#maybe for some reason he had to film remotely in a different city and thats why he couldnt be there?

[biblicalhorror]

Yeah honestly I didn't mind the ratfish even though I disagreed with 90% of his takes, I just wish we could have had some payoff of seeing the cast react to him and I kinda don't get why they didn't do that. It felt like a weird choice

[femmesfollesnebraska]

Artist-Poet Feature: Claudia Serea & Maria Haro

Pleased to feature artist Maria Haro alongside poet Claudia Serea with some of their collaborative work...

Where are you from? How did you get into creative work and what is your impetus for creating?

Claudia Serea:

I was born and raised in Romania, and I started writing poems when I was around 14 years old, in Romanian, of course. I wrote until my third year in college, then stopped. I immigrated to the U.S. in 1995 and took up writing almost 12 years later, this time in English. As for the reasons, I write because I believe I have something to say: my experience growing up behind the Iron Curtain, my immigration story, and the fact that I am constantly moving between two languages and cultures, not fitting perfectly in either of them. I also find inspiration everywhere around me, on New York City streets, in everyday life. I don't have to make up almost anything, just type what I see really fast. :)

Maria Haro:

I was borned in Madrid, Spain. Ever since I remember, I have been creating. My father is also an artist, so I grew up surrounded by art. I started my professional career in 1994 when I moved to New York City after graduating in graphic design.

My impetus for creating has evolved through the years. It started as something I liked to do, then something that I liked and I needed for a living, and now is evolving into something I need to do in order to make sense of it all.

Tell me about Twoxism, your current project and book, and why it’s important to you. What do you hope people get out of your work?

Claudia Serea:

I started the blog Twoxism in 2015 together with my friend, photographer Maria Haro—but the idea is older than that. The project concept came from Maria's friend, the Spanish photographer, Koldo Mirren Guinea Herran. He contributed some excellent photography to our project; he also designed the amazing cover and created the layout of the book. One of the poems I wrote for his beautiful photograph of tools was shared 1,600 times on StumbleUpon alone. I’m sure a lot of its appeal is because of this iconic image. Here it is: 

Sometimes I feel like a mechanic

Sometimes I feel like a mechanic, hammer and wrench instead of hands,

fitting the small parts, turning them this way and that, until they lock together, tight, teeth clenched.

I test the wheels, try the belt, turn the engine on and off, and on again,

listening to the wheezing, the whirr, until it works, and the growl comes on,

and the propeller starts flipping and swooshing,

and the shiny thing lifts into the air and flies into the world,

leaving me behind with my greasy hands and grimy nails,

grinning.

Maria Haro:

Twoxism started as a poetry-photography collaboration blog (www.twoxism.com) for which I took the photos and Claudia wrote the poems they inspired. In April 2017, 33 selections from the blog became an art exhibition that opened in New York City. Recently, Twoxism became a book published in December 2018 by the Canadian press 8th House Publishing. 

Twoxism is an invented word for all things two—among them, love, friendship, and relationships. We had a great response to the blog, with +15K page views and +40K impressions on Twitter and growing. As a project, it finds beauty in unexpected places and sees the mundane with redemptive eyes. As a book, it speaks of love and relationships in a new way. We hope others find it fresh, inspiring, and authentic. I personally started to better understand personal relationships through the photos I take and the lens of the artists who contribute to Twoxism.

Does collaboration play a role in your work—whether with your community, artists or others? How so, and how does this impact your work?

Claudia Serea:

I love collaborating with other artists. Collaboration gives my poems the chance to be shared with and enjoyed by more people. It gives the poem a new life. Apart from Twoxism, I collaborated with film directors who turned my poems into videos. My poem In Those years, No One Slept was set to music for choir by composer Rich Campbell, and the song won the top prize at the 2018 Uncommon Music Festival last August. I have another ongoing poetry-photography project with artist Mike Markham which, who knows, might become an exhibition or book in the future. And Maria and I we’ll keep Twoxism growing as long as it can. We are just getting started.

Maria Haro:

My biggest drive now is to discover what is possible through collaboration, and everything has to have a purpose. I am mostly interested in creating work than helps others using my design, photography, and artistic skills. I always have more projects on my mind that time to execute them and make the best of them. That is where collaboration really makes sense to me. Things are always better together.

Considering the political climate, how do you think the temperature is for the arts right now, what/how do you hope it may change or make a difference?

Claudia Serea:

Creativity knows no limits and no one can contain it, although some might try. The arts are hot in the U.S., and they will always be. Language is also extremely important in shaping our message and connecting us with emotion. Here is a poem from Twoxism that explores language’s important role, accompanied by Maria’s evocative photo:

About languages

In what language does the house painter paint?

Does the wind in Chile speak Spanish to the trees?

Do the gulls over the Hudson River cry Whitman’s verse?

And what about the Statue of Liberty?

In what language does she keep silent?

Coming from Romania, I feel fortunate to be in the United States and share my poems in English with the artists here. Who knew something like this could happen? I never thought I would get here in the first place. We get to write and express ourselves, and that is thrilling to me. I am very grateful for that. In turn, we must fight to open doors for others, and not create in a vacuum. There are countless artists and poets who live under oppressive regimes and don’t get this chance. We need to raise our voices and help them in any way we can. It’s an uphill battle, but I have faith we can contribute to the change.

Maria Haro:

Being an artist is hard, and it will always be, no matter where you are and what political climate you’re in. But it really helps to be in Madrid and in New York City where there is freedom to express yourself and a lot of receptivity to art.

Art is very intangible. You can only break through when you touch the viewer’s emotions and cause disruption. I will continue to try to do that for the rest of my life.

Sense of humor is another great weapon to have. I love to explore through my art the political environment and discover in deeper layers what is really going on and how it translates into our daily lives. Here is a twoxism that illustrates that:

High stakes entertainment

When all of this is over,

we'll have invented a new game,

the American roulette.

All is fair in love and war. So pass the popcorn, the wine, lots of wine, and the remote.

Artist Wanda Ewing, who curated and titled the original LFF exhibit, examined the perspective of femininity and race in her work, and spoke positively of feminism, saying “yes, it is still relevant” to have exhibits and forums for women in art; does feminism play a role in your work?

Claudia Serea:

In Twoxism, we explored the topic of empowering women in several combinations of poems and photographs. The goddess woman, the working woman, the skateboarding girl who is afraid to fall, the mother, the lover, the friend, they all find voices in the book. One of my favorites pieces is “Ode to the warrior woman,” paired with a beautiful photo of red lipstick as a “weapon” of choice by Maria Haro. Here it is:

Ode to the warrior woman

Beautiful woman, the world is still cruel and wild.  Bring out the thunderbolts and don’t be afraid of the fight.

 Put on your lipstick and pull up your boots. Grab your sword and slay the dragons on your way to work.

Walk in knee-high blood on 7th Avenue and don’t let anyone see the quiver in your heart.

 Be kind and smile. Don’t let them see that you’re hurt.

Sharpen your talons, merciless bird.

Woman, you da man, the man’s womb, you da bomb!

 Galaxies explode from your sex,  Milky Way swirls and pours out of your breasts.

Tell the little girl inside you to hush.

Swing the bow on your back and spread your eagle wings.

There is so much to fight for, so much to do.

Put on your lipstick, girl.

The world is waiting for you.

Maria Haro:

There isn’t really a choice for us to demand equal rights for women. It’s mandatory (and I have projects coming up that directly address this topic.)

Ewing’s advice to aspiring artists was “you’ve got to develop the skill of when to listen and when not to;” and “Leave. Gain perspective.”  What is your favorite advice you have received or given?

Claudia Serea:

Keep writing even if you get rejected. Be honest and true to yourself. And, most importantly, never give up. Persistence is the most important quality.

Maria Haro:

Attack your fears by being fearless.

How do the birds know when it’s time to fly?

They must feel a restlessness, or a clock striking in their brain,

an itch, or a longing in the bones.

Or maybe the roads are calling, unfolding ahead,

new balconies of the city, glimmering windows and highways of air.

That’s when I have to say goodbye to my friends of the same feather

and prepare to travel light, with only love as carry-on.

Then, without thinking too much, the leap:

the push off the ledge, a flap or two.

I lean my chest against the wind and glide.

The current pours and lifts me up, up, so I can see everything.

Farewell, past.

Twoxism by CLAUDIA SEREA & MARIA HARO

Published by 8th House Publishing, Montreal, Canada

Order the book here.

6 x 9 | Paperback | December 2018

116 pages | Price: $20.00

ISBN 978-1-926716-53-4

Follow us on the blog Twoxism and on Instagram @Twoxism.

Claudia Serea is an award-winning Romanian-born poet whose poems and translations appeared in Field, New Letters, Gravel, Prairie Schooner, RHINO, The Malahat Review, and elsewhere. She has published five poetry collections, most recently Twoxism, a poetry-photography collaboration with Maria Haro (8th House Publishing, 2018). Serea is a founding editor of National Translation Month and a co-host of The Williams Poetry Readings series in Rutherford, NJ.

Maria Haro grew up in Madrid, Spain, where she studied fine arts and graphic design. She graduated from the School of Graphic Communications and moved to New York City in 1994. She has won several global awards as a Creative Director in pharma advertising. She collaborates with other artists on projects that inspire her. You can find her photos on Instagram @mariavisualdesigner.

~

Les Femmes Folles is a volunteer organization founded in 2011 with the mission to support and promote women in all forms, styles and levels of art from around the world with the online journal, print annuals, exhibitions and events; originally inspired by artist Wanda Ewing and her curated exhibit by the name Les Femmes Folles (Wild Women). LFF was created and is curated by Sally Deskins.  LFF Booksis a micro-feminist press that publishes 1-2 books per year by the creators of Les Femmes Folles including the award-winning Intimates & Fools (Laura Madeline Wiseman, 2014) , The Hunger of the Cheeky Sisters: Ten Tales (Laura Madeline Wiseman/Lauren Rinaldi, 2015 and Mes Predices (catalog of art/writing by Marie Peter Toltz, 2017).Other titles include Les Femmes Folles: The Women 2011, 2012, 2013, 2014, 2015 and 2016 available on blurb.com, including art, poetry and interview excerpts from women artists. A portion of the proceeds from LFF books and products benefit the University of Nebraska-Omaha’s Wanda Ewing Scholarship Fund.

Current call for collaborative art-writing: http://femmesfollesnebraska.tumblr.com/post/181376606692/lff-2019-artistpoet-collaborations

https://www.facebook.com/femmesfolles

[likeabulletyoucanhurtme]

I watched another film and wrote about it. Another horror, and very good if you like your films nonsensical and blood by the riverfull. Tokyo Gore Police [spoiler alert]

I decide I want to watch films from listicles and stupid articles posted from facebook. I decide to do reviews/re-action blogs/liveblog posts, not because of the film but just if I have time/effort to put in. When a man's head explodes at one minute into the film you realise that the word GORE is in the title for a reason Someone that happy and perky should not be a dispatch announcer for the police. That would annoy me more than the criminals And now we have cannibalism, a chainsaw and self-harm. This film is not gonna let up is it? Somehow the police shot off chainsaw man's arm...but it grew back as a chainsaw which he can throw at people? Wait it's ok, dispatcher says he's an engineer. All explained now. In all the weird sci-f/horror/fuck physics films I have seen, never have I seen someone basically bazooka the ground to launch themselves up a building. These writers were obviously so drunk but I love it! Selfharm girl with the bazooka cut off chainsaw mans regrown chainsaw arm with his original chainsaw - I hope it doesn't grow back again 8 minutes in and I've seen about 80 litres of fake blood so far. No joke. Ah ok apparently engineer is the name for criminals who can regrow limbs. No-one knows how they do it - in other words we're not getting an answer, who cares, lets carve some heads Her police car has a roof on it? Like a minature roof of a house on top of a car? Is this a Tokyo thing or is this a "weird alternate reality" thing? Police cars have a video link with too-happy dispatcher? Yeah that would really annoy the hell out of me every morning. The police station is an empty warehouse... did they spend their budget on fake blood instead of a realistic office? That crawling thing is a person? I thought it was a dog! Happy-dispatcher has flashcards to show how the victim was killed. Way too happy for this job Adverts for wrist-cutters with a new design and in three different colours - and googly eyes. There are no words...or limits apparently One guy on this public transport with piercings and dyed hair - must be important to the plot Dude is eating fucking maggots or something - thats more sickening than the fake-blood! Pervert is being hit with an umbrella - well done. Creepy groper man we know it was you! And now his hands are cut off...that was a bit OTT. Good thing she has an umbrella to avoid the fountains of blood. Man with long black hair covering his face must be the bad guy. It's like a thing in Japan, like the Ring girl right? They would think I was evil if I ever went over mwahaha Yeah he's the baddie - told you! Another woman in a box - this time on a subway train. Surely they should have that on CCTV? Ruka (self harm girl from earlier) is stumbling about though, is this a dream or has she been drugged? She cut his face and he pulled the top half off - what the actual fuck man? Maybe he's trying to win the fight by drowning her in blood? Ahhh, shouldve realised that instead of dying he'd grow gun type poles straight out of his brain. Ok so a piece of his brain can create keyholes and unlock peoples skin to give them powers - why not? Given the half-a-face that he has left behind the police think they can easily identify the guy... I should hope so! .....They're searching the half-head against a database to see what shape it matches with. Can't you just arrest the guy who only has the top part of his skull missing? Remote control executions - a wii game for the family in the living room to kill prisoners. Am I laughing cause the idea is so far-fetched, or am I laughing because its actually probable Criminal tries to kill kids, police kill him with bullets, swords and another tub of fake blood - turns out its a recruitment ad for the Tokyo Police. This film is all sorts of fucked up. Ok I have an hour to go but I don't think it'll get wierder than the chair thing... And guy had his dick bit off... ok he was a bit creepy/pervy but no-one deserves that Ok so girl gets shot and her engineer mutation is that her legs are now a crocodiles mouth that can eat people...maybe on par with the chair thing. I would not like to know how she would've handled going to the toilet - that is if she had lived long enough! Oh shit pervy man was actually a policeman, that was not explained properly. Anyway pervy policeman now has a sword arm and his bitten off dick is now four foot long and shoots people. Yes, they went there The last name on Ruka's list has locks on both sides of the door and along the bottom - I think you've came to the right place... Pipe eye man just casually opens his door to her anyway. Don't mind me, I just have half a face and wondering who's at my door. How has this guy not caught a series infection or damaged himself with his whole brain so casually exposed like that? A lot of thought must have went into this monologue, Pipe eye man has carefully prepared and painted flashcards to explain his backstory. It was a deal with the devil and involved DNA from multiple serial killers apparently And his head is now in two - did he think she would spare him?? Cheery dispatcher is now being broadcast to TV screens on buildings - inform the public one oversweet overhappy message at a time! City is on lockdown-apparently this means the police can just randomly kill people without reason or offence. Why am I not surprised? I wonder if Ruka didn't have a newfound personal vendetta against the police captain - would she be joining in with the senseless mass murder? Creepy humanlike dog thing is back and is apparently the chiefs sex slave - why were people ok with this being at Ruka's birthday party earlier? Ruka heard and identified her friends screams from a mile away over the noise of the rest of the city and thats actually the most believable thing in this film Friend has been pulled into five different parts by police cars - Ruka is now most definitely not going to join in with the killings! Her arm is now a giant mouth that can eat peoples faces off - fair do's Ruka turning into an engineer and becoming the thing she hated has been a subplot that could've added more dept to the film in between all the blood Police mortician has a gun that shoots fists. I have learned it is best not to question anymore. Bullet fists that can strangle you once they get there... Rukas mouth arm shoots out its tongue and somehow the fist-bullets (which are giving the finger) catch on it and get fired back at the mortician... Sex-slave dog thing now has blades on its severed limbs... She's chopped its blades off and basically picked it up and threw it against a desk... Ruka chopped the chiefs legs off and now even she looks surprised at how long he's bleeding for Captain injected himself and is now literally flying around propelled by the blood from his severed limbs. Saves on fuel I suppose Doglike thing has guns for limbs now...seems like she's came back to Ruka's side now