#look kyoko does do a pretty good job of hiding the general tone of her feelings

[obi-wann-cannoli]

Funniest part of skip beat will always be Ren (and occasionally kyoko) getting read to filth by other actors regarding their feelings. Besties you work in show biz, surrounded by people whose entire job is to express and read complex emotions. You’re gonna get found out.

[makowo]

Forever Deep Below Creation

This is still a work in progress, but due to my lack of posted writing in the past 3 months, I thought I'd give a sneak peek at the beginning of the fic.

Warnings: None

Characters: Naegi Makoto, Kirigiri Kyoko

Relationships: Kirigiri Kyoko/Naegi Makoto

Words: 3k

It’s another warm night in the woods. Cicadas cast their calls to the air, and while some creatures tuck into their nests and dens, others rise to greet the darkened sky. Wing and hooves and fingers and claws grazing the sky, Brushing against the stars and cupping the face of the moon.

And here Makoto is, prepping dinner in the cottage he calls a home. His home. Their home.

He pulls out a knife from the block by the counter just as he hears the front door’s lock click. He can almost feel the burst of warm night air flooding their living room, though it is little to the warmth of the stove as it works to bring water to a boil.

He blinks, dropping his focus to turn towards his wife with a grin. “Welcome home honey!”

“Honey?” Kyoko echos, placing her bag on the coffee table. She leaves her holstered gun beside it, walking into the kitchen to check on him. “It’s unusual for you to use pet names.”

“Only if I wanna tease you.” He chuckles, and she does it right back. “Unless you prefer stuff like “babe” or “sweetheart”?”

Arms wrap around his waist, Kyoko resting her chin on his shoulder. “What’s for dinner tonight?”

She avoids the question, and he saves that tidbit of info for later. Avoidance is not a no, after all. “Yakisoba.” He nudges the noodles around with a spoon, half-focused on it as he leans back against his wife. “Thought it might be good to have something quick tonight, y’know?”

Kyoko merely hums, burying her face into the crook of his neck. “Shouldn’t you turn up the AC? You’re cold.”

“Means I can cuddle up to you to stay warm tonight though.”

“As if I’ll let you do that.” She scoffs. He can feel her smile against his skin.

“Ohh?” He goes through the motions of prepping their dinner, Kyoko stumbling along with his hasty steps with a steadfast grip. “And how are you gonna stop it?” Even if they’re on opposite ends of the bed, they always wake up with one clinging to the other. Hard not to cuddle.

She takes a minute to ruminate on it, before managing an answer. “Heater. Right between us.”

Makoto laughs. “Won’t that burn?”

“If it keeps your ice hands from touching me at 2 in the morning, then ‘m fine.”

His whine of objection couldn’t be more fake. “That’s mean.” He quickly nabs the pair of bowls set aside early on, tracing the grooves of their rims with his thumbs as he sets them out side by side. “You’re mean.”

Finally, he’s released from his lavender-scented prison as Kyoko reaches for one of the bowls, unsubtly nudging him in an attempt to get him out of the way. He stays still however, nudging her right back. “It’s still hot, Kiri-san! Gotta let it sit for a bit.” He warns with a frown.

“It can sit for a bit in my bowl.” She replies deadpan, still urging him away. And he relents, because it isn’t that big of a deal anyway but he doesn’t want to watch Kyoko burn her mouth while trying to eat again. Or just forget about it while she works.

“Then eat with me in the living room.” Makoto grabs his own bowl, getting what yakisoba she leaves behind in the pan. “And after it, we go straight to bed.” He’s not risking his work going to waste, after all.

Even with these tough terms he’s set up, Kyoko lazily nods, most likely due to still suffering from sleep deprivation. Maybe she’ll decline when she’s woken up a bit, maybe she won’t. Makoto decides to settle down on the couch and put on a movie that might distract her from it anyway.

It’s more background noise than anything, though; something about an escape room? Pretty sure he put on a sequel movie too, which turns their interest only to one another. Not that he minds.

“Would you like to go on a trip sometime in the next month?”

“Mmh, yeah?” He replies through a mouthful of food, quickly swallowing it before continuing. “What case has you going out of the country this time?” It’s not odd for Kyoko to ask if he wants to travel with her if she knows it’ll take too long for Makoto to bear.

She shakes her head, taking a bite of her food before answering. “I mean as a vacation, actually?” She replies with a tone implying that she’s questioning her own words already.

“Vacation?” He can’t help but echo, because… well, Kyoko never takes vacations! He can imagine she has a lot of days saved up because of that, but it never seems like she plans to put them to use other than for emergencies. Guess he read her wrong on that part, even if this is the first time she’s planning a legitimate vacation herself in the four years she’s been working as a detective again.

“Is it a bad time?”

“No, no!” Makoto shakes his head, not daring to let this slip by. “I’d love a vacation! It’d be nice to get out of the house.” He doesn’t really have much going on anyway, since the whole school idea didn’t really pan out. He’s just a stay at home husband now, and since Kyoko still makes enough money to support them both, he’s not actively seeking a job right now. Thus, he’s perfectly free.

Kyoko smiles. “Good. I’ve made sure to go ahead and clear up a week for ourselves, but I need to know what you might want to do.” She glances at him curiously, before quickly adding on. “Preferably not something that’s outside of Japan, I’d have trouble paying for that right now.”

Well that’s a no brainer for him, but it does narrow down his options significantly, which he happens to be thankful for. “Do you have anything in mind?” For a fleeting moment, Makoto recalls his dinner, taking a bite of it before he looks away from it and thus forgets it even exists. “I’m gonna be honest, I don’t really have anything in mind…” Never been one to aspire for once-in-a-lifetime thrills, like skydiving or something. He’d be happy just lounging at home the whole week, despite his earlier comment.

“I thought we could go to a nearby city then, and go sight-seeing.” Kyoko spares a glance towards the movie playing, before interest in it is once again immediately lost “Maybe in Seoul? There’s a large cave system there as well, and they’re open to caving this time of year.”

“Hm?” Makoto tries to recall what exactly that is, but he’s drawing blanks. “What’s that?”

“Well, Seoul is-”

“I know what Seoul is.” Makoto deadpans, though completely understands why she thought that was what he was talking about. He’s not the most educated person, what with the whole memory loss thing. “”I mean caving! I’ve never, uh, heard of that.”

“Ah.” Kyoko nods, setting down her bowl on the coffee table. “Apologies. It is rather self-explanatory however; we just go and explore a cave system with a small group.” She shrugs, stifling a yawn. “I thought it might be fun to do something like that together. It’s rare for a person to do, wouldn’t be too dangerous, and we’d be together the whole time.”

That does sound pretty cool, he’ll admit. He’s never really gone into a cave before, if he excludes the ones that they’d have to hide in during… ah, well, it’d just be nice. Doing something kind of thrilling. He imagines it’s thrilling, at least.

“I think it’d be fun!” He finally chirps, leaning over to rest his head on Kyoko’s shoulder. “It’s been a while since we’ve done something together, I’m sure it’d be a good time for us both.” And he’s pretty sure they don’t have any trauma tied to caves, which is a definite plus! Unless they count claustrophobia? Neither of them have shown signs of that though, so they’ll hopefully be fine. Hopefully.

As if she were able to sense his worry (which he doesn’t doubt that she can), Kyoko places a hand on his leg, stopping its worried bouncing. He hadn’t even noticed it doing that. “Are you sure?” She asks lightly, brow furrowed with worry. “”It can be dangerous, you know. There’s only so much a tour guide can do to make naturally made caves safe to enter.”

Makoto frowns, now actually worried. “Then why would you recommend it?” He asks, very quietly.

Kyoko takes a while to respond. In fact, she doesn’t respond until she’s actually finished her dinner, as well as his. It was getting cold so he may as well let her have it. “Do some looking, and if you have a better idea, tell me.” And then she heads to bed, because that’s just. A perfectly fine way of ending a conversation.

Makoto trudges on after her after about an hour of thinking (mostly lack thereof, with the television being such a terribly convenient and easy distraction) on the couch. Unlike most nights though, where the room is pitch black, her back turned from the door so as to not catch the stray rays of lights that he’s forgotten to turn off, it’s… actually still pitch black in there. But after a moment of letting his eyes adjust, he catches Kyoko’s alarmingly bright gaze cutting through the gloom.

“Can’t sleep?” He mutters as he stumbles through the dark, going off of his recollection of the room’s layout, reduced to something of barely any use through the haze of sleepiness tugging at his being.

“I can.” She replies slowly, watching him not unlike how a cat would watch their owner. Not that she or their relationship in general compares to that; she just has that… “look”. Like she knows everything. “Was just waiting for you to come to bed.”

If he’s being honest, it’s kind of exciting. It’s the look she gives when her interest is upon him entirely, something that earns a flattered blush every time. “Thank you then.” He chirps, before crawling into bed like a lizard wriggling beneath the warm sands of a desert, except much less gracefully.

He almost expects nothing to happen, oddly enough. He should have known Kyoko was waiting for a reason.

A warmth presses up against his back, and a hum against his ear. “Don’t have to go in until noon tomorrow.” Kyoko huffs. He can just sense her smile when he shivers. “So… we could…” something presses between his legs, and teases just the right spot, “have some time to ourselves, maybe…?”

Makoto is a weak man, and especially weak for his wife. And thus, all he can do is scrounge up what remains of his energy, roll over, and let the franticness of their motions do the rest. ------------------------------------

It’s quite a hike to get to the cave they’ve been looking at. The route is safe, spacious, and short for the most part; it’s apparently a tour “good for beginners”, and while Makoto believes their caving adventures will begin and end with this one, it’s nice to know that this place doesn’t have any curveballs. Or spike-filled areas. Or tunnels one can only crawl through. Or maybe even fractures.

“Stop worrying.” Kyoko demands, his thoughts coming to a harsh stop. He manages not to be totally thrown off, following hastily after his wife as they trudge along a pebble-filled path.

He sighs when he catches up, glancing around. Just west there’s Tokyo, bustling with life, but it’s far enough only to serve as a backdrop to the hill-covered fields they’re in. They follow a path lined by thin ropes tied to sticks in the ground every other step, as despite the lack of actually dangerous areas nearby, there’s a lot of… well, area. The Tragedy changed a lot of the landscape, more so than most would believe.

Stopping his mind from wandering too far again, Makoto directs his attention ahead. They have a few other people with them, much more diverse in their body type than he assumes the average would be for much more difficult to traverse caves. They talk amongst themselves, all of them clearly going with someone they know for the trip. Ahead of them, the tour guides walk, though he can’t tell what they’re doing. He doubts it to be much at all, really.

“Are you excited?” He finally asks, careful not to speak loudly. He doesn’t want to draw much attention from their peers here, they’re lucky enough to have only garnered a few curious looks.

“Of course.” Kyoko replies, just as quiet. “I’m sorry it had to be delayed so much, cases just kept piling up.”

Makoto scoffs. “Don’t worry about it, I’m just glad you’re able to help people.” Adjusting to keep a good hold on his backpack, he reaches over to grasp Kyoko’s hand. She’s changed her gloves today. Much rougher. “Even if it’s not another year until we get a chance like this again, I’m satisfied.”

He hopes for a smile, or the most likely quirk of the lips she gives when beyond the walls of their home. He earns neither.

“I’m not.” She tightens her grip, tugging him forwards. “Come on. We’re falling behind.”

Makoto nods, silent as he follows her up the steep incline, and silent still until they come to the entrance to the cave.

He can only think of an open maw when he sees the entrance. It sits neatly above the ground, embedded into the side of the hill’s peak, moss creeping over the exposed rock. Various plants and flowers bloom from cracks in the walls he can see, reaching out towards the sunlight beyond. But as he looks upon the entrance, the teasing glimpse it shows of its surely vast depths, he can’t help but think they’re trying to escape the dark rather than gain any sunlight.

The heat must be getting to him.

“Alright everyone!” One of the guides chirps, clapping their hands to get everyone’s attention. “Let’s do a quick check to make sure everyone has what they need!”

Makoto remembers all their supplies, and part of him knows that he has everything, but anxiety urges him to check once more. Plus, he needs to actually put some of it on now. That too.

He crouches down and pulls his backpack around, trying not to focus on the cave. Instead, he mentally lists off each item as he finds it; helmet, gloves, boots, first aid kit, and a flashlight. Not much really, and he’s more than happy about that fact.

Makoto sighs, putting on each item he needs and putting away the rest. He’s careful about the gloves in particular as he puts them on; the helmet may have a light that could break if he’s not cautious, but Kyoko picked these out for him specifically before this trip. She has very strong opinions about them, and apparently these are the best pair for this sort of task that she could find. And they must be, they’re very comfortable! A perfect fit even, despite the fact that she gave them to him on the way here without any warning. He can’t imagine what they must have cost.

After checking for his caving suit and quickly realizing that he already put it on before making this trek, Makoto shoves his old shoes and socks into the back, hopping back up just as everyone else seems to be handed something.

“Now, before we head in, I want you all to get a good look at this map.” The guide says as they hand a sheet of paper to each group. “Even if this is a short trip, and we know this place like the backs of our hands, there’s a few turns here and there!”

Kyoko takes the map they’re given, Makoto peering at it from over her shoulder, having to crane his neck to get a good look. It doesn’t seem like too much, thankfully; there’s a meander or two, but none on the main path, thank the gods. He’d prefer not to have to do any crawling during this!

“It’s a straight shot, huh?” He comments absentmindedly, resting his chin on his wife’s shoulder.

She merely huffs, reaching back to thread her fingers through his hair. Despite the unsatisfying feeling of the gloves she’s wearing right now, he eagerly leans into the touch. “Yes. I’ve seen pictures of the cave as well, and it appears to not be very dangerous, unless one was actually being reckless. Should take about twenty minutes, at most.”

Makoto grins, wrapping his arms around Kyoko’s waist. She makes another sound, something like a noncommittal grunt, but doesn’t nudge him away as he expects. It’s nice. “And after this we go eat at Stellar Cafe.”

“We ate there last week.” She quickly reminds him, paying only a partial bit of attention to what those in front of them are saying. Something about the first aid kits, nothing very important.

“Too bad.” He gives her a quick peck on the cheek. “I like their food, and the service is nice.”

He can hear her stifle a laugh as she pulls away. “You like their curry. There’s perfectly good curry elsewhere.” She reaches into her own backpack, pulling out a walkie talkie. “Now get your radio out.”

“Don’t you think this is kind of overboard?” He pulls it out anyway of course, making sure his is connected to hers. “They never recommended these for caving, at least not on the sites I looked at.” Seems that most of the time people are expected to stay together anyway, if there’s more than one person at all. He’s surprised Kyoko decided to do this.

“Can’t ever be too safe.” Is all she says, before looking to the cave. “It’s time to go.”

Makoto follows her gaze, and sees the rest of the group already clambering over rocks as they enter the hole. “Ah.” He pauses, choking on nothing for a moment so fleeting he can’t even react. “Yeah.”

If he showed any hesitation, Kyoko does not acknowledge it. Instead, she walks ahead, and with heavy steps he pretends are eager, Makoto follows her into the dark.

------------------------------------

and that's it! quite a bit, and definitely not the best writing in the world, but im very proud of it so far! if you can then please rb this and give your thoughts, i do this for free but there's a reason i post my fics at all, which is validation <3 basically what keeps me going and able to continue writing at all, actually.

[thenichibro]

Summer 2017 Anime First Impressions

Well here we are again, four weeks into the season before I finally get around to catching up on the twenty shows I’m keeping track of. Not like anyone reads these anyway. Regarding this season, we can say one thing: at least it isn’t last season. Thus far there’s been nothing super stand out, with a lot of middle-of-the-road shows and a few ones slightly better. Much preferable to the shit show 16 weeks ago. As usual, here’s what I’m watching, with MAL links and original shows marked:

Tsurezure Children (MAL) Starting off, we have a webcomic turned serialized manga turned anime, and for good reason. Tsurezure is a 4-koma romcom focusing on way too many couples in bite-sized happy romance stories. Defined by reaction faces, exclamation points, and yet a surprising amount of exposition, it's a quirky comedy I glad I started reading. One of the main downsides of Tsurezure is that although it has overarching themes, minute-to-minute enjoyment is very much based on the current couple. Personally, I love the Class Prez/Deliquent, Chiaki/Kana, and anything with the Love Master. The problem, then, is that once you find the few you really like, it's kind of a shame you only get so much time with them. A simple art style that matches the manga belies an infectious humor that Toshiya has mastered. This is one short show I wish was longer. Watch this.

Aho Girl (MAL) Continuing the notable increase in half-length shows, we have this half-witted one. Aho Girl, lit. "Clueless Girl," follows Yoshiko, an idiot, and her friends(?), mostly childhood friend Akuru, trying to deal with her idiocy. A suitably odd OP, both in sound and visuals (or relative lack thereof), leads into Yoshiko's introduction through getting a 0 on all her tests. I guess that confirms the title, now doesn't it? Tsukkomis, wild attitude swings, and bananas are the name of this show's game. One thing I love right off the bat is just how blatantly annoyed Akuru gets with Yoshiko's antics. It's not hard to see the "he's supporting her because he does feel something," but that being shelved in favor of faces of disgust is just funny on a very essential level. This show knows exactly what it is, a dumb comedy about a girl being dumb. And yet it's dumb fun all the same.

Isekai Shoukudou (MAL) A somewhat restrained take on the well-worn isekai genre, Shoukudou involves Nekoya, a resataurant that serves fantasy creatures once each week, connecting to "the other world" through the restaurant's front door. Right off the bat, the upbeat OP is coupled with some fantastic visuals. I missed having a food porn show last season, but Shoukudou brings it back in force. Further, throughout each episode the background music keeps pace with events and is a very nice touch to the cool tones of this show. Indeed, this show absolutely exudes cool. The smooth tunes while the last few customers (albeit they being beastmen, wizards, and the like) finishing their orders, Aletta and the Master cleaning tables into the night, it's just so nice. Aletta is the new hire, a demon girl homeless in "the other world" who finds the door to Nekoya by happenstance and promptly gets a job and a new outlook on life. She's real cute. Shoukudou has plenty of the "customer narrates the intricacies of how good the food is" every time a new customer comes in, but it's great all the same. If this show is a slow introduction of new characters to Nekoya for the rest of the run time, I will be more than satisfied. AOTS contender right here. Satisfied with an isekai? What is this season coming to?

Koi to Uso (MAL) Marraige is arranged genetically for happiness at 16, and other love is forbidden. As if there was a premise that lent itself more to a high school romance-drama. I have to say, I am in absolute disbelief that Koi to Uso isn't penned/drawn by the same creator as Scum's Wish. The artstyle and really the whole tone, albeit Koi to Uso being a bit more restrained, I immediately thought it was the same author. Wild. Anyway, we're dropped into a modern Romeo and Juliet, Nejima and Takasaki confess, to each other, just as the government - the external circumstances - are pulling them apart. It's not a new path forward, but I think the latter half of the first episode conveyed the emotions pretty well. The beautiful artstyle helps, and with shaking hands, red cheeks, and streaming tears the ending scene got me into it, despite the expected outcome. ...Is what I was thinking as Nejima fucking fell on top of Ririna (his assigned wife) in the second episode. Why. Why do that? Why have that 6 seconds into the show? At least the girls are cute - Takasaki in a hoodie, shorts and thighhighs was just incredible, but Ririna with her curious eyes and attitude beyond her height, hoo boy - guess I'm rooting for the underdog now. Time to suffer. With Ririna's schemes, Koi to Uso is perfecting anxiety - having something so treasured so close, being trapped by things out of your control, being trapped by things inside yourself - so much anxiety. This show can't go anywhere except emotional turmoil, but if it's already getting emotional responses out of me, I'm going to stay interested. Especially after episode three's ending.

Netsuzou TRap (MAL) Yet another shorter-than-normal show, we have NTR. Yes, that NTR. The "fuck over the caring guy and get off on cheating behind his back" kind of NTR. Just now with lesbians. Even moreso, I dislike Hotaru's archetype so much it just makes me feel bad for Yuma. If you're into that, watch this. If you're not, don't. I don't know why I did. There are better fetishes.

Clione no Akari (MAL) The fourth and last of the short shows, Clione no Akari begins with Takashi and Kyoko trying to help Minori, who is getting bullied. Its muted art style matches this tired premise. I know it's only nine minutes, but the first episode still felt like it dragged on for some reason. Moreover, both Takashi and Kyoko reflect on their weakness and that they want to stand up to the class for Minori, but then in the second episode all of that possible growth just gets passed over. They call out to her after she almost gets splashed by a car, and then Takashi says "After that, Kyoko and I grew so focus on how we could solve Minori's current situation, it was as if it were happening to us." So after they complain about their weak personalities, instead of forcing them to change, they simply get a way to help Minori while not directly standing up to the class. It seems like if it affected them that much you'd see a bit more exposition rather than nothing to "And then, we became super close to her" over the span of fifteen minutes. It might seem like I'm asking for a lot from a 9-minute show, but that's exactly the point - if a show aims to be an engaging drama about making friends and standing up for one another, it needs to have more substance packed into its short timespan, and Clione no Akari does not.

Hajimete no Gal (MAL) And the award for "highest percentage of animation budget used exclusively for cameltoe" goes to... First, make sure you eschew the HorribleSubs release on this one, because the censoring is bad. Not Terra Formars bad, not Shinmai Maou no Testament bad, but it's not great. Now then, this is a very simple decision: you watch for the fanservice, or you don't watch at all. I'm serious when I say the animation goes to Yukana, and to a lesser extent the other girls, because the male characters (even the MC) and everything else looks downright bad. The fanservice, however, is pretty damn nice. Junichi's delusions lead into some steamy scenes that are top tier gyaru action. Other than that, the OP/ED are generic, the other girls are lackluster, and the "comedy" is unfunny. Just skip through the dialogue until you get Yukana being cute, and this'll be somewhat enjoyable.

Gamers! (MAL) A nothing main character spoken to by the cutest girl in school because she's interested in video games and especially his passion for them, despite never talking prior. Wew. Karen, said cutest girl, is attempting to bring back the school's gaming club, where real gamers play games with their gaming friends. These are serious gamers, so serious about their gaming that they forget everything else except the game, like the true gamers they are. Episode one has fantastic lines like "I've been looking for new members who are undeniably true gamers" and "Why did you guys become gamers?," like it's something you have to awaken to. And yet even in spite of this, the glorification of gaming is still going hand-in-hand with the conceptualization of "gamers" as outside normal people. Karen hasn't told anyone about her gaming passion even though she's so popular (and it's foreshadowed she'll lost her widespread respect), and Amano gets the description "Games are his friends." Every character is just entranced with Amano's gaming spirit that they can't help but want to game with him. And just like a good MC, Amano is humble and pessimistic about his own gaming passion, but stands up for the game club and the gamers that make it up. This show feels like an E3 PR rep's ideal anime. The game references themselves aren't half bad, but that's certainly not saving this waste of my time. Guess I'm just not a true gamer.

Made in Abyss (MAL) I was originally off-put by the character designs, but I am glad I finally decided to watch it. A city sits on a massive hole - The Abyss - full of ancient ruins - and our main characters are delvers into the giant void. Importantly, Made in Abyss lets us know right off the bat that it will not be all idyllic landscapes - a close call with a dangerous monster now foreshadows so much better than suddenly changing the show's tone halfway through. Background music and art style both benefit this show greatly - the music rising and falling with he action while the art easily conveys the current state of the landscape - overgrown yet hiding secrets. Riko is a energetic girl at an orphanage guild, known for swiping Relics she finds and generally causing trouble. In the tussle with the monster, she is saved by a robot boy, Reg and promptly takes him back to experiment. Just the first episode sets up tone, characters, and the mystery of the Abyss with precision. The choice of children as main characters is an interesting one, but I almost didn't think twice because the rest of the people in Made in Abyss didn't think anything of it, either. Starting with a premise that has such a clear objective, like the Abyss' bottom, also relatively anchors the show against wild plot swings, which gives me more confidence in the story going forward. All these things combined are making for quite an enjoyable experience, and I can't wait to see where it goes.

Ballroom e Youkoso (MAL) Tatara is our typical despondent teen protag, who through a chance encounter is roped into trying ballroom dancing, and in it sees an opportunity to find himself. I picked this up solely on its premise, because I've never seen an anime about ballroom dancing before. It just seems so far from the typical slate that it caught my eye. This show's unique animation style, credit to Production I.G., has its ups and downs. For the most part, the show looks clean, the lines look great, and the motion is good. On the other hand, the actual dance scenes seem to lose a bit, in favor of dramatic freeze frames or showing the top halves of people rather than their legs moving or other intricate motion. I'm certainly not going to yell at the animators, for a show in which Tatara is won over by simply watching a ballroom dancing DVD, to get the viewers interested the motion, the visceral movements of the dance need to be shown, and more often than not they aren't. Oh, and the necks. Why is everyone's neck so long? Apart from Tatara, behind Sengoku's bombast lies a calculated, seriously powerful personality that is the perfect motivator for Tatara. And I don't know about you guys, but Shizuku is cuter in her practice/casual clothes than in a ballroom dress. Just my taste. Anyway, alongside the stalls in animation, I can't honestly say I like Tatara's VA. To me it just gives off the trying-too-hard-to-be-a-teen vibe too much for me to not notice it every time he speaks. While still enjoyable, these two faults are noticeable the entire time you watch the show. However, if you are interested in the premise, and don't mind animation quirks, then by all means, Welcome to the Ballroom.

[ORIG] Princess Principal (MAL) Alt history, 20th century steampunk London, and spies but also superpowers and made-up minerals, this is Princess Principal. Smooth jazz while a loli-ninja wearing a mushroom hat cuts up 20th century cars? Sure, why not? Cavorite, the aforementioned made-up mineral, allows for temporary control of gravity, allowing the girls to make their first daring escape with a VIP. Also, the girls are spying between the Commonwealth, or the West, and the Empire, or the East. Also the Princess herself is a spy. It's certainly a lot to take in immediately, but this show seems to revel in the craziness - echoing the fast-paced, spontaneous action of the spies themselves. Our main girl Ange lies to get through life, and is soft spoken and terse. The others in her immediate crew range from the authoritative onee-san to the cheerful loli. I personally feel like they could have made a perfectly enjoyable spy thriller with just alternate history and no supernatural element Take Joker Game from a few seasons ago - that even went so far as to be historically accurate in its place names and such, and aside from some same-facing was a wonderfully engaging show. While I do feel the personalities more in these femme fatales, I just don't see the "thriller" part as holding up as much. It's really not bad - I just feel my main gripe here is the overpresence of themes that don't need to be there. Still worth a watch if you don't mind it.

Centaur no Nayami (MAL) Having watched both MonMusu and Demi-chan and consequently becoming an Expert™ on monster girl shows, Centaur no Nayami is most certainly more of the former. I'll say at the very least that guys in school also being monsters is a welcome change, rather than including a harem. Hime, the titular centaur, acts just like her name. Nozomi is our sharp-tongued, tomboyish tsundere, while Kyouko (my favorite) is a terse, blonde tsukkomi. We get a surprising amount of world-building right out of the gate - the world is as it is thanks to a different evolution path, and to avoid the discrimination of the past, "equality" is aggressively and strictly enforced. The seemingly dark background behind the otherwise peppy slice-of-life is definitely off-putting, and seems immediately at odds with the tone. If while walking around town the girls maybe glimpsed an abuse or something similar, the aggressive equality mantra might seem like an understandable government reaction. Seeing nothing of the sort while hearing Kyoko not want to ride Hime because that's discrimination and she might get sent to a "correction facility" is more than a bit unsettling. Production-wise, the show looks and sounds great. Quirky music for quirky circumstances, and the motion of all the characters' different bodies is conveyed convincingly. The A/B Parts splitting the episode is something I haven't seen in quite a while, but I think it lends itself well to the SoL part of the show. Overall, this is a surprisingly endearing slice of life with a higher-than-normal amount of kissing, and I just wish they'd lay off the dramatic background. Worth a watch if you're into monster girls or slice of life more generally.

[ORIG] Action Heroine Cheer Fruits (MAL) Last but not least, we have Action Heroine - Heroines (as in those live-acted hero shows) are now super-popular, and the show follows one town that is way behind the curve on popular heroines. Immediately, I like the art. It seems like not too much more than "generic anime-style," but Diomedia has a way of doing soft lines and expressive faces that just looks great. Now I don't pretend to like hero/heroine-type premises, but even I can see this show's got remarkable heart. Spurred by her sister wanting to see Kamidaio, the current most famous heroine, Mikan, an earnest, caring sister teams up with Akagi, an energetic Kamidaio-super fan to put on a small-scale show, and the rest is history. Their first performance is carried singlehandedly by the effort the two girls put into making Mikan's sister's dream come true. Action Heroine gives off the feel of an idol show (he says, having not seen LoveLive nor Idolm@ster), with a diverse cast of girls all trying to be the best for their fans. While I don't think this show is exactly going to enjoy LoveLive levels of success, as I've said - you can see the heart it has. Some individual moments were also very strange - like a flashback where one girl loses a tennis match because a bug flew in her face, and another girl talks to her imagined anthropomorphizations of model trains. If you're into the nostalgia of hero/heroine shows, this plays right into that. Otherwise, it's a show you can pretty easily avoid.