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catsynth-express · 8 years ago

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KSW Presents Means of Exchange: Program Launch

We at CatSynth have a special place in our hearts for art about our home neighborhood in San Francisco, South of Market (SOMA). Means of Exchange is a new project presented by Kearny Street Workshop that teams up artists Weston Teruya and Kimberley Arteche with local businesses in the neighborhood to create storefront artworks that highlight the history and culture of the neighborhood.

SOMA has a rich and diverse history. Long a sprawling district of warehouses and working-class houses with large streets and small alleys, it became a mecca for artists, bars, and clubs. It was a thriving center of gay culture in the city and still includes the “Leather District.” It is a center for the Filipino diaspora in San Francisco, and includes the SoMa Pilipinas historic district. In the 1980s and 1990s some of its most run-down areas were turned into the Moscone Convention Center and a hub for several museums and cultural centers. And more recently, the neighborhood has become home to many large technology companies, as well as a proliferation of luxury high-rises and not-so-luxury-but-still-expensive apartment complexes. With so many different forces at work, the neighborhood means different things to different people, and tensions and conflicts inevitably have arisen between many of the longtime residents and institutions and newcomers.

The publicly viewable artworks will celebrate many of these aspects of the neighborhood. But the history, contradictions, and conflict were also highlighted by the readers and performances and the launch event this past Friday. The evening opened with a reading by Mary Claire Amable, a Filipino-American writer who was raised in SOMA and the adjacent Tenderloin neighborhood.

Amable reflected on her upbringing, including the struggles and challenges faced by her immigrant parents, the small apartments where she lived that are now threatened by redevelopment, and the increasing unaffordability of the neighborhood for many longtime residences, particularly immigrants and people of color. Her story provides a different perspective on places and streets I have come to know well.

Next was a reading by Tony Robles, a longtime poet and activist in San Francisco who was a short-list nominee for poet laureate of SF 2017.

Like Amable, Robles was born and raised in San Francisco, and his writing reflects on the changes in his hometown and the effect it has on his communities, on artists, and on those facing displacement. He spoke both nostalgically and somewhat cynically of San Francisco’s mythic past and of the struggles of people to survive here in the present; but he also shared writings from his visits to the Philippines, including a humorous piece about “The Province.” You can get a feel for his writing Maryam Farnaz Rostami, a San Francisco-based performance artist who has staged several solo and ensemble shows, including her latest Late Stage San Francisco.

Rostami also works as a designer in the architectural world, and her performance cleverly weaves that experience into laments about gentrification and displacement in the city. She decries the traditional “enforced cuteness” of San Francisco architecture, but also questions contemporary minimalism, as it applies both to design and life. She took us on a tour of The Battery, an exclusive club that popped up a few years ago and most of us loved to hate from the moment we heard about it. The descriptions of glass and metal contrast with the ugliness of the institution’s sensibilities and target clientele. But Rostami also offered notes of optimism and hope, such as ways we could organize the city more equitably and sustainability (e.g., more high-rises, but also a lot more natural space). And she did this with a heightened exaggerated style from her drag performances.

We had a large and appreciative audience for the event, full of familiar faces from the KSW community as well as newcomers. I look forward to seeing the full art project as it unfolds on the streets of my neighborhood.

KSW Presents Means of Exchange: Program Launch was originally published on CatSynth

#Art #kearny street workshop #kimberley acebo arteche #KSW #ksw presents #mary claire amable #maryam farnaz rostami #review #San Francisco #soma #tony robles #weston teruya #catsynth

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tonemesa · 3 years ago

Video

Our Future Ends (live at REDCAT) Excerpts from Clement Hil Goldberg on Vimeo.

Our Future Ends, Outfest Platinum Centerpiece, REDCAT Theatre July 2018 "Writer-director Clement Hil Goldberg has created a 50-minute masterpiece of surrealist political satire" LA WEEKLY

Starring Brontez Purnell, Heather María Ács and Siobhan Aluvalot, with Zackary Drucker, Silas Howard, Xandra Ibarra, Ben McCoy and Maryam Farnaz Rostami

Written, Directed, Animated and Created by Clement Hil Goldberg Choreography by Larry Arrington Costume Design by Margaret Bolton Grace Lighting Design by Jerry Lee Original Music and Score by Ted M. Superstar Original Songs "Of Quartz" and "Let's Go Extinct" by Ted M. Superstar and Hale May with Sound Engineering by Sophia Poirier, Lyrics by Clement Hil Goldberg and Arrangement with additional lyrics by Hale May

REDCAT Platinum Centerpiece staging co-presented and co-produced by Outfest Film Festival Los Angeles, Some Serious Business and CounterPulse

Duke Lemur Center documentation by Clement Hil Goldberg

This work was made possible in part by awards from The Creative Work Fund, a program of the Walter and Elise Haas Fund that also is supported by The William and Flora Hewlett Foundation, and the San Francisco Arts Commission.

Produced by Clement Hil Goldberg clementhilgoldberg.com

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