#martín miller

[samsdei]

Joaquín Arana, Teo Inama Chiabrando, Martín Miller & Facundo Trotonda

[42bakery]

I know they are not a trend now, but I remember I used to have fun with this, so I did it

[42bakery]

They had Bagnaia and Miller as teammates and let them make mysogenic coments without any punishment and then shove them under the rug. Then they got Zarco and Matín.

And they are always doing Ducati's dirty job to make sure Ducati's golden boy don't struggle

Also no team is good, they are just less evil

Why do we all hate pramac is it like a reflection of our feelings for jm or are they just evil

[watercolor-hearts]

Heart Rates in MotoGP 🫀

There’s this post about the doctor in the movie Faster (2003) comparing Valentino Rossi's and Max Biaggi’s heart rates, and Vale’s maximum being only 125 bpm while Max’s was 170 bpm was a bit unbelievable to me so I’ve decided to do some research because those who know me know this is one of my favorite topics.

What I found when searching for this topic was a gold mine for people who are interested in hearts, so I thought I’d write a post about it because I think it could be interesting for everybody, especially for new fans (like me) who don’t already know about these heart-related things in MotoGP.

Important information: I don’t have a medical background, I’m just a cardiophile/someone who’s interested in hearts so this post isn’t about the medical side of this topic, it’s only to share the interesting stuff I found.

So, according to this article (which is basically the copy of this but I found the other one earlier), the riders’ highest heart rate is typically around 160-170 beats per minute. But what makes this really interesting is that I’ve discovered that there are a few riders that are an exception because of their extreme cardiac output like Maverick Viñales, whose highest heart rate barely exceeds 130 bpm, or like Jorge Martín, who’s the opposite extreme with his heart rate reaching 200 bpm during the highest points of qualifyings and races. Both of their resting heart rates are around 40 bpm, which is surprising because I expected Jorge's to be higher.

View this post on Instagram

A post shared by Maverick Viñales (@maverick12official)

MotoGP began broadcasting the live heart rates of riders in 2019 with Maverick’s being shown first (as he writes it in the caption of the post above) and that was when his heart became a sensation because of it beating significantly slower than the hearts of other riders. The video above is him doing a hot lap at the 2019 Japanese GP weekend. That was when they discovered that his heart was different from the other riders’ hearts and in this video, they asked him about it because some people doubted if the monitor was accurate. (After seeing this, Vale's 125 bpm from the beginning of the post doesn't seem that unbelievable anymore.)

As you can see above, in 2020, during the Austrian GP weekend, they compared Maverick and Jack Miller’s heart rates, to which Jack’s reaction was, “I don’t know what Vinales is, a snake or something, or his heart is not working!” (jokingly) “I just saw they did a comparison and I am sitting at 160 and Vinales on 120-something. I’m sure mine wasn’t even at the highest point when I was doing those laps.”

And then Jack talked about his heart rate a bit more:

“I’ve never been in the 200s, I think the most I had in a test �� and this was 3 years ago – was 199. If I’m training on the bicycle it’s 175-180. I think the best I have had on the bicycle has been 188. I think the start of the race, the lights, would be the highest point for me. And if you're in a fight especially in the first couple of laps it’ll be through the roof. Then you can sort of stabilize it around 160.  I know with the motocross bike it stays around 172. That’s my normal average for a 25-minute training moto.  Like I say, it’s not like I'm blowing out of my arse or anything like that, it’s just that Vinales is a bit of a ‘snake’! His just doesn’t work in the same way as mine… He’s got a bigger stroke, less rpm!”

And something worth mentioning here is that Maverick posted about his pre-season medical check-up and someone in the comments asked about his VO2 Max result and he answered the question in a video posted in his Instagram story (you can see it below), which was really surprising to me because I don’t usually see people openly sharing information like that.

(For reference, the average for people his age is 31-41.9, good is 42-49.9 and >50 is excellent. So his results of 64-70 are incredible.)

And some other things I found while doing some more research for this post:

Jorge talking about having an overheating problem and a heart rate of 230 bpm during the 2023 Indian GP.

Álex Rins racing with an average of 190 bpm (remember, the maximum is 160-170 bpm usually) during the 2024 Japanese GP (and finishing last despite trying really hard to get a good result).

And here is a video of Marc’s start in the 2012 Moto2 Valencia GP where his heart rate goes above 200 bpm. In this interview, he said he usually doesn’t monitor his heart rate during a race, but he did during this one. I think it was a good idea because it shows us how his heart behaves during the start, which is one of the most stressful moments of the race.

-

I really enjoyed writing this post and getting to know the incredible hearts these riders have. I hope I could show something new and interesting to those who didn't know about this. Thank you for reading it! ❤

[f1daydreamer]

Moto gp Materialist

------

Francesco Bagnaia | FB63 | Ducati Lenovo

Materialist

Marc Márquez | MM93 | Ducati Lenovo

Materialist

Pedro Acosta | PA31 | Red Bull KTM

Materialist

Brad Binder | BB33 | Red Bull KTM

Materialist

Jorge Martín | JM89 | Aprilia Racing

Materialist

Marco Bezzecchi | MB72 | Aprilia Racing

Materialist

Fabio Quartararo | FQ20 | Monster Energy

Materialist

Álex Rins | AR42 | Monster Energy

Materialist

Luca Marini | LM10 | Honda

Materialist

Joan Mir | JM36 | Honda

Materialist

Fabio Di Giannantonio | FD49 | Pertamina En

Materialist

Franco Morbidelli | FM21 | Pertamina Enduro

Materialist

Álex Márquez | AM73 | Gresini Racing

Materialist

Fermín Aldeguer | FA TBC | Gresini Racing

Materialist

Miguel Oliveira | MO88 | Prima Pramac

Materialist

Jack Miller | JM43 | Prima Pramac Racing

Materialist

Johann Zarco | JZ5 | LCR Honda Castrol

Materialist

Somkiat Chantra | SC TBC | LCR Honda

Materialist

Raúl Fernández | RF25 | Trackhouse Racing

Materialist

Ai Ogura | AO TBC | Trackhouse Racing

Materialist

Maverick Viñales | MV12 | Red Bull KTM

Materialist

Enea Bastianini | EB23 | Red Bull KTM

Materialist

Note: TBC indicates that the rider's racing number is yet to be confirmed.

[samsdei]

Teo Inama Chiabrando & Martín Miller

[mmenthusiast]

Sublime (2022)

Director: Mariano Biasin

Stars: Martín Miller, Teo Inama Chiabrando, Azul Mazzeo...

Language: Spanish

Length: 1h 40m

Manuel (16) lives in a small coastal town. He plays bass in a band with his best friends. One of them is Felipe, with whom he shares a strong friendship from a very young age. Manuel is dating Azul, a relationship that they are intensely exploring. But when it comes time to have their first time together, Manuel feels something completely new that makes him see things with different eyes.

I don't know why, but on the first glance I thought this was a French movie, so imagine my surprise when they started speaking Spanish xD. It's a cute coming-of-age drama that's not heavy, which is why I like it - it has a happy ending, although it somehow felt like the main character was settling with less than what he deserves. I have a feeling he's way more into Felipe than the other way around and that when in the end Felipe kissed him, it might just be a curiousity for him, while Manuel might be risking getting hurt if Felipe one day decides that it was just an adventure to him and that he'd rather go with the girls in the long run. Another thing that I liked is how they incorporated the music theme in the LGBT coming-of-age story. I haven't seen many LGBT movies like this where the boys/characters are playing in a band, so this was great to me and it gave the movie a youthful touch.

Rating: 4/5

[42bakery]

Ducati gamble on the quantity of fuel and the power maps. Maps too powerful had too much consumption and ultimately, they run out of fuel and needed a tow. Remy had the same issue apparently, and by what Izaskun said, maybe more riders too.

And about the garage incident? This is my guess, Pedro drove to the pit, so he pushed Martín there instead to the podium area. And ending at the Ducati instead of the Pramac no idea, maybe just a mistake?

No but can someone tell me what the hell was going on with Enea and Jorge at the end because both had to get towed back by Pedro and Jack(?) and then Jorge stopped at Enea’s garage with his bike??? Truly baffled this entire race was weird but idk if there’s any new beef that’s come from it.

[voguecovers]

• Vogue Czechoslovakia, August 2024

Germany model Céline Goebel, photographer Pepe Herreros, styling Martxel Montero

head of content Danica Kovarova, publisher Michaela Seewald ❛ Céline wearing Juan Vidal dress and Saint Laurent shoes | models in cover story Tonie Engonga, Maria Peña, Martín Miller, J'Adore and Arnau Torrent

[unhinged-motogp-confessions]

if we're holding discussions tonight then:

good at eating ass: miller, márquez (álex)

good at sucking dick: martín, bagnaia, marini

.

[double-croche1]

[CANNES 2023] NOTRE TOP

Le Festival de Cannes est désormais terminé. On a vu pas moins de 85 films (dont 19 sur les 21 de la Compétition), toutes catégories confondues ! Le classement de nos films préférés parmi ceux-ci, avec les dates annoncées de sortie en salles, ci-dessous :  1. ‘Eureka’ de Lisandro Alonso (CPR) 2. ‘Le Procès Goldman’ de Cédric Kahn (QC, 27/09) 3. ‘Anatomie d’une chute’ de Justine Triet (SOC, 23/08) 4. ‘Jeunesse (Le Printemps)’ de Wang Bing (SOC, 03/01/24) 5. ‘L'Enlèvement’ de Marco Bellocchio (SOC, 01/11) 6. ‘Les Feuilles mortes’ d’Aki Kaurismaki (SOC, 20/09) 7. ‘Fermer les yeux’ de Victor Erice (CPR, 16/08)  8. ‘May December’ de Todd Haynes (SOC) 9. ‘La Zone d’intérêt’ de Jonathan Glazer (SOC, 31/01/24) 10. ‘L'Eté dernier’ de Catherine Breillat (SOC, 13/09) 11. ‘The Sweet East’ de Sean Price Williams (QC) 12. ‘Los Delincuentes’ de Rodrigo Moreno (UCR, 27/03/24) 13. ‘La Grâce’ d’Ilya Povolotsky (QC) 14. ‘Only the River Flows’ de Shujun Wei (UCR) 15. ‘Les Herbes sèches’ de Nuri Bilge Ceylan (SOC, 12/07) 16. ‘Conann’ de Bertrand Mandico (QC, 28/11) 17. ‘La Chimère’ d’Alice Rohrwacher (SOC, 06/12) 18. ’La Fille de son père’ d’Erwan Le Duc (SM, 20/12) 19. ’Lost Country’ de Vladimir Perisič (SC, 11/10) 20. ‘Conte de feu’ de Weston Razooli (QC) 21. ‘Mars Express’ de Jérémie Périn (CPL, 22/11) 22. ‘Vers un avenir radieux’ de Nanni Moretti (SOC, 28/06) 23. ‘L’Autre Laurens’ de Claude Schmitz (QC, 04/10) 24. ‘Elémentaire’ de Peter Sohn (HC, 21/06) 25. ‘Banel & Adama’ de Ramata-Toulaye Sy (SOC, 30/08) 26. ‘Anselm, le bruit du temps’ de Wim Wenders (SS, 18/10) 27. ‘Le Règne animal’ de Thomas Cailley (UCR, 04/10) 28. ‘Simple comme Sylvain’ de Monia Chokri (UCR, 08/11) 29. ‘Ama Gloria’ de Marie Amachoukeli (SC, 30/08) 30. ‘Club Zéro’ de Jessica Hausner (SOC, 27/09) 31. ‘Linda veut du poulet !’ de Chiara Malta et Sébastien Laudenbach (ACID, 18/10) 32. ‘Si seulement je pouvais hiberner’ de Zoljargal Purevdash (UCR, 27/12) 33. ‘L’Amour et les forêts’ de Valérie Donzelli (CPR, en salles) 34. ‘La Mère de tous les mensonges’ d’Asmae El Moudir (UCR) 35. ‘Légua’ de Filipa Reis et João Miller Guerra 36. ‘The Feeling That the Time for Doing Something Has Passed’ de Joanna Arnow (QC) 37. ‘Augure’ de Baloji (UCR, 22/11) 38. ‘Les Colons’ de Felipe Galvez (UCR, 20/12) 39. ‘Vincent doit mourir’ de Stéphan Castang (SC, 15/11) 40. ‘De nos jours...’ de Hong Sang-soo (QC, 19/07) 41. ‘Merle merle mûre’ d’Elene Naveriani (QC) 42. ‘Dans la toile’ de Kim Jee-woon (HC, 08/11) 43. ‘The Old Oak’ de Ken Loach (SOC, 25/10) 44. ‘Monster’ de Hirokazu Kore-eda (SOC, 27/12) 45. ’Sleep’ de Jason Yu (SC) 46. ‘Occupied City’ de Steve McQueen (SS) 47. ‘Bonnard, Pierre et Marthe’ de Martin Provost (CPR) 48 ‘Goodbye Julia’ de Mohamed Kordofani (UCR, 08/11) 49. ‘L’Arbre aux papillons d’or’ de Thien An Pham (QC, 13/09) 50. ‘Chambre 999’ de Lubna Playoust (CC) 51. ‘Le Livre des solutions’ de Michel Gondry (QC, 13/09) 52. ‘Les Meutes’ de Kamal Lazraq (UCR, 19/07) 53. ‘Le Ravissement’ d’Iris Kaltenbäck (SC, 11/10) 54. ‘Little Girl Blue’ de Mona Achache (SS, 01/11) 55. ‘Creatura’ d’Elena Martín Gimeno (QC) 56. ‘Perfect Days’ de Wim Wenders (SOC, 29/11) 57. ‘Lost in the Night’ d’Amat Escalante (CPR, 04/10) 58. ‘La Fleur de Buriti’ de João Salaviza et Renée Nader (UCR) 59. ‘Le Syndrome des amours passées’ d’Ann Sirot et Raphaël Balboni (SC, 25/10) 60. ‘Un hiver à Yanji’ d’Anthony Chen (UCR, 22/11) 61. ’Power Alley’ de Lillah Halla (SC, 22/11) 62. ‘Asteroid City’ de Wes Anderson (SOC, 21/06) 63. ‘Une nuit’ d’Alex Lutz (UCR, 05/07) 64. ‘Les Filles d'Olfa’ de Kaouther Ben Hania (SOC, 05/07) 65. ‘Indiana Jones et le cadran de la destinée’ de James Mangold (HC, 28/06) 66. ‘Chroniques de Téhéran’ d’Ali Asgari & Alireza Khatami (UCR, 27/12) 67. ‘Acide’ de Just Philippot (SM, 20/09) 68. ‘Un prince’ de Pierre Creton (QC, 18/10) 69. ‘Déserts’ de Faouzi Bensaïdi (QC, 20/09) 70. ’Il pleut dans la maison’ de Paloma Sermon-Daï (SC) 71. ‘Rien à perdre’ de Delphine Deloget (UCR, 22/11) 72. ‘La Passion de Dodin Bouffant’ de Tran Anh Hung (SOC, 08/11) 73. ‘How to Have Sex’ de Molly Manning Walker (UCR, 15/11) 74. ‘Le Jeu de la reine’ de Karim Aïnouz (SOC, 28/02/24) 75. ‘A Song Sung Blue’ de Zihan Geng (QC, 06/12) 76. ‘Jeanne du Barry’ de Maïwenn (HC, en salles) 77. ‘Rosalie’ de Stéphanie di Giusto (UCR, 24/01/24) 78. ‘In Flames’ de Zarrar Kahn (QC) 79. ‘Hopeless’ de Kim Chang-hoon (UCR) 80. ’Tiger Stripes’ d’Amanda Nell Eu (SC, 13/03/24) 81. ‘The Idol’ (série, épisodes 1 et 2) de Sam Levinson (HC, 05/06) 82. ‘The New Boy’ de Warwick Thornton (UCR) 83. ‘Omar la Fraise’ d’Elias Belkeddar (SM, en salles) 84. ‘Hypnotic’ de Robert Rodriguez (SM, 23/08) 85. ‘Agra’ de Kanu Behl (QC) SOC : Sélection Officielle - Compétition UCR : Un Certain Regard CPR : Cannes Première CPL : Cinéma de la Plage HC : Hors Compétition QC : Quinzaine des Cinéastes SC : Semaine de la Critique SM : Séances de Minuit CC : Cannes Classics ACID : L’ACID Nos chroniques de ces films sont à retrouver dans les articles Daily #1 à #11 sur notre page dédiée.

A&B

[unblogparaloschicos]

Cine: Sublime (2022)

La primera escena, mínima, es una filmación casera del octavo cumpleaños de Manuel (Matías Ferro), pero el niño está intranquilo hasta que aparece el invitado que faltaba, su mejor amigo Felipe (Juan Ignacio Díaz), y la cara se le ilumina; ambos se funden en un abrazo.

Pasa el tiempo y ambos amigos, ya adolescentes, forman parte de un grupo de rock en el que colaboran escribiendo las canciones e interpretándolas. Tienen sus propias novias con las que de vez en cuando intentan intimar, pero Manuel (Martín Miller) tiene fantasías íntimas y constantes con Felipe (Teo Inama Chiabrando). Mientras se preparan para su debut en una próxima celebración (los otros integrantes del grupo son Fran, interpretado por Joaquín Arana, y Mauro, en la piel de Facundo Trotonda), la relación entre ambos acaece en un inesperado cruce cuando "Manu" descubre que su amigo está por ligar con una chica nueva justo cuando comenzaba a aceptar sus sentimientos hacia él. Basta añadir que sus padres, viéndole angustiado y conociéndolos, se muestran abiertos y comprensivos hacia su gran dilema.

Filmada en Villa Gesell (la película no confirma el lugar en el que transcurre) y dirigida por Mariano Biasin, también autor del guion, su registro certero de la adolescencia argentina y la sensibilidad humana conquistó diecisiete premios, entre los que se cuentan un Cóndor de Plata como Mejor Ópera Prima, una mención del jurado del Los Angeles Outfest al Guion, una mención especial del San Francisco International Film Festival y un premio Sebastiane, que reconoce al cine LGBTQ, en el Festival de San Sebastián.

[clementinatehasperdido]

Me recomendas algun libro, puede ser mas de uno. O alguno que te represente o sea una ventanita para conocerte mejor? Como saber quien sos? 🤔

Me estás matando jajaja. A ver te doy unos que siempre estarán en mi corazón y luego algunos que amé en los últimos meses.

Los de siempre:

Plegarias nocturnas de Santiago Gamboa

La vida ante sí - Romain Gary

La inmortalidad- Milan Kundera

Los suicidas del fin del mundo - Leila Guerriero

La saga de los juegos del hambre (Aguanten las distopias de YA)

Almas grises - Philippe Claudel

Prosas apátridas - Julio Ramón Ribeyro

El hambre - Martín Caparrós.

Libros que he amado en los últimos meses

Normal People - Sally Rooney

Klara y el sol - Kazuo Ishiguro

Babel: an arcane history- R.F Kuang

La canción de Aquiles - Madelaine Miller

The Silence of the Girls - Pat Barker

Sea of tranquility - Emily St. John Mandel

Toda la saga de The Poppy war - R.F Kuang

Perdón, me emocioné. Hay más pero ya es un abuso la lista.

¿Los tuyos? .

[xthescarletbitch]

‧͙⁺˚*･༓☾ captures ☽༓･*˚⁺‧͙

inconsistent and unedited captures of my fave characters taken by yours truly. thank you for all your support. truly. 💗

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[vqtblogmenteslucidas]

Galo Martín Aparicio - Lee Miller, la corresponsal que dignificó a los que sufrieron la guerra y que Kate Winslet homenajea

[ulkaralakbarova]

A female executive and a night janitor conspire to commit a daring diamond heist from their mutual employer, The London Diamond Corporation. Credits: TheMovieDb. Film Cast: Laura Quinn: Demi Moore Mr. Hobbs: Michael Caine Finch: Lambert Wilson Ollie: Nathaniel Parker Eaton: Shaughan Seymour Jameson: Nicholas Jones Fenton: David Barras Milton Kendrick Ashtoncroft: Joss Ackland Reece: Silas Carson Sinclair: Derren Nesbitt Trudy: Kate Maravan Penelope: Rosalind March Lewis: Kevan Willis Henry: Stanley Townsend Boyle: Jonathan Aris Bryan: Ben Righton Cassie: Natalie Dormer Secretary: Claire Thill Ballroom Quartet: Violaine Miller Ballroom Quartet: Carole Bruere Trudy’s Friend: Roya Zargar Film Crew: Director: Michael Radford Writer: Edward Anderson Producer: Mark Williams Original Music Composer: Stephen Warbeck Director of Photography: Richard Greatrex Editor: Peter Boyle Casting: John Hubbard Production Design: Sophie Becher Set Decoration: Christina Schaffer Costume Design: Dinah Collin Producer: Michael A. Pierce Co-Producer: Albert Martínez Martín Co-Producer: Jimmy de Brabant Movie Reviews: