#lord vishnu murti

[brass-decor-blogs]

How Can Lord Vishnu's Teachings Be Applied to Modern Life Challenges?

Lord Vishnu's teachings offer timeless wisdom applicable to modern life challenges, providing guidance on maintaining balance, resilience, and ethical living. One of Vishnu's key teachings is the concept of Dharma, or righteous duty. By focusing on fulfilling our responsibilities with integrity, we can navigate career decisions and personal relationships with moral clarity.

Vishnu's emphasis on detachment and maintaining equanimity helps manage stress and anxiety. By not becoming overly attached to material gains or losses, we can handle life's ups and downs with greater ease. His advocacy for selfless service (Seva) fosters community and compassion, encouraging acts of kindness and support in today's individualistic society.

The avatars of Vishnu, such as Krishna and Rama, demonstrate perseverance and resilience, inspiring us to remain steadfast in our goals despite challenges. Additionally, Vishnu's teachings on mindfulness and meditation enhance mental well-being by promoting inner peace and clarity.

Ethical leadership, as exemplified by Vishnu, is vital in fostering trust and respect in professional and personal spheres. Balancing material pursuits with spiritual growth ensures a fulfilling life. By integrating these teachings, we can effectively address modern challenges, leading a life of purpose and harmony. A brass Vishnu murti can serve as a constant reminder of these values.

[tantrasadhana]

Learn Online Ganapati Havan, Chandi Havan, & Chandi Navanga Sadhana, including Durga Saptashati as per tradition - Srividya Tantram

Bhuvaneswari Samhita mentions that Durga Saptashati is eternal like Vedas and is the most powerful hymn.

Online Weekend Course starting in November. For queries WhatsApp message at +91 9961585383 for details.

[talonabraxas]

Presence is far deeper than our person.

he Various Forms of "Tandava"

Tandava is the divine dance performed by Lord Shiva. It is considered to be the source of the cosmic cycle of creation, preservation and dissolution. The word Tandava comes from Tandu, the attendant of Lord Shiva, who at Lord Shiva’s orders, instructed Bharat muni, the author of Natya Shastra, the usage of Angaharas and Karanas, which together constitute this cosmic dance.

“Pumnrityam tandavam, prahu: stree nrityam lasyamuchyate”

Tandava the masculine form of dance is attributed to Lord Shiva which is forceful and full of vigour often manifesting anger and fear while lasya anga attributed to Godess Parvathi is the feminine form where the movements are gentle and graceful often depicting love and affection.

The deep significance underlying this dance form is the personification of Lord Shiva as Nataraja or Nritya Murti. His dance is supposed to represent the five manifestations of eternal energy- Srishti (creation), Sthiti (preservation), Samhara (destruction), Tirobhava (illusion) and Anugraha (emancipation).

The various Tandavas are described in Bhavaprakash and in the Abhinaya Darpanam of Nandikeswara.

In the Bhavaprakash five forms of Tandava are described:

Ucchanda: This includes the forceful and quick Angaharas, Akaashacharis and Bhramaris. Raudra, Bhibhatsa and Bhayanaka are the rasa associated with this.

Chanda: This is represented by Bhumichari karanas and angaharas and evokes Veera and Raudra rasa.

Prachanda: This tandava involves jumping forceful karanas and bhramari. Rasas associated with this are Raudra and Bibhatsa.

Prerana and Prapana: These two are considered to be of tepid and are less forceful and masculine.

Nandikeswara in his Abhinaya Darpanam describes seven types of Tandava which are believed to have been performed by Lord Shiva.

Sandhya Tandava: A form of tandava performed by Lord Shiva at the time when the world was poised between lingering day and the oncoming darkness of the night. It was the dance of creation and scriptures. It is believed that Sandhya Tandava protects one and all.

Ananda Tandava: This form of Tandava was performed by Lord Shiva for protecting his disciples. In Chidambaram temple, the deity is represented in this pose. The image is depicted with four hands holding the drum, fire, the right hand in the Abhaya Hasta, the left hand with the Danda Hasta bestowing boons. The left leg is in Kunchita pada and the right tramples upon the sole. This posture is also known as the Sada Tandava.

Kali or Shakti Tandava: This Tandava is the type performed by Shiva and Kali. It is believed that Kali or Shakti is the energy that cannot be separated from Shiva. Shiva has the power to create only when he is united with Shakti.

Tripura Tandava: This is the Tandava performed by Shiva after killing the three rakshasas, Tarakakasha, Kamalaksha and Vidyun mali. He fought the rakshasas driving the earth as his chariot, Meru as the bow, Sun and Moon as the wheels, Adishesha as the rope, Lord Vishnu as the arrows, four vedas as horses and Lord Brahma as the charioteer. By destroying these rakshasas he freed the three worlds from evil.

Sati and Shiva Tandava: This Tandava is believed to have been performed by Shiva and Sati. This represents the eternal dance of the Man and Woman, depicting the unity of Purush and Prakriti. This item also depicts both forms of dancing, Tandava as well as Lasya.

Ardhanaari Tandava: This type of Tandava was performed to show the unity between Nature and God. Shiva took Parvati as a part of himself and assumed the form of Ardhanareeswara – one half man the other half woman.

Samhara tandava: This is the dance of annihilation and release. Shiva is believed to have performed this when Sati burned herself in ashes. Shiva in anger danced so vigorously that lords feared destruction of the three worlds. Only when Lord Bramha, Lord Vishnu and Devas appealed to him did he return to normalcy.

The concepts of Tandava and Lasya represented Shiva and Parvati have been the source of inspiration for most dancers across classical dance forms and across generations as it encompasses the entire cycle of cosmic evolution and stands for the dual personification of the Absolute.

[proudhinduforever]

Hi Seekers,

This account is aimed at sharing contents about Hinduism. I'm eager to know from you and also want to share a few things I know about Sanatan Dharm.

Find my mundane form at:

EccentricAchiever

🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩

LINKS:

AN IMPORTANT MESSAGE

Shiv Kathan:

When Lord Shiva appeared as Jyotisthambha

Markandeya and his devotion towards Lord Shiva

Background of Samudra Mathan and Lord Shiva consuming haalaahala

Destruction of Daksha Yagna

Lord Shiva annihilates Jalandhara

Lord Shiva blessing Maha Vishnu

Lord Shiva and the destruction of Kaama

Lord Shiva blessing Kuber

How did Lord Shiva become Gangaadhara?

Series on Sanatani Saints:

Sanatani Saints Part 1 - Neem Karoli Baba

Sanatani Saints Part 2 - Shri Ramakrishna Paramahamsa

Sanatani Saints Part 3 - Shri Samartha Ramdas

Sanatani Saints Part 4 - Shri Sadhguru Shridhara swami

Other Sanatani topics:

What is Ashtavakr Geeta?

Greatness of Vyadha Geeta

Love Story of Dushyanta and Shakuntala. Why is it famous?

Is there anything more majestic than the vow of Bhishma?

Dussehra: Celebrating the Strength and Resilience of women

What is Niyog Paddati? Is it similar to modern-day cuckolding?

Wrath of the warriors: The Duel of Bhishma and Parashuram

Query on abhishek of Shivling

The tragic story of Ekalavya

Diwali and it's Significance

Maha Mrityunjaya Mantra

Sarpayaga of Parikshit

How to worship?

How Buddhism broke India's warrior Spirit?

Note on Raasleela of Shri Krishna

Request to Hindus

Yaksha prashna

Importance of Bhakti

Does free will exists or everything is predestined?

Something I felt about manusmriti and our need for external validation

What is Virodha Bhakti?

Why Murti Pooja is important in Hinduism?

Spirituality is not only for old age people

Jyotish (Astrology) Topics:

When does the generous planet Jupiter become a fighter?

Astrology observations - Part 1

Astrology observations - Part 2

Tragedies of each ascendant

Dilemma

Important note regarding Rahu Dasha

Very important advice regarding Scorpio

[aru-loves-krishnaxarjuna]

Mahabharata AU—pt.6

Masterlist<– rest of the parts here

"Greetings Maharaj..." Came the voice of Maharishi Ved Vyas.

"Greetings Maharishi!" Dhritarashtra replied, followed by everyone.

Maharishi's gaze swept across the room and then he nodded. He accepted everyone's greetings before stating his goal. "I have only come here due to Vasudev's request. Vasudev, i have made the medicine as per required. Please take her from here and instruct the doctors to apply it the required way." Muralimanohar nodded, finally smiling and lifted Gudhakeshaa in his arms and departed without saying a word.

Ved Vyas was now standing in the middle of the courtroom. "Is it true that my brother cheated in the game, Maharishi?" it wasn't the Maharani's tired voice, it was the voice of a tired mother. "Yes Maharani, it is indeed true. Your brother had made the dice with the bone of your deceased father so that the dice would listen to only his command. The game was illegal from the start." That answer was not to empathize with anyone, it was only used to convey the truth.

Shakuni tried to hide his presence behind his nephew's large body. The appearance of Krishna and Vyas was beyond his wildest dreams. Duryodhan was no different. He was panicked because their plan was exposed, but of course he had no regrets at all.

"Who is Naari, Maharishi? And why did Govind call metion her name and...w-what happenrd with Aryaputri Arjuni?" Draupadi asked, still sobbing yet gradually lesser.

"Because that is the truth, O' Yojnagandha. Rajkumari Arjuni is Naari and Vasudev is Narayana. They were both Great Tapasvi and Tapasvini of ancient times, two lovers who were incarnations of Lord Vishnu and Devi Lakshmi. They were reborn in this age to uphold dharma, as well as to complete the purpose of their incarnation. In the concept of Naari and Narayan, the divine manasvi souled Naari is an eternal beloved of the Most Pure, divine souled Narayan. As per what happened with Rajkumari Arjuni, she just unlocked her full power due to the anger she had bottled up for years."

Maharishi began to tell the story of the Eternal Soulmates.

"Once upon a time, there lived an Asura called Dambhodbhava. Dambhodbhava wanted to become very powerful. So he prayed to Lord Surya. Lord Surya who was pleased his devotion emerged and gave him a boon. However, Dambhodbhava asked for immortality. Surya said that was impossible because every living creature born in the world must die so that the nature remains in balance. Unless there is a destiny that must be fulfilled. Dambhodbhava thought and said: 'My Lord, then give me a thousand armors (Kavach) that will protect my body, and only a person who performs penance for thousands of years can penetrate my armor, and that person will die after penetrating this armor of mine.'

Finally, Lord Surya granted the wish by giving him a thousand Kavach and a thousand earrings (Kundal) on a thousand heads. From then on Dambhodbhava was known as Sahasrakavacha (The One with a Thousand Armours) and he used his powers to do evil.

At that time, devi Murti, the daughter of Daksha, wanted to end the threat of Sahasrakavacha and prayed to Lord Vishnu. Lord Vishnu appeared before her and gave a boon that he would be born as her son and would be the cause of Sahasrakavach's death. Later she gave birth to Narayana. Lord Vishnu had divided his soul in two parts and Devi Lakshmi mixed the major part of her energy with the smaller division, so Devi Lakshmi reincarnated on Earth along with her eternal soulmate.

Narayana and Naari grew up in a dormitory surrounded by lush forests. They are devoted worshipers of Lord Shiva. Their mothers and families also encouraged them to study supernatural powers. The two lovera learned the art of war. They are inseparable. Both of them trusted each other and never doubted the other.

As time went by, Sahasrakavacha started attacking the area around Badrinath forest, where Narayana and Naari lived. Naari went to Sahasrakavacha and challenged him. Sahasrakavacha belittled her and said that no one would be able to defeat him and penetrate his magic armor, but Naari just smiled calmly, Sahasrakavacha looked into her calm, lotus eyes and for the first time, he had felt fear.

The dusky complexioned, bewitching, female fighter and sage had striked fear in the evil doer's heart.

He said nervously. "I can be killed just by doing penance for thousands of years!"

Naari gave a calm smile. "I am well aware of that. I did not do any penance, but my Narayan has done it for me."

Sahasrakavacha took up arms and the fight began. Sahasrakavacha faced Naari's attacks and was shocked. He realized that Naari was very powerful and indeed got a lot of strength from her companion, Narayan.

Sahasrakavacha's first armor broke and he realized that Naari and Narayan were connected from the deepest depths to the shallowest surface of their souls. They are just two people yet have the same soul. But Sahasrakavacha wasn't too worried. He only lost one of his kavach and soon, Naari died.

When Narayan came there, he smiled sadly at his Naari, as he just saw her die in front of him. He closed his eyes and chanted a spell. Sahasrakavacha was frightened when he realized that Narayana had performed austerities for a thousand years and had acquired the Mritunjay Mantra.

And so on, the cycle repeated, until Naari succeeded in breaking through the nine hundred and ninty nineth armor and Narayan had to witness her death for a total of nine hundred and ninety nine times, and his heart broke more than before each time she died. Sahasrakavacha realised he could never defeat the two. He fled and took refuge under Suryadev.

Narayana and Naari went to Lord Surya and asked him to hand over Sahasrakavacha. But Lord Surya refused because Sahasrakavacha was His ardent devotee. Naari was overcame with rage amd cursed Surya that a part of his energy and Sahasrakavacha's soul would become one and be born as a human, and would experienced many misfortunes during his life.

Then later on, Lord Shiva tried to bring out Naari and Narayan's fame throughout the world. To do so, he threw his ultimate weapon, the Pasupatastra at them. The power of their meditation was so powerful that the weapon lost its power before them. Lord Shiva stated that this happened because they were the first jnanas who were constantly in the Nirvikalpa Samadhi stage.

This incident took place at the end of the Treta Yuga. Soon after the Treta Yuga ended and the Dwapara Yuga began, to fulfill the promise of destroying the Sahasrakavacha and to destroy the evil, Narayan and Naari were reborn. This time as Vasudev Krishna and Rajkumari Arjuni."

"We have made a grave mistake!" Said the Mahamantri, Vidur. "Please, do give us advice on what we should do!"

"Just as Vasudev has said, Mahamantri, your next actions will determine the fate of the Kuru Dynasty. I advise you to return the property of the Pandavas treat them well. Otherwise, I can guarantee that a major war will occur."

Should i still continue this? It was supposed to be the last part.

[authorkoushik]

A prayer for Relief from Fever from The Harivamsha Purana  (Khila Bhaga) of Mahabharata

These two shlokas of prayer are found in the 123th chapter of Vishnu parva of harivamsha purana.

त्रिपाद् भस्मप्रहरणस्त्रिशिरा नवलोचनः । �� मे प्रीतः सुखं दद्यात् सर्वामयपतिर्ज्वरः ।।

tripād bhasmapraharaṇastriśirā navalocanaḥ .

sa me prītaḥ sukhaṃ dadyāt sarvāmayapatirjvaraḥ ..

tripād – the three legged one

bhasmapraharaṇas = having bhasma (holy ash) as his main weapon

triśirā – having three heads

navalocanaḥ - having nine eyes

sa – he

me – to me

prītaḥ - pleased

sukhaṃ - bliss, joy, happiness, (by healing)

dadyāt – may grant

sarvāmayapatir – the king of all diseases and illnesses

jvaraḥ - the lord of fever

Lord jvara the king of all diseases, having three legs, having holy ash as his weapon, having three heads and nine eyes, pleased upon me, may he grant me happiness and bliss.(by taking away diseases and protecting us from diseases.

आद्यन्तवन्तः कवयः पुराणाः

सूक्ष्मा बृहन्तोऽप्यनुशासितारः ।

सर्वाञ्ज्वरान् घ्नन्तु ममानिरुद्ध

प्रद्युम्नसंकर्षणवासुदेवाः ॥

ādyantavantaḥ kavayaḥ purāṇāḥ

sūkṣmā bṛhanto'pyanuśāsitāraḥ |

sarvāñjvarān ghnantu mamāniruddha pradyumnasaṃkarṣaṇavāsudevāḥ ||

ādyantavantaḥ - they, who possess the beginning and the end,  that is, they who have the beginning and end, creation and destruction under their control. They are the ones who can create and destroy at their disposal.

kavayaḥ - the ones who are kavis, kavi means

क्रान्तदर्शी कविः सर्वदृक् सर्वज्ञः इति

krāntadarśī kaviḥ sarvadṛk sarvajñaḥ iti

He who sees everything, he who knows everything is kavi,

नान्योतोस्ति द्रष्टा- इति बृहदारण्यकोपनिषत्

nānyotosti draṣṭā- iti bṛhadāraṇyakopaniṣat

There is no one else who is the seer. (i.e.) there is no seer different from him.

purāṇāḥ - पुरा पुर्ब्बस्मिन् काले भव इति ।

purā purbbasmin kāle bhava iti .

They who existed even in the ancient times, in other words those who pre-exist creation.

sūkṣmā – the subtle ones

सूक्ष्मः सर्वान्तरः इन्द्रियाद्यगम्यः नतु परमाणुतुल्यः

sūkṣmaḥ sarvāntaraḥ indriyādyagamyaḥ natu paramāṇutulyaḥ

sūkṣma – the one who is very subtle, he who resides in everything, he who cannot be reached by the sense organs.

सूक्ष्मं सौम्यं पुरुषमिति श्रुतिः

sūkṣmaṃ saumyaṃ puruṣamiti śrutiḥ

The complete supreme god who is very subtle and soft.

महाभारते च

चैतन्यं सर्वतोनित्यं सर्वप्राणिहृदिस्थितं

सर्वातीततरं सूक्ष्मं तस्मै सूक्ष्मात्मने नमः

mahābhārate ca

caitanyaṃ sarvatonityaṃ

sarvaprāṇihṛdisthitaṃ

sarvātītataraṃ sūkṣmaṃ

tasmai sūkṣmātmane namaḥ

in mahābhārata it is said,

That which is eternal and resides in the heart of every being and is beyond everyone and everything, is subtle I bow to that subtle one.

Sometimes they also the size of the atom, or smaller sizes and dwell in our souls.

bṛhantaḥ - the great and huge ones. They who posses great strength and have pervaded the world in different forms. Though they are beyond the senses, and sometimes in the size of the atom.

apy – also

anuśāsitāraḥ - the ones who rule, govern

sarvāñjvarān - all fevers. In other words, all kinds of fevers.

ghnantu – May destroy

mama - my

aniruddhapradyumnasaṃkarṣaṇavāsudevāḥ - aniruddha, pradyumna, saṃkarṣaṇa and vāsudeva.

The four vyuha murtis (aspects manifested as forms) OF LORD NARAYANA

May - aniruddha, pradyumna, saṃkarṣaṇa and vāsudeva who have control over beginnings and ends,  who are all knowing and full of wisdom, who pre-exist creation, who are the subtlest, yet great, who govern everyone and everything  kill my all kinds of fevers and diseases.

[buzz-london]

Brave Women of Bharat... by Arun Pudur

It was the year 1323 CE.

Srirangam was attacked by the Delhi Sultanate during the Tamil month of Vaikasi. Nearly, 12,000 residents of Srirangam island had laid down their lives fighting to protect the temple. The forces attacked the temple and Lord Ranganatha's jewels and the temple gold were looted.

The forces also wanted to seize the murti of Vishnu. They searched for the murti but the Vaishnavite Acharya, Pillailokacharya had taken the murti away and fled to Madurai. (The murti of Vishnu, called Namperumal that left Srirangam in 1323 returned back only in 1371).

Unable to locate the murti, the Sultanate forces killed all the Temple Brahmins and later launched a massive hunt for Pillailokacharya and Namperumal.

Fearing that the forces would capture the Acharya and the idol, Vellayi, a temple dancer performed a dance before the commander of the forces thus gaining time for Pillailokacharya to escape with the image.

Her dance lasted for hours together and finally she took the commander to the eastern gopuram and pushed him down. After killing him, Vellayi jumped to her death from the tower of the eastern entrance chanting the name of Ranganathar.

Hailing Vellayi's sacrifice, the chief of Vijayanagara forces, Kempanna, who drove away the Sultanate forces, named the tower after her. The gopuram continues to be painted white in her memory and is now called as Vellai Gopuram.

Lest we forget.

Via TG.

[pandeymoortiarts]

Best Marble Murti Manufacturer

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Veer Hanuman with Gada

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Seated Lakshmi-Vishnu Duo on Lotus

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Krishna with Flute (Murli Manohar)

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[nirvaanarts]

Jagannath Puri Idol: Traditional Craftsmanship from Odisha | Nirvaan Arts

The Jagannath Puri Idol holds immense cultural and spiritual significance in Indian tradition. Originating from the sacred city of Puri in Odisha, these idols represent Lord Jagannath, an incarnation of Lord Vishnu, along with his siblings Balabhadra and Subhadra. What makes these idols truly unique is their distinct wooden form, vibrant colors, and symbolic simplicity, reflecting centuries of traditional craftsmanship passed down through generations.

At Nirvaan Arts, we honor this rich legacy by offering handcrafted Jagannath Puri Idols made by skilled artisans from Odisha. Each piece is carefully carved and painted using time-honored techniques, maintaining the spiritual energy and authenticity these idols are known for. Whether placed in your pooja room or gifted to a devotee, a Jagannath idol brings divine presence and auspiciousness to any space.

In addition to the Jagannath idols, our company also features a wide range of divine sculptures, including the elegantly designed Silver Radha Krishna Murti, symbolizing eternal love and devotion. Crafted with intricate silver detailing, this murti is perfect for those seeking beauty, spiritual depth, and grace in their sacred decor.

Another highlight of our spiritual collection is the Kamdhenu Cow Idol, a symbol of abundance, peace, and fulfillment of desires in Hindu beliefs. Representing the sacred wish-fulfilling cow, this idol is ideal for vastu harmony and is often placed in homes and workplaces to attract prosperity and positive energy.

At our company, we are committed to preserving India’s cultural heritage through art. Each idol is not just a decorative item, but a soulful creation that carries centuries of belief, devotion, and artistic excellence.

Explore our divine collection and invite blessings into your life with authentic and beautifully crafted idols from across India.

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How Vishnu Lakshmi Murti Enhances Spiritual Energy in a Space

In Hindu traditions, placing sacred idols in a home or workplace is believed to invite divine blessings, prosperity, and harmony. Among the most revered deities, Lord Vishnu and Goddess Lakshmi symbolize protection, abundance, and spiritual well-being. A Vishnu Lakshmi Murti not only serves as a beautiful representation of these divine energies but also enhances the positive vibrations in space.

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Bring Home Divine Energy with a Large Brass God Idol

A Large Brass God Idol is more than just a sacred artifact; it symbolizes faith, devotion, and spiritual harmony. Whether placed in a home temple, meditation space, or a place of worship, these idols create an aura of positivity and reverence. Crafted with intricate detailing, brass idols not only enhance the spiritual ambiance but also stand the test of time.

Why Should You Choose a Large Brass God Idol?

1. Enhances Spirituality and Positivity

Brass idols have been revered for centuries in Hindu traditions. Placing a large brass God idol in your home or temple helps channel divine energy, fostering peace, prosperity, and positivity in the surroundings.

2. Long-Lasting & Aesthetic Appeal

Brass is a durable metal known for its resilience and elegant finish. Unlike other materials, brass retains its shine for years with minimal maintenance, making it a perfect choice for religious artifacts.

3. Exquisite Handcrafted Detailing

Every brass idol is a masterpiece, skillfully crafted by artisans who ensure intricate carvings and fine detailing. Be it a Lord Ganesha idol, a Shiva Murti, or a Lakshmi statue, each piece reflects devotion and exceptional craftsmanship.

How to Select the Perfect Large Brass God Idol?

Consider the Placement – Determine the location where you wish to place the idol. For a home temple, choose a size that fits harmoniously with the space.

Choose the Right Deity – Different deities symbolize different blessings:

Lord Ganesha – Brings wisdom and removes obstacles.

Goddess Lakshmi – Attracts wealth and prosperity.

Lord Shiva – Represents transformation and inner strength.

Lord Vishnu – Ensures protection and balance.

Lord Krishna – Embodies love, devotion, and harmony.

Authenticity of Material – Always go for pure brass idols to ensure both authenticity and durability.

Where to Buy the Best Large Brass God Idols?

If you're searching for premium-quality large brass idols, explore Satvik – a trusted name for handcrafted brass idols known for their authenticity and superior craftsmanship.

Browse their exclusive Large Brass God Idols Collection to find intricately designed brass Murtis ideal for worship, home decor, or gifting. Each piece is carefully crafted to uphold spiritual significance while maintaining timeless beauty.

Final Thoughts

A Large Brass God Idol is a symbol of devotion, spirituality, and cultural heritage. Whether for daily prayers or festive celebrations, these idols bring peace, positivity, and divine grace into any space.

🔹 Shop Now at Satvik and bring home a beautifully crafted large brass God idol to elevate your spiritual experience today!

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How Can Brass Vishnu Idols Promote Positive Energy in the Home?

Incorporating a brass Vishnu idol into your home can significantly enhance the positive energy and spiritual ambiance. Lord Vishnu, known as the preserver and protector of the universe, is associated with harmony, balance, and positive vibrations.

Spiritual Purification: The vishnu brass idol is often used in daily worship rituals like Abhishekam (bathing the idol with sacred substances). These rituals symbolize the cleansing of the soul and the removal of negative energies, thereby purifying the environment.

Symbol of Protection: Placing a lord Vishnu brass statue in your home is believed to invite divine protection. Vishnu's presence wards off negative influences and promotes a sense of safety and peace.

Enhancing Positive Vibes: The act of worship, including chanting mantras and performing Aarti (waving of lights), generates positive vibrations. The lord Vishnu murti becomes a focal point for these activities, amplifying the positive energy in the space.

Aesthetic Harmony: The warm, golden hue of the brass Vishnu murti adds elegance and tranquility to your home decor. Its reflective surface enhances natural light, creating a bright and inviting atmosphere.

By incorporating a vishnu ji ki murti, you can foster an environment filled with positivity, protection, and spiritual growth.

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Presence is far deeper than our person.

The Various Forms of “Tandava”

Tandava is the divine dance performed by Lord Shiva. It is considered to be the source of the cosmic cycle of creation, preservation and dissolution. The word Tandava comes from Tandu, the attendant of Lord Shiva, who at Lord Shiva’s orders, instructed Bharat muni, the author of Natya Shastra, the usage of Angaharas and Karanas, which together constitute this cosmic dance.

“Pumnrityam tandavam, prahu: stree nrityam lasyamuchyate”

Tandava the masculine form of dance is attributed to Lord Shiva which is forceful and full of vigour often manifesting anger and fear while lasya anga attributed to Godess Parvathi is the feminine form where the movements are gentle and graceful often depicting love and affection.

The deep significance underlying this dance form is the personification of Lord Shiva as Nataraja or Nritya Murti. His dance is supposed to represent the five manifestations of eternal energy- Srishti (creation), Sthiti (preservation), Samhara (destruction), Tirobhava (illusion) and Anugraha (emancipation).

The various Tandavas are described in Bhavaprakash and in the Abhinaya Darpanam of Nandikeswara.

In the Bhavaprakash five forms of Tandava are described:

Ucchanda: This includes the forceful and quick Angaharas, Akaashacharis and Bhramaris. Raudra, Bhibhatsa and Bhayanaka are the rasa associated with this.

Chanda: This is represented by Bhumichari karanas and angaharas and evokes Veera and Raudra rasa.

Prachanda: This tandava involves jumping forceful karanas and bhramari. Rasas associated with this are Raudra and Bibhatsa.

Prerana and Prapana: These two are considered to be of tepid and are less forceful and masculine.

Nandikeswara in his Abhinaya Darpanam describes seven types of Tandava which are believed to have been performed by Lord Shiva.

Sandhya Tandava: A form of tandava performed by Lord Shiva at the time when the world was poised between lingering day and the oncoming darkness of the night. It was the dance of creation and scriptures. It is believed that Sandhya Tandava protects one and all.

Ananda Tandava: This form of Tandava was performed by Lord Shiva for protecting his disciples. In Chidambaram temple, the deity is represented in this pose. The image is depicted with four hands holding the drum, fire, the right hand in the Abhaya Hasta, the left hand with the Danda Hasta bestowing boons. The left leg is in Kunchita pada and the right tramples upon the sole. This posture is also known as the Sada Tandava.

Kali or Shakti Tandava: This Tandava is the type performed by Shiva and Kali. It is believed that Kali or Shakti is the energy that cannot be separated from Shiva. Shiva has the power to create only when he is united with Shakti.

Tripura Tandava: This is the Tandava performed by Shiva after killing the three rakshasas, Tarakakasha, Kamalaksha and Vidyun mali. He fought the rakshasas driving the earth as his chariot, Meru as the bow, Sun and Moon as the wheels, Adishesha as the rope, Lord Vishnu as the arrows, four vedas as horses and Lord Brahma as the charioteer. By destroying these rakshasas he freed the three worlds from evil.

Sati and Shiva Tandava: This Tandava is believed to have been performed by Shiva and Sati. This represents the eternal dance of the Man and Woman, depicting the unity of Purush and Prakriti. This item also depicts both forms of dancing, Tandava as well as Lasya.

Ardhanaari Tandava: This type of Tandava was performed to show the unity between Nature and God. Shiva took Parvati as a part of himself and assumed the form of Ardhanareeswara – one half man the other half woman.

Samhara tandava: This is the dance of annihilation and release. Shiva is believed to have performed this when Sati burned herself in ashes. Shiva in anger danced so vigorously that lords feared destruction of the three worlds. Only when Lord Bramha, Lord Vishnu and Devas appealed to him did he return to normalcy.

The concepts of Tandava and Lasya represented Shiva and Parvati have been the source of inspiration for most dancers across classical dance forms and across generations as it encompasses the entire cycle of cosmic evolution and stands for the dual personification of the Absolute.

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Badrinath Kedarnath Yatra from Haridwar

Book Badrinath Kedarnath Yatra from Haridwar with Trypdeals Trip Planners. Price starts from Rs 10999 with Hotel Stay, Transfers, daily breakfast and Dinner, all sightseeings. Get best rates and best services.

Introduction The Badrinath-Kedarnath Yatra from Haridwar is a journey of immense spiritual significance for Hindus. These two revered temples, dedicated to Lord Vishnu and Lord Shiva, respectively, form an essential part of the Char Dham pilgrimage. Starting from Haridwar, the gateway to the Himalayas, devotees embark on a soul-stirring expedition that takes them through the majestic mountains, sacred rivers, and divine landscapes of Uttarakhand.

The Sacred Cities: Haridwar and Guptkashi The journey begins in Haridwar, a city where the holy Ganges flows in its purest form. Pilgrims take a holy dip at Har Ki Pauri before setting out for Guptkashi, known for its Vishwanath Temple and the Ardhnarishwar Temple. Guptkashi holds great religious significance as it is believed to be the place where Lord Shiva concealed himself from the Pandavas before finally revealing himself at Kedarnath.

Kedarnath: The Abode of Lord Shiva Kedarnath, located at an altitude of 3,583 meters, is one of the twelve Jyotirlingas of Lord Shiva. The temple is nestled in the lap of the Himalayas, with the Mandakini River flowing beside it. Pilgrims undertake a 20 km trek from Sonprayag to Kedarnath, passing through breathtaking landscapes. The temple’s spiritual aura, combined with the pristine natural surroundings, creates an unforgettable experience.

Badrinath: The Divine Home of Lord Vishnu After seeking blessings at Kedarnath, pilgrims proceed towards Badrinath, situated in the Chamoli district. The Badrinath Temple, dedicated to Lord Vishnu, stands against the backdrop of the snow-clad Neelkanth Peak. Pilgrims take a ritualistic bath in the Tapt Kund before entering the temple. The sacred town also offers attractions like Mana Village, Vyas Gufa, and Mata Murti Temple, adding to its spiritual charm.

Conclusion The Badrinath-Kedarnath Yatra is more than just a pilgrimage; it is a transformative experience that deepens one’s faith and connection with the divine. The journey from Haridwar through the sacred towns of Uttarakhand rejuvenates the soul and strengthens spiritual beliefs.

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Exporters and Suppliers of Datta Marble Murti from Jaipur Across India — Marble Murti Jaipur

Jaipur, the Pink City of India, is renowned worldwide for its exquisite marble craftsmanship. Among the various marble artifacts crafted here, the Datta Marble Murti from Jaipur Across India a special place in the hearts of devotees and art enthusiasts alike. At Marble Murti Jaipur, we take pride in being leading exporters and suppliers of these divine sculptures, delivering unmatched quality across India.

This blog delves into why our Datta Marble Murtis are exceptional, the craftsmanship involved, and why we are the preferred choice for marble sculptures.

The Significance of Datta Marble Murtis

The Datta Murti represents Lord Dattatreya, a revered Hindu deity symbolizing the trinity of Brahma, Vishnu, and Shiva. Devotees believe worshipping this deity brings harmony, wisdom, and prosperity. A Datta Murti crafted from marble amplifies its spiritual essence, making it a perfect choice for temples, homes, and meditation spaces.

MarbleMurtiJaipur, we understand the spiritual importance of these idols. Therefore, each murti is designed to reflect divinity and serenity, providing an enriching experience for the worshippers.

Why Choose Marble for Datta Murti?

Marble has been the preferred medium for crafting religious idols for centuries due to its:

Timeless Elegance: The natural luster and smooth finish of marble make it an ideal choice for sacred sculptures.

Durability: Marble murtis stand the test of time, retaining their beauty for generations.

Spiritual Energy: Marble is believed to possess calming energies, enhancing the spiritual atmosphere of the space it occupies.

Our Datta Marble Murtis at Marble Murti Jaipur are crafted from high-quality, pure white marble sourced from Rajasthan’s renowned quarries.

The Craftsmanship Behind Our Datta Marble Murtis

Creating a Datta Marble Murti is an art that requires precision, patience, and devotion. At Marble Murti Jaipur, we employ skilled artisans with years of experience in marble sculpting. The process involves:

Selecting the Marble: We use only premium-grade marble to ensure durability and aesthetic appeal.

Carving the Idol: Using traditional tools and techniques, our artisans meticulously carve intricate details to bring out the divine features of Lord Dattatreya.

Polishing: The final step involves polishing the murti to enhance its natural shine and texture.

Every sculpture reflects the dedication and expertise of our craftsmen, making it a masterpiece of devotion and artistry.

Our Range of Datta Marble Murtis

We offer a wide variety of Datta Marble Murtis, catering to diverse requirements and preferences:

Standard Designs: These murtis feature classic poses of Lord Dattatreya, ideal for home and temple installations.

Customized Murtis: We also create bespoke designs tailored to specific dimensions, poses, and aesthetic preferences.

Decorative Elements: Intricate engravings, gold inlays, and colorful embellishments can be added to enhance the idol’s appeal.

Our range ensures that every devotee finds the perfect murti that resonates with their faith and style.

Exporters and Suppliers of Datta Marble Murti from Jaipur Across India

As leading exporters and suppliers of Datta Marble Murti from Jaipur, we have built a reputation for delivering unparalleled quality and service. Here’s why customers across India trust us:

Uncompromised Quality: Each murti undergoes strict quality checks to ensure it meets the highest standards of craftsmanship.

Timely Delivery: We ensure prompt delivery of orders, whether large-scale temple projects or individual purchases.

Pan-India Reach: Our efficient logistics network enables us to serve customers in every corner of India.

Competitive Pricing: Despite offering premium products, we maintain affordable pricing to cater to all budgets.

We also take special care in packaging the murtis to ensure they arrive safely, preserving their pristine condition.

The Spiritual Essence of Datta Marble Murti

Installing a Datta Marble Murti crafted by Marble Murti Jaipur not only elevates the aesthetic appeal of your space but also instills a sense of tranquility and devotion. The idol becomes a focal point for meditation and prayer, fostering a positive and harmonious environment.

Testimonials from Our Satisfied Customers

“I recently purchased a Datta Marble Murti from Marble Murti Jaipur, and I’m amazed at the intricate detailing and quality. It’s truly a divine masterpiece!”

“The murti was delivered on time and exceeded our expectations. The craftsmanship is exceptional, and it has become the heart of our temple.”

Our commitment to excellence has made us the trusted choice for thousands of devotees and collectors across India.

Sustainability in Our Craft

At Marble Murti Jaipur, we are committed to sustainable practices. From responsibly sourcing marble to minimizing waste during production, we ensure our processes are eco-friendly. This not only preserves the environment but also aligns with the spiritual values associated with our work.

Conclusion

When it comes to finding the finest Exporters and Suppliers of Datta Marble Murti from Jaipur Across India, Marble Murti Jaipur stands unrivaled. Our dedication to quality, craftsmanship, and customer satisfaction makes us the ideal choice for anyone seeking a divine and enduring sculpture.