#mabel seely

[friendlessghoul]

Behind the Screen

Naturally Buster Keaton enjoys his daily "physical jerks"! And who wouldn't with such a charming support as Sybil Seely? As a matter of fact, the whole thing looks to us like a new-fangled way of performing an old-fashioned stunt known as "kissing." Buster is already described as a worthy successor of Fatty Arbuckle, and has just completed his fourth comedy for Metro, The Backyard. When last heard he was vacationing in Norther California. Sybil Seely was Buster's leading lady in One Week, the first of his Metro Comedies.

-Picturegoer, Saturday November 20, 1920

[hotvintagepoll]

THE TOURNAMENT IS OVER! Eartha Kitt lounges in her deck chair in the sun, dipping her toes in the pool with Toshiro Mifune and sipping a brightly colored fruity something with an umbrella in it.

Far below in the shadow realm, however, the fallen hotties dance in the dark—let's take a minute to look back at them under the cut.

PRELIM PRETTIES:

Claude Gensac, Silvia Pinal, Ewa Aulin, Rita Tushingham, Annette Funicello, Norma Bengell, Catherine Spaak, Brigitte Auber, Micheline Presle, Nanette Fabray, Libertad Lamarque, Vera Miles, Martha Raye, Catherine McLeod, Virginia Mayo, Elizabeth Allan, Belle Bennet, Virginia Cherill, Mary Brian, Ruth Chatterton, Agnes Ayres, Merna Kennedy, Marie Prevost, Corinne Griffith, May Allison, Virginia Brown Faire, Alice Brady, and Jetta Goudal

ROUND ONE WONDERS:

Angie Dickinson, Thelma Ritter, Geraldine Chaplin, Evelyn Preer, Vanessa Brown, Betty Blythe, Susan Hayward, Mae Clarke, Sally Ann Howes, Ossi Oswalda, Adrienne La Russa, Hermione Gingold, Barbara Bouchet, Melina Mercouri, Anna Karina, Edwige Fenech, Charmian Carr, Pina Pellicer, Marlène Jobert, Tsuru Aoki, Alice Roberts, Leila Hyams, Lady Tsen Mei, Geneviève Bujold, Dolores Hart, Anita Berber, Bonita Granville, Vonetta McGee, Claire Windsor, Zizi Jeanmaire, Tuesday Weld, Grace Darmond, Carol Channing, Deanna Durbin, Laraine Day, Mariette Hartey, Wendy Hiller, Candy Darling, Hermione Baddely, Valeria Creti, Ella Raines, Ann Miller, Dana Wynter, Dalida, Martine Beswick, Gale Storm, Simone Signoret, Cristina Gaioni, Mabel Normand, Stéphane Audran, Ruth Weyher, Anna Wiazemsky, Ann Sheridan, Sandhya Shantaram, Alice White, Anne Francis, Gena Rowlands, Lyda Borelli, May Whitty, Cathleen Nesbitt, Jessica Walter, Virna Lisi, Barbara Shelley, Iris Hall, Heather Angel, Anne Shirley, Joanna Pettet, Virginia O'Brien, Joan Collins, Greer Garson, Gracie Allen, Peggy Ryan, Frances Dee, Shirley Maclaine, Geraldine Farrar, Kathleen Byron, Margaret Hamilton, Eva Gabor, Francesca Bertini, Julie Adams, Olga Baclanova, Misa Uehara, Yvette Vickers, Milena Dravić, Jenny Jugo, Madeleine Carroll, Benita Hume, Olive Borden, Shirley Jones, Miyoshi Umeki, Dorothy Lamour, Gale Sondergaard, Mary Anderson, Charlotte Greenwood, Sybil Seely, Mona Barrie, Kathryn Grayson, Katharine Ross, Madge Bellamy, Rhonda Fleming, Sally Gray, Jana Brejchová, Debra Paget, Madame Sul-Te-Wan, Evelyn Brent, Zelma O'Neal, Marie Laforêt, Türkan Şoray, Beatriz Costa, Irene Zazians, Eleanor Powell, Susan Luckey, Patsy Kelly, Lil Dagover, Norma Talmadge, Dorothy Mackaill, Madge Evans, Virginia McKenna, Am��lia Rodrigues, Mamie Van Doren, Valerie Hobson, Isabel Jeans, Beata Tyszkiewicz, Claire Luce, Aleksandra Khokhlova, Nieves Navarro Garcia, Janet Leigh, Carmen Miranda, Jean Harlow, Aud Egedge-Nissen, Nina Foch, Jean Simmons, Piper Laurie, Katy Jurado, Jayne Mansfield, Anita Garvin, Frances Farmer, Lizabeth Scott, Joan Greenwood, Una Merkel, Arlene Francis, Ethel Merman, Doris Day, Suzanne Pleshette, Ruta Lee, Carolyn Jones, June Richmond, Eva Nil, Diana Dors, Anna Chang, Colleen Moore, Alexis Smith, Yvette Mimieux, Ruby Keeler, Viola Dana, Dolores Grey, Marie Windsor, Danielle Darieux, Jean Parker, Julie Christie, Acquanetta, Leatrice Joy, Ghita Nørby, Julie Newmar, Joanne Woodward, Sandra Dee, Eva Marie Saint, Simone Simon, Katherine Dunham, Birgitte Price, Lee Grant, Anita Page, Flora Robson, Martha Sleeper, Elsie Ames, Isabel "Coca" Sarli, Glenda Farrell, Kathleen Burke, Linden Travers, Diane Baker, Joan Davis, Joan Leslie, Sylvia Sidney, Marie Dressler, June Lockhart, Emmanuelle Riva, Libertad Leblanc, Susannah Foster, Susan Fleming, Dolores Costello, Ann Smyrner, Luise Rainer, Anna Massey, Evelyn Ankers, Ruth Gordon, Eva Dahlbeck, Ansa Ikonen, Diana Wynyard, Patricia Neal, Etta Lee, Gloria Stuart, Arletty, Dorothy McGuire, Mitzi Gaynor, Gwen Verdon, Maria Schell, Lili Damita, Ethel Moses, Gloria Holden, Kay Thompson, Jeanne Crain, Edna May Oliver, Lili Liliana, Ruth Chatterton, Giulietta Masina, Claire Bloom, Dinah Sheridan, Carroll Baker, Brenda de Banzie, Milú, Hertha Thiele, Hanka Ordonówna, Lillian Roth, Jane Powell, Carol Ohmart, Betty Garrett, Kalina Jędrusik, Edana Romney, Geraldine Fitzgerald, Kay Kendall, Ruth Hussey, Véra Clouzot, Jadwiga Smosarska, Marge Champion, Mary Astor, Ann Harding, María Casares, Maureen O'Sullivan, Mildred Natwick, Michèle Morgan, Romy Schneider, Elisabeth Bergner, Celeste Holm, Betty Hutton, Susan Peters, Mehtab, Leslie Caron, Anna Sten, Janet Munro, Nataša Gollová, Eve Arden, Ida Lupino, Regina Linnanheimo, Sonja Henie, and Terry (what a good girl)

ROUND TWO BEAUTIES:

Evelyn Nesbit, Thelma Todd, Tura Satana, Helen Gibson, Maureen O'Hara, Rocío Dúrcal, Mary Nolan, Lois Maxwell, Maggie Smith, Zulma Faiad, Ursula Andress, Musidora, Delphine Seyrig, Marian Marsh, Leatrice Joy, Sharon Tate, Pina Menichelli, Teresa Wright, Shelley Winters, Lee Remick, Jane Wyman, Martita Hunt, Barbara Bates, Susan Strasberg, Marie Bryant, Diana Rigg, Jane Birkin, Rosalind Russell, Vanessa Redgrave, Brigitte Helm, Gloria Grahame, Rosemary Clooney, Bebe Daniels, Constance Bennett, Lilian Bond, Ann Dvorak, Jeanette Macdonald, Pouri Banayi, Raquel Welch, Vilma Bánky, Dorothy Malone, Olive Thomas, Celia Johnson, Moira Shearer, Priscilla Lane, Dolores del Río, Ann Sothern, Françoise Rosay, June Allyson, Carole Lombard, Jeni Le Gon, Takako Irie, Barbara Steele, Claudette Colbert, Lalita Pawar, Asta Nielsen, Sandra Milo, Maria Montez, Mae West, Alma Rose Aguirre, Bibi Andersson, Joan Blondell, Anne Bancroft, Elsa Lanchester, Nita Naldi, Suchitra Sen, Dorothy Van Engle, Elisabeth Welch, Esther Williams, Loretta Young, Margueritte De La Motte, Ita Rina, Constance Talmadge, Margaret Lockwood, Barbara Bedford, Josette Day, Stefania Sandrelli, Jane Russell, Doris Dowling, Zsa Zsa Gabor, Donna Reed, Ruby Dee, Diana Sands, Billie Burke, Kyōko Kagawa, Françoise Dorléac, Hend Rostom, Monica Vitti, Lilian Harvey, Marjorie Main, Jeanne Moreau, Lola Flores, Ann Blyth, Janet Gaynor, Jennifer Jones, Margaret Sullavan, Sadhana, Ruby Myers, Lotus Long, Honor Blackman, Marsha Hunt, Debbie Reynolds, Michèle Mercier, Irene Dunne, Jean Arthur, Judy Holliday, Tippi Hedren, Susse Wold, Vera-Ellen, Carmelita González, Nargis Dutt, Purnima, Harriet Andersson, Yvonne De Carlo, Miroslava Stern, Sheila Guyse, Helen, Margaret Dumont, Betty Grable, Joan Bennett, Jane Greer, Judith Anderson, Liv Ullman, Vera Zorina, Joan Fontaine, Silvana Mangano, and Lee Ya-Ching

ROUND THREE ELECTRIFIERS:

Jean Hagen, Sumiko Mizukubo, Mary Philbin, Ann-Margret, Margaret Rutherford, Claudia Cardinale, Eleanor Parker, Jessie Matthews, Theresa Harris, Brigitte Bardot, Alla Nazimova, Faye Dunaway, Marion Davies, Anna Magnani, Theda Bara, Myrna Loy, Kay Francis, Fay Wray, Barbra Streisand, Bette Davis, Hideko Takamine, France Nuyen, Claudine Auger, Miriam Hopkins, Maylia Fong, Samia Gamal, Maude Fealy, Machiko Kyō, Sharmila Tagore, Lucille Ball, Ginger Rogers, Juanita Moore, Anna Fougez, Waheeda Rehman, Ruan Lingyu, Nina Mae McKinney, Ethel Waters, Nadira, Olivia de Havilland, Abbey Lincoln, Louise Beavers, Agnes Moorehead, Lana Turner, Norma Shearer, Maria Falconetti, Reiko Sato, Marie Doro, Clara Bow, Margaret Lindsay, Catherine Denueve, Madhabi Mukherjee, Rosaura Revueltas, Hu Die, Mary Pickford, Fredi Washington, Louise Brooks, Leonor Maia, Merle Oberon, Paulette Goddard, Vivien Leigh, Francine Everett, Savitri, Tita Merello, and Meena Kumari

ROUND FOUR STUNNERS:

Judy Garland, Dorothy Dandridge, Yoshiko Yamaguchi, Marilyn Monroe, Irene Papas, Lupe Vélez, Pola Negri, Gene Tierney, Barbara Stanwyck, Gina Lollobrigida, Lena Horne, Nutan, Jean Seberg, Kim Novak, Gladys Cooper, Tallulah Bankhead, Linda Darnell, Julie Andrews, Carmen Sevilla, Gloria Swanson, Glynis Johns, Anne Baxter, Angela Lansbury, Anita Ekberg, Toshia Mori, Deborah Kerr, Hazel Scott, Chelo Alonso, Cyd Charisse, Nancy Kwan, Devika Rani, Shima Iwashita, and Anouk Aimée

ROUND FIVE SMOKESHOWS:

Setsuko Hara, Pearl Bailey, Joan Crawford, Madhubala, Marpessa Dawn, Keiko Awaji, Rita Hayworth, Veronica Lake, Ava Gardner, Greta Garbo, Grace Kelly, Xia Meng, Suraiya, Natalie Wood, María Félix, and Mbissine Thérèse Diop

ROUND SIX SEXY LADIES:

Marilyn Monroe, Sophia Loren, Vyjyanthimala, Jane Fonda, Katharine Hepburn, Josephine Baker, Elizabeth Taylor, and Ingrid Bergman

QUARTER FINALIST GLAMAZONS:

Audrey Hepburn, Marlene Dietrich, Anna May Wong, and Lauren Bacall

SEMIFINALIST ICONS:

Rita Moreno, Diahann Carroll

FINALIST FABULOSITY:

Hedy Lamarr

ULTIMATE CHAMPION OF THE HOT & VINTAGE MOVIE WOMAN TOURNAMENT:

Eartha Kitt

[invertedeidolon]

The Longest Library #5: The Crying Sisters by Mabel Seely

(This is a series in which I attempt to read and review all (or most of) my library of 297 books.)

Rundown: A librarian wishes for a little more excitement in her life and IMMEDIATELY regrets it. Goes to a resort with a stranger, hired to look after his kid. His kid is cute but he may or may not be a fucking literal murderer?? We don’t know!! 4/5, good suspense, great pacing, a steady read that won’t make you obsessively read for three days straight, but it will definitely overtake your lunch breaks.

This entry took me a little longer, not because it was a bad book, but because for roughly two or so weeks I got caught up in mental health shite and had to re-tweak my schedule YET AGAIN and force a half hour of reading in the mornings to make sure I actually had time to read. This book was wonderful.

I think this book marks the first actually good mystery I’ve ever read. Considering I never read mysteries, and the first one I read was catballs mcgee over here. There are some reviews that seem to be bothered by the authors occasional tendency to mention something and then go “I had no idea that would be so important at the time”. Personally, I loved it. It put me in a further state of suspense, and it had me attempting to put more things together. There’s not enough info to pin one person down, and the really obvious choice is a REALLY obvious choice, and the main heroine constantly agonizes over it, so you know the book wouldn’t do THAT, but still... what if? The very last resort my mind ended up going to in a lazy scooby doo kind of way ended up being right, but the intricacies of their place in the whole plot was still a surprise.

No, the super conservative prude witch lady had absolutely nothing to do with any of it, she was just unpleasant.

A really cool thing about this book, at least the copy that I have, is that it’s a reprint from 1944, during the war. There’s a little note in the front about book cloth shortage because of war-time rationing (you can see it in my instagram post here). So instead it was bound in a ‘sturdy paper fabric’ instead. That, plus the aging of the paper, give it a really smooth and airy feel, for a book. I love holding this thing.

Okay, onto quotes.

We already start off strong with the writer’s description of oppressive summer heat:

“In the afternoon I was a cooking waffle between two irons, the steely paving and the chromium sky; heat from below pressed up and heat from above pressed down until the juice oozed out of my bones and each eye was a separate furnace”

Hot damn that’s a HOT day.

“My imagination worked overtime a bit, but the last thing I would ever have thought was that that revolver would come into my possession”

There’s that hinting that people were talking about. But it wasn’t useless or meandering. This line appears on page seven and become EXTREMELY pertinent by the end of the story. I don’t mind hinting if it isn’t useless without giving too much away. We have no idea about the circumstances of how she gets the gun, but all we know is that she gets it, and that’s just a tiny bit exciting already. The author putting a little foreshadowing in front of us directly didn’t bother me because not only was it immediately relevant (usually within a chapter or so), but also relevant in an even more significant way by the end of the book.

“...if Cottie calls me mamma, then anyone who hears him will think I’m your wife.” “I won’t.” It was cold enough to douse me the rest of the way back to sanity. “I’m sorry, I’ve changed my mind. I‘m not going.” His answer came with the tired reasonableness of a construction boss rebuking a steel riveter who complains he is afraid of high places. “Aw, quit being a sissy pants.” Sissy pants! Before I could recover he had elbowed me aside, and was inside my car.”

What the FUCK. What a little shit! Holy fuck! This man makes me feel offended and incredulous like an amish spinster looking at capri pants! Like what the fuck!!!!

“I can see, now, how expertly he handled me, how exactly he conveyed the right amount of disinterest in me, how he goaded me into staying.”

This man is a fucking EXPERT at manipulating the heroine. Your own mind sort of starts to soften to him the further you read, because like the heroine, in the beginning there’s no reason to like or tolerate the man, but as you go on, it becomes a necessary evil if you want to figure out what the FUCK is going on. I also started to get just as curious as to who he really was and what business he had at the resort. (by the end of the book I came to understand it’s a lot like how Kain had to handle Raziel: You can’t reveal too much or you risk your plans going astray, but for fuck’s sake Kain, you could be way less of an ass about it, you know?)

“Whatever had been done in the resort tonight, for whatever reason a woman had screamed, he was staying. The cot creaked lengthily as he lay down. I tried, with an effect of pressing a lid down on a kettle that bubbled and boiled over, to suppress my expectant terror.”

Damn that’s a good description of that feeling. I used to get that way when I heard stuff at night and my (at the time) untreated, panic prone brain immediately went “IT’S A CRIMINAL, A MURDERER, A CRIMURDERER, YOU MOVE AND YOU DIE”

“Mrs. Clapshaw carried herself like a small dragoon and had a nose like a thin white claw. I thought she’d be the acid test. “A scream?” She repeated rapidly, reaching upward with the nose. “Mrs. Corbett, I’m so glad you heard it. It’s the Reds. I’ve told Mr. Loxton here. There are un-American activities going on at that Flaming Door. Nazis.” She bit at her decisive words as they went past her teeth.”

Oh my god. Thankfully we don’t really deal with this lady for long, but holy fuck. The heroine wisely doesn’t spend any more time with her on purpose.

“You can decide to treat me like a person or I leave. I don’t like being pushed over or taunted or overruled or spoken to contemptuously. I can leave here today. It’s my car.” “Sure. Why don’t you?” Why is it that being invited to make good on a threat makes you want to change your mind? As usual when I’m pushed over the edge of anger, I couldn’t find words, and stood sputtering.”

The thing about Steve (this asshole’s name is Steve) is that he doesn’t force her to stay. He makes it quite clear in his smug little way that she always had the choice to leave at literally any time, and many times gives her orders knowing full well she can very well disobey them (and she does at times). She has a gun. Why doesn’t she shoot him? Go to the sheriff? But just. God. The man is infuriating and uncomfortably manipulative, but when immersed in the book, it becomes something mildly amusing, although the real world implications and usage of this kind of manipulation are sobering. The curiosity overrode everything else.

“I didn’t know how difficult it was going to be to keep out of Mr. Sprung’s way, or for what a long section of the chain he was going to be responsible.”

Another hint. The heroine frequently refers to the thread of the mystery as a chain (i.e: Chain of events), and it’s used fairly frequently through the book, sometimes in creative ways. There’s a moment where she realizes she’s reached the point of no return, that she’s in too deep, and goes on to describe how she can feel the chain whipping around her and binding her.

“Something would come of this night business now. I had in an instant a hundred blinding expectations -- a shot through the door, harsh angry voices calling to open, Steve Corbett rushing to attack the source of the light, men tramping in to say he was caught. My internal arrangements drew out into a rope and then tied themselves into one tight knot as I sat there with all animation suspended.”

Night noises be like that though. Man, these descriptions of the heroine’s internal reactions to things have been excellent!

“I’d heard that thin, high tone before. I’d heard it walking along a country road with telephone wires over my head and a wind in the wires. It was eerie in the wires. It was deadly in the man’s voice.”

“The boy was the man’s son, and the man loved him almost with agony. Yet last night he had walked out of the cottage into some circumstance he thought might be so dangerous he might never come back.”

“Suddenly I was shaking again, clutching Steve Corbett’s arm. He wasn’t shaking, but the muscles hardened as my fingers grasped; it was like touching a sleeve holding a warm marble arm. Had this been the arm I fought against last night?”

“The eyes above me had the same blue-metal gleam as the revolver’s mouth.”

The author does a fantastic job of making Steve Corbett seem like a very threatening potential murderer, nearly everything around him is foggy, suspicious, and mildly threatening in it’s implications, and yet there’s never enough solid evidence to truly pin anything on him. Both myself and the heroine could only stand by and watch further with a distinct sense of unease as everything unfolded both too quickly and not quickly enough.

“If tampering with the truth was illegal, the sheriff was a bit unlawful himself. “She couldn’t see, it was black as pitch,” Niddie denied weakly. “So there was something to see!” Niddie wasn’t the stuff of Hoxie Moebbels; once the sheriff had an opening wedge he weakened quickly.”

I like the sheriff a lot.

“I had hardly heard her. The corner of my eye had caught the stubby white patent-leather sandals on her feet. Caught between the heel and the instep of one sandal was a dry scrap of plantain leaf.”

So, something that annoyed me a little bit in the last mystery, was that the glimpses of suspicion raising evidence sometimes didn’t mean anything. They’re were just like ‘ooooo, suspicious!!!! It MEANS something!!!’. Here the narrator (our heroine) seems way more credible, relatable, and the events preceding it turns this into a massive clue. AND it’s later actually relevant, and NOT evidence of the heroine being (understandably) paranoid!

“If ever there was an evil-eyed harridan, I thought, she was it. I wondered what had built the immense familiarity with the worst impulses of men, that lay in her eyes, the thickness of her slow, significant voice, the turn of her hands, the slide of her thick hips.”

Another good description of yet another extremely suspicious person.

“We called hello in return, Carol prinking and smiling.”

Autocorrect can’t tell me that’s not a word.

prink /priNGk/ verb spend time making minor adjustments to one's appearance; primp. "prinking themselves in front of the mirror"

Ah, so nowadays we would more readily recognize ‘primping’ as opposed to this one. Nice! I learned a new word!

“In a white rayon bathing suit her figure was as plushly luscious as an overstuffed pink satin davenport.”

So she’s cute chubby! Nice! I assume this is roughly the era or coming from a writer from an era that was just on the edge of where being ‘too skinny’ was a REALLY bad thing.

“Look, Janet.” It was the first time he’d used my name.”

213 pages in. What a piece of work.

“Wasn’t it too bad I couldn’t be placated by an ice-cream cone, I thought grimly, as I went to obey orders.”

Me too, Janet. Me too.

“This was the sheriff to whom I held with the emotion portrayed by the girl in the old oleograph of the storm swept cross.”

If anybody knows what painting this is, that would be fantastic. I can only barely imagine it based on context, but that’s about it.

The quotes and the commentary are more sparse here at the end because I don’t want to give too much away. 

This was a book that I genuinely enjoyed, and I could easily recommend it for some casual but still absorbing reading. They still print this book in paperback now, so it shouldn’t be too hard to find, it’s just me that has the old as balls copy. 

Good shit!

[dinawrites]

any interesting dynamics between teachers at westwood? romance, family, best friends?

Oh, definitely! The Westwood faculty are honestly so messy and I love it. Here are some of my favourite dynamics among them:

Damascus Lauden & Ramses Abdel are immortal lovers, and have been since Greece conquered Egypt

David Rothchild & Lyall Semper are best friends, and Alpha and Beta of the Westwood Pack

Lyall & Ivy Semper are half-siblings. He is incredibly protective of her

Septima Villiers & Mortdecai Mortem... hate eachother but have undeniable and extremely obvious sexual tension. Much like how Thomasin and Eliseo are

Carmina Cane & Caractacus Thorn are both Westwood alumni, and although they were academic rivals during their time there as students, they are now each other's most trusted confidants and good friends

Caractacus Thorn & Thaddeus Thorn — Caractacus is Thaddeus' father, and although he is quite hard on him, there is no doubt he loves his son

Nelaemera Fawn & Jordan Falconer. Nelaemera is a higher class Sidhe, and thus views Jordan as inferior to her, not only by status, but also by the removal of his wings. In spite of this, he still harbours an unrequited crush towards her. He's starting to think that his feelings might not he reciprocated, though

Jordan Falconer & Ichabod Lister are immortal Fae besties! (Ichabod is an Elf)

Avice Graeme & Mabel Flemming were lovers once, long ago. Mabel even Warlocked herself when Avice refused to make a Vampire of her. They were in love for a time, but Mabel's ambitions drew her elsewhere, and Avice's boredom-leaning disposition returned with a vengeance. They parted amicably, and reunited at Westwood, where they remain good friends

Maudelin Clemonte & Ephraim Windsor are happily married

Belladonna Aimes & Magnolia Bradley have a mutual dislike of one another

Cloven Latimer (the school librarian) is the aunt of Faustine Talbot. Faustine has since been disowned by the family following her pact to the demon, Armaros

Technically not between two faculty members, but involving a faculty member, and thus deserving of an honourable mention:

Jordan Falconer & Solstice Dullahan. Solstice is the entire reason Jordan lost his wings. They had been childhood friends in the Seelie Court, him being of low-born status, Solstice being of royalty. When Solstice is engaged to the Unseelie prince as a way of diplomatically bridging the two families, Jordan tries to help her escape. They are caught and he lies and confesses to kidnapping her to save her honour and reputation. His wings are removed, and he is banished from the Seelie Court. He still tries to be friendly with Solstice, but it has gotten increasingly difficult

Roman Marrow & Eliseo Santos have a mentor-student relationship that borders a bit on father-son. Roman has stuck his neck out for Eliseo countless times. Surprisingly enough, Eliseo is actually older than Roman, something which he loves to remind him of

[smieska]

@owlyjules got me listening to this podcast called Mabel and oh my god

spooky faeries, seelie/unseelie court, mystery, spooky spooks just in time for october! 

Please give it a listen oh my gosh it’s addicting 

[cdchyld]

Just added to the Vintage shop - “It Happened One Day” The Wonder sTory Books, by Miriam Blanton Huber, Frank Seely Salisbury and Mable O’Donnell, 1953

[missgriffinsfinishingschool]

After The Sun Sets - The Wonder-Story Books

My favorite part of this book is the child’s writing in the cover that says “do not do the thinking part over” and the gorgeous color illustrations. So many princesses and knights in shining armor.

.

Title:  After the Sun Sets

Author:  Miriam Blanton Huber, Frank Seely Salisbury, & Mabel O’Donnel

Publication Date:  c. 1953

Details:  Back cover corner has been chewed on and book shows general wear and tear. Stories include Cinderella, Snow White and Rose-Red, and Hansel and Gretel among others.

Stories in This Book:

Aiken-Drum, the Brownie

Pat and the Fairies

Change about

Cinderella

Snow-White and Rose-Red

Snip, the Tailor

Brier Rose

Prince Hal and the Giant

Hansel and Gretel

The Princess on the Glass Hill

East of the Sun and West of the Moon

This hardback, vintage book is in okay condition. The edges are worn and corners are missing. It definitely has that "old book smell" and there appears to be some water damage to the edge of the pages though once the book is open it doesn't appear to have actually gotten inside the book.

Books are shipped using USPS Media Mail and may take 1-2 weeks to arrive. Please keep this in mind when ordering and feel free to contact me about upgrading shipping if necessary.

[photochrono]

February 24

Alexander St. Clair was born on  February 24, 1828 in Edinburgh, Scotland.

B. Frank Saylor was born on  February 24, 1838 in Trappe, PA, USA.

Edwin Drawbaugh was born on  February 24, 1867 in MI, USA.

John Harrison Parsons died on  February 24, 1871 in Ypsilanti, MI, USA.

Auguste Salzmann died on February  24, 1872 in Paris, France.

Miss Mabel Eliza Walker was born on  February 24, 1876 in Bothwell, ON, Canada.

Lou McDuffee was born on February  24, 1877 in MI, USA.

Herman Gundlach was born on  February 24, 1877 in IL, USA.

David L. Davidson was born on  February 24, 1881 in RI, USA.

Arthur R. Tuller was born on  February 24, 1881 in Browerville, MN, USA.

Philip Henry Delamotte died on  February 24, 1889 in London, Greater London, England.

Alfred Dismorr died on February 24,  1896 in Gravesend, England.

Luman Seely Stevens died on  February 24, 1899 in Alma, MI, USA.

John Calvin Brewster died on  February 24, 1909 in Santa Paula, CA, USA.

Richard Harrington was born on  February 24, 1911 in Hamburg, Germany.

Clarence Willard Greening died on  February 24, 1912 in Hillsdale, MI, USA.

Alonzo Bixby Woodard died on  February 24, 1918 in Olympia, WA, USA.

Walter Livingston Blanchard died on  February 24, 1939 in Columbia, SC, USA.

Albert Harry Masters died on  February 24, 1947 in Calumet, MI, USA.

Charles Edward Watton died on  February 24, 1949 in Chillicothe, MO, USA.

Albert M. Danzig died on February  24, 1955.

Mattie Edwards Hewitt died on  February 24, 1956 in Boston, MA, USA.

Jeffery White died on February 24,  1964.

Charles J. W. Hayes died on  February 24, 1967 in Rochester, MI, USA.

Winford W. Goodrich died on  February 24, 1980 in Santa Cruz County, CA, USA.

Michael Kirby died on February 24,  1997 in New York, NY, USA.

Guy Williams died on February 24,  2004 in Santa Barbara, CA, USA.