#ma'am is this allowed
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lucyllawless · 2 months ago
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brat-pack-it-up-boys · 2 months ago
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As much as I talk about how sad age accurate the outsiders makes me, it also never fails to make laugh. Like imagine going to go get your car fixed and these are the two idiots behind the counter:
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fiaskoimrvere · 1 year ago
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watched the finale of Deadloch and my main takeaway is this look™️
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fxxlfxrlxvx · 7 months ago
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Actually I do want to talk about how almost every single line Kurt had in episode 10 (and there weren't many) was explicitly religious and I hate hate hate it. Not only do I find it grating I also think it's lazy writing.
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star2stop · 2 years ago
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skittles lady for the soul <3 (or from the soul if you know what i mean)
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vonlipvig · 5 months ago
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she's such a bad bitch and i have to respect her
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molabuddy · 1 year ago
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my thoughts about the rescue corps crew in the form of text over a screenshot in mspaint lol - we know all their names and roles now! in purple are my educated guesses as to what their deals will be
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fandom-space-princess · 7 months ago
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If someone is talking to themself in public or has verbal/physical tics in public or is just Existing somewhere in a way that might be a little odd to you but is otherwise harmless, pro tip: you should mind your business and leave them alone.
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rimouskis · 8 months ago
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to be a hater for a scant moment: calling someone a pick-me for not liking a music album is what the kids these days are calling "brainrot."
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lionheartair · 3 days ago
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Artair was born in the U.S., but he was moved to Ireland when he was around six. In canon and most renditions that follow it closely, he is returned to his uncle around seven or eight once legal battles are resolved by Byron finding the documents that mark him as Artair's legal guardian where they were squirreled away by his parents in a move and with the pace the court moved at.
In the 80s au, he never returns to Byron. He is raised instead mostly in County Kerry with his grandparents, though he did also stay in County Galway at times during trips. Byron sent him many letters over the years, but they did not allow him to see or know about any of the correspondence, and told Artair fairly young that his uncle had passed. The implications were heavy that it was due to the loss of his brother. Byron meanwhile was told that Artair wanted nothing to do with him anymore, and blames him for not being there the night his parents passed.
Eventually Byron gives in and throws himself into his work instead, the last thing he cares about that he has any control over, and the one thing that connects him to his brother that remains. He knows his mother and step-father though, and he worries what happened to his brother's kid. He still doesn't know to this day about the music career.
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eggcatsreads · 22 days ago
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Also, I'm starting to think we need to gatekeep Greek myth retellings with villainous women, because I just read two books about Medea and neither one of them would let her be evil.
One of them was manipulated by Jason for practically everything she did, and the other one, just. Didn't do half of the things, and the other half, she was so removed from that it barely happened.
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graysongraysoff · 4 months ago
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send me your greatest mana blessings i have to go to the pharmacy and explain why i need them to fill a prescription that i literally just got filled this past weekend (it is because i accidentally threw the bottle away and had already taken the trash out before i Realized)
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essektheylyss · 2 years ago
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Is there any Essek scene in particular you’re hoping is included in the show?
Oh man oh god oh fuck. This list could go on SO long.
To be fair, the thing with Essek is that there are a lot of very small and fun but not narratively load-bearing scenes, and then a few major scenes that have a decent amount of narrative weight to them. For instance, the first study scene (the second is important but could be combined into it if that the pace required it), the Scourger incident, the dinner, and most of episode 97 have a lot of narrative impact, either for Caleb's arc or for the plot as a whole. I've already suggested I need to see the ninth floor tower conversation animated like a fish needs water to breathe, and I'd love both the times Essek physically pulls Caleb out of danger, of course.
There's also a lot of wiggle room in how you pace the Nein and break up their arcs (which I think was more rigid translating campaign 1 to LoVM—even when arcs are shifted around, the sequences of events are kept somewhat orderly) which means that speculation is pretty hard, particularly when it comes to Essek, who meets the Nein so far into the campaign. Basically, any of these things might not be as narratively necessary by then, depending on what they choose to cut or focus in on. I could speculate on that, and I'm sure I will extensively, but at a certain point I might as well just write a series worth of scripts as a fun side project.
That being said, I do really hope the Scourger scene remains, because it is so cinematically interesting, and I do consider it a major turning point between the wizards, regardless of either of them realizing it at the time or not.
And I also really want to watch him have a panic attack over whiskey cocoa. It is in no way load-bearing, but nonetheless, I would like to see it, and I think I deserve it.
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little-mimikyuwu · 3 months ago
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lunarhobbits · 1 year ago
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i'm gonna say it: i don't care if sondheim approved of her casting. helena bonham carter would NOT have gotten a callback at my high school
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superfluouskeys · 4 months ago
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it's honestly just such clown behavior to fail to tell your students what you specifically want them to do, ESPECIALLY this many times. at this point I'm assuming she just likes to feel unjustifiably superior.
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