#malayalam mass bgm

[neengareadynaaready]

Jailer (2023) Spoiler Review

If you like pure mass entertainment and a group of veteran actors kicking ass, you'll love Jailer.

I saw Rajni's Petta a while back and while I enjoyed some parts of it, I was largely frustrated towards the end. I also saw Nelson's (the director) Beast, and while it had a straightforward premise, some parts of it were eyebrow-raising (I still love the hallway shooting scene with Vijay, though, that was just hella cool even if it didn't make sense). So, when they announced a Nelson and Rajinikanth collaboration, I wasn't sure if I should bother watching.

I'm glad I watched it though. For one, the story isn't all over the place. The revenge angle and heist subplot made sense together.

The flashback revealing Rajini's days as a hard-core warden aka Jailer was pretty nice. I liked that his hair style looked like the one in his older movies. However, I really don't understand why the inmates liked him or became loyal to him. It was never showed what he did to make them turn over a new leaf. They just said he helped them, but we mainly saw him being extremely violent.

Okay, this is part where I reveal that I saw Jailer a day after I saw Jawan. I couldn't help comparing the action in both movies because the action in Jailer is so violent! I'm not complaining or cringing. I actually liked the over-the-top violence lmao. It's just that I was like "Oh, right, this is one of things I was waiting for in Jawan -- hyperviolence!" LMAO.

Anyway, I do love that the former inmates that helped him were veteran action stars from Kannada, Malayalam, and Hindi cinema: Shiva Rajkumar, Mohanlal and Jackie Shroff respectively. Bruh, I had goosebumps when Shiva R stepped into the house to protect Muthu's family while the Hukum song played!

Next, let's talk about the songs and bgm. "Hukum" really is such a banger of a song. And the style that they do, where they insert bits of the song's melody into cool scenes that build up and lead to the FULL SONG or at least CHORUS is such a great style because it makes you so hyped for the next badass scene!

Now, the family -- I honestly thought Rajni and Ramya Krishnan would have more romantic moments together since this is their reunion. Like, yes, they're grandparents now, but so what? It's always nice to see older people still doing romantic stuff with each other y'know.

Anyway, that twist with his son! I didn't expect them to go all the way with the betrayal but wow. It was really sad, but I liked that they went for that gut-wrenching story, too. Rajini is not much of a dramatic actor, but his performance was good for what the script called for. Also, his partnership with Yogi Babu was funny and nice. Also, those bald sharp-shooter guys! Their costume changes! That was so hilarious! And Varman's henchmen! The random funny characters and elements are really such a fun part of the mass experience.

All in all, Jailer is a really enjoyable movie for the whole family (if your kids are old enough to not be so desensitized to violence I guess).

[pristine24]

When a story finds it's core purpose, it strikes the right chords and the right timing. And it brings out a film like 'Manjummel Boys'. I have seen director Chidambaram's 'Jane-e-man' only after the euphoria about 'Manjummel Boys' sprung up. His forte seems to be about group of boys who endeavour into tussles and how the problem is solved and not about a single person who performs heroic deeds. As a fan of cinema, I'm for both types of movies. I feel all types of movies must exist.

Now that the movie is making waves all over South India and rest of the world, the story need not be explained. Even though Manjummel takes a dig at TN police as it reflects a true story we can't find fault in and much of the recent Malayalam films does the same depiction. Yet dissimilar from the other Malayalam movies, Manjummel has a mass, universal touch which the director didn't consciously work out. It looks organically upgraded to that stature. Unlike Janeman, this film quickly jumps from one scene to the next without delay. The boys begin their journey to Kodaikanal, they're charged and ready to set about an adventure. Their youthfulness is crazy, bold and their confidence is unshakeable. The devil never calls but only if you set foot on the place it's no time you're under its purview! When the man is rescued from the immeasurable death pit that is undulating and cavernous, the theatre erupts and nothing is heard. I just assumed that the bgm 'Kanmani..' song from Guna was playing behind. Such cacophony in a theatre where most of the crowd are locals of a small town in TN and surprisingly with no online ticket booking facility (in which the theatre I watched), it was housefull on a weekday. But I will not say it'll be anyway a match to Jailer.

[sauravbenny]

https://youtu.be/nTDP4M9sOhY

[ithoughtaloud]

Mikhael (2019)

So, I happened to watch this Malayalam film 'Mikhael' last night. Mikhael is directed by Haneef Adani & stars Nivin Pauly, Siddique, Unni Mukundan, J. D. Chakravarthi & Suraj Venjaramoodu in major roles.

I didn't like it.

I was trying to imagine the conversations the makers would have had before making this mess of a movie.

Haneef & Nivin: Haneef: Nivin adutha mohanlal aanennu aalkkar paranjirunnu, enna ee film kazhinjaal Nivin aayirikkum adutha Mammootty Nivin: ayyo Haneef: Big B, Great Father athe polathe oru stylish item aanu njan udheshikkunnathu Nivin: Haneefe, aalkkarkku enne ee adutha veettile payyan..romance, comedy..ee mathiri items ilokke kaanaan aanu ishtam Haneef:oh athu namukku sheriyaakkaam..njan chila scenes athinu vendi idaam..happy ayille? Nivin ithil oru doctor aanu.. Nivin: Haneefe, ee joliyum kooliyum illaathe nadakkunna wit adikkunna, premichu nadakkunna type hero pore.. Haneef: Nivin ithil doctor aanenkilum valiya pani onnum illa.. in fact joli sambhandam aaya scenes il aanu nammal comedy idaan udheshikkunnathu.. Nivin: appo sheri.. alla Haneefe ithil njan doctor aanenkil engane BigB, Great Father okke polathe oru action style role aakum? Haneef: Nivin doctor aanu but Nivinte performance & mannerisms okke namukku oru gunda pole aakkaam..ennu vachal oru sophisticated gunda..punch parayumbol polum vikaram illaathe parayunna gunda.. Nivin: appo nerthe paranja comedy, romance okke cheyyunna nishkalankan personality..athinu vikaaram vende Haneef: venam..appo vikaaram venam..athu Nivin nu vendi njan cheyyunna modifications aanu..athinum munnathe kaalathe mattoru flashback namukku kaanikkaam..athil Nivin gunda polathe oru medico aayirikkum..oru psychotic bombastic medico Nivin: alla Haneefe.. ee kathapathram doctor aavanam ennu entha ithre nirbandham? kathayil ithinu yathoru prasakthi undennu thonunnillallo? Haneef: alla Nivin..ippo ee medical tests, organ donation..ithokke aanu trend.. njan ithinte script ezhuthumbol ithonnum illayirunnu..pinne ippolathe trend anusarichu ithokke kathayil avideyum ivideyum ulpeduthiyittundu.. Nivin: enthelum aavatte..Haneef aettallo..appo adutha Mammooty njan aanallo alle.. Haneef: samshayikkanda.. Njan Gopi chettanodu katta bgm idaanum parayaam..polikkum...nokkikko..

Haneef & Siqqique: Haneef: Ikka..ithil ikka aanu main villain Siddique: oh..ithil enthu puthuma.. Haneef: ennu vachaal ikka valare cool aayi chirichu kondu paattum paadi aalkkaare kollum..cheriya karyamaayaalum valiya karyamaayalum ikka aalkkaare kollum..athreyum oru manasakshi illaatha krooran aayoru kodum villain Siddique: eda aalkkaarkku ippo enne character roles ilokke kaanaan aanu ishtam.. ee Bada Dost polathe items okke njan nirthiyittu kurachaayi..avar ippo enne oru achan role specialist aakki kondu irikkukaya.. Haneef: enna ikka njan oru karyam parayatte..ithilum ikka oru achan aanu.. Siddique: oh athu kondu enthu karyam..villain alle..athum oru manasakshi illaatha villain..njan engane sentimental aakum..audience nu ishtapedilla.. Haneef: ennal njan oru sathyam parayatte.. ithilum ikkade mon marikkum..ikka aake sentimental aakum..ikka de shyliyil mone kurichulla ormakal okke paranju kannunirappikkunna rangangal vachittundu.. Siddique: eda ithokke workout aavuo? ee krooranaaya villainodu aalkkarkku valla sentiments um thonumo? Haneef: samshayikkanda..ikka polikkum! Siddique: sheri..angane aavatte.. appo full length role aakum llo alle.. main villain alle.. Haneef: alla ikka.. nammal variety aanu udheshikkunnathu..adyam thanne main villaine kollum.. Siddique: ......!!! Haneef: but full length role aanu..flashback aanu.. Siddique: enthelum aavatte...audience nte manassu narayanam ente achan role kandittu.. Haneef: narayum ikka..

Haneef & Unni Mukundan: Haneef: Unni..ithu Unnide valare different aayittulla oru villain kathapathram aanu..main villain aanu.. Unni: ennittu njan kettathu ithil siddique ikka aanu main villain ennaanallo.. Haneef: athu mattoru main villain.. ikka nte character starting il thanne marikkum..pinne Unni varum, chettanu vendi prathikaram cheyyaan varunna gangster.. Unni: nge.. ithu kaakha kaakha alle.. Haneef: ayye alla.. athu dookili local gunda..ithu sophisticated gangster..polished personality.. Unni: Haneefe.. njan local gunda vesham cheythaalum aalkaar parayunnathu ivanu oru villain look illa.. mukham kanda oru nishkalankan ennokke aanu.. Haneef: Unni ingane nirulsaahapedaruthu.. nammal udheshikkunnathu Unni cheytha 'Style' film le Tovino ne okke pole oru sophisticated villain aanu.. Unni: njan sophisticated koodi aayal hero ne kaatilum charming aakum..athokke veno? Haneef: Unni oru valiya thaadi vakku..appo villain look polikkum! Unni: Thaadi o atho thadi o? Haneef: thaadi thaadi Unni: ok..thaadi vakkaam..thadi vakkunna prashnam illa.. njan kashtapettu undakkiyedukkunna gym body aanu.. Haneef: thadi Nivin vacholum.. Unni: nge? enthu? Haneef: alla Nivin nodu onnu bulk up cheyyaan paranjirunnu role inu vendi.. climax il oru action scene okke undu ningal randaalum thammil..appo oru vishwasaneeyathukku vendi Nivin-nodu build cheyyan paranju.. Unni: ennittu? Nivin um gym-an aayo? Haneef: gym il pokaan onnum vayya..venel kurachu thinnu thadikkaam nnu paranju..aa ‘Hey Jude’ ile pole aakathirikkaan Nivin nodum njan thaadi vakkan paranjittundu.. Unni: ok.. appo climax il oru shirtless fight inulla scope illa alle? Haneef: illa..pakshe Unni vishamikkenda..oru shirtless kuli scene vachittundu Unnikku..pants um illa.. Unni: AYYE!! Haneef: ayyo aa arthathil alla..ee kuli scene kandittu aalkkar pedikkum.. Unni: .........!!! Haneef: sherikkum pedikkum..nokkikko.. Unni: enthelum aavatte.. appo climax il oru punch illallo.. Haneef: undu undu.. nammal oru helipad il vachaanu climax fight udheshikkunnathu.. Shahrukh khante don cinema ile okke pole.. Unni: oh! appo polikkum..

Haneef & Gopi Sundar: Haneef: hello Gopi chetta..ente adutha project inum chettan thanne music cheyyanam Gopi: Sheri haneefe..enthaa subject Haneef: oru action thriller..oru mass padam..oru doctor..oru karate kaaran doctor..kure gangsters ne kollunnu..chila policekaarum ithine protsahippikkunnu..valare stylish aaya making aanu udheshikkunnathu.. Gopi: oh..ok..appo mass aayittulla bgm venam alle.. Haneef: athe athe..nayakan silent aayi dialog parayum..pravarthiyilaanu punch, allaathe dialogues il alla.. appo bgm strong aayirikkanam.. Gopi: oh..appo Mammookka thanne ee pravishyavum nayakan? Haneef: alla ithil njan Nivin ne aanu udheshikkunnathu.. Gopi: oh..variety aanalle.. Haneef: athe.. namukku BGM vachu Nivin ne Mammootty aakkanam.. Gopi: olakka..!! Haneef: nga..ithu kollaam.. Gopi: enthu?? olakkayo?? thaka thaka.. Haneef: aaha..ithum kollaam.. olakka thaka thaka.. ithu namukku polikkanam.. Nivin varumbozhokke ee bgm idanam.. “olakka thaka thaka”.. Gopi:ulakkaaa thaka thakaaaa..!! Haneef: super.. super..

[prakask]

6 Best Tamil Films From 2018 That You Must Watch!

Since the cinema came into existence, varieties of films have been coming out to the audience from the nook and corner of the globe. Indian cinema plays the biggest role in producing films and generating revenue from it. As we all know Indian cinema involves many other national as well as regional film industries which popularly include Hindi Cinema, Tamil, Telugu, Malayalam, Kannada, Marathi, Bhojpuri, Punjabi, and Assamese among others. Above all, Tamil cinema is an integral part of Indian cinema. It has been very content since its origins. Tamil cinema has produced many legendary directors, producers, cinematographers, editors, actors, actress, musicians, and writers and so on. The year 2018 proved to very significant for the film industry as in this year films from art house cinema to mass cinema created a buzz in the country. On one hand, when films like “2.0,” made history by being one of the highest budget Indian film of all time, at the other hand, films like “To Let” created history by changing the course of the Tamil cinema by its content and representation. Here, we will be discussing about six most important Tamil films of 2018 which can’t be left behind by a true cinephile. The list of these films is based on the writer’s own taste and understanding, however, your suggestion is welcome. Feel free to share your list of Tamil best films from 2018. Pariyerum Perumal

This is one of the finest, genuine and intense movies I have watched in the year 2018. As said by K.R. Narayanan, “inherited caste system still remains with us”.  The movie brilliantly portrayed the harsh reality of our society, about the ideologies of caste, inequality, life of oppressed people and honor Killings. It’s hard hitting and thought provoking. No hero build ups, no lengthy dialogues, no taking revenge, no blame games, everything is portrayed in a subtle way, carefully balanced from all the aspects. The film boldly asks major questions revolving around the caste system and beautifully portrays a message for the same without ever sacrificing the story-line. Very depressing yet very eye opening movie brilliantly acted out by the majority of the cast, mainly by the protagonist Kathir, who played his role with ease and precision and aptly captured by Sridhar. Some of the songs bring out the emotions pointing to the evils of the rotten system. You feel exhilarated and empowered by the end of the movie.  Vada Chennai

Vada Chennai lives up to the expectation and hype it created since it was announced years back. The movie is raw yet so refined; the story telling is complex yet simple. The movie in itself has badness with goodness. It’s a perfect mix of things you never thought would sync together. The camera work and realistic feel is incredible. Very well edited and acted out by a talented cast, this movie which portrays a natural north Chennai slum not only is a masterpiece but also an eye candy for the viewers. However, what works great for this movie is its attention to detailing, strong characterization, art direction, background score and the non-linear story telling that keeps us engaged and intrigued throughout the film. This film is directed by one of most promising young breed of Tamil film director called Vetrimaaran – who got name and fame by making one of the most radical, realistic, original and authentic film ‘Visaranai’ in 2015 which was India’s official entry for the Oscars. Vada Chennai is undoubtedly the finest work of Vetrimaaran. Ratsasan

The opening frame of this film will remind you of the Korean classics ‘Memories of Murder and I saw the Devil’. It is one of most nerve wreaking thriller in a long time in Indian Cinema, you will be in the edge of the seat for the entire movie. You can’t even imagine that this movie was directed by the same guy who has directed Mundasupatti (a hard-core romantic drama). Such a strong story line and he has handled with ease. Each and every character in the movie has done a fabulous job. The unpredictability is another major element that you will fall for while watching it. BGM was right there bringing you the much needed anticipation throughout the movie. Psycho thriller genre is not very successful in Tamil cinema as very few directors have explored this area. However, the director of the film Ram Kumar has definitely done justice to his work bringing us an ambient visual treatment. Climax of the films more intelligent, terrifying, and hypnotizing and the entire team made sure that there are no logical flaws or whatsoever in the movie. 96

Love is an abstract word that no dictionary can define but its effect on humanity and life as such is astonishing. Some died, sacrificed themselves and some lived for it. This movie has brought out that beauty which made us realize that the word love is not just a few late night calls, letters and gifts; it’s all about giving a bit of you to another person. This film strokes all the right string of emotions with its artistic subtlety. The 90s, the dying years of the ‘simple life’ and perhaps the one snapshot in time that most people over 30 today would want to relive forms the premise of this story. Each and every frame in the movie is admirable. Clear cut scene delivery. Sound effects are brilliant from the bird’s chirping when Ram and Janu are talking in the school campus to the rain sound when they are having conversation at Ram’s apartment, audience immersed into the film very easily. It’s a very simple yet hitting film which showcases how humans are trapped into social norms lose their own self in between. In some of the scenes you will get glimpses of ‘In the Mood For Love’. It has been executed flawlessly. Merku Thodarchi Malai

‘Poetry in Motion’ describes this film in a completely pure way. Story of the film revolves around a group of landless workers living along the foothills of the Western Ghats in India. It depicts how the introduction of commercialization creates conflicts in the lives of villagers. There are very few Tamil films which has this level of cinematography. The camera simply goes from one place to another and you too as a viewer travel with the camera. Characters and locations look as natural as these could be. Legendary music composer, Illayaraja has composed the background Music of the film which makes the visuals look more appealing, engaging and impactful. The film ends with a series of shots that show the helpful nature of humans who go beyond religion, caste, creed and region to help on another.  In one scene, a Muslim man provides land to the hero without asking for money. In another, the heroine takes debt for the marriage of a girl who is not related to her. Tamil Superstar Vijay Sethupathi has produced the film under his banner and he should be appreciated for supporting such a radical and experimental film. Mercury

One of the most radical and new age film maker Karthik Subbaraj has already made a name of himself in the Indian film industry, especially in Tamil cinema with films like Pizza, Jigarthandha and Iraivi. Mercury is an addition into his filmography which clearly indicates the versatility of his film making style. Rommance, horror, reality and brutality are the elements that his films consist. Mercury is undoubtedly another master piece from Subbaraj. It is a Silent movie and there is also a strong reason for the film being silent. You can understand that within five minutes of the movie. The story revolves around five people who are accidentally driven in to an old abandoned mercury factory and their attempts to escape from there. This film speaks about the environmental abuse by the corporate and also the emotional complexities of life. The cinematography, color tone and Background music is amazing. The film is described as silent but ends up being loud, noisy and disturbing. The list and its sequencing are based on cinematic sensibilities of the writer. However, you are welcome to give your suggestion.         Read the full article

[optimistictriumphcoffee]

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