#man I am so bad at making these

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[onionninjasstuff]

something something future leo dies early and mikey takes on the role of cj's main mentor. something something mikey-centric movie. idk what his arc would be abt BUT I HAVE AN ITCH THAT NEEDS TO BE SCRATCHED

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[abessive-art]

*Archives your Magnus*

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[muttmurdock]

[f0point5]

The way this man is the Main Character of this sport without actually putting in any effort needs to be studied

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[mblue-art]

this man. ..

(inspo) (og meme)

[usertoxicyaoi]

"They despised you, trampled on you and cursed you, just because you don't belong to the same race as them. How did it feel? Don't you hate them? Don't you feel aggrieved? You're not a sinner, but they still hate you."

FANGS OF FORTUNE (2024). EPISODE TWENTY FIVE.

[karlachismylife]

I just know Gaz is so fucking good at rock climbing. He's just built perfectly for it, he's got the endurance, the flexibility, the grip, the core strength, the agility, the arm spread, he's not too bulky and heavy like Soap or Ghost, his height gives him quite a lot of advantages (even though sometimes there are trails for us hobbits, but mostly being tall helps). Price could probably give him a run for his money, but since I headcanon that Price has seriously fucked up his spine and joints, especially in his fingers, he might be held back by this. Also I feel like Kyle has the best endurance out of all four of them, so he does extremely well on the long ones. He's also got that magical ability to be able to take a rest at the tiniest little handle, like literally catches himself with two toes and a pinch on a non-existent bump in the rock and relaxes as if he's lounging on a beach, all muscles resting before the upcoming difficult few meters.

Also he's one of those who will climb even in slippers, just because he gotta flex like that.

No I'm not drooling over his fingers wrapped in that tape in places where he ripped calluses off, you are.

Also this was induced by a SoapGaz thought where Gaz runs Soap through some intensive training on the climbing walls and enjoys the view of all that muscle bulk flexing and rippling as Soap struggles to find his balance and makes mistakes in dispersing his weight which limits his reach. He's so tense, he can barely slur his Scottish nonsense out, sweat streaming down the dip of his spine and soaking his tank top through.

When he finally falls of the wall after reaching the top handle, his fingers are shaking and he needs Kyle's help to untie the harness knot. Wipes his forehead, leaving a white streak of magnesia stuck to the wet skin, and huffs and grumbles about how he'll still beat Kyle's PR one day.

Gaz won't let him, of course. But he won't stop Johnny from trying either, because after that he gets to massage all those sore muscles Soap didn't even know existed, and listen to him groan as he shamelessly leaks into his boxers. Because why wouldn't Soap get off the post-gym muscle strain, really. And why wouldn't Gaz enjoy watching him get painfully hard and sensitive from barely sexual touch, exploding into his mouth as soon as Kyle wraps his lips around Soap's tip.

[merakiui]

after seeing skully's um.......... so we're all in agreement that he would affectionately call you pumpkin, right? :) you are his beloved pumpkin!!! his darling pumpkin pie! perhaps you might even be,,, the lovely candy apple of his eye! just,,, lots of autumn-themed endearments from him to you (on top of the gentlemanly ones "my lovely, my dear, my sweetheart, etc" and the halloween-themed ones hehe). <3 pumpkin is number one solely because of his um and my own delusions,,,

[salt-n-salt]

mini post today bc it’s a busy week 🥲 am i rlly thinking abt Shane’s armpits more than the essay I haven’t started that’s due in a few hrs. what does it look like

SUPER SECRET SPECIAL CHEEKS BELOW THE CUT BC UMMMM YUP! 👇

for some reason the small of Shane’s back between where his tank ends and his undies (?) begin is more tantalizing to me than the undies themselves. what does that say abt me I don’t know 😪

[raiiny-bay]

the kids are goin to edgewave @aniraklova ✭

[fbfh]

I've literally only seen the pilot of game of thrones and I already wanna fuck Jon Snow so fuckin bad. "oooh but his oath, but his vows" I DON'T CARE. COCK IN MOUTH RN. fucking look at this

WHY DOES GOD KEEP SENDING ME THESE MISERABLE WET LITTLE BRUNET MEN WITH BIG OLD COW EYES AND EMPATHIC DOGMATICALLY LOYAL SENSABILITIES. STOP RIGHT NOW send more. bc I'll be so astronomically for real with you. this man pulls up on a horse with a fuckin direwolf puppy following him along fully believing he's its mama???? fold. instantly fold. no one can not fold at that. he's channeling all his yearning and desires into being loyal and noble and it fucking HURTS to look at him and know he's never had the sloppiest most earth shattering fucking top of all time. I'm thinking about a lot of things right now, mostly how good the tension of "I shouldn't do this I shouldn't do this I shouldn't do this" running through his mind while his heart betrays him and he moves closer to you is. the kicker is, he hasn't even done anything yet. he's maybe knelt and kissed your hand at most, but good GOD did it get you wet. because you can tell how much he's holding back. you can tell how badly he's aching for more, and the self control he's exercising makes you want to see him fucking snap. but you know he won't somehow it just makes it better and better. like you breathe in his direction and he's trying to get rid of impure thoughts unbecoming of a brother of the night's watch. and it's all self inflicted.

thinking also about Jon being assigned as your bodyguard for some reason. maybe you're of nobility, maybe you were requested to be delivered to some king or other, but now it's Jon's job to take you through the snowy wastelands of the north and deliver you safely to your destination. he quickly realizes that there is no way he'll be able to maintain his professionalism (he does, he just feels like he's throwing caution to the wind cause you make him blush). sitting you in front of him on his horse? you keep resting your head against his chest and speaking so sweetly to him to pass the time!!! sitting you behind him? your arms are around his waist!!!!!!!! he's losing it girlfriend!!!!! don't even get me started on making camp in some cave for the night to wait out a particularly bad snowstorm. you stay close to him at his insistance, knowing it's the only way for you both to stay warm. You're snuggled up in his arms under his cloak looking so sweet in the firelight. something howls in the distance, and you jump, moving closer to him. he realizes you feel protected by him. not in a professional guide-through-the-north way, in a way that you choose. you feel so deeply in your subconsious that if anything were to happen, you'd be safe in Jon's arms. you look up to him, feel protected and safe with him. you feel safe with him. and motherfucker if that doesn't stir something uncontrollable and irreversable in his chest. he knows he shouldn't, but his heart betrays him, and his arms wrap firmly around you, holding you close.

"It's alright," he murmurs so gently, "it's only the wind."

[gods-perfect-idiots]

was overcome with the urge to draw "wade tenderly caressing logan's face while he's Feeling Big Angsty Stuff" and then the parallel urge to do a follow-up of "logan kissing wade's hand/holding onto him for dear life"

(anyway hope you like it - I have been looking at this for too long and so of course I hate it now 🫠 art is hard guys lol)

some details below the cut because I am happy with some small aspects - still really enjoying the painting part of doing Wade's scars for example (thanks again @woof-verine for that inspo it is just baked into my psyche now, and also for being a forever enjoyer of pointy ears Logan - sorry couldn't quite get the fangs in this time but they are there trust me!!)

ps. was listening to She Calls Me Back by Noah Kahan for this one. idk it just hits for me in my poolverine-addled state lol