#marathi dance songs for wedding | Explore Tumblr posts and blogs

siriusblack-the-third · 2 years ago

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Hi Ambrose <333 can you talk to me about some Marathi wedding traditions? (Its for very important prongsfoot research 🙏🙏 thank youu)

Ooh yay Marathi weddings! I love them! Let's get started right away!

First things first: Indian weddings are almost festivals in their own right. There is a lot going on during wedding season, and it all condenses down into a very chaotic week that makes you feel like you're stuck in a whirlwind you never want to get out of.

I'm going to go off of my experiences with Big Fat Indian Weddings (which: I've seen many of those, each and every wedding I've been to has had around 2500 guests), so buckle up.

There are many rituals and events in an Indian wedding, and you can pick and choose which events you want, or you can have all of them, it's entirety up to you. There used to be regional traditions to weddings before, but now they are blending together, for example: Sangeet is a typically Punjabi affair when it comes to weddings, but every Maharashtrian celebration I've been to has held a Sangeet.

I'm going to give a sort of overview of all the things that take place and in which order, so here goes:

The Lagnaach Bedior: before any festivities begin, the horoscopes (Patrika) of the bride and groom are matched before any events. The family of the bride and groom get together and call on a family priest who checks their Patrika and details them out, offering advice for any difficulties that they may face in married life.

Then comes the Muhurta Medha; where the families of the bride and groom to be plant a tree as an auspicious beginning.

The wedding season starts with— you guessed it— an engagement ceremony. In Marathi, it is called Sakhar Puda (Sakhar– sugar, puda– packet) or Vangnishchay (verbal agreement). The bride is gifted with packets of sugar, clothing and jewellery, and the groom is given coconut, gold/silver coins, and clothes as well. The sugar signifies a sweet beginning of the marriage. Engagement rings, while not traditionally a Hindu thing, are also exchanged by the bride and groom to be.

Sometimes, a family may choose to have a pre- Sakhar Puda mehendi ceremony, it's not very common. A mehendi ceremony is when women who are invited to the wedding (hint: a lot of women) get together for a day to get their hands stained with mehendi. The bride is the star of the show, and her mehendi usually goes up to her biceps, and even her feet are stained. This is in general a very relaxed setting, with lots of cushions to lounge on and lots of food and refreshments (as is typical of any Indian get together lol food is important). A mehendi is always held before the main ceremony of marriage vows, though.

After the Vangnishchay comes the Muhurta— the priest is called once again, and this time a specific time is fixed for the beginning of the ceremony of vows. And then, the preparations begin in earnest, months before the wedding day.

Five Savashani (a married woman; the Hindi word is Suhasini) are invited by the bride’s mother on an auspicious day. They make turmeric powder and Sandege (pulses and spice powder) in mortar and pestle to be used later in the wedding, and Papad is rolled for eating. The women then hold a Rukhwat by decorating artistically and exhibiting bridal lehengas and sarees, jewellery, kitchen utensils, sweets and all sorts of bridal trousseau as a part of the wedding rituals of Maharashtra.

Next: the Sangeet! Sangeet is held anywhere between two days to a week before the ceremony of vows. There is food, lots of music and dancing to both traditional wedding songs and Bollywood songs, and it's generally a time for people to come together and have as much fun as possible. They're possibly my favourite part of weddings. (They're also not traditionally Maharashtrian, they're Punjabi, but lots of families still do it.)

Sometimes, the pre wedding mehendi is done right alongside the Sangeet, and other times it is done a either the day after Sangeet or after Kelvan (explained below). Again, lots of women come together and draw mehendi designs on their hands. Bridal mehendi goes all the way up to the biceps, and the feet are also decorated. It's very fun.

After the Sangeet comes the Kelvan, where the parents of the bride and groom to be invite each other's family for a meal. Gifts are given and aarti-puja for the Kuldevta (family deities) is performed, and in general it is a very simple yet beautiful affair. This is typically done two or three days before the wedding. The Kelvan ceremony invite also includes close family and relatives from both sides. The idea behind the ritual is to show respect and know each other better.

The day before— or sometimes the morning of, depending on the auspicious time— the ceremony of wedding vows, a Halad Chadawat is held. The bride and groom's respective families rub turmeric powder and water into their skin with the help of freshly picked mango leaves. It's a playful event, with lots of laughter and pranks. Halad (turmeric) is used for cleansing and purifying one's body before entering into a holy matrimony. It symbolizes the happy start of a new life together, and is said to protect the couple from any bad omens that may harm them before the wedding.

Now comes the actual wedding. This one's a doozy muahaha!

The day begins with a Puja of the Lord Ganpati, who is always honoured and worshipped at the beginning of any venture (there is a myth behind this, if you want to know). After the Ganpatidev Puja, the Kuldevta is also invoked to bless the couple.

The groom enters the venue of the wedding with a procession on the back of a horse, sometimes with a sword and scabbard strapped to his waist. The Seemant Puja is performed. The bride's mother washes the groom's feet and gifts are given to the groom's family by the bride's family.

The bride, wearing either a red or a yellow wedding Shalu (a type of saree) and with a Mundavalya (a string of pearls or flowers) tied across her forehead, performs the Gaurihar Puja with her parents. Rice is placed on the idol’s head as mantras and shlokas are recited. Prayers to the Goddess Parvati for a happy and prosperous married life are said.

The Antarpat ritual is the main one. A silk shawl is hung between the bride and groom while the Brahmin chants the mantras.

After the Antarpat comes the Sankalp, where the silk shawl is removed after the mantras are finished. The guests showers the newly married couple with Akshata (unbroken rice grains) to bless them with a happy marriage.

The Kanyadaan follows: here, the father of the bride gives her hand to the groom, who ties a mangalsutra around her neck and applies sindoor (red powder) to her forehead. The bride presses chandan (sandalwood) to the groom's forehead in return.

For the Saptapadi, the couple takes seven rounds around the holy fire. The bride is required to touch seven betel nuts placed on top of small mounds of rice with her right foot. Once the seven rounds are done, she places her foot on a grindstone, while the groom holds her hand or foot, symbolizing that she needs to be strong and he will always support her.

The bride’s father along with the couple pray to god for blessings in the Karmasamaapti (meaning "end of the act")

A grand feast fit for royalty follows the wedding ceremony, and there is again a lot of dancing and music. A separate Reception is also held, which is just another party so that the bride and groom— who had been busy with the wedding itself— can mingle with everyone who had attended.

And this is it! That's your traditional wedding! It's a lot of fun, and i absolutely love attending functions like these!

I hope you got what information you wanted, and my asks are always open for any questions anyone may have. Go ahead, people, don't be shy! If anything is missing or I've gotten something wrong and you notice it, please go ahead and correct me or add on, it'll be much appreciated.

#dani tag #i absolutely loved this ask #i can always talk about tradition and heritage #especially if its Indian #thank you for asking me this Dani!#amrut answers

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music-dmt · 2 months ago

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Dancing Through Life with Music

Music has always been a universal language that connects people, transcending cultures and generations. It has the power to evoke emotions, create memories, and bring people together. Among all its forms, dance music holds a special place, as it not only entertains but also energizes and uplifts. Fast dance songs, in particular, are perfect for transforming any gathering into a lively celebration. Whether you’re throwing a house party, attending a wedding, or simply dancing by yourself to shake off stress, an electrifying playlist of fast dance songs is a must.

Fast dance songs span a variety of genres, from pop and electronic to hip-hop and even regional music. What makes them so captivating is their rhythm, which compels even the most reserved individuals to hit the dance floor. Take a moment to think about your favorite party or social event—wasn’t it the fast beats that got everyone moving? The adrenaline rush from these songs is unparalleled. If you’re looking to curate the ultimate party playlist, check out this incredible selection of fast dance songs for inspiration.

When discussing the allure of dance music, it’s impossible to ignore the global contributions of artists like Shakira. Her music blends Latin influences with pop beats, creating tracks that dominate dance floors worldwide. For those who admire her style, exploring Shakira famous albums all time offers insight into her evolution as an artist. Her upbeat songs like "Hips Don’t Lie" and "Waka Waka" have become anthems for dancers across the globe.

Dance songs aren’t limited to just modern hits—they can also carry a touch of nostalgia. For instance, classic tunes often make their way into karaoke playlists, bringing people of all ages together. Singing along to old karaoke songs has an unmatched charm, especially when the music has a lively tempo. You can rediscover such gems in this curated list of old karaoke songs. These tracks are not just for singing but can also add a retro vibe to your dance parties.

Regional music has also carved its niche in the world of fast-paced dance tracks. Take Marathi music, for example. With its infectious beats and celebratory lyrics, many tracks from the famous Marathi songs list can easily rival global hits when it comes to creating an electrifying dance floor atmosphere. Regional songs often carry the essence of tradition while appealing to a contemporary audience, making them a perfect addition to any diverse playlist.

Fast dance songs also play a vital role in fitness routines. Zumba classes, for instance, rely heavily on high-energy tracks to keep participants motivated and moving. These songs are not just enjoyable but also act as catalysts for improving physical health. They encourage cardiovascular activity, which is essential for burning calories and boosting overall fitness. So, the next time you’re curating a playlist for your workout session, don’t forget to include some of the latest hits from your collection of fast dance songs.

In addition to their entertainment and fitness benefits, fast-paced songs are great for uplifting moods. Imagine coming home after a stressful day and putting on your favorite track. The beats, the energy, and the joy that fills the room can instantly transform your outlook. Dance music serves as a form of therapy, reminding us to live in the moment and embrace life with enthusiasm.

The beauty of fast dance songs lies in their versatility. Whether it’s a mainstream pop hit, a regional favorite, or a nostalgic classic, these tracks resonate with people of all tastes and preferences. They break barriers and unite everyone on the dance floor, creating memories that last a lifetime. So, the next time you plan a gathering or even a solo dance session, make sure to load your playlist with vibrant, energetic tracks. What’s your favorite fast dance song? Let us know in the comments and keep the music alive!

#Music

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musicvalla · 2 months ago

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How Music Shapes Memories: Timeless Hits We Love

Music is often called the language of the soul, and for good reason. Its ability to evoke powerful emotions and transport us to a specific moment in time is unmatched. A melody can remind you of a childhood memory, a first love, or even a distant cultural experience. Songs often become the soundtrack of our lives, entwining with moments that define us. In this article, we’ll explore how music creates lasting impressions and dive into timeless hits like the evocative French songs, unforgettable anthems from One Direction top songs, and more.

Music as an Emotional Time Machine

One of the most fascinating aspects of music is its ability to evoke nostalgia. A single note can take you back to a school dance or a family gathering. For example, listening to French songs often brings to mind the romance and sophistication of Parisian cafés, even if you’ve never visited France. This emotional connection is rooted in the way our brains process music. Neuroscience suggests that music stimulates the brain regions associated with memory and emotion, making it a powerful tool for reminiscing.

Whether it’s a heartfelt ballad or an upbeat track, music often becomes synonymous with significant events in our lives. This explains why wedding playlists, party anthems, and even lullabies hold such sentimental value.

Songs That Define a Generation

Every era has its defining songs and albums. For fans of the early 2010s, One Direction top songs like "What Makes You Beautiful" and "Story of My Life" became the backdrop to teenage dreams and adventures. These songs captured the spirit of youth, camaraderie, and the rollercoaster of emotions that define coming of age.

Similarly, regional music plays a significant role in preserving memories. The best Marathi songs of all time are a testament to this. With lyrics that tell stories of love, tradition, and resilience, these tracks resonate with listeners, bridging the gap between generations. For instance, songs from classic Marathi cinema remain popular at family gatherings and cultural celebrations, creating shared memories that stand the test of time.

The Role of Lyrics in Shaping Memories

Lyrics are another essential component that makes a song memorable. Take, for example, the hauntingly beautiful Kill Bill song lyrics, which tell a story of love, betrayal, and revenge. Such songs connect deeply because their narratives often mirror real-life emotions and experiences.

When a song’s lyrics align with a personal experience, it creates a powerful association. This is why certain songs remind you of specific people or situations. A track about heartbreak might transport you back to a tough breakup, while an uplifting song could remind you of overcoming challenges.

Many timeless tracks combine meaningful lyrics with unforgettable melodies, making them resonate across cultures and generations. They serve as a reminder that music isn’t just entertainment—it’s a universal language that speaks to our innermost feelings.

Albums That Stand the Test of Time

Albums often serve as time capsules, capturing the essence of an era. One such example is the vulture album, which pushes creative boundaries with its eclectic mix of genres. Albums like this encourage listeners to explore new perspectives, challenging traditional notions of what music can be.

Great albums don’t just entertain—they inspire. They encourage listeners to think differently, explore their emotions, and connect with the world around them. The impact of such albums often extends beyond music, influencing fashion, art, and even social movements.

Music as a Shared Experience

Another reason why music creates lasting memories is its ability to bring people together. From singing along at concerts to sharing playlists with friends, music is often a communal activity. Events like weddings, parties, and festivals wouldn’t be the same without the right soundtrack.

Certain songs and albums become cultural phenomena, uniting people across borders. For example, French songs have found fans far beyond France, with their blend of rich storytelling and enchanting melodies appealing to listeners worldwide. Similarly, global hits like those from One Direction top songs continue to unite fans, proving that music knows no boundaries.

The Science Behind Musical Memories

From a scientific perspective, music’s connection to memory is deeply rooted in the brain. The hippocampus, responsible for long-term memory, and the amygdala, which processes emotions, are both activated when we listen to music. This explains why hearing a specific tune can trigger vivid recollections and emotional responses.

Moreover, studies have shown that music can even aid in memory retrieval for individuals with conditions like Alzheimer’s. Familiar songs from their youth often bring comfort and help them reconnect with cherished memories, underscoring the therapeutic potential of music.

How to Create Your Own Musical Memories

While music naturally becomes part of our lives, there are ways to make it even more meaningful. Curating playlists for specific occasions, journaling about the emotions a song evokes, or learning more about a song’s history can deepen your connection to it. For example, diving into the stories behind the Kill Bill song lyrics or exploring the artistry of the vulture album can enhance your appreciation and make the listening experience more enriching.

Similarly, exploring music from different cultures and regions can broaden your horizons. Tracks from the best Marathi songs of all time or classic French hits can introduce you to new traditions and perspectives, adding depth to your musical journey.

Conclusion

Music isn’t just something we listen to—it’s a part of who we are. It shapes our memories, connects us with others, and helps us navigate life’s highs and lows. From the timeless charm of French songs to the groundbreaking creativity of the Vulture album, every note and lyric tells a story that resonates deeply.

As you go through life, remember to create and cherish your musical memories. Whether it’s dancing to your favorite song, singing along with friends, or simply enjoying a quiet moment with headphones on, let music be your companion.

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musicverse11 · 3 months ago

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How Divya Kumar Balances Heritage and Innovation in Music

In the glittering world of Bollywood music, where innovation and tradition collide, few voices stand out like Divya Kumar. His dynamic range and emotive delivery have earned him a place among the industry’s elite playback singers. With roots firmly planted in a rich musical heritage and an eagerness to embrace contemporary styles, Divya Kumar has redefined the role of a playback singer in Bollywood. This article delves into his inspiring journey, musical accomplishments, and the indelible mark he has left on Indian cinema.

A Musical Legacy: Early Life and Influences

Divya Kumar was born into a family steeped in music. His grandfather, Pandit Shivram, was a celebrated composer in Indian cinema, having worked on iconic films during the golden age of Bollywood. His father, Bhagwan Shivram, made a name for himself as a percussionist in the Gujarati film industry. Growing up in this musically charged environment, Divya was exposed to the nuances of rhythm, melody, and harmony from an early age.

Despite this legacy, Divya’s journey to stardom was not without challenges. He recalls his parents’ insistence on formal education before venturing into music professionally. This insistence on discipline and hard work would later shape his approach to his craft. Divya’s early exposure to classical music formed the backbone of his versatile vocal style, allowing him to experiment with different genres effortlessly.

The Road to Bollywood: Persistence Pays Off

Breaking into Bollywood as a playback singer is no small feat, even for someone with Divya’s background. His journey began with numerous auditions and small projects that often went unnoticed. However, his persistence paid off when he landed his breakthrough song, “Shubhaarambh”, from the critically acclaimed film Kai Po Che! in 2013.

“Shubhaarambh” was a game-changer. The song, with its traditional Gujarati flavor and festive energy, showcased Divya’s ability to deliver a culturally rooted yet universally appealing performance. It quickly became a favorite for weddings and celebrations, cementing his place in Bollywood. This success was not just about the song’s popularity but also about how Divya’s voice resonated with audiences, earning him recognition for his unique vocal timbre.

Defining Versatility: A Voice for Every Genre

One of Divya Kumar’s most remarkable qualities is his versatility. Unlike singers who are often typecast into specific genres, Divya has proven his mettle across a wide spectrum of musical styles. From high-energy dance numbers to soulful romantic ballads, he has done it all with aplomb.

Energetic Anthems: Songs like “Jee Karda” from Badlapur showcase Divya’s ability to infuse raw energy into a track. His powerful delivery elevates the song’s intensity, making it an instant favorite among fans of adrenaline-pumping music.

Romantic Melodies: Tracks like “Sun Saathiya” from ABCD 2 reveal a softer, more emotive side to his voice. The song’s delicate nuances and heartfelt delivery underline his adaptability.

Folk-Inspired Tracks: Songs like “Hawan Kund” highlight Divya’s ability to draw from his classical roots and infuse traditional elements into modern compositions.

This adaptability has made him a favorite among leading Bollywood composers such as Amit Trivedi, Sachin-Jigar, and Pritam. Each collaboration has added new dimensions to his repertoire, showcasing his willingness to experiment and grow as an artist.

Beyond Bollywood: Expanding Horizons

While Bollywood remains his primary domain, Divya Kumar has not limited himself to playback singing for films. He has also explored live performances, regional music, and independent projects. His concerts are known for their high-energy renditions and his ability to connect with the audience, whether performing a Bollywood hit or a lesser-known folk song.

Divya’s forays into regional music, particularly Gujarati and Marathi songs, reflect his commitment to keeping India’s diverse musical traditions alive. His work in these languages underscores his versatility and his dedication to exploring music beyond the mainstream.

Digital Presence and Fan Engagement

In the age of social media, an artist’s online presence is as important as their offline work. Divya Kumar understands this dynamic well. He frequently interacts with fans on platforms like Instagram and Twitter, sharing glimpses of his personal life, behind-the-scenes moments, and updates on upcoming projects.

This active engagement has helped him cultivate a loyal fan base that transcends geographic and linguistic boundaries. His approachable personality and willingness to connect with fans have made him a beloved figure not just in India but among global audiences who follow Bollywood music.

Lessons from Divya Kumar’s Journey

Divya Kumar’s career offers invaluable lessons for aspiring musicians:

Stay True to Your Roots: His grounding in classical music has given him the foundation to explore a wide range of genres without losing his authenticity.

Adapt and Innovate: Divya’s ability to experiment with different styles has made him a versatile and in-demand singer.

Persistence is Key: His initial struggles underscore the importance of perseverance in the face of rejection.

Engage with Your Audience: His proactive approach to fan engagement has played a crucial role in sustaining his popularity.

Conclusion

Divya Kumar rise to fame is a story of talent, determination, and adaptability. From his traditional roots to his innovative approach to music, he has set new benchmarks in Bollywood playback singing. His ability to transcend genres and connect with audiences is a testament to his artistry and dedication.

Are you a fan of Divya Kumar or curious about his work? Explore his music on popular platforms like Spotify, YouTube, and Apple Music. Whether you’re an aspiring singer or a music enthusiast, dive into his discography to discover why he is celebrated as one of Bollywood’s most versatile voices. Follow him on social media to stay updated on his latest projects and live performances.

#music

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megha8171 · 2 years ago

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Best Bollywood Dance Choreographer in Mumbai

At first the Bollywood dance structure depended on Indian traditional dance styles as well as Indian society moves. Bhangra and Garba are the two most generally seen Indian people dance. Be that as it may, extremely soon these styles immediately converged with the dance structures across the globe and presently Bollywood dance is viewed as another type of it's own. The universality of Bollywood films and dance parts doesn't stop with India's limits. With the unmistakable quality of overall ongoing stages like Netflix, YouTube and others, Bollywood dance films are spreading across the globe. More artists of all foundation from across the globe are deciding to sort out some way to unite parts of Bollywood in their own schedules, and it's regardless, transforming into a wellness frenzy its right. Bollywood dance are profoundly synchronized and generally performed for certain huge gatherings. This can be the best justification for why Bollywood dance are so entrancing and energizing to watch. The whole exhibition is tie up along with the high energy of the gathering and it likewise adds to the story component.

Why Megha Sampat best Bollywood choreographer

Bodies will not at any point lie. Dance is one of the most faultless strategies for articulating your considerations. Dance allows a possible opportunity to really research your inward character. New wisdom is mixed through this specular craftsmanship and expertise. It grows the essential comprehension of the variety and different sorts of people. It gives a bewildering comprehension of the world we live in. Remembering this, let us investigate the best choreographer in Mumbai or rather I would agree that the Best Bollywood Choreographer - Megha Sampat.

Megha Sampat is a well-known Mumbai based dancer as well as Fashion Choreographer from India. Her most grounded style is semi classical and Bollywood. she has amalgamated these styles into an intelligible to make her own dance Style. Her magnificent movement includes considerably more then the normal individual sees. Her discipline requires many hours of practice to manage everything aptly. Bollywood dancing is her forte, having ample experience for Stage shows, award functions, corporate and wedding performances, movie songs & music videos. She regards dance as an art that is filled up with honesty. Your physical and mental wellbeing alongside your self-image is presented to the audience. To make extraordinary progress throughout everyday life, individuals should try to understand the significance of the journey they need to go through. Above all, the journey is the best part! The fortitude brings you ahead by leaps and bounds.

Achievements of Megha Sampat – Bollywood Dance Choreographer

Megha Sampat is an active part of Marathi/Hindi Film & TV industry as a choreographer for more than 12 years. Mumbai University Commerce graduate and Certificate holder in Film making from London Film academy, Megha Sampat is highly trained in Bharatnatyam (Nalanda Nritya Niketan under Guru Mrs. Shobhana khollam) and Kathak (Banaras Gharana Under Guru Mrs. Anuradha Thorat). She has successfully completed her Filmmaking Certificate Course from the London Film Academy 2015. Along with being a reputed member of International Date Council – UNESCO, IFCTA, she also serves as the Director of “Padanyaas Entertainment “ , an initiative providing International stage to Dance Talents across India, redefining the Indian Standard of Dance championship. Megha Sampat is a free style performer and dance choreographer. She also won Filmfare awards in 2015&2016, Radio Mirchi Music Awards 2016, Asianet Television Awards in 2016&2017 along with many more. Some of the main events which are worthy of mention can be Khatron Ke Khiladi (fear factor) Launch -2017, aired on Colors TV, Ramoji Filmcity D2D Carnival -2017 and many more. She is also involved with some Films/short films and even Music Album choreography. She always makes up the opportunity provided to her. So now it can be absolutely concluded without any exaggeration that Megha Sampat is the best Bollywood dance Choreographer.

ENDNOTE:

With nearly 2 decades of Successful journey and dynamic career in Choreography Megha Sampat is a name achieving incredible success with immense dedication and hardwork is one the Best Bollywood dance Choreographer. We are there for everyone, interested in twisting, turning and grooving their moves to the latest Bollywood number like no one else.

#Best Dance Choreographer in India

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prwizard · 2 years ago

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For New Face, New Look, watch New Music Video Song, “SAATH NA CHHODENGE HUM” of Maheshwar Film International Pvt. Ltd. “MFI”

Maheshwar Film International Pvt. Ltd. “MFI”, is committed to produce Films, WEB Series, Video Song, Video Album with new talent and new faces, is proud to showcase their commitment with Video Song, “SAATH NA CHHODENGE HUM”.

MFI Film and TV Institute, one of pioneers in rendering training in various aspects of Film making in which majorly students enrol for acting career. MFI Film and TV Institute do not only train students and leave them unrecognized in the spectrum of other veteran actors. To overcome this and fulfil the promise, Maheshwar Film International Pvt. Ltd. “MFI”, produce thru their Home Production, Films, WEB Series, Video Song, Video Album etc. allowing fresher’s, newcomers showcase their skill and intensity of acting. The Video Song, “SAATH NA CHHODENGE HUM” is no exception. In this video song, featured artists are students of MFI Film and TV Institute Achievers too.

Produced by Maheshwar Film International Pvt. Ltd. “MFI”, the Director of Video Song, “SAATH NA CHHODENGE HUM” is legendary Video Director MANISH YADAV, who has an exceptional reputation in industry for his outstanding work.

The picturesque location of Video Song is Hill View Village resort which is near Mumbai, Bollywood Hub of India.

The song is the part of storyline which spells out the mind of a widowed personal whose wife has gone for further abode at a very early age. Since then, the widowed personal, celebrated his wedding anniversary as if she is still there. The song spells out his mind and feelings toward his late wife. In one of the stanza words says “I will love you for the rest of my life”, and to fulfil his promise he celebrates the wedding anniversary gorgeously. One of the great examples for present youth, which shows love and affection of husband and wife.

Produced by Maheshwar Film International Pvt. Ltd. “MFI”, Lyrics, Music Composer and Singer is OM Jha, whereas the song features MFI Achievers “Rudransh - Saira”, as male, female lead.

“Rudransh” Double MA “Marathi & PALI language” who has worked as LIC gazetted officer’s cadre, acted during his school and college time. As all other household responsible heads of family, he had forgotten and could not pursue his hidden talent. But due to some tragedies, disasters’, illness and accidents broke “Rudransh” physically and mentally apart. To overcome all these odds he has decided to join an Acting course. After giving reasonably extensive thought and segregation he decided to join MFI Film and TV Institute. He feels proud and tremendously happy to be part of this complete process of this Video Shoot shooting and acting. Jovially he further added that the process of acting proved to be therapeutic and which is giving him a soothing effect and feeling in real life.

Saira, an actress busy in TV serials, AD shoots etc. has professionally worked with our MFI Film and TV Institute student “Rudransh”. Her dance expertise and professional approach during the entire process was highly appreciable.

Video Song is available and streaming on all well-known, leading web platforms like, Apple Music, YouTube, Spotify, Amazon Music, gaana, instagram, hungama, JioSaavn…

To watch Full Music Video Song, “SAATH NA CHHODENGE HUM” open link below:

https://youtu.be/GbfHsakKatQ

Give your love & support

@maheshwarfilmsinternational Inviting #freshers #actor for the #auditions & #actingcourse ( Batch No - 83 ) MFI FILM & TV INSTITUTE ( since 2005 ) Mumbai. Pune. Kolkata. Patna. Contact: +91 9324754587

#SAATH NA CHHODENGE HUM

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bundle-of-glitter · 2 years ago

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Tysm for tagging me 💛

1. What's your first language? Are you more comfortable in it than english ?

Marathi. I'll be honest, out of the three languages ik(hindi, english, marathi) I'm probably the weakest in it😭 maybe cus most of my friends speak hindi, and for some reason at home too I often speak hindi except for when talking to my grandparents. Also most of the media I consume is in either hindi or english.

2. Which state are you from and do you like it ?

Maharashtra, and yes I do like it!

3. Favourite Indian city ?

Pune, it's the one ik best after all

4. A Indian language you don't speak but would like to learn?

Indian sign language (Hope that is a valid answer, I've wanted to learn sign language for a while)

5. Favourite Indian classical dance? and why?

I don't really have a particular favourite honestly.. They're all beautiful

Also idk much about classical dance tbh

6. Favourite holiday destination in India?

How am I supposed to pick only one favourite?? In this country???

7. Favourite festival and why?

Ganesh Chaturthi!!! I mean one cannot just live in Maharashtra and pick anything else.

8. Favourite traditions (or superstition) and why?

The entire concept of prasad>>>

Doing namaskar to a book if you step on it (I can be pretty lazy and forgetful about this but still it's a very sweet tradition)

Ringing the bell in a temple, Idk it's fun for some reason

Etc etc

9. Something that makes you glad you are Desi?

The Foooooodddd omg

10. If you weren't born in desi countries which country would have been born in?

I'd be born in the ocean. As an orca preferably. If not than any bioluminescent animal would also be cool.

11. Have you ever thought of leaving this country?

I have thought about it, but I'm terrible at adjusting to new places so idk.

12. Favourite Indian singer and song?

I don't really have a favourite singer at the moment, and lately I've been obsessed with the song hum aapki ankhon mein

13. Favourite film from any language?

Chi va Chi sau ka, badhai do, andhadhun

14. A core desi memory?

Stealing shoes at a wedding for the first time ✨

15. Favourite person from your extended family?

I don't really have a favourite? Of course there's people I'm closer to and get along with better but I generally look forward to meeting them all whenever given the opportunity because it's usually pretty fun.

Tagging- @pastelpopcorn-6 @mrunmione @tiredandcaffeinated @twenty-first-century-ki-laila and anyone who wants to!

Creating Desi asks because I have nothing to do

1. What's your first language? Are you more comfortable in it than english ?

2. Which state are you from and do you like it ?

3. Favourite Indian city ?

4. A Indian language you don't speak but would like to learn?

5. Favourite Indian classical dance? and why?

6. Favourite holiday destination in India?

7. Favourite festival and why?

8. Favourite traditions (or superstition) and why?

9. Something that makes you glad you are Desi?

10. If you weren't born in desi countries which country would have been born in?

11. Have you ever thought of leaving this country?

12. Favourite Indian singer and song?

13. Favourite film from any language?

14. A core desi memory?

15. Favourite person from your extended family?

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thebeatsonfeet · 4 years ago

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Wedding Choreographer Near me

The Wedding dance choreographers in Near me hire from Beats on Feet know how to prepare amazing and fantastic dance numbers for each wedding. For all your upcoming dance numbers, consult the Beats on Feet dancers. We have an amazing team. They have a passion for Bollywood, Tollywood, Punjabi, Marathi, and other regional song.

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bhuwank · 6 years ago

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MOST POPULAR INDIAN WEDDING SONGS

We all know how much Indians Love Hollywood songs, but the typical Indian Wedding is incomplete without Bollywood songs. The big Indian wedding Ceremonies consist of a number of rituals which almost lasts for 5–6 days. Wedding is something which is cherished for life but without groovy Bollywood songs, we cannot enjoy at the level that we want. Each function requires different songs because of different emotions. There are different ceremonies:

· MEHNDI NIGHT: Whenever it comes to our mind, it fills us with the feeling of excitement and happiness. It is the event where the bride, groom and family members of both sides get to dance and create the memories which are going to be lastly cherished. There are some songs which are the most popular for this function.

1. Mehndi Laga ke Rakhna — DDLJ: This song has to be on the top of the list. Almost an entire generation has listened to this song from DDLJ at the wedding ceremonies.

2. Mahi Ve- Kal Ho Naa Ho: This is also the song we grew up while watching. It gives such charismatic energy while dancing and gives the stunning performance.

3. Radha- Student of The Year: This hit song is the perfect dance number for the little members of the family.

4. Desi Girl- Dostana: This song is the perfect song for the bride to steal the heart of Groom by showing sizzling moves.

5. London Thumakda- Queen: This song will be actually remembered by Kangana Ranaut thumka’s. She performed gracefully, set the stage on fire, so it can be played at this ceremony.

Haldi Ceremony: In an Indian wedding Haldi Ceremony has a lot of significance. It is applied to both the bride and groom for a number of favorable reasons. Family members and friends can have a gala time if we talk about fun times at the wedding; this ceremony is the most remembered one. It is about fun, love, and emotions which cannot be expressed.

So here’s a List of Haldi Ceremony songs:

1. Kabira Encore- Yeh Jawani Hai Deewani: A movie that defined Love and Friendship and made fun for millions of people, a song called Kabira. This haldi song can surely be played for your best friend ceremony.

2: Navrai Majni- English Vinglish: This old Marathi Haldi song was remake in this movie which was performed magically by the legendary actress SRI DEVI. So this song can definitely be played.

3: Chalka Chakla Re- Saathiya: If you are 90’s kid, and getting married now, you know how this song became so popular at that time and was played at every Haldi ceremony. So it is like a nostalgic moment.

Barat Night: Being a barati and dancing to dhol makes you crazy is one of the most fun parts of the wedding. Bride entrance is always a buzz. But now it is time to also give attention to the groom entry. All the family members and friends dance like no is watching at barat. Now it is your choice how to get an entry at wedding Like a king? Here are some songs which will definitely Lit up your entrances.

1. Azeemo Shaan Shehenshah — Jodha Akbar: This song is enough to feel like a king, lyrics and songs will make you feel like there is no one like you.

2. Swag se Swaagat- Ek the tiger: It is the most popular, latest and the perfect song for groom’s entrance. If you have swag, then it is the perfect time to show that you are the perfect one for your bride.

3. Tenu Leke Mai Jawan- Salaam E Ishq: As we say Old is gold, this song is perfect for the groom to enter with some swag.

Bride Entry: Many of you are still dreaming about a magical entry on your wedding. No need to worry we are here to rescue for that. Here are some songs which will definitely feel like you are a princess.

1. Din Shagna Da- Philaauri: We were actually amazed when Anushka Sharma entered with this song on her wedding. She actually made this song more beautiful. This song actually became a dream for every girl to enter on this song.

2. Kabira Encore- Yeh Jaawani Hai Deewani: Many of you will be thinking that it is the song for Haldi but that song is also actually made for bride’s entrance. How Kalki Kochelin entered on her wedding in this movie. This song can also be played.

3. Raabta — Agent Vinod: This song is almost perfect for the bride. It explains the connection between the groom and bride. So it can be preferred for the entrance of the bride.

Thanks for reading our blog!

To book band for wedding please visit StarClinch.com (India’s №1 artist and celebrity booking website).

To book singers for wedding please visit StarClinch.com (India’s №1 artist and celebrity booking website).

#wedding #indian wedding #live band #Singer #bollywood #songs

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asksabhaniblog · 7 years ago

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Geeta Bali lived a short life of stardom. But whatever she achieved still remains a dream for many in the Indian film industry. The actress who belonged to the golden era of Bollywood - the 1950s and 1960s, died of smallpox at a young age of 34, leaving behind an incomplete Punjabi film and an elite body of work comprising of around 70 films. Her silver screen career stretched for only 14 years, but she accomplished enough, both professionally and personally, becoming a reference point for the futuregenerations of actors and filmmakers.

Actress Vidya Balan is set to play her part in her Marathi debut Ekk Albela. It is a biopic on legendary actor Bhagwan Dada with whom Geeta Bali made a hit onscreen pairing delivering several memorable films together. The film's first song which released recently has Vidya recreating Geeta's magic in the iconic song Shola Jo Bhadke.We go down the memory lane and give you some lesser known facts about Geeta Bali, a name that only remains alive in our minds, and the filmographies of classic Bollywood films.

1. Geeta Bali contributed a lot in making her husband Shammi Kapoor, a superstar"If you see the way Shammi Kapoor danced, that was Geeta Bali's personality. My mother was a bigger and more successful star than my father when they got married" says their son Aditya Raj Kapoor who is writing a biography on his mother.Geeta gave Shammi his confidence and personality. Whatever he did onscreen was a reflection of Geeta. She was a bigger and more successful star than Shammi.

2. During their wedding, unlike the stereotypical practice of putting sindoor, Shammi put red lipstick in Geeta's maanYes, she was such a lady who didn't think twice before breaking rules. Shammi (23) and Geeta (24) fell in love during the shooting of their film Rangeen Ratein in Ranikhet. Though Shammi proposed to her, Geeta took her time to say yes. They had planned a simple temple wedding, but the temple was closed. They went again next morning at 4 AM and finally got hitched. Their wedding was as dramatic as their films. Instead of sindoor, red lipstick was used to do the needful.Shammi, in an interview, had said that after they returned to Mumbai from the shooting of Rangeen Ratein, they realised they couldn't live without each other! Since she had worked with other men of the Kapoor family too, she was hesitant. But Shammi was adamant."We went to a temple where the priest informed us that the Gods have now retired for the night and if we wished to get married we should come back early morning at 4 o'clock. So we went back to my parents' house and then waited. It was raining heavily as we arrived at the temple at 4.30 in the morning. The priest performed the ceremony and we were declared husband and wife. Geeta took out a tube of lipstick from her purse and asked me to apply it on her maang. We went home to my place and rang up my parents and informed them that I was a married man now!" - Shammi Kapoor.

3. She was the only woman to continue working in films even after becoming a Kapoor bahu, in that era.

Geeta was a career girl from a young age. After working in several Punjabi films as a child artist, she did the film The Cobbler at the age of 12. Geeta refused to become a sit-at-home mother. Her family remembers her as loving and full of life. She was adventurous too and went on long drives with her children. She was also a disciplinarian and a promoter of fine arts

.4. Geeta was a Sardar and knew martial arts too.She was born in Amritsar in 1930. Her real name was Harkirtan Kaur. She did regular shows as a classical dancer. She even did stage plays and sang for All India Radio. That's not all! She knew horse riding and had learnt the martial art form Gatka. Quite a lot for a woman in those times.

5. She changed her name when she began acting in Bollywood.She was just 16 when she came to Mumbai. That's when she also changed her name to Geeta, which was the name of one of the characters she played. She used "Bali" which was her maiden surname.

6. Geeta refused to play the typical crying heroine. Her pairing with Dev Anand is still remembered.She did several hit films with Dev Anand, like Baazi, Jaal, Ferry, Milap, Faraar and Pocket Maar. Geeta's charm lay in her naughtiness and grace. Her vivacious character in Albelais one of the most memorable ones. Heard of the songs "Bholi Soorat Dil Ke Khote", "Balma Bada Nadan Hai" and "Shola Jo Bhadke"? All of these are from Albela.

7. She had also romanced her in-laws in films!Geeta was paired opposite her future brother-in-law Raj Kapoor in Bawre Nain. She also shared screen-space with her father-in-law Prithviraj Kapoor in Anand Math.

8. Geeta's secretary was Surinder Kapoor.And Surinder Kapoor is the father of producer Boney Kapoor, actor Anil Kapoor and Sanjay Kapoor. He then went on to set up his own production house.9. She is also the aunt of Yogeeta Bali.And actress Yogeeta Bali is married to Mithun Chakraborty. Quite a family tree, isn't it?!10. Geeta's sudden demise left Shammi heartbroken for many years.The legendary actress got smallpox during the shooting of a Punjabi film, Rano, based on a novel "Eik Chadar Maili Si" by Rajinder Singh Bedi. She returned to Mumbai with high fever and passed away in just 15 days. Shammi couldn't come to terms with her death for a long time. Though he married Neela Devi, but he always maintained that no one could fill Geeta's void. It is said that filmmaker Bedi was so devastated by Geeta's untimely death that he abandoned the project. He even put the novel on her burning funeral pyre marking the death of the film as well!Family and friends remember Geeta as a woman with a big heart. She agreed to do Albela starring then character artist Bhagwan Dada. She said '"This is a lovely script and you deserve success." We look forward to the way Vidya Balan will recreate her magic onscreen.'I fell in love with Geeta Bali'

Bollywood actor Shammi Kapoor got to know actress Geeta Bali during the shooting of a film at Ranikhet. He proposed marriage to her several times, till she finally relented. An extract from a new book by Rauf Ahmed

Shammi Kapoor working on his steps on the sets of Janwar

Shammi Kapoor had first met actress Geeta Bali during the making of Miss Coca Cola (1955), produced and directed by one of his closest buddies, Hari Valia (originally Hari Ahluvalia). It was a routine hero-meets-heroine encounter as everyone thought. "Pleasant and warm," as Shammi later described it, but more "professional" than any he'd had with an attractive young actress/woman. For a change, Shammi had refrained from trying out any of his stock-in-trade one-liners on the cool-looking sardarni.

"I got to know the essential Geeta during the outdoor shooting of Kidar Sharma's Rangeen Raaten in Ranikhet," Shammi had recalled. "Curiously, Geeta was not the heroine of the film. Another protégé of Kidar Sharma's, Mala Sinha, was... Geeta was not in the original cast of Rangeen Raaten. She had literally gatecrashed into it to do a cameo of a man."

Ranikhet, which means Queen's Meadow, is a quaint little hill station tucked away in the salubrious, breathtakingly beautiful environs of Kumaon in the Great Himalayan Range.

"There couldn't have been a more potent place to make sparks fly between two vulnerable hearts seeking each other," Shammi had reminisced... "After pack-up, there used to be ample time for two crazy people, who had been inevitably thrown together, to freak out amidst the majesty of the hills. Geeta had the restlessness of a mountain spring and outrageousness amazing for a star. Nevertheless, she was mature beyond her years. She was only 24 then, a year older to me. But, as she told me, she'd lived a very hard life. Her father, a low-paid school teacher, had lost his eyesight. Her brother, sister and mother were partially deaf. It was a situation that could have unnerved anyone, but not her...

"I can't point to the exact moment when I fell in love with Geeta. I guess it was a small incident involving a tiger that did it. I had been pining away for a tiger that had given me the slip. Geeta kept patting my knee and saying, 'Don't worry Shammi, you'll find him.' One night, we were returning to our hotel after dinner. Geeta was in a jeep ahead. As I turned the corner, I saw her jeep parked midway on a bridge and she was on the bonnet doing a strange sort of jig. I ran to her in panic. 'It's that tiger, Shammi, your tiger. It just went this way. Get your gun,' she was yelling out. I was speechless. There was a wild tiger on the prowl in the vicinity and this woman was doing a jig on the bonnet of her jeep in celebration. She just wasn't scared. So how could I help it? I fell in love with her. Madly. I still remember the day. It was April 2, 1955.

Geeta Bali, with whom life had acquired a new meaning and purpose for Kapoor.Pictures from the book

"It was destined," Shammi had reflected. "Or else, why did Geeta force herself into Rangeen Raaten when there was no suitable role for her in the original script of the film?"...

Shammi and Geeta had fallen madly in love with each other... "There were a few question marks, though," Shammi had reflected. "Geeta was a year older to me. She had co-starred with my father Prithviraj Kapoor in a film called Anand Math (1952). She had also worked opposite my brother Raj Kapoor in Kidar Sharma's film Bawre Nain (1950). I was not sure how my family would react to it. But the apprehensions were momentary. I was adamant within myself that it had to be Geeta. She was the woman I was going to spend the rest of my life with. But, ironically, the hurdle was Geeta herself. A pragmatic, down-to-earth woman, she kept cautioning me, 'Shammi, I love you. I can't think of living without you, but I just can't marry you. I can't let my family down. They depend on me. They have nowhere else to go to.'

"...Thankfully, that didn't separate us... My passion had grown to a point of insanity. In spite of her resistance, I kept proposing to her once every few hours like a smitten teenager. And she kept turning me down with her lovely smile.

"Four months of agony, tears, cajoling, pleading, separation and desperation followed. Then one day, the inevitable happened, just out of the blue. On August 23, 1955, we were at Juhu Hotel, Bombay... I had been staying there as there was no one at home. My parents were out in Bhopal with the Prithvi Theatres troupe. I proposed to Geeta again, knowing she'd shake her head once more and smile. But she didn't. Instead, she knocked me out of my wits. She said, "OK Shammi, let's get married. But it's got to be now..."

"You mean right now? This moment?" I asked her in disbelief.

"Yes, just now... or it may never happen." she said in a no-nonsense tone.

"I jumped up and said, 'OK, just now... done.'"

"We drove straight to our common friend, Johnny Walker (the late comedian) for guidance. He had eloped with his girlfriend (actress Noor) and got married barely a week earlier... 'We are Muslims,' he said. 'We just had to find a Kazi. You are Hindus, you may have to go to a temple and get married.' That made sense. We drove to Bandra to my friend, Hari Valia, producer of Coffee House in which Geeta and I were working at that point.

"Hari had had a similar experience. He took us to the famous Banganga Temples off Napean Sea Road, in South Bombay... When we reached the temple at the crack of dawn, Geeta in her by-now crumpled salwar-kameez and I in my kurta-pajama, it was pouring cats and dogs. With Hari Valia as the sole witness, the pujari (priest) performed the ceremonial rites and we took seven pheras (rounds) of the holy fire and were declared husband and wife. Geeta took out a lipstick from her purse and asked me to apply it on her maang (parting of the hair) like sindoor (vermilion) to proclaim our marital status.

"Geeta and I were married at last.

"We drove back to Matunga to my grandfather's to seek his blessings. He welcomed us with open arms and blessed us. I then called my parents, who were in Bhopal, to tell them that I was a married man now. They were surprised but happy. We then went to Geeta's parents to inform them of the best thing that had ever happened in the lives of two people in love. They were in for a shock. Geeta hadn't told them anything. She hadn't connected with them since leaving home for work the previous morning. There had been panic in the house as she hadn't returned home at night. They let out a huge sigh of relief when they saw us."...

Months later, Geeta's sister Hardarshan Kaur had narrated what had happened on the morning of August 24, 1955: "When the doorbell buzzed non-stop early in the morning, I had woken up with a start and run to the door, literally trembling. Geeta had not come home at night, so I was very scared. When I opened the door, I saw my sister standing with Shammi, grinning. Seeing my stunned look, they quickly bent down and touched my feet and announced that they had gotten married. I was speechless. As there were no sweets in the house, I ran into the kitchen to get some sugar. When the couple turned, they saw a sweeper standing close by. They bent down and touched her feet as well. We Sikhs believe that if you run into a sweeper while embarking on an important mission, it's a good omen."

(A few years later, recalling the episode, Hardarshan had said, "Marriage to my sister did prove very lucky for Shammi, didn't it? Look how his career took off overnight from nowhere.")

Extracted from Shammi Kapoor: The Game Changer by Rauf Ahmed; Published by Om Books International; Price: Rs 595; Extracted with permission from Om Books International

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abhilasha05 · 4 years ago

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Gujarati Culture, Dress and Food - The Heart and Soul of Gujarat

The diverse and vibrant state of Gujarat has a significant contribution to the cultural aspect of India. The sheer simplicity and amiability of Gujaratis have made them a flourishing community. The state of Gujarat boasts a vibrant art, architecture, culture, and heritage; all of which is quite evident in the day-to-day lives of the locals. The diversity exhibited by Gujarat is a result of the various ethnic groups constituting Gujarat's population; including Indic and Dravidian groups.

1. Art and Culture of Gujarat

The vast array of handcrafted products displaying intricate Gujarati art forms are not only popular in our country, but are a well-known entity all across the globe. These products include furniture, jewellery, embroidered garments, leatherwork, metalwork, baked clay articles and mirror work. Gujarat serves as the producer of some of the most creative and elegant furnishings that include bedcovers, quilts, cushion covers and table mats. Intricate dainty patterns are woven on the patola sarees with high precision. The traditional art forms of the state play a significant role in preserving its rich heritage.

MusicThe folk music of Gujarat is known as Sugam Sangeet and has acclaimed world-wide fame. The range of musical instruments utilized in Gujarati folk music includes turi, manjira, ektaro, jantar, zanz pot drum, prabhati, dhol and ravan hattho. Bhajans are also incorporated in their folk songs. Bardic tradition is another major type of folk Gujarati music.

Dance Forms

Since Gujarati people are quite enthusiastic and amiable, they have many traditional forms of dance. The four major forms of dance are Dandiya Raas, Garba, Padhar, and Garbi.

Dandiya Raas is performed by both men and women and utilizes the movement of bamboo sticks, known as Dandiyas. It has ancient roots and was believed to be played by the beloved Gopis of Lord Krishna.

Garba is usually performed by the females in a circular formation. It is performed with reverence of the feminine form of the divinity.

Garbi is traditionally performed by only the men and incorporates the use of instruments like dhol and manjiras.

Padhar is mainly performed by the rural communities near Nal Lake.

2. Customs and Traditions of Gujarat

Due to many religions coexisting in the state, Gujaratis believe in various Gods and Goddesses. Embracing different religious faiths, Gujaratis demonstrate a vibrant mix of Hinduism, Islam, Jainism, and Buddhism. This amalgamation of cultures is quite evident in their beliefs, customs, traditions, institutions, and practices. The natives display a balanced lifestyle due to the perfect system of learning, a blend of religious practices and the development of artistic traits.

3. Languages and Religions

Although Gujarati is the mother tongue of the natives of Gujarat, many other languages are widely spoken throughout the state. Gujarati is an Indo-Aryan language derived from Sanskrit and is the 26th most widely used language in the world. Gujarati has about 11 different dialects, spoken in various parts of the state.

Since the state of Gujarat shares its border with Maharashtra, Madhya Pradesh and Rajasthan; a small section of its population speak the native languages of the neighbouring states, namely Marwari, Marathi, Hindi along with Urdu and Sindhi.

The natives of Kutch-a semi-arid region in Gujarat-speaks Kachchi language, which is quite an important language of the area.

4. Fairs and Festivals

The fairs and festivals of Gujarat showcase the real vibrancy and colours of its diverse culture. Thousands of people flock to Gujarat to witness the extravaganza during festivals like Navratri Mahotsav, Deepawali, Rathyatra and Kite festival. There are some fairs as well that are organized in the state every year, namely- Shamlaji Melo, Bhadra Purnima Fair, and Mahadev Fair. The Rann Utsav is a major festival and witnesses an exquisite carnival of music, dance and natural beauty.

5. Food of Gujarat

A traditional and authentic Gujarati meal consists of dal, roti, rice, vegetables, salad, chaas, farsan followed by a sweet dish. Gujarati cuisine is quite similar to that of Maharashtra, and most of the Gujaratis are vegetarian. Some of the famous Gujarati delicacies include dhokla, fafda, khandvi, dhal Dhokli, Undhiyu, handvo, Ganthia, dal Wada, khakhra, and Thepla. In Gujarati dishes, the flavors are a blend of sweet, spicy and sour tastes. Each region of the state has a distinctive flavor associated with its local food. A typical Gujarati dinner includes bhakri-shak or khichdi-kadhi. The Gujaratis are noted for their sweet tongue, and hence every meal is followed by a sweet dish or sometimes even jaggery.

6. Cultural Dresses of Gujarat

Patola Silk or popularly known as 'Queen of all silks' forms a major part of traditional Gujarati attire. Gujarati brides are adorned with silk and zari woven sarees of Gharchola and Panetar.

The traditional attires often incorporate tie-dye or traditional block prints.

The region of Kutch has a distinctive traditional outfit adorned by women known as Abhas. Chania Cholis are a popular choice of outfit during the festive season of Navratri Mahotsav.

Men also wear unique attire known as Kediya dress during the Navratri season.

A prevalent Gujarati trend is the silver Pachchikam jewellery that originated in Kutch.

7. Gujarati Engagement and Wedding Ceremony

Just like other elements of the Gujarat culture, their wedding ceremony is as elaborate and exciting. With multitudes of ceremonies each with its own significance, sometimes the bride and groom await the marriage ceremony more than the marriage itself.Engagement CeremonyThe engagement ceremony or the 'Gaud Dhana' translates to jaggery and coriander, which will be distributed to the guest. After the exchange of rings, the ceremony ends with the bride's family gifting the groom a box of sweets to represent a sweet relationship. Wedding Ceremony

The wedding ceremony in the Gujarati culture is probably the most awaited event for the couple and its family but for all the guests as well. Like every Indian wedding, the rituals go back to the Vedic times, and the ceremonies kick off with the (Varghodo) wedding procession, that goes from the groom's house to the bride's house where the ceremonies take place. On arrival, the groom is welcomed by the bride's family (Swagatam) after which the bride's father performs a ritual involves him handing over his daughter to the groom (Kanya Daan) in front of the guest. After this, the rituals (Ganesh Puja) commences, this is known as the Vivaan. During the Vivaan, the couple performs the Mangal Phera where they go around the sacred fire and go through the most important part of the ritual, the Saptapadi or the seven sacred steps. The religious part of the ceremony comes to a close with the holy thread (Mangalsutra) being tied around the neck of the bride by the groom and he places the red dot (tika) on the wife's forehead, as a declaration of her new married status (Suhaag). The ceremony comes to a close when the couple goes to the groom's parents who will bless the couple (Aashirvaad).

8. Gujarati Cinema

With strong themes of mythology, history, social and political, the Gujarati cinema industry is different from the approach they have to cinema. Before the industry came into being, during the era of silent movie age, there was already a hoard of movies made on Gujarati culture and its people. More than just a means of entertainment, the Gujarat film industry brings in various forms of cinematic art. A trip to the cinema is a favourite past time amongst the Gujarati locals. Also known as 'Dhollywood' or Gollywood, the industry released its first movie in 1932, Narsinh Mehta.

The Gujarati community has well preserved their rich traditions and customs that have deep roots in their past. The mingling of the diverse ethnic folks has resulted in a well-balanced community that displays significant qualities like friendliness, liveliness, unity and immense love for their various ancient art forms. The plethora of traditions along with a tinge of modernization sums up the culture of Gujarat.

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ianfaulkner1-blog · 6 years ago

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How We Met, Back in 2012 we both met in a flight and were sitting on the adjacent seats. To my surprise he got to know that I was flying to Hong Kong for my job purpose and I don’t know how but the day I signed my job in Hong Kong I met Mr. Gagwani. We chatted in the flight and got to know each other a bit and within sometime we exchanged our contact details.

We kept in Touch via emails and maintained a long distance relationship for 7 years, Hong Kong- Mumbai was a bit tough but the love between us made it easy for both of us. After a wait of these many years, finally our day came and we got married in Goa

The wedding cultures followed were according to the Sindhi background since the groom was a Sindhi but I the bride came in a baraat since I am a Marathi. The only wish I had was that I wanted to enter with a Nasik Dhol, Tasha and the very authentic Tutaari and that’s what I did. I danced my ass off on my way to the mandap. The wedding hash tag was which signified the years long wait for this day when Mr. Gagwani took me home as his wife. The entire story was etched on my mehndi, the skylines of Mumbai to Hong Kong, our seat numbers, our common favorite things and of course his favorite footy team!

I always wanted to be a Sabyasachi bride and the minute I tried that Lehenga I didn’t have to go anywhere else. The Gaurav Gupta outfit that I wore was light and breezy as it was my cocktail night which included a lot of dance. My mehndi outfit was designed by Aum in Shahpur Jat which was earthy, warm and had a lot of work on it.

Everything came in together wonderfully with the fabulous decor planned by the Doli Diary. The Mehndi function was given a touch of neon funk, the Cocktail was black and white since it was a black tie event and the Wedding was a sunset affair with rustic and pastels as its theme. We played Sabyasachi songs as a background score during the wedding which gave a surreal feel while the event was going on.

So we had the mehndi in the outdoors at noon and the cocktail at night followed by Haldi next day and then the wedding.

Checkout more links like this : Anvita And Sudhakar Dreamy Wedding

| A Traditional Country Side Wedding! | Jahan & Nitima Wedding Story! | Beautiful Love Story Of AditiVasu

#AboutTimeGagwani

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megha8171 · 2 years ago

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Best Bollywood Dance Choreographer in Mumbai

Why Megha Sampat best Bollywood choreographer

Achievements of Megha Sampat – Bollywood Dance Choreographer

ENDNOTE:

#https://meghasampat.com/best-bollywood-dance-choreographer-in-mumbai/

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martaban-rajanluthra · 8 years ago

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India’s early 20th century pop-culture

An indistinguishable clutch of film actresses in varying shades of lime advocate green tea, hoardings hoot healthy oats, popular songs popularize size zero and milk cartons come with measuring tapes – these are visuals that hound us today.

If being ‘in-shape’ keeps us so occupied today, it’s rather intriguing to have a glimpse of the visuals that spoke to our great-great-grand parents more than century ago.

A recently concluded month-long exhibition at Mumbai’s Bhau Daji Lad Museum curated by the renowned art and culture historian Jyotindra Jain was a pool of stimulating visuals – calendars, postcards, prints and insert cards. Mapping culture through visuals goes beyond advertisements. And in an age of nascent photography and a revolutionizing printing technique, paintings made the dominant visual form – the springboard for early advertising. The collection is a treasure revealing much about late nineteenth and early twentieth century India – its conscience, motivations and aspirations.

To set the context of time – traditional (flat and idealistic) painting was dramatically being influenced by European techniques (oil) and styles (realism and perspective). Raja Ravi Varma rendered ancient Vedic folklore and Hindu mythology with European realism – something unseen so far. And his printing press made art descend from the royal court to commoners’ roads. Almost suddenly, Hindu households had a face to their Gods.

Visuals spoke – the grandeur of Hindu mythologies, fine emotion of its characters and the elaborate episodes of the epics. Decoding the renditions of the Pauranik episodes brings out the immediate social environment of the times. Stories and subjects lifted from the Vedic age often got depicted in settings that were a confluence of Mughal and British influences, the day’s culture – popular clothing and fanciful settings of nineteenth century.

Shantanu, the Kuru king is shown wearing a Jama – a Mughal (or medieval Rajput) garb that of a tight fitting frock flaring up at the waist with a chooridaar, instead of the prevalent Vedic dhoti. So is the heavily embroidered footwear.

An early twentieth century painting titled ‘Wedding of Rama’ by M. V. Dhurandar has women draped in contemporary Marathi styled saris and men sport the Mughal court costumes. In fact the landscape gives a hint of several temples and mosque domes lined in the background – an easy mix of the time which is a sharp departure from today’s soon emboldening divisive religious lines.

Shantanu and Ganga, by Bamapada Banerjee; early twentieth century

Wedding of Rama by M. V. Dhurandar, early twentieth century

Along with his contemporaries, soon the sacred stood dangerously close to the sensual. The male gaze (continued from the translucent women’s garments from Mughal and Rajput miniatures) got accentuated by the realism corporeality of the new style. Semi-nude heroines from mythology became muses as an idealized white-skinned Indian woman, a standard slowly being laid down for future generations. From prints to playing cards – a collection with each depicting ‘Oriental beauty’, the gaze has passed down over a century.

Tilotamma the Apsara sent to Earth by god Indra to create a dispute between two brothers he envied; Raja Ravi Varma, late nineteenth century

A fragment of curtain comprising of playing cards depicting oriental beauties. c. 1920s; collection – J. and J. Jain, Delhi.

Soon after, with prints rolling out, these visuals became popular culture. In 1888 when Lever Brothers’ Sunlight soap disembarked on a Calcutta port it perhaps had no idea of how it would get reinvented to further forge a ritual with Indian masses. The reverend Sun lord descended to sell the humble soap bar quickly followed by Pears, Lux and Vim.

The army of Hindu gods and goddesses became brand ambassadors a hundred years ago, with each brand competing to have one. Bal Krishna made sure mothers bought Woodward’s gripe water and a goddess assured for Glaxo baby soap. These were usually large prints on calendars given out as promotional devices and the masses grabbed them as objects of worship.

Sunlight soap calendar, 1931; the Sun god with chowrie bearing women

Glaxo soap calendar, 1931; Imaginary goddess and maid bathing babies

Woodward’s Gripe Water calendar, 1928; Bal Krishna adorned with a bejeweled peacock feather

Besides personal care and baby products, Hindu deities and mythological characters in action (primarily picked from Raja Ravi Varma’s renditions) flooded with consumer goods from cloth, dye to even cigarette (Hawagharri brand from Peninsular Tobacco Ltd) and Swedish safety matches. Large prints of deities that came stuck on fabric bundles from Manchester were given out only with bulk purchase. They ended up being framed and worshipped. Such was their overwhelming charm; the mythological-religious stories were probably the primary preoccupation then, which had so far, never been this vivid, almost palpable.

Twelve pictures from cigarette packets of the brand Hawagharri by Peninsular Tobacco Company, Bengal, India; early twentieth century

Match box labels depicting episodes from Hindu mythology originally painted by Raja Ravi Varma amongst others

Manchester mill labels depicting Lakshmi, Bal Krishna, Vishnu’s Narsimha incarnation and a Shaivite tilak mark.

If the popular culture in print a hundred years ago celebrated the sacred, it also gradually set in motion the trends that would follow. Just how Bollywood actresses convincingly speak of green tea (in conjunction with massive PR), early communication depicting the particularly English beverage with brown skin weaved the myth of tea always having been Indian. After the saturation of the British and American markets, the Indian colony was craftily taught the tea ritual with visuals that seeded in one’s subconscious. Those are popular brands even today.

Rural folk sing and dance in an advertisement for Brooke Bond ‘Kora Dust’, 1920s-1930s.

‘Tea Garden’, No. 386 in a sample calendar from Empire Calendar Manufacturing Company, Calcutta; ca. 1940s.

Along with products (riding on monies and businesses), the visual culture influenced etiquettes, styles and behaviours en masse. Almost instantly the predominantly Parsi way of draping a sari became the norm, pan-India modern (even today’s) style of wearing a sari. These caught up with several print advertisements that created the image of the modern Indian woman – a sari clad, shoe wearing, pearl adorning lady – with a 19th century tennis racquet or a cigarette in hand.

A woman tennis player having a tea break. Sample from a catalogue of calendar images, circa 1940s

Poster advertising Bombay Special cigarettes; c. 1930s

‘Love Letter’ depicting a modern Indian couple setting an imagery that’ll be fashionable for a century that would follow; c. 1930s

The printed visuals circulated wide and far re-defining fashion, modeling Indian cinema (remember the black and white stars of yore?) and setting the mark for the foreign as modern and aspirational.

But at the same time the imagery ended up rendering itself to the nationalistic movement. The country was simmering with the struggle for freedom – Swadesi caught up and rampant printing galvanized Indian sensibilities. Soon goddesses started being depicted closer to what we recognize today as Bharat Mata – on the same fabric bundles that once depicted Goddess Lakshmi and Shaivite tilak. Closely entwined is the beginning of the singular story of Hindu identity that went on to define the majority belief as early as the mid-1800s.

These visuals and their retrospective importance to the idea of building modern India are lost in dusty antique garage stores. Few of us today, are perhaps lucky to have seen a tin box or two with elaborate printed art in our grand mothers’ cupboards.

Vijaya Mills label depicting a new goddess Vijaya who soon started being reimagined as Bharat Mata

Published at DY Works

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