#made some edits if you see more no you don't

[sheep-from-rad]

this is inspired by @luludeluluramblings 's neglected! influencer! **I'll expand this later, I'm eepy**

*I don't own Rät. It belongs to Penelope Scott. Batfam belongs to DC*

Not gonna lie, everytime I read a Yandere Batfam x Neglected Reader (I wish we have more defiant one tbh, i have parental issues and I tell you I will never ever forgive my parents fast. It's my dad's fault I don't know how to ask for help and that everytime he's near me all my danger senses are high up. Ending this here before it becomes a rant/vent lol) all I can hear in my brain is Rät by Penelope Scott

Maybe we can do it like this: Neglected! reader uses music to let frustrations out and leading to them becoming this anon singer online. Reader started out with being a black screen singer at first, making covers of songs and then later they started when gaining popularity they started having this anime avatar or an anime persona (maybe even a vtuber model) and original songs left and right.

Reader lives a normal life flying under the radar in daylight but when alone they sing their hearts out in different songs, they even learn different languages for foreign songs too. I can imagine reader singing Japanese songs too something around Kikuo to One OK Rock covers.

AND THEN the big fight with Damian, reader really can't bear living in the mansion anymore. They bear it too much and now the bottle is already full. Before they left they dropped the song cover of Rät or maybe it's not even a cover in this AU, maybe they wrote the song in this AU. Gotham immediately loved the song maybe even tried to decipher the song too because singer! reader just dropped it and disappeared.

The song immediately gained notoriety because to the people of Gotham the song sounded like a protest. A question to the current hierarchy, a question to heroes and how villains came to be. No one still notices that the reader is missing until Tim was tasked to clean up some camera file storage around the mansion.

Tim watches every footage before cleaning it, no matter how boring it was to see if something went amiss while they are out on their secret vigilante nightlife. What did he find on the camera footage? He found the reader going around their bedroom and to the attic back and forth with a microphone and few recording equipment. When he reviewed the attic footage he found clips and clips of reader singing, editing, and uploading videos.

Suddenly, the last song they dropped made sense. The lyrics made sense. It was about them not about Gotham society.

[what-eats-owls]

It matters how you do it

I finished Dragon Age: The Veilguard and had some big feelings about it. Spoilers for basically everything under the cut, and frankly, it won't make sense unless you've finished the game anyway.

First of all: I had a blast with this game. I didn't find Act 1 slow, I did find Act 2 a bit of a whack-a-mole, and then Act 3 kicks you in the kidney (complementary) while insisting it's for your own good.

I've seen some recurring complaints: that it lacks depth/edge/darkness, that it abandons previous lore, that the previous choices don't matter. I don't entirely disagree. To me, it felt like a massive Dragon Age 4 game that pivoted to a different, tighter game after complaints about bloat in Inquisition. The key is that when editing down, there's such a thing as trying to trim the fat and taking a chunk of the roast with it.

I enjoy the concept of Lucanis's character, and the voice actor sold the hell out of him, but the storyline felt like being taken to a museum and allowed to see one (1) beautiful unfinished sculpture. Why did Spite, specifically, work? We know the spirit of Justice became Vengeance by abomination, we knew Solas was Wisdom before he became Pride, so what was Spite before, and why wasn't that tied to Lucanis's own personal arc? (Doubly so if you romance him!)

Similarly, Harding was a delight, and her greenhouse was such a lovely little haven. I would have loved to see more explanation of the connection between plants and the titans, and how Harding's own personal struggles with rage connected to that of the titans. She has every reason to be angry and scared, and the game tells us she pushed that away—but we don't actually see her toxic positivity manifest to that degree, until she abruptly has an angry clone.

On the flip side, I loved the other five character quests, and I felt they had solid, poignant arcs that delivered. I also adored their interactions with the codex—if anything, I wanted to see more of that type of interaction on the screen. You have to fill in a lot of the character work for Rook yourself; Rook has all these interesting potential backgrounds, but I think starting the game playing through those, a la Origins, would have gone miles towards establishing more personal stakes up front and made for a stronger start.

So that's all my nitpicking. But let's talk about the bigger theme: It matters how you do it.

In the first Fade conversation with Solas, he gets so mad when Rook refuses to let him DARVO them about the consequences of his botched ritual. This makes way more sense when you understand he's literally imprisoned by his own regrets, and he needs Rook to have that same kind of regret in order to take his place. His entire arc is about rationalizing binary choices and shitty actions that hurt others in the name of a hypothetical greater good that he wants.

Solas can't engineer every binary choice Rook's forced into, but he uses Varric to maximize Rook's regret. He is trying to quite literally mold Rook into him, and the game is great at presenting this both as a coldblooded manipulation and a broken plea for validation—if you let it. You don't have to give Solas a moment of consideration; you don't have to take time to view his memories, or kill his demons, or listen to those scraps of Mythal still holding onto the good in him. You don't have to do any of it.

But you can. And in the end, it matters.

It matters because for every companion, you can encourage them to either be more nurturing/compassionate or destructive/closed off versions of themselves, and that is frequently tied to continuing or breaking from a cycle. (The exception is either Neve or, presumably, Lucanis, who are forced into the Hardened version depending on which city you save.) These aren't presented as morally opposing choices, just who you want them to be. You can see how the Grey Wardens fucked up bad with griffons and decide they have a better place. You can help Emmrich face his fear by finding deeper meaning in life instead of indefinitely postponing death. You can help them do things differently.

So when you get to the final choice in the game, you may have two options: physically force Solas into saving the Veil, or trick him into it. The kind of binary choice Solas has molded you into making by pelting you with cruelty and manipulation.

Or, if you've taken the time, you can get him to understand he's wrong. You bring out the people who saw the best in him and speak to what he's had to endure, even as you're showing him there's another way. You reach him not as Pride, but as Wisdom. And he goes willingly.

Ultimately, I think DA2 and Inquisition grappled with big questions of oppression and violence, faith and authority. It makes sense for those games to delve into harder, uglier subject matter, and ask you to make binary calls.

But my read of Veilguard is that, at its core, it's about how those decisions are meant to trap you in regret at best, and numb you to rationalizing cruelty at worst. It's why the companion who loses their home city becomes colder, more isolated, in response—more like Solas.

That's why it offers you a third way at the very end, but only if you've worked for it. A better way is possible, yet it has to be more than words. You have to understand where the pain comes from, what maintains and is being maintained by the current cycle. Then, and only then, can you break it.

I can't wait to play it again.

P.S. Utterly obsessed with the Trevisan fish merchant.

[adonneniel]

Ok, after finishing Veilguard and sleeping on it, my final impression remains disappointment and frustration. Spoilerific thoughts beneath the cut. Long post. Maybe a bit ranty/incoherent in parts, but I don't feel like going back to edit.

Positives, in no particular order:

The game is beautiful, even on (mostly) medium settings. Despite wishing for a few more wavy options, the hair is perfection and I honestly can't complain.

On a related note, the character creator is amazing. Customizing body & face tattoos! Height and weight sliders!!! I wish the bust and glute sliders went a further, but whatever. I can live. I like that we can import our characters on a new save, and I hope they patch in an option to do that with the Inquisitor as well.

Mechanically it was fun to play

THE BLOOD OF ARLATHAN QUEST. Absolute perfection. Everything I wanted out of this game. I felt hopeless and overwhelmed. My skin crawled. My gut clenched. The horrors of the Venatori were on full display & served as an excellent parallel to the rise of irl facism. And Solas an Elgar'nan exchanging insults inside my head?? I was giddy. I felt the centuries of compounding animosity mixed with grudging respect. I felt utterly out of my depths and it was wonderful. (And LMAO at the one dude fangirling over Rook)

The siege at Weisshaupt was pretty good too. I like failing. It makes the stakes feel real.

I loved the fresh take on Necromancy. Like, yessssss, make it beautiful and romantic and haunting! It's such a interesting departure from necromancy = gross & evil. They even made it mesh with spirit lore and kept the question of an afterlife alive.

Elgar'nan and Ghilan'nain's relationship. I was not expecting them to genuinely care for one another. It did a good job humanizing them & helped balance out the "muahahaha evil" vibe.

I actually didn't mind the magitech-ness. It makes sense that the ancient elves perfected magic to that point, and Tevinter really felt like a knock off version built on the elven empire's bones. It still looked fantasy overall.

I like most of the lore reveals. They were well foreshadowed and, no, I don't get the impression that they just decided to randomly make all the popular theories true. Even if that's the case for a few, they still make sense. (Though I can understand why people might be let down by all "the elves did it!!")

Fighting alongside Solas at the end was fun. Directing my companions during the final fight was fun. I liked that some of them could die (and did--poor Harding)

Solas in general honestly. I didn't find him out of character, just more openly desperate than he was in Inquisition. I also don't hate his dynamic with Mythal like some people, though I understand why it's divisive.

All that said, the negatives still outweigh the positives.

The writing felt timid. Like they were scared to offend anyone so they just decided to ignore the messy parts of their lore and/or hide it behind codex entries that most players probably don't even read.

All those lore drops and we barely had time to sit with them or deal with cultural consequences. Especially when religion is such a huge part of culture? You can't just disprove it and expect people to move on in a few conversations. The Dalish especially should be a wreck.

Tevinter was a disappointment after all the build up we've gotten over last three games. And no, I don't accept southern propaganda and events happening off screen as an excuse. It just reeks of lazy writing. Dorian and Mae's political party failed. Fenris and Dorian are primary sources. Tevinter is fucked up and we should've seen it explicitly on screen, not just limited to a few nasty individuals and codex entries. Instead of a racist, mage run slave state, we got a generic corrupt city with the unique bits alluded to. If you want to argue that it's just because we were in dock town, so obviously we wouldn't be seeing the decadent mage aristocracy...that's just an excuse. The writers didn't have to make that choice.

Wtf did they do to the Crows??? The assassins built on brutality and child slavery are now just being presented as freedom fighters??? Don't try to tell me Zevran reformed things behind the scenes. That's just another excuse for lazy writing (not to mention that he's dead in some player's worldstates). They didn't even deal with Lucanis' abusive upbringing! And it was right there!

The Lords of Fortune are a joke. Pirates Against Cultural Appropriation. Seriously? Combined with that codex entry trying to convince us that their fighting pit is purely volunteer based and death free?? Nah. I don't buy it. They were ultimately useless to the plot and even to the worldbuilding. I learned absolutely nothing about Rivain that hasn't already been told to us in past games (and they didn't even take the chance to show us those things! We just got an empty beach and a few background npcs.)

Tbh this all just feels like another symptom of the game's timid writing. We're good people who only ally with other good people. There's no "enemy of my enemy is my friend". There's no faction with ulterior motives. There's not even a political quagmire we have to navigate to get the Good Ones on our side. The closest we get is the First Warden. And tbh the Wardens are the only faction I felt was truly well written and well integrated into the overall plot. The Mourn Watch was interesting, but they mostly did their own thing over in the corner.

God, don't even get me started on the elves. No existential dilemmas when their gods are running rampant. Even the major god revelations happened off screen! The Veil Jumpers already knew! Lazy lazy lazy.

AND. AND they somehow projected their white guilt onto the most persecuted minority in Thedas! I wanted to crawl out of my skin every time someone apologized for what their people (the gods) did to the world. And to make it worse, they barely, barely, showed anti-elf racism on screen. A few throwaway lines are laughable in the face of that. As a jew--one of the groups DA elves are inspired by--I'm insulted and disgusted.

And someone pointed out that a Crow codex used the phrase "Never Again" in relation to the Dales? Get that phrase out of your mouth, Bioware.

In a similar vein, their treatment of the Antaam reeked of racism and orientalism, even moreso than usual. Big brutes yelling in a scary language with artificially low voices?? Barely dressed? We don't even get to talk with one until the end of the game? Other people have explained it better than me, so I'll leave it at this.

"Why do you want racism in your game? Are you secretly a racist edgelord in real life? Do you get off on people calling you a knife-ear? Do you just want an excuse to be a piece of shit?"

NO. I want good writing. I want realism. If you're going to include racism in your worldbuilding (which Dragon Age does), you have to own it. You have to deal with it. You can't just sweep it under the carpet because you want to avoid more controversy. The absence in Veilguard makes it look worse. You can't pat yourself on the back for angering the anti-woke brigade while perpetuating your own racist tropes. Do the writers even know they're being racist, or do they think it's all ok because the player isn't allowed to be fantasy racist?

Taash's story is a good example. Why the fuck are we put in charge of deciding their culture for them? Why is it tied to their gender? As a cis person I won't comment on the gender bits (I've heard conflicting opinions), but the culture aspect is handled terribly. Seriously. What the actual fuck, Bioware?

The companion situation has been beat to death, but I mostly agree with the criticism that everything is too HR-friendly. And I honestly can't believe those Taash/Emmrich and Harding/Emmerich intervention scenes actually made it through editing. I felt like a fucking preschool teacher lecturing children on how to play nicely. bad bad bad

I don't, however, think the companions are awful. They just kinda bored me. Or maybe not bored, but...didn't grab me? I like some of them, but I don't love them. There's no one I latched onto that makes me go feral. But I can accept that it's a matter of preference. I'm glad some people are happy, and I don't mean that sarcastically.

Maybe I'd feel differently if the game wasn't marketed as "found family"?

More personal preference: I don't like Rook, and I don't like their relationship with the companions. It feels too sterile & corporate, and Rook feels simultaneously too blank and too defined. And the defined bits of their personality are not for me. Dialogue options weren't diverse enough in feel.

LOL at not allowing the player to asshole options, but then the best we can give Harding is "Haha, no idea what you're talking about but good for you. Bye."

Also the game couldn't seem to decide whether my Rook was Dalish or not? According to the mirror I'm not, but then Rook outright says she's Dalish later in the game... Which is it, Bioware? Which is it?

THEY DELETED SOUTHERN THEDAS OFFSCREEN.

The illuminati secret ending is an awful decision. Way to take agency away from some of the more interesting antagonists. And this was obviously a retcon? There was no buildup to this. At most they were toying with the concept in DA:I, which is when the Executors were introduced.

It's hard to think of this game as a love letter to the fans when these last two points feel like a huge middle finger to everything that came before.

Yeah. Just...yeah.

Disappointment and frustration. All the building blocks for a great game are there, but they just...didn't come to fruition.

I might do another playthrough, but I also I might just take what I like from the lore and go back to previous games + my silly crossover fanfic. And BG3. That obsession was only just taking root when DATV came out, and I didn't get a chance to sit with it.

I'm sad.

[nevertoomanyspiders]

it's a Wheeler!

for literally no goddamn reason, have an assortment of Wheelers from various adaptations and depictions ...that aren't John R. Neill's art or Return to Oz stuff, everyone already knows those, haha.

...well ok except this one from the endpaper of Ozma of Oz because it's new to me, at least, and the gutenberg.org copy doesn't have it.

what a dang dork, bless. glad he and Tik-Tok set aside their differences to watch the race.

Illustration

from 1976 Polish edition of Ozma of Oz with art by Zbigniew Rychlicki, via Reddit:

these lads are so stylish and their oversized heads are pretty freaky, dang.

a very 17th century Wheeler from 1970 Japanese edition of Ozma of Oz, art by Sonoko Arai, via Hungry Tiger Talk:

a dang goofy Wheeler by Vlada Stolikovich, 1976. also via Hungry Tiger Talk:

anyway, fuck, um, everything else is under a cut because this post ended up a bit too long oops.

something I have a hard time finding information on beyond that what I assume to be a Korean translation (?) of an Indonesian edition (???) of Ozma of Oz with 3D CGI illustrations. would be fun to see if there's more images within. not a damn clue who made these illustrations, either.

gosh those Wheelers. dunno what the artist was going for but there's a bit of a renaissance vibe. what if this was an animated thing? on that note...

Animated adaptations

the 1987 direct-to-video short Dorothy Meets Ozma of Oz has uh. these fuckers. seemingly there's only two. probably because of low animation budget, lol.

well, I say there's two, but it's just one design with a palette swap one has blonde hair and pink coat, the other has black hair and orange coat or something. also it's not evident from the screenshots but these dorks have long, pretty eyelashes and GAWD the voice acting is. well. hear for yourselves.

one of my favourite moments is Ozma turning up, saying "Enough." and bonking a Wheeler on the head with her scepter. here's the time stamp.

oh yeah I'm sure a bunch of folks have seen the Wheelers as seen in Oz Kids courtesy of this post. they appear in the episode Who Stole Santa. (and no it wasn't the Wheelers, obviously, they're just here to be annoying and trying to prevent the characters from taking a specific path.)

the guy in purple, who I'm calling Squeky Wheel, looks a lot like the Wheeler in this Ozma of Oz chapter art by John R. Neill. poor guy got walloped pretty hard.

anyway only Squeaky talks while his two buddies remain silent. these guys are such pushovers and the kids aren't scared of them at all.

Dorothy and the Wizard of Oz (2017-2020) has these little bobble-headed goobers.

can't say I'm crazy about how they look but their characterization as reckless speedsters is a fun one. in one episode they even make friends with Tin Man after he replaces a busted wheel.

Ozu no Mahotsukai (オズの魔法使い, 1986-1987) has a... very strange interpretation of the Wheelers, but then, the series does play fast and loose with the source material as it is, which I don't mind! an adaptation doing something fun with the source material adds an element of unpredictability which I like... so, I'm not terribly surprised by how much they deviate from the book descriptions.

they wouldn't look too out of place in the B.C. comic strip.

and this segues perfectly to...

Comics

the Marvel comic adaptation of Ozma of Oz by Eric Shanower (writer) and Skottie Young (artist) probably has some of my fav depictions of the Wheelers, and I really like this variant cover (I believe it's by Eric Shanower?)

these guys are utterly freaky but also dang silly. watching these fucked up abominations bumble around defuses the terror.

there he go

so, there's the ones I've seen so far. if there's more that you know of, SEND THEM TO ME I NEED THEM SO BAD HELP

[rjschoicesstuff]

Choices fandom appreciation shoutouts

This event is so so so lovely and I really want to join in hehe. I'm not great at expressing my thoughts/feelings and stuff but I really wanna try because I'm really thankful for all of u guys!! :)

When I first posted on this account last summer I honestly expected I'd probably post a few things and dip again because I usually don't get much attention on social media platforms. And also wasn't sure if anyone would really vibe with my approach to characters and stories hahaha 🙈.

But instead people were so nice and I felt so welcomed and like 'oh wow people seem to actually enjoy what I do??' And I had so much fun reading the tags left on reblogs of my art and stuff. And alongside that it has been soooo fun to see everyone elses posts and characters and leaving my thoughts on those as well (and slowly getting less shy about it too 💪). And I even started reading fanfic for the first time in my life hahaha.

I feel like I'm rambling but I just really want to say all this haha, it's been so fun being on here! I love drawing everyone's characters and other requests and will keep doing that (like pleeaase dont be shy, I love drawing everyone's characters) because it's fun and it's also kinda how I say 'thank you' for all being so nice to me!! So yeah thank you all for making me feel so welcome the past months! :)

Especially as someone who usually has trouble making friends and putting myself out there due to shyness it means a lot!

Under the cut I'll also put some messages directed at separate people, I'm fighting the lil voice in my head that's shy about this but you guys all deserve to hear it hehe, even if I'm kinda ass at expressing myself like this

But even if not mentioned/tagged I appreciate everyone who supports me/my work so much and I love seeing you guys in my notes!!

@lovealexhunt In the short time I've been here I've noticed you do so much for people and this fandom! I've loved all the fics you wrote that I read so far and love how you write Mal and Daenarya together (and the vampire au OOOO). She's so fun and I loved drawing her interacting with Ripley and will definitely do it again sometime!! And I'm also still so obsessed with the geometric Ripley art and I thought it was so sweet of you to draw that for me aaaa

@lilyoffandoms I always love seeing your art on my tumblr feed and your designs for your mc's!! And I'm still sooo in love with the Ripley drawing you did and that really made my day back then because it was a total surprise too!! In general all the art you've done of my characters has just been awesome and made my day every time!!

@choicesmc I love what you do with all your mc's, when you make picrews for them, the artworks I've seen you do for them and all the info you share about them, you're so so creative!! I love all your writing a lotttt, especially the shorter ones you've been posting lately!! I rly enjoy talking to you in dm's a lot, if it ever seems like I don't it's just me being shy haha 😭. I also love the tags you leave when you reblog my art and when you point out stuff you notice :)

@sapphoschoices Thank you for so often sharing my posts!! And in general always supporting people and sharing their work! I love all the edits I've seen you do and hope you'll keep sharing more hehe. I also read a fic by you for the first time last week and really enjoyed it! Made me wanna replay Desire & Decorum..

@rosesnink Thank you for letting me borrow your mc's a few times when I wanted to draw interactions! I had so so much fun writing back and forth about Rex and Brienne after I posted the art of them together hehe, I always love to see other people with orc mc's in general. I also really like the gif edits you make and your fics I've read so far!

@aria-ashryver You were one of the first people in the fandom who started sharing and commenting on my art and thanks to that I ended up not just  posting a few things and dipping forever like I expected hahah. I always really enjoy reading through the tags you leave on the art I post!! I finally caught up to SICSIG a while ago and it was sooo fun seeing what you did with Immortal Desires and all the extra lore and stuff and I can so clearly tell so much love went into it. And your sprite edits are also always so amazing aaaa.

@cadybear420 Thank you for often sharing my posts I really appreciate it hehe. And thank you for letting me draw your mc's a few times, I had sm fun with it haha. And it was really fun talking about Ripley and Evie interactions. I really enjoy your edits, you're so skilled aaa!! I also enjoy reading about your mc's a lot + how you write gnc characters and gnc m×f romance.

@gaiuskamilah I loveeee your art a lot and love seeing it on my feed!! I also really enjoy reading your thoughts on books, characters, themes in books etc. You make me wanna replay BloodBound so bad (and I definitely will do that soon)

@hsslilly-blog I'm sooo obsessed with your art you have no idea. You're rly funny and I rly enjoy seeing your posts on my feed. I really really love how you write characters, like they just feel so real, it's super inspiring!

@mydemonsdrivealimo I really really enjoy your art and everything you share about Jensen and Bryce. You're like  The Bryce Mutual to me, anything you say about him is basically canon to me lol. Thank you for letting me draw Jensen a while ago it was SO fun aaaa

@peonyblossom

Thank you for the cover redraw ideas you sent when I asked for ideas, I had sooo much fun drawing the Alpha cover with Kalani and Channing!! I enjoy the bits you share about your mc's and oc's a lot too!

@choicesfandomappreciation

[homochihuahua]

Yo people think of this

Dick a lone hunter. Living on the skirt of town, all alone and isolated with only his two hounds as company. His relationship with his extended family is strained, especially after the death of that boy Bruce took in his place. The one who would look at him with worship in his eyes, like he had been searching for something all his life and had finally found it. His demise. His passing had broken them all. Dick didn't form that much of a relationship with him to began with. Too angry at Bruce and too involved in his work and life to care for one more stray Bruce plucked from the streets. But god it had left him wounded. And while the wound had closed it has yet to heal even now.

Dick spends a relatively simple life now. Long gone the glory he once bathed in with his team to a life of tending to cold hollow house with no one to wait for him in it.

Dick first met him after slipping from a cliff where he got himself injured. Something near fatal if he didn't get help as fast as possible. Apparently he separated far a way from his hounds way too far for them to find him in the right time. Not like the poor animals would be able to think of bringing in human help before setting in to find their master anyway.

As he was finishing that thought, He appeared right in front of him. From the snow like a soft blotch of blood with his red fur, a fox. It looked at him and he looked back at it in return. Tentatively inching to where he lay, Dick gripped the knife inside his pocket, ready for the worst, if it decided to attack for whatever reason. But just a few inches from him the fox looked into his eyes. This close Dick can see them now a beautiful haunting teal colour, something he hadn't seen on any other creature before, almost otherworldly. And in it's gaze Dick found something familiar, he doesn't know how, but it feels like this fox recognised him. And Dick in turn recognised him too.

He went away after that, leaving him all back alone. Dick contemplated his departure, somehow feeling lighter of his impeding end. After some time, that couldn't be even an hour long if his estimations were right, Dick heard the sound of dogs and people. He screamed his lunges out for them, with as much strength he musterd after much blood loss. Harsh haltings and the sound of shuffling through the snow, Dick looked up in time to see some of the town's hunters with their own hounds and his, coming his way.

"Richard! Thanks the Deity we found you"

"How?" He managed weakly.

"Your hounds came back to town following a fox! Our own joined them and we followed them to get them back to home, because for some reason they weren't listening to orders.", "and we also worried of your dog, as we know of how well trained they are and how they would not dare leave your side... we worried something happened to you"

Dick didn't really pay much attention past the "Fox" he looked around willing to catch him again and he did. It looked at him from far away. Kept on looking for sometime and then trotted away.

Dick thanked the fox and he thanked the gods for sending him to Dick.

The second time Dick met him, was when he was nursing a heavy fever amidst a snow storm. Harsh knocking on his door had awaken him from restless slumber. He wondered what person out of their mind would be out and about at this time, or it simply could be someone seeking refuge at his shamble of a house. Either way Dick readied his hunting knife and riffle. He opened his door with a harsh gush of storm air entering his house blocking it from him, almost protectively, was a younger man. Dick's high fever faced with sudden cold made his mind all fuzzy and dizzy, because he recognised those eyes, and that face looked like it belonged to someone who never got the chance to grow into it. His illness took the better of him, Dick fell into a strong, warm, chest. Wide shoulders and powerful arms engulfed him, warmth seeping into his quivering body.

"Shush, I got you now"

Tears filled his eyes for some reason, from his illness, the cold or the unexpected surge of weird emotions, he doesn't know. He Couldn't have put his fingers on it even as his life quite literally depended on it. With this stranger at his doorstep, and him in such weakened state.

But Dick felt safe. This man would keep him safe.

Dick woke up. His hounds were laying by either side of him. He looked into his room to find doctor Thompkins in a chair by his side.

"Good morning Dick. How are you feeling? Last night must have been a hard one on you."

"I had a simple fever. What are you doing her Dr Thompkins ?"

"I am afraid it wasn't as simple as you'd like to believe.. if not for that young man taking care of you through it, you might have not gone through last night Dick.", "which, answering to your question, was the one to seek me after you had stabilised a bit. Quite the young man he was, to seek me and drag me through the storm to get to you"

Dick's braind was still fuzzy with the memory. He had thought it a hallucination and nothing more. No person should have had those eye. Especially not him.

"Where did he go" he said instead "I don't know. After he got me here he just left without a word, and you know me I don't ask unnecessary question and would rather spend the time and effort tending to my patient" a beat of silence "you don't know him either" a statement not needing a confirmation "you don't know who I know or might not know", "But I do Dick. Everyone dose know how isolated you are and it's a face I haven't seen around town before"

Dick didn't have anything to say to that. He only thought "Maybe it's an envoy from the deity, a guardian angel, if you Will" he declared. And even through the dizziness and fuzziness he felt, he could confirm. That the weight he felt propping him was very real and human.

"Don't be ridiculous, I never sought you as a religious person"

"Hmm" Dick allowed, signalling he wanted the conversation to end. which Leslie allowed easily.

As she finished with directing him to each medicine he was supposed to take, she made a promis to come check on him in the early evening then she left him to his cold empty house again.

Dick stroked his hounds thinking, yearning, was the fox only going to come to him in times of need? Did he only allow himself in Dick's life only when death was at his door steps waiting for him? Did Jason only come to ward the angels of death away from him, because he regarded Dick as something precious to him,but his anger for Dick's neglect and detachment of him made Jason punish Dick by never returning back to his life properly?

Dick left his hands to his eyes slowly. As the weight of his loneliness settled on his shoulders, the tears started to flood. He hoped his hands were enough to shield him from Jason's ever watching eyes, least he be watching now, and so he might blame Dick's pain on his own self.

[wizard-laundry]

QUICK REMINDER

In the US: threatening government officials is a felony under federal law (the president in particular is protected under 18 U.S.C. § 871). Even memes.

be careful with your jokes if they spill over to active officials.

[retracexcviii]

Sunday Moon

Hi there dear fellows and Luna lovers. Sunday once more time.

Don't edit this drawing and don't post it anywhere.

Again this style of coloring and again Luna using the book because I want to die in this hill.

The wonderful artist is @/tbyeolh on Instagram.

[thatswhatsushesaid]

i do understand and acknowledge that most people who pick up mdzs and get really into it walk away from the experience with wangx!an brainrot that brings them joy and suffering (affectionate) in equal measure, and--unless they're assholish at me or my pals--i wish all of those people well and hope that the veritable cornucopia of wangx!an content on this webbed site and AO3 is everything they've ever wanted out of their fandom experience. wwx is the protagonist, lwj is his court-appointed soulmate, their happily ever after is what most people pick up the books wanting to experience, and that's, you know, fine. live your bliss etc.

i just hope that one day it won't be such a hot and controversial take for fans who didn't develop wangx!an brainrot, and who found something and/or someone else more compelling and engaging about the text, to be able to say as much, and talk about it as much as we want to, without generating a bunch of passive-aggressive--or aggressive-aggressive--commentary from hardcore wangx!an stans who seem to take our disinterest in the central romance personally for whatever reason. like genuinely i would probably not dislike wangx!an as much as i have come to dislike them if i hadn't been inundated with very rude reblog commentary or anon asks early on in my fandom experience just for saying /checks my notes, "maybe jin guangyao isn't evil, actually. maybe wei wuxian did some things wrong."

dgmw, i'm glad that lots of people here are able to like jgy, for example, and still enjoy wwx and wangx!an specifically. but for those of us who don't, or who are struggling to rediscover some affection for the main pair, this attitude.... did not develop in a vacuum lol. i would just like for people to bear that in mind, i guess.

[mermaidsirennikita]

I just don't think an author should edit the racist (or otherwise problematic) shit they wrote out of an edition of their book, let the other editions go out of print, and not at least leave a note acknowledging that they made the edits because they wrote something problematic and they apologize, but if you're buying this book you should probably know that it had content you may find offensive.

[theflyingfeeling]

I think today I will cry about BC not making tour vlogs anymore 😔

[laugtherhyena]

3:23AM, time to post Hatamori fankid and retreat back into my hiding hole

[rotisseries]

inspired by elli's poll lol cause this seems fun actually but if you guys have bad answers I'll kill myself on your doorstep or smth

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[meownotgood]

how do you write so well ? can you give us any tips for anyone who wants to start writing fics ? :)

-anon from France (･ิω･ิ)

of course!!! I'm not gonna lie.... I wing a lot of stuff when I'm writing so I may not be the best at giving very solid advice 😭 but, I will share some tips that helped me, and maybe they can help you too!

practice! def the most obvious one, the more you write the more you'll be able to improve. but practice isn't just writing, you can improve so much more by reading as well. or even watching a show or playing a game, indulging in a story you really love, you can learn much from that story to improve your own writings as well

write like shit! I heard the phrase, "write drunk, edit sober" a little while ago, and it's so perfect to how I feel about the writing process. just write whatever ideas you have, don't stress about your first draft not being good, or not what you'd like. no one can write perfectly on the first try, that's where editing comes in, to smooth out wrinkles and make everything nice. it is perfectly okay if you can only write a simple outline right now because you can come back and make it beautiful. write "lol I don't know what to put here" and come back while editing, put "insert romantic scene here" and continue. and seriously, don't be afraid to write something that's "bad" or "cringe" because nobody will read your first draft but you! just speak from your heart and your head will take it from there! and if you write something you really don't like, you're under no obligation to let anyone see it. writing a bunch of crap is a part of the process. you can never improve if you put yourself down, and don't allow yourself someplace to start

find your own flow! everyone writes different, some environments might work better for you and some might not. some people write while listening to music because it helps, I cannot because my brain would turn pickled. some can write thousands of words per day, some can only write 100. do what is best for you, try different things to learn where your best flow state is. don't push yourself to write when you don't want to or more than you can, your best work will come when you are most comfortable.

write what you want! write the story you want to read. writing is hard, it's often frustrating, but the story you want to tell is something only you can do, that's why no one has told it yet. enjoy the process as much as you can, the bad and the good!

[daz4i]

my mind is once again assaulted by people's incorrect views of my special little guy. not sure i can recover from this.