh my god. Guys, we sound good. We actually sound good.”

“Damn,” Kirara calls. “Okay, girl drummer. Good shit.”

“Not bad for a first run,” Maki admits, adjusting her bass strap over her shoulder. “Do we wanna try recording backups separately at all?”

“Good call.” Takuma nods. “Let’s run that again without the backups and record them over, see what happens.” He’s in full producer mode, flipping switches, colored lights reflecting in his eyes as he and Hakari talk shop away from the mic. He’s good at this, you realize, running sessions like this, making sure things go where they need to go, that everyone’s heard, that things get done. It’s a little bit like watching him skateboard, or seeing him on stage. There’s a confidence to him here, a smooth, easy energy. He’s in his element.

“Alright,” he says after a minute. “Let’s hear that again.”

And you play it again. And again. And again. And you are so in love with this moment, with your band, with a couple rowdy kids on the other side of the window, the rasp in Nobara’s voice and the expression on Yuta’s face and Maki’s obliviousness and Toge’s consistent, head-banging keys, and your drums and your words and the music, and the lyrics feel right to you.

You need this like a lung.

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jjk taglist open: just send me a message!

@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32

a/n: GUYS. loml @shutuppeter is so downbad for soundcloud rapper sukuna that she's writing fanfic of my fanfic😭 credits for frosted flexin' are all hers LMFAO so go check that out (MDNI for that one though).

yutamaki nation rise. also, i kinda love this fic. there may be spinoffs for other characters in the works...

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sometipsygnostalgic · 2 days ago

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Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

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2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

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3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

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Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

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3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

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3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

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5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

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2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

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kirkodiletears · 2 days ago

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This used to be a part of a post, but I decided to make it into a separate one, because it speaks of crusual things for understanding SVSSS, it's plot and it's characters.

As I found out recently, there's a huge misunderstanding going on in the English-speaking segment, probably dew to an English translation of SVSSS (only a speculation, I myself never had this problem, although I read in several other languages as well, so I can compare) concerning the fact whether or not PIDW was originally planned by Airplane as a yaoi with bingqiu as an OTP. (Spoiler: yes, it was). Some readers are mislead by two quotes, that they take as a contradictory, which in truth, they are NOT.

The first one is from a Chapter "The story begins". It is the last chapter of the novel, after this the extras start. And this particular chapter is a culmination: this is where the truth is reveled. Like in a detective story, where we finally find out, who the killer is. This meant to become a real "bomb", that makes a reader go WOOOW!!! And this is THE KEY for understanding the whole story: the plot and the characters, especially Luo Bing-mei (and Luo Bing-ge). And it speaks about the original INTENTIONS of the Airplane, that he betrayed in order to please the crowd and that came true in the universe of the System. (original scrapped outline(c))

The second quote, from the extras, on the other hand speaks of an EXISTING PIDW, (original outline(c)), that he actually wrote, but never finished, because he died and woke up in the Universe of the System. And it gives us a glimpse into the way he planned to finish it.

The first quote, from the final chapter:

Shen Qingqiu looked him up and down. “You don’t look crushed at all after all this foolish messing around ended up completely changing your own novel.”

Shang Qinghua said, “You can’t say it like that ah. Maybe you think it’s just all foolish messing around that isn’t worth a damn, but for Bing-ge, your foolish messing around is probably the meaning of this entire world.”

... holy s***, Great God Airplane Shooting Towards the Sky was able to say something like that?!

Shen Qingqiu was terrified. “F***. You didn’t turn back into the original character, did you?”

Shang Qinghua said seriously, “Don’t be like that. I’m also a young person with literary ideals. Of course, I have my own reflections and emotions.”

Shen Qingqiu laughed coldly. “What literary ideals? How come all I saw in the original work was shameless fanservice?” Not to mention his hand speed that could produce ten thousand words a day, and the courage to even occasionally explode with twenty thousand. If he didn’t have such equipment, there was no way 《Proud Immortal Demon Way》 would have been able to hold out before it was serialized!

Shang Qinghua spread his hands. “You think that I always wrote shameless content that lacked any integrity from the very start? I’ve also written belles-lettres4 before, but they were all unpopular, so I had no choice but to go down a path that catered to the masses. It must be said that writing novels is a very lonely undertaking. Rather than writing a stallion male protagonist who’ll be stereotypical in the end, it’s more in line with my philosophy for writing to create the current Bing-ge━this kind of weirdo male protagonist whose character is a bit more complicated, has contradictions and conflicts, and has a rough destiny.”

Shen Qingqiu concluded, “So, your philosophy for writing is to write about gay guys?”

Shang Qinghua: “Do you look down upon gay male protagonists? Works of art and artists all like to create gay guys. Belles-lettres favors gays, do you know that?”

He waved his arms wildly and passionately. “Cucumber Bro, if the System hadn’t chosen you, this faithful die-hard reader, perhaps the plot wouldn’t have deviated so thoroughly, thoroughly to the point that it deviated all the way back to my original scrapped outline. Even though the me back in reality━who couldn’t endure the loneliness and was under financial pressure━chose to finish writing 《Proud Immortal Demon Way》 according to other people’s preferences and what they found cool... now, all thanks to you, essentially everything that I wanted to write has already unfolded in front of my eyes. Cucumber Bro!”

He patted Shen Qingqiu’s shoulders with deep sentiment and solemnity. “You... are the chosen one; as for my career, I have no more regrets!”

... why did it sound like the System and this world were both products of Shang Qinghua’s resentment over scrapping that outline and going with what was mainstream?

Shen Qingqiu, who shamefully became this kind of “chosen one”: “Who’s your faithful die-hard reader?”

Shang Qinghua waved his hand and one-sidedly declared his victory. “I’m not going to talk to you; you’re an anti-fan.”

Shen Qingqiu was about to say, “I’m only an anti, not a fan!” when he suddenly heard Shang Qinghua starting crooning something like, “Emotions are warm, kindness hard to bear, lips moving together, desires turning the evening to the next morning, never resting from dawn to dusk.” The crucial point was that melody, which sounded extremely familiar to the point that it made Shen Qingqiu’s hands and teeth itch. He pointed at him and said, “Shang Qinghua, what are you singing?”

Shang Qinghua continued to croon. “The warmth of emotions makes gratitude hard to bear. Lips to lips, locked in a kiss. Let this night linger ‘til tomorrow’s dawn. Day after day, night after night; never to end. Will tomorrow be another today? When ‘til Zheng Yang reaches its zenith? As Zheng Yang ascends, the voice of Autumn stirs. A sheathless Xiu Ya, a spurt of cold nectar. Tragic pleas amidst choked sobs, thus in vain; for he rises again5...”

Shen Qingqiu was in disbelief. “F*** you—why don’t you just try and sing another line?”

Shang Qinghua said, “Great Lord Shen, why aren’t you listening to what I’m saying? You must never go around casually f***ing people. Bing-ge will go crazy. I’m telling you, this Resentment of Chunshan is equivalent to Shi Ba Mo6. You two are the legendary national homos, do you understand? I have no problems with you shutting me up, but ultimately it’s useless. You can’t possibly make all the countless people in the world shut up...” (NB, Ch 81)

The second quote, from the extras:

【 Basic completion of Proud Immortal Demon Way’s original outline achieved (slight deviation in romance plotline); objective complete. Retrieving function to return to original world; download complete. Activate Return Home sequence? 】 Basic completion of the original outline? That he agreed with. All the holes that needed to be filled had been filled. But this “slight deviation of romance plot” wasn’t quite right. Bing-ge was now fully gay; how could you say that was a “slight deviation”? Ah, fine, fine, in fact, in his original outline, Bing-ge hadn’t even had a romance plotline; he had been doomed to fade away, alone and unaging forever. If you insisted on adding a romance plotline, all right, that was whatever, so putting aside all the System’s rambling…this meant he could return to his original world?! (Seven Seas, Ch. 26)

Basic completion of the original outline and filling it's plotholes - THIS is what's talked about in this quote! Not the scrapped original outline!

The English translation, which I only read recently, in my opinion is not very clear, in comparison to, for example, Russian translations, and not just the most popular version by Псой и Сысой, for ex: there are more than one, and they all pretty much nailed it. 感情线 used in original (that's what, apparently, caused the doubts for some reason, in spite that the quote itself absolutely clearly speaks of 《Proud Immortal Demon Way》’s original outline, the one big "error of a novel", that needed to be redressed, and not the scrapped original outline that never saw the daylight) itself refers to a "romantic plotline". So the author himself tells you, that his original Bing-ge had none. But how come? Why is that? Bing-ge, as we know, has got a huge harem, he for sure cannot be the case of dying alone without love!.. Or can he? Apparently, this is exactly his fate - no love. And the Airplane, the way he planned the original scrapped outline, knows better than anyone else - there's, well, none. The Protagonist's harem is nothing to do with romance whatsoever (see the quote below from the forum as an example, what the readers of PIDW themselves think of the relationship between Bing-ge and his harem). It all has to do with protagonists coolness and power and getting everything, including all the women, because he is super powerful and he is the center of that universe. It's about power, it's about lust, it's about influence and control, and showing, who the real boss is. But not love or romance. PIDW is not a romantic novel in a slightest: its a third rate pornography and a ode to toxic masculinity, so distasteful and disgusting, that the resentment of it's author with his own creation was powerful enough to create the whole new universe (The System) just to correct it! And this particular quote speaks of Bing-ge not having ANY SIGNIFICANT RELATIONSHIP, LOVE. Псой и Сысой for translating 感情线 in this particular case use much more explicit and profound "заслуживающие упоминания эмоциональные привязанности" ("the emotional connections worth mentioning"), rather than abstract "romantic plotline". Because the only significant person in his life pushed Bing-ge away. (And we know, who that person is, thanks to the System Universe - his shizhun.) Romance has nothing to do with the amount of partners he fucks - they are not of any romantic or emotional significance for Bing-ge. This is how his relationship with the harem is described by the PIDW reader's forum in the novel:

"Airplane really doesn’t know how to write romance plotlines, best if he just doesn’t. I feel like Luo Binghe doesn’t have feelings for any of his wives, he just wants to use them. And I can’t see any of those women with real moving emotion for him. "(NB, Ch. 73)

So - no romance for Bing-ge in PIDW, the Airplane didn't grant him this privilege and happiness. And yes - the ending for the tyrant he's become in PIDW is not happy in a slightest.

So, binqui did not appear out of nowhere, and yes - it has always been there from a beginning, in the core of everything. Implied. This is not only canon: it is the exact essence of it, the base, the foundation, which explaines everything that happens in the novel and even beyond - in PIDW, where the mighty protagonist that has everything, except the only one thing he really needs - the love of his shizun - is doomed to an eternal unhappiness and loneliness.

#svsss #svsss meta #mxtx svsss #bingjiu #luo binghe #shen quingqiu #shen jiu

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alexanderwales · 3 days ago

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The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.

But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"

Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.

I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.

Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.

No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:

Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?

Example two. I'm just going to quote it in full:

Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.

Fucking what do you mean.

Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!

(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)

Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.

So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.

Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!

This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.

#save the cat #writing

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jariten · 1 day ago

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Roundup-Catch up: August 2024!!

Let's catch up! Looking back at my list of August reads my head spins a bit. Most of this year I got way too eager picking up series from my shelf or the library and was juggling maybe 5 series at once. Which did a huge disservice to the reading experience for some of those series as I wasn't giving them my full attention. It wasn't until August I managed to wrap up most of them and enter the more focused way of following or reading through a series that I had previously. But in the frenzy I still had some great reads.

I had always heard whispers of No Longer Heroine by Momoko Koda but I'd never crossed paths with it. But when the english run of My Love Mix-up ended I had a huge contemporary High School Romance shaped hole in my heart and this is one of the titles that's filled it (I will get to the rest). I love mess, I love stories of teenagers learning to navigate the minefield that is human relationships so I can be the opposite of nostalgic for a time that, praise be, I will never have to relive. But I also read titles like this wondering how a constructive conversation around it could be had among young readers who from my experience can come off very frustrated and unsympathetic to the type of drama it depicts where the heroine and hero's feelings and decisions are extremely irrational and reckless. I really like the Yen Press, but as a license acquisition it feels kinda random? And in my honest opinion if you're 10 years late to a title you kinda have to make it an omnibus or collectors edition because waiting for individual volumes for, again, an over 10 year old series is pretty frustrating. But I will stick around to the end.

Yumiko Ōshima's Sava series was one of my favorites of 2022. The way she captures me with stories where honestly "nothing" really "happens" just floored me and made me optimistic for Goo Goo Datte Neko de Aru. A diary comic that begins with the passing of the cat Sava and her purchase of the cat Goo Goo (Short for Good Good). But Goo Goo isn't the only cat that enters her life. In rather rapid succession stray kittens begin entering her life. We follow for over a decade her journey rescuing, rehoming, and caretaking of countless stray cats (the latter to the dismay of her neighbours). Reading it today it highlights the challenges of clashing attitudes over stray cats and how these populations should be taken care of if at all. Famously it is also a chronicle of her cancer survival journey but its a rather short part of the whole but nonetheless maintains the Ōshima charm.

I want to make a gift recommendation for the upcoming holiday season: Your Letter by Hyeon A Cho. While I've had some really really good encounters with Korean Manhwa, Webtoons is still a world unknown to me. I think the Ize Press initiative bringing Webtoons to print in english is extremely cool, but the lineup just hasn't had any titles that caught my eye. Until Your Letter. A 10 chapter single volume story that I liked so much for its artistic presentation and the story it was telling about bullying and finding your place in a new environment that I immediately was overcome with the need to pass it along, which I did. Really think it would make a great gift for anyone 5th grade and up who are interested in comics. OR it can be read for free in its entirety on Webtoon!

Satou Gashi no Ie by Kyoko Fumizuki was a title picked up a bit at random. I'd gotten a taste of her work in the Suki Desu, Kono Shoujo Manga anthology and was one of the more memorable entries in an already extremely well curated collection. Satou Gashi no Ie is a 5 story one-shot collection with to meeee back to back hits. The titular story centres on a teenage boy named Richard who suddenly appears at his childhood's friend Elsie's school with a baby in his arms, that he claims to be his, and that he's a widower. But there are too many holes in his story. Who exactly is the baby's mother and how did he come to care for her at the end of her life? And how does this change Richard and Elsie's relationship? There's a warmth to Fumizuki's artistry in this era and the way that she hits all the story beats that really drew me in and augh I honestly have no words for it. This collection really stood out and among her peers I've yet to read anyone who could compose manga exactly like this. And you know what's cool? You can (In Japanese) read this and a handful of her other work from the same era for FREE on Manga Library Z!! (JP only) NOTE: crazy enough, on this very day (Nov 26) Manga Library Z suspended services but diligent users of nyaa have made sure that the works available there live on

#roundup #long post #recommendation corner #my scans #wish there had been a pop up about the suspension there wasnt anything eyecatching on the site at all yesterday 😭

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tuxedoferret · 3 days ago

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Arcane finale was good....but

Spoilers for the finale of Arcane season 2, Arc 3 in general.

I'm probably screaming into the void but I wanted to get these thoughts out and see what other people think.

In general, I liked the endings for most of the characters. Their arcs make sense.

Vi, Caitlyn, Ekko, Jayce, Mel, Singed, and Viktor's story conclusions, I think were ended beautifully! (And Jinx too but I'll circle back to her in a second). Their endings made sense and were executed very well! I'm content with how their stories end!

And MOST of the deaths make sense... most of them.

Of course most of the minor characters are dead, no surprise since a majority of them we don't even know the NAMES of unless you scour the credits in the VA section.

Ambessa's death was well done, with Mel finally getting her mothers approval through breaking free of her control and finally being able to decide her own life and Caitlyn becoming a true leader.

The only thing that really bothers me, is the deaths of Heimerdinger and Warwick/Vander. Out of all of the champions in the game they're the only non-humanoid ones that made it into the show. They're also the only (game first) champions to actually die and they barely get to do anything. (I am one of the believers that Jinx is alive because there's no fucking way they would kill off one of their chief money makers, also based on evidence in the show).

With Heimerdinger in season 1 we see him serve as an oppositional force against Jayce, and then a mentor working with him. He gets kicked off of the council as a result of his conservative viewpoint. And he reflects on this, he leaves to go help the Zaunites however he can but gets shunned away. Then the goes and helps Ekko with repairing his board and getting home. In season 2 this continues with Heimerdinger helping Ekko get into Jayce's lab and them having the discussion about wild runes before getting sucked up into the anomaly. His last episode is him in the alternate universe with helping Ekko build the Z-Drive to return to his own universe. He puts it in the amplifier, is about to go with Ekko, then runs out and puts a few more things together and just... dies. Thats it for him. MAYBE he'll come back since he's a Yordle but this is new canon and the man had flesh and blood squished out of him. But in general his death feels cheap and unnecessary. What was the point of his death? How did it impact the narrative and what did the story gain from it as a result? Not fucking much really. He's never mentioned again afterwards. I feel like his death had no impact on the story whatsoever. I honestly think it would've been better if he had survived and returned with Ekko to fight in the battle against Noxus and Viktor. I would've liked to see him, either returning to the council or not, atoning for his mistakes by trying to make things better in Zaun with his inventions.

With Vander/Warwick there was so much hype around the theory that Vander would be returning as Warwick. And we were all super excited when that came true! We love it when the narrative rewards us for paying attention! But we get like... 3 episodes with him before he becomes a Viktor automaton. He was also still very much alive even after Singed drained his blood, so Viktor was wrong about how that would kill him. Warwick's role in the end felt very lackluster, and it felt redundant to just, kill him off AGAIN. Maybe I'm just a little mad because I have read up on Warwick and I feel like he had more potential for the narrative than just... make Vi watch her dad die all over again. The fight scene with Warwick could've been replaced with any big evil bruiser really (coughBlitzcrankcough). In general Warwick felt more like a Vi and Jinx accessory than his own potential character. Which kind of sucks. And maybe I'm a bit salty that we didn't get a full wolf Warwick. I think the whole his mind was reset/erased bit could've still been done if the explosion damaged his head and it healed back wrong/if singed replaced his head with one of the wolves' heads to make him fully Warwick in the end.

Isha's death kind of feels... not impactful at all to the story afterwards aside from Jinx's spiral. I would've liked it if her death did more than just that (Like I said, permanently damaging Warwick/Vander would've been nice)

This is about the league of LEGENDS and you'd think that Warwick and Heimerdinger would have bigger roles than just being killed off to further another characters story after barely impacting the narrative.

Also I feel like Sevika being on the council is like... stupid. I think she wasn't handled well at all after episode 4. She just completely disappears after running away with Isha. Why do we never see her hanging with Jinx and Isha again? I would have LOVED to see how Sevika reacted to Vander not being as dead as previously thought, the man she betrayed and ultimately ended up mirroring in the end with her refusing to give up Jinx to Piltover. I think it would've been fun if Sevika was the one to tell Vi when she woke up that Jinx gave herself up, despite all of Sevika's protests, an inversion of what happened with Vi and Vander. Putting Sevika on the council in the end is just kind of weird for her character. I understand it's like, the idea of Zaun finally getting representation on the council, Sevika getting a say in what happens in the undercity. But I feel like that could've just as easily been accomplished with finally letting Zaun have its own independence with Sevika being the "Baron" of Zaun, being the new leader. Because we've seen she's a genuinely good leader! She has a good head on her shoulders. It would've been fun to see how she'd struggle with being the new leader of Zaun, struggling against the Chem Barons if future series ever decided to look into Zaun again.

In general I'm fine with the ending of Arcane. But I feel like the endings could've been written a different way for those 3 characters. I honestly feel like it would've been better if the show ended off where the game picks up, and I don't even play League, I just like the lore from what little I've been reading.

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dawnoftime22 · 2 days ago

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w the story u just wrote (just be here) maybe a part 2? where the reader is pushing away/snappy at tay orrr just another part in general :3

totally ok if not! i love your writing 💋💋🐈

look after you.

| T.S

Warnings: overstimulation (loud music w/ headphones, hot temperature), a bit of R breaking down, anxiety, taylor getting anxious of your relationship

Summary: After a week of numbness, you start distancing yourself from Taylor and saying some things you don't entirely mean. Taylor was just worried for you, but tries her best to find a way to you.

Word Count: 4.1k

Category: Hurt/Comfort, Fluff

A/N: you see what happens with me when I proofread is...it was 3.5k words. then it jumped up to 4k and I had to proofread again 😭 have fun everyone

Request A/N: you're lucky I had an extra photo I couldn't decide from the last one :P I thought tay looked too sad...but here<3

| Started on 14/11/2024, 11:26 PM |

| Finished on 21/11/2024, 5:30 PM |

Main Masterlist | T.S Masterlist

Request Guidelines | Part One, 'just be here.'

"When I'm losing my control, the city spins around. You're the only one who knows to slow it down."

| ——————————— ⸆⸉ ———————————|

You were staring out the window of the car, watching the buildings go by in a blur of time. Supposedly, you were going to stay at the park earlier today, but because it was so hot and humid outside, you had to cancel any plans of a sweet picnic date.

As the drive goes on, the car reflects through windows of botique shops and restaurants, showing it from the view of anyone outside.

In your mind, unprecedented feelings were swirling without a care. It was different from anything normal, but still as blank as your whole week has felt. It confused you. Your music was playing in your headphones as you try to distract yourself from the poking thorns going through your body, frustration threatening to break the walls of resistance.

The sun was striking through the clouds, blinding anyone who'd dare to look up. You were sure fate was laughing in your face by making the overwhelming feeling worse.

All you wanted to do was go back home. That was it. To be back in your bedroom, curled up, stowed away, casted away. Anything.

The more that time went by, Taylor was starting to notice the quietness that overlayed the drive. There was music playing on low volume by the speakers, and you were usually a quiet person, but the way you had your headphones on made her concerns grow.

She could see how glued your eyes were to the window. You didn't even move or sing to one of her songs that had come up in the car, which was all the more worrying. You were her biggest fan, but you most probably had the entire world blocked out by now.

"Baby? You okay there?" she calls softly over the music, turning it down until it was barely audible. You heard her, but you didn't respond or turn to look.

Her eyes flicker over to you for a moment, but she needed to focus on her driving. You kept your eyes on the window, starting to wish she won't even try to speak to you again just so you didn't have to try to explain.

But eventually, the car comes to a gentle stop at a red light, and she turns her head to look at you. She tries again, even softer this time. "...Sweetheart?"

Her teeth sank into her lip. She thought, maybe you had your music on too loud; because you had a tendecy to do that whenever you had trouble with your mind.

She runs through it in her mind for a moment, hesitating to intrude, but soon she reaches out, going to give two gentle taps on your shoulder. You felt it, but you leaned away, tensing as you keep your eyes on the window.

Without missing a second, her eyebrows furrow, now confirming that you heard her, but you were ignoring her. The situation was growing entirely alarming.

Her mind reels, but she leans back into her original position, her eyes focusing on the roads. Here and there, she'll check on you, trying to make sure you were alright— at least physically.

By the time she was driving along the familiar roads of your neighbourhood, where you lived together in one house, she thought to decide at least one more time.

She took in a breath to only sigh it out quickly. "We're almost home, baby..." she murmurs softly, trying to find chance for the smallest movement.

Your shoulders lowered...just a little, but it was more you slumping into the seat than relaxing. Right after, a grumble mixed in with a whine came as a response. Her eyes flickered to you, just for a moment.

"You look lost today, sweetheart..." she says in a mere whisper. The little shift in your leg had spoken thousands of words more than the quietness thats been passing.

Her teeth bit her lip, deeper this time. "Is there anything you want me to do? Like...a hug? A kiss? Or...we can stop by your favorite bakery..." she murmurs softly. Her eyes travel the area, recognizing the little delicious bakery right around the corner.

You bit your lip, your shoulders tensing as you kept your eyes firmly on the window. There was an odd feeling to let her sentence pass again, but the silence hung too uncomfortably in the air. The fact that you even thought to ignore her was tormenting.

What even was the word to it?...Tired. You were just tired. But it wasn't that kind of tiredness, or even the physical— it was just because your emotions felt like they were on the brink of cracking out and your heart and mind was dazed trying to fight it.

"I don't...need anything...just send me home." you mumbled with a slight edge, feeling the spite in your chest rise all the more. You were growing to only hate yourself if anything, instead of her.

The arrangement of words still bit her in her heart. 'Send you home,' as if she was only dropping you off somewhere instead of going home with you.

"Is there something you're mad at, baby?" she questions softly, but the words she spilled weren't meant to come out so...direct. She nearly wronged herself of her own suddenness.

Your mind stuck on her sentence. You could tell she was anxious just by the way her finger was tapping on the steering wheel. Of course you weren't mad. Well, you were, but not at her.

"No, stop, its nothing...I'm fine." You try to sound assuring, but you were sure your tone sounded too ignorant. Ironically, the both of you were worrying over your tones.

Taylor stays quiet for a moment. "...Are you sure?" She sounded softer. All you could do was shrink into your seat. You wanted to curl your legs up only to remember you were wearing your shoes.

"Yeah, just..." you slowly sighed in a near huff, crossing your arms, looking further back away to the view outside.

You knew it was what some considered to be 'wrong,' acting this way. But you felt overwhelmed. Too much going on to explain, even if it looks like nothing on the outside.

The sun was lowering further on the horizon, and she was soon nearing your shared home. After a moment, she slowly turns the car into the driveway, parking gently.

When you felt the car fully stop, you shifted your position up a little more. She gathered her things, glancing to you, but only to see you unbuckle your seatbelt and grab your phone, opening the car door.

Taylor swallowed down her fears. For a moment, all she had was the silence. All she's ever had was exactly that throughout the drive, but now it was even worse.

Soon, she follows after you, turning off the engine to get out. And of course, she held the keys to the house, so you were waiting at the porch for her, looking down and nibbling at your lip.

As she walks, she fishes the keys out from her pocket, finding the one for the front door.

She didn't want to start anything outside, so she steps on the porch beside you and unlocked the door first, twisting the key to then gently push it open.

Before she could even fully open it, you weaved yourself in from the gap between her and the door. She felt your shoulders brush, but she takes in a breath to calm herself, and slid the key out so she could step in. The door closes behind her.

Her eyes flicker to you in concern. "Baby," she started, watching you get your shoes off. But right after you took your socks off, you went to turn around. She hadn't seen you look at her even once in the past few minutes.

"Hey." She reaches her hand out, gently going to stop you from taking any more steps with her fingers embracing your wrist. You paused, freezing at the warmth.

"We need to talk." Her voice was soft. Softer than the music that was playing in your ears, and oddly she didn't sound mad at all.

A lump was in your throat. "I told you, I'm fine, Taylor." You nearly turned to look over your shoulder. But you looked down instead. Taylor took one step forward, wanting to be closer to you, but not pushing your space.

"It doesn't seem like it ever since we got in the car," she whispers, her hand on your wrist slipping down to your fingers, intertwining them.

She looks into your expression, tilting her head to try and see your face fully. She could see a glistening look in your eyes, and the slightest hint of red in your nose.

"Please." she breathed out. The silence was deafening, and cut the both of you to the core. Your mind was too scattered to speak, and you were trying your hardest to not break right then and there.

But you gently slip your hand out from hers, and she watches as you walked away, your path making its way to the bedroom.

There was a will for her to say something, to call you back, but there was a sign that you needed some kind of space alone after all that, and especially after you spent the time in the car, a place you disliked sitting in.

Even if she wanted to desperately know what the matter was, she didn't want to force you, or overwhelm you up to a certain tipping point.

Deciding to let it go, she sighs softly and goes to the couch. She hadn't even taken her shoes off until now, leaning down to slip them off her feet. It gave her relief as it felt suffocating earlier, but her heart wasn't spared any relief.

When she sat down, she felt a brush of fur against her skin. She nearly jumped, her head instantly looking to what met her arm. It was Meredith, looking at her curiously. She hadn't even noticed her there. Thankfully, she hadn't sat on her cat.

She breathes out the exhaustion in her lungs and leans back against the couch. Her hands cover her face, trying to make sense of it all. Then, those hands run over her cheeks and eyes, right before she let them fall carelessly onto the couch.

After a second, she looks to Meredith. She was laying there with her green eyes and cute scottish fold ears. Taylor's lips pursed, and she reaches out, giving Meredith a gentle scratch atop her head. Her fur was so soft.

She decides to distract herself, leaning back and resting her eyes closed. But it was too quiet, even as her cat purred beside her. Of course she was kept company, but the company wasn't you.

A sigh escapes her mouth and she opens her eyes again, blinking away the fuzziness. Somehow, the blonde manages to grab out her phone. It unlocked as soon as it saw her face, and she looked through her photos of today, seeing one of you in the car earlier today, but you were laughing, looking at a bracelet she had made. At least, until the disappointment of your cancelled picnic.

Was that it? Did she disappoint you too much? Was she having a relationship fallout? Of course not. You loved her with all your soul, and when you needed to, you took your time comforting every inch of her heart as she did for you. Every smile shared was of pure sweetness. It wouldn't make sense for you to simply part from her, even if the fear was deep in her veins.

But then it clicked to her.

The line of connection rose up from when you were numb and dozing off all you could few days ago. You did seem like you were getting better, and she gave comfort every time a bad thought came to you, but it wasn't until now your emotions were coming in again. She worried, even if it should be good, the concerning part is you were snappy and pushing yourself away from her.

But then— this morning too, you had forgotten to bring your bag that usually goes over your chest, which always gave you feeling a sense of ease and safety with the weight of it. Knowing how much your body could feel too light without it, she offered you hers, but you waved her off, thinking it was silly.

When you walked in the park together, your hands were in your pockets, fiddling slightly. She hated the amount of heat the sun had, but you hated it even further. You were talking to each other fine, at least until you were walking back to the car. You got quieter, mindlessly looking down the path, seeming almost bored at everything, or trying to distract yourself from the hot temperature.

Whats even more worse was you woke up earlier than she had. It was understandable that you could have possibly felt overwhelmed— because as much as you loved cuddling, you hated how longer your day would feel, and sleep certainly wasnt an option because you had fully woken up by then.

She lets out a gentle breath, knowing she needed to get to you. There was no telling what could rise up, but all she wanted was to keep you safe. Keep you in comfort.

|——————————— ⸆⸉ ———————————|

The room was quiet. It was raining, and it's been raining a lot as of lately.

The ceiling fan was humming overhead like usual. The air was so cold, your leg had to seek warmth under the folded covers.

But most of all, the room was dark. You couldn't get yourself to turn on the fairy lights hanging over the walls, even as the skies were gray, and the sun was starting to set, which only dimmed the daylight that spread in the room more. All you wanted was to sulk.

You hated it. Hated how much your mind was stirring up every bad thought you could ever have. Like you were blaming yourself for everything that ever happened, but you were also so extremely angry at everything else. It was a duel of two.

What exactly was that 'everything else' was? Well, really, the only thing you could focus on was the crazy temperature change that bugged your mind, going from the sunny, sweaty weather, then straight to what should be a perfect, cozy rain, but the cold was just too cold. There was no in between. You were sure the world might be ending at this point.

The interactions with Taylor kept reeling in your mind. It was like pages of a book flipping over and over, but it had the same memory showing. It was tiring, it was consuming you enough to send you into a spiral.

A sigh left your lips, and you buried your face into your hands. You wished the warmth you felt was the crook of Taylor's neck.

Oh, god, she was probably so mad at you. Blaming you back just as your mind was. What were you to do? The way you ignored her was outright cruel. You shouldn't have even done such a thing. Why hadn't you spoken about it? Well, there was no way she could have understood in the moment.

Right as your thoughts were going back and forth, a gentle creak came from the door behind you.

Taylor stood there, gently opening it to see you. There you were. She lets out a breath in relief, just a little, but there was no doubt that worry coursed through her mind when she saw how dark the room was. You clearly soaked all the gloomy atmosphere that you could.

But she wasn't focused on that. She was more concerned about the sight of you. You were just about curled up into a ball, like a cat frightened, but in the centre of the bed. Your arms hugged your legs and your head rested on your knees, staring out into the sheets of the bed.

"Baby?" she whispers out softly. That sweet nickname she always uses for you uttered out her lips without difficulty. You turned your head ever so slightly, your hand tightening in on itself as your fingers furled into your jeans.

When Taylor notices the movement and sees just the smallest glimpse of your face, she takes a step forward to be closer. You tensed a little, slowly slumping forward to your knees.

A gentle sigh escapes her lips, and she carefully went to sit down beside you, the bed dipping with her.

"Baby...whatever it is, I'm sorry, okay? I just...want you beside me again." Taylor says softly. Her voice was a near whisper, to softly get you back to her, as if any longer, you'd disappear in the blink of an eye. Your eyes squeezed in guilt at her words.

"Its none of your fault, Tay, I promise..." you whisper, the words stumbling over each other in the pace it came out. Taylor bit her lip gently.

She was hesitant, but she wanted to help soften the situation. "Okay, but is it...because we couldn't have a picnic earlier, sweetheart?" she asks. You divert your gaze off to the bed, frowning a little in hesitance as you thought about it. It was part of the reason, but not entirely. Even you couldn't tell what was wrong. All you knew is that you hated it.

You then reply by giving her a shake of your head. She could see the gesture clearly, and doesn't press any more on the matter, but moves closer to you on the bed. Her arm brushed against yours.

A breathless exhale escapes your lips. You leaned into her. She didn't hesitate to wrap wrap her arms around you, keeping you warm. Relief ran through her when you let her hold you, and the same was going through yours, having missed her embrace. Of course she would be there for you just to love you as much as you deserved.

Your arms tighten around her, and your face buries into her chest. She closes her eyes, giving you a squeeze and nuzzling the top of your head.

After a bit, she could feel the headphones underneath her chin, and she leans back, looking to your eyes. "...Is this okay?" she whispers, lightly grasping your headphones. You gave her a nod, letting her take them off.

Once she set them aside, her hands return to you, but cupping your cheeks gently. She lets her mind wander, wanting to understand you. You look into her eyes, your lips downturned into a frown mixed with a pout. She then takes a gentle breath in.

"You're exhausted," her voice breathed out. Even if you had been numb, unable to feel your feelings, it wouldn't be surprising for anyone to feel overwhelmed and tired after it. Her thumbs gently caressed your cheeks. Your lips were a pout as you nod, insistently almost. You were extremely exhausted, too fed up of everything.

Your mouth opened, but you couldn't get your words out, and you exhaled sharply, leaning more into her. She held you closer, assuring you to take your time in her quietness.

"Its too much. I'm..." Your hand clenches into her shirt and you sighed. Noticing the struggle in you to speak, she gently rubs your back.

"Frustrated?" She suggests, trying to gently help finish your sentence as she tilts her head. She wishes she could have pieced the signs together sooner.

Another breath left you, and you turn your face out, just a little bit, going to grab her hand and holding it for a while. But it didn't take long for you to eventually fiddle with her fingers.

She can see the anxiety stirring up in your actions, and her eyes soften. "I know, baby...I get it," she whispers softly, her other hand returning to your back.

You relax into her hold, nuzzling closer into her as you felt the soothing movement like a warm blanket, covering you.

"Shh...I love you. You're safe with me," she murmurs, moving both you and her in the smallest rocking motion.

"I'm not mad at you, or anything. I promise, sweetheart, I was just worried, and I miss you," she reassures, her voice a whisper right next to your ear. You sniffle gently, feeling the swelling in your throat.

"I'm not going anywhere..." she could feel the skin of her neck getting stained by your built up emotions, all that was kept inside starting to overflow into her embrace.

You buried your face further, a couple tears leaving your eyes by their free will. "Just..." she starts quietly, in thought of her next words.

"Cuddle with me for a bit, hm?" she tilts her head, brushing your hair back from your face, and giving you a smile, even after everything thats happened that day.

You looked at her with gleaming eyes and a red tinted nose, nodding, having been wishing desperately for just a cuddle, but your thoughts were too tightly woven up together to have said anything any sooner.

She gently pulls you closer. You felt safe in her arms. You always did. As if they protected you from the rest of the world, and all its matters.

"I'm sorry I can't give you peace. I...first this numbness, and now this, I...don't even know, Tay," you whisper breathlessly, shakily, your shoulders were tense as the tears dampened her shirt.

Taylor held her lip, quiet for a moment before she rests her cheek against the top of your head. "You give me peace more than anyone could...even at your lowest."

Her hands gently ran through your hair, feeling every strand. "You're the sweetest person I know," she whispers.

You nibbled on your lip, slumping slightly into her in your defeat. "Not today I'm not..." you whispered back.

Taylor's hands pauses, and she takes a deep breath in, leaning back to look at you with a gentle but stern face. "Today, you were overwhelmed," she says, her eyes looking into yours.

Then, her expressions soften, and her shoulders relax. "That's understandable," she reassures, one hand going to your cheek, her thumb wiping away your tears. You watch her with emotion on your face, unable to say anything else.

She continues. "But it doesn't mean you're not sweet...or loving. Or caring." Every point she reasoned stood to their very own without a way to be fought, making themselves known in your mind.

"You were frustrated with your senses and feelings, sweetheart, please don't be too hard on yourself." She gazes at you, the back of her index finger wiping the remnants in the corner of your eye.

"It happens...okay?" she whispers, planting a sweet kiss to your forehead. "Sometimes, you just have to let it go..."

"I promise you," she murmurs, cradling the back of your head. "Just listen to the room." the fan hums. The wind passed by your ears in sweet quiet greetings. Sometimes the bed creaked at certain movements.

"Our breaths..." She gently took a deep breath in, holding it before releasing, guiding you slowly. You followed, seeing her eyes, looking into them to see the calmness inside. She nods in gentle approval.

"Thats it, feel your heart..." Her hand goes down to your chest, her other one grasping your hand gently to rest on the beat of your heart, every thump, going even through your clothes.

She then brings your other hand to her own chest. "And mine."

Anything left of your tears had dried down on your skin, and soaked into her shirt until the next wash it gets. You relaxed a little more, let yourself breathe and focus on just her.

"Thats all you need," she whispers, a small smile raising on the corner of her lips.

"I love you. So much," she says, still holding your hands. You smiled tearily, leaning in closer, and she let you rest your forehead against hers.

"I love you, too..." you whisper, your voice breaking a little. It was quiet. It was sewn rest.

She stays there, soothing, keeping you with her presence, giving you reassuring touches and kisses.

You needed a moment to settle down, to breathe, someone to lean on and give you warmth.

"Everything will be okay."

----------------------

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#🥀 dawn’s collection #taylor swift x reader #taylor swift #taylor swift fluff #taylor swift comfort #soft taylor swift #taylor swift imagine #taylor swift fanfiction #taylor swift fanfic #taylor swift fic

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starletcake · 5 hours ago

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Headcanon about mage Viktor and his 'origins'

I didn't really understand how viktor could be the mage from Jayces past and I didn't really get any real or satisfying answers to that from anywhere, so I thought I would spin my own little theory (or at this point you could say fanfiction) as to how this all happened, how viktor became the mage in Jayces story, what he meant by "only you could ever show me this" etcetc. I assume/determine/establish many things for my thoughtprocess to be true, I do that for my story to work and for my mind to be at peace and that it can grip an answer and not go insane about pixels because apparently i cannot act normal around media i like.

First of all, I'm gonna assume that some things are just true/meant to happen/fated in ALL timelines. For example that viktor is going to ALWAYS come into touch with the arcane and even if his path can be different each timeline his end goal is always the same - glorious evolution. I also assume that if you time travel/jump timelines and act as a seperate individual in this timeline (not like f.e. ekko replacing himself in his timeline) you are not allowed/cannot intervene too much with it because then the time/space continuum collapses or the arcane throws a fit idk.

So let's imagine a timeline, I'm gonna call it "the first timeline" (even though it doesn't really make sense in thinking of first/next/last timeline because all of the timelines are parallels, but bear with me), a timeline where viktor comes into touch with the arcane a different way, because here he doesn't even know Jayce exists (the mage which gave him the rune doesn't exist yet/in this "first" timeline). He merges with the arcane, thinks he's doing everyone a favour by initiating the glorious evolution, finishes it, creates a perfect world and everyone is happy. Except it isn't a perfect world and nobody is happy, in fact everybody is practically dead, without joy, love and choice, and Piltover/maybe even the whole world crumbles into arcane waste because of Viktors actions. He doesn't understand what went wrong, he didn't want this, he wanted everyone to have equal opportunities and end all suffering and be without sickness, be perfect. There had to be some kind of mistake here. So, with the help of the arcane, he travels to another timeline, and tries to change a few things in his story. With hindsight, this time he could steer his young self in the right direction and this time, surely it will work.

But it doesn't. So he tries again. And again. And again and again and again.

But everytime, in every timeline, with every change he made, with every different decision he made, with every different way he found the arcane, it always ended the same - the glorious evolution was a mistake. More than that, an error in his thinking of his younger self, which is the catalyst of the apocalypse.

Having seen that outcome time and time again, this "first" mage Viktor realizes that this cost for perfection is flawed, and that imperfections do have beauty in itself. So, he goes into another timeline, this time adamant to stop himself. But he fails. He just isn't able to stop his younger self, he is not able to prevent that he is coming into contact with the arcane, he is not able to change his worldview, he is not able to change anything about his goal or conviction. So, maybe someone else could? Trying and trying to introduce character after character into his life, trying to let others influence him, to no avail. How could he, anyway? How could anyone change this worldview of him? He, "first" mage Viktor needed countless of timelines and experiences to learn, that he doesn't have to be ashamed of his flaws, that he doesn't have to erase them and that imperfections are what makes them all alive. How could anyone show him, in his limited lifespan, everything he learned in a multiple factor of this time?

And this is where Jayce comes in.

Maybe, in one of the infinite timelines, the "first" mage Viktor was just as lost as Jayce on that fateful day. Maybe he was about to give up his endeavor of stopping himself becoming the villain in each and every timeline. Maybe, he began to accept that, just as he is fated to meet the arcane, he is also fated to doom the world. Then, he sees a little boy, crying over his dying mother in a snow storm. Maybe he thinks, even if i will destroy the world later, maybe I could do a good deed now, and saves the little boys mother. He gifts the little boy a rune, and goes on with his day.

And BOOM, Jayce just got introduced to the game. This little act changed the course of history entirely, suddenly there was a brilliant mind in the middle of Piltover, suddenly Jayce and Viktor meet, and suddenly, Hextech is invented. Viktor gets a partner he can trust, that he loves and admires and he gets this love and admiration and trust back. They understand each other in ways nobody else could, they share moments of intimacy and ways of love no romantic love could ever reach(thats also a reason i don't really ship Viktor and Jayce, deep love doesn't always have to be romantic in nature and there are so many other types of love that are no lesser and can be more intense(even though my gay heart yearned for them to kiss at that last scene ngl)(well this and maybe im also trying to convince myself that it doesn't always has to be romantic love that saves the world and is the most impactful and beautiful and fated etcetc(can you tell I'm aro)))

And suddenly, new hope flashes in mage Viktors eyes. It's him. He is the one. The only one. The one he was meant to meet, meant to choose so Jayce could choose Viktor again. And even though this timeline also ended in the wasteland mage Viktor saw so often already, now he knows, oh he feels that he will be the one to change it all.

So this little clip where we see mage Viktor giving little Jayce all these different runes? This is actually the end of mage Viktors journey, the last couple steps to finally find true peace, not in the form all of the Viktors always thought they will(glorious evolution), but in the form of accepting himself. And nobody else, not himself or Singed or Silco or Sky or Mel or Heimerdinger, only Jayce, only him, only you, could show me this.

(Finally, one of the runes caused Jayce to travel to another timeline where the apocalypse already has happened, and Ekko in one where he invents his timetravel device. Finally, mage Viktor can talk to Jayce and Jayce promises Viktor to stop him, forgiving him and loving him regardless. And Ekko, being the last push Jayce and Viktor needed to, being the catalyst of this even being able to happen)

I'm only writing/thinking about/posting this to satisfy my urge to understand exactly what was going on and why characters acted that way or why situations happened, to try to fill plotholes that nag my brain in a series that i absolutely love and gives me so many emotions(mostly pain, oh the misery). Idk and idc if any of that makes actual sense or fits in the lore of LoL or even the show itself, if it retconns some things or if the show itself retconns some of this theory/story, it makes sense in my head and I kinda like it, and thats what brings me peace idk how my brain works ok. (Plus it would be so cool to see some of the alternate timelines where for example viktor works with Silco and Jinx instead or smth)

#arcane #viktor arcane #jayce talis #arcane jayce #jayvik #jayce x viktor #fanfiction #headcanon #viktor #god i love those to an ungodly amount #its unhealthy really #arcane season 2 #this whole season broke me over and over again and didnt stop #let me BREATHE

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mikimakiboo · 1 day ago

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Looking at your Time Travelers AU (very good work by the way, fun concept and good writing!) and got to Nightmare's whole gay crisis and- damn. wow. I have been struck with the visceral image of Nightmare getting back to his own time only to write a classic bodice-ripper novel (probably under some flowery pseudonym) with character suspiciously reminiscent of a certain set of skeletons... bonus points if Dust the history nerd mentions offhandedly reading a translation as some sort of history research thing because "Works from the era give a good understanding of cultural norms during that period!"

Been offline all day woops, also explain to me why my wrist starts hurting only when I want to write and not when I'm doing something else

Thank you !!! I'm glad you like my work ! :D and yeah Nightmare's going through it

I actually thought about Nightmare writing a book ! I just didn't share it :D but it is definitely an idea I had, Nightmare writing maybe about their journey or simply writing a love story to mimic what he wants to experience with them but doing it in secret because he's too embarrassed to show them

His pseudonym would be something like "L'oiseau de nuit" (Night bird) or something like that, giving a little hint but not too much as to remain anonymous, but anyone who knows him very well could probably guess it's him

And yeah if Dust even vaguely mentions reading one of his books (because he would probably write multiple), even without Dust knowing he's the author, he would totally freeze and not know what to say, he didn't expect to be caught and he really didn't expect that his books would still exist and even be translated centuries after writing them

#ask #time travelers au #tt au #nightmare sans #dust sans #tt nightmare #tt dust #bad sans poly

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mar3ggiata · 16 hours ago

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professional help, finale. All's well what ends well.

simon riley x original character.

'Nothing's gonna hurt you, not while I'm around.'

'You know, I still think about that day a lot.'

'You do?'

He shifted beside her, making the covers shuffle and move on her body. He grabbed the hem of the sheet, pulling it on her naked shoulders, he knew she was always cold in the morning.

'Sometimes.'

She kept her eyes closed, she was still sleepy, and at the same time she didn't really want to remember. The fact that he still thought about that time frightened her. It was guilt, what she felt. He pulled a hair from the pillow, a long blonde curl, 'This yours…' He felt her cold feet trying to fit in the space between his calves, he welcomed them to warm them up.

Me and Simon never went on that date. I'm Alba, by the way. Me and Simon never went on that date, after the bar or whatever. A lot has changed since then and we really just forgot about it. You best believe we had other problems. If everything happens for a reason, I sometimes still struggle to see it. I lost everything. I lost everything and I don't know what I gained. Well, that's wrong, Simon's what I gained. Simon is all I have. I look back at who I was when this mess started, hell, I look back at who I was when I got my job as a therapist and I just… I don't recognise myself. Sometimes I envy the times when I was so clueless. Life's more painless for the brainless. Sometimes I even wish I could go back. Simon is the only real reason why I choose to stay. Simon is the reason why it all went to shit, really. Me and him, we played a pivotal role in each others lives, his life changed too when he met me. And when, well, the whole thing went down. The beginning of the end. Here's what happened that night.

We drank some more, I was tipsy and so was everyone. It was nearly two in the morning when Roman offered me a ride home. Truth be told, I don't really remember what I said, I have very little memories of that part of the night. I think I might have looked at Simon, who asked me if I needed a ride, if I drove there, to which I said no, that I was gonna get a cab. He spoke to me like the others weren't there, he spoke in a protective way. No way he was gonna let me get a cab, or go home with Roman for that matter. He claimed me. Roman didn't insist when I told him I was with Simon. We left together, as everyone suspected. They had been saying it since he walked in, they're gonna go home together. Nothing happened, if that's what you're thinking. I was way too drunk and he was respectful. He walked me to my door and said hi to the dog. I thanked him for the ride and he looked at me with those gentle, deep, brown eyes I love so much. He said to sleep tight, with a confidence he didn't have within himself at the bar. It made me giggle and I almost invited him to come inside and spend the night. I'm kinda glad I didn't.

'I don't like that you bring that up', she murmured, she turned her back to him, rolling to her side and hugging the pillow under her head. Embarrassed. He sighed, 'Why, cause you know you messed up?' She felt burning in her chest. She felt his arm, firmly wrapping around her waist, was like poison. A trap. She tried to resist his force, he pulled her towards him, his chest against her back, both arms around her to keep her in his warm embrace. One of his legs swung on her to keep her from escaping him, he was always afraid she wanted to run away from him. Even if he woke up beside her every day.

He told me everything that happened and how things went not long ago, I waited a year to know, maybe more. Again, a lot has happened, so we forgot about some parts of our story. He told me how happy he was and how weird he felt that night, driving to base. Good things didn't really happen to people like him, and I was a good thing. I was good, I treated him like he was good. He drove to base, went to bed and thought about me all night. He thought about our date, the dress I was going to wear, my eyes, my neck, the skin of my hands. He thought of us eating, talking, maybe bringing Jinx along with us. He fell asleep wondering where to go with me, he hoped to dream about me in his bed. Silly.

She huffed and whined at him, trying to free herself from his grasp. 'Where you going?' He whispered and she scratched his arm. 'You're always wrong.' She commented. They had that talk a million times, he never failed to make her feel miserable. 'You're selfish.' He pinned her down in a swift motion, his body on top of hers, one hand brushing her hair away from her face. Her breasts were pressed against his chest, out of habit, she had spread her legs to welcome him. Her feet rested on his calves. 'I'm selfish because I love you'. He nuzzled his face in the crook of her neck, breathing in her scent. She circled his shoulders with her arms. 'You would have done the same thing, if not worse.' She pushed him back away from her, her hands pressed as firmly as she could on his pecs. He was smiling.

The day after, he woke up groggy from the alcohol. He told me he couldn't be bothered with the briefing for the next mission and debated skipping it. His mind was somewhere else. Little did he know. Ruining his mood, that is the thing I'm most sorry for. I like my man happy. He sat down in a room full of soldiers, Price in front of them, his computer screen projected in the wall like he had prepared some kind of presentation. He told me the captain looked tense, or rather sad. It was a day he never really thought would come, he had news he didn't really want to share, or believe. Seeing him like this, made his heartbeat increase, he started to sweat. Something was going on.

'I would have done worse, yes…' His words were spoken into her cheek, he left a trail of wet kisses on her jawline, making her sigh loudly, her legs firmly wrapped around his waist '…you broke my heart.' She scoffed and let her hand travel down his back, scratching the skin of his lumbar muscles, 'So dramatic…' He cradled her face with his hands, forcing her to look at him. He liked teasing her about that time, and he knew how bad she felt. It was cause he craved reassurance that she would never do anything like it, ever again.

'Sit down, please.' He felt his palms sweaty, he felt a sense of discomfort. 'We had a…', even the captain, he was struggling to find the words, he looked unease. What in the world was going on…

'We're talking mafia. Uhm… Italian mafia, from Naples. It's called Camorra, I believe.' He stopped to check some papers, 'Laswell and Shepherd have been keeping an eye on a specific clan from over there, they're dealing with prostitution and drug trafficking.' He sighed. This was no normal mission. He tuned towards his laptop, an image appeared on the wall behind the captain. A woman, in her fifties. She had blonde hair, she wore glasses, she had a stern and serious expression on her face. In the picture, she looked out a window into a busy street. She had blue eyes and a roman nose. 'This is Tania Dalla Rocca, she runs the Dalla Rocca family. In Italy, especially in the south, they have very patriarchal families, but her husband, the ex leader, died in prison. She's been in control of the business for over twenty years.' He went back to the laptop and a new image appeared. A man, maybe his age, a dark brown buzzcut. 'This is Carmine Caserano, he runs the opposing clan. They've been fighting with the Della Roccas for decades, over businesses, neighbourhoods… They're eternal enemies.' He cleared his voice. Simon began to feel a stinging pain in his left temple. 'We're in charge of dismantling both families, essentially.' He let his eyes wander inside the room and Simon could swear he let his gaze linger on him for a few seconds. Pitiful. I'm sorry, son. 'They've been in contact with Italian-American immigrants for a while and the situation is escalating quickly, they're terrorising citizens, we're gonna work with Italian special forces in Naples and try to solve the situation.' '

'What situation?' someone asked. He could not turn his head to look at who spoke, he was frozen in his chair.

'So… someone in the Dalla Rocca family is responsible for a… an accident, back in 2013. Explosives inside a car. One of the Caseranos died.' He was about to click on the laptop again, but stopped. 'The Caseranos, the other family, is moving for revenge, they want control over the territory, sure, but more than anything they want revenge. Many innocent lives are at stake.'

'So, are we protecting the other family? And the terrorist?'

Price shook his head. 'No one is worth protecting. No one is innocent over there. It's incarceration or death, for all of them. And the… terrorist, what she is is a terrorist, is someone many of you know, I'm afraid.'

Her eyelashes fluttered, a small whimper escaping from her parted lips. 'You broke my heart, Eva', he murmured into her mouth, he licked her lower lip, feeling her soft hand cupping his cheek. She replied by taking his face in her hands and kissing him softly, pulling him down towards her.

A click of the keyboard, a new picture appeared on the wall. As he leaned foreword, to better see the image, the ringing in his ears was becoming almost painful. He didn't need to lean in, he could see me perfectly. A young Jude was painted in the wall behind Price. My eyes, my mouth, the bridge of my nose, it was definitely me, younger and angrier. 'She's not even 18 in this picture'. Price's voice mixed with the murmuring and chatting of Simon's colleagues, who had recognised the girl on the screen. The terrorist.

She brushed her thumb over his lower lip, he kissed her hand and then her mouth again. His arms kept her still, his hand pressed firmly on her hipbone, scorching hot.

He felt like throwing up. He felt like an idiot. Like a fly in a spider's net, I had tricked him and everyone else into believing I was someone else, Alba. Him specifically, my special Simon. Without saying a word, Price skipped to the next picture. It was a classified FBI file. His eyes scanned the file, reading through the mountains of lies I had told him, reading the truth. The whole truth. He was being set up, it could not be real. His head was throbbing, his blood cold. It had to be a joke, a sick, sick joke.

His hips aligned with hers, he drank the soft gasp that left her lips when she felt him slip inside her.

'This is Eva. Jude. Some of you know her as Alba'. Price gave him a quick look, but he wasn't paying attention. His eyes felt like they were burning thought the wall. Eva. 'The woman I showed you earlier…' That's her mother, he thought. '…That's Eva's mother.' No… That's Alba, no? No, Eva. Eva Dalla Rocca, I wasn't born in the UK, I was born and raised in Southern Italy, by one of the most influential clans in Naples. I have a sister, I had a brother. 'She was hired here and given a fake identity, under the condition of cutting all ties and contact with her family…' Price went on. Eva. Not Alba, not just a therapist, what? Eva. Southern Italy, the fucking mafia? Naples, moved away when I was 18 after a major attack that let to the death of an infant, he read. My Alba? How? An attack? How? Why? It couldn't be, it had to… it had to be a mistake, I was with him the night before, so pretty, so sweet, I held his hand...

Her nails pressed on the flesh of his back and shoulders, while he rocked his hips foreword. Opening his eyes, he took in the sight of her, curled against him, clinging to him like she was afraid he was gonna vanish like a fever dream. Her brows furrowed, mouth agape sucking in a breath. He saw her in that state every single night, and yet it never failed to make him dizzy, the amount of pleasure he was able to make her feel. The necklace he bought her fell in the middle of her chest, a blue stone shining in the morning light.

'Since she broke no contact yesterday night, we have every reason to believe she's going back to her roots, possibly helping out her family. She's our first target.' Eva. Terrorist. He had just asked the terrorist on a date. Broke no contact, I was a criminal. I was hired and given a fake identity. Eva was hired and became Alba. Eva. God help him, so many lies, and he believed. Every. Single. Word.

He leaned down close, desperate to feel more of her, everything. It was never enough, he was never close enough, always needed more. She raised her hips from the mattress, reaching for him. He allowed himself to relax and lay his head beside her on the pillow. She had one arm around his neck, one hand pressed on his chest. Left side, his heart. 'Scusami', he said in her mother tongue. His hips lazily grinding against her, he moaned her name into her neck repeatedly like he was praying. Her legs straddled his hips, she was shaking.

'I'm sorry to everyone who considered her a friend.'

This is what happens when you let your guard down. Now Simon, Ghost, wasn't good with feelings, but he sure was good at war. Next target, did the captain say? Target. A job. Terrorist. Consider it done, then. War was what I wanted, war was what I was created for. Well, so was Simon. War was what he would bring me.

This is what happens when you let your guard down, this is what gets people heartbroken, killed, fooled, this is what happens to people like him. Betrayed. By me of all people, his sweet angel. It was absurd, but he let me do this, he gave me permission to ruin eveything, deep down it was his own fault.

Such an idiot.

On top of him, she intertwined her fingers with his, pinning his arms to the mattress, stretching them above his head. Her movements against him were erratic and desperate, back and forth, he whimpered like he was crying. Making him feel so good, it was her way of saying she was sorry. She kissed his eyes, she kissed his cheek and his mouth. She created a world from scratch just for him, a world where he was only hers, every hour of every day. Hers to love, to take care of. She reminded him every day, he was hers forever. He was safe everyday. Nothing's gonna hurt you. Not while I'm around. When his hands were freed, he circled her back with his strong arms, needed to feel her at all times, her belly pressed against him, her ribcage, her breasts. She run her hands through his hair that were starting to stick with sweat. ‘Sei l’amore della mia vita’ she whispered, like a hymnal. He believed her. He couldn't possibly do any different.

notes: happy professional help finale! I started writing this series after thinking about it a lot, I am new to all this. I wrote at least 27 chapters before even publishing the introduction, over a year ago. I am very very happy to have continued this project to the point of finishing part one. I still have a lot in mind and a lot of things that I want to explore with my characters. thank you so so much to all of you that liked, reblogged and commented such sweet things!! I really appreciate it so so much and I hope you'll continue to love Alba, or better, Eva and Simon as much as I love them.

I'm gonna go back to writing!

enjoy!

mare.

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