#lu chengjue
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Qing Long. If I come back here alive, I'll treat you to a drink to pay you back for this.
🎉 for @moonstone-vibe Happy birthday! 🎉
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Lü Chengjue appreciation post
#lü chengjue#lu chengjue#吕承珏#he deserves more appreciation!!!#tfw u look up the actor who played a character you like and he hasn't done much else RIP#but he did such a good job as qing long#;
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I am sorry
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GAO QIPEI (1660-1734) Figures Each leaf inscribed and/or signed, with a total of seventeen seals of the artist Colophon by Ye Gongchuo (1881-1968), signed with one seal, dated yichou year (1925) Titleslip by Ye Gongchuo with one seal Handwritten note by Chen Rentao (1906-1968) Album of ten leaves, ink and colour on paper Each leaf measures 26 x 32 cm. (10 1/4 x 12 5/8 in.)
interesting notes found in chinese and translated by google, and they may be wrong but they are amazing:
Gao Qipei was born in the 17th year of Shunzhi in Qing Dynasty (1660) and died in the 12th year of Yongzheng (1734). He made one (1672-1734) at the age of 75. The word Wei Zhi, also called Wei San, was called Qieyuan, or Shuqi Taoist, and was also called Nancun, from Tieling (now in Liaoning). Gong Poetry. When he was young, he studied traditional painting. Landscapes and figures were influenced by Wu Wei. After his middle age, he began to paint with his fingers. His paintings of flowers, trees, birds and beasts, fish, dragons and figures are all simple and vivid. Interesting.
He is also the author of "Qieyuan Poems". According to "Tieling County Chronicles", he was a descendant of a famous eunuch, and was the fifth son of Gao Tianjue, Qingqi captain of Qingqi inlaid with a white banner in the Qing Han army. Gao Qipei studied painting at the age of eight. He traveled to Guangdong with his uncle Gao Chengjue. At that time, there was Wu Wei in the official office of Guangdong, who was able to paint with fingers, and Gao Qipei was deeply influenced by him. He lost his father at the age of seventeen and was raised by his uncle Gao Chengjue. He did not apply for the imperial examination. Zu Yin served as Yaozhou Mu in the 33rd year of Kangxi (1694) and was transferred to Yu Bulang the following year. Forty years in Kangxi (1701), he was governed by the prefects of Suzhou, and two years later, he moved inward as a member of the Ministry of Engineering, Wailang. In the forty-five year of Kangxi (1706), he was sent out to visit Wenchu Road in Zhejiang Province. Later, he was lost to the salt department because of a debt to the salt department while he was serving as a young transport agent. In the fifty-fourth year of Kangxi (1715), Gao Qipei stepped into his official career and served as the Sichuan branch patrol on the South Shuining Road in Sichuan for six years. He was promoted to the governor of Sichuan and served in Chengdu in the fifty-ninth year of Kangxi (1720). . In the first year of the Yongzheng period (1723), he moved to Guanglu, the minister, and was promoted to the right minister of the penalty department in September. In the second year, the red flag was promoted to the capital of the Han army, and still led the rank of the right servant of the criminal ministry. In July of the fifth year of the Yongzheng period (1727), he was dismissed from office due to a mistake in his appointment as the Secretary-in-Chief of the Criminal Department. Although he lived in another country for a long time and wandered around the ocean, he did not forget his hometown. His paintings often included: "Tieling Gao Qipei Finger Painting", "Tieling Gao Qilang", "Tieling Ancient Madness", so people had "Gao Tieling" for him. "The name.
In Gao Qipei's later years, the reputation of finger painting spread far to North Korea, but he still painted "cannibalism to suck blood and frequent candlesticks during the day." In the eighth year of Yongzheng (1730), Yingzhao Yuanmingyuan Ruyi Museum was painting for 3 years, and he created fine silk meticulous paintings such as "The Map of the Yangtze River". Gao Bing's "Finger Painting Theory" records that Gao Qipei was once a portrait of Lu Shuntu, the Shangshu of the Ministry of War, and he drew a standing statue, which is in line with the real person. After the painting was completed, Lu Shuntu said ecstatically : "It's so skillful”
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