#marie christine barrault

[digitalfountains]

Marie Christine Barrault

[sundaynightfilms]

Cousin Cousine, 1975

[rrrauschen]

Eric Rohmer, {1969} Ma nuit chez Maud (My Night at Maud's)

[screamofdespair]

Ma Nuit Chez Maud

1969

Eric Rohmer

[veryslowreader]

The Psychiatric Interview by Harry Stack Sullivan

Stardust Memories

[coffeeandcinema]

Stardust Memories (1980). dir. Woody Allen

[motionpicturelover]

"The Medusa Touch" (1978) - Jack Gold

Films I've watched in 2022 (205/210)

Full film:

[persephonethewanderer]

Daniel Craig as John MacHale and Marie-Christine Barrault as Ella Beckmann in Obsession (1997), dir. Peter Sehr

[fayegonnaslay]

The Wives of Roger Vadim: Bardot, Deneuve, Fonda

Throwback to when French director Roger Vadim wrote a book just to exploit and put his ex-wives and baby mamas on blast.

Catherine Deneuve and Roger Vadim with Brigitte Bardot and Sami Frey.

Bardot, Deneuve, and Vadim behind the scenes of Vadim's Please Not Now, 1961.

On the set of Please Not Now with Bardot, 1961.

With Bardot, 1956.

With second wife Annette Stroyberg in 1958.

With Deneuve, 1962.

Directing Fonda on the set of La Ronde, 1963.

Costar Catherine Spaak later told the New York Times in June of 1966 that Vadim was so focused on Fonda during the making of the film that "everyone suffered."

With Fonda at home in France, 1960s.

With Bardot at home, 1956.

Vadim's first marriage to Fonda, his third wife, was in 1965 in Las Vegas. Realizing the marriage was not legal in France, the pair quickly remarried in Paris the same year.

Vadim and Bardot on the set of their film Love on a Pillow, 1962.

Vadim visiting Fonda on the set of Cat Ballou, 1964.

Deneuve and Vadim on the set of Le Vice et la Vertu, 1963.

Jane with daughter Vanessa Vadim in Malibu, 1968.

Vadim celebrates daughter Vanessa and ex-wife Brigitte's birthdays, September 28, 1970-something.

Jane with her stepchildren Natalie Vadim (via Annette Stroyberg) and Christian Vadim (via Catherine Deneuve), 1966.

Fonda with Vadim, her mother-in-law, and her two stepchildren, 1967.

Catherine Deneuve with son Christian Vadim, 1963.

Jane and Roger with daughter Vanessa Vadim, 1968.

Vadim with his three children: Vanessa (b. 1968), Christian (b. 1963), and Natalie (b. 1957).

Roger Vadim's five ex-wives at his funeral in St. Tropez: Bridget Bardot, Annette Stroyberg, Jane Fonda, Catherine Schneider, and Marie-Christine Barrault, 2000.

The man definitely had a type.

[byneddiedingo]

Françoise Fabian in My Night at Maud's (Éric Rohmer, 1969)

Cast: Jean-Louis Trintignant, Françoise Fabian, Marie-Christine Barrault, Antoine Vitez, Léonid Kogan, Guy Léger, Anne Dubot. Screenplay: Éric Rohmer. Cinematography: Néstor Almendros. Production design: Nicole Rachline. Film editing: Cécile Decugis.

A moral tale: Once upon a time, a brave and chaste knight saw a fair young lady in church, and wished that she were his. The devil, hearing this, arranged for the knight to be tempted by a beautiful sorceress. But when the knight resisted the carnal temptations of the sorceress, he was rewarded with the love and the hand of the fair young lady. Éric Rohmer's moral tale: Jean-Louis (Jean-Louis Trintignant), an engineer who has recently moved to Clermont-Ferrand, is an intellectual Catholic, determined at the age of 34 to settle down and get married after several failed love affairs. At mass one day he sees a beautiful young woman (Marie-Christine Barrault), and longs to get to know her. Leaving the church, he sees the woman get on a moped, and he follows her in his car until they are separated by traffic. Jean-Louis runs into an old friend, Vidal (Antoine Vitez), a philosophy professor and a Marxist, who takes him to see his friend, Maud (Françoise Fabian), a divorcee. Vidal gets drunk and leaves early, and when it begins to snow heavily, Jean-Louis stays to spend the night with Maud. But they do little more than talk -- about his Catholicism, about the philosophy of Pascal, about his life and hers. She and her husband were unfaithful to each other, and her lover was killed when his car skidded on the ice -- one reason she forbids Jean-Louis to drive in the snow. They literally sleep together: She in the nude, he fully clothed and wrapped in a coverlet she lends him, though both are in the same bed. In the morning he makes a pass at her that she brushes off, and as he looks out the window he sees the young woman he saw at mass, and runs out to introduce himself to her. Her name is Françoise, and she is a student at the university where Vidal teaches. They make a date for later in the day, and afterward he drives her home to her student apartment. Stuck in the snow again, he spends the night, but not in her room: She gives him a key to the apartment of another student who is away. Five years later, they are married and taking their young son to the beach, when they meet Maud on the path. Jean-Louis realizes from Françoise's reaction that she knows Maud -- in fact, Françoise, who has confessed that she had an affair with a married man, may have been the lover of Maud's husband. This is the third of Rohmer's "Six Moral Tales," and perhaps the most successful: It was nominated for Oscars for Rohmer's screenplay and as the best foreign-language film. But a lot of critics and viewers found it insufferably talky in that peculiarly French over-intellectualized way -- a curious objection to a film that features four attractive actors and a strong emphasis on sex. And the talk is far wittier than anything you're likely to hear in a movie today.

[digitalfountains]

Marie Christine Barrault

[sundaynightfilms]

L'Amour l'après-midi, 1972

[juliopison]

CINE El amor de Swann (1983) Título original: Un Amour de Swann Francia Dirección: Volker Schlöndorff 1)Idioma: Doblada al Español 2)Idioma: Francés con Subtítulos en Español

Atención: Solo para ver en PC o Notebook Para ver el Film pulsa el Link: https://artecafejcp.wixsite.com/escenario-cafejcp/post/el-amor-de-swann-1983

Reparto: Jeremy Irons, Ornella Muti, Alain Delon, Fanny Ardant, Marie-Christine Barrault, Nathalie Juvet,

Género: Drama de época

SINOPSIS: Adaptación de una novela de Marcel Proust. Charles Swann, un joven y rico judío que forma parte de los círculos aristocráticos parisinos de la Belle Epoque, vive una inolvidable historia de amor con la bella prostituta Odette de Crécy. Sus tempetuosas relaciones, llenas de celos, pasiones y dudas, las evoca años después Swann, cuando presiente su inminente muerte.

Críticas: El amor de Swann mantiene una sorprendente (y reposada) coherencia cronológica, permitiéndose sólo alguna que otra digresión temporal y ensoñación ocasional. Esta licencia, más funcional que estilística, no impide que espíritu trágico del libro quede fielmente plasmado. -Fernanda Casals: Revista Arte 7

Premios: BAFTA 1985: Premios de la academia de cine británica (Películas de 1984) nom. Mejor diseño de vestuario (Yvonne Sassinot de Nesle) nom. Mejor película en habla no inglesa 10 Premios César (Francia) (1985) - películas de 1984 ganadora. Mejor diseño de producción (Jacques Saulnier) ganadora. Mejor vestuario (Yvonne Sassinot de Nesle)

Café Mientras Tanto jcp

[veryslowreader]

Bergman on Bergman

Stardust Memories

[coulisses-tv]

"Meurtres sur la Côte Fleurie" avec Marie-Christine Barrault et Nicolas Gob sur France 3 samedi 23 décembre 2023

http://dlvr.it/T0RHf0

[delectablywaywardbeard-blog]

Per il mio bene, finite le riprese del film di Mimmo Verdesca

Si sono appena concluse le riprese del film Per il mio bene, diretto da Mimmo Verdesca su soggetto e sceneggiatura di Monica Zapelli, Pierpaolo De Mejo e dello stesso Verdesca. Nel cast Barbora Bobulova, Marie Christine Barrault, Stefania Sandrelli, Sara Ciocca, con la partecipazione di Leo Gullotta.     In un momento delicato della sua vita, Giovanna ha bisogno della persona che l’ha…