#made in san francisco

[jaarijani]

I Wanna Have Fun~✨

rendering by the lovely @linkhundr 💕

[tuituipupu]

san francisco boy is bascially barbie girl 💅✨ but with more agency like u can 🎀 touch his hair (on his terms) and u can 🎀 undress him anywhere (bc exhibitionism on his terms).

[canwriteitbetterthanueverfeltit]

I bought lil pouches to fit my linocut so here are some snail prints done with paint marker as a test 🐌

[fruitykitkatbar]

8 hours I poured my soul into this 🙏 I almost posted him w a massive red dot on his shoulder like I did in discord 😭😭😭😭😭

As always, low quality speedpaint is provided underneath, but this time with a track made by my bestie @rockingego (ik I've tagged you in like everything I just feel bad not giving credit 😭)

I had 8 hours of colorguard practice today too and instead of sleeping last night I did ts and IM SO HAPPY WITH ITTTTT!!!!! It was originally gonna be gojo but like I made the hair pink on accident and then gave up really fast

[shoshohtani]

up and in fastball? (his face is literally the 😬 emoji) [x]

[20230810] San Francisco Giants @ Los Angeles Angels

[synthaphone]

found a little paper doll of an old high school era oc in the bottom of a magazine holder i took back from my parents house��� i dont even remember making this

[adodora]

I'm watching s2 of Interview with the Vampire and maybe I'm really not cut out for this critical thinking towards media business. Cause in season 1 I had no problem seeing Lestat as a little bitch who does monstrous things, but is retrospect it may have been just because the actor who plays him is the opposite of my type by any possible metric. I say that because now, while I know Armand is also a monstrous little bitch, all I can think while watching the show is Wow, they really found the hottest twink in Britain and told him to do a french accent huh. Sorry, was there a plot happening? I can't see it over his golden eyes

[lastflunky-draws]

It's the Chick Tract sins but with Lupin III. In 2019 I was in America and saw a Chick Tract with my own two eyes, this was the inspiration for this. You can look at the original under the cut.

[winter-seance]

[victusinveritas]

[frommybookbook]

I keep thinking about this moment from Perry Mason Returns. Della has been accused of murder and Perry has just gotten the real killer to confess on the stand. And we pan back to the defendant's table and see Paul Jr. be the first to react and to reach out and grab Della's hand in relief, almost before she's even processed it herself.

I know so much of this is just the mother/son relationship between Barbara Hale and William Katt, but I love how it comes across for Della and Paul Jr.

As much as this movie is about Della and Perry, it's also about Della and Paul Jr. They clearly have such a close bond. One of my favorite scenes in the movie is when Paul Jr. essentially tells Perry to f-off, he'll be working Della's case whether Perry approves or not. And then we get this moment, between these two and not Perry and Della, in this ultimate moment of release, and it's just beautiful.

[dionysus-complex]

man the thing about San Francisco is that obviously it's expensive as hell even compared to the already expensive as hell city we live in but walking around these neighborhoods on a sunny September afternoon it's like, okay, I get it

[nedlittle]

okay this is gonna be my last post on the matter but enough about GOOD gay historical fiction i want to hear about BAD gay historical fiction. books with 21st century characters with 21st century sensibilities transported into an amorphous past. books that don't care about the historical periods they represent. books with absolute DOGSHIT prose. i love mess

[savage-kult-of-gorthaur]

LOOK FOR THE BUILT "PLENTY TOUGH" DESIGN MONKEY LOGO -- AN AMERICAN CLASSIC.

PIC(S) INFO: Mega spotlight on assorted vintage Ben Davis clothing tags, undated, c. mid to late 20th century, USA.

Sources: www.pinterest.com/pin/182255116161772601, various, etc...

[theaskew]

Elliott Hundley (American b. 1975, lives and works in Los Angeles), Agave, 2010. Collage, medium inkjet prints on Japanese paper, photographs, plastic, and pins on sound board, 6 in. × 192 in. × 14 in. | 243.84 cm × 487.68 cm × 35.56 cm. (Source: SFMOMA, San Francisco Museum of Modern Art)