#lucy moses school

[nodutra19]

Recommendations Based Off RGU

I already cobbled together Polyphony Garden (I saw someone else do an RGU pastiche based off Othello by Shakespeare, so I hope it's a valid work), but I wanna make a whole post recommending things I think fans of the Revolutionary Girl Utena anime would like based off themes and style. It's mostly books though. And of course, I'll provide trigger warnings.

Absolute Recommendations

The Pike: Gabriele d'Annunzio: Poet, Seducer, and Preacher of War by Lucy Hughes-Hallett

This is a biography on a man named Gabriele d'Annunzio, a progenitor of fascism who codified not just fascist ideals, but also aesthetics, including the Roman salute which would become the Nazi salute. He was one of the first major propagandists, a spearhead in aviation and the decadent literary movement, and much more. He was initially famous as an author and poet obsessed with beauty, but he emerged from the same strains as other Europeans. He directly inspired Mussolini, and Mussolini inspired Hitler. The biography is beautifully written, if somewhat poorly paced, a great examination of masculinity, fascism, the relation between reality and art, the strength of propaganda.

I do give an SA warning for it though.

Beloved by Toni Morrison

I get the feeling most American fans of RGU have read this but I figured I should list it anyhow and for anyone not familiar with American literature, or for people who aren't readers. This is a historical fiction novel about a woman named Sethe who is haunted both by her time as a slave on a plantation and the death of her baby. It's one of the saddest but greatest books I've ever read. I would love to teach this to a class one day.

I do give several warnings for SA, racism, and bestiality.

xxxHolic by CLAMP (as translated and adapted by William Flanagan)

It's not as deconstructive, parodic, dark, or abstract as RGU, but I think most people would like this. It's about 17-year-old Kimihiro Watanuki who possesses the ability to perceive and interact with spirits. Having grown tired of this over his short life, he one day meets Yûko Ichihara, the space-time witch who runs a wish-granting shop. In exchange for the shedding of this ability, she asks for something of equal value: to work for her. And so begins his service at her shop.

I should also mention that the sequel series xxxHolic Rei has been hiatus for nearly a decade. The series also has a sister work called Tsubasa Reservoir Chronicle but it's honestly not worth reading if you ask me.

We Shall Now Begin Ethics by Shiori Amase

This is an episodic series about Mr. Takayanagi, a high school ethics teacher. It's a great crash course on philosophy, although I say that as someone whose only experience with philosophy has been Camus (and now Tolstoy).

I do give TWs for SA (especially the first three chapters, and one or two later on), self-harm, and general out-of-pocketness.

Me and the Devil Blues: The Unreal Life of Robert Johnson by Akira Hiramoto

Robert Johnson was a bluesman rumored to have made a deal with the devil. This is a fictionalized biography on him. Sadly, the series has been on hiatus for damn well a decade at this point and official copies are hard to get your hands on. But hey, the art is superb. I'm not Black, but it's refreshing to see manga portray Black characters that don't look like cartoons that Dr. Seuss grew up with.

Although seeing as how I'm not Black, I can't really judge the quality of either the official or fan translation (the image above comes from the fanscans.

I never did finish it so I can't give any TWs beyond "It takes place in the antebellum south."

And yes, it's that Akira Hiramoto.

The Power Broker: Robert Moses and the Fall of New York by Robert A. Caro

I want everyone U.S-born or U.S-residing, and everyone who hates car dependency to read this book, especially New Yorkers (especially especially the NY transplants). This is a biography on a man named Robert Moses who was New York's park commissioner for 39 years. Over his near-half-century tenure, he shaped much of New York. Many of the bridges, parks, and highways began with him. But over the years he cemented class and racial lines by prioritizing drivers and gutting public transit. He had "urban renewal" which displaced poor people from the few affordable neighborhoods around into "temporary housing," which he crowded with those people as he rebuilt their previous neighborhoods. By the end of the "renewal," the new housing was far out of the reach of the original tenants, and so they stayed in their new slums. This was a man who knew to maneuver the preexisting power structures and the court of public opinion. This is a book that examines not just a powerful person but the people on whom that person exercised his power. Robert A. Caro is a biographer I think Tolstoy would admire.

The only TWs I can give are for racism and general inhumanity. There's also one mention of SA iirc. Also, this book was published 1974. I guess at the time society hadn't made the complete transition to referring to African-Americans (and by extension other African diasporas and Black Africans) as "Black," so it uses the old word for them.

[mogai-sunflowers]

MOGAI BHM- Belated Day 21!

happy BHM! today i’m going to be talking about some famous ‘black firsts’!

Black Firsts in Science-

In 1965, David Harold Blackwell became the first Black member of the National Academy of Sciences

Robert H. Lawrence was the first Black astronaut; Mae Jemison was the first Black female astronaut, and Guion Bluford was the first Black astronaut to actually travel in space

Thomas Jennings was the first Black patent holder in the U.S, and Judy Reed was the first Black woman patent holder in the U.S

Daniel Hale Williams performed the first successful heart surgery

James Smith was the first officially trained Black American doctor

Robert Freeman was the first Black American dentist

Black Firsts in Politics-

Macon Allen was the first Black American admitted to a law school, and Charlotte Ray was the first Black woman admitted to a law school.

William Henry Hastie was the first Black federal Judge, and Constance Motley was the first Black female federal Judge

Thurgood Marshall was the first Black SCOTUS Justice

Alexander Lucius Twilight was the first Black state-elected official

Pierre Landry was the first Black city mayor, and Carl Stokes was the first Black mayor of a major US city

Jonathan Wright was the first Black state supreme court justice

Hiram Revels was the first appointed Black US Senator, and Edward Brooke was the first elected Black US Senator

P.B.S Pinchback was the first appointed Black state governor

Crystal Fauset was the first Black female legislator in the US

Shirley Chisholm was the first Black female U.S representative

Carol Braun was the first Black female U.S Senator

Joseph Rainey was the first Black person to serve in the US House of Representatives

Joseph Jenkins Roberts was the first African-American president of any nation (Liberia)

Black Firsts in Education-

Theodore Wright was the first Black graduate of an Ivy League School

Lucy Stanton was the first Black woman to graduate college in America

Charles Reason was the first Black college professor

Daniel Payne was the first Black college president

Dr. David Peck was the first Black person to graduate from medical school

Alexander Lucius Twilight was the first Black person to receive a degree from an American college

Mary Patterson was the first Black American woman to earn a B.A

Fanny Coplin was the first Black woman to become principal of a school

Richard Greener was the first Black Harvard graduate

Black Firsts in the Arts-

Lucy Terry was the first Black American poet and Phillis Wheatley was the first published Black American poet

Gwendolyn Brooks was the first Black Pulitzer Prize winner

William Brown was the first Black American novelist, and Harriett Wilson was the first Black female American novelist

Toni Morrison was the first Black winner of the Nobel Prize for Literature

Francis Johnson was the first published Black American musical composer

Marian Anderson was the first Black member of the Metropolitan Opera

Harry Swan was the first Black American to found a record label, Black Swan Records

Count Basie was the first Black person to win a Grammy, and Ella Fitzgerald was the first Black woman to win a Grammy

William Lane was the first nationally famous Black dancer, and Arthur Mitchell was the first Black principal dancer in a major dance company

Oscar Micheaux was the first Black film director

Hattie McDaniel was the first Black person to win an Oscar, and Juanita Hall was the first Black person to win a Tony

William Still was the first Black American to both direct a major orchestra and have their composition performed by a major orchestra

Black Firsts in Sports-

Oliver Lewis was the first Black jockey to Win Kentucky Derby

Moses Walker was the first Black professional baseball player

John Shippen Jr. was the first Black professional Golfer

Marshall “Major” Taylor was the first Black world cycling champion

George Poage was the first Black Olympic medalist at the Summer games, and John Taylor was the first Black Olympic gold medalist at the Summer games

Jackie Robinson was the first 20th century Black MLB player

Rajo Jack de Soto was the first Black professional race car driver

Willie Thrower was the first Black NFL quarterback

Willie O’Ree was the first Black NHL player

Alice Coachman was the first Black woman to win an individual gold medal at the summer olympic games

tagging @metalheadsforblacklivesmatter @bfpnola @intersexfairy 

[lamilanomagazine]

Estremisti armati attaccano una scuola in Nigeria

Estremisti armati attaccano una scuola in Nigeria Lo scorso 7 maggio estremisti armati hanno preso d'assalto una scuola secondaria nello Stato di Benue, nella Middle Belt della Nigeria. La prontezza di riflessi di un preside ha contribuito a salvare la vita di un gruppo di studenti addormentati. Secondo il direttore delle Comunicazioni sociali della diocesi di Makurdi, padre Moses Iorapuu, che ha parlato dell'accaduto con Aiuto alla Chiesa che Soffre (ACS), il preside della Father Angus Frazer Memorial High School, padre Emmanuel Ogwuche, dopo aver sentito gli spari all'esterno ha prontamente spento tutte le luci dell'edificio, impedendo ai terroristi di trovare la strada per entrare nella scuola. Un funzionario del Corpo di Sicurezza e Difesa Civile della Nigeria che sorvegliava la scuola «ha scavalcato la recinzione» e «gli uomini armati lo hanno inseguito, ma è riuscito a fuggire» con ferite non mortali, ha riferito ad ACS padre Moses Iorapuu. Il sacerdote ha spiegato che gli studenti sono stati evacuati come «misura preventiva per garantire la sicurezza dei ragazzi ed evitare quello che avrebbe potuto essere un disastro inimmaginabile». Padre Iorapuu ha aggiunto che gli alunni sono stati «traumatizzati» e che «c'è paura» di ulteriori atrocità. «Questo attacco è stato il primo che, nel suo genere, abbiamo vissuto. In passato hanno attaccato i fedeli, gli agricoltori e gli abitanti dei villaggi, ma ora hanno alzato il tiro, attaccando una scuola. Non siamo sicuri di cosa accadrà dopo». Ha aggiunto che la polizia è stata molto lenta nel rispondere: «Quando sono arrivati gli aggressori erano scomparsi. La gente si sta abituando a questi attacchi. La risposta del governo è stata piuttosto insignificante». La Father Angus Frazer Memorial High School si trova in un distretto noto per le uccisioni e i rapimenti da parte di presunti militanti Fulani. «Questo attacco è avvenuto nella capitale dello Stato, e se non ci sono misure di sicurezza per proteggere le nostre scuole dovremo sospendere le nostre attività perché non sappiamo quale scuola sarà il prossimo obiettivo. Ci aspettiamo che ci sia una reazione e che questo attacco alla scuola spinga finalmente il governo ad agire», ha concluso. L'attacco è avvenuto poco dopo un viaggio in Nigeria da parte di rappresentanti di ACS. La delegazione aveva visitato alcune delle aree più colpite dalle violenze, tra cui proprio la diocesi di Makurdi.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[papermoonloveslucy]

THE BOUNDING MAIN!

Nautical Lucy ~ Part 1

There’s nothing as joyous as being on the open water! Whether it be a lake, a river, or the ocean - Lucy was as funny on the sea as on land. Here are some early maritime escapades! 

“I’m Building a Saleboat of Dreams” (1939) ~ by Cliff Friend and Dave Franklin, sung by Desi Arnaz. 

In real life, Desi Arnaz loved fishing and owned a boat called the Desilu. Being from Cuba, he had a special affinity for the ocean. 

Lucy and Desi leaning over the rail of a motorboat in 1943. 

Meet the People (1944) ~ The Commander (Bert Lahr) names his boat after Julie (Lucille Ball). It was formerly the Lana Turner! 

“The Quiz Show” (1948) & “Lucy Gets Ricky on the Radio” (1952) ~ To make sure he wins, Lucy steals the answers, but then they change the questions!  The same nautical question was first used on “My Favorite Husband.” 

ORIGINAL QUESTION: Why was the steamship Ile de France put in dry dock recently? FISHBOWL QUESTION: Why did the French people put Marie Antoinette under the sharp blade of the guillotine? LUCY’S ANSWER: To scrape the barnacles off her hull.

“Secretarial School” (1949) ~ An episode of Lucille Ball’s radio show “My Favorite Husband” references “On A Slow Boat to China” a popular song by Frank Loesser, published in 1948. In October and November 1948, it was recorded by no less than five artists: Kay Kyser, Freddy Martin, Benny Goodman, Art Lund, and Larry Clinton. 

GEORGE: “Now explain this last shorthand mystery to me: a circle, a ship, and laundry ticket.” LIZ: “That’s the title of a phonograph record I want to buy - 'A Slow Boat To China’.”

“Liz’s Radio Script” (1950) ~ An episode of “My Favorite Husband” references the inventor of the steamboat and the 1929 musical Show Boat. George makes fun of Liz’s radio script. 

LIZ: “Go ahead and laugh. They laughed at Robert Fulton, too, you know!” GEORGE: “Robert Fulton? What did he write?” LIZ: “You think I don’t know? ‘Show Boat’”!

Show Boat’s most famous song, “Old Man River”, would be referenced on several Lucille Ball sitcom episodes. 

On August 9, 1952 Lucy and Desi were featured on the cover of TV Digest, a competitor of TV Guide as part of their inside story “Visiting The Stars on Vacation”.

The cover photo was part of a larger photo shoot of Lucy and Desi in a motorboat.

“Lucy is Envious” (1954) ~ When a wealthy high school chum (Mary Jane Croft) puts the bite on Lucy for a charitable donation, lucy fibs about owning a yacht. 

CYNTHIA: Where do you go in Florida? Miami or West Palm Beach? LUCY: Uh, you go West Palm Beach, huh? CYNTHIA: Miami. LUCY: Oh, we go West Palm Beach. CYNTHIA: But, darling, the harbor's so small there. What do you do with your yacht? LUCY: To make it fit, we crank down the smokestack and squeeze in the poop deck.

“Nursery School” (1955) ~ The first painting Little Ricky does is interpreted as an elephant sailing a houseboat. Lucy says he will be another “Grandpa Moses”!

Dell’s “I Love Lucy Comics” (1955) ~ published a story about Lucy and Ethel and a cruise ship - very different from the one on the television show. 

“Staten Island Ferry” (1956) ~ To make sure Fred won’t get seasick on their transatlantic crossing, Lucy accompanies him on a test sailing on the Staten Island Ferry. 

Although the episode was filmed in Hollywood, second unit footage of the real Staten Island Ferry was used. The ferry seen in the episode is named the 'Gold Star Mother,’ which entered service in 1937.

Full of dramamine, both Lucy and Fred conk out on the deck! 

“Bon Voyage” & “Second Honeymoon” (1956) ~ To get the gang to Europe, the show goes by sea on the S.S. Consitution, which was a real life transatlantic liner operated by American Export Lines.

In a last minute deal, the line agreed to supply Desilu with technical support and branded props. This was similar to the deal Desilu made with Pontiac for the trip to California. 

ETHEL: This sea air makes me hungry. FRED: We haven’t even left the dock yet. (To the others) Wait till she finds out the food’s free. She’ll be the biggest bundle Britain’s ever seen.

No actual filming was done on the Consitution. Desi Arnaz recreated the ship on the Desilu soundstage, one of the most expensive sets in television history. 

Second unit footage of the actual Constitution in New York Harbor was intercut with studio footage, including aerial footage of the Constitution, the pilot boat, and the tug boat. In “Second Honeymoon” (set entirely on the ship), the plot emulates the film Gentlemen Prefer Blondes, ending with Lucy stuck in a porthole, just like Marilyn Monroe in the film. 

LUCY: Ethel, what’s the name of this boat? ETHEL: The S.S. Constitution, why? LUCY: From the way everybody’s paired up, I thought maybe it was the S.S. Noah’s Ark!

“Deep Sea Fishing” & “Desert Island” (1955) ~ While vacationing in Miami Beach, the Ricardos and Mertzes make use of a Cruis Along fishing boat.  Although Lucy and Desi had actually visited Miami the previous summer, this episode utilizes extensive second unit footage using doubles for the cast.

FRED: This Cruis Along is a dandy little boat, Rick!

In addition to the logo being clearly visible on the boat, Fred’s line gives the company verbal advertising. At some point, the company became a subsidiary of the Century Boat Company, which is still in business today.

The fishing boat scenes were re-created on a California sound stage using a water tank and rear projection for sea and sky.

“Lucy Takes a Cruise To Havana” (1957) ~ The very first hour-long adventure of the Ricardos and Mertzes tells how Lucy and Ricky met when she took a cruise from New York to Havana with her friend Susie MacNamara (Ann Sothern) in 1940. As usual, the episode combines studio footage and insert shots of the actual ship. 

The ship that Lucy and Susie sail on is the R.M.S. Caronia, which was a real-life Cunard Line vessel. However, the ship did not enter service until 1949 and this episode is set in 1940. Cunard was then known as Cunard-White Star Line.

Single Susie calls the ship the S.S. YWCA (Young Women’s Christian Association). Bachelorette Lucy mentions that she heard that this was the ship’s 'maiden’ voyage – making a pun about the lack of available men on board. Coincidentally, Fred and Ethel Mertz are on the ship as well – on a belated Honeymoon cruise - even though they were married in 1928!

Also sailing is crooner Rudy Vallee, who jumps overboard to escape his female fans. 

CRUISE DIRECTOR: “If Mr. Cunard ever hears about this I’ll be demoted to the Albany Night Boat.”

While filming second unit footage in and around Havana, revolutionary violence broke out. Desi instructed his crew to get out of there fast!  

Forever Darling (1957) ~ Lucy and Desi play Susan and Lorenzo Vega. Chemist Lorenzo is developing an insecticide and plans to test it on a camping trip with Susan, but rafting on the lake to collect specimens lands them both in the drink!

“Lucy Goes to Mexico” (1958) ~ The end of this hour-long episode is set aboard the U.S.S. Yorktown, one of 24 Essex-class aircraft carriers built during World War II for the US Navy.

The Admiral of the Yorktown says he’s been leery of actors ever since he saw The Caine Mutiny, the action of which is set on the U.S.S. Caine. The 1954 film starred "I Love Lucy” and “Comedy Hour” performers Fred MacMurray, Claude Akins, and Van Johnson. The stage play The Caine Mutiny Court-Martial was mentioned by Miss Hanna (Ellen Corby) in “Lucy Meets Orson Welles” (1956).

“Lucy’s Summer Vacation” (1959) ~ Lucy and Ricky escape to a lakeside cabin in Vermont. Unfortunately, it has been double booked - with Howard Duff and Ida Lupino. Howard and Ricky want to do nothing except fishing. Lucy drills holes in the row boat to keep the men in the cabin, not on the lake. 

The Arnaz family boarding the French Line’s S.S. Liberté in New York in 1959. Greeted by a line of the ship’s bellhops, one of who holds Lucy’s fur coat for the photo. Liberté was featured prominently in the Jane Russell film The French Line. Liberté made an appearance in the opening credits of the 1953 film How to Marry a Millionaire, as well as the 1954 classic film Sabrina, starring Audrey Hepburn and Humphrey Bogart. She was scrapped in 1962.

Facts of Life (1960) ~ Lucy and Bob Hope play married folks - but not to each other - who are flirting with infidelity. Abandoned by their spouses and a third couple for deep-sea fishing on their Acapulco vacation, Larry and Kitty bond on the high seas. 

“Lucy Buys a Boat” (1963) ~ Lucy talks Viv into buying a boat that’s barely seaworthy. When they finally get it on the lake, it slips away from its moorings, trapping a seasick Viv and a bossy Lucy without a sail. 

An ad in the Danfield appeals to Lucy, who said when she was a little girl she practically lived on boats.

Answer the call of the seven seas!  An unforgettable adventure for your whole family! For sale: 26 foot sailboat, sleeps 5, large galley, complete with trailer, only $100 down.  

Lucy says that Viv has brought enough seasickness pills for the Queen Mary. Lucy Ricardo also brought a supply of seasickness pills when sailing on the S.S. Constitution (above). 

Then the leaks start springing up!

Nautical Vocabulary!

VIV: “I’m afraid I’m just a landlubber at heart.”

Landlubber ~ Lubber is an old word (dating from the 14th century) meaning a clumsy or stupid person. The term landlubber refers to an unseasoned sailor.

VIV: “I’ll bet this is the first time anybody’s been shanghaied on a lake.”

Shanghaied ~ force someone to join a ship lacking a full crew by coercion or other underhanded means.

JERRY (to LUCY): “You’d better give us a rest, or you are going to have your first mutiny.”

Mutiny ~ an open rebellion against the proper authorities, especially by soldiers or sailors against their officers. The most famous in popular culture was in Mutiny on the Bounty, so Jerry is continuing the analogy of Lucy to Captain Bligh.

VIV (to LUCY): “Oh, go shiver yer timbers.”

“Shiver Me Timbers” ~ is an exclamation usually attributed to the speech of pirates in works of fiction. The word ‘shiver’ means “to break into small fragments or splinters” while the ‘timbers’ refer to the wooden support frames of old sailing ships. So the saying was most likely alluding to the shock of a large wave or cannonball causing the hull to shudder or split asunder.

LUCY (into telephone): “We’ve been working on her for days and she’s really yar!”

Yar ~ When a boat is trim, responsive, and in all ways lively in handling. In The Philadelphia Story (1940), Kate Hepburn’s character famously says about a boat “My, she was yar!”

In 1965, Lucy and Gary Morton attend the premiere of the film Ship of Fools, based on the book by Katherine Ann Porter set aboard an ocean liner from Germany from Mexico in 1933. The film was a punchline in “Lucy and the Little Old Lady” (1972). 

[milkiest-of-teas]

I was watching PLL and I thought Paige looked super familiar. Then my sister saw her and pointed out that she also played Moze from Ned’s Declassified. Now, I can’t unsee it.

[ncisfranchise-source]

KAI GOES UNDERCOVER AS A CHEF IN A LOCAL RESTAURANT TO GATHER INTEL ON A NOTORIOUS CRIMINAL KINGPIN WITH A CONNECTION TO THE EATERY, ON “NCIS: HAWAI`I,” MONDAY, MARCH 14

“Monster” – Kai goes undercover as a chef in a local restaurant to gather intel on a notorious criminal kingpin who has a connection to the eatery. Also, Jane discovers that a school on the mainland has recruited Alex on a baseball scholarship, which he’s kept secret from his family, on the CBS Original series NCIS: HAWAI`I, Monday, March 14 (10:00-11:00 PM, ET/PT) on the CBS Television Network, and available to stream live and on demand on Paramount+*.

REGULAR CAST:

Vanessa Lachey

(Special Agent in Charge Jane Tennant)

Alex Tarrant

(Kai Holman)

Noah Mills

(Jesse Boone)

Yasmine Al-Bustami

(Lucy Tara)

Jason Antoon

(Ernie Malik)

Tori Anderson

(Kate Whistler)

Kian Talan

(Alex Tennant)

GUEST CAST:

Moses Goods

(Wally)

Anthony Ruivivar

(Daniel Tennant)

Ron Menzel

Andre Pelzer

Danny Hogan

Aaron Abrams

Kate Cobb

Johnny Cannizzaro

Brad Berryhil

Corey Rieger

Rafael Cabrera

David Bertin Greene

(Donovan Mance)

(Natchez)

(Saugus)

(Chris Polis)

(Jenny Alika)

(Ryan Delucci)

(Harvey Colms)

(Anders)

(Watts)

(Alonzo Descanso)

WRITTEN BY: Ron McGee

DIRECTED BY: Leslie Hope

[khoicesbyk]

A/N: I'm officially obsessed with Wolf Bride and what does one do when she's obsessed with a certain book? She writes an AU about it! 😁 So, Talley Ho! *in my Sherlock Holmes voice*

Rated: Mature. | Contains sexual content and strong language. (You know? The usual from me. 😁) | Bolded and/or italicized words are conversations and thoughts of the characters. | Main Characters: Roman (LI) and Naia Evans (MC) | All Characters and names: (except MC and certain original characters, created by me) are property of Pixelberry.

Current Word Count: 1,240 words. (more or less. I stop counting after editing and re-editing. 🤷🏾‍♀️)

This series is rated Mature. It is NOT reading material that is safe for those under 18. Reader discretion is STRONGLY advised!

This series may contain spoilers. If you wish not see spoilers, please do not read any further.

Also this series is a slight deviation of the original story. In the original story, the werewolf hunter is a woman. But in this series the hunter is a man.

If you’d like to be added to my tag list. Just reblog or dm me and I will gladly add you. 😁😘

Tag List: @shewillreadyou @pixie88 @choiceslady @queenjilian @otherworldlypresents @texaskitten30 @glaimtruelovealways @aussieez @secretaryunpaid @txemrn @sfb123 @hopefulmoonobject @lucy-268 @choicesficwriterscreations

Chapter 3.) The Hunter.

The Knights Of Ossory are an ancient secret society of werewolf hunters dating back to 12th century Ireland. And much like his father, brothers and grandfather before him, Trent Moses IV was proud to be one of them. By day he’s an Ecologist studying the surrounding forests and by night, he hunts werewolves.

The Knights Of Ossory’s main mission is the eradication of werewolves. They’re considered monsters of the shadows and the Knights Of Ossory are defenders of humanity.

Even though he’s been blind since birth, he’s never let his disability be a hindrance. He grew up in the suburbs of Philadelphia, and is the youngest of 5 boys. He has always had to fight his brothers for everything. But it never stopped him, it only fueled him to do and be better. He excelled all throughout school, from elementary to high school, he was always top of his class. He graduated Summa Cum Laude from Appalachian State with a degree in Ecology. He soon took a part time job as a Park Ranger and while being an Ecological Surveyor for Sayre Energy and Power in Hunt’s Peak WV.

He used his work as a cover for his true mission. Hunting werewolves in the area. But he wasn’t trying to kill them, he wanted to cure them. He calls it catch and release.

“No one would miss a few werewolves. After all, they aren’t human. They’re monsters. They must be stopped. ” He always thought to himself.

He and his team hunt them like they’re deers or rabbits. They shouldn’t be allowed to be free to roam and destroy. He’d capture them to study them. He did so in hopes that he could find a cure for whatever causes them to turn into werewolves then release them. So he’s focused on the Pack. Slowly picking off members of the Pack to study and catching the ire of Roman.

When Trent found out that Roman was the Alpha, he made it his personal mission to take him as the ultimate test subject. He’s always known that Alphas are the most dangerous of each werewolf Pack.

Whenever they clashed, Trent always remembered the oath he swore to as a member of the Knights Of Ossory.

“They are the monsters.

They are the blight.

We are the hunters.

We are the light.

They are the terror that haunts our sight.

They are the wrong that we will set right!”

He can’t waver from his mission. He had to find out why they are what they are. Especially when they go Primal. That is when they are truly powerful and nearly unstoppable. It only ever happens when there’s a full moon out and it is truly a sight to behold. They’re wild, animalistic, ravenous and act on uncontrollable impulses. Which is dangerous to and for humans.

So he hunts in order to keep them in check and at bay. And having occasional issues and battles with Roman. He uses his enhanced senses to make decisions when he hunts. He can feel, smell and hear better than anyone on his team. He could always sense when the wolves were near. So he knew when to strike, when to set traps and when to stay hidden.

For the times he did battle with Roman directly, Trent stayed at the ready. Roman was unlike any other Alpha he faced. Roman is the strongest Alpha that Trent had ever faced. Skilled and calculating, Roman has never backed down not that Trent wanted him to. He enjoyed the challenge.

So how does Naia fit into his life? Simple she didn’t. Not at first. To him she was a dream he had that slowly became real. He would have what’s called lucid dreams about a woman’s voice. She would be singing and he’d listen to her. It soothed him. It called to him. It comforted him. He wanted to know more but as soon as he woke up, the voice was gone. But that feeling of longing and of needing to hear it lingered.

He felt haunted every time he went to sleep and would dream of this voice. It would even call to him during the day. Especially when he was hunting or studying werewolves. He fell in love with this woman’s beautiful voice. He had to figure out where it was coming from. He had to know who this mystery woman is.

Was she a woman he’d met in the past? A girl from college? A singer he’d heard sing before? Who was she?

Whenever she sang, he could feel her near. He could smell her. He could almost taste her. But he could never figure out who she was.

One night in a certain dream he heard her sing a song. She was singing Thank You by Estelle.

Sometimes I wonder, do you.

Even recognize the woman that's standing in front of you.

Listen, sometimes I wonder, do you.

Even care or realize why I took care of you.

'Cause you're my heart.

You are my soul.

You're my other half without you I cannot be whole baby.

So far apart, I just don't know.

What drove us apart in the first place now I know baby, why.

These tears I cry sure won't be the last.

They will not be the last, no.

'Cause this pain inside never seems to pass.

It never seems to pass me by.

So I thank you.

Said I thank you.

Yes I thank you.

For making me a woman.

Sometimes I wonder could she be.

More of a woman to you than you are a man to me.

Listen, sometimes I wonder, why me.

I'm here miserable while you're out living your fantasies and didn't care.

'Cause you're my heart.

You are my soul.

You're my other half without you I cannot be whole baby.

So far apart.

I just don't know.

What drove us apart in the first place now I know baby, why.

These tears I cry sure won't be the last.

They will not be the last, no.

'Cause' this pain inside which never seems to pass.

It never seems to pass me by.

So I thank you.

Said I thank you.

Yes I thank you.

For making me a woman.

One thing I learned in life.

We all gotta be ready to sacrifice to survive.

I hope she's happy.

'Cause you're the chapter that I'll be closing hope you're happy.

'Cause once my door close it won't be open.

These tears I cry sure won't be the last.

It will not be the last, no.

This pain inside which never seems to pass.

It never seems to pass me by.

So I thank you.

Said I thank you.

Yes I thank you.

For making me a woman.

So I thank you.

Said I thank you.

Yes I thank you.

For making me a woman.”

Because of her, he became obsessed with the song he heard in his dream. He would sing it to himself as a way to feel closer to her. She became somewhat of a security blanket to him. He knew that whenever he dreamed she would be there. She was an angel to him even though they’d never met.

But little did he know that the girl of his dreams was indeed real. And he would meet her soon. But he will also learn that a war with Roman would come because of it.

[moviemunchies]

Alright I love this movie so I don’t know how objective of a review I can write. I have fond memories of this movie--we went and saw it as a class trip in middle school, and ever since it’s been one of my favorite fantasy films. I mean, yes, it totally came out when it did and padded its battle scenes out more because it was cashing in on the crowd of kids what like Lord of the Rings but that doesn’t make it bad, does it?

So, first things first-- no, The Chronicles of Narnia is NOT an allegory. Stop saying that. 

Anyhow I imagine most people who read this blog know the story, but if you don’t: during World War II the four Pevensie children, Peter, Susan, Edmund, and Lucy are sent to the countryside manor of Professor Kirk. While exploring the house, Lucy comes across a wardrobe, and within the wardrobe she enters another world called Narnia. Soon enough, they all make it there, but it turns out that there’s a prophecy about them, and the tyrant that’s taken hold of Narnia and cursed it with eternal winter, the White Witch, wants to kill them.

Also, one of them betrays them to the White Witch for the promise of supremacy over the lot of them. To be fair to poor Edmund, he was magically drugged, and he didn’t know she wanted to murder anyone.

So our siblings must seek out Aslan, the Great Lion and true king of Narnia (who is totes Jesus, still not an allegory) and end the reign of the White Witch!

Like I said, I have seen accusations that this was Disney’s cynical attempt to cash in on Lord of the Rings but aimed at children. And I don’t know that it’s wrong to say that, but it’s also short-selling this movie. I mean yes, a lot of this movie was filmed in New Zealand, and WETA Workshop did the effects for this movie.

But you guys know that WETA will work the shiz out of the effects and props, right? The level of detail on the design in this movie (and the sequels) is INSANE and look, I didn’t think that they’d go this hard on designing a story that many people think of as a souped-up children’s fairy tale, but they did and it is GLORIOUS. There are plenty of little details that you may have missed the first time watching that you pick up if you’re paying attention. Like you know that in the final battle Jadis is wearing Aslan’s mane on her collar?

[I have some of the concept art saved on my computer, btw.]

The character arcs are also great developments/additions? They’re not all true to the books, and I do kind of miss that. But I do understand WHY those changes were made. For example, in the novel Edmund’s dickishness is mentioned to be a result of the terrible school experiences he had (Lewis didn’t much like the English education system). Here, to tie it into the other characters his acting out is in large part because his father’s been absent during the war, and butting heads with Peter.

Skandar Keyes is a fantastic Edmund. He gets better in the next movie, but in this one he conveys a lot of the conflict within Edmund, so that he’s sympathetic as the movie goes on, even if he does a lot of things that are pretty terrible (for a child, for the record--it’s not that he really gets into a lot of grade-A evil).

Peter’s characterization is made much more explicit as the older brother who is sometimes a little too hard on his siblings. I think William Mosely does a fairly good job. He gets annoying as an older brother sometimes, but that’s the point, and it makes sense how he and Edmund would be butting heads.

Probably to act as foreshadowing for what happens to her later in the series, Susan is the skeptical one, the logical one, the one asking questions about what the heck is going on and trying to make sense of it all. I think they lean a little too hard into this at times--she starts telling Peter to put down his sword when they’re surrounded by wolves. Otherwise I like that she has a much stronger character arc than in the novel, and Anna Popplewell does well with it. I mean, she’s still pretty likable, and you can see that she is someone trying to achieve the best for her family.

Georgia Henley’s a great Lucy. It would be very easy for this role to be annoying and it’s not, it’s quite lovable. Lucy’s very young and innocent, and in some stories this would play against her, but in this story (both book and movie) it’s kind of her strength? She’s endearing, she’s lovable, and that’s what you need in Lucy Pevensie.

Also we should probably talk about how the child characters are aged up a bit. Of course, this being Hollywood and trying to do action scenes with a twelve-year-old would be… unwise, I get it. But it is a bit weird that Peter and Susan are being sent off to the countryside when, even allowing for Dawson Casting, they’re old enough to stick around their family. They’re not really children. I don’t mind, but it is a case against it as an adaptation, and it works a bit against the logic of the film.

Also Tilda Swinton is having a ball as Jadis, the White Witch. She doesn’t really look like the character description, but she’s fantastic as a cruel and haughty queen, and really, no one does weird ethereal and near inhuman beauty like Tilda Swinton. She apparently had so much fun with the role and the people at Walden Media liked her so much that they put her in the next two movies with whatever scrap of justification they could grab.

Liam Neeson voices Aslan and does a good job. Don’t know if there’s that much that makes him stand out other than needing a serious actor to do the voice. It’s good, don’t get me wrong, but I don’t know if there’s anything in this film that makes Neeson a better choice than any other particularly famous actor.

[Apparently for one of these movies, Neeson took his family on safari to “prepare for the role” which is silly but hey if you can take your family on safari and excuse it as a work trip, why not?]

Final word before the sendoff: the CGI in this movie is still pretty good? It’s not perfect--watching it this past time made me think how something about the Beavers still looks noticeably artificial. But they still look fairly realistic. And I know it’s been said before, but the animal characters in this movie are incredibly expressive despite also looking like real animals, a trick that seemed impressive then, but after _The Lion King_ remake came out a couple years back, one of the defenses of the lack of expressive characters in that film was “Well we wanted them to look realistic!”

And DISNEY, the studio that released both movies, did THIS one FIFTEEN YEARS EARLIER, and also WITH A LION, and managed to make Aslan convey facial expressions and emotions through impressive CGI! WHAT THE FUDGE!

If you like the fantasy works of C.S. Lewis, I imagine you will like this film, unless you’re very strict about adaptations being close to the works they’re inspired by. Even then, I think it’s a pretty good adaptation, and that the changes made are those that make for a better cinematic viewing experience. If you’re not as familiar with the source material but you like fantasy, and children’s stories, you’ll probably like this movie.

Like I said, I have seen some people accuse this movie of being a lower-tier Lord of the Rings cash-in. I don’t think that’s the case, but if you’re very interested in serious fantasy and war stories, this movie’s not going to work for you. I don’t think there’s any blood at all in the film; if there is, it’s very little. Which considering the amount of action and the battle sequence in the climax is maybe a bit egregious.

I think it’s a good movie and a pretty solid adaptation of one of the foundational texts of the modern fantasy genre. Take a watch.

[jeroldsluhan]

choice new york

Overall, charter faculty students accounted for four.66 % of complete public faculty enrollment in New York in 2015. Miss Sherizen is answerable for aiding property managers in a variety of capacities, primarily working with the Brooklyn-based Goldin Choice group. Miss Sherizen is a dedicated particular person with genuine curiosity, a strong curiosity in actual estate, and a ardour for helping others. She holds expertise in project management, human resources, advertising, and property management. Thomas Sussewell joined Goldin Management in 1995 as a Property Manager. Mr. Sussewell possesses expertise in real estate administration, business operations, industrial mortgage brokerage, project administration, and customer support.choice New York companies

These prospects may have the opportunity to opt out of the procurement, whereas sustaining transmission and distribution service from the prevailing Distribution Utility. New York Medicaid Choice is New York State's managed care enrollment program. In New York, there have been 452,380 students enrolled in 1,870 personal schools in fall 2013, accounting for roughly 14.seventy one percent of the state's total college-age inhabitants. The desk under presents this info for New York and surrounding states. Private colleges are operated by private organizations as opposed to government entities. Private faculties sometimes rely on tuition, private grants, and donations for funding.

Proponents argue that faculty alternative programs improve academic outcomes by expanding alternative and access for traditionally disadvantaged students. In addition, advocates declare that college choice programs empower dad and mom and improve conventional public colleges through competition. Critics contend that these programs divert funds from traditional public schools, thereby producing unequal outcomes for students. In addition, some critics argue that college voucher programs wrongly direct tax dollars to spiritual organizations, which function many personal schools. According to the National Alliance for Public Charter Schools, a constitution faculty advocacy group, there were an estimated 257 total charter colleges in New York in the school year.

In 2017, Mr. Sussewell was the project manager and loan dealer for a team which won the Lucy G. Moses Award, an award given by the Landmarks Preservation Commission for probably the most outstanding restorations of necessary historic buildings. As a community-based mostly service, Choice Connections New York has intensive data of the local senior housing market , permitting us to save you time and stress whereas figuring out the choices that greatest meets your beloved’s needs. We give you professional consultants that are conversant in every of the communities, their capability to accommodate varied wants, facilities offered and vary of costs for each group. The function of Community Choice Aggregation is to permit participating native governments to obtain energy provide service and distributed energy resources for eligible power clients in the community.

Because non-public schools usually are not operated or funded directly by government entities, they could function under different personnel and curricular standards. Private colleges are often related to religious establishments. According to the National Center for Education Statistics, there have been 5,395,740 students enrolled in 33,620 non-public schools nationwide in fall 2013.Choice ny management

Mr. Sussewell obtained his BS diploma at NYU, Stern where he double majored in Finance and International Business. Mr. Sussewell obtained his MBA at Baruch the place he concentrated in Accounting.

School selection packages present alternatives to oldsters who don't wish to ship their youngsters to the local public colleges to which they are assigned. Public school selection choices embody open enrollment policies, magnet faculties, and charter faculties. In addition, governments might present monetary assistance to parents who pursue personal school choices. There are a variety of faculty alternative options available for many of the four.2 million kids dwelling in New York. Families in New York can choose from conventional public schools, public charter schools, public magnet colleges, private schools, on-line academies, and homeschooling.

[aion-rsa]

Best Horror Movies on Netflix: Scariest Films to Stream

https://ift.tt/2S0a65g

Editor’s Note: This post is updated monthly. Bookmark this page to see what the best horror movies on Netflix are at your convenience.

Is it Halloween when you’re reading this? If not we’re still close enough with fall here and the month of October almost upon us! It’s the time of year where we like our drinks spiced with pumpkin or apple, our flannel light, and the movies we consume scary. And lucky for you there are more than a handful of worthwhile scary movies on Netflix.

There is nothing quite as fun as embracing the spooky, the creepy, the scary, and things that go bump in the night. Thankfully we have horror movies to help us down these paths. If you ever find yourself in need of a thrill or a chill, check out some of the best horror movies on Netflix, we’ve gathered here.

Enjoy your tricks and treats.

Looking for the best horror movies on Netflix UK? Click here!

As Above, So Below

We know what you might be thinking: a found footage horror movie? Yes, this was one of the later adherents to a genre craze that got run into the ground during the 2000s and early 2010s. However, As Above, So Below is the rare thing: effectively creepy. With a crackerjack premise about the real Catacombs of Paris being a secret gateway to Hell, the film casts an energetic Perdita Weeks as a modern day Indiana Jones in a Go-Pro helmet. She and her colleagues make the unwise choice to go off the tourist-guided path in the catacombs, which is home to the remains of more than 6 million people who died between the early middle ages and 18th century.

But once deep below the City of Lights, the film’s dwindling protagonists find themselves crawling beneath a wall with the words “Abandon all Hope Ye Who Enter.” And things just get bleak from there. This is a ghoulish good-time for those who are willing to indulge in the gimmick storytelling.

Apostle

Apostle comes from acclaimed The Raid director Gareth Evans and is his take on the horror genre. Spoiler alert: it’s a good one.

Dan Stevens stars as Thomas Richardson, a British man in the early 1900s who must rescue his sister, Jennifer, from the clutches of a murderous cult. Thomas successfully infiltrates the cult led by the charismatic Malcom Howe (Michael Sheen) and begins to ingratiate himself with the strange folks obsessed with bloodletting. Thomas soon comes to find that the object of the cult’s religious fervor may be more real than he’d prefer.

The Blackcoat’s Daughter

Some kids dream about being left overnight or even a week at certain locations to play, like say a mall or a Chuck E. Cheese. One place that no one wants to be left alone in, however, is a Catholic boarding school.

That’s the situation that Rose (Lucy Boynton) and Kat (Kiernan Shipka) find themselves in in the atmospheric and creepy The Blackcoat’s Daughter. When Rose and Kat’s parents are unable to pick them up for winter break, the two are forced to spend the week at their dingy Catholic boarding school. If that weren’t bad enough, Rose fears that she may be pregnant…oh, and the nuns might all be Satanists.

The Blackcoat’s Daughter is an excellent debut directorial outing from Oz Perkins and another step on the right horror path for scream queens Shipka and Emma Roberts.

The Evil Dead

1981’s The Evil Dead is nothing less than one of the biggest success stories in horror movie history.

Written and directed on a shoestring budget by Sam Raimi, The Evil Dead uses traditional horror tropes to its great advantage, creating a scary, funny, and almost inconceivably bloody story about five college students who encounter some trouble in a cabin in the middle of the woods. That trouble includes the unwitting release of a legion of demons upon the world.

The Evil Dead rightfully made stars of its creator and lead Bruce Campbell. It was also the jumping off point for a successful franchise that includes two sequels, a remake, a TV show, and more.

Gerald’s Game

We are living in a renaissance for Stephen King adaptations. But while there have been many killer clowns and hat-wearing fiends getting major attention at the multiplexes, the best King movie in perhaps decades is Mike Flanagan’s underrated Gerald’s Game. Cleverly adapted from what has been described as one of King’s worst stories, Gerald’s Game improves on its source material when it imagines a middle-aged woman (Carla Gugino) placed in a terrifying survival situation after her husband (Bruce Greenwood) dies of a heart attack during a sex game.

Read more

Movies

15 Best Stephen King Movies

By John Saavedra

Movies

The Shining: 5 Things Jack Torrance Taught Us About Social Distancing and Quarantine

By David Crow

Handcuffed to a bed in their remote cabin in the woods, Gugino’s Jessie must face the fact no one is coming to save her in the next week… more than enough time to die of dehydration or the wolf prowling about. Thus the specter of death hovers over the whole movie, seemingly literally with a monstrous shade emerging from the shadows to bedevil Jessie each night. A trenchant character study that frees Gugino to show a wide range of terror, determination, and finally horrifying desperation, the movie delves into the shadows of a woman haunted by trauma and demons almost as scary as her current situation. Almost.

The Gift

Who knew Joel Edgerton had it in him?

The Gift is the Australian actor’s writing and directing debut and it doesn’t disappoint. Edgerton stars as Gordon “Gordo” Mosely. He’s a nice enough middle-aged man if a little “off.” One day while shopping he runs into an old high school classmate Simon (Jason Bateman) and his wife Robyn (Rebecca Hall). After their brief encounter, Gordo takes it upon himself to start dropping off little gifts to Simon and Robyn’s home. Robyn sees no problem with it at first. But Simon becomes disturbed, perhaps because of the unique past Simon and Gordo share.

Many horror movies understand there must be a twist of some sort or at the very least an unexpected third act. Even still The Gift‘s third act switch up is particularly devastating because it’s so mundane and logical. The Gift ends up being an emotional drama disguised as horror.

The Girl with All the Gifts

Just when you thought there was nothing left to be done with the zombie genre, in comes a shocking and original idea… one that has sadly grown only more scary in 2020 with regards to The Girl with All the Gifts. A brilliant little indie from Colm McCarthy, this underrated gem imagines a zombie apocalypse as something closer to a viral pandemic that lasts for generations…. and one where a vaccine is always just out of reach.

Read more

Movies

Evil Dead Movies: The Most Soul Sucking Moments

By David Crow

Movies

Zombie Comedies Ranked

By David Crow

Thus enters the class of Helen Justineau (Gemma Arterton). Years after a fungal infection ravaged the planet, turning the infected into “hungries” (breathing zombies), their offspring have shown a creepy ability to retain the ability to think, learn, and love… even as they crave living flesh.

Hence the students in Helen’s class, including her favorite Melanie (Sennia Nanua). The child is special… too much so when it’s believed her biology could create a vaccine that would spare anymore humans turning “hungry.” But to harvest her body, the military will drag Helen and Melanie through an urban hellscape which has reduced London to an abandoned refuge for Hungries and feral children who likewise hunt uninfected humans for food.

The Golem

The Golem is such an awesome monster from Jewish mythology that it’s hard to believe they don’t make more movies about him. Well now they have. The Golem isn’t a straight-up remake of the 1915 movie of the same name so much as it is the next step in the evolution of this grim mythological beast.

During the outbreak of a plague, Hanna (Hani Furstenberg) will do whatever it takes to defend her community from outside invaders. Unfortunately, and in true fairy tale fashion, the creature she conjures up to defend her community quickly develops a murderous mind of its own.

Green Room

Green Room is a shockingly conventional horror movie despite not having all of the elements we traditionally associate with them. You won’t find any monsters or the presence of the supernatural in Green Room.

Read more

Movies

31 Best Horror Movies to Stream

By Alec Bojalad and 1 other

Movies

The 13 Best Horror Movie Themes

By David Crow

Instead all monsters are replaced by vengeful neo-Nazis and the haunted house is replaced by a skinhead punk music club in the middle of nowhere in the Oregon woods. The band, The Aint Rights, led by bassist Pat (Anton Yelchin) are locked in the green room of a club after witnessing a murder and must fight their way out.

Horns

A horror vintage for a distinctly acquired taste, Alexandre Aja’s Horns is a bizarre fairy tale for adults. As much a revenge fable as a typical chiller, this movie which put “Harry Potter in Devil Horns” is actually something of a grim love story based on a novel by Joe Hill.

Daniel Radcliffe plays Ig Perrish, an outcast in his local community who wants nothing more than to forever be by the side of his lifelong love Merrin (Juno Temple). After her brutal unsolved murder prevents that, Ig swears he’d sell his soul to get revenge.

Funny thing is the day after he makes such a proclamation, horns begin growing from his forehead. The greater they grow, the easier it is to get sinners around him to confess their most hidden shames, and indulge in others. But with the clock ticking before he becomes a full-fledged demon, and his soul is presumably claimed by Beelzebub, there is only a narrow window before he can get revenge while raising a little hell.

Hush

In his follow-up to the cult classic Oculus, Mike Flanagan makes one of the more clever horror movies on this list. Hush is a thrilling game of cat-and-mouse within the typical nightmare of a home invasion, yet it also turns conventions of that familiar terror on its head.

For instance, the savvy angle about this movie is Kate Siegel (who co-wrote the movie with Flanagan) plays Maddie, a deaf and mute woman living in the woods alone. Like Audrey Hepburn’s blind woman from the progenitor of home invasion stories, Wait Until Dark (1967), Maddie is completely isolated when she is marked for death by a menacing monster in human flesh.

Like the masked villains of so many more generic home invasion movies (I’m looking square at you, Strangers), John Gallagher Jr.’s “Man” wears a mask as he sneaks into her house. However, the functions of this story are laid bare since we actually keep an eye on what the “Man” is doing at all times, and how he is getting or not getting into the house in any given scene. He isn’t aided by filmmakers who’ve given him faux-supernatural and omnipotent abilities like other versions of these stories, and he’s not an “Other;” he’s a man who does take his mask off, and his lust for murder is not so much fetishized as shown for the repulsive behavior that it is. And still, Maddie proves to be both resourceful and painfully ill-equipped to take him on in this tense battle of wills.

Insidious

Insidious is the start of a multi-film horror franchise and a pretty good one at that. Patrick Wilson and Rose Byrne star as a married couple who move into a new home with their three kids. Shortly after they move in, their son Dalton is drawn to a shadow in the attic and then falls into a mysterious coma from which they can’t wake him.

It’s at this point that the Lamberts do what horror fans always yell at characters to do: they move out of the damn house! Little do they know, however, that some hauntings go beyond mere domiciles.

The Invitation

Seeing your ex is always uncomfortable, but imagine if your ex-wife invited you to a dinner party with her new husband? That is just about the least creepy thing in this taut thriller nestled in the Hollywood Hills.

Indeed, in The Invitation Logan Marshall-Green’s Will is invited by his estranged wife (Tammy Blanchard) for dinner with her new hubby David (Michael Huisman of Game of Thrones). David apparently wanted to extend the bread-breaking offer personally since he has something he wants to invite both Will and all his other guests into joining. And it isn’t a game of Scrabble…

It Comes at Night

Surviving the apocalypse comes with a certain amount of questions. For starters, what do you do after you survive a global pandemic thanks to your secluded cabin in the woods…and then someone comes knocking? That’s the situation that the family consisting of Paul (Joel Edgerton), Sarah (Carmen Ejogo), and Travis (Kelvin Harrison Jr.) find themselves in in It Comes at Night.

Read more

TV

Best Horror TV Shows on Netflix

By Alec Bojalad

TV

Best Horror TV Shows on Hulu

By Alec Bojalad

When Paul and his family come across another family in the woods seeking shelter and water, they hesitantly welcome them in. But this soon proves to be a dangerous decision. Having guests in the real world is annoying enough to deal with and it only becomes harder when you suspect that any one of them could be sick with a highly-contagious, utterly fatal illness.

Paranormal Activity

Ignore the sequels. Yes, you know they’re bad and we know they’re bad. But long before “the Ghost Dimension” (whatever the hell that means), there was this eerie surprise hit that started it all. A movie which was estimated to be the most profitable movie of all time in its day–earning $193.4 million worldwide on a budget of $15,000–Paranormal Activity put Blumhouse Productions on the map and is still a supremely affecting piece of atmosphere.

Presented as the true story of a young, and not wholly likable, couple (Katie Featherston and Micah Sloat), the film follows the pair as they attempt to document the bumps they’re hearing in the house at night–only to discover a demonic presence and some repressed memories for one party. A still brilliant exercise in sound design, tension, and the uncanny ability to trick audiences into believing what they’re seeing is actually happening, this remains the best found footage horror movie ever made.

Poltergeist

Before there was Insidious, The Conjuring, or a myriad of other “suburban family vs. haunted house” movies, there was Poltergeist. Taking ghost stories out of the Gothic setting of ancient castles or decrepit mansions and hotels, Poltergeist moved the spirits into the middle class American heartland of the 1980s. With a smart screenplay by no less than Steven Spielberg (and, according to some, his ghost direction), Poltergeist finds the Freeling family privy to a disquieting fact about their new home: It’s built on top of a cemetery!

Read more

TV

The Best Haunted House Movies and TV Shows of All Time

By Sarah Dobbs

Movies

How Annabelle Comes Home Fits into The Conjuring Universe

By Don Kaye

You probably know the story, and if you don’t you can guess it after decades of copycats that followed, but this special effects-laden spectacle still holds up, especially as a thriller that can be enjoyed by the whole family. Fair warning though, if your kids have a tree outside their window or a clown doll under their bed, we don’t take responsibility for the years of therapy bills this may inflict!

Red Dragon

The often overlooked other child of the Hannibal Lecter movie family, Red Dragon is no The Silence of the Lambs, no matter how much it wishes it was. Nor is it as visually evocative or luscious as Ridley Scott’s decadent Hannibal. Nevertheless, we find this prequel to both films to be at least worthy of association with the former, and ultimately more satisfying than the latter. A definite attempt to reshape Thomas Harris’ first novel to feature the Lecter character into a Silence of the Lambs clone, Red Dragon still has quite a bit to enjoy.

At the top of the list is of course Sir Anthony Hopkins as Hannibal for the third and final time. Definitely his hammiest iteration of the character, even a campy Hopkins is impossible to resist given the not-so-good doctor’s droll wit or distinct taste palate. Director Brett Ratner’s framing around Lecter is competent enough, and he wisely gets a superb supporting cast who can overwhelm any shortcomings.

Edward Norton is a compelling lead FBI detective; Philip Seymour Hoffman is delightfully repellent as a tabloid journalist who suffers a terrifying fate; and Ralph Fiennes roars as the serial killer who inflicts that fate on Hoffman. It may be no Manhunter–Michael Mann’s first adaptation of the source novel–but Red Dragon‘s the one on Netflix. So love the one you’re with!

The Silence of the Lambs

If you are only going to watch one Hannibal Lecter movie, this is the all-time masterpiece which remains the sole horror movie to win an Oscar for Best Picture. An absolutely gripping thriller even 30 years later, Jonathan Demme’s movie is an all-time great because of stellar performances and a sharp screenplay told by an even sharper eye.

Read more

Movies

The Silence of the Lambs: A Thinking Person’s Monster Movie

By Ryan Lambie

Movies

Best Horror Movies on Hulu

By Alec Bojalad and 1 other

Here is the movie that kicked off the serial killer craze in Hollywood during the ’90s. Yet more than the gory details, what lingers in the mind are little things like an opening sequence that introduces Clarice Starling (Jodie Foster) as the lone woman on an elevator full of FBI ubermensches, or the way Anthony Hopkins breaks his unrelenting stare to mispronounce “Chianti” with dripping disdain for the Yokel sent to interview him. Every facet of this movie works, and thus it hasn’t aged a day. We do recommend watching it with a side of fava beans, though.

Sinister

One of the better Blumhouse chillers to come out of the 2010s, Sinister is the case of a brilliant elevator pitch meeting a superior pair of talents in director Scott Derrickson and star Ethan Hawke to bring it to life.

The setup of the movie is simple: There is a pagan demon god who will consume the soul of any nearby children whenever someone sees him. And not just him, but recreations of his image on walls. And wouldn’t you know it, true crime journalist Ellison (Hawke) just moved into a house with an attic full of home movies stuffed to the gills with Bughuul. And Ellison’s daughter is right downstairs. Uh oh.

Sleepy Hollow

As much a comedy as a horror film, Tim Burton’s Sleepy Hollow should always be on the table when discussing October viewing options. After all, this demented reimagining of Washington Irving’s classic short story, “The Legend of Sleepy Hollow,” never forgets the selling point is to have them rolling in the aisles. And more than a few heads do just that.

As a film with the most varied and imaginative uses of decapitation, Sleepy Hollow cuts a bloody path across Upstate New York. In fact, despite its American setting, we might as well confess what Sleepy Hollow really is: a modern version of a Hammer horror movie.

Burton incorporates all of his favorite tropes here: The intentionally stuffy faux-British acting (even though all the characters are of Dutch descent); the exaggerated and formal clothing; more than a few heaving bosoms; and lots and lots of gore. This film is so perfectly macabre and gleefully grotesque that you might even be forgiven for not noticing at first glance how dryly funny and deadpan a place this Sleepy Hollow tends to be.

Splice

What if Dr. Frankenstein banged his monster? That is just one of several creepy elements to Splice, a weird psychosexual sci-fi/horror hybrid. Directed by Vincenzo Natali and starring Adrien Brody and Sarah Polley as the world’s worst scientists, Splice follows two not-so-smart doctors who attempt to play God by creating an entire new species of creature they name Dren (Delphine Chanéac).

Read more

Books

Frankenstein Adaptations Are Almost Never Frankenstein Adaptations

By Kayti Burt

Movies

Best Horror Movies Streaming on HBO Max

By David Crow and 2 others

At first a computer-generated child with alien eyes and a roping tail, Dren soon grows from girl to young woman, seducer to… well, something even more unexpected. Weird, unpleasant, and ultimately unshakable like that one bad dream, Splice plays with ideas of identity, gender, and parenthood.

Sweetheart

Don’t let the name fool you, Sweetheart is very much a horror movie. What kind of horror movie, you ask? Well, after a boat sinks during a storm, young Jennifer Remming (Kiersey Clemons) is the only survivor. She washes ashore a small island and gets to work burying her friends, creating shelter, and foraging for food. You know: deserted island stuff.

Soon, however, Jenn will come to find that the island is not as deserted as she previously thought. There’s something out there – something big, dangerous, and hungry. Sweetheart is like Castaway meets Predator and it’s another indie horror hit for Blumhouse.

Tucker and Dale vs. Evil

Tucker and Dale vs. Evil is a fantastic little satire on the horror genre that, in a similar fashion to Scream, is packed with laughs, gore, and a bit of a message. When a group of preppy college students head out to the backwoods for a camping trip, they stumble upon two good-natured good ol’ boys that they mistake for homicidal hillbillies.

Their quick, off-the-mark judgment of Tucker and Dale lead to these snobs getting themselves into sticky, often bloody, and hilariously over-the-top situations. Tucker and Dale vs. Evil rides a one-joke premise to successful heights and teaches audiences to not judge a book by its cover.

Under the Shadow

This 2016 effort could not possibly be more timely as it sympathizes, and terrorizes, an Iranian single mother and child in 1980s Tehran. Like a draconian travel ban, Shideh (Narges Rashidi) and her son Dorsa (Avin Manshadi) are malevolently targeted by a force of supreme evil.

Read more

Movies

How Jason Blum Changed Horror Movies

By Rosie Fletcher

Movies

The 13 Best Final Girls in Horror Movie History

By David Crow

This occurs after Dorsa’s father, a doctor, is called away to serve the Iranian army in post-revolution and war-torn Iran. In his absence evil seeps in… as does a quality horror movie with heightened emotional weight.

Underworld

No one is going to mistake Underworld for high art. That obvious fact makes the lofty pretensions of these movies all the more endearing. With a cast of high-minded British theatrical actors, many trained in the Royal Shakespeare Company, at least the early movies in this Gothic horror/action mash-up series were overflowing with histrionic self-importance and grandiosity.

Take the first and best in the series. In the margins you have Bill Nighy and Michael Sheen portraying the patriarchs of warring factions of vampires and werewolves, and a love story caught between their violence that’ shamelessly modeled on Romeo and Juliet. It’s ridiculous, especially with Scott Speedman playing one party. But when the other is the oft-underrated Kate Beckinsale it doesn’t matter.

The movie’s bombast becomes the movie’s first virtue, and Len Wiseman’s penchant for glossy slick visuals, which would look at home in the sexiest Eurotrash graphic novel at the bookstore, is its other. Combined they make this a guilty good time. Though we recommend not venturing past the second or third movie.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

The post Best Horror Movies on Netflix: Scariest Films to Stream appeared first on Den of Geek.

from Den of Geek https://ift.tt/2Q3lgWj

[tabloidtoc]

People, April 27

Cover: Julia Louis-Dreyfus -- I Know How Precious Life Is 

Page 1: Chatter -- Billie Eilish, Yara Shahidi, Joe Manganiello on Sofia Vergara, Josh Duhamel, Kelly Ripa, Tracy Morgan 

Page 2: 5 Things We’re Talking About This Week -- Tom Hanks surprises as SNL host, kids rock out to the Trolls sequel, Jimmy Fallon’s daughter interrupts his show, Naomi Watts has a meltdown, Doogie Howser MD gets a reboot 

Page 4: Contents

Page 6: Editor’s Letter -- Welcome to our Earth Day special 

Page 8: StarTracks -- stars celebrate Easter in isolation -- Andrea Bocelli performed in the empty Duomo di Milano cathedral for his Music for Hope 

Page 9: Jenna Bush Hager with husband Henry and kids Mila and Poppy and Hal, Katy Perry dressed up her baby bump in a bunny onesie, Sylvester Stallone and wife Jennifer and daughters Scarlet and Sistine and Sophia, Gabrielle Union and daughter Kaavia, Mindy Kaling 

Page 10: Dwayne Johnson and his dog Hobbs, Kristin Chenoweth and boyfriend Josh Bryant finish a puzzle, Matthew McConaughey and wife Camila deliver 80,000 masks to police and fire stations in Austin and New Orleans 

Page 11: Gwyneth Paltrow with kids Apple and Moses, Joanna Gaines improvised a book tour with husband Chip Gaines and their kids, Prince Charles and Camilla Duchess of Cornwall celebrated their 15th wedding anniversary with a subtle recreation of their engagement portrait at their Birkhall home on Balmoral Estate, Sarah Silverman joined the nightly cheering for health care and essential workers who are on the front lines amid the COVID-19 pandemic 

Page 12: Stars Staying Safe in Masks -- Christian Siriano, Miley Cyrus and Cody Simpson make a grocery run in LA, Emmy Rossum on a walk in LA, Usher picking up a pizza in LA, Kumail Nanjiani wears a mask and latex gloves in LA 

Page 13: Oprah Winfrey, Prince William and Princess Kate Middleton took part in their first-ever royal engagement via video call speaking with the staff and students of a school in northern England where the kids of essential workers are being looked after, Kate Beckinsale holds hands with rocker Goody Grace during a hike, Russell Dickerson and wife Kailey are pregnant 

Page 15: Bruce Willis and Demi Moore quarantining together with their daughters 

Page 18: Heart Monitor -- Kenya Moore and Marc Daly back on, Deborra-Lee Furness and Hugh Jackman happy anniversary, Lily Allen and David Harbour getting serious, Florence Pugh and Zach Braff going strong 

Page 20: The truth about Tom Brady and Gisele Bundchen’s marriage, Tyler Perry helping the elderly amid COVID-19 

Page 22: College Admissions Scandal Update -- Prosecutors have released photos they claim Lori Loughlin used to fraudulently get their daughters into USC of the daughters posing on ERG indoor-rowing machines 

Page 25: Alec Baldwin and wife Hilaria expecting again, This Week in People History -- the death of Kurt Cobain 

Page 26: Passages, Linda Tripp 1949-2020 

Page 27: Lost to COVID-19 -- Hilary Heath, David Driskell, John Prine, Hal Willner 

Page 28: Stories to make you smile 

Page 31: People Picks -- Killing Eve 

Page 32: People Presents Harry & Meghan: A Royal Rebellion, She Walks with Apes, One to Watch -- Brews Brothers’ Mike Castle 

Page 33: #blackAF, Here We Are: Notes for Living on Planet Earth 

Page 34: Home 

Page 35: Selah and the Spades, Let’s Go Crazy: The Grammy Salute to Prince, Sam Hunt -- Southside 

Page 36: Books, Star Picks: Quarantine Reading -- Maria Bello, Jamie Lee Curtis, Chrissy Metz 

Page 38: Cover Story -- Julia Louis-Dreyfus finding new strength and new purpose 

Page 46: 50 Things You Should Know & Do To Help the Planet 

Page 49: Robert Redford -- We Need to Band Together 

Page 50: Ellen DeGeneres and Portia de Rossi -- We are all connected to each other, to animals and to the environment 

Page 54: Jane Fonda -- Fight to Protect Your Health & Your Family 

Page 64: Jaden Smith -- All generations and people of the world have to work together 

Page 68: Natalie Portman -- You Can’t Live in a Bubble 

Page 73: LeAnn Rimes -- I’m not ashamed of my pain 

Page 76: The Coronavirus Crisis -- Kindness Across America 

Page 78: Fatal Betrayal -- When Britney Ujlaky went missing her “big brother” Bryce Dickey consoled her family; now he’s charged with killing her 

Page 80: Alicia Silverstone reflects on life in quarantine, raising her 8-year-old son and the new projects that keep her busier than ever 

Page 86: Second Look -- the cast of Will & Grace paid tribute to I Love Lucy -- Debra Messing and Sean Hayes and Megan Mullally and Eric McCormack 

Page 88: One Last Thing -- Chance the Rapper 

[williamsockner]

BEST 100 SONGS OF THE 2010′S

According to my excellent, comprehensive and highly-esteemed taste. For your listening pleasure, the entire playlist is available on: Spotify, Youtube, or MP3 download! Limited to one song per artist, must have come out either as single or on an album released between January 1, 2010 and December 31, 2019.

1. Sister Grotto - “I Don’t Want to Love” (2018) 2. Kanye West - “Runaway” (2010) 3. Katy Perry - “Teenage Dream” (2010) 4. Joanna Newsom - “Go Long” (2010) 5. Vienna Teng - “The Hymn of Acxiom” (2013) 6. Foxing - “Nearer My God” (2018) 7. Mark Kozelek - “You Missed My Heart” (2013) 8. FKA twigs - “Two Weeks” (2014) 9. Mitski - “Your Best American Girl” (2016) 10. Grimes - “Kill V. Maim” (2015) 11. Sky Ferreira - “Everything is Embarrassing” (2014) 12. Charli XCX - “Backseat (feat. Carly Rae Jepsen)” (2017) 13. Twin Shadow - “Run My Heart” (2012) 14. Lambchop - “The Hustle Unlimited” (2017) 15. Nick Cave & the Bad Seeds - “I Need You” (2016) 16. Lana Del Rey - “Video Games” (2012) 17. Frank Ocean - “Thinkin Bout You” (2012) 18. Björk - “Saint” (2017) 19. Vince Staples - “BagBak” (2017) 20. Grouper - “Blouse” (2018) 21. Nicole Dollanganger - “American Tradition” (2015) 22. Carly Rae Jepsen - “Run Away with Me” (2015) 23. Perfume Genius - “Hood” (2012) 24. Laura Stevenson - “Low Slow” (2019) 25. Ariana Grande - “ghostin” (2019) 26. Azealia Banks - “212 (feat. Lazy Jay)” (2014) 27. Thundercat - “Oh Sheit It’s X” (2013) 28. Solange - “Losing You” (2012) 29. Sia - “Chandelier” (2014) 30. Empress Of - “When I’m With Him” (2018) 31. Robyn - “Dancing On My Own” (2010) 32. Torres - “Honey” (2013) 33. Sharon Van Etten - “Your Love is Killing Me” (2014) 34. Chumped - “Old and Tired” (2014) 35. SZA - “Prom” (2017) 36. Rihanna - “Higher” (2016) 37. serpentwithfeet - “four ethers” (2016) 38. Moses Sumney - “Rank & File” (2018) 39. Zola Jesus - “Remains” (2017) 40. Lucy Dacus - “Night Shift” (2018) 41. Kelela - “A Message” (2015) 42. Cam - “Diane” (2017) 43. Drake - “Hold On, We’re Going Home (feat. Majid Jordan)” (2013) 44. Phoebe Bridgers - “Smoke Signals” (2017) 45. Miya Folick - “Deadbody” (2018) 46. Pity Sex - “Hollow Body” (2013) 47. The Raveonettes - “Endless Sleeper” (2014) 48. Sage Francis - “Make ‘Em Purr” (2014) 49. Yeasayer - “O.N.E.” (2010) 50. Natalie Press - “My Baby Don’t Understand Me” (2015) 51. Sufjan Stevens - “Blue Bucket of Gold” (2015) 52. Beyoncé - “Partition” (2013) 53. Charles Bradley - “Lonely As You Are” (2019) 54. Soccer Mommy - “Scorpio Rising” (2018) 55. SOPHIE - “It’s Okay to Cry” (2017) 56. Slothrust - “Horseshoe Crab” (2016) 57. Rufus Wainwright - “Zebulon” (2010) 58. Future Islands - “Seasons (Waiting on You)” (2014) 59. Purity Ring - “Fineshrine” (2012) 60. Snakehips - “All My Friends (feat. Tinashe & Chance the Rapper)” (2015) 61. DJ Shadow - “Nobody Speak (feat. Run the Jewels)” (2016) 62. Kendrick Lamar - “LOVE. (feat. Zacari)” (2017) 63. Miley Cyrus - “Wrecking Ball” (2013) 64. Courtney Marie Andrews - “May Your Kindness Remain” (2018) 65. Kesha - “Praying” (2017) 66. School of Seven Bells - “Open Your Eyes” (2016) 67. Rosalía - “Malamente” (2018) 68. The Mountain Goats - “Heel Turn 2” (2015) 69. Gallant - “Bourbon” (2016) 70. Lady Gaga - “The Edge of Glory” (2011) 71. Julien Baker - “Sprained Ankle” (2015) 72. Shura - “What’s It Gonna Be?” (2016) 73. boygenius - “Me & My Dog” (2018) 74. Snail Mail - “Full Control” (2018) 75. Leonard Cohen - “Treaty” (2016) 76. Simone Dinnerstein & Tift Merritt - “Colors” (2013) 77. Marissa Nadler - “Janie in Love” (2016) 78. cupcakKe - “Fullest” (2018) 79. Emily Reo - “Spell” (2016) 80. Taylor Swift - “Getaway Car” (2017) 81. PARTYNEXTDOOR - “Come and See Me (feat. Drake)” (2016) 82. Hazel English - “I’m Fine” (2016) 83. White Lung - “Down It Goes” (2014) 84. Kississippi - “Indigo” (2017) 85. The Weeknd - “Can’t Feel My Face” (2015) 86. Bon Iver - “29 #Strafford APTS” (2016) 87. Tomberlin - “February” (2017) 88. Ruston Kelly - “Mockingbird” (2018) 89. Walk the Moon - “Shut Up and Dance” (2014) 90. Damien Rice - “I Don’t Want to Change You” (2014) 91. Nadine Shah - “Stealing Cars” (2014) 92. White Sea - “Stay Young, Get Stoned” (2015) 93. The Internet - “Special Affair” (2015) 94. Bat for Lashes - “Clouds” (2016) 95. Clairo - “Alewife” (2019) 96. Jidenna - “Bambi” (2017) 97. The National - “I Need My Girl” (2014) 98. Tei Shi - “M&Ms” (2013) 99. Spice - “Cool It” (2018) 100. MUNA - “I Know a Place” (2016)

[unfortunate-stranger-losers]

Six Baudelaires AU, Part Two: Reference Guide

A quick guide for everything I intentionally referenced in The Six Siblings, Part Two: This Tale is All Sorrows and Woes.

{ao3} {tumblr} {part one reference guide} 

MAJOR SPOILER WARNING - the plot twists from this section of the fanfiction will be discussed at length. 

Without further ado…

Chapter One / Prologue - in which Lilac has to Older Sister

“Release Nick, you fiend!” Violet tackled Klaus to the ground, as both of her brothers burst into giggles. “Never! Nick’s my prisoner of war!” Klaus said, trying (and failing) to push her off.

Nick being the “captive” in the childrens’ game throughout the chapter is a bit of an obvious foreshadow to his captivity from Chapters 12-20... which meant it was really fun when none of you noticed until then and then tried to kill me. XD

A full reference of the books namedropped in the childrens’ game:

Violet and Nick’s kingdom, Terabithia, is from Bridge to Terabithia by Katherine Paterson. Their original characters, either Susan/Lucy and Peter/Edmund, are a reference to The Chronicles of Narnia by CS Lewis. 

Lilac and Klaus’s kingdom, Gwyntystorm, and their characters, Irene and Curdie, are from The Princess and the Goblin and its sequel, The Princess and Curdie, by George MacDonald. 

Lilac says she thought Nick was Eragon, from The Inheritance Cycle by Christopher Paolini, and Klaus says he was Aragorn, from The Lord of the Rings by JRR Tolkien. Nick’s suggestion for a new name, Glaedr, is also a character from The Inheritance Cycle. Nick finally decides to be Peter Pan, obviously from Peter Pan by JM Barrie. 

“Naw, they definitely are.” Nick nodded. “When a new baby is born, one of the other children has to die. Everyone knows it.” [...] “Now, since it’s a girl maybe, they could take out one of them,” he gestured towards Violet and Lilac, “But you’re the most useless, Klaus, so-” [...] “But yeah. Babies suck and we should totally throw our sister off the roof.” 

Direct reference to Addams Family Values (1993)

“Watch me.” Nick’s eyes lit up. “Wait, no, better plan. You guys remember Moses-”

Reference to the story of Moses, who was placed in a basket in a river as an infant. 

Lilac quickly answered the phone, saying, “Baudelaire residence. This is Lilac Emily. To whom am I presently speaking?” 

Lilac’s middle name is taken from her actress, Emily Browning. 

“We’re sensible and proper!” Nick added.

A reference to S Theodora Markson’s catchphrase in All the Wrong Questions. 

“What was that, Dad? No, no real ropes. Yeah, promise. We’ll go to bed on time, too. But you’ll all be back in the morning? Yeah, I know. Don’t open the windows.”

The Baudelaire parents don’t want to risk their children getting recruited. 

“He said we have a new sister.” Lilac reported. “Solitude Theodora Baudelaire.”

A direct reference to S Theodora Markson. 

“Can we make a blanket fort?” Klaus asked. “Like we used to?”

Much like the last prologue, this is a reference to the scene from the 2004 film. 

Rest of the fic under the cut. 

Chapter Two - in which the Baudelaires move into a nice Shack

As he stood, Nick turned to look at his brother, and after a second, he realized something. “Wait a minute.” he said. “Are you… taller than me?”

A reference to Louis Hynes’s growth spurt inbetween TMM and TAA in the Netflix series. (Though, fun fact, at this moment in time, Liam Aiken is currently taller than Louis Hynes, so I guess Nick eventually does end up taller.) 

Violet groaned and stood, and Solitude said, “Winnie,” which meant, “We could have Babbitt judge; they’re good with numbers!”

A reference to the main character of Babbitt’s namesake, Tuck Everlasting by Natalie Babbitt. 

After a moment, Nick said, “I’ll give you a tip.” “Yes?” Nick smiled slightly. “There’s a book, about the mother of a girl who reminds me a lot of you, in that everyone thinks she is adorable and perfect. The mother gets scared when the girl’s classmate drowns on a field trip and her daughter steals something shiny off of him, and she then finds out that she has a very suspicious genealogy.”

Nick giving tips in the form of book recommendations is a reference to Lemony’s habit of doing the same thing to Pip and Squeak in All the Wrong Questions. This is a double reference, as Liam Aiken, Nick’s actor, read the audiobooks for ATWQ. 

The book he is referencing is The Bad Seed by William March. 

“Gah-ahc.” said Solitude, which meant, “Let’s sleep outside.”

One of Soli’s lines in the 2004 film. 

Chapter Three - in which the Baudelaires make new friends 

Sunny narrowed her eyes. “Armoracia,” she muttered, which meant something like, “That doesn’t sound right. Apples and Horseradish taste very differently.”

Early foreshadowing for Sunny’s cooking interest. 

“I can get the windows,” Lilac said, “Should be an ordinary-enough pin-tumbler lock.”

The phase “ordinary enough pin-tumbler lock” is repeated a lot, as a reference to the second All the Wrong Questions book, When Did You See Her Last? 

“Yeah, there’s no locks.” Duncan said. “Bonnie said that they fell off a few years ago and never got replaced.”

A reference to a main character from The Wolves of Willoughby Chase by Joan Aiken. 

Chapter Four - in which Duncan and Isadora break into a Library 

“See? Researcher. Like Klaus.” Nick said. Klaus narrowed his eyes at his twin, trying to figure out what Nick was on about. “Is that… really important?” “Yes.” Nick said, and failed to elaborate. [...] “I think Klaus and Duncan should take the fungus.” Violet said, sharing a look with Nick. “The rest of us can keep an eye out for that book.” “Why should we take the fungus?” Violet held back a smile and shrugged, but Klaus quickly figured out what was going on. His face went red, and he glared at her, but Duncan said, “I’m fine with that,” so all he could do was shrug and keep shooting his siblings dark looks.

Violet and Nick are trying to set Duncan and Klaus up, much to Lilac’s horror. 

“Like a little cat.” Duncan said. “One of those feral ones that are super tiny.”

A reference to the world’s smallest cat, the Rusty-spotted cat. 

“That doesn’t sound right, but I really don’t give a shit.” Nick shrugged. “We’ll find it, won’t we, Soli?”

A reference to a line from It’s Always Sunny in Philadelphia episode 5x03, “The Great Recession”, which later became a meme - “That doesn’t sound right, but I don’t know enough about stars to dispute it.” 

Chapter Five - in which the children run amok at Prufrock Prep 

“You’re lucky.” Isadora said, sitting on the edge of the roof and kicking her legs as she looked down at the dying grass fields. “Our parents’ estate’s executor doesn’t give a fuck until orphans are ‘in’, whatever the hell that means.”

As revealed in The Slippery Slope book, Esme was left in charge of the Quagmires’ estate. 

Lilac giggled. “Yeah. Mom used to have [a necklace] just like it, except instead of these gear patterns, it had her initials. I always thought it was pretty, but she never let me wear it, so I learned how to make my own. She was… so proud.”

2004 Film Violet does indeed have a necklace throughout the entire film; I just added a backstory. 

“Nick Liam Baudelaire, what the hell is that?” Lilac shouted.

Nick’s middle name is in reference to his actor, Liam Aiken. 

“Marbeau,” said Sunny, meaning, “Maybe they’ve finally opened a daycare or toddler school.”

A reference to Firmin Marbeau, who pioneered a forerunner of modern daycare. 

Chapter Six - in which the Baudelaires have Gym Class 

“Tik,” said Sunny, meaning, “No! Typing and stapling is so hard when we’re tired!”

“Tik” spelled backwards is “Kit”, which, no, is not a reference to Kit Snicket, but Kit Kittredge, who famously carries a typewriter. 

“Say goodbye to Nick, Solitude.” Lilac said, grabbing the toddler’s hand and dragging her to her feet.

Another bit of foreshadowing for Nick’s capture. 

“Olil.” Sunny groaned. “Leave me alone to die.”

“Olil” spelled backwards is “Lilo”, as Sunny is directly quoting a line from Lilo & Stitch (2002). 

“Speaking of which,” Carmelita said, “As this is the second message I gave you, I really deserve a tip at this point.” “There’s a book about what happens when you let a bunch of schoolchildren run around unsupervised,” Klaus said, “And it features a pig’s head on a stick.”

Once again, the book recommendation instead of a tip is an All the Wrong Questions reference. 

Klaus is recommending Lord of the Flies by William Golding.

Chapter Seven - in which Nick gets them all in Even More Trouble 

“I’m just telling you what I was told to tell you.” Carmelita giggled. “And since this is my eleventh message, you’re overdue eleven tips.” “We gave you our tips.” Nick said, glaring at her. “But here’s today’s; there’s a book that was made into a popular film that is about a hound dog and a fox. In the book, at the end, the hound kills the fox.”

Once again, ATWQ reference with the tips. 

The book he’s recommending is The Fox and the Hound by Daniel P Mannix; and, yes, that IS how the book ends. The Hound dies, too. You’re welcome for ruining your childhood. 

“Klaus?” he sounded very uncharacteristically terrified. “Klaus? Are you okay?” Klaus, startled, quickly stumbled out, “Y-yeah, I’m fine…” as Lilac and Violet also jumped up, grabbing the infants, and the Quagmires hurried to their feet. “Did your glasses break?” “No, I’m-” “Are you hurt?” Nick pulled away from his slightly, his eyes moving fast as he scanned his brother.

While Nick’s PTSD worsens much later, the first signs of it start showing here; he’s still traumatized from Klaus’s hypnotism, which was always kicked off with him getting tripped and his glasses breaking. 

“I wouldn’t say that.” said Nick, glaring down at the floor. He hadn’t looked anybody in the eye since he’d attacked Carmelita.

Nick isn’t ashamed of attacking Carmelita; he’s ashamed that he “overreacted” to something so minor. He doesn’t like admitting he needs help, which becomes a problem after his capture. 

“We know what homeschooling is.” Violet said. “We were-”

In this continuity, the Baudelaires were homeschooled before the fire. 

“Halloween, age nine,” Isadora said, “Was when we wanted to go as a certain family of six children. The problem being that there’re only three of us.”

A reference to The Brady Bunch. 

“We know you’re not asking.” Isadora said, smiling. “We’re volunteering.”

whelp. 

Chapter Eight - in which Lilac Snaps 

No major references in this chapter. 

Chapter Nine - in which the Baudelaires are given Fashion Lessons 

They fell silent again, and then quietly, Lilac started to sing. She sang a song that was normally played very loud and energetic, but she gave it a slower melody, quietly soothing Sunny as they walked up and up the large staircase. It was a song about how everybody’s looking for something, and as they walked, listening to Lilac’s soft voice, they all really hoped that whoever was looking for the Quagmires would find them quickly.

A reference to “Sweet Dreams (Are Made Of This)” by Eurythmics, but more specifically, a reference to Emily Browning’s cover version.

“Ah, you’re very adventurous!” Jerome said. “Just like your mother. We were friends a ways back. We hiked up Mount Fraught with some friends- gosh, it must have been twenty years ago-” [...] “Hmm? Oh, no, just the Snickets and that Markson boy.” Lilac narrowed her eyes. “Who?”

“That Markson boy” is a reference to the theory that Bertrand Baudelaire was adopted by S Theodora Markson’s family. Lilac’s recognition is not of her father’s maiden name, but of “Snicket”, which she vaguely remembers from her childhood. 

Chapter Ten - in which the In Auction is planned 

Currently, the Baudelaires were spread out in the living room. Nick and Klaus were trying to read through a book on Emily Dickinson that they’d bought the other day, while Violet and Lilac were going through the newspaper, trying to find something interesting, or some news on the search for Count Olaf.

The Baudelaires miss the Quagmires so much they’ve accidentally picked up their habits; Emily Dickinson is a famous poet, and Violet and Lilac are reading the newspaper. 

“She seems like the kind of person who’d try to set me up with some rich kid.” Nick said. “And I’m never getting married, not even when I’m older. I’m gonna live alone in the woods, and the only one who can come visit me is Soli.”

Nick is aromantic. 

“Ihering!” Soli said, which meant something like, “I’ll live with you and we can raise reptiles in the woods!”

A reference to Hermann von Ihering, a zoologist. 

The waiter nodded. “I didn’t realize this was a sad occasion.” [...] “Did you say-?” Lilac began.

The waiter is a VFD agent; once again, Lilac vaguely recognizes the code phrase. 

Chapter Eleven - in which Klaus finds an Ersatz Elevator 

“I’m not going to let us chase red herrings!” Lilac shouted back, hurt.

Dark foreshadowing to the red herring statue. 

“Solitude is,” Nick said, moving past him to find a pencil and paper, “Sunny is the albatross that curses us.” “Doom!” Sunny cheered.

A reference to The Rime of the Ancient Mariner by Samuel Taylor Coleridge. 

“It worked.” Violet smiled. “We never expected otherwise.” Klaus said.

A reference to the line from “The Bad Beginning: Part One” in the Netflix series. 

Chapter Twelve - in which the Baudelaires fall 

“Not so bad.” Solitude muttered. Then, she said, “Radec,” which meant, “Just think of it as a ride, instead of an actual fall.”

“Radec” spelled backwards is “Cedar”; a lowkey reference to Cedar Point. 

“No, we’re going to make a lockpick.” Lilac said. “Flamethrower’s too volatile. Besides, I don’t trust you with it.”

“Too volatile” is a reference to the phrase being used in The Grim Grotto. 

She spun on her heel, exiting out a door behind them. As she did, Nick said, “Should I go after her and tell her the kitchen was out the other door?”

Esme went to call Olaf and the henchpeople, instead of going to the kitchen. 

“Yeet Babbitt.” Solitude suggested.

A reference to the vine/meme. 

They had to walk through a parlor to get to the door, and as they did, Nick stopped a moment, glancing at the phone. It didn’t look broken. “Hey, guys?” he called, but they didn’t hear him, so he started to run to catch up.

Nick started to run to catch up; he never did, because that’s when one of Olaf’s henchpeople grabs him. 

And then, with a swish, there was a thump, thump, thump, and the Baudelaires stopped falling.

Only three thumps- because Klaus and Lilac were carrying the toddlers, and Nick didn’t fall, only three kids hit the net. 

“Nhojnod!” Sunny shouted. “You bastard!”

“Njohnod” is “Don John” spelled backwards, a reference to the character from Much Ado About Nothing, who is a bastard in both the legal and ethical use of the term. 

Chapter Thirteen - in which Sunny crawls up an elevator shaft 

“Sunday Theodora Baudelaire!” Lilac shouted. “You get back down here right now!”

Sunny’s middle name, “Theodora”, is once again a reference to S Theodora Markson; even after her death, she’s still confusing people about what the S stood for. 

Sunny sighed and turned slightly towards them, calling out, “Salvo!” which probably meant something like, “I’m going to go get us some rope and see if I can find Nick! I’ll be back soon!”

“Salvo” is a Latin verb, meaning “to save.” 

Sunny bit her lip and shook her head. “Appentier,” she said, meaning, “He’s not in the penthouse, at least from what I saw.”

“Appentier” is a french word from which “penthouse apartment” is derived. 

“Kim?” Sunny asked, meaning, “Wait, we get leeway for being kidnapped?”

“Kim” is the name of the girl who is kidnapped in the film Taken (2008). 

Solitude glanced at her in confusion. “Greywater?” “Yes, Soli,” Violet said, “A word which here means, ‘basically piss and shit.’”

A reference to a line from IT: Chapter One (2017). 

Chapter Fourteen - in which Some Children are sold at auction 

“You’d be surprised what’s legal and what’s not, actually.” Esme said. “For instance, in our society, cannibalism is legal, but religiously frowned upon-” 

A reference to the only ASOUE canon that matters, the Real-Time Fandub. (part one, part two) 

“Very interesting.” Olaf said. “And I suppose you think that your dear sister Lilac will take care of you then?”

Olaf is taunting Nick here, as he’s about to drop quite a lot of secrets to him, but mainly that Lilac is his half-sister. 

Notably, Nick is the only Baudelaire not present in this header image. 

Chapter Fifteen - in which Nobody’s having a good time 

No major references in this chapter. 

Chapter Sixteen - in which Lilac has a bad plan 

For sapphires and fortunes we are held in here. Only you can end our fear.

Isadora’s poems are ever-so-slightly different in this AU, due to Nick’s presence. 

The addition of and fortunes indicates that Nick is still with them.

Until dawn comes, we cannot speak speak. No voices come from this sad beak.

“voices” is more specific than “words can”; Nick has already started to go nonverbal due to his trauma, and Duncan and Isadora are unable to yell through the statue. 

Chapter Seventeen - in which the Village makes a Big Mistake 

But as she passed the Baudelaires, her hand slipped, and the man turned and met Lilac’s eyes. He stared for a moment, as if he realized with a shock he recognized her from somewhere. Then, he said, very quietly, “The world is quiet here.”

Jacques is realizing that Lilac has Lemony’s eyes; if he hadn’t realized before she was his niece, he does now. He tries to signal her with a VFD codephrase. 

“Now,” Lilac said, “We will need full access to all your inventing materials.” “And I’ll need blueprints of the uptown jail.” Klaus said. “Dead fly.” said Solitude.

While this is an obvious reference to Soli wanting to feed Babbitt, it is also a reference to a similar request made by Wednesday Addams in the 1964 sitcom The Addams Family, episode 1x10, “Wednesday Leaves Home.” 

The first thing you read contains our clues: An initial way to speak to you.

“Our clues”, once again, signals that Nick is still with the Quagmires. 

Chapter Eighteen - in which Count Olaf was not murdered 

No major references in this chapter. 

Chapter Nineteen - in which the Twins get a Birthday Present 

“You won’t keep Nick.” Lilac added. “He’ll get away from you, and the Quagmires, too! We’re never going to give up, and neither are they!” “Baudelaires don’t give up!” Solitude shouted. Olaf just smiled. “I wouldn’t be too sure about that.”

Nick’s trauma has already caused him to shut down completely, and Olaf knows this. 

Inside these letters the eye will see Nearby are your loved ones and the VFD

Nick and the Quagmires are still together. 

Chapter Twenty - in which Sunny drives a Firetruck 

“Nick, hey.” Isadora slowly pulled away from Violet and Lilac and stepped closer to the fountain, her voice very soft. “Your siblings found us. We were right. They found us.”

The Quagmires aren’t as traumatized as Nick; they’ve learned how to avoid the wrath of their captors, and have complete faith that the Baudelaires will save them. Nick’s been tortured and told quite a lot of things that temporarily broke him.

Duncan and Isadora shared a glance, and to the Baudelaires’ surprise, Nick flinched and also shared the triplets’ look. “Well, that’s not a surprise.” Duncan said. “He was the brother of a man who-”

Duncan, Isadora and Nick all know about Jacques Snicket, his relationship to Lemony, and Lemony’s relationship to Lilac. 

Nick was backing away from the fence, eyes wide, gripping onto Solitude so hard his knuckles were white. Isadora ran forwards, and Lilac realized then that he was shaking uncontrollably. “Nick, Nick, it’s okay!” Isadora said. She reached forwards, grabbing his face. “Look at me! Look at me! Duncan-” Duncan ran over, putting a hand on Nick’s shoulder, as Nick said, “They’re going to find us. They’re going to catch us. They’re going to find us-”

A lot of Nick’s trauma came from punishments after he attempted to escape, so he goes into a panic whenever they’re about to be caught. 

At that moment, Solitude pushed Babbitt onto Nick’s shoulder and said, “Hold this!” She immediately started running, jumping over Lilac and crawling through the window and onto the seat beside Sunny. Then she slid to the floor and jumped on the gas pedal, causing them to take off again.

A reference to Pip and Squeak from All the Wrong Questions, who drove their taxi in a similar way. 

Klaus stared back, and then his gaze hardened, and his siblings had never seen him look so furious. “I’m going to kill them.” Klaus vowed, and he meant it. “I’m going to kill them, Nick.” Nick’s eyes widened, and for several seconds, he looked like he physically could not process what his brother had just said.

A running joke up to this point was that Nick would suggest murder and Klaus would remind him that was illegal; after seeing his brother in such a state of shock and fear, this gag drops as Klaus decides Olaf and his troupe have to die. 

Chapter Twenty-One - in which Nick is not feeling great 

Meanwhile, Klaus was leaning against the wall, with Nick leaning onto his shoulder, curled up so he could be as close to his brother as possible. He had his eyes shut, but Lilac knew he wasn’t asleep; she didn’t think he’d slept at all. 

A symptom of severe trauma is the loss of sleep, either because of nightmares, or fear of what could happen while in such a defenseless position. This will be explored in Part Three. 

Nick bit his lip, and then nodded and said, “I-I’m sorry-”

Nick’s gotten over the initial shock of his rescue, and he’s starting to regret breaking down and starting to hate being so obviously traumatized. 

“Wait, Li…” Nick paused. “Can I… can I talk to you?” “Of course.” Lilac said softly. Nick glanced from Klaus to Violet to the toddlers. “Alone?”

Nick has decided it’s Lilac’s right to know she has a different (possibly living?) biological dad than the rest of them, but he also knows it’s her decision who else she wants to know, hence why he wants to tell her alone. 

Nick looked up at Klaus, and said, “I-I…” he shut his eyes. “I thought I heard… no, no, I must’ve… I thought I heard her, but… I had to… she wouldn’t… have found us this fast…”

Esme and Olaf were Nick’s main tormentors; they trigger his panic attacks more than the presence of the rest of the troupe. 

“No! No, don’t leave!” Nick shouted, leaping forwards and grabbing Klaus’s arm.

Nick is absolutely terrified of isolation/abandonment, especially in enclosed spaces. 

“Never!” Klaus pushed Nick farther, incredibly terrified by just how quiet his brother was.

Nick was punished a lot for “backtalking” his captors, so when he’s around Olaf and Esme, he almost never speaks. 

Chapter Twenty-Two - in which the Baudelaires break into a Hospital 

“Dimidium,” Sunny said, which meant, “Well, it’s only half a hospital.”

“Dimidium” is a Latin noun, meaning “half.” 

“We could kick down the door.” Lilac suggested. Then, she gave Nick a small smile. “Remember, Nick? When you were locked in the closet and wanted Mom to kick down the door?”

A reference to a previous one-shot for the Six Baudelaires AU. 

“Do you think that’ll have the information we need?” Violet asked. Nick flinched again, and then he said, “Um-”

Nick heard the word “Snicket”, and immediately assumes the worst- that it’ll out Lilac to the rest of their siblings. 

Chapter Twenty-Three - in which Solitude steals some shit 

Nick still didn’t respond, and Violet’s voice broke. “You have to remember. You couldn’t have been younger than… six or seven. Mother and Father were so mad, when they found us I thought they were going to explode… but you weren’t even upset, I cried but you just said you’d… you’d heard some kind of animal cry, and you thought it might need help, and I was the only one awake to help you… they got even madder, told you you should’ve stayed with them, but you didn’t see anything wrong, and… Nick, please tell me you remember that…”

An animal cry is a signal from VFD recruiters to prompt the children to say the codephrase that begins recruitment. The Baudelaire parents don’t want their children recruited, and were terrified to wake up and find their children gone on a night that they could have been kidnapped. 

Violet carefully pulled the scraps from her pocket, spreading them out in front of her, while Klaus turned to Nick. “Did they tell you anything?” he asked. “While you were… with them? About VFD, or this whole ‘Snicket’ thing, or Olaf?” Nick didn’t look anyone in the eye. “There wasn’t… much time to chat. I only… Lilac, can we talk?”

Pretty much all of Nick’s pleas for Lilac to talk to her are brought on when Snicket is mentioned. 

Nick pulled away, scratching at his arm, “That’s not…”

POTENTIAL TRIGGER WARNING: IMPLIED SELF HARM

Nick’s arm scratches are a tic he picked up during his captivity; he starts to scratch whenever his captors are mentioned, to keep himself alert. This will be discussed and resolved in Part Three. 

Nick looked sharply up at her and said, “Mom stole from Esme. She wouldn’t give a shit.”

Nick knows about the theft of the sugar bowl, as well as the Opera Night. (which are separate incidents, fuck you Netflix.) He’s very pissed at his parents for keeping vital information from them. 

Chapter Twenty-Four - in which Violet makes a decision 

They went to the Js. Then, quietly, Nick said, “Can we go to the L cabinets?” “Why?” Lilac asked. Nick glanced towards his siblings, and then away. “Just a guess.” Lilac shrugged directed them to the Ls, and Nick flipped through one drawer, eyes narrowed. Then he shook his head. “Nothing here.”

He’s looking under both “Lemony” and “Lilac.” 

Nick paused. “I mean… we don’t have to- to watch it right away.”  [...] “Li, please,” he said, “Can we talk? Just outside, just the two of us, there’s something-”

Nick wants to be able to tell Lilac about the whole “Lemony Snicket” thing before they can risk having her find out from the file. 

“I did.” Jacques nodded. “I managed to contact-”

He managed to contact Quigley.

“We’ll find them.” Lilac swore. “Are you okay?” “Yeah.” “Are you scared?” “I’m scared you won’t let me make a flamethrower and turn it on that bitch.”

A reference to this incorrect quote, which is, of itself, a reference to a line from the television show Brooklyn Nine-Nine, episode 3x10, “Yippie Kayak.” 

Still no response. Lilac looked around in terror, her hand flying to her necklace. “Violet Malina Baudelaire! You get the fuck out here!”

Violet’s middle name is taken from her actress, Malina Weissman. 

Chapter Twenty-Five - in which Lilac breaks down 

“I’m not…” Lilac sniffled. “I’m not like you.” Nick froze. “What does that mean?” “You all are so close.” Lilac shut her eyes. “You and Solitude, you and Klaus, you and Violet, Violet and Klaus, Klaus and Sunny, Solitude and Sunny… all of you. You’re all each others’ best friends. None of you care about me like that. [...] I just… feel like… like there’s this wall between us. That we can’t see, but we can’t cross. And I can see you all… you all together. And I just… can���t be like that. Cause I have to be responsible? Cause I’m the oldest? Cause… cause I just can’t be loved?” “Li!” Nick put a hand on her cheek, turning her towards him. “Li, we do love you. You’re our big sister! You’re our sister! You are our family! Sure, we pick on you, but not because we hate you! We all love you, too!”

This is why Nick doesn’t take the opportunity to tell her about her heritage; he wants to wait for a moment where the information won’t give her more anxiety, or make her think she’s somehow less family. 

Nick paused a moment, and then he leaned his head on her shoulder, shut his eyes, and said, “They fuck you up, your Mom and Dad. [...] They may not mean to, but they do. They fill you with the faults they had, then add some extra, just for you.” Lilac stiffened for a second, and then carefully put an arm around Nick. “Where… where’d you learn that?” “The Library.” Nick lied.

Nick is quoting “This Be the Verse” by Philip Larkin, which is later quoted by Olaf in “The End.” He learned the poem during his captivity. 

“Nick.” Lilac wiped her eyes, and then put her hands on his. “It’s okay to… to talk about what happened to you.” Nick bit his lip. “That’s…” “I’ve been busy, yes, but I’ve also been scared. Scared that I’ll… I’ll hear something that makes everything worse.” Lilac’s eyes darted to the ground a moment, before going back up to Nick. “But I’ll listen. I want to hear you. I want you to tell me.”

TRIGGER WARNING: CSA MENTION

Lilac has been avoiding Nick in fear that he’ll explain what he suffered under Olaf. While she knows learning the details can help her better protect her brother, she is terrified that she won’t be able to handle it, and she’s completely terrified he might have been sexually assaulted, seeing as Olaf threatened to do that to Violet specifically to punish Lilac, and he had Nick under his control for a while. 

Nick smiled at her. “You can do anything, sis.”

Nick knows she’s biologically his half-sister, but he wants to make completely sure she knows he will always consider her his sister and his family, and nothing can change that. 

Chapter Twenty-Six - in which Klaus impersonates a Doctor 

Nick flinched. “You want to be like him?”

Something to note: After his capture, Nick never refers to Olaf or Esme by their names; just him or her. 

Nick took a deep breath. “These vents are a lot bigger than I thought, but, um… they’re still pretty cramped.” Solitude shrugged. Of course it didn’t seem cramped to her, she was only a little over two feet tall. “I was just… I’m not sure I like how small it is.”

Nick’s claustrophobia, gained from being trapped in a red herring, a statue, and possibly other small spaces inbetween, is starting up. 

“Doctor Howser.” Lilac said in an austrailian accent, thinking very fast. “We’re going to perform surgery soon.”

A reference to Doogie Howser, MD, which starred a young Neil Patrick Harris, who played Olaf in the Netflix series. 

“Since when could you do an Austrailian accent?” “You don’t know everything about me.” Lilac scanned the list.

Lilac’s actress, Emily Browning, is Australian. 

Chapter Twenty-Seven - in which the Baudelaires jump out a window 

Nick had placed Solitude onto the ground and now held Violet by the shoulders, shaking her slightly as he shouted. “What did they do to you, Vi? Vi, what did they do?”

Nick knows exactly what could have happened to Violet in captivity, so he’s completely and utterly panicked. 

“I’m with Klaus.” Nick said shakily. “We go together or not at all.”

A reference to the track “Together or Not at All” from Doctor Who, by Murray Gold. 

Chapter Twenty-Eight - in which the Baudelaires visit a Carnival 

No major references in this chapter. 

Chapter Twenty-Nine - in which Solitude finally morphs into a reptile 

“Well, if they…” Nick shut his eyes. “We just… better get there before they drink too much, that’s all.”

Nick has had experience with the troupe while drunk, and would rather attempt to speak with them before it goes too far. 

“Well, then,” Lulu said, stepping forwards and looking a bit confused, “What exactly are you, please?” “You can call me Babydoll.” Lilac said.

A very clear reference to the character that Emily Browning played in Sucker Punch (2011). 

Surprisingly, the henchpeople looked a little startled at that, as did Lulu, but Esme laughed. “Sounds like my kind of girl!” she said. “I drowned an ex once. So did you, dear, right?” Olaf was taking another swig of wine, so they couldn’t exactly see his reaction. 

Olaf “drowning an ex” is a reference to the Netflix show canon, where he left Georgina Orwell under a bridge to drown. 

His reaction being hidden is because, for obvious reasons, he doesn’t quite want to talk about murdered parents. 

“Well, I’m Elliot,” Klaus said, “And this is my other head, Janus.”

Janus was a Roman god with two faces. 

“And that down there,” Lilac said, pointing her thumb at Solitude, “Is our little pet gorgon. We call ‘er Euryale, cause her actual name is just a buncha hisses.”

Euryale was one of Medusa’s sisters in Greek Mythology. 

Chapter Thirty - in which the Baudelaires put on a show 

But as they started to leave, they heard a low rumble, and Nick immediately grabbed onto Klaus’s arm and let out a nervous gasp that was, thankfully, missed in the noise.

Nick recognizes the sound of Olaf’s car. 

Chapter Thirty-One - in which the Baudelaires play fortune teller 

“Or maybe,” Nick said, very quietly, keeping his eyes shut tight, “They were told not to find us.”

Nick learned a lot about VFD during his captivity, including their recruitment. He’s worried that their surviving parent may be ready to give them up to the organization. 

Nick grabbed a selection of paper, staring curiously, and then he quickly tried to shove it back, but Klaus’s eyes widened as he caught a glimpse of it, and he grabbed it from his brother. 

Nick, once again, sees the name “Snicket” and assumes the worst. 

Chapter Thirty-Two - in which the Baudelaires are asked to murder 

“No, thank you.” Esme said, looking down a Sunny and frowning. “I’m afraid I don’t like cinnamon in chocolate anymore, the woman who introduced it to me recently perished in a fire. But it’s very kind of you to offer.”

The Baudelaires received their taste for cinnamon in hot chocolate from their mother. 

“Sounds good.” Kevin said. “I’ve committed crimes before. Why, when I was no older than Elliot and Janus-” 

A reference to the theory that Kevin from ASOUE is the same as Kevin Old from File Under: 13 Suspicious Incidents, who committed vandalism and thievery. 

Chapter Thirty-Three - in which someone is pushed to the lions 

“I’m sure you are.” Olaf smirked, and he reached forwards and put a cold hand on Nick’s cheek. Nick tried very hard not to cry, but he wasn’t succeeding very well. “Now go jump into that pit. We want to see you devoured by lions.”

Olaf, who knows that the freaks are the Baudelaires, specifically picked Klaus and Nick to sacrifice to the lions specifically to torment Nick more; he knows what effect he has on him, and is relishing it. Once the boys are gone, they can grab the rest of the Baudelaires and escape. 

“I wish we had a cartographer with us.” Violet sighed. 

A reference to the next book, where Violet will have a relationship with Quigley, a cartographer. 

Chapter Thirty-Four / Epilogue - in which they should have said something

“Come on.” Bertrand said, taking Violet’s hands and spinning her as she giggled. “It’s Duke Ellington. That’s your fav, Li.”

A reference to All the Wrong Questions. 

“What song is this?” Violet asked. Beatrice smiled over at Soli, who was curled up on Nick’s lap, biting his sweater. “It’s got a very special name, isn’t that right, dear?” Solitude giggled. 

“Solitude”, by Duke Ellington, likely Ellington’s song in All the Wrong Questions. 

“Dashiell if it’s a boy,” Bertrand replied, “Sunny if it’s a girl.” 

“Dashiell” after Dashiell Qwerty from All the Wrong Questions. 

“We could adopt one of the outdoors animals.” Nick suggested. Beatrice and Bertrand turned to look at him. “The what?” Bertrand asked. “I keep hearing animals outside my window, every now and again.” Nick shrugged. “Howling or yipping or sometimes breaking a branch. Maybe if we brought them into the house, they wouldn’t get in so much trouble.” 

Recruitment attempts that have not been working, because Beatrice and Bertrand refuse to let their children join VFD. 

She turned to a selection of beach photos, slowly pulling out a small picture of baby Lilac, sitting on Briny Beach. It hadn’t been the first time she’d seen the ocean, but she’d still been so excited to splash in the water. 

Since Lilac was born eleven months before Violet, it’s likely she was born on the island. 

[theuncannytruthteller]

Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American novelist, short story writer, folklorist, and anthropologist known for her contributions to African-American literature, her portrayal of racial struggles in the American South, and works documenting her research on Haitian voodoo. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel Their Eyes Were Watching God.

Hurston was the sixth of eight children of John Hurston and Lucy Ann Hurston (née Potts). All of her four grandparents had been born into slavery. Her father was a Baptist preacher and sharecropper, who later became a carpenter, and her mother was a school teacher. She was born in Notasulga, Alabama, on January 7, 1891, where her father grew up and her grandfather was the preacher of a Baptist church.

Zora moved to Eatonville, Florida, with her family in 1894. Eatonville would become the setting for many of her stories and is now the site of the Zora! Festival, held each year in Hurston's honor. In her early career, Hurston conducted anthropological and ethnographic research while attending Barnard College. While in New York she became a central figure of the Harlem Renaissance. Her short satires, drawing from the African-American experience and racial division, were published in anthologies such as The New Negro and Fire!!. After moving back to Florida, Hurston published her literary anthropology on African-American folklore in North Florida, Mules and Men (1935) and her first three novels: Jonah's Gourd Vine (1934); Their Eyes Were Watching God (1937); and Moses, Man of the Mountain (1939). Also published during this time was Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938), documenting her research on rituals in Jamaica and Haiti.

Hurston's works touched on the African-American experience and her struggles as an African-American woman. Her novels went relatively unrecognized by the literary world for decades, but interest revived after author Alice Walker published "In Search of Zora Neale Hurston" in the March 1975 issue of Ms. Magazine. Hurston's manuscript Every Tongue Got to Confess (2001), a collection of folktales gathered in the 1920s, was published posthumously after being discovered in the Smithsonian archives.

Born in Notasulga, AL, she grew up in Eatonville, FL., and was educated at Howard University, Barnard College, and Columbia University, where she studied anthropology. Hurston returned to Florida after college for an anthropological field study that influenced her later fiction and folklore.

Hurston traveled extensively in the Caribbean and the American South and immersed herself in local cultural practices to conduct her anthropological research. She collected folklore in Jamaica, Haiti, Bermuda, and Honduras. In 1927, she married Herbert Sheen, a jazz musician and former classmate at Howard who would later become a physician, but the marriage ended in 1931. In 1939, while Hurston was working for the Works Progress Administration (WPA), she married Albert Price, a 23-year-old fellow WPA employee, but this marriage, too, ended after only months.

In later life, in addition to continuing her literary career, Hurston served on the faculty of North Carolina College for Negroes (now North Carolina Central University) in Durham, North Carolina.

As a fiction writer, Hurston is noted for her symbolic language, story-telling abilities, and her interest in and celebration of Southern Black culture in the United States. Hurston was closely associated with the Harlem Renaissance and has influenced such writers as Ralph Ellison, Toni Morrison, Gayle Jones, Alice Walker, and Toni Cade Bambara.

Hurston’s book “Of Mules and Men,” remains one of the few writings to chronicle folk tales thoroughly. Her best-known novel is “Their Eyes Were Watching God,” in which she wrote about a Southern Black woman's search, over 25 years and 3 marriages, for her true identity.

Hurston's writings include novels, short stories, plays, journal articles, and an autobiography, “Dust Tracks on a Road.” She consistently addressed issues of race and gender, relating them to the search for freedom and equality.

In her later years, Hurston experienced health problems, and she died broke and unrecognized by the literary community.

In 1975, Ms. Magazine published Alice Walker's essay, "In Search of Zora Neale Hurston" reviving interest in the author. Many of her writings were rediscovered and republished. She was an important author during America's Harlem Renaissance.

[papermoonloveslucy]

THREE LITTLE PIGSKINS

 December 8, 1934

Three Little Pigskins is a 1934 Columbia Pictures short subject directed by Raymond McCarey and starring slapstick comedy team The Three Stooges. It is the fourth entry in the series starring the comedians, who released 190 short films for the studio between 1934 and 1959.

Synopsis ~ Moe, Larry and Curly are hired to promote a university football team. They're soon mistaken for the school's famous star athletes, "The Three Horsemen." As the star athletes, they are hired by a gangster to secretly play on his professional team, but of course the boys know nothing about football.

PRINCIPAL CAST

The Three Stooges were an American vaudeville and comedy team active from 1922 until 1970. Their hallmark was physical farce and slapstick. Six Stooges appeared over the act's run with only three active at any given time. In this film they are: 

Moe Howard (Moe) born Moses Horwitz in 1897. Died 1975. 

Larry Fine (Larry) born Larry Feinberg in 1902. Died 1975. 

Curly Howard (Curly) born Jerome Horwitz in 1903, Moe’s younger brother. Died in 1952. 

This short film is the only time the three worked with Lucille Ball. 

Lucille Ball (Daisy Simms). This is Ball’s 17th film to be released since 1933. It is her 13th in 1934 alone. 

Gertie Green (Lulu Banks) makes the third of her four screen appearances.

Phyllis Crane (Molly Gray) was also seen with Lucille Ball in Broadway Bill and Men of the Night, both in 1934. 

UNCREDITED CAST (in alphabetical order)

Harry Bowen (Boulder Dam PR Man) also appeared with Lucille Ball in The Whole Town’s Talking (1935) and Dummy Ache (1936). 

Lynton Brent (1st Man Panhandled by Moe) appeared with Lucille Ball in seven other films between 1934 and 1939. 

Bobby Burns (Man Panhandled by Larry) also appeared with Lucille Ball and Harry Bowen in Dummy Ache (1936). 

Charles Dorety (2nd Photographer) also appeared with Lucille Ball in His Old Flame (1935). 

Milton Douglas (Henchman) makes his only appearance with Lucille Ball. 

Oscar ‘Dutch’ Hendrian (Referee) did five other films with Lucille Ball between 1934 and 1935. 

William J. Irving (1st Photographer) did five other films with Lucille Ball between 1933 and 1935.

Johnny Kascier (Man Panhandled by Curly) makes his only appearance with Lucille Ball.

Walter Long (Joe Stacks) also appeared with Lucille Ball in The Whole Town’s Talking (1935).

Roger Moore (Pete, Joe’s Henchman) also appeared with Lucille Ball in Meet the People (1944) and The Fuller Brush Girl (1950). 

The role of Joe is sometimes attributed to Joseph Young.

Jimmy Phillips (2nd Man Panhandled by Moe) also appeared with Lucille Ball in The Whole Town’s Talking (1935)

Larry Wheat (3rd Man Panhandled by Moe) appeared with Lucille Ball in Thousands Cheer (1943).

PIGSKIN TRIVIA

Three Little Pigskins was filmed from October 25 to 30, 1934 in and around Los Angeles.    

The film's title is a multiple pun, derived from the children’s nursery rhyme the Three Little Pigs, along with ‘pigskin’ being a synonym for a football. 

In 1924, Mermaid Comedies produced Pigskin, starring silent comedy short starring Lige Conley. 

In 1936 a film titled Pigskin Parade premiered earning its leading man an Oscar nomination. 

The second half of the film was shot at Gilmore Stadium, and its name on the scoreboard appears in several shots. The Los Angeles stadium was newly built in 1934 and had a seating capacity of 18,000. The football team the Stooges play against was from Loyola Marymount University, a regular tenant of Gilmore Stadium. 

The Cubs on the scoreboard refers to the Westwood Cubs, who had played at the stadium on the October 28, 1934. The Tigers refers to the Occidental Tigers, a college team from Los Angeles.  Neither team appears in the film. 

Coincidentally, the stadium was demolished in 1952 to make way for CBS Television City, a production facility that was opened by Lucille Ball as the network’s reigning star, although “I Love Lucy” never filmed there. One of their major tenants was the Hollywood Stars Baseball team, which Fred Mertz mentions during “In Palm Springs” (ILL S4;E26) in March 1955. 

There is also a shot that includes a billboard for Gilmore Oil, including its trademark symbol, a red lion. The Gilmore Oil Company was an independent oil company in California founded by Arthur Fremont Gilmore, whom the stadium was named for. At its peak, they operated over three thousand gas stations on the West Coast. In the 1940s, the company was acquired and then merged into a group which eventually became Mobil.

The address 6317 Yucca Street on the poster behind Curly and Moe was the actual location of filming. Coincidentally, it  is about a quarter mile from the Stooges’ Star on the Hollywood Walk of Fame. the location is now the Los Angeles campus of The American Musical and Dramatic Academy (AMDA).

Boulder Dam College is a fictional school. Boulder Dam is located in Clark County, Nevada and was under construction at the time of filming. It named Boulder Dam in 1933 and dedicated in 1935 and opened in 1936. It was renamed Hoover Dam in 1946. 

Beyond the stadium can be glimpsed the Fairfax Theatre sign. The Fairfax Theatre opened in 1930 as part of a larger retail complex.  The theatre was ‘triplexed’ in the 1980s but closed for good in 2010 after roof damage from heavy rains. The owner was unwilling to make repairs although the façade still remains.  

Later in her career, Lucille Ball (apparently referring to the seltzer squirting scene) would remark, 

"The only thing I learned from The Three Stooges was how to duck. I still got wet!"

While Lucille Ball was filming Three Little Pigskins, The Affairs of Cellini, in which she played an uncredited lady in waiting, was in wide release, having premiered in late August 1934. 

Moe Howard once called Three Little Pigskins "a humdinger of bangs and bruises," as it marked the first time the Stooges flatly refused to perform a stunt. In the film, during the game the boys are stopped by photographers to pose for a picture, when the football players then tackle them. The team consisted of genuine college football players, and the Stooges were afraid of being hurt. Larry Fine, the smallest and lightest of the three, told director Raymond McCarey, “We've never used stunt doubles before but we certainly need them now." 

The fact that both Curly and Larry had been hurt a few days earlier (Curly broke his leg riding down the dumbwaiter and Larry lost a tooth due to a mistimed punch) reinforced the trio's decision to opt out of the scene. Less than an hour after the exchange, the studio found three stunt doubles made up to look like the Stooges. Two of the three were seriously injured as were all four photographers.

A planned concluding scene had the Stooges, years later, telling the story to their sons. It is unknown if this scene was ever filmed, but publicity photos exist of the Stooges, each with a young actor, all made up and dressed to resemble their older counterparts.

In 1996, Exclusive Premiere created limited edition action figures of the Stooges in costumes from the film. 

PIGSKIN PROGRESS

As a young model and actress, Lucille Ball didn’t just take film jobs. Here she poses with Billie Seward at Bovard Field in Los Angeles.

In 1949, Lucille Ball and Victor Mature starred in a film about a professional football player, Easy Living.

Ball’s radio show “My Favorite Husband” tackled gridiron gimmickry in 1950. 

For a further look at Lucy and the Gridiron, click here!