#marvel cross over

[balis77]

Honestly, the funniest thing DC could do right now is have a crossover episode between My Adventures With Superman and Batman: Caped Crusader with the explanation of "Oh, Caped Crusader isn't set in the 40s/50s or anything. Gotham is just Like That."

[mobius-m-mobius]

#a man who DESERVES A SLICE OF PIE

[youcalledsworld]

Never ask Danny Phantom for Relationship Advice

Many would think that asking Danny Phantom for relationship advice would be a good idea. He and his wife are the only heroes who are actually married and they both can't help but gush about one another. But the Red Huntress has forbade him from giving relationship advice to other heroes especially the kids.

[cardboard-writer]

By comickergirl:

Link

[gossippool]

q: how do you make an onion cry? (5.2k words, 1/1 chapters)

"You know, if it were anyone else I would have punched the daylights and rainbows out of you circa twenty insults ago," Wade says lightly. "What, you too soft to take it?" There are many things Wade brushes off, but words hit different when they come from someone you might probably definitely love. With time, Logan begins to unpeel Wade's many, many layers, and finds a man underneath it all.

[susvale]

M.I.A. Homelander X Reader X Steve Roger

Title: Missing In action

Pairings: Homelander X Reader, Steve Rogers X Reader, Dark Steve x Reader, Dark Homelander x reader [Crossover]

Summary: You were an avenger, one of the more magic ones. People called your name in excitement and felt safe being around you, then thanos happened… when you weren’t snapped and after a police call you were somewhere else. Now all you know is there is a man with a cap calling himself Homelander calling himself “Americas Hero” and the world is different… is it isn’t so bad though.

I made this is 2022, It’s been sitting in my drafts for that long… so yeah!

[Part One] -> [Part Two]

It was overwhelming at times. Cameras in your face after a mission were you were left battered and bruised, nevertheless you smiled, you gave a proud smile to the reporters reporting. They had risked things coming here did it make your job harder, yes, the helicopters flying around while you try and fly. It added pressure to keep people in the air safe. At least you weren’t Steve, they made him do dumb shit, like that time he was in a Detention video spouting nonesense. You job was only to keep people safe. People may offer you movie rolls but you always decline, you weren’t an actor your a hero. Even if declining meant buying an okay-ish apartment with a broken Landry machine. You weren’t a millionaire, just a lady with the power to say “bang” and a mans head would explode if you wanted to. Even then, you had the option to live in Tony’s tower. Maybe then some random wouldn’t show up ever week looking to kill you. A sigh left your lips as you looked down at the TV, Thanos killed half the population and vanished. That is what’s in the News again. Men lost daughters, mothers lost sons but everybody lost someone. Even so it still stung he wouldn’t pick up your calls, you wanted to shout at him ‘your not dead yet and neither am I! stop ignoring me before one of those things change!’ Missions still came in, unsteady but they did come in.

“Maybe I should get a real job, part time.” You mumbled to yourself while you stared at the TV. Everyone you ever knew had distanced themselves or been snapped, maybe getting out would be good… people have been starting to expect that this is life, ‘maybe thanos was right my gym has been less crowded lately!’ Kinda people, jokes that might not be jokes anymore.

You still think about it, maybe he was right. It was horrible, you know. So many people lost and yet you didn’t lose anyone significant, Bucky of course but you were only just starting to get to know him… Steve maybe but you could still see him, feel him breathe, he didn’t get snapped. He was just distance, like he wished he did get snapped…

Witch hurt…

You didn’t have a family, friends outside of the avengers, hell you never had a boyfriend before Steve. How could you? Caged and trained like a dog, feed needles and pills like food. Given faces and names to quietly kill, you never had your own name till the avengers… Y/N… it was a nice name though. you named yourself off the first person you ever killed, you didn’t know if they would ever have agreed but they were dead… so it didn’t matter.

Steve and therapy, You remembered. Keep breathing don’t think about it. Or maybe it was think about it regret is good? Your therapist had been snapped so it’s been a while. The police called you once in and while about cases. Maybe answering back wouldn’t suck? You were lonely and bored, nothing to do then unsteady mission that lacked any sort of life.

Grabbing your phone you called a man. He was your contact to the police, you could never remember titles or anything like that but he was pretty high up.

“Thank god you called, you use to be so active I was starting to worry you got snapped too.” He joked, people cope with humor, you know that. Still, it irritated you that you and your friends put your life on the line and failed only to be joked about by people who didn’t know anything. Nevertheless, you gritted your teeth and held your tongue. “More and more people are disappearing. We think it may be an aftershock effect of some kind.”

“I doubt it.” You mumbled to yourself, he didn’t hear you and went on about the investigation. A group of people who agreed with Thanos’s ideals has been here and there, left and right. They think a select group talking it too far and hurting or making more people disappear. That sounded more likely, he told you about peoples corpses. Looked like they had been shot with high power lasers, or they’re heads have been smashed in. They had a certain person in custody, maybe if you worked with them you could find a way to undo the snap? That’s what the officer proposed anyway. You said your goodbyes and hung up the phone, you would be their for the interview is what you told them.

You should call Steve. This looked like such an important case, he had to know people were making more people disappear… it could lead to something. He would want to know.

So you did call him. He didn’t answer, instead you were greeted by the all so familiar call after the beep speech. It was nicer then actually speaking to him nowadays, though. “Heya, it’s Steve. Leave a uh… voicemail..? After the beep? Did I do that right?” You’d hear him call to someone in the background, “yeah, other then forgetting what a voicemail was called.” You heard your own distant voice greet you, “Steve you have to-“ you were the last thing you hear as the beep signalled the end of the recorded ‘can’t get to you’ message.

A sigh left you when you realized you’d have to speak now, “Hey Steve, the police called me and they have a case of more disappearing people. A group of Thanos supporters popped up making even more people disappear.” You paused, “I think it’s something you’ll be interested in, might lead to something, heh… listen, I miss you, it’s been so long since we’ve spoken. I… can’t…” your voice trailed off, you breathed in deciding not to do this over a call. “Anyway, call me when you get this. Can’t make it too long.”

That’s right. You couldn’t keep the police waiting… So you grabbed your bag and left. Off to the police station.“Hey, we put the suspect in the interrogation room.” The man spoke, he opened the door to a standard interrogation room. Blue walls, four barely cushioned chairs and a table in the middle closet to a wall. The suspect looked like a regular man. You frowned.

This all felt too… cultish? It made you uncomfortable, the look in his eye. He looked at you like you were a god among men.

[thebiggestfuckgiven]

a lil prompt for the few dp x marvel gremlins around. i see you and ily.

Be Like Danny:

-> get contacted by the X-freaking-Men to try to get you to join their school for mutants

-> say no because you can’t explain that you’re technically not a mutant, just half-dead

-> live a normal (Fenton standard normal) few months afterwards

-> get kidnapped from your own school by evil scientists (that surprisingly are NOT the GIW)

-> escape facility using your sheer wits (being annoying) and ingenious fighting strategies (screaming and blasting)

-> run away across rooftops from the guards hunting you down while being injured (and holy shit are we in new york??)

-> get distracted by trying to spot the empire state building

-> get shot with a tranquilizer by aforementioned guards

-> painfully fall down into an alleyway, without seeing the empire state building (boo)

-> begin passing out but not before you see some red guy with literal horns (satan??) fight off the baddies after you

-> wake up hours later in satan’s lawyer’s (???) office, confused, dazed, and a little scared

-> pretend to still be passed out while desperately thinking up how to explain why guys with guns were chasing you down in the middle of new york without getting dragged off to the police

-> hope for the best

Random Excerpt-

Matt didn’t feel comfortable leaving the tranq’d (and fully knocked out) teen out in an abandoned alley. Very few people would, out here in Hell’s Kitchen. He also didn’t feel like bringing in a potential new problem into his home, so he decided on the next best place: the office.

Needless to say, Foggy was scared near shitless when Matt burst into their office in full Daredevil regalia with an unconscious boy in his arms. In Matt’s defense, Foggy wasn’t supposed to be here. He sent out a small thanks to God that at least Karen was nowhere to be seen. Heard. Semantics.

“Is that a kid? Oh my god, Matty, are you carrying a dead kid around? Is there a dead kid in our office?”

Language, Matt bit back.

Foggy’s heart beat a violent staccato as he followed Matt into their conference room, breathing stuttering when Matt laid the kid down on the table and his head turned limply to the side, his hair softly shuffling against the metal.

“Matt!”

Foggy waved his hands around wildly, the sound fluttering in Matt’s ears. Without a word, he grabbed Foggy’s arm and dragged him out of the room.

“Please keep calling me by my name in front of a stranger,” he hissed out, annoyed.

“In case it may have passed your attention, that stranger is unconscious. Or dead, for all I know! Because you haven’t said a damn word since you slammed your way in here by the way!” Foggy was whisper shouting, staying close to Matt’s side. He could almost see how Foggy’s eyes were wide, if he tried hard enough. Listened closely enough.

“He’s not dead,” he let out before walking to the front door to lock it and make sure no one was around.

There was a light slap sound as Foggy raised his hands in a pointless gesture and brought them against his legs.

“Oh, yeah, that’s reassuring,” he said to himself, but not bothering to hide it. Matt heard him walk back to the conference room. He held back a sigh, ignoring it for the time being. There hadn’t been anyone following them, but he’s been doing this long enough to know that some people knew how to keep their distance well, or even knew how to disguise their heart beats (God forbid the Hand had any involvement in this). They could even have a tracker on the kid.

Taking all of this into consideration, he would rather be safe than sorry. He was standing by the locked door, listening intently for any odd sounds outside the building or on any surrounding roofs. Like the same footsteps going by, feet shuffling as though someone was waiting, heavy breathing, the smell of gunpowder, or the sound of a bullet moving into its chamber.

He waited, hearing no signs. It was one minute before he heard the exact moment Foggy found the kid’s pulse.

“Matt,” he heard Foggy’s voice, a whisper. “He-he’s dead. He- oh my god, I’m going to be sick.

The kid’s pulse, or to anyone checking by regular means, lack thereof.

Matt waited one more second before moving away from the door to save himself from the stench of throw-up.

“I said he’s not dead.”

[annabelle--cane]

hey why did the squip say that in the two river version of "upgrade." I'm not specifying, if you know you Know. why did the squip say that.

[thebumblecee]

Whenever I think I’ve done my wildest drawing a WIP comes along and proves me wrong

[giurochedadomani]

I've just watched deadpool and in my mind there's a version of loki in which the baddie is president loki. As it happens in the comics, sylvie is a normal girl that one day wakes up with magic powers (that loki gave her). She starts being hunted down by the tva because she's a variant, she wasn't supposed to exist with her magic powers in her timeline, and thus is very easy for president loki to take her under his wing and manipulate her so she assists him in his nefarious plan

that would only add more onto the very obvious paralels between sylvie and loki and loki and thor, in which our loki ends up in the position he always left thor at. loki could just take a look to Sylvie and president Loki and still tell her: this is not the way, while fully thinking about himself and thanos. I know you feel this is your only escape. I know you're in such a bad place that the only solution that comes to mind is destroying everything. that you're ready to do whatever it takes to do it. trust me, i've been where you are. trust me, this is not the way

the way they could have done such a nice thing about loki accepting himself, about him making peace with his inner self i will forever be so bitter about it.

and of course loki and mobius would smooch, but if I start ranting about the missed opportunity of an epic romance OUTSIDE TIME AND SPACE I WILL SCREAM

[age-of-moonknight]

“Tigra,” Vengeance of the Moon Knight (Vol. 2/2024), #2.

Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[kstarlitchaotics]

I don't really care whom you want to ship with each character I don't care if people WANT to ship Magneto and Rouge by all means but the second if anyone tells me my ship is wrong or I shouldn't do it cause it's "unethical" that will be a problem

[balu8]

Archie Meets The Punisher

by  Batton Lash, John Buscema, Stan Goldberg, Tom Palmer, Barry Grossman and  Jack Morelli ; cover by  Stan Goldberg and  Henry Scarpelli

Archie Comics/Marvel Comics

[cardboard-writer]

Wonder Woman and Captain America by Chris Samnee:

Link

[cherryfinolahobbes]

"I don't know what kind of fool you think I am," The Sorcerer Supreme grimaced, looking at the paper in his hand, "but this doesn't prove anything,"

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.