#manga Exhibt

[soulcialdent]

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This was a dope experience.

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加���健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[woolongtalks]

JoJo meets JoJo! #jojosbizarreadventure #manga #exhibtion #bririshmuseum #woolongtalks #podcast #britpodscene #podernfamily #e14endorsed #blackbritishpodcast #nerds #geeks (at British Museum) https://www.instagram.com/p/Bznx_4xJ3g3/?igshid=q3q0uc758vk

[putschki1969]

Hikaru//’s Free Writing Vol.#1 English Translation

『I went to the UTA☆PURI exhibition♪』

〜Hikaru//'s Free Writing Vol.#1 〜 

Hello, I am Hikaru//. My everyday job is to sing as an artist under the name of my solo-project『H-el-ical//』. However, for this occasion I will be writing a column.

I hope that all of you will be enjoying my column whether you are a long-time fan or a newcomer. My first edition is gonna be a “report”! I'm really excited since it is my first time writing a report in a column like this, I will do my best so it’s fun for all of us. For this report I visited the exhibition  『Uta no☆ Prince-sama♪「Another World 〜WHITE & BLACK〜」』 which is currently held at Tokyo Dome City Gallery AaMo.

『Uta no☆Prince-sama♪』 is a popular franchise that started out as a game and has since been adapted as manga, TV anime and theatrical anime. You are playing an aspiring composer who enters a prestigious performing arts school made up of students who are either vying to become an idol or a music producer. For your project you must team up with another student as an idol-producer team, and if you are successful, you will be able to join their agency after graduation.

I have played the mobile game and watched the anime. The day before going to the exhibition I also watched the BD of the theatrical release 『Uta no☆Prince-sama♪ Maji LOVE Kingdom』.

As soon as you enter the venue, this main visual can be found on the right side. You immediately get excited!

Despite knowing that the main cast will change between WHITE SIDE (first half) and BLACK SIDE (second half), it is still special to have all idols together on this visual...!

One cannot help but stare at the image, you really want to take your time and enjoy it but remaining too long in the entrance area will irritate the people entering behind you so let’s continue ahead! 

In this fantastic crystal passage, there are photos and profiles of each idol. Passing through this space you will gradually be entering Another World that is awaiting you. The anticipation will have you super excited ♪

Finally enter Another World!

I'm thrilled to visit an exhibition that showcases the worldviews and stories of new songs and allows us to experience what it is like to be in the dressing rooms or on the stage side.

Dive into this new world while listening to the words of your idols!

There are displays left and right. I have no idea where to start ... I think I will start with my bias. So let’s go with the right side first. *laughs*

In this world all kinds of items related to the WHITE SIDE idols are on display. You can get a glimpse of the idol's personality and daily life, your knowledge of your favourite idols will surely expand.

Of course I will also check out the left side.

Here you will find an art board filled with lots of text. Looking at all the words will make you think "Oh, this is a popular dialogue", "Oh, these words touch my heart"! You will inevitably start imagining your favourite idols saying these words.

There is an amazing photo spot in the back! I was a little adventurous and tried dressing up as one of the idols but I guess it’s better to just take a picture dressed as a normal fan *laughs*

Right next to the spot is a miniature world ...Ah, I should have brought one of my plushies with me! ... I missed a great opportunity but it’s not too late for you. So everyone, be sure to bring your own plushies when you come here!!

We continue to the backstage area. First, the waiting room. There are lots of items that the idols would usually use in front of their mirrors, you can see notes and such, it almost seems like they were there just a minute ago.

Then we continue to the stage sleeve. There is a great arrangement of t-shirts for each idol ... ahh, this looks amazing!! I was mesmerised by the arrangement and couldn’t stop looking.

Then!! Their stage drinks!! Water! Someone has actually been drinking from them!  *faints* Masato, Ai, and Len took a few sips ... ahh...I can’t take it!! Thank you so much for this!!

Turning to the other side and continuing ahead I discover interviews with the BLACK SIDE idols!  Awesome! Such an awesome display! Be sure to check every detail without missing a single word!

Well, it is no exaggeration to say that this is the main event of the day: time to enjoy the video for the new song “WHITE GRAVITY” projected on a big screen. While listening to "WHITE GRAVITY" you can watch your idols in full size on the large screen and enjoy them to the fullest.

Finally, let’s head to the merch corner.

They have a system where you write everything you want on a sheet of paper. I am having a hard time deciding what to buy *laughs* Samples are also displayed before the checkout area! Think about what you want to get as long as necessary, just take your time, let’s all buy the things we love!!  To show our gratitude for the franchise!

We have walked through the entire exhibtion. BUT! We have not reached the end of this report yet!

Apparenty every restaurant in Tokyo Dome City has collaboration menus inspired by the idols. So of course I HAD to check them out...That day I decided to go to MLB cafe TOKYO.

I ordered Natsuki's recommended "Shinomiya Farm Collaboration Pizza" and Cecil's recommended "Agna Palace Soup". The green cream soup is perfectly seasoned and delicious with a bit of bread. The Cream cheese x maple dessert pizza has a magical taste that combines sourness, saltiness and sweetness. When you order a collaboration menu, you will get one sticker for each item!

Satisfied after enjoying fun and delicious collaboration menus, my visit to the exhibition  『Uta no☆Prince-sama♪「Another World 〜WHITE & BLACK〜」WHITE SIDE』is finally coming to an end. While my main goal was to get material for my report, I tremendously enjoyed this exhibition *laughs*

There is a lot of attention to detail, you really learn to understand why people love Uta ☆ Puri (Uta no Prince Sama ♪) so much! Of course fans will have a blast visiting this exhibition but I think people who are not too familiar with the work can also have a great time. That’s why I thought, “why not whet your appetite with this report?”

And since WHITE SIDE was so good, I am now super curious about BLACK SIDE with a different cast...! I wanna go. I wonder what the next column will be about…?

I don't know yet, but I'd like to talk about it freely just as the title of my column suggests.

Last but not least, here is a random picture... of words that resonated with me.

Well, until next time!

[creativinn]

Kazuo Oga Background Art Exhibition - Halcyon Realms - Art Book Reviews - Anime, Manga, Film, Photography

Posted By yonghow on July 23rd, 2007

One of the perks of living in a big metropolis like Tokyo must be the wide and wonderful choice of art exhibitions. Over my 3 years of stay here I have been fortuitous enough to attend some truly breathtaking ones like Mucha and Pixar’s 20 Years of Animation, certainly not exhibitions that strut by your house everyday.

Kazuo Oga’s exhibition at the Tokyo Museum of Comtemporary Art, which I visited with Ros yesterday, is the latest addition to that fine list.

Kazuo Oga, as the exhibition poster succinctly states, is “The guy who painted Totoro’s forest.” – a formidable credit to any background artist’s name; only he is much, much more. Kazuo-san has been involved in most of Miyazaki’s best works like Kiki’s Delivery Service, Porco Rosso, Spirited Away, Howl’s Moving Castle and my personal favourite Princess Mononoke. Now that’s only the short list. This exhibtion is the first ( and probably the only ) time that one can get to view Kazuo-san’s entire body of background illustration works, both Ghibli and personal, numbering about 600 pieces in all.

Kazuo-san’s background art is the soul to every successful Ghibli animation film. Words can do little justice to the sublime beauty of his work, and no, its not quite the same as looking at the pictures from any of his published artbooks – this one you really need to see the original works up-close to truly appreciate their technical and aesthestic brilliance, right down to every deftly applied brush-stroke.

Ghibli fan or not, if you are lucky enough to be in Japan right now, or are planning to come within the next 2 months, ( it runs till the end of September ), this is one event you simply cannot miss; it might very well turn out to be the best highlight of your entire Japan trip.

The prints you are looking at are some samples from the special collectible book released only for this exhibition, containing all of the 600 pieces on display. No photography is allowed within the artwork gallery section, so these prints are the next best thing I can show.

Availability of book – You can purchase a copy from Amazon Japan.

I also highly recommend the “making of” dvd/blu-ray documentary from Amazon Japan, which contains digital scans of all 600+ pieces of Kazuo Oga’s works shown at the exhibition – Read my review of the dvd on this post.

You might also be interested in these items :

This content was originally published here.

[tbickle2011]

Manga exhibtion @ the British Museum #mangaexhibition #manga #britishmuseum #thebritishmuseum #ldn #summer2019 #london #iglondon #captaintsubasa #manga #anime — view on Instagram https://ift.tt/2GRzPYK

[epic-potato-crisp]

Welcome to the Madness- MANGA Spoiler

Alright guys, so, in volume 6′s box, the DVD comes with some merch and a WTTM-manga!

Source: A huge thanks to denkimouse !!

Here is a recap of the manga damn are there several things worth screaming over:

Yurio wanted to be cool and gets kicked out of a club...at least his big sister Mila is there to cheer him up lmao

Otabek UNDRESSING with a SMIRK and going “It’s me” once he sees Yurio looks like it’s going in a whiole other direction and boyyyy I would be absolutely fine with that 

Yurio talks to Otabek as a friend ABOUT HIS FEELINGS and Otabek LISTENS!!

I just realized the whole Yurio-is-bothered-by-Agape stint was played off as a joke, but it probably was a serious bother for him and I’m glad that he gets to skate his very own style now after all

Otabek STAYS UP ALL NIGHT?!?!? to help him plan? This is amaziing. Once Yurio makes a friend, he makes a FREAKIN LOYAL ONE at that

Russian rage teen Yuri raging rudely once he spots Victor and Yuuri flirting skating to Stammi Vicino

But Otabek’s Captain Obvious response is gold too, I can already imagine his pokerface when he bluntly notices that the surprises overlap sdfsd

“Come out of at the end of the exhibtion.” “?!”  Yeah, same Otabek, out where, out of the closet ?

Jokes aside, Yurio actually ASKS HIM TO COME HELP HIM. The affection and loyalty between them is 100% mutual, and I love how Yurio comes out of his hard shell eventaulyl!

Yurio sees EVERYTHING as competition though, now at least he has a partner to go up against the Victuuri duo with him

“Don’t you want to blow their minds?!” Yurio is getting Otabek FIRED UP

and Otabek is toally on bord: “There is only one answer”- like there is simply no other possibility than siding with Yurio in his crazy exhibition madness 

SUCH A  GOOD DUO, both of them?! I can’t handle

[soulcialdent]

Kodansha House: Where Manga Meets. Opening October 4th in SoHo, NYC, this fully immersive pop-up will be located at 45 Grand Street.

Through the month of October, it will be open on Wednesdays to Sundays, from 12pm to 9pm.

Follow for more Manga Related Topics

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[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。

[yumatomiyasu]

Shadowings 2022 “KAZUO UMEZZ THE GREAT ART EXHIBTION” Installation View TOKYO CITY VIEW, Tokyo, Japan Mixed Media ©Yuma Tomiyasu ©Kazuo Umezz Photo: Ken Kato An installation work in collaboration with 101 original sketches of “ZOKU SHINGO: Small Robots: Shingo Museum” by manga artist Kazuo Umezz. Tomiyasu is also responsible for the direction of the exhibition room, including the placement of the 101 pieces of "ZOKU-SHINGO". In the center of the exhibition room, a lattice-like hut is set up with various objects inspired by “ZOKU-SHINGO” and its predecessor, “My Name is Shingo”, as well as Tomiyasu's paintings. Various lights, such as spotlights, a floor light, a revolving lantern, and a ceiling light, are installed in the exhibition room, and turn on and off creating a variety of light effects in 10-minute cycles, including one that turns the room bright red. In addition, a rotary dial phone sometimes rings, just like the scene in “My Name is Shingo”. Shadowings 2022 「楳図かずお大美術展」 展示風景 東京シティビュー, 東京 ミクストメディア ©冨安由真 ©楳図かずお 撮影: 加藤健 漫画家楳図かずおの連作絵画『ZOKU-SHINGO 小さなロボット シンゴ美術館』の素描作 品とコラボレーションしたインスタレーション作品。『ZOKU-SHINGO 小さなロボット シンゴ 美術館』101点の配置も含め、展示室内の演出も手掛けている。展示室の中央には格子 状の小屋が設置され、『ZOKU-SHINGO 小さなロボット シンゴ美術館』と、その前作となる 『わたしは真悟』にインスピレーションを得た様々なオブジェと、冨安の絵画作品が設置されている。展示室内にはスポットライトやフロアライト、回転灯ろうやシーリン グライトなど様々な照明が設置され、時間の経過と共に点いたり消えたりし、展示室内が真っ赤に染まる照明も含め、10分周期で様々な光の演出がなされる。また 『わたしは真悟』のシーンさながら、時折黒電話が鳴る仕掛けがある。