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You guys supported Oasis back in â94.
Yeah?
Thereâs a rumor of you almost breaking up the band and spawning the whole âTalk Tonightâ song origin story, in which Noel goes off to San Francisco and writes a song about his time with a girl who essentially prevented him from giving up music forever. Is that true?
Well, like all the best stories in the world musicians love to fucking folklore themselves up the wazoo, about the ins and outs and what have youâs of their lives, but oftentimes those tend to be absolute BS and oftentimes they can be somewhere in between.
In between?
The deal with Oasis on that night was we had played with Sonic Boom and Spectrum the night before in Santa Barbara, which is adjacent to Los Angeles California. And we did the gig and drove back to San Francisco, which is a 6-7 hour drive. And we showed up at the club, it was one of our home team clubs called Bottom of the Hill and played for Oasis. And the way that this came to be is that I worked at Reckless Records, even before the Chicago store opened, there was one in San Francisco, and I worked there.
Thatâs cool considering that the London store is on Berwick Street where they shot the â(Whatâs the Story) Morning Glory?â cover!
Exactly! And originally, they had a store in San Francisco and thatâs where I worked. This is â94. This is when all the shitâs coming out, before it was the shit! There was no such term as Britpop at the time. So I see this stack of new releases come down from DudeBro who has to pass down all the new releases, and on top of it is a CD single. And itâs this band Oasis. And yâknow, if you look at the single cover of Oasis they donât look that cool. Theyâre kinda frumpy.
So what happened that night?
This is going to be a longer interview than you thought man. Cause I love buildups. So I listen to the single âSupersonicâ, that was the one on the stack, and that one didnât really do it for me, it wasnât all vintagey and cool, the amp sounds sounded kind of like a Tom Petty record. That wasnât it. But the B side was âColumbiaâ.
âColumbiaâ is great. Beast of a song.
Well yes, âColumbiaâ is where all the cocaine comes from. Hence the title. And I was a huge speed freak in the 90âs because in the 90âs, uppers were serving the same purpose as they were in the 60âs with Andy Warhol, or cocaine was in the flapper period. So I got that. What they were trying to say, I dug that. You with me?
Iâm with you.
Do you even care? How many pages do you get for this?
However many pages you want.
Well, Iâm probably more interesting than a lot of the jive ass â psych fucking crap that has to get printed these days. Iâve been around a bit. So then the âShakermakerâ single came out a couple of months later. You know, âShakermakerâ, âshake along with meâ, et cetera et cetera. I currently was shaking along to the Brian Jonestown Massacre on Maracas, and I thought âoh well thatâs kind of cool!â and I kind of related to that. Then âLive Foreverâ came out. I was in, then I loved the band. Then the first album came out and then the advertisement came out that they were playing at our local haunt Bottom of the Hill. So I got our manager to get us a gig there to open for them and we played the gig with Oasis.
Did you know they were going to be big?
Absolutely! Well they already kind of were because âDefinitely, Maybeâ had come out two weeks before, but theyâre playing this theatre which is a 250 person club, when they could be playing to fuckinâ 10,000!
A couple of years later they were at Knebworth, then Glasto, then Wembley. The list goes on. Pretty Meteoric. Anyway, back to your story.
Iâm out of my mind on the most righteous methamphetamine thatâs ever been bequeathed by the science of man, and we pulled up to the club to do soundcheck. And sure enough, thereâs their big ass fuckin bus, we had never been on a big ass fucking bus, we didnât know what that was about. Iâm thinking to myself, âAlright âShakermakersâ, letâs hit the road and go to âColumbiaââ And the first thing I did was go and knock on the door of the bus. Noel Gallagher opens the door. And I say to him, âHey man, Iâve got the most righteous fucking speed youâre ever going to do in your lifeâ
(Joel in a very poor British accent) âNo thanks man we only do cokeâ
And he shuts the door. And Iâm looking at my own reflection like âwhat!?â Fast forward an hour later, and the girl that I scored speed for ran into Liam coming out of the soundcheck. And sheâs like âhey do you wanna do any?â and Liamâs âMr mad fer itâ guy, so he does it, then he gives it to Bonehead, then he gives it to the whole fuckin band and the whole goddamn crew, and theyâre playing the gig that night, and all the jaws are just working like old fashioned train crankshafts, and they had never heard nor seen nor felt anything like that, but that is what I was doing every day. It was, as they called it, âNinja Speedâ.
Interview with Joel Gion from The Brian Jonestown Massacre on Oasis at the Whisky 1994
#what happened in LA#oasis#randomly stumbled on this looking for something else and had to share#brian jonestown massacre#whisky a go go#tjad posts#1994#30 years ago today#one of several rashomon oasis days where you have 10 different accounts but this one might be my favorite#love how he prefaces this with the band folklore note#and refuses to cut straight to the point he needs the entire set up
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Witchcraft 101
by Michelle Arnold  ⢠7/1/2008 Catholic Answers
What springs to mind when someone mentions âwitchcraftâ? Three hags sitting about a cauldron chanting âDouble, double, toil and troubleâ? A pretty housewife turning someone into a toad at the twitch of her nose? Or perhaps you think of Wicca and figure that it is witchcraft hidden beneath a politically correct neologism.
Witchcraft has become a hot topic in recent years. From J.K. Rowlingâs Harry Potter books to self-described witches agitating for political and social parity with mainstream religious traditions, Christians have had to re-examine witchcraft and formulate a modern apologetic approach to it.
In an age of science and skepticism, it may be difficult to understand why intelligent people would be drawn to witchcraft, which encompasses both a methodology of casting spells and invoking spirits and an ideology that encourages finding gods and goddesses both in nature and within the self. In her âconversion story,â self-described Wiccan high priestess Phyllis Curott, an Ivy League-educated lawyer who was raised by agnostics, describes her journey from secular materialism to Wicca as a rejection of the idea that humans are made for mammon alone:
I discovered the answers . . . to questions buried at the center of my soul . . . How are we to find our lost souls? How can we rediscover the sacred from which we have been separated for thousands of years? How can we live free of fear and filled with divine love and compassion? . . . How can we restore and protect this Eden, which is our fragile planet? (Curott, Book of Shadows, xii)
These are indeed important questions that deserve answers, answers that can be found in their fullness in Christ and in his Church. In a homily then-Cardinal Joseph Ratzinger gave at the Mass just before his election to the papacy, he famously observed:
How many winds of doctrine have we known in recent decades, how many ideological currents, how many ways of thinking. The small boat of the thought of many Christians has often been tossed about by these wavesâflung from one extreme to another: from Marxism to liberalism, even to libertinism; from collectivism to radical individualism; from atheism to a vague religious mysticism; from agnosticism to syncretism and so forth.
Witchcraft has been around for centuries, perhaps even millennia, but is emerging once more from the shadows as one answer to skepticism, to materialism, even to self-absorption. It is, so to speak, the wrong answer to the right questions; it is, as the Catechism of the Catholic Church says, âgravely contrary to the virtue of religionâ (CCC 2117). Catholics should not discourage these questions but must be prepared to offer the only answer: Christ and his Church.
Witchcraftâs apologists like to claim that they are the misunderstood victims of centuries of religious prejudice. Unfortunately, all too many Christians make such claims credible when they misunderstand witchcraft and craft their rebuttals of it based upon those misconceptions. If someone you know is dabbling in witchcraft, here are five things you should know before starting a conversation with him.
Witches do not believe in Satan.
If there is one belief common to witches everywhere, it is that they do not believe in Satan and that they do not practice Satanism. Witchcraftâs apologists are quick to point this out.
Denise Zimmermann and her co-authors of The Complete Idiotâs Guide to Wicca and Witchcraft emphasize, âWitches donât believe in Satan! . . . The all-evil Satan is a Christian concept that plays no part in the Wiccan religion . . . Witches do not believe that negativity or evil is an organized force. . . . Neither do Wiccans believe there is a place (hell) where the damned or the evil languish and sufferâ (13).
Christian apologists should acknowledge that witches do not consciously worship Satan and that they do not believe he exists. But this does not mean that Satan needs to be left entirely out of the conversation. A Christian apologist should point out that belief in someone does not determine that personâs actual reality.
One way to demonstrate this is to ask the witch if she believes in the pope. âNo,â sheâs likely to answer. âThe pope is a Christian figure.â True, you concede. But there is a man in Rome who holds the office of the papacy, right? Your belief or disbelief in the papacy does not determine whether or not the papacy exists. Put that way, a person will have to acknowledge that something or someone can exist independently of belief in its reality. Thatâs when you can make the case that Satan exists and that he does not require belief to determine his reality or his action in someoneâs life. In fact, disbelief in him can make it easier for him to accomplish his ends.
In the preface to The Screwtape Letters, C.S. Lewis notes that âThere are two equal and opposite errors into which our race can fall about the devils. One is to disbelieve in their existence. The other is to believe, and to feel an excessive and unhealthy interest in them. They themselves are equally pleased by both errors and hail a materialist or a magician with the same delight.â
While it is true that witches do not directly worship Satan or practice Satanism, their occult practices, such as divination, and their worship of false gods and of each other and themselvesâwhich they explain as worshipping the âgoddess withinââcan open them to demonic activity. To make the case though, it is imperative to present it in a manner that wonât be dismissed out of hand.
Witchcraft and Wicca are not synonyms.
Wicca, originally spelled Wica, is the name given to a subset of witchcraft by its founder Gerald Gardner in the 1950s. Although some claim the word Wicca means âwise,â in her book Drawing Down the Moon, Margot Adler states that it âderive[s] from a root wic, or weik, which has to do with religion and magicâ (40). Adler also says that the word witch originates with wicce and wicca. Marian Singer explains the difference between Wicca and witchcraft this way: âWitchcraft implies a methodology . . . whereas the word Wiccan refers to a person who has adopted a specific religious philosophyâ (The Everything Wicca and Witchcraft Book, 4).
Because witchcraft is often defined as a methodology and Wicca as an ideology, a person who considers himself a witch but not a Wiccan may participate in many of the same practices as a Wiccan, such as casting spells, divining the future, perhaps even banding together with others to form a coven. This can make it easy for an outsider to presume that both the witch and the Wiccan share the same beliefs. But, if someone tells you he is not a Wiccan, it is only courteous to accept that. The Christian case against witchcraft does not depend on a witch identifying himself as a Wiccan. (There are also Wiccans who reject the label âwitch,â but this is often a distinction without a difference. Even so, use the preferred term to avoid alienating the person with whom you are speaking.)
Several strands of Wicca attract followings, including: Gardnerian, Alexandrian, and Georgian, which are named for their founders; Seax, which patterns itself on Saxon folklore; Black Forest, which is an eclectic hodgepodge of Wiccan traditions; and the feminist branch known as Dianic Wicca after the Roman goddess Diana. Knowing the distinctions among these traditions may not be important for the Christian apologist, but he should keep in mind that there are distinctions and that he should not make statements that start out with âWiccans believe . . .â Rather, allow the other person to explain what he believes and then build a Christian apologetic tailored to that personâs needs.
Witches question authority.
When dealing with self-identified witches, remember that no two witches will agree with each other on just about anything. Witches are non-dogmatic to the extreme, with one witch apologist suggesting â[s]ending dogma to the doghouseâ and claiming that â[r]eligious dogma and authority relieve a person of the responsibility of deciding on his or her own actionsâ (Diane Smith, Wicca & Witchcraft for Dummies, 32).
Generally speaking, witches prefer to give authority to their own personal experiences. Phyllis Curott, author of a book titled Witch Crafting, puts it this way: âWitches, whether we are women or men, experience the Goddess within us and in the world all around us. I love what Starhawk [witch and popular speaker and writer] said about this: âPeople often ask me if I believe in the Goddess. I reply, Do you believe in rocks?ââ (121, emphasis in original). In other words, witches know âthe Goddessâ exists because they can experience her by at least one of their five senses. Faith in such a material deity calls to mind the demon Screwtapeâs longing for hellâs âperfect workâthe Materialist Magicianâ (Lewis, The Screwtape Letters, 31).
Throwing a bucket of cold water on a witchâs âpersonal experiencesâ will not be easy, particularly since one of the frightening.aspects of witchcraft is that some witches do have, and blithely report, extraordinary preternatural experiences. Incidents that could and should scare away many dabblers from playing with forces beyond their control are recounted by witchcraftâs apologists as affirmative of their path. Curott tells of a man who once dreamed of âbeing preyâ of a monstrous creature; ultimately, in the dream, he was captured by the creature. Rather than taking this as a sign he should reconsider the path down which he was heading, he awoke âdeeply transformedâ by the dreamâs ending because he believed âtremendous loveâ was felt for him by the creature. He eventually became a Wiccan priest (Witch Crafting, 154â155).
How can a Christian argue against a belief like that?
Ultimately, it may be that a Damascus-road moment might be necessary to sway someone that deeply entrenched in traffic with preternatural creatures. To those who are not as enmeshed, a Christian can point out that sometimes apologists for the occult have warned their readers not to be taken in by their experiences with spirits.
In a section of his book titled âPracticing Safe Spirituality,â author Carl McColman gives a checklist of âsome common-sense precautionsâ occultists should be aware of âwhile meditating, doing ritual, reflecting on your dreams, or doing any other spiritual work that may involve contact with spirits.â The first item on the list is âDonât automatically believe everything you hear. Just because a spirit says something doesnât make it soâ (The Complete Idiotâs Guide to Paganism, 129).
Witchcraft is an inversion of Catholicism.
Observers of witchcraft have claimed that it is remarkably similar to Catholicism. Catholic journalist and medievalist Sandra Miesel called it âCatholicism without Christâ (âThe Witches Next Door,â Crisis, June 2002). Writer and editor Charlotte Allen noted that âPracticing Wicca is a way to have Christianity without, well, the burdens of Christianityâ (âThe Scholars and the Goddess,â The Atlantic, January 2001).
Itâs easy to see why the assertion is made. Allen notes that as witchcraft cycles through its âliturgical year,â many of its adherents honor a goddess who births a god believed to live, die, and rise again. Fraternization with apparently friendly preternatural spirits is encouraged and eagerly sought. The rituals of witchcraft call to mind Catholic liturgies, particularly the libation and blessing ritual alternately known as âCakes and Wineâ and âCakes and Ale.â Like Catholics collecting rosaries, scapulars, statues, and prayer books, witches have their own âpotions, notions, and toolsâ as Curott calls them âsome of which include jewelry, statues and dolls, and spell books and journals.
But to say that witchcraft has uncanny similarities to Catholicism is to understate the matter. Witchcraft is an inversion of Catholicism: Catholicism emptied of Christ and stood on its head. This is most readily seen in witchcraftâs approach to authority.
In his book Rome Sweet Home, Scott Hahn compares authority in the Church to a hierarchical pyramid with the pope at the top, with all of the members, including the pope, reaching upward toward God (46â47). With its antipathy to authority and its reach inward to the self and downward to preternatural spirits, witchcraft could also be illustrated with a triangleâevery adherent poised at the top as his own authority and pointed down in the sort of âLower Commandâ structure envisioned by Lewisâs Screwtape.
Witchcraft is dangerous.
In my work as an apologist, I have read a number of introductory books to various non-Catholic and non-Christian religions. Never before my investigation into witchcraft had I seen introductory books on a religion that warn you about the dangers involved in practicing it. The dangers that witch apologists warn newcomers about are both corporal and spiritual.
In her book, Diane Smith includes a chapter titled âTen Warning Signs of a Scam or Inappropriate Behaviorâ (Wicca & Witchcraft for Dummies, chapter 23). Her top-10 list includes âInflicting Harm,â âCharging Inappropriate Fees or Demanding Undue Money,â âEngaging in Sexual Manipulation,â âUsing Illicit Drugs or Excessive Amounts of Alcohol in Spiritual Practice,â and âBreeding Paranoia.â Smith claims that such a need to be wary is common to religion: â[U]nscrupulous or unstable people sometimes perpetrate scams or other manipulations under the guise of religion, and this situation is as true for Wicca as for other religious groupsâ (317).
However true it may be that there can be âunscrupulous or unstable peopleâ involved in traditional religions, most practitionersâChristian or otherwiseâdo not experience problems with these behaviors to such an extent that religious apologists see the need to issue caveats to proselytes. That Smith does so suggests that these problems are far more widespread in witchcraft than in traditional religion.
We noted one paganism apologist who warned his readers to âpractice safe spirituality.â McColman goes on to caution that the âadviceâ of spirits âmust be in accordance with your own intuition for it to be truly useful.â He goes on to say, âYou remain responsible for your own decisions. Remember that spirit guides make mistakes like everybody else!â (Paganism, 128).
Catholics concerned about loved ones involved with witchcraft may not be attracted to witchcraft themselves, but there is danger for them in pursuing dabblers down the road to the occult in hopes of drawing them back. In preparing themselves to answer the claims of witchcraft, they may feel the need to read books like those mentioned in this article. If they are not fully educated and firm in their own faith, such Catholics may find their own faith under attack. Three suggestions are in order.
Not all are called to be apologists. If you are not intellectually and spiritually prepared to answer the claims of witchcraft, leave such work to others. Search out knowledgeable Catholics with whom your loved one can speak.
Prepare yourself. Common sense indicates that if you are about to rappel down a cliff, you do so with safety ropes firmly attached and in the presence of someone you trust who can help you if you are in danger. Donât even think of rappelling down a spiritual cliff without seeking to fortify yourself intellectually and spirituallyâparticularly spiritually. Inform your confessor or spiritual director of your plans to study and answer the claims of witchcraft. Ask trusted Catholic friends to pray for your work. Regularly receive the sacraments of confession and the Eucharist. If you need to stop or take a break from this area of apologetics, by all means do so. And, most importantly:
Pray. Whether or not you are called to personally minister to those involved in witchcraft, the most fundamental thing you can do to help witches and other dabblers in the occult is to pray.
Saints whose intercession you can seek include Bl. Bartholomew Longo, the repentant former satanic priest who returned to the Church and spent the rest of his life promoting the rosary; St. Benedict, who battled pagans and whose medal is often worn in protection against the devil; St. Michael the Archangel (Jude 1:9), invoked especially by the prayer for his intercession commonly attributed to Pope Leo XIII. And, of course, thereâs St. Paul, who reminds us: âFor I am sure that neither death, nor life, nor angels, nor principalities, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lordâ (Rom. 8:38â39).
SIDEBARS
The Catechism on Witchcraft
There are a great many kinds of sins. Scripture provides several lists of them. The Letter to the Galatians contrasts the works of the flesh with the fruit of the Spirit: âNow the works of the flesh are plain: fornication, impurity, licentiousness, idolatry, sorcery, enmity, strife, jealousy, anger, selfishness, dissension, factions, envy, drunkenness, carousing, and the like. I warn you, as I warned you before, that those who do such things shall not inherit the Kingdom of God.â (CCC 1852)
God can reveal the future to his prophets or to other saints. Still, a sound Christian attitude consists in putting oneself confidently into the hands of Providence for whatever concerns the future, and giving up all unhealthy curiosity about it. Improvidence, however, can constitute a lack of responsibility. (CCC 2115)
All forms of divination are to be rejected: recourse to Satan or demons, conjuring up the dead or other practices falsely supposed to âunveilâ the future. Consulting horoscopes, astrology, palm reading, interpretation of omens and lots, the phenomena of clairvoyance, and recourse to mediums all conceal a desire for power over time, history, and, in the last analysis, other human beings, as well as a wish to conciliate hidden powers. They contradict the honor, respect, and loving fear that we owe to God alone. (CCC 2116)
All practices of magic or sorcery, by which one attempts to tame occult powers, so as to place them at oneâs service and have a supernatural power over othersâeven if this were for the sake of restoring their healthâare gravely contrary to the virtue of religion. These practices are even more to be condemned when accompanied by the intention of harming someone, or when they have recourse to the intervention of demons. Wearing charms is also reprehensible. Spiritism often implies divination or magical practices; the Church for her part warns the faithful against it. Recourse to so-called traditional cures does not justify either the invocation of evil powers or the exploitation of anotherâs credulity. (CCC 2117)
Prayer to St. Michael the Archangel
St. Michael the Archangel, defend us in battle. Be our defense against the wickedness and snares of the devil. May God rebuke him, we humbly pray, and do thou, O Prince of the heavenly hosts, by the power of God, thrust into hell Satan, and all the evil spirits, who prowl about the world seeking the ruin of souls. Amen.
Further Reading
Charlotte Allen, âThe Scholars and the Goddess,â The Atlantic, January 2001 (Available online: www.theatlantic.com)
C. S. Lewis, The Screwtape Letters (HarperCollins)
Sandra Miesel, âWho Burned the Witches?â Crisis, October 2001 (Available online: www.catholiceducation.org)
Sandra Miesel, âThe Witches Next Door,â Crisis, June 2002
Catherine Edwards Sanders, Wiccaâs Charm: Understanding the Spiritual Hunger Behind the Rise of Modern Witchcraft and Pagan Spirituality (Shaw Books, 2005)
Donna Steichen, Ungodly Rage: The Hidden Face of Catholic Feminism (Ignatius, 1991)
Alois Wiesinger, O.C.S.O, Occult Phenomena in the Light of Theology (Roman Catholic Books)
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Hello! Could you review my OC please? Iâm just in the beginning stage of creating her so I donât have a lot of background yet orz. (Also, Iâm sorry if my english is bad TAT)Â
Name: Fujiwara Miyabi Kanji: č¤ĺ é
Meaning: Fuji: Wisteria Hara: Field, Miyabi: Elegance Alias/Nicknames: Miya, Miyabi-chan Gender: female Sexual orientation: heterosexual Birthday: 03/15 Age: Part I: 16 Part II: 18 The Last: 20 Zodiac sign: Pisces Â
â Clan information â The Fujiwara clan is an old shinobi clan focusing on the use of wagakki (japanese traditional instruments) for genjutsu techniques. The family is also a musical troup that tour the festival every summer. Each member is in charge of an instrument but they all learn different instruments.Â
â Characteristics â
Blood type: A Height: Part I: 165cm Part II: 170cm Weight: Part I: 45kg Part II: 50kg Eyes: Brown Hair: Brown, almost black. Long hair with the Hime cut (straight bangs). Skin: Fair Unusual Features: Has a scar in the back of her shoulder
â Ninja information â
Affiliation: Konoha gakure Current rank: Jounin -Genin promotion: 12yo -Chuunin promotion: 15yo -Jounin promotion: 19yo Occupation: She works with her family as a musical troupe. She is in charge of the Taiko. They often participate in festivals in Konoha and other countries. Status: Active Ninja-ID: Team: Asahi Kayo (ććĽăĺ é˝), Chiba RyĂ´sei (ĺçž˝ă眞輿) Sensei: Kanako (ĺ¤čĺ) Chackra nature: Water, wind Ninjustsu range: Short-mid range Deffensive/Offensive type: More of the offensive type. Dominant hand: Right handed Weapons: Has scrolls with different kind of taiko to perform genjutsu. Uses mainly the Yari spear. Summonings: Name: Shishou Species: Kitsune fox Abilities: Tracking Missions completed: D-rank: 20 C-rank: 11 B-rank: 16 A-rank: 13 S-rank: 2 Total: 52
Abilities: Strength: She is very calm, a very talented taiko drummer. She is also quite a good actress. Weakness: Has a fear of failure. Can be seen as stuck-up and cold-hearted. Taijutsu: Good Ninjutsu: Good Genjutsu: Excellent Fighting style: She usually traps her enemy with genjutsu before closing in and fight with her taijutsu.
Ninja stats: Academy: NIN: 0.5/5 TAI: 1/5 GEN: 1.5/5 KEN(intelligence): 2/5 RIKI(power): 0.5/5 SOKU(speed): 1/5 SEI(chakra): 1.5/5 IN(finger sign): 1/5 Total: 9/40
Genin: NIN: 1.5/5 TAI: 1.5/5 GEN: 2/5 KEN(intelligence): 2.5/5 RIKI(power): 1/5 SOKU(speed): 2/5 SEI(chakra): 2/5 IN(finger sign): 1.5/5 Total: 14/40
Chuunin: NIN: 2/5 TAI: 3.5/5 GEN: 4/5 KEN(intelligence): 3.5/5 RIKI(power): 2.5/5 SOKU(speed): 3.5/5 SEI(chakra): 3/5 IN(finger sign): 3/5 Total: 25/40
Jounin: NIN: 3/5 TAI: 4/5 GEN: 4.5/5 KEN(intelligence): 4/5 RIKI(power): 3.5/5 SOKU(speed): 4.5/5 SEI(chakra): 3.5/5 IN(finger sign): 4/5 Total: 31/40
â Techinques â
Ninjutsu: She is good in Ninjutsu but use it rarely Techniques: Technique 1: ChĂ´chĂ´ Musubi (water). Create a lasso of water. Used for capturing and hinder a target.
Taijutsu: She is skilled in taijutsu. With her artistic upbringing people often say that it looks like she is dancing.
Genjutsu: She excells at genjutsu since she is learning it from a young age. Use the taiko for creating illusions.
â Personal traits â
Personality: Good traits: Honorable, Kind, Intelligent, Calm Bad traits: Easily scared (she dislike ghosts stories and things like that), stuck-up, Likes: -foods: Katsudon -colors: Purple -favourite animal: Cat -what she likes to do in her free time: playing the taiko, baking and reading poetry Dislikes: -foods and drinks: Alcohol, fish -colors: Yellow -less favourite animal: Snakes -what she doesnât likes to do in her free time: Cooking Habbits: Touch her nose when embarassed Hobbies: She is quite a bookworm and collects poetry books. Her favorite book is the Hyakunin Isshu. She alos like playing the Karuta Fears: Fear of failure Ambition: Become recognised as a great genjutsu user and protect her village and the people she love.
â Relationships â
Parents: Father: Hajime (ä¸), Mother: Shiori (ć ) Siblings: Misaki (çžĺ˛ 20 f), Kuon (ć°¸é 14 m), Kotone (ďż˝ďż˝éł f)/Suzune (é´éł 8 f) Relative(s): Uncle: Idzuru (ĺą
éś´) Aunt: Migiwa (ćą) Cousins: Ageha (ç´
č 19 f), Junna (桳ĺ 15 f), Naoya (ç´äš 13 m) Grand father: Haruo (ćĽé) Grand mother: Wakana (ĺĺĽD.) Teammates: Kayo, RyĂ´sei how they get along? She gets along well with her teammates even though Kayo and RyĂ´sei tends to fight a bit. She is usually the one to calm them down. Is like the big sister of her team. Friends: Fujita Hikaru (č¤ç°ăĺ
): The son of her fatherâs friend. He acts like a big brother and has a slight crush on Miyabi. He can be quite overprotective but she appreciate him nevertheless. Best friend: Saionji Umeka (輿ĺ寺 ć˘
éŚ), she is her best friend since they were born. Umeka isnât a shinobi but they like to spend time together.
Let me preface this by saying: Your English is wonderful. I like how much thought you put into your characters interests, and I LOVE the fact you included her family a little on her (especially since it wasnât an overwhelming wall of information about each member.
I will point out that Fujiwara (č¤ĺć°)  means âWisteria Branchâ, originating in the 600âs with Nakatomi no Katamari (later Fujiwara by Emperor Tenji).Â
I like the concept of music and theater being the main basis of your character. I think there are a lot of possibilities you can explore on this front.Â
Wagakki appears to be a band and is not the name of a set of traditional instruments. For further research, I recommend this link right here
You could potentially look into Min yo, thought it seems more like gagaku (orchistral court music) appears to be more of what youâre looking for.
 Unless you oc is extremely strong, a taiko would not be a good idea. I donât know if youâve looked into the history of the taiko drum, but they were previously used by blacksmiths as a means of signaling or warning of incoming attacks. Having actively played the taiko drum before, I can verify that it takes a tremendous amount of upper body strength to even get it to make a sound, let alone keep a steady rhythm enough for it to be played for any amount of time. If you have your heart set on having her play the taiko, I strongly recommend making her a strength-based kunoichi, with a body type to match (broad shoulders, muscular, which would also make her a bit heavier and not as agile).Â
I really do think using a taiko would be going on the 'offensiveâ. She could potentially use the vibrations to send some sort of disruptions into the opponent, casting a genjutsu, or even causing minor earthquakes that would disrupt the opponent.Â
I would like to see her noted strengths expanded more. What makes her a good actress, if sheâs calm or not very emotive? What sort of acting does she do? We know she canât be Kabuki, so does she do noh or kyogen? Perhaps she acts as musical accompaniment to bunraku? Or is it a more contemporary type of acting?Â
Where does her fear of failure come from? Is she a perfectionist, or is she just ambitious and drive, or have something to prove (to herself or to someone else)? In what was is she stuck up and cold hearted? Is she particularly cruel or aloof? Be careful in this that youâre not sounding like Koyuki from Clash In The Land Of Snow.Â
I do feel as though 'kindâ and 'stuck upâ are contradictory. Perhaps 'aloofâ would be a better description? Perhaps she takes a while to warm up to people.
How does her water Lasso align with her other skills? How is she good at ninjutsu if she uses it seldom? Does she practice a lot? Could you maybe substitute fans instead of a lasso, so it would fit in later with her taijutsu ability? Is her style  of taijutsu more of a traditional dance, or is it more modernized/western? Who is saying she looks like sheâs dancing? If itâs her enemies, then stop right there. If itâs her teachers, is this a critisicm, or a praise? How will her movements benefit her, or are they just pretty? Could this be a point of future character development?
I feel like youâve picked good ages for promotion, though I might push back the jounin until sheâs a bit older (20-22) just to space it out a little bit and make it seem more natural. I imagine it takes a bit longer for a chuunin to become a jounin than it takes for a gennin to become a chuunin.Â
As for her summonâŚhmmmâŚ.I would be extremely cautious about summoning a 'kitsuneâ due to their status in Japanese folklore. Up until now, I havenât picked up on anythign that your OC would imply that the kitsune plays any significant role in her life. Kitsuneâs are traditionally shapeshifters, and are frequently known for being tricksters as well as untrustworthy and unlucky/evil (particularly during the Edo period, where superstition reigned supreme). I can see how that may play into a genjutsu user, however, how else would the kitsune play into her life? What makes the kitsune choose her, or what makes her choose the kitsune?Â
She likes baking, but not cooking (though theyâre pretty interrelated, so this is confusing to me).
So she likes playing cards? Or is it specifically kyogi karuta? We know she likes Sengoku-era literature, perhaps have her look into the Chushingura, which is a fairly well-known bunraku play. Since she has a history in theater, this might interest her. She might also like Murasaki Shikibu (who was also a Fujiwara) or Sei Shonagonâs work.Â
Iâm spotting a theme here, which ties into her calmness. I would like to also see her have a few weaknessâ as well, other than her fear of failure. Perhaps sheâs calm on the outside but can be extremely irritable or has outbursts where the facade is broken. If sheâs calm all the time, it starts be be a bit Sue-ish and can make a character difficult to relate to for a reader. She is human, after all, and every human has their moments of frustration or anger. Â Other than that, i think youâve done a great job of putting together a group of friends and family members for her.
I hope this helps flesh her out a little more! Best of luck in pushing forward with her in the future!
~Murasaki
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