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studioserra · 4 years ago

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A Brief History of Photography: The Beginning

Photography. An art form invented in 1830s, becoming publicly recognised ten years later.

Today, photography is the largest growing hobby in the world, with the hardware alone creating a multi-billion dollar industry. Not everyone knows what camera obscura or even shutter speed is, nor have many heard of Henri Cartier-Bresson or even Annie Leibovitz.

In this article, we take a step back and take a look at how this fascinating technique was created and developed.

Before Photography: Camera Obscura

Before photography was created, people had figured out the basic principles of lenses and the camera. They could project the image on the wall or piece of paper, however no printing was possible at the time: recording light turned out to be a lot harder than projecting it. The instrument that people used for processing pictures was called the Camera Obscura (which is Latin for the dark room) and it was around for a few centuries before photography came along.

It is believed that Camera Obscura was invented around 13-14th centuries, however there is a manuscript by an Arabian scholar Hassan ibn Hassan dated 10th century that describes the principles on which camera obscura works and on which analogue photography is based today.

Camera Obscura is essentially a dark, closed space in the shape of a box with a hole on one side of it. The hole has to be small enough in proportion to the box to make the camera obscura work properly. Light coming in through a tiny hole transforms and creates an image on the surface that it meets, like the wall of the box. The image is flipped and upside down, however, which is why modern analogue cameras have made use of mirrors.

In the mid 16th century, Giovanni Battista della Porta, an Italian scholar, wrote an essay on how to use camera obscura to make the drawing process easier. He projected the image of people outside the camera obscura on the canvas inside of it (camera obscura was a rather big room in this case) and then drew over the image or tried to copy it.

The process of using camera obscura looked very strange and frightening for the people at those times. Giovanni Battista had to drop the idea after he was arrested and prosecuted on a charge of sorcery.

Even though only few of the Renaissance artists admitted they used camera obscura as an aid in drawing, it is believed most of them did. The reason for not openly admitting it was the fear of being charged of association with occultism or simply not wanting to admit something many artists called cheating.

Today we can state that camera obscura was a prototype of the modern photo camera. Many people still find it amusing and use it for artistic reasons or simply for fun.

The First Photograph

Installing film and permanently capturing an image was a logical progression.

The first photo picture—as we know it—was taken in 1825 by a French inventor Joseph Nicéphore Niépce. It records a view from the window at Le Gras.

The exposure had to last for eight hours, so the sun in the picture had time to move from east to west appearing to shine on both sides of the building in the picture.

Niepce came up with the idea of using a petroleum derivative called "Bitumen of Judea" to record the camera's projection. Bitumen hardens with exposure to light, and the unhardened material could then be washed away. The metal plate, which was used by Niepce, was then polished, rendering a negative image that could be coated with ink to produce a print. One of the problems with this method was that the metal plate was heavy, expensive to produce, and took a lot of time to polish.

Photography Takes Off

In 1839, Sir John Herschel came up with a way of making the first glass negative. The same year he coined the term photography, deriving from the Greek "fos" meaning light and "grafo"—to write. Even though the process became easier and the result was better, it was still a long time until photography was publicly recognized.

At first, photography was either used as an aid in the work of an painter or followed the same principles the painters followed. The first publicly recognized portraits were usually portraits of one person, or family portraits. Finally, after decades of refinements and improvements, the mass use of cameras began in earnest with Eastman's Kodak's simple-but-relatively-reliable cameras. Kodak's camera went on to the market in 1888 with the slogan "You press the button, we do the rest".

In 1900 the Kodak Brownie was introduced, becoming the first commercial camera in the market available for middle-class buyers. The camera only took black and white shots, but still was very popular due to its efficiency and ease of use.

Color Photography

Color photography was explored throughout the 19th century, but didn't become truly commercially viable until the middle of the 20th century. Prior to this, color could not preserved for long; the images quickly degraded. Several methods of color photography were patented from 1862 by two French inventors: Louis Ducos du Hauron and Charlec Cros, working independently.

The first practical color plate reached the market in 1907. The method it used was based on a screen of filters. The screen let filtered red, green and/or blue light through and then developed to a negative, later reversed to a positive. Applying the same screen later on in the process of the print resulted in a color photo that would be preserved. The technology, even though slightly altered, is the one that is still used in the processing. Red, green and blue are the primary colors for television and computer screens, hence the RGB modes in numerous imaging applications.

The first color photo, an image of a tartan ribbon (above), was taken in 1861 by the famous Scottish physicist James Clerk Maxwell, who was famous for his work with electromagnetism. Despite the great influence his photograph had on the photo industry, Maxwell is rarely remembered for this as his inventions in the field of physics simply overshadowed this accomplishment.

The First Photograph With People

The first ever picture to have a human in it was Boulevard du Temple by Louis Daguerre, taken in 1838. The exposure lasted for about 10 minutes at the time, so it was barely possible for the camera to capture a person on the busy street, however it did capture a man who had his shoes polished for long enough to appear in the photo.

Notables in Photography

At one time, photography was an unusual and perhaps even controversial practice. If not for the enthusiasts who persevered and indeed, pioneered, many techniques, we might not have the photographic styles, artists, and practitioners we have today. Here are just a few of the most influential people we can thank for many of the advances in photography.

Alfred Stieglitz

Photography became a part of day-to-day life and an art movement. One of the people behind photography as art was Alfred Stieglitz, an American photographer and a promoter of modern art.

Stieglitz said that photographers are artists. He, along with F. Holland Day, led the Photo-Secession, the first photography art movement whose primary task was to show that photography was not only about the subject of the picture but also the manipulation by the photographer that led to the subject being portrayed.

Stieglitz set up various exhibitions where photos were judged by photographers. Stieglitz also promoted photography through newly established journals such "Camera Notes" and "Camera Work".

Example of Stieglitz's Work

Gaspard-Félix Tournachon (Felix Nadar)

Felix Nadar (a pseudonym of Gaspard-Félix Tournachon) was a French caricaturist, journalist and—once photography emerged—a photographer. He is most famous for pioneering the use of artificial lightning in photography. Nadar was a good friend of Jules Verne and is said to have inspired Five Weeks in a Balloon after creating a 60 metre high balloon named Le Géant (The Giant). Nadar was credited for having published the first ever photo interview in 1886.

Nadar's portraits followed the same principles of a fine art portrait. He was known for depicting many famous people including Jules Verne, Alexander Dumas, Peter Kropotkin and George Sand.

Example of Nadar's Work

Henri Cartier-Bresson

Henri Cartier-Bresson was a French photographer who is most famous for creating the "street photography" style of photojournalism, using the new compact 35mm format (which we still use today). Around the age of 23, he became very interested in photography and abandoned painting for it. "I suddenly understood that a photograph could fix eternity in an instant," he would later explain. Strangely enough, he would take his first pictures all around the world but avoided his native France. His first exhibition took place in New York's Julien Levy Gallery in 1932. Cartier-Bresson's first journalistic photos were taken at the George VI coronation in London however none of those portrayed the King himself.

The Frenchman's works have influenced generations of photo artists and journalists around the world. Despite being narrative in style, his works can also be seen as iconic artworks. Despite all the fame and impact, there are very few pictures of the man. He hated being photographed, as he was embarrassed of his fame.

Example of Cartier-Bresson's Work

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darkspellmaster · 6 years ago

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Young Justice Theory: Connections to the Crisis Quartet....

So about this rather interesting spoiler I discovered thanks to the CBR board... Better safe than sorry on this one because if this turns out to be true then it’s a doozy of a situation that the crew is going to be put into. So a fair warning before you dive in...there are spoilers below to several DC comic events: Identity Crisis, Count down to Infinite Crisis, Infinite Crisis, Identity Crisis, Crisis on Infinite Earths, 52, Countdown to Final Crisis and Final Crisis.

These stories contain: Death, some gore, and at least one has a rather unpleasant factor of rape being involved as part of it’s story. Because I’m going to be discussing the above things partly in this and there will be pictures that might upset some people I just want to give people a heads up. You have been warned going in.

Okay so what the hell am I going on about and honestly when I was reading this I was freaking out. So a post of so ago I mentioned some theories about this season and talked about the possibility of the Anti life equation factoring into the story. Thanks to the gallery for the next three episodes, this wonderful post here from Spitfire or Bust, the Behind the scenes footage from this season on the DCUniverse, a post on CBR’s forums, and a link to young justice.tv spoilers, I can almost 90% say Seasons 3 and 4 and possibly 5 will be dealing with the Crisis Quartet, or at least three of them, from DC’s main comics.

We know that this is going to be a thing as Greg already confirmed in season 2 that season 3 was going to deal with Apokolips, just not how much directly (as this story can’t be told in 26 episodes, no way in hell it would be horribly paced).

We also know that the names of the episodes have been pretty much confirmed as Episode 11 is Called Home Fires and the Behind the Scenes image confirmed the title in the image that we see with Iris and Bart.

The site in question has it as episode 9, however this confirms it as Episode 11. However they have the others right so far, so either BTS got the number wrong or the site did. Doesn’t change the factor that there’s some thing interesting in the titles.

Take each of the first letter of the first word of the names of the titles, and you get:

Prepare the Anti Life Equation.

This little message, has ties not only to Apokolips and Darkseid, but it also has ties directly to the Crisis Quartet and the fall out that happened after.

So first what is the Quartet? Well it is a group of four Crisis that happened in DC comics, three of which were between 2004 to 2010, while the first happened in 1985 -1986 and affected all stories that followed going forward after it.

So to simplify things. Here’s a fast rundown on the important factors about these Crisis and their connections to YJ Season 3, 4 and maybe 5 if things go well.

So Way back in the 1980s DC was having issue with keeping up with it’s own continuity because there was so many books and worlds. Because of this and their own anniversary coming up they tasked then Teen Titan’s writers Marv Wolfman and artist/co-writer Jorge Perez, to come up with an event that would solidify the DCU’s continuity. These two came up with:

Crisis on Infinite Earths:

Now this story while really important as the backbone in the main DCU going forward doesn’t have as much to do with YJ in the long run as of yet. But it does have some important factors that will be coming into play I think later on, and we already saw a part of this happening in Season 2 with Walley vanishing. So bullet points ahoy for only the things that are important in this story for later in comments.

Short and long of it is that a being named the monitor trying to stop another creature named the Anti-monitor from destroying the Universe. All the different DC worlds come together to fight him, Super-girl dies, along with several other characters, during this event where all the worlds in DC merge into one world with a over all collected history. (This collection is still in print and you can find it at your local bookstore or comic shop.)

- Barry Allen vanishes as he’s running from the future or from an event that is coming from the future to warn Batman and the others an disperses into the speed force.

We’ve already seen this with Wally in his run where he vanishes in season 2 following a pattern of what happened to Barry.

- Superman from the Golden age, his Lois Lane, Alexander Luthor (son of Lex Luthor from another earth where the Villain versions of the JL resided and Lex and the others there are heroes), and Superboy Prime ( a superboy that is the lone hero of his world) all are put into a pocket dimension as the worlds are merged into one.

We haven’t had that yet, but it’s an important point in later stories. The reason I bring these guys up is because of their role and how other characters can easily fill in for them in the coming events.

Fast forward several years. The DC Universe has been remade and during the later part of the 80s and into the 90s we saw the whole “let’s go dark and gritty” thing happen. Characters like Batman had their back broken, Superman died and was reborn, Wonder woman had to figure herself out. There were light spots, JLI for example and parts of the Teen Titans, but a lot of things grew darker. Like the Outsiders and the whole Judas contract. While things did lighten up a lot in the late 90s and into the 2000s, we got Lois and Clark married by then, Jason died and came back to life, Babs got shot by Joker, YJ and a lot of other books that were more upbeat came about in the mid to late 90s, However DC decided that there was still a lot of things that could be fixed and decided to create, basically for the upcoming Anniversary of CoIE, a new set of crisis to happen.

This started with Brad Meltzer’s quasi thriller:

Identity Crisis

This story actually has importance. While not as exact as the other stories in regard to what’s happening there are enough key things going on here. The major plot point is that someone has murdered Elastic man’s wife, and the JL has a dark secret revealed that rocks every one. (Again you can find it still in print.)

One of the main reasons that there is significance to this story is not only does Batman leave the Justice League but also there is some tie in to characters in the past and their actions. What’s interesting here is how this narrative can be woven into the recent events of Season 2 and could become significant in season 3 and 4 given what’s going down now.

-Zantana mind wipes Dr. Light and several other villains, and does the same for Bruce when he discovers what’s been going on and is against the altering of Dr. Light’s mind.

Connections here may not be obvious as its clear the story line is taking Bruce leaving from the creation of the Outsiders. However there is significance here in that Batman doesn’t trust the league at this point, which adds into his paranoid view of the world at times.

While it’s clearly not Zantana in this case, Megan has been showing similar actions in season 2. We saw her changing Conner’s memory in the past season, and we know she did the same to Psimon, and Kaldur. We can’t be sure if these were the only cases, as Greg does like to play with expectations.

It would not be too much to buy into the idea that Psimon could play the part of Dr. Light in this story and eventually come back to form a group of villains that were mind altered by M’ggan. Now while I don’t think it will be exactly the same I feel like there’s going to be backlash from people when they find out what she did two years ago. As shown when Gar mentioned that it wasn’t cool what she did to Conner when he found out. And you know that Batman will be pissed by this, wondering if she did the same to Dick, not to mention Kaldur and wondering if he’s compromised.

-Deathstroke takes on the League and beats them by himself.

Deathstroke is known for being a bit OP at times, but in this story he outdid himself when he took down the whole league. We haven’t seen this happen yet as he’s only been in a handful of scene’s but given that there are hints of him returning, what with Tera missing, it wouldn’t be that hard to buy into the idea with the titles we have of one of them leading to a defeat of the whole YJ team, and pretty much protecting whatever investment he has been hired to protect.

Not sure how he’s going to fit in or who’s he’s protecting as of yet, because he was hired by Dr. Light in the original, but I feel certain that he’s going to end up causing a lot of issue for others in this case, more than likely Aquaman and possibly Geoforce.

-Events cause Batman to create Brother Eye, leading to the OMAC project

So because of the fact that Bruce figured out he was mind wiped by Zee, he decides to create the Brother Eye satellite that eventually goes rogue because of Maxwell Lord and Alexander Luthor mucking about with it. The main goal was to have the Satellite watch Metahumans because of the mind wipe that Batman and other had had.

Now we recently saw the appearance of Brother Eye, don’t believe me, just look at Oracle’s eye at the moment. It’s purple and it’s the same shape as the Omac logo. Thing is, Omac’s colors, along with Brother Eye’s are purple, Oracle’s are traditionally green.

This means that Bruce already may have built the Brother eye set up, since we don’t know if Babs could have built that sort of set up. This seems more like a Bruce thing. In addition to this, if he already has the Brother Eye project going this means that he probably knows about M’ggan doing her mind things, but isn’t telling anyone that he’s keeping an eye on them. Why? Well it’s Bruce, he’s paranoid.

So what would this mean for this season and upcoming ones? Well...

Countdown to Infinite crisis

In this case the story line was covering Ted Kord -Blue Beetle, who had tracked down a mystery which ended up getting him killed by his former friend Maxwell Lord who had taken over the Omac project and brother eye.

-OMAC project lead to the death of Ted Kord via Maxwell Lord and then this allowed Checkmate to take over Superman and have him nearly kill Batman and Wonder Woman and the other JL members. Leading to Wonder Woman to snap his neck and kill him to stop the whole thing from going down.

So one key thing here, Maxwell Lord was sort of the “Charlie” to the JLI’s “Angels”. He sent them on missions and the like, and while he wasn’t exactly a bad guy, he wasn’t exactly a good one either. By the end of the series he had realized a lot of his own faults and dealt with some issues that would take a while to discuss, so let’s say that he redeemed himself...

Then DC said screw it, we need a villain and made him become the head of Checkmate, a black ops/Shield like organization in the DC universe. He killed Ted Kord when he found out that Max was going to basically use a bunch of cyborgs and take over Superman’s mind.

Now while we know that Ted died when he stopped Sportsmaster and Deathstroke from obtaining the scarab, and we assume it was the Light that sent them to get it in the first place, there may be some connection to this part of the story given that we may see the play out of the mother box and possibly Ted having found out info prior to his death about certain things happening. I don’t think they will go for the “Wonder woman snaps necks” but it’s possible that something else will take it’s place.

(Okay strike that...given what happened recently with Halo in episode 6, I can see them allowing this if it’s within the reasons for the story.)

It is important though to note that if Brother Eye is involved this could lead to an additional army for Darkseid. Brother Eye and Omac did eventually control Superman, which could be something that may happen in YJ as an option. They also became a dangerous group that attacked everyone on earth trying to protect them from Metahumans.

And what are we seeing a huge backlash against in Markovia? Metahumans.

-During events prior to Infinite Crisis several events happened that caused a lot of issues. Among them being a point where Superboy (Conner Kent/Kon-El) was triggered by Lex to attack the Teen Titans at the time.

While this hasn’t happened yet, we do know that Conner has DNA that links to Lex, and in this story line Lex allowed for the triggering of his DNA to basically cause Conner to shave his head and become a villain that went on to try to decimate the teen Titans.

It’s not that hard of a guess that this could be something that could happen to him given that we’ve seen them pair up Brion with Superboy and it seems if anyone can take him on head to head in regard to raw power it’s Brion. This could lead to a moment of Brion trying to help his mentor.

-Following Identity Crisis and during the lead up to Infinite Crises we had Day of Vengeance, where the Rock of Eternity that housed the powers of Shazam was shattered by the Specter due to breaking from Hal Jordan.

Here it’s less about the Specter as we have not seen him in YJ proper, but the idea that someone could attack the Rock of Eternity is a rather big thing. Remember we have two powerful geological users here, and it could come down to Terra doing that over Specter in this case. Either through use of her own powers or possibly enhanced by New God equipment.

Reason I at all bring this up is the focus on Billy in Episode one and how no one yet knows his secret ID. This may become important later as if that Rock breaks, Shazam and all his power are gone and Billy would be revealed to be a kid. This would be something Greg would do to weaken the JL and lead to Superboy having to take on something more powerful without the Big Red Cheese to help him out. (For those that don’t know that’s the nickname of Captain Marvel -Shazam.)

Billy falling from the sky leads to the start of Infinite Crisis, which would be a very strong opening to possibly season 4 or towards the end of season 3.

Villains United

The reason I bring this up is because this group seems to be likely the new Light. Humor me here for a moment. In Villain’s united,follows a series of events where an individual by the name of Mockingbird groups together the organization that will be later known as the Secret Six to stop the Secret society of Super Villains that seems to be run by Lex Luthor. The story goes on to have ties to the events of Infinite Crisis, but also build up to some very interesting revelations in regard to Lex and Alexander Luthor. (You can still get this run at the book store.)

The thing about this mini series is that there’s a lot of things going on in there that could easily show up in the next few seasons of YJ.

-Lex Luthor who is the president amasses an army to stand against the super heroes.

We’re already seeing that Lex as Secretary has plans and is playing against the Justice League with the UN. We’re also seeing that there’s an army being made for fighting via Darkseid, but it’s clear that there’s more to it than just them giving him kids. We’re also seeing the Lex is helping to get others to dislike the Metahumans, the JL and possibly heroes.

Now while there is no Alexander Luthor (as far as we know), we also know that Lex, like Ra’s isn’t a man that just would let Darkseid walk all over his world. So I’m curious about this. If he’s playing up the dislike for Metas and heroes as a means of using them against something bigger.

-the Secret Society of Super Villains consists of Dr. Psycho, Deathstroke, Talia al ghul, Black Adam, Calculator.

Of these characters we’ve seen at least three on the show so far. Talia was just shown this season, though I don’t know if she’s going to have any role working with the Light. She could easily be replaced by Queen Bee, DeathStroke we know is probably connected to the League of Assassins and could be representing them for the Light group (though that could be another person as well) and was on the show in season 2, Black Adam was shown in Season 1 and as for the other two, we know Count Vertigo is working with them still, so you can take out Dr. Psycho, and since we now have Oracle, I would expect them to get Calculator to counter her at some point in time.

-Cheshire, Vandal Savage’s daughter and other characters that have played parts in YJ play a part in this story and here we learn about opposing groups in that story to the villains group. More importantly we learn that Lex may be playing more than one side.

We’ve seen last season that Lex is willing to play around a lot in regard to the side he’s on. This story line could be used as an explanation to where Cheshire is at in YJ and maybe show that there’s more going on that the kids and the JL doesn’t know about. It would certainly fit into the idea of more information in coming seasons and also could be used to push Luthor into becoming President. Which is honestly where I think Greg is going with this.

With all the new information coming out with these last three episodes, I think there’s more clues showing up for the option of Infinite Crisis happening and how that is connected into Final Crisis.

Infinite Crisis

This long event series, written by several of DC’s best writers at the time, covered various events that had linked to the events of Crisis on Infinite Earths. This story was coinciding with the anniversary of COIE, and heavily mirrors it but also acts as a book end to the after math of the more hopeful ending of that one with a mixed bag of an ending with this one. Several well known character’s end up dead, we get a new villain, and some massive changes happen to the characters that it would take another Crisis to undo.

The important thing about Infinite is it’s sort of the middle event, or Empire like story, for these Crisis. It also plays a role in leading up to events in Final and setting the ball rolling for Darkseid to make his moves.

We have a number of important characters that play a huge role in Infinite Crisis and then later Countdown to Final Crisis and Final Crisis itself already on YJ and it seems like this story has aspects that could easily fit in with this season or the next.

-Actions taken by the main trio of bad guys in this lead to the destruction of the Watchtower, and the trinity fighting with one another. Superboy Prime kills several people including Superboy, Kal -L (Earth two Superman) tried to get batman on their side but he refuses, They’re trying to use earth as a tuning fork to create a paradise and reshape the many different worlds.

While there are a lot of things in this story that I don’t see happening, I do see a few that can be used to effectively lead into Final Crisis. For one thing having M’comm replace Superboy Prime and also have him act as the instigator in various fights and wars by having the Martians go and pretend to be other characters.

We’ve already seen that Conner is engaged to M’ggan and her brother try to enlist her the same way that Kal tries to get Batman to join him. We’ve also seen the images of brother eye in the form of Oracle’s set up, and that the Mother boxes are being used in some way. M’comm is arguing for a revolution to make a paradise like world and we know that he is extremely strong and could easily play the part of Superboy Prime if he wanted too. We also see he’s willing to kill, something that SBP was more than willing to do, and blamed others for his actions.

These smaller items could lead into more dramatic moments later in the series, including Superboy’s death as a possibility.

Important events by the end hint that Bruce goes off with Dick and Tim to train, Diana returns home to find herself, and Clark has to lay low and rest to get his powers back after the events in the story. Given what we’ve been seeing with the recent episodes, we may be seeing similar things going on here. Bruce leaving to train with Dick and Tim seems likely as the story line seems to be invoking Judas contract as well and probably will be affecting Dick, who more than likely will have issues with the fall out of Brion and Tara, and Tim is going to be dealing with whatever happens with his new little crew.

Diana is a hard one as we don’t know her relationship with Cassie or Kaldur, so it’s up in the air, but Kal may take Diana’s role of leaving to find himself after the events in the story. And if Superboy doesn’t die, then he may step up for Clark in this case, or we’ll see other Super’s come into that role. Unless Conner is the one to lose all his powers.

52, World War III, and One Year Later

Following in the wake of Infinite crisis there’s the story of 52 which covers the time span of the 52 weeks between the end of the Crisis and the start of the countdown for Final crisis. While I don’t think 52 and the companion piece One year Later, is going to feature in this season I do think that we may see it feature in the next building up to the idea of a Final crisis like story and eventually into another time skip.

-52 worlds come out of the Infinite Crisis and Booster Gold learns about it with another time traveler Rip Hunter, oh and his robot friend goes evil.

It’s unknown if Booster is going to show up in this season, but there have been rumors. However, if he doesn’t show up this story line could go to a number of different characters, including Traci 13, Impulse, Flash, or even one of our new characters.

-Cult of Superman

While the story line regarding the Cult will probably drastically change, I do think that there are a few things that may come about from it. I think that it could be Zee working with Fate to deal with Neron, and Faust if he becomes involved.

-The Everyman project that Lex creates, which leads to Steel and Natasha Irons playing a large role.

This I can see happening in the wake of us losing members of the JL that depart for various reasons. Either because of the fight or they have to step down for some reason. I could easily see Lex using this in later seasons to grow his own mini power struggle with the Light and it would fit in with the idea of the Government wanting to regulate the Metahumans that are now showing up. Though I feel like this would be next season over this season.

-Jason Todd taking over as Nightwing and Supergirl returns from the 31st Century.

We already can assume a Red Hood story will come out of this recent revelation with Jason showing up, and we have Wally missing much like Supergirl was, and it’s not that hard to buy into the idea of Wally returning from the future feeling completely unsure of himself and talking about things that can happen due to what’s going down now. Jason, more than likely, could take over Dick’s costume and screw with stuff just because he can and probably feels a bit left out of things.

-Donna Troy takes over as Wonder Woman and Arthur becomes the Dweller of the Depths.

In the actual story there are reasons for both, but I think that Donna may take on the role if they have Wonder Woman kill Maxwell Lord. On the other hand I think Arthur may have saved Sub Diego during the two year jump and the reason we don’t have him is because he’s become this creature known as the dweller of the Depths. This would have lead Kal to becoming a leader while Mera acts as ruler underwater while Kal acts as leader in place of Arthur.

-J’onn comes to a different conclusion about being a martian on earth after being mind linked to Black Adam.

While I don’t see this coming into play during this season or during the time skip in the future, it may explain where M’ggan’s new look comes from. Maybe she’s changed to her new look due to some sort of event that plays with what happened to J’onn. While I don’t think that it will happen exactly as in the comic the precedence is there as an option for the two year time skip.

Other aspects that could play into the story and season 4 as a possibly: the trinity step down from their roles, Aquaman allies himself with Dweller of the Depths and King shark, New Doom Patrol, Hawkman goes missing, Jason and Dick both are Nightwing, New Birds of Prey is formed, Oliver Queen becomes the Mayor of Star City, New crew of Teen Titans, Vandal Savage starts up plans to regain his immortality, New JSA, Bart becomes the Flash, Tim Drake tries to clone Superboy to bring Kon back....

Not all of this will happen, but a number of these seem like givens.

Given how the UN is treating Meta humans, I can see the Trinity being forced out of their roles for a period of time. Kaldur may have to make deals to protect his friends if Apokolips is setting up for something dark and in doing so he may get in over his head. I can easily see Greg building up a new Doom Patrol in a one year later situation, and we don’t know where Hawkman is as of right now since he’s in the Rann shot.

Babs forming the Birds as a means of dealing with the Light and the League would make sense, Oliver could step into role of Mayor allowing for Conner Hawke to come into YJ as the new Green Arrow, and we know that the younger crew of YJ is going to come more into play. We also know that Vandel is working with Darkseid and into whatever plan he has for the Anti life equation. Bart becoming Flash could be an option if Wally isn’t brought back till later, and I have no doubt that should Conner die M’ggan will more than likely try to pull off Tim’s clone game to bring him back.

Would be interesting in lieu of Conner coming back we get Kara and have her show that there is more than just Superman.

Countdown to Final Crisis

So now we have come to the part where things become interesting. Countdown to Final Crisis covers the events that were supposed to lead to Final Crisis, but some of it doesn’t go anywhere. So I’m just focusing on Darkseid in this case, and if any hints of other stories shows up later in the show I’ll point it out.

-Darkseid is planing on being the Architect of the universe, and his brother Drax, aka Infinity man (who can be summoned by the Forever people) is killing the New gods.

Given the images we have so far and what we’ve seen in the episodes, it seems that this could be something that could play out in some way. We know Darkseid is working on creating something, probably the Anti life equation. We have Forager who comes from this story showing up in the show so far. The thing is that in this case we know that the with Infinity Man killing off the New Gods this leads to events in Final Crisis.

Honestly I can see some of this playing out here slightly. We do have the Forever People around and it would fit into the possibility that a New God is the one that is inside Halo.

I think for the sake of lenght that I’m going to tackle Final Crisis as it’s own thing over going forward with this one as it’s already really long.

See Final crisis theory of YJ for the rest. :)

#yjo spoilers #yj season 3 #yj #yj spoilers #yj:o #young justice #young justice: outsiders #young justice season 3 #young justice theories #young justice theory #darkseid #final crisis #infinite crisis #identity crisis #dc universe #dc comics

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stearrystudiespaint · 2 years ago

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I want this

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nscadmfa · 6 years ago

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Documentation from the 2018 MFA group show. Thank you to everyone who checked it out! Photos courtesy of Anna Leonowens Gallery, photographer Séamus Gallagher.

This is Why We Can’t Have Nice Things MFA Group Exhibition November 6 – 17, 2018 Opening reception: Mon 5 Nov, 5:30-7PM

A group exhibition featuring works by: Maddie Alexander, Emma Allain, Jacinte Armstrong, Rachel Anzalone, Cullen Bingeman, Suzie Cochrane, Drayden De Costa, Louis-Charles Dionne, Jason Everitt, Amanda Gresik, Alexis Gros-Louis, Yang Guo, Xinting Hui, Alicia Hunt, Philip Kanwischer, Chloe Kinsella, Lisa Klakulak, Alex Linfield, Sara MacCulloch, suttie mae, Katarina Marinic, Aralia Maxwell, Morgan Melenka, Benjamin Muriithi, Joseph Pesina, Alicia Proudfoot, Feiya She, Sage Sidley, Merryn Tresidder, Camille-Zoe Valcourt-Synnott, and Chongyin Yuan.

#MFA group show

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angelavengedinspo-blog · 7 years ago

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“What?” Disbelief made Jace feel slightly dizzy. “I thought you came down right on the side of go directly to jail, do not pass Go, do not collect two hundred dollars. ‘The Law is the Law, Isabelle.’ What was all that you were spouting?” Alec looked astonished. “You can’t have thought I meant that. I just wanted the Inquisitor to trust me so she wouldn’t be watching me all the time like she’s watching Izzy and Max. She knows they’re on your side.” “And you? Are you on my side?” Jace could hear the roughness in his own question and was almost overwhelmed by how much the answer meant to him. “I’m with you,” Alec said, “always.”

-------------------

“I am.” Jace took a bite of the apple; juice ran down his hands and sizzled in the blue flames that cuffed his wrists. “Did you text Clary?” “No. Isabelle won’t let me into her room. She just throws things against the door and screams. She said if I came in she’d jump out the window. She’d do it too.” “Probably.” “I get the feeling,” Alec said, and smiled, “she hasn’t forgiven me for betraying you, as she sees it.” “Good girl,” said Jace with appreciation. “I didn’t betray you, idiot.” “It’s the thought that counts.”

.....

“Isabelle!” Alec pounded on his sister’s door. “Isabelle, open the door. I know you’re in there.” The door opened a crack. Alec tried to peer through it, but no one appeared to be on the other side. “She doesn’t want to talk to you,” said a well-known voice. Alec glanced down and saw gray eyes glaring at him from behind a bent pair of spectacles. “Max,” he said. “Come on, little brother, let me in.” “I don’t want to talk to you either.” Max started to push the door shut, but Alec, quick as a flick of Isabelle’s whip, wedged his foot into the gap. “Don’t make me knock you over, Max.” “You wouldn’t.” Max pushed back with all his might. “No, but I might go get our parents, and I have a feeling Isabelle doesn’t want that. Do you, Izzy?” he demanded, pitching his voice loud enough for his sister, inside the room, to hear. “Oh, for God’s sake.” Isabelle sounded furious. “All right, Max. Let him in.” Max stepped away and Alec pushed his way in, letting the door swing half-shut behind him. Isabelle was kneeling in the embrasure of the window beside her bed, her gold whip coiled around her left arm. She was wearing her hunting gear, the tough black trousers and skintight shirt with their silvery, near-invisible design of runes. Her boots were buckled up to her knees and her black hair whipped in the breeze from the open window. She glared at him, reminding him for a moment of nothing more than Hugo, Hodge’s black raven. “What the hell are you doing? Trying to get yourself killed?” he demanded, striding furiously across the room toward his sister. Her whip snaked out, coiling around his ankles. Alec stopped dead, knowing that with a single flick of her wrist Isabelle could jerk him off his feet and land him in a trussed bundle on the hardwood floor. “Don’t come any closer to me, Alexander Lightwood,” she said in her angriest voice. “I’m not feeling very charitable toward you at the moment.” “Isabelle—” “How could you just turn on Jace like that? After all he’s been through? And you swore that oath to watch out for each other too—” “Not,” he reminded her, “if it meant breaking the Law.” “The Law!” Isabelle snapped in disgust. “There’s a higher law than the Clave, Alec. The law of family. Jace is your family.” “The law of family? I’ve never heard of that before,” Alec said, nettled. He knew he ought to be defending himself, but it was hard not to be distracted by the lifelong habit of correcting one’s younger siblings when they were wrong. “Could that be because you just made it up?” Isabelle flicked her wrist. Alec felt his feet go out from under him and twisted to absorb the impact of falling with his hands and wrists. He landed, rolled onto his back, and looked up to see Isabelle looming over him. Max was beside her. “What should we do with him, Maxwell?” Isabelle asked. “Leave him tied up here for the parents to find?” Alec had had enough. He whipped a blade from the sheath at his wrist, twisted, and slashed it through the whip around his ankles. The electrum wire parted with a snap and he sprang to his feet as Isabelle drew her arm back, the wire hissing around her. A low chuckle broke the tension. “All right, all right, you’ve tortured him enough. I’m here.” Isabelle’s eyes flew wide. “Jace!” “The same.” Jace ducked into Isabelle’s room, shutting the door behind him. “No need for the two of you to fight—” He winced as Max careened into him, yelping his name. “Careful there,” he said, gently disentangling the boy. “I’m not in the best shape right now.” “I can see that,” Isabelle said, her eyes raking him anxiously. His wrists were bloody, his fair hair was plastered sweatily to his neck and forehead, and his face and hands were stained with dirt and ichor. “Did the Inquisitor hurt you?” “Not too badly.” Jace’s eyes met Alec’s across the room. “She just locked me up in the weapons gallery. Alec helped me get out.” The whip drooped in Isabelle’s hand like a flower. “Alec, is that true?” “Yes.” Alec brushed dust from the floor off his clothes with deliberate ostentation. He couldn’t resist adding: “So there.” “Well, you should have said.” “And you should have had some faith in me—” “Enough. There’s no time for bickering,” Jace said. “Isabelle, what kind of weapons do you have in here? And bandages, any bandages?” “Bandages?” Isabelle set her whip down and took her stele out of a drawer. “I can fix you up with an iratze—” Jace raised his wrists. “An iratze would be good for my bruises, but it won’t help these. These are rune burns.” They looked even worse in the bright light of Isabelle’s room—the circular scars were black and cracked in places, oozing blood and clear fluid. He lowered his hands as Isabelle paled. “And I’ll need some weapons, too, before I—” “Bandages first. Weapons later.” She set her stele down on top of the dresser and herded Jace into the bathroom with a basketful of ointments, gauze pads, and bandage strips. Alec watched them through the half-open door, Jace leaning against the sink as his adoptive sister sponged his wrists and wrapped them in white gauze. “Okay, now take your shirt off.” “I knew there was something in this for you.” Jace slid off his jacket and drew his T-shirt over his head, wincing. His skin was pale gold, layered over hard muscle. Black ink Marks twined his slim arms. A mundane might have thought the white scars that snowflaked Jace’s skin, remnants of old runes, made him less than perfect, but Alec didn’t. They all had those scars; they were badges of honor, not flaws. Jace, seeing Alec watching him through the half-open door, said, “Alec, can you get the phone?” “It’s on the dresser.” Isabelle didn’t look up. She and Jace were conversing in low tones; Alec couldn’t hear them, but suspected this was because they were trying not to scare Max. Alec looked. “It’s not on the dresser.” Isabelle, tracing an iratze on Jace’s back, swore in annoyance. “Oh, hell. I left my phone in the kitchen. Crap. I don’t want to go looking for it in case the Inquisitor’s around.” “I’ll get it,” Max offered. “She doesn’t care about me, I’m too young.” “I suppose.” Isabelle sounded reluctant. “What do you need the phone for, Alec?” “We just need it,” Alec said impatiently. “Izzy—” “If you’re texting Magnus to say ‘I think u r kewl,’ I’m going to kill you.” “Who’s Magnus?” Max inquired. “He’s a warlock,” said Alec. “A sexy, sexy warlock,” Isabelle told Max, ignoring Alec’s look of total fury. “But warlocks are bad,” protested Max, looking baffled. “Exactly,” said Isabelle. “I don’t understand,” said Max. “But I’m going to get the phone. I’ll be right back.” He slipped out the door as Jace pulled his shirt and jacket back on and came back into the bedroom, where he commenced looking for weapons in the piles of Isabelle’s belongings that were strewn around the floor. Isabelle followed him, shaking her head. “What’s the plan now? Are we all leaving? The Inquisitor’s going to freak when she finds out you’re not there anymore.” “Not as much as she’ll freak when Valentine turns her down.” Tersely, Jace outlined the Inquisitor’s plan. “The only problem is, he’ll never go for it.” “The—the only problem?” Isabelle was so furious she was almost stuttering, something she hadn’t done since she was six. “She can’t do that! She can’t just trade you away to a psychopath! You’re a member of the Clave! You’re our brother!” “The Inquisitor doesn’t think so.” “I don’t care what she thinks. She’s a hideous bitch and she has got to be stopped.” “Once she finds out her plan is seriously flawed, she might be able to be talked down,” Jace observed. “But I’m not sticking around to find out. I’m getting out of here.” “It’s not going to be easy,” Alec said. “The Inquisitor’s got this place locked up tighter than a pentagram. You know there are guards downstairs? She’s called in half the Conclave.” “She must think highly of me,” said Jace, tossing aside a pile of magazines. “Maybe she’s not wrong.” Isabelle looked at him thoughtfully. “Did you seriously jump thirty feet out of a Malachi Configuration? Did he, Alec?” “He did,” Alec confirmed. “I’ve never seen anything like it.” “I’ve never seen anything like this.” Jace lifted a ten-inch dagger from the floor. One of Isabelle’s pink brassieres was speared on the wickedly sharp tip. Isabelle snatched it off, scowling. “That’s not the point. How did you do it? Do you know?” “I jumped.” Jace pulled two razor-edged spinning disks out from under the bed. They were covered in gray cat hair. He blew on them, scattering fur. “Chakhrams. Cool. Especially if I meet any demons with serious dander allergies.” Isabelle thwacked him with the bra. “You’re not answering me!” “Because I don’t know, Izzy.” Jace scrambled to his feet. “Maybe the Seelie Queen was right. Maybe I have powers I don’t even know about because I’ve never tested them. Clary certainly does.” Isabelle wrinkled her forehead. “She does?” Alec’s eyes widened suddenly. “Jace—is that vampire cycle of yours still up on the roof?” “Possibly. But it’s daylight, so it’s not much use.” “Besides,” Isabelle pointed out, “we can’t all fit on it.” Jace slid the chakhrams onto his belt, along with the ten-inch dagger. Several angel blades went into his jacket pockets. “That doesn’t matter,” he said. “You’re not coming with me.” Isabelle spluttered. “What do you mean, we’re not—” She broke off as Max returned, out of breath and clutching her battered pink phone. “Max, you’re a hero.” She snatched the phone from him, shooting a glare at Jace. “I’ll get back to you in a minute. Meanwhile, who are we calling? Clary?” “I’ll call her—,” Alec began. “No.” Isabelle batted his hand away. “She likes me better.” She was already dialing; she stuck her tongue out as she held the phone up to her ear. “Clary? It’s Isabelle. I—What?” The color in her face vanished as if it had been wiped away, leaving her gray and staring. “How is that possible? But why—” “How is what possible?” Jace was at her side in two strides. “Isabelle, what’s happened? Is Clary—” Isabelle drew the phone away from her ear, her knuckles white. “It’s Valentine. He’s taken Simon and Maia. He’s going to use them to perform the Ritual.” In one smooth motion, Jace reached over and plucked the phone out of Isabelle’s hand. He put it to his ear. “Drive to the Institute,” he said. “Don’t come in. Wait for me. I’ll meet you outside.” He snapped the phone shut and handed it to Alec. “Call Magnus,” he said. “Tell him to meet us down by the waterfront in Brooklyn. He can pick the place, but it should be somewhere deserted. We’re going to need his help getting to Valentine’s ship.” “We?” Isabelle perked up visibly. “Magnus, Luke, and myself,” Jace clarified. “You two are staying here and dealing with the Inquisitor for me. When Valentine doesn’t come through with his part of her deal, you’re the ones who are going to have to convince her to send all the backup the Conclave has got after Valentine.” “I don’t get it,” Alec said. “How do you plan to get out of here in the first place?” Jace grinned. “Watch,” he said, and jumped up onto Isabelle’s windowsill. Isabelle cried out, but Jace was already ducking through the window opening. He balanced for a moment on the sill outside—and then he was gone. Alec raced to the window and stared out in horror, but there was nothing to see: just the garden of the Institute far below, brown and empty, and the narrow path that led up to the front door. There were no screaming pedestrians on Ninety-sixth Street, no cars pulled over at the sight of a falling body. It was as if Jace had vanished into thin air.

#quotes about isabelle.#quotes by isabelle.#re: jace.#re: max.#re: alec.#re: simon.#re: clary.#re: lightwood fam feels.#book two.

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yama-bato · 3 years ago

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David Grossmann

“Moon Rising Over the Grand Mesa” 30”x40” Oil

#David Grossmann

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architectnews · 4 years ago

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2021 Australian Interior Design Awards Shortlist

Australian Interior Design Awards 2021 Shortlist, DIA News, Architecture

2021 Australian Interior Design Awards Shortlist News

20 May 2021

Australian Interior Design Awards 2021 Shortlist

Australian Interior Design Awards 2021

The highly anticipated 2021 Australian Interior Design Awards shortlist has been announced, with 190 projects recognised for excellence in interior design.

As Australia’s eminent design program, the industry-based awards acknowledge the exceptional interior design work produced across the residential, commercial and public sectors, both domestically and internationally.

Delivered by the Design Institute of Australia (DIA) and Architecture Media’s Artichoke magazine, the 2021 campaign marks the awards’ eighteenth year, and a return to the regular program following the successful execution of the first-ever digital broadcast in 2020.

The jury, made up of some of the countries most esteemed interior designers, noted that this year’s shortlist highlighted the ingenuity of Australia’s design community, with featured practices embracing the challenges presented by the pandemic, resulting in a transformation of traditional typologies that reject the ways of the past for something entirely new.

The 2021 jury, convened by Geraldine Maher, Director of Geraldine Maher Design, includes:

• Madeleine Blanchfield, Director, Madeleine Blanchfield Architects (NSW) • Caroline Diesner, Principal, Hassell (QLD) • Ryan Genesin, Director, Genesin Studio (SA) • Yasmine Ghoniem, Principal, YSG (NSW) • Patrick Kennedy, Founding Director, Kennedy Nolan (VIC) • George Livissianis, Founder, George Livissianis (NSW) • Rachael McCarthy, Studio Director, Bates Smart (VIC) • Adele Winteridge, Founding Director, Foolscap Studio (VIC)

The full list of final award recipients will be presented at the Awards Announcement Dinner, which will be held at the Hyatt Regency in Sydney on Friday, 3 September 2021.

Burgmann Anglican School – Early Learning Centre:

photo : Anne Stroud

2021 SHORTLIST

Residential Design

Adam Kane Architects for Barwon Heads House, Victoria ADDARC for Toorak Residence, Victoria Alcorn Middleton for Walan Apartment, Queensland Alexander and Co for Spotted Gum House, New South Wales Architecton for Moonee Ponds Residence, Victoria Architects EAT for Bellows House, Victoria Architects Ink for Margie’s Dream, South Australia Arent and Pyke with Luigi Rosselli Architects for La Casa Rosa, New South Wales Arent and Pyke with Polly Harbison Design for Garden House, New South Wales Arent and Pyke with Vitale Design for Queens Park House, New South Wales AVID Alice Villella Interior Design with Cera Stribley Architects for Myvore House, Victoria Beatrix Rowe Interior Design and Pop Architecture for South Yarra 01, Victoria Biasol Studio for Scalpellino House, Victoria Carole Whiting Interiors and Whiting Architects for Peace Project, Victoria Carr for Peninsula House, Victoria Cera Stribley and McCluskey Studio for Tess’ House, Victoria Conrad Architects for Toorak Garden Residence, Victoria Conrad Architects for Middle Park Residence, Victoria Design Office for The Carringbush Hotel, Victoria DKO Architecture for Alexander St, New South Wales Eastop Architects for Chenier, Victoria Eastop Architects for Eastbourne, Victoria Fiona Lynch Interior Design Studio for Ottawa House, Victoria Flack Studio for Potts Point, New South Wales Flack Studio for Middle Park, Victoria Flack Studio for Maxwell, Victoria Fox Johnston for SRG House, New South Wales Fox Johnston for Whale Beach House, New South Wales Jackson Clements Burrows Architects for Divided House, Victoria Kennon Architecture and Interiors for Packington, Victoria Killing Matt Woods for Four Ages, New South Wales KPDO for White House, Victoria KPDO for Art House, Victoria Kyra Thomas Architects for Queens Park House, New South Wales Martin J Scott Design for Berwick Residence, Victoria Mathieson Architects for Kirribilli Apartment, New South Wales Matt Gibson Architecture and Design for Fitzroy Bridge House, New South Wales McKimm Design for Sussex House, Victoria Myers Ellyett for Evelyn, Queensland Myers Ellyett for Harcourt, Queensland Megan Hounslow in collaboration with Neil Architecture for Netherby House, Victoria O’Connor and Houle Architecture and Landscapes for Oliver Lane Apartment, Victoria Pohio Adams Architects for Fairweather, New South Wales Powell and Glenn for Canopy House, Victoria Renato D’Ettorre Architects for K House, New South Wales Sam Crawford Architects for Annandale Terrace, New South Wales Skulptur Architecture & Interiors for Toorak Town Residence, Victoria Splinter Society Architecture for Colonnade House, Victoria Studio AEM for Inside Outside House, New South Wales Studio Bright for 8 Yard House, Victoria Studio Esteta for Mornington Peninsula House, Victoria Studio Four for Cunningham Street Residence, Victoria Studio Prineas for Bona Vista, New South Wales Templeton Architecture for Sussex House, Victoria Therefore for Richmond House, Victoria Tobias Partners for Bronte Terraced House, New South Wales Tom Mark Henry for Wahroonga House, New South Wales Travis Walton Architecture for Carlton North Residence, Victoria Williams Burton Leopardi for Walkerville Residence, South Australia Wrightson Stewart for Hendra Project, Queensland

ACMI Renewal:

photo : Shannon McGrath

Residential Decoration

Arent and Pyke for Garden House, New South Wales Arent and Pyke for Hue House, New South Wales Arent and Pyke for La Casa Rosa, New South Wales Arent and Pyke for Queens Park House, New South Wales AVID Alice Villella Interior Design for Myvore House, Victoria Chelsea Hing for Emerald Terrace, Victoria Doherty Design Studio for Toorak House, Victoria Esoteriko for Bunker in the Treetops, New South Wales Flack Studio for Middle Park, Victoria Hare and Klein for Woollahra Valley House, New South Wales Louise Walsh Interior Design for Mona Lane, New South Wales Lucy Bock Design Studio for Williamstown Residence, Victoria Martin J Scott Design for Berwick Residence, Victoria Matt Gibson Architecture and Design for Fitzroy Bridge House, Victoria Nickolas Gurtler Interior Design for RDG Residence, Victoria Pohio Adams Architects for Fairweather House, New South Wales Skulptur Architecture and Interiors for Toorak Town Residence, Victoria Studio AEM for Inside Outside House, New South Wales

The Mercy Centre Mater Private Hospital Townsville:

photo : Andrew Rankin

Hospitality Design

Agents of Architecture for Farmer’s Daughters, Victoria Alexander and Co for Harbord Hotel, New South Wales Amok for Agnes, Queensland BAR Studio for Park Hyatt Niseko Hanazono, Japan Bates Smart for Hilton Melbourne Little Queen Street, Victoria Bergman and Co for Poodle Bar and Bistro, Victoria Biasol Studio for Billie Buoy, Victoria Chris Connell Design for Hero ACMI, Victoria Derlot Group for Ping Pong Thai Restaurant, Queensland Design Office for Byrdi, Victoria Fiona Drago Architect for First Love Coffee, Victoria Fiona Lynch Interior Design Studio for CicciaBella, New South Wales Foolscap Studio for 1R Australia, Victoria Genesin Studio for Never Never Distillery, South Australia Genesin Studio in collaboration with Walter Brooke for ITL, South Australia Genesin Studio in collaboration with Walter Brooke for SOL Bar and Restaurant, South Australia Greg Natale Design in collaboration with PTID for Cotton On Wellness, Victoria Hecker Guthrie for Maddox Fit, Victoria Hecker Guthrie and Walter Brooke for EOS By SkyCity, South Australia Jackson Clements Burrows Architects for Mercedes-Benz Lifestyle, Queensland Kennon Architecture and Interiors for Citizen Snack Bar, Victoria Loop Creative for Sydney Tower Projects, New South Wales Luchetti Krelle for The Upper, Japan Platform by Design Office for Industry Beans Brisbane, Queensland Proto-Tipo for No. 179, Victoria Ritz and Ghougassian for Prior, Victoria Sans-Arc Studio for Bloom, South Australia Setsquare Studio, Chamberlain Architects and Hearth Studio for Sense of Self Bathhouse, Victoria Studio Gram for Hotel Indigo, South Australia Wall Architects for Meet Fresh, Victoria Woods Bagot for The Next Hotel, Melbourne, Victoria YSG for Four Pillars – Eileen’s Bar and Gin Laboratory, New South Wales YSG for Atomic Beer Project, New South Wales

Installation Design

Becoming You Exhibition Project Team for Becoming You: An incomplete guide, Victoria BoardGrove Architects for NGV Triennial 2020 Outdoor Pavilions, Victoria BVN: Re-Ply for Re-Ply: NeueHouse Longhouse, USA Enoki and Alison Currie and Australian Dance Theatre for Of All Things, South Australia Fiona Lynch Interior Design Studio for 80 Collins, Victoria Liminal Spaces for The Bleeding Tree, Tasmania Russell and George for Sarah and Sebastian, Victoria Scott Carver in collaboration with Artists in Motion for Sydney Opera House Tours Immersive Digital Experience, New South Wales Studio Plus Three for The Nicholson Galleries, Chau Chak Wing Museum, New South Wales Sydney Living Museums with collaborating practice Local Projects for Hyde Park Barracks Visitor Experience, New South Wales Thylacine Design for Penguin Parade Visitor Centre, Victoria Thylacine Design for Western Australian Museum (Boola Bardip), Western Australia Youssofzay and Hart for No Show, New South Wales Zwei Interiors Architecture for Citizen.MDW, Victoria

Rouse Hill Childcare, New South Wales:

photo : Ross Honeysett

Public Design

Alexandra Kidd Design for Cheltenham Early Education Centre, New South Wales BKK Architects and Razorfish for ACMI Renewal, Victoria Bury Kirkland Ferri with Gilby and Brewin Architecture for Spring Bay Mill – The Banksia Room, Tasmania CO-AP Architects for Rouse Hill Childcare, New South Wales Cox Architecture for Equine Education Centre at Willinga Park, New South Wales Cox Architecture for Burgmann Anglican School – Early Learning Centre, Australian Capital Territory Cox Architecture, Neeson Murcutt and Neille for Project Discover, New South Wales Kosloff Architecture for La Trobe University Library Bendigo, Victoria Peddle Thorp for The Mercy Centre, Mater Private Hospital Townsville, Queensland Studio Jigen for Yakult Visitor Centre, Victoria

Spring Bay Mill – The Banksia Room, Tasmania:

photo : Samuel Shelley

Retail Design

Akin Atelier for Camilla and Marc Armadale, Victoria Hecker Guthrie for Piccolina Degraves Street, Victoria Hecker Guthrie for Piccolina Hardware Lane, Victoria Hecker Guthrie for Piccolina Swan Street, Victoria Herbert and Mason in Collaboration with Grown Alchemist for Grown Alchemist, Victoria INK interior architects for AHW Studio, New South Wales Kennon Architecture and Interiors for Joey Scandizzo Salon, Victoria Latitude Group and Studio Massive for SBB, Victoria Loop Creative for Locali, New South Wales MADA Studio for Men’s Culture, New South Wales Russell and George for Sarah and Sebastian, Victoria Skeehan Studio for Canberra Glassworks, Australian Capital Territory Studio Griffiths for KTT Showroom, Victoria TA Square Architects for Kurimu The Glen, Victoria We Are Triibe and Future Studio for Dimes Cannabis, Toronto, Canada Woods Bagot for Sculptform, Victoria YSG for Four Pillars – Gin Shop, New South Wales

Workplace Design

3XN with NH Architecture for 600 Bourke Place Lobby, Victoria A1 Office for Clevertronics, Victoria Akin Atelier for INCU HQ, New South Wales Alexander and Co for Alexander House, New South Wales Architects EAT for Alfred Stables, Victoria Bates Smart for Publicis Groupe at Workshop, New South Wales Hayball for Melbourne Studio, Victoria BVN for Yarpa Indigenous Business and Employment Hub, New South Wales Carr for Norton Rose Fulbright Melbourne, Victoria Carr for MinterEllison Melbourne, Victoria Carr for Lander and Rogers Melbourne, Victoria Cox Architecture for Agile Workplace, New South Wales Cox Architecture for Transurban Workplace, Queensland Davenport Campbell for The Foundry – CBA at South Eveleigh, New South Wales Elenberg Fraser for Market Lane, Victoria Esoteriko for Dental Clinic: Brave New World, New South Wales Fitzpatrick and Partners Architects for F+P Studio, New South Wales Foolscap Studio for ANZ Centre, L10, Victoria Gray Puksand for The Hester Hornbook Academy, Victoria Greg Natale Design in colloboration with PTID for Cotton On Beckley, Victoria Grimshaw for 35 Collins Street, Victoria Group GSA for Chanel, New South Wales Hassell for Langdon Coffee Merchants, Victoria Hogg and Lamb for McConaghy Projects, Queensland Native Design Workshop for Victoria Arduino Experience Lab, Victoria Pierce Widera for Core Performance Physiotherapy, Victoria Pixel Architecture for Young Group Collins Street Office, Victoria Powell and Glenn for Gurner Head Office, Victoria Siren Design for The Commons Cremorne, Victoria Smart Design Studio for Smart Design Studio, New South Wales Studio Jigen for Yakult Visitor Centre, Victoria Those Architects for Aje Office, New South Wales Travis Walton Architecture for Caulfield North Office, Victoria Tzannes for Judith Neilson Institute for Journalism and Ideas, New South Wales Unispace for QIC Melbourne, Victoria Woods Bagot for Goodman – The Hayesbery, New South Wales Woods Bagot for Central Park Lobby, Western Australia Woods Bagot for SLR Consulting Sydney

2021 Australian Interior Design Awards Shortlist images / information received 190521

Location: Australia

Australian Interior Design Awards Winners

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2020 Australian Interior Design Awards Shortlist

photographs : Trevor Mein

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Indigo Slam, NSW, by Smart Design Studio: photo : David Roche

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