#look at that big ole gap in the 90s

[leiflitter]

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Hello from Blighty thoughts about Saltburn

As a continuation from my reply to @armands-eyefuckery because BRAIN

Aight gang let's have a lil sit down because there is a big ol angle to the film that I think is getting missed by a lot of folks who aren't from the UK because it's a very uh...

British Thing.

IT IS VERY IMPORTANT THAT OLIVER IS FROM THE NORTH.

Cut because Length.

Now look. I am not going to go into Thatcher and Her Crimes, but it's worth a google. I do bring it up in You're Almost Home because...

Lots of people are saying Oliver is upper middle class, and honestly? That doesn't track for me. At all. Yes, his parents have a detached house in a nice suburb and they went on holidays, but there's a lot of Very British Context to them that I really want to point out. Also remember, it's 2006/2007. That is also important.

First of all- Oliver's parents probably never went to University.

Really listen to them. How gullible they are- they believe that Oliver can study at Oxford, and be on the rowing team, and be in plays, and be top scholar. He's always been so clever. If Oliver was anything near upper middle class, his parents would be educated professionals. Oliver probably has dockworkers not even three generations back- his dad has management vibes, but he probably worked his way up in the 70s when all you needed was a good attitude and not to be an obvious murderer.

Secondly- let's talk about the house.

As someone from Down South who has also lived Up North, Oliver's Parent's house would not have been as expensive as people think. Let's assume they bought it in the 1980s- we ALL know that house prices are through the roof NOW, but even today there is a huge gap between house prices in the south and the north. 200k down South might get you a one bedroom flat, if you're lucky. 200k in Prescot can get you a 4-bed, semi-detached HOUSE. Check rightmove.

It is also important that the house is relatively new-looking, because over here Upper Middle Class people aren't really into new build houses- if Oliver was upper middle class, he'd be living in something Victorian or Edwardian. Probably somewhere with a good link to London, especially in 2007. It also means that Oliver's parents may not have even bought it outright- my parents got on the housing ladder via a shared ownership scheme. Oliver's parents aren't rich.

Now, the holidays. Mykonos. Another fun Brit thing is the package holiday. Here's a pretty interesting article about them;

Two adults and three kids could absolutely have gone to Mykonos every year in the late 80s/90s for far less than you'd expect, especially if they paid in installments each month.

I also mentioned about Ollie being from Merseyside specifically, but again. CONTEXT. Although Oliver isn't Liverpudlian (it's important, he's from NEAR Liverpool but not Liverpool itself) the North of England as a whole has routinely been fucked over by those in power. The government AND the royals and the very wealthy. It's still ongoing today- again, another fun source.

Remember when Mr Eats-Crunchies-Sideways called him a Bootlicker? That's fucking IMPORTANT. To many folks he IS a bootlicker. He is highly unlikely to have been raised to grovel at the feet of those with hereditary titles and wealth, and honestly he doesn't. I've written before about how Oliver Denies Felix Things and how that dynamic is important. Oliver likely hasn't been raised with any real deference to The Rich (except Princess Diana).

It also effects Oliver's response to Felix, because goddamn it THATCHER again- it is HIGHLY likely that Oliver has lived through a lot of homophobia. Internalised a lot of it. Felix's parents do not give a shit, but that was not the norm. Again, tried to hit on it in YAH, because times have changed since the 90s/2000s and people change with them, but no fuckin wonder Oliver never responded to Felix chirpsing him like a maniac. He's fucking REPRESSED when he's in Oxford, pals. It also makes sense with that weird Tumblr Dom shit he pulls; he's still fuckin weird about it, he's just being In Charge so he doesn't need to be vulnerable in any way. He is only vulnerable for Felix, and even then he can't SHOW felix that, that would be gay.

Leiflitter over'n'out

[humankarkat]

Monster Of The Week bullshit please 👀

Oooooh MOTW is a really fun one with a whole lot of lore, buckle up.

It's a full AU my girlfriend and I are fleshing out, that's set like a 90's monster of the week style tv show, a la X-Files or Buffy The Vampire Slayer or something. But, see, the twist is that the entire ghost crew ARE the monsters.

Hera is a real ass space alien who has a cloaking device to disguise herself as human. I felt like the standard twilek alien design wasn't extreme enough for this AU, though, so she's like. A big ol' bug alien, six limbs, chitin, the works. When she has her glamour on, though, she's like, a 5'3" little ginger in pigtail braids. Chopper is her robot assistant, disguised as a corgi. Kanan and Ezra are mediums who can see and talk to ghosts. Sabine is an escaped government super soldier experiment who has super human strength. Zeb is Bigfoot. They all live in an RV called the Ghost and go on adventures across the continental united states in the mid-90's, all while trying to avoid the dedicated FBI agent on their tail, Agent Kallus.

There's a whole lot of fun swaps and modernization that we've been working on, like Attolon being an abandoned military test center in the middle of the New Mexico desert, or Maul being Mothman, or Grand Admiral Thrawn being a real-ass vampire. The Phantom is a Mini Cooper. Lyste is a small town cop from Ezra's hometown. Ahsoka's a park ranger in the middle of West Virginia, and also a different kind of space alien. There's a government conspiracy to use mediums for military experiments. It's a hoot.

Speaking of Attolon and Vampire Thrawn, every time I write a snippet of him, it ends up getting very horror-y, which I think is rather appropriate for him. At Attolon, I felt it would be very thematically relevant and a lot more high-stakes for Sato's self-sacrifice to go... a little differently.

“I can get you that opening,” Sato said quietly.  Hera looked over at him. There was a look of resolve on his face that suddenly made her very nervous. “Sato, what are you doing?”  He stood and peeked around the doorframe that was his cover. “Whatever you do,” he said, his eyes set firmly somewhere on the line of feds in front of them, “make sure Ezra gets out.”  “Jun, wait,” Hera called, but he'd already stepped out from his cover and started towards his target, gun drawn. “Jun!” “What's he doing?” Called Zeb, firing a few shots off to try and cover him.  As Sato approached the barricade, the gunfire paradoxically slowed, the officers hesitating at the bold-faced confidence and single-minded purpose of the man walking towards them. The setting sun glinted off the hilt of his gun as he raised it, and, with a single resounding shot, fired one bullet directly into Konstantine’s head. The General's body seemed to fall in slow motion as every soldier in front of them fell silent.  Silent enough that the crunch of Sato’s windpipe was audible when the Admiral seemed to appear out of the darkness itself to latch his jaws around his throat.  Silent enough for Mart’s strangled cry of despair to ring in the air, Zeb too slow to shield him from the scene.  Sato’s gun slipped from his grip with a clatter. His eyes were wide and glassy as the color drained from his face and out through the gaping wound in his neck, painting Thrawn's uniform a gruesome crimson. The two tumbled to the ground, and through her haze of disbelief Hera realized that Thrawn’s attention was now solely focused on the twitching body beneath him, and the soldiers surrounding them were too stunned to fill the gap left by Konstantine.  “Ezra, go now!” Hera hissed into the radio.

Anyways I have so many thoughts all the time about MOTW, there's so much more to it than this and it's nowhere near something postable but I'm always willing to talk about it lmao

[freedfromthegalactichivemind]

Hordak's Arms and Cybernetics

Thanks to something completely unrelated to Spop, I think I may have figured out how Hordak's arms work. And, I've got an idea for fanart. I always thought that they must have some kind of internal cybernetics to work because, organically, they shouldn't be able to move being just skin over bone without critical muscles and tendons. I figured that Horde-clone arms must be fundamentally different from our own in that they had some kind of cybernetics alongside the bone that worked in a way to compensate for or shore up the muscle and thus a rotting out of muscle that Hordak had didn't leave him completely helpless (although in a bad way). Cue a reboot of another show I liked back in the day coming up and showing me just how this might work! Trigun: Stampede is a re-work of the anime Trigun from 1998 and the manga from the late '90s - '10s. It was my very favorite thing from 2001, when I'd discovered it until the early '10s and Vash the Stampede is my all time favorite blorbo (even though my brain flitted off to other fandoms - Vash is the character I consistently list as "Favorite Character of All Time.") I couldn't get a JPEG to post, but the article as a web-image screenshot of the anime with a really nice shot of Vash's prosthetic. Vash always had a prosthetic left arm (well, not when he was a kid, but in the story of Trigun, all versions). In the original anime and manga, it's one of his three important guns (hence the series title). Despite this, he is actually a pacifist and I am glad that the new series has kept that critical part of his character. The arm/gun had a very different look in the manga and first anime series. The reboot redesigned it and instead of having it hidden and a revealed mystery later, just had it out loud and proud - and even made a joke about it when Meryl meets Vash. "Ooh, need a hand?" (Pops off). It is noted right away as Lost Technology (an important aspect of the Trigun story, like First Ones' tech, but slightly better remembered). Anyway, the redesigned arm - for people who take a look at the first-episode review article with pics... Look at the thing! It's a bone-arm! Well, it's metal / shiny crystalline stuff because Studio Orange wants to show off their animation-chops, but there it is, big ol' gap with a fake radius and ulna attached to the hand-unit with something of a pivot-joint, no artificial muscle or hydraulics need. And, yeah, watching my ULTIMATE BLORBO back in action in a new form for the first three episodes of the new anime released so far, I saw that arm and thought of reboot Hordak from my more recent fandom. It's like a eureka-moment, like "Ooooh! That's how arms that are Like That can work!" And it tempts me to do a fanart wherein Hordak has been given new fully-prosthetic arms by Entrapta... but they still have gaps in them, as a facsimile of his old arms (but they are indestructible First Ones tech crystal so there is no tactical advantage of anyone wedging anything in the gap) and they look like the new-version Vash-arm. If I do that, it will have to wait until I feel like doing fanart again. I'm too depressed to do much lately (for reasons spoken of earlier on this blog).

[severalowls]

Most of these are floppies or sci-fi things heavily based on them, but a couple are clearly also inspired by CDs but in a funky hybrid way where it's like they're inserting an entire CD case into the computer. Essentially replacing the magnetic core of the floppy with an entire optical disc, which was the hot new format when most of these were animated.

Then, years later for a brief moment they were reality, with the UMD:

Which theoretically had all the sturdiness of a cartridge or floppy but with the capacity of a DVD!

Except the back had a non-tiny gap in it where the laser reader could get an uninterrupted look at the disc. So if you treated it roughly you could get shit inside it and fuck it up just as badly as a bare CD.

There had been Optical Disc Cartridges much earlier but they tended to be full size and fully enclosed in a big ol' box so didn't really capture the 'futuristic' CD-cart look that sony may have literally been inspired by these retro sci-fi concepts in creating.

Plus flash storage was getting decent and more compact at exactly the same time so these weird little disks that 90s anime portrayed as big futuristic didn't really go anywhere.

ODCs did however come in uh... Large.

「A much needed thread of anime data discs…」

Alex Kanaris-Sotiriou / Twitter

[spaceorphan18]

Season 1 Songs in Chronological order of release

A couple of things

Duplicates were eliminated

Broadway songs were done by when the show premiered

A few of the songs are the release dates of the versions popularized by other artists - such as Over the Rainbow - to reflect the artists they chose to emulate 

Mash ups were broken up, and songs are treated individually here

If you guys enjoy this - I’ll make ones for the rest of the show, including an comprehensive list. ;) 

1936 -"Sing, Sing, Sing (With a Swing)" - Louis Prima 1936 - "Smile" -Nat King Cole 1937 - "The Lady Is a Tramp" - Sammy Davis, Jr. 1950 - "Sit Down, You're Rockin' the Boat" - Guys and Dolls 1956 - "I Could Have Danced All Night" - My Fair Lady 1957 - "Tonight"- West Side Story 1959 - "Rose's Turn" - Gypsy: A Musical Fable 1960 - "Where Is Love? -"Oliver! 1963 - "It's a Man's Man's Man's World"- James Brown 1964 - "Don't Rain on My Parade" - Funny Girl 1964 - "A House Is Not a Home" - Dionne Warwick 1964 - "Funny Girl" - Barbra Streisand 1966 - I Say a Little Prayer" - Dionne Warwick 1966 - Maybe This Time” - Cabaret 1966 - "Cabaret" - Cabaret 1966 - "You Keep Me Hangin' On" - The Supremes 1967 - "Respect" - Aretha Franklin 1967 - "Hello, Goodbye" - The Beatles 1967 - "To Sir, with Love" - Lulu 1968 - Young Girl - Gary Puckett & The Union Gap 1968 - "Hello, I Love You" - The Doors 1968 - "Dream a Little Dream of Me" - The Mamas and the Papas 1969 - "Leaving on a Jet Plane" - John Denver 1969 - "Sweet Caroline" - Neil Diamond 1969 - "Proud Mary" - Ike and Tina Turner 1969 - "You Can't Always Get What You Want" - The Rolling Stones 1970 - "One Less Bell to Answer - The 5th Dimension 1971 - "You're the One That I Want" - Grease 1971 - "Imagine" - John Lennon 1972 - "Lean on Me" - Bill Withers 1973 - "Piano Man" - Billy Joel 1973 - “Dream On" - Aerosmith 1974 - "(You're) Having My Baby" - Paul Anka and Odia Coates 1974 - "Tell Me Something Good" - Rufus and Chaka Khan 1975 - "Mister Cellophane" - Chicago 1975 - "All by Myself" - Eric Carmen 1975 - "Home" - The Wiz 1975 - "Run Joey Run" - David Geddes 1975 - "Give Up the Funk - "Parliament 1975 - "Bohemian Rhapsody" - Queen 1976 - "Somebody to Love" - Queen 1976 - "Shout It Out Loud" - Kiss 1976 - "Beth" - Kiss 1978 - "Le Freak" - Chic 1978 - "Fire" - The Pointer Sisters 1979 - "Highway to Hell" - AC/DC 1979 - "Lovin', Touchin', Squeezin'" - Journey 1980 - "Another One Bites the Dust" - Queen 1980 - Any Way You Want It - Journey 1981 - "Don't Stop Believin'" - Journey 1981 - "Endless Love" - Lionel Richie and Diana Ross 1981 - "And I Am Telling You I'm Not Going" - Dreamgirls 1981 - "Hello Again" - Neil Diamond 1981 - "Physical" - Olivia Newton-John 1981 - "Jessie's Girl" - Rick Springfield 1982 - "Dancing with Myself" - Generation X 1982 - "The Safety Dance" - Men Without Hats 1983 - "Alone" - Heart 1983 - "Jump" - Van Halen 1983 - "Total Eclipse of the Heart" - Bonnie Tyler 1983 - "Pink Houses" - John Mellencamp 1983 - "Faithfully" - Journey 1984 - "Can't Fight This Feeling" - REO Speedwagon 1984 - "Hello" - Lionel Richie 1984 - “Borderline" - Madonna 1984 - "Like a Virgin" - Madonna 1985 - "On My Own" - Les Misérables 1985 - Walking on Sunshine - Katrina and the Waves 1985 - "I Dreamed a Dream" - Les Misérables 1986 - Don't Stand so Close to Me  - The Police 1986 - "Papa Don't Preach" - Madonna 1986 - "Hair" - Hair 1986 - "True Colors" - Cyndi Lauper 1986 - Open Your Heart - Madonna 1987 - "Push It" - Salt-n-Pepa 1989 - "Bust a Move" - Young MC 1989 - "Express Yourself" - Madonna 1989 - "Like a Prayer" - Madonna 1990 - "Poison" - Bell Biv DeVoe 1990 - "Vogue" - Madonna 1990 - "Ice Ice Baby" - Vanilla Ice 1990 - "U Can't Touch This" - MC Hammer 1990 - "Over the Rainbow" - Israel Kamakawiwoʻole 1991 - "I Wanna Sex You Up" - Color Me Badd 1991 - "Good Vibrations" - Marky Mark and the Funky Bunch 1992 - "One" - U2 1993 - "Loser" - Beck 1994 - "I'll Stand by You" - The Pretenders 1995 - "This Is How We Do It" - Montell Jordan 1998 - "The Boy Is Mine" - Brandy and Monica 2000 - It's My Life - Bon Jovi 2000 - "Thong Song" - Sisqó 2001 - "Ride wit Me" - Nelly feat. City Spud 2001 - "Bootylicious" - Destiny's Child 2001 - "What It Feels Like for a Girl" - Madonna 2002 - "Beautiful" - Christina Aguilera 2003 - "Defying Gravity" - Wicked 2003 - Crazy in Love - Beyonce 2004 - Confessions Part II - Usher 2005 - "Gold Digger" - Kanye West feat. Jamie Foxx 2006 - "Rehab" - Amy Winehouse 2006 - "Keep Holding On" - Avril Lavigne 2006 - "Smile" - Lily Allen 2007 - "Taking Chances" - Céline Dion 2007 - "Hate on Me" - Jill Scott 2008 - "I Kissed a Girl" - Katy Perry 2008 - "Take a Bow" - Rihanna 2008 - "Mercy" - Duffy 2008 - "Bust Your Windows" - Jazmine Sullivan 2008 - "Single Ladies (Put a Ring on It)" - Beyoncé 2008 - "Last Name"Carrie - Underwood 2008 - Halo - Beyonce 2008 - "No Air" - Jordin Sparks and Chris Brown 2008 - "Gives You Hell" - The All-American Rejects 2008 - "4 Minutes" - Madonna feat.Justin Timberlake  2008 - "Poker Face" - Lady Gaga 2009 - "My Life Would Suck Without You" - Kelly Clarkson 2009 - "Bad Romance" - Lady Gaga

[sp-ud]

spud you have been very curtious to not posting spoilers but that is not beneficial to the game i am playing so please tell me your favourite thing about deep cut. or else something the ink people eat. i like the culture lore more than the war lore and im seein how much i can remember in the morning. and also mu lets player of choice hasnt completed story mode yet

Okay so I haven't fully gotten all the sunken scrolls yet but it seems like each member of deep cut is from one of the 3 families who apparently saved the splatlands during the big Ole flood event.

Apparently big man's family (the manta clan) eats a unique plankton dish, it's a family recipe. That enhances mind, body, and bodily toxins. And I'm like. Ayo what's that last one? Also the image is really funny cuz big man is holding a wine glass with a silver/white liquid in it.

Just a personal rambling (maybe will be answered at the end of story mode? Idfk.) But what tf does deep cut do with all their money? If doing the anarchy splatcast (the news) is their day job, but their main gig is banditing. Is the whole idol thing a hobby? And they're from (probably) the families who saved the land so they're also probably rich from that so???

The progression thru the games of the idols importance to the universe around them is always so interesting. First the squid sisters, the cousins Callie and Marie don't have all that much aside from the fact their shared grandpa is a well decorated war vet but still ended up becoming very popular solely due to their talent.

Then there's pearl and marina. Pearl is mentioned to come from a wealthy local family, owning some of the locations user for turf wars. While marina is a former member of the octarian army, likely one of their very advanced mechanics as she helped to design the special gimmick maps used during splatfests. So each has their own slight claim to fame, but their music hit off by itself. Along with the fact that in the 5 year gap between splat2 and splat3, they ended up making a band with 3 other creatures (I know ones a fish and one's some level of octopus, but I forget the 3rd. Honestly if u like splatoons culture stuff more than the war lore I'd recommend looking at least a little into the in-universe bands who don't appear in-game)

I have no idea if this is what you were hoping for or nah

Also I love shivers shark, mega master. Or master mega. One of the two. He has a pair of shades that (of course) small enough they don't even begin to reach his eyes. I love that shiver is a bit more batshit than originally expected, she seemed so cool and collected and then suddenly she's maniacally laughing with her back at a 90 degree angle and sticking out a tongue you're pretty sure she canonically isn't supposed to have at you while riding a shark.

[cyberpunkonline]

Ever wonder how much the shit you took in as a younger person influenced your whole deal?

Ever wonder how much the shit you took in as a younger person influenced your whole deal?

This was a thought which occurred recently – so we decided to have a look into it.

Take a snack from the bite sized book of bloody weird things.

We purchased via the medium of the bay of evil and then went through a batch of conspiracy and new age magazines from the 1990s and the first thing we realised is that this shitty brand of content has become so much more sophisticated in the last 30 years. The second terrifying thing we realised is that 90% of what we were reading was now “mainstream”. This ill-conceived nonsense somehow become the template.

That’s right, what was considered trash reading for the lunatic fringe in 1997 is now considered “a day in the timeline of a Facebook normie” in 2020.

How the fuck we let that happen is probably the gateway to the biggest conspiracy of them all conveniently never covered in any of these magazines.

The pages of these rags are filled with proto anti-vax hysteria, X-files inspired EBE encounters, sightings and theories, the familiar (even in the 90s and already largely washed up) “aliens built the pyramids” narrative, the ol’ “what is going on with the weather” vector, all lightly sprinkled with a fear of the loss of privacy which we see at this point didn’t go nearly far enough, and didn’t cause nearly enough fear (when it should have been the lone red flag we actually paid attention to but was skilfully watered down; peddled alongside utter shite). Fnord.

Why would it have raised it’s hard to understand head above the water? Who of the serious kooks let along the mainstream would have foreseen that we’d give it all up for free porn and addictive but valueless user experiences (a term which would have been as alien to your average 90s reader as the imagined chimerical sci-fi myth version of EBEs they want so much to have constructed the pyramids such is their insecurity about the potential of their own species, usually based on their own lack of success; “I can’t even wash my underwear, how could someone possibly build the Sphinx!?”).

Besides, people who were worried about digital privacy in the 90s were routinely excluded from parties, and laughed out of university lecture halls! Yeah reader, the memory still hurts. I digress…

Very little in these magazines alludes to the past (very little references the proceeding thousands of years of folklore and occultism in which much of its mythos has its real roots) – it is all future facing, leaping into the unknown, the exciting prospect of times so different from the now, despite the core of many of the thoughts within the articles and topics having been first ejaculated into popular culture decades before. The programme serves to keep people looking into the future anxious of change and dystopia they see at the end of every single path – inevitable (which would be amusing, were it not so accurate based on the mainstream view of the world as is today – evidence of a construct? You can decide. I’m not your mother or your lecturer).

And there, right there is perhaps the take away from this exercise.

I’m not your mother.

No…

We as a society NEED to look back and what the "kooks" were saying in the past in order to understand what happens in the now, we need to not rely on the mainstream to tell us what happened in history (written by the winners, celebrated by their progeny) - look to the fringes and you’ll see less has changed than you think. Go back thousands of years and the human condition still prioritises the same core-fears and these are exploited consistency in the same ways by the same type of people. If you need a devil to hate, an adversary to function; there it is. These people.

The digital nightmare we exist in now represents technological alteration in the speed and method of delivery; but not the overall agenda which remains a constant, and one that is either controlled to a degree that makes it unstoppable (so let’s just party on) or one that backs up what Alan Moore once said (and we paraphrase)…

The truth has always been more frightening that any conspiracy. The truth is no one is driving and this is all just absolute fucking chaos.

So did this shit influence our deal?

Only as the menu.

The main course of real earned knowledge filled the gap.

Go order from the big boy menu.

Get stuck in.

More like this:

www.tengushee.com/txt/

[kinsey3furry300]

Three awesome post-GoT series I would commission if I owned any of the Big three Streaming platforms.

Yo! Netflix, Amazon Prime Video and Disney+, you have a problem: there are nerds like me who want to give you even more of our time and money, but you’re not making the stuff you should be.  Following the hugely disappointing end of “Game of Thrones”  there are a huge number of sci-f and fantasy nerds who are currently not getting our fix of epic adventure, and rather than commission a whole bunch of cool series that are just begging to be made to cash in on this, you’re all just sort of doing your own things. And that’s Cool, I’m loving the Netflix Witcher series and Disney’s Loki, and looking forward to the Amazon Middle Earth series with a mix of hope and trepidation (please be good), there are, however, a whole mass of cool book series that are just begging for release in an episodic fashion, and what’s more, I can think of which series plays to which streaming platforms strengths. And unlike Game of Thrones, there are series where running out of source material to adapt shouldn’t be a problem.

So, three sci-fi or fantasy series that play to the strengths of the big three Streaming services, as suggested by me, a big ol’ nerd. One: Amazon Prime. Strengths: successfully adapting darker comic-book or Urban fantasy works Like Preacher, the Boys, Good Omens and American Gods and making a profit. Weakness: has never successfully pulled of a big Grimdark fantasy series, despite having all the talent to do so because they’re working on the Middle earth series, which doesn’t seem a good fit for their brand image as the place you come for for comically dark works, and all their adaptations are too much of a slow burn, which necessitates padding the source material (look at how little happens in any episode of Preacher or the Boy vs the insanely fast pace of the comics). Solution: Malazan, book of the fallen. A deep, insanely dark, insanely Epic story that would actually lend itself to a slow burn and the grim-dark over the top violence of other Amazon shows, and fill the “Tit’s and monsters” gap left by GoT in many of our hearts. And unlike Tolkien, I have faith that the studio that cast Sweary Karl Urban as Billy Butcher could actually pull this off with the correct tone and feel. This would have the Witcher fans from Netflix defecting in droves, and could also pull in some new viewers who might enjoy the anthropology and political intrigue of this complex, multifaceted world.

 Two: Disney+. Strengths: near infinite money and ambition, the production team behind The Mandalorian and the MCU, great Hollywood clout to draw in big name stars, but willing to cast talented unknowns, the best mix of live action and CG in the business. Weaknesses: It’s Disney, so they can never go full grim-dark: they can imply or infer dark acts, but need to keep what’s shown on screen PG13 to fit their brand, which rules out a lot of modern fantasy. And they have no true fantasy serries in their stable.

Solution: Brandon Sanderson’s Mistborn, and other Cosmere works.  A rare example of an excellent current fantasy and sci-fi writer who isn’t grimdark as heck, and manages to convey dark and adult themes by implication and hints rather than outright showing them, this is pretty much the only big fantasy series out there that is aimed at and enjoyed by adults but remains consistently PG13. It’s also so epic and super-hero-ish in this various magic systems, that I can’t see anyone other than the team behind the MCU pulling off a live-action version of this that doesn’t suck. In addition to this, the logical starting point for this, Mistborn, is by far the safest and most marketable, coming the closest of any of his works to a standard young-adult plot with Vin as an easily sell-able character to studio brass, being to all intents and purposes Katniss Everdeen with super-powers, which could get a big studio invested  and convinced this is a good idea before we get to all the “lets kill and replace god” stuff. If Mistborn was successful, other Cosmere works could follow, and I could see something like the Stormlight Archives working really well with the MCU effects team behind it, so long as they don’t white-wash it: No one on Roshar is white other than in Shinovar, and half of the cultures are based on either Polynesian or far eastern traditions, so cast Hawaiian, Māori, native American and east-Asian actors, and it could be both a great series, and also the most diverse Disney has ever done. You want a new, easily marketable but epic scale franchise, Disney? It’s right here.

Also for the love of god, do Wax and Wayne. I just need this, okay?

 Three: Netflix. Strengths: good at tapping into the prevailing nostalgia of Millennials and producing works that speak to them on a relatively small budget (see Stanger Things) and good at grabbing the rights to adapt good but slightly obscure works cheaply. Good working relationship with a ton of Japanese Anime rightsholders. Weaknesses: By far the smallest budget of any of the big three. Tends to produce awful live-action adaptations of beloved works (to the point that the Witcher was a pleasant surprise), but has good relationships with lots of animation studios.

Solution: Animorphs, but do what they always should have done and animate it. It boggles my mind that anyone would every try to pull this off in live action, as the transformations, which are the heart of the series, would be so hard to pull off well (look at the 90’s series). And yet, I’m aware they’re making a film, but dear god, why, when K A Applegate said form the get go that this series of books were written specifically as if they were a 90’s Saturday morning cartoon. This was always meant to be adapted as a series, not a long form film. So, don’t try to modernise it, or relate to “The kids” don’t whitewash the cast, don’t edit out the gore and body-horror, but lean into the 90’s and early 2000’s angst of it, and go balls to the walls insane with the concept. What music do you have playing for this scene? Is it Every day is exactly the same by Nine Inch Nails, and if not, why not? Do the transformation sequence genuinely scare you? No?  Then you’re doing it wrong.  Is that a happy ending? Get that the hell out of there. Go for the original time period and concept, and go hard, and if you do it now, you’ll just hit that sweet spot as the rolling 30 year nostalgia cycle moves out of the 80’s and into the 90’s. And as an apology to all the bad live-action Anime you produced, Netflix, get a Japanese studio to animate this: the Animorphs books were popular in Japan, with wonderful hand drawn illustrations throughout. Get Studio Orange on this: Beastars proved they can do flowing, fast-moving combat well, and make animal and other non-human characters look good, and what’s more they’d probably be up for it: Animorphs is basically a western Shōnen,  so the market for an Anime of it would exist in Japan.

 So there we go, the three series I would commission if I ruled the world of streaming sites. As ever, tell me why I’m wrong below, and have a great day!

[fishoutofcamelot]

Zombie symbolism in media? Body snatchers? That sounds extremely interesting 👀👀👀

OOOOOOOOOOH ARE YOU READY FOR ME TO RANT? CUZ I’M GONNA RANT BABY. YALL WANNA SEE HOW HARD I CAN HYPERFIXATE???

I’ll leave my ramblings under the cut.

The Bodysnatchers thing is a bit quicker to explain so I’ll start with that. Basically, Invasion of the Body Snatchers was released in 1956, about a small town where the people are slowly but surely replaced and replicated by emotionless hivemind pod aliens. It was a pretty obvious metaphor for the red scare and America’s fear of the ‘growing threat of communism’ invading their society. A communist could look like anyone and be anyone, after all.

Naturally, the bodysnatcher concept got rebooted a few times - Invasion of the Bodysnatchers (1978), Body Snatchers (1993), and The Invasion (2007), just off the top of my head. You’re all probably very familiar with the core concept: people are slowly being replaced by foreign duplicates. 

But while the monster has remained roughly the same, the theme has not. In earlier renditions, Bodysnatchers symbolized communism. But in later renditions, the narratives shifted to symbolize freedom of expression and individualism - that is, people’s ability to express and think for themselves being taken away. That’s because freedom of thought/individuality is a much more pressing threat on our minds in the current climate. Most people aren’t scared of communists anymore, but we are scared of having our free will taken away from us. 

The best indicator of the era in which a story is created is its villain. Stories written circa 9/11 have villains that are foreign, because foreign terrorism was a big fear in the early 2000s. In the past, villains were black people, because white people were racist (and still are, but more blatantly so in the past). 

Alright, now for the fun part.

ZOMBIES

Although the concept has existed in Haitian voodooism for ages, the first instance of zombies in western fiction was a book called The Magic Island written by William Seabrook in 1929. Basically ol Seabrook took a trip to Haiti and saw all the slaves acting tired and ‘brutish’ and, having learned about the voodoo ‘zombi’, believed the slaves were zombies, and thus put them in his book.

The first zombie story in film was actually an adaptation of Seabrook’s accounts, called White Zombie (1932). It was about a couple who takes a trip to Haiti, only for the woman to be turned into a zombie and enchanted into being a Haitian’s romantic slave. SUPER racist, if you couldn’t tell, but not only does it reflect the state of entertainment of the era - Dracula and Frankenstein had both been released around the same time - but it also reflects American cultural fears. That is, the fear of white people losing their authoritative control over the world. White fright.

Naturally, the box office success of White Zombie inspired a whole bunch of other remakes and spinoffs in the newly minted zombie genre, most of them taking a similar Haitian voodoo approach. Within a decade, zombies had grown from an obscure bit of Haitian lore to a fully integrated part of American pop culture. Movies, songs, books, cocktails, etc. 

But this was also a time for WWII to roll around and, much like the Bodysnatchers, zombie symbolism evolved to fit the times. Now zombies experienced a shift from white fright and ethnic spirituality to something a bit more secular. Now they were a product of foreign science created to perpetuate warmongering schemes. In King of Zombies (1941), a spy uses zombies to try and force a US Admiral to share his secrets. And Steve Sekely’s Revenge of the Zombies (1943) became the first instance of Nazi zombies. 

Then came the atom bomb, and once more zombie symbolism shifted to fears of radiation and communism. The most on-the-nose example of this is Creature With the Atom Brain (1955).

Then came the Vietnam War, and people started fearing an uncontrollable, unconscionable military. In Night of the Living Dead (1968), zombies were caused by radiation from a space probe, combining both nuclear and space-race motifs, as well as a harsh government that would cause you just as much problems as the zombies. One could argue that the zombies in the Living Dead series represent military soldiers, or more likely the military-industrial complex as a whole, which is presented as mindless in its pursuit of violence.

The Living Dead series also introduced a new mainstay to the genre: guns. Military stuff. Fighting. Battle. And that became a major milestone in the evolution of zombie representation in media. This was only exacerbated by the political climate of the time. In the latter half of the 20th century, there were a lot of wars. Vietnam, Korea, Arab Spring, Bay of Pigs, America’s various invasions and attacks on Middle Eastern nations, etc. Naturally the public were concerned by all this fighting, and the nature of zombie fiction very much evolved to match this.

But the late 1900s weren’t just a place of war. They were also a place of increasing economic disparity and inequal wealth distribution. In the 70s and 80s, the wage gap widened astronomically, while consumerism remained steadily on the rise. And so, zombies symbolized something else: late-stage capitalism. Specifically, capitalist consumption - mindless consumption. For example, in Dawn of the Dead (1978), zombies attack a mall, and with it the hedonistic lifestyles of the people taking refuge there. This iteration props up zombies as the consumers, and it is their mindless consumption that causes the fall of the very system they were overindulging in.

Then there was the AIDS scare, and the zombie threat evolved to match something that we can all vibe with here in the time of COVID: contagion. Now the zombie condition was something you could get infected with and turn into. In a video game called Resident Evil (1996), the main antagonist was a pharmaceutical company called the Umbrella Corporation that’s been experimenting with viruses and bio-warfare. In 28 Days Later (2002), viral apes escape a research lab and infect an unsuspecting public.

Nowadays, zombies are a means of expressing our contemporary fears of apocalypse. It’s no secret that the world has been on the brink for a while now, and everyone is waiting with bated breath for the other shoe to drop. Post-apocalypse zombie movies act as simultaneous male power fantasy, expression of contemporary cynicism, an expression of war sentiments, and a product of the zombie’s storied symbolic history. People are no longer able to trust the government, and in many ways people have a hard time trusting each other, and this manifests as an every-man-for-himself survivalist narrative. 

So why have zombies endured for so long, despite changing so much? Why are we so fascinated by them? Well, many say that it’s because zombies are a way for us to express our fears of apocalypse. Communism, radiation, contagion - these are all threats to the country’s wellbeing. Some might even say that zombies represent a threat to conversative America/white nationalism, what with the inclusion of voodooism, foreign entities, and late-stage capitalism being viewed as enemies.

Personally, I might partly agree with the conservative America thing, but I don’t think zombies exist to project our fears onto. That’s just how villains and monsters work in general. In fiction, the conflict’s stakes don’t hit home unless the villain is intimidating. The hero has to fight something scary for us to be invested in their struggles. But the definition of what makes something scary is different for every different generation and social group. Maybe that scary thing is foreign invaders, or illness, or losing a loved one, or a government takeover. As such, the stories of that era mold to fit the fears of that era. It’s why we see so many government conspiracy thrillers right now; it’s because we’re all afraid of the government and what it can do to us.

So if projecting societal fears onto the story’s villain is a commonplace practice, then what makes zombies so special? Why have they lasted so long and so prevalently? I would argue it’s because the concept of a zombie, at its core, plays at a long-standing American ideal: freedom.

Why did people migrate to the New World? Religious freedom. Why did we start the Revolutionary War and become our own country? Freedom from England’s authority. Why was the Civil War a thing? The south wanted freedom from the north - and in a remarkable display of irony, they wanted to use that freedom to oppress black people. Why are we so obsessed with capitalism? Economic freedom.

Look back at each symbolic iteration of the zombie. What’s the common thread? In the 20s/30s, it was about white fright. The fear that black people could rise up against them and take away their perceived ‘freedom’ (which was really just tyrannical authority, but whatever). During WWII, it was about foreign threats coming in and taking over our country. During Vietnam, it became about our military spinning out of control and hecking things up for the rest of us. In the 80s/90s, it was about capitalism turning us into mindless consumers. Then it was about plagues and hiveminds and the collapse of society as a whole, destroying everything we thought we knew and throwing our whole lives into disarray. In just about every symbolic iteration, freedom and power have been major elements under threat.

And even deeper than that, what is a zombie? It’s someone who, for whatever reason, is a mindlessly violent creature that cannot think beyond base animal impulses and a desire to consume flesh. You can no longer think for yourself. Everything that made you who you are is gone.

Becoming a zombie is the ultimate violation of someone’s personal freedom. And that terrifies Americans.

Although an interesting - and concerning - phenomenon is this new wave of wish fulfillment zombie-ism. You know, the gun-toting action movie hero who has the personality of soggy toast and a jaw so chiseled it could decapitate the undead. That violent survivalist notion of living off the grid and being a total badass all the while. It speaks to men who, for whatever reason, feel their masculinity and dominance is under threat. So they project their desires to compensate for their lack of masculine control onto zombie fiction, granting them personal freedom from obligations and expectations (and feminism) to live out their solo macho fantasies by engaging in low- to no-consequence combat. And in doing so, completely disregarding the fact that those same zombies were once people who cruelly had their freedom of self ripped away from them. Gaining their own freedom through the persecution of others (zombies). And if that doesn’t sum up the white conservative experience, I don’t know what does.

So yeah. That’s zombies, y’all.

Thanks for the ask!

[forumsload657]

Microsoft Outlook For Mac Free Download

Download Outlook App For Mac

Microsoft Outlook For Mac Mojave Free Download

Microsoft Outlook App Download Mac

Download Outlook Duplicate Remover Free - Keep your Microsoft Outlook email box clean and organized with this duplicate remover that offers exclusions and other custom actions. Get into a new Way of Learning Microsoft Outlook 2019. Getting started, basics. 🔥MORE at Full Guide here: http://bit.ly/micros. Microsoft Outlook for PC and Mac. Written by Microsoft Corporation. Category: Productivity Release date: 2019-11-14 Licence: Free Software version: 16.31 File size: 763.43 MB Compatibility: Windows 10/8.1/8/7/Vista and Mac OS X 10.13.

Microsoft has plugged some key gaps in its 'new Outlook' for macOS, currently in preview and given a fresh update just a few days ago, but the product still has puzzling omissions that drive users back to the old version.

The revised Mac Outlook was first revealed at the Ignite event in late 2019. It appears to be a complete rebuild of the Mac email client, geared towards Office 365, but the question administrators will be pondering is whether important features in the existing Outlook will ever appear in the new one.

The history of Outlook on the Mac is inglorious. Microsoft and Mac go back a long way. Excel, for example, was a Mac application two years before it appeared on Windows. When it came to Outlook though, Mac users lost out. Outlook on Windows goes back to 1997, but the first full Mac version did not appear until Outlook 2011, and even that was not very good, slower than the Windows version and missing some features, such as Visual Basic for Applications (VBA).

VBA has never come to Outlook on the Mac, but a 2014 release was much improved, as Microsoft began to push the idea of Office 365 everywhere rather than keeping users hooked on Windows.

The new Outlook for the Mac in its first preview (click to enlarge)

Fast-forward to today, and there is not that much missing in Outlook 365 for Mac versus Windows, VBA aside.

All that is set to change with the latest new Outlook Mac as the pendulum swings away from making the Mac Outlook close to the Windows one, and towards giving Mac users a more distinct experience. It is also a matter of protocols. The existing Outlook Mac uses Exchange Web Services (EWS) which is being phased out.

Outlook on Windows generally uses MAPI over HTTP, perhaps the nearest thing to a native Exchange protocol. Microsoft is not happy with either and for its 'modern' mail client in Windows 8 and Windows 10 it developed a new sync protocol. In the past this was sometimes called Hx but it seems now to go by the name Microsoft Sync.

When Microsoft acquired Accompli in 2014, whose product became Outlook Mobile, it used its own protocol but that too now uses Microsoft Sync. According to presentations at Ignite 2019, this new sync protocol is designed specifically for mail-related data and makes the best even of poor connections, prioritising recent data.

The move from EWS to Microsoft Sync enables new features and improved performance, and no longer downloads the entire mailbox to the local machine. System requirements are for macOS 10.14 Mojave and Office 365, Outlook.com or Gmail email accounts.

The snag with a rebuilt Outlook for Mac is that having nearly caught up with Windows Outlook, it is now far behind in terms of features. It is in preview and some will reappear, but it is unlikely to be the full set. It hardly qualifies as a mail client in its current incarnation, with no support for standard protocols like POP3 and IMAP, nor any way of connecting to on-premises Exchange.

Imagine OLE reinvented for the web and that's 90% of Microsoft's Fluid Framework: We dig into O365 collaborative tech

READ MORE

'We don't support on-prem yet but it's going to come soon,' said Microsoft in November 2019; six months on it is not there yet. On the plus side, it not only looks pretty, with full support for the Mac's Dark Mode on Catalina, but also performs well, with a fluidity that frankly feels unusual in a Mac Outlook product.

Features of the new Outlook for Mac include a new unified inbox view that avoids clicking between accounts, if you have several configured. You can now reply to emails inline ('nested compose'), a convenience feature that has been in Windows Outlook for some time. There is a new 'ignore conversation' option. Creating meetings uses a new simplified dialogue that you can expand as needed.

As for the new features added in the June update, these include add-in support (a big deal), sensitivity labels for classifying confidential data, a People view for managing contacts, an option to create an event directly from an email, read receipts, and a 'coming soon' promise of the ability to open shared calendars and to encrypt emails with S/MIME.

The actual preview release did not quite live up to the promise. In particular, the People view is not yet enabled, thanks to some last-minute bug that was discovered. One gets the new Outlook by signing up to the Office 'Insider Fast' channel, and after the new version downloads and installs, one can switch back and forth by toggling a 'New Outlook' switch. If the user attempts to use a feature such as the People view, a message pops up inviting the user to switch back, wrecking the fluid experience but that is what one gets for trying a preview.

The current preview is not fully usable, but fortunately switching back is quick

The problem of Outlook on Windows being different from Outlook on Mac will get worse

Download Outlook App For Mac

Microsoft has not specified a release date for the new Outlook Mac but a few things are clear. First, it will be the best Outlook yet, perhaps on any platform, in terms of appearance and design. This is not a high bar: Outlook on Windows is a mess from a user interface perspective, and has dialogues buried within that have not changed for decades. Performance also looks promising.

Second, Outlook Mac will be focused on cloud, especially Office 365, though it also already has good support for Google mail. Teams integration will also be strong and Microsoft has demonstrated features like converting an event to a Teams meeting, handy in times of lockdown.

Lastly, the problem of Outlook on Windows being different from Outlook on Mac will get worse. What if Microsoft replaces the Windows version with a similarly rebuilt product? Perhaps it will; but the difficulty is that Outlook is baked into the Windows ecosystem and forms part of workflows, some automated with COM technology, that will break if Microsoft replaces it. Custom add-ins, VBA projects, ancient APIs that remain for legacy reasons, all mean this will be a tricky application to replace.

Creating a meeting in the new Outlook Mac: just drag in the calendar and this simple dialog pops up

Microsoft Outlook For Mac Mojave Free Download

Outlook on Windows is perhaps the most annoying of Microsoft's Office products, yet the job it does is a critical one, bringing together email, calendar and tasks, and providing collaboration features like shared calendars and contacts. Some legacy features, like Exchange public folders, made their way into Office 365 where they have become something of a burden to Microsoft.

Microsoft Outlook App Download Mac

The new Outlook for Mac, when it comes out of preview, will represent Microsoft's current thinking on how Outlook should look and behave in the cloud era, but it will be some time before that can apply in Windows as well. ®

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[oneheadedcerberus]

Transformers Review #2

Here I am again with the second installment of my very own incredibly self-indulgent toy review (potential) series that is an obvious and thinly veiled excuse for me to talk about the things I like + substitute for true socialization in the wake of quarantine.

And since he’s the one I keep on my desk to hold my tablet pen like a tiny, evil secretary who is no doubt plotting against me:

This is War for Cybertron: Earthrise Voyager Starscream.

Right off the bat, it’s a good first impression. The shape and colours are very classically ‘Starscream’, which is no surprise, given the entire gimmick of Earthrise (and the wider Generations line, really) is essentially ‘G1, but newer’. Nostalgia is a deep pool that companies like Hasbro are never afraid to dip into, what can you say?

The reds and blues are lush as hell (although I have seen a bit of chipping on the red paint! Blue seems to be coloured plastic, tho), but frankly the grey is a bit dull and boring. It wouldn’t be so bad if the back of him wasn’t such a wall of grey. Face him forwards on the shelf, I suppose?

The orangey-yellow of the cockpit is a nice splash to really bring the A-game of the primary colours, very eye catching, and all of it topped off with a glossy black head.

His eyes don’t have much to bring to the party with how small and strangely sunken into his face they are, especially with the awning of his forehead casting them into eternal shadow. They’re honestly a bit difficult to see. Maybe its a statement on Starscream and his duplicitous nature? Yeah probably not. They are a lovely red when I shine my phone light on them, however. 

The face sculpt is a good point as well, with nice, clear features and even a bit of a sulky frown, for extra Starscreaminess.

And even if his neck is a kind of hilariously thin, it does give him a good amount of mobility in his head, both tilt and swivel.

His whole body is riddled with sculpting and detail, absolutely covered in little roboty looking lines and bits and bobs that help bring him to life and help the weapons ports and seams blend in. Much like the colours, there’s more on the front than the back, but seeing how the back is mostly jet as a opposed to robot, and thus largely flat and smooth, I can forgive.

His proportions are just the tiniest bit off to my eye - arms just a touch short and his head just a bit small, but that’s probably so it can fit into the nosecone kibble-hat hanging gracelessly off his back, which I would have an easier time being mad at if it didn’t allow for my favourite feature of the whole toy

would you believe this is the first thing I did after opening the box? Because it was.

He’s got large, stable feet perfect for balancing, stepping over ones enemies, or climbing the ranks. You go, Starscream.

Good, solid legs with no awkward hollow sections. Unfortunately the big ol’ solid stompers are about the highlight of the legs- the posing ability on this guy is lackluster, to say the least

His shoulders and elbows are about standard, nothing spectacular, but that up there is as far as his knees and legs will bend. The knees manage 90~ degrees, but he can’t even really sit down, and to move his legs up at all you need to raise his little red skirt crotch flap thingy. They don’t move backwards at all, being blocked by part of the alt mode. Hm.

But, y’know what? He does have those classic turbine tits, so there’s that. Silver linings.

The transformation is about 30 steps, and once I’d done it a few times I found it to be easy to memorize and a decent amount of fun to do. It had some neat little steps such as folding his forearms around the rest of his arms and then hiding them in his chest- after removing the cockpit, of course. I was pleasantly surprised to find that the cockpit in his chest is the actual one in the alt mode, I’m far more used to Seeker molds using a fake-out for that. Although it does leave his chest with a bit of a gap in it in alt mode. Eh. Give and take.

The actual act of opening his chest was damn difficult and a touch nerve racking, it was stuck fast and I ended up having to pry it open (thank you, trusty prybar thing I keep on my desk) all the while being sure I was about to break it. Luckily, it didn’t break and is opening easier now that I’ve done it a few times. The wings did pop off, tho. Good thing they go straight back on.

His legs are pretty simple, pull his shins open, fold them up, clip them together and click them in place, in a move that is similar (but much simpler) to his arms. I actually managed to get to that stage without the instructions before realizing I was baffled by where to stick his arms. I’m not the best at puzzles, ok?

Or, if you are so inclined, you can skip the legs and make a bit of an awkwardly upright gerwalk

y’know. If you really wanna.

Once you get through all the major steps, the alt mode snaps together pretty satisfyingly.

The nosecone really beefs up the length of this thing (it’s actually a bit too long for the lightbox I use for my photos, damn), and the sheer jet-ness of this alt mode makes me kinda want to woosh it around the room making my own low-flying aeroplane sound effects. So I did. At least I resisted the urge to toss him. For now.

On the downside, the underside kinda shatters the illusion a bit. He’s head is well hidden, if technically still visible if you know where it is, but damn does his torso look like a torso. The rest of him might be disguising itself as not-a-body a bit better, but it sure as shit ain’t disguising itself as a jet. And there’s no landing gear. *Siiigh* I suppose you can’t have everything.

The topside, while very jet-y, is a bit of a slab of grey as well. Only the touches of red, white and blue and the lovely purple Decepticon badges stop it from looking kinda unfinished. But, hey the cockpit is semi-transparent, and you can just about make out a lil seat in there for a hypothetical pilot which I think is cute for some reason :). My one issue with the topside is the weapons port smack dab right in the middle there, like some kind of space-robot blowhole.

As for accessories go, he comes with his two null rays and that’s about it. They got well on his arms in robot mode and on his wings for the alt mode (or you can stick one in the blowhole if you really want, I suppose?), but he can’t really hold them in his hands like pistols, just in case you wanted him to do that.

They go pretty well on either his upper arms, as I prefer, or you can turn his arms and put them on his forearms if you so desire.

Sadly, no crown... though I’m sure one is available online if you really, really want.

His box, strangely enough, doesn’t have a secret code in it to fit with the Earthrise gimmick of decoding a star map. It did come with the little red bit of plastic for finding the codes, however.

In conclusion: The alt mode is pretty great and a lot of fun to play with, and I’m pretty happy with this to be the main Starscream of my collection and I‘m certainly not hankering for a new one anytime soon, I do kinda wish he had better posing. And the disappointing legs almost make me wish I gotten the Siege one instead, which I hear has some pretty amazing legs, with super deep knees. Fortunately for me I am a bit of a sucker for an Earth jet alt mode over a Tetrajet, so I can’t despair too much.

And he does do a superb job holding my pen.

Like so.

[thanksjro]

Last Stand of the Wreckers, Issue #1: A Couple of Nerds Nerd it Up

The year is 2009, and you are a British man in his mid-30s. You were a part of a fan club for Transformers in the 90’s, and you wrote a lot of fanfiction and comic scripts for it. The only real claim to fame you have is a novel-length fic you wrote to try and bridge the gap between Generation 1 and the Beast War era, one that a lot of people have read and refer back to. You’re pretty content with that, and don’t try to break into any sort of writing career on your own. You have a job in public service, you have a family.

 One day, your old buddy Nick gets in contact. He wants some help with a story he’s working on for the current holder of the Transformers comics. It’s called Last Stand of the Wreckers.

Things are about to get very busy for you.

I’ll go ahead and say it- not any mechpreg in this one. You gotta wait until the sequel series for things to get weirdly horny, sorry to say. Also, technically only a plotting credit for Roberts here.

We hadn’t yet gotten to the point where he was allowed to rub his grubby little nerd hands all over everything.

So, let’s get to the nitty-gritty of this thing, shall we?

Our story opens on a lovely, sunshiney day on the beautiful Garrus-9.

Perfect weather for a picnic, don’t you agree?

Fortress Maximus and his cohorts are hard at work defending against the Decepticon forces, who have launched an attack on just about everything in the galaxy. This event is happening in the background of All Hail Megatron, as part of an offensive attack under the orders of ol’ Buckethead himself.

Kick-Off, another Autobot at Garrus-9, thinks that this is the work of someone on the inside, and Fort Max wants his prison intact for when they find the rat bastard who caused all this mess to happen, so he can lock that son of a gun up for a long, long time.

Then Overlord shows up.

There he is, the nastiest creature to grace the galaxy, a bitch so extra he’s apparently got to cycle through BOTH of his alt-modes before he lands on the scene to wreck shop.

Prior to Last Stand of the Wreckers, Overlord didn’t really have a whole lot going on. It’s a big part of why he was made the antagonist for this miniseries- nobody else was using him, so no risk of fudging up any continuity happening outside of it. Prior to this, he was mostly part of the Japanese Transformers scene, appearing in the Super-God Masterforce anime and manga. He had a reputation for being a bad dude there too, but not quite to the level we’ll be getting to here.

Also, he was actually two people, who were married. He is not a married couple in Last Stand of the Wreckers.

Overlord asks which one of the much weaker, smaller, and less terrifyingly kissable Decepticons is in charge, and Skyquake steps up, despite the fact that everyone is obviously nervous about the fact Overlord is here. Overlord lets Skyquake know that the plan Megatron came up with is out, and he’s got the new hotness that’ll really put Garrus-9 on a map labelled “Places That Are the Actual Worst.” Of course, Skyquake, who seems to think a guy named Overlord can be reasoned with, says that they can’t deviate from Megatron’s grand plan, and promptly is shot to death for his troubles.

And that’s a series wrap on Skyquake! Let’s give him a hand, folks!

With the little dude out of the way, Overlord’s decided it’s time to go full cowl on the Autobots, ripping them limb from limb. Literally, in some cases. It’s pretty gruesome, but then again, that’s kind of the point. This is a pretty dark miniseries, and not just because of all the violence- but we’ll get to all that later on.

With the Autobots subdued, it’s time for Overlord to really strut his stuff. He releases all the Decepticon prisoners, and promises them a grand old time of torturing their former captives. As a show of good will…? he throws them Fort Max to play with, saying that the only rule is they have to at least TRY to not kill him.

Smash cut to two years, four months, later.

Some nerds just got put on the Wreckers, and they truly are the cream of the crop.

Garrus-9’s gonna be in good hands.

The dude who’s totally copping Optimus Prime’s look is Pyro, and the little dude with the blue helmet and tragic backstory is Ironfist. There’s also Dipstick, but this isn’t about him.

Just as things look like they can’t get any more exploded, their ride shows up, and it’s time to go. They say they’ll catch Dipstick later, but that’s honestly pretty unlikely, given the nature of the Wreckers as a group.

The boys load up into the ship, but find something not quite to their expectations- instead of Ultra Magnus being there to greet them, it’s none other than Verity Carlo, human extraordinaire!

And she’s in her jammies. No real point in getting dressed for a bunch of guys who don’t even understand the concept of nudity, I guess, though I do have to question how vacuum sealed her breasts are.

Unless Verity is one of those godless heathens who actually owns an underwire sports bra.

The boys react to their first human in different ways- Ironfist has his parental instincts kick in hard, immediately ready to protect and potentially die for Verity. The others are a little less impressed, claiming that she’s some sort of stowaway who Magnus only puts up with because she’s good at playing house.

Kind of weird that these giant robots are so good at sexism, seeing as at this point, none of them should even know what a woman is.

This is the point where the big guns come in to greet our boys.

So, here’s the deal: Garrus-9’s been out of contact with the rest of the Autobots for over a year at this point, and it was recently revealed by a mole in the Decepticon Justice Division that anyone getting even remotely close to the planet has been shot down. The destruction of the space bridges means that only a few folks are able to get to the place- cue the Wreckers.

Our boys have been chosen because they’ve done a lot of good work, and protected those around them. It’s an honor to be a Wrecker, but there’s always a catch:

I’m sure it’ll be fine!

Flashback to two years ago, back on Garrus-9, and Overlord’s really enjoying his time on the prison planet, hunting Autobots for sport and scaring the bejesus out of everyone by popping out of nowhere.

This is a typical reaction to seeing Overlord when he DOESN’T intend to kill you. The guy’s a menace.

Looks like they caught their prey, and they’re feeling pretty good about it. What a nice thing for them, I’m glad they’re having fun.

How does this guy know where he’s going? His chest’s so tall.

Our Autobot isn’t going down without a fight, though, as he takes the spear they’re stabbing him with and gives the ‘Cons a taste of their own medicine.

For about two seconds anyway, then he gets wasted by Overlord.

Of course, Overlord’s an equal-opportunity sadist, and also blasts the two guys who let a wounded Autobot get the better of them. With the game concluded and a valuable lesson taught, the Decepticons retire to the base, Overlord ordering the tall-chested guy- Snare- to bring the Autobot for recycling, something that Snare doesn’t seem terribly thrilled to do.

Seriously though, has this dude ever seen his feet?

Back on Ultra Magnus’ ship, Ironfist’s gone and passed out. When he wakes up, he’s surrounded by the rest of the boys, who are really concerned about his well-being. Aww, it’s sweet that they care so much about their buddy.

Ironfist brushes off the concern, saying that he’s fine, and then we’re introduced to his deep, dark, horrible secret.

He’s a massive fucking nerd.

And so are the guys who worked on this story. T’muk, indeed. Also, this robot has... my word, are those fingerprints? Roche, you spoil us.

Ironfist writes datalogs on the Wreckers in his spare time under the screen name Fisitron - Wreckers: Declassified, it’s called. Which, you know, good for him.

Well this panel’s art direction isn’t ominous AT ALL.

Springer enters the scene at this point, also very concerned about Ironfist, to an honestly interesting degree. Almost like he knows something. Ironfist, again, brushes it off. Kup notes that Springer seems like he’s got something on his mind, which he does.

That something is the fact that he’s most likely sending these boys to die, as is the nature of the Wreckers.

Kup points out that it always feels worse when people die under your personal command, then asks if Springer’s conscience is being weighed on by Impactor at all. Springer seems like he really doesn’t want to talk about Impactor. Before the conversation can get any more soaked in implications, the two are called to the bridge.

A flashback to a month prior on Garrus-9: Overlord watches as Kick-Off brutalizes a Decepticon, Borehole, in combat for his amusement. It seems like Kick-Off’s done pretty well for himself in the nightmare hellscape that is Garrus-9, though it’s probably because he’s running on basic survival instincts at this point as opposed to any actual enjoyment of what’s happening around him.

Kick-Off wins the fight by ripping Borehole’s head off.

That’s pretty metal. Most of what happens on Garrus-9 is pretty metal. Not in a good way. But metal nonetheless.

With the fight finished, Overlord congratulates the victor, and invites him back to his quarters to pick out his prize. Kick-Off seems to be off in his own little world at this point, probably disassociating due to trauma.

Back with the Wreckers, we finally see Ultra Magnus, Verity’s put a shirt on- likely at Magnus’ request- and we see what Springer and Kup were called to the bridge for. Looks like a Decepticon ship’s been shooting out a distress signal, and it ain’t lookin’ so hot at present. Ultra Magnus attempts to hail, but it looks like too little, too late, as the thing’s hull integrity goes kaput and the whole thing explodes.

Seems like the end of that, right?

Nah.

Wow, that sure seems like it’ll be a problem. Better shoot that mysterious figure to death before they can be recognized by the cast and cause a whole slew of issues.

Aw, man! Too late. Looks like someone broke out of jail, and nobody is happy to see him.

With that character reveal, we end Issue #1 of Last Stand of the Wreckers.

[steve0discusses]

Yugioh Season Zero: All Your Friends are Cursed

You know what? It’s been a while, lets revisit Zero.

For those new here, I’ve been also very slowly going through Season Zero alongside the show we are more familiar with, which is not at all the same as the other seasons. If you want to read just the recaps of Zero from the beginning you can do that by clicking on this link right here. I think I’ve only done like 3 or 4 so far.

OK. It’s been...a time since we ventured here to this very weird place, where were we?

So, first off you may have noticed there was a wee gap in updating, this is mostly because I burned up all my backlog when I got sick for two weeks (and I’m still hella tired) so...I’m playing catch up and this is a hobby, so it takes a back seat. But also, it’s partially because I was like suuuper conflicted with what I should do about that logo. Like, I did feel like I had to blur it just because I don’t want there to be confusion if the images ever get pulled away from this post, but I was seriously considering just repainting every cap because it sure bothered me a whole lot.

It was Illustrator OCD Problems that in the end don’t matter, but you can see my quandary of the right corner in the rest of these. Anyways, thanks Team Millennium for the fandubs so I don’t have to cap over subs. Y’all did a good job, and I get why they need to watermark since like...it’s Youtube so every random bot channel is stealing any other video getting clicks.

Also, this took a while because it’s like over 60 caps long. These Season Zero episodes are just...so much content. They’re so much. And I thought this one handles some interesting themes, so grab yourself a snack, because this is gonna be a little bit of a marathon. I could split it into two but like...I don’t know where to split it, so enjoy. This post is basically a 2 for 1.

Anyway, Shadi’s back. I didn’t really expect for him to be back so soon, but he’s here with a vengeance. He spooks up on Grandpa’s old Egyptologist friend (who’s name I have forgotten) and this guy kind of already knows what’s next.

In this episode, as you can see from the title, everyone is gonna get cursed. Except Miho, but like, I tend to forget she exists. We start off with Yuugi’s Grandfather’s friend getting tossed out a window, which is sort of strange because you figure that this guy wouldn’t let a girl drown down a well for a rare coin (which was the Shadi metric for if you deserve to be eaten by a chair). But apparently we were wrong and Grandpa’s friend has actually been a jackass this entire time.

"Your friend has actually been a jackass this entire time” is another underlying theme of this episode. What’s wild is that Yuugi and his Grandpa are not at all surprised by this revelation, nor do they seem to mind.

Shadi says something cryptic, decides he wants a rematch with the alter ego of Yuugi Muto, and then has the weirdest plan of how to do it. The rest of this recap is basically all of Shadi’s master plan and it’s...pretty...something.

(read more under the cut)

Since we haven’t gotten a Miho episode, I haven’t really gotten a chance to learn what she...is. Right now she just seems like a G rated Cheryl Tunt. Which is probably incorrect, I dunno maybe this girl will end up being their savior but for right now she just kind of uses Tristan for favors and enjoys spooky stuff maybe a little too much. I’m not sure she’s even aware what planet she’s on.

Shadi’s also looking more and more like a bird this episode with the artistic choice to join the brow to the nose with a deep shadow like this. If there’s deeper historical meaning to that, I have no idea. Went on a little deep dive through Google to see if it matches from art and sarcophagi from Egypt and Greece but like...nah. You do get a strong thin nose on golden sarcophagi that can give it a really cut look since it’s usually covered in reflective gold, so that could be it. But overall, joining the nose to brow is something more modern, I think. Just our own touch to make him a spook.

And honestly Yugioh really does enjoy putting a very heavy shadow between the eyebrows, but usually in the form of lots of lines and not a solid black shape.

Youknow we’ve never had the chance to enter anyone’s mind space before. I kind of assumed that no one other than Yuugi even had one. So Anzu’s mind, shouldn’t be too ba- oh

Just take this whole sequence, put some generic lo-fi on it, and you have yourself a youtube channel. It’s amazing how, since the 90′s anime style is back into fashion, this bizarre sequence just hit so many good notes. Those pink and blue flowers matched with a silver metallic tree with weird purple fruit? Not gonna lie, that’s some good inspo material. Maye not the weird bird and terrifying 90′s sun--I don’t know why he’s here--but everything else? Shoot.

This hasn’t come up before and the only guy with G in his name that I can think of is Gozoboro and he cannot be this guy. Maybe just a reference to some comic book stuff because he does have a Superman shape to that G, but I don’t know comics well enough to know if this was a manga Superman parody.

PS now that we know that Tea’s mind is just a lo-fi channel, we now know that Bakura and Marik have just been hanging out next to a weird silver fruit tree, staring at a horrifying green sun and avoiding eye contact with one single green bird for basically this entire Noah arc. Assuming of course that a piece of Bakura is still in there in Tea’s mind, which he may have decided to vacate at this point because what’s he supposed to do in there? Do barre?

Maybe they both just do barre workouts in the tea mindfort while a parrot awkwardly watches.

So Shadi has been just hanging out in Tea’s head for how long? Like half a day now?

She really has always been the ghost uber. From the very beginning. Wow.

Also, speaking of vaporwave, the pink to yellow tint on the irises? A+. That could be your lo-fi thumbnail, easy.

Anyway we are blessed with another tiny Yuugi this episode. I think I’ve mentioned it before but I’ll mention it again, I love it when artists have to draw their characters as small as ants because then the characters are given their rawest, purest form. Which in his case is just being very squat and having hair with spikes.

And then Anzu somehow hides in this closet and tips over a bunch of beams at him. Are these cross country beams? What are these? I did water polo and swim team so I just have no idea what you land people did.

When beams don’t work out, Shadi sets in play the next step of his super evil and sinister plan. Please remember that this guy is a 5000 year old very scary ghost with crazy OP powers.

So then Shadi starts his third phase. So far we’ve had a bunch of poles and a basketball, what will be next? Will Anzu come up with two chalkboard erasers and start pounding them together to make a sick chalk cloud? Will Anzu step on the back of Yuugi’s shoe so his foot falls out? Will Anzu unzip his backpack when he’s not looking so all his books fall out? What dick move will Anzu do?

SOOOOOO

This is a thing that canonically happened in Yugioh.

It’s like finding out that Big Bird once violently choked out Elmo in Season One but now they’re good and they don’t want to talk about it.

Like...this is a lot and it’s not even discussed in this very episode!

The one time.

The one time they should have just ditched.

This is the one time you should just find a boat/blimp, smuggle yourself on board, and then play cards for a straight week with an evil psychopath. The one time.

No wonder they go out of their way to avoid this school for the rest of this show. They ditch just to survive their 1st year of High School.

So they decided to split up which...they’ve made worse choices, and only Yugi finds Tea. What would Shadi’s plan have been if anyone else was up here first?

Reminder that in the second or third episode of Season 1, Joey and Yugi came up here to reminisce the good ol days. I had no idea at the time that the “good ol days” involved being dangled on the edge of whatever this weird contraption is called.

Eat your heart out Jeffree Star and Rituel de Fille, Shadi here did black highlighter first. In 1999. And that nose is snatched.

Appropriately, Honda is still embracing his janitorial duties. Maybe that’s why he’s not a janitor anymore? Because he was getting tooooo into being a janitor? Like if you go janitor while being a zombie that’s toooooo much janitorial.

Another thing Season Zero does that may either be a limitation of their budget or just a limitation of their experience is that, unlike most foreign films, the pacing of the cuts are really quick. Like REALLY frantic. (And yeah I’m generalizing a lot when I say that Western shows and movies have quicker cuts, but lets just say that it’s true about 90% of the time. Not better or worse, just different.)

And like, this was the 90′s, a time period I don’t really remember, but back then we were into bizarre editing. It was a very experimental time in film because suddenly there were a lot of computer and filming tools available for a decent price and people kind of lost their minds. They were getting into doing tons of dutch angles and tons of filters and it was just a real...interesting time in film. It’s gauche by our standards but like...art kind of lives in the time period it’s from and you shouldn’t pull it out and compare it to our current standards too much because--welcome to 90′s Xtreme cuts. Docking something for being too 90′s is like saying that medieval art sucks balls because they didn’t want to use perspective and all their cats look weird. This was the time.

It’s just interesting to me that they decided to attempt to copy this frantic editing style into a cartoon when it’s normally done splicing together live action shots that were done with three+ different cameras. They planned out each cut in a storyboard and drew every frame. It was a lot of work. And it didn’t age well, which is a shame.

And it could have been that because this is a horror show, they decided to experiment. It’s a pretty edge show based on a pretty intense manga. But, it’s...interesting. Can’t exactly cap it, you’ll have to watch it for itself but it’s...interesting. And overall, I honestly feel like I can’t come to any conclusions about the direction that Season Zero editing has taken since I’ve only seen four episodes, so these are just my five cents, don’t quote me on it. I may take back this opinion a few episodes from now.

Y’all this was never told to us until like Season 2. Season Zero told us this in like episode 4. Would have been really nice to have this information a little earlier.

So then we introduce the mummy mechanic of this “game.” Anzu’s plank contraption is tied to these baby mummies. Kind of looks like they’re chocolate mummies you get from the Egyptian museum store. In fact, They might actually be museum gift shop chocolate mummies that Shadi shoplifted up after he killed that fat guy.

Not sure how he set any of this up, especially when he totally botched it with the beams and the basketball and the strangling, but somehow, Shadi got this complicated knot system all ready to go. Weird how Marik was the one on the boat when Shadi has like a degree in knots.

So I said this in the last episode but we get this reoccurring theme in Season Zero where Yugioh is a little boy learning to grow up and be a man, and yet every guy he meets has just a pile of toxic misinformation about how to be a powerful adult. In Shadi’s case, he believes that weakness stems from caring about other people and relying on them for support, hallmarks of mortality. Which is easy for Shadi to say because he’s some 5000 yo undead (I think?) with no friends, unless you count Chair Barney. But Shadi’s pretty sure that attachment to living people will only ultimately hurt you, especially when they’re complete assholes, which most of Yuugi’s friends are. They’re good assholes, though.

It’s a pretty common anime trope and I’m surprised it took us this long to get to the power of friendship. Freakin finally. And there’s nothing wrong with tropes. It’s how stories are made.

Anyways, in case you thought this episode would not address the teachers, they actually did for about 3 seconds.

Neat that this is the most unsafe school in all of Japan.

I am a fan of the combo of blue, purple, green, and very large teeth. I will give Chair Barney that much. Anyway, lets see what game Shadi made.

Oh cool, it’s the game I made to go in my babysitting kit when I was like 11.

Granted, so were playing cards.

Wow everyone is just assaulting each other this episode, damn!

Back on the roof, Yugi calmly wins the game without ever flipping a tile.

Now for some reason I missed the part where he says “two feet” and so I was missing a pair of things and so I listened to this part again and either my sick brain missed it three times (cuz y’all I have had the plague and my recovery has been so sloooow) there were these shapes on the tiles that looked like kidneys and I thought--but it’s not two kidneys, right? and I was like what else is a pair and round and lobby shaped? and then I didn’t really want to go there, and assumed--FEET.

Knowing full well feet are not kidney shaped, but I’m gonna assume he said feet. If he actually said weird monster testicles, you’ll be sure let me know.

And then this happened and it’s pretty legit.

We have never actually addressed the fact that Yuugi forced his friends to like him. Like it’s a pretty effed up origin story that Jounouchi was like like “I feel like very strongly I should be his friend” but doesn’t really know it’s because he got cursed. Kinda figured the show would just breeze by it, but no, here we are, and Yuugi has to face the fact that maybe the only reason he’s not a loner anymore is because he won Jounouchi as a prize for finishing an accessory.

And whether or not Jounouchi would have been his friend no matter what isn’t really what’s being tested, it’s whether or not Yuugi believes that this friendship is actually real, or a curse. Like Jounouchi did try to defend Yuugi before Yuugi finished the puzzle, but does Yuugi know that? He was passing out at the time. It’s a real insecure spot for Yuugi since before Jounouchi he was just a little punching bag playing board games alone in the homeroom. Jounouchi was introduced as someone who was legitimately bullying Yuugi and tossing that puzzle out a window. There’s going to be the underlying fear that Jounouchi would go back.

In the S1 anime, they basically wrote that plot point out of the show or decided that because this was done in Season Zero they don’t need to retread on old territory. Joey, Tristan, and Tea aren’t cursed to be Yugi’s friends, as far as I know.

But this test between the friendship of Yugi and Joey is recreated again in S2 with Marik when they were both tied to an anchor and one had to choose to kill the other or live. But there’s some pretty major differences. This time, instead of Joey being possessed by Marik and being forced to kill his friend, he’s just Jounouchi sans curse.

Although Jounouchi is still somewhat mind controlled as he is just an illusion. He’s just...not as badly mind controlled as the whole Marik thing. This Jounouchi has more motor control and doesn’t seem to have any inner conflict at all. Because again, this isn’t so much Yuugi vs Jounouchi, this is Yuugi vs Yuugi’s fear of being alone again.

That’s a realllllly different takeaway. And honestly, it’s pretty interesting.

Also, instead of Tea with a shipping container over her head, this time Anzu is walking a plank. Really didn’t expect that Shadi would basically turn into Marik but without the cards. And without the underground bunker lifestyle where he kills his own Dad.

The game is kind of hard to show in caps but they have to drop the puzzle in the direction they want the other to walk. Mostly it’s just another reason for Jounouchi to steal Yuugi’s puzzle again and relive the trauma.

Remember that time that Jounouchi tried to get Yuugi to punch him and Yuugi broke out in tears because he didn’t like violence? I mean honestly, out of everyone Yuugi knows. Jounouchi was probably the nicest bully he had. Doesn’t mean Yuugi isn’t incredibly insecure about it.

Instead of fighting back, Yuugi decides to skip his turn. It’s a contrast to the other Joey/Yugi fight because instead of just throwing a fireball in his own face until Joey snaps out of it, Yuugi has decided to rely on trust.

And, much like Grandpa’s Blue Eyed Dragon that would not perform under Kaiba’s reign to kill Yuugi, neither would Jounouchi under Shadi. They even disappear into the aether with the same smoke effect.

And what I think is the most interesting part of this is that the question of “so would they have been friends without the puzzle?” is mostly left open ended.

And if the friendship were solid as a rock, then this whole debate Yuugi has with Shadi wouldn’t even be a debate. Shadi is certain that people will betray you because they can, Yuugi is confident that, even though they do walk you to that ledge, they can change although there is a history of hurt. Shadi was convinced Yuugi couldn’t overcome his lonely past, and Yuugi had to prove that the past can’t hurt him anymore, the past being also his best friend.

Like it’s just something never mentioned in the S1-3, that Yuugi has a lot of issues because all of his friends have been his bully at one point. And like, not to get too PSA, but every friendship has to be looked at by a case by case basis. You can’t generalize and say “everyone who betrays you can change.” But the message here isn’t about keeping any relationship that is toxic, it’s about overcoming the pain of the past.

Also Jounouchi is hella cursed so he won’t be back to his old ways anytime soon.

Kind of hard to tell, but Honda got covered in a layer of white fire extinguisher juice and it’s a look that uhhhh we would never illustrate this way in 2019. Times were more innocent in the 90′s.

Just kidding, they absolutely weren’t, I have no idea who allowed Honda to be drawn this way.

Reminder that Kaiba is just sitting pretty in one of these classrooms, maybe watching Joey’s ass scrape up against the window while Honda completely covered in mysterious white stuff screams bloody mercy. As the teacher teaching this particular class ignores all of this, Kaiba would just be thinking to himself “Aw. that’s fun.”

And so ends this really long but honestly, pretty interesting episode. Season Zero has a lot of rough patches, like I’m probably not going to do every episode of it, but when it connects to what we’re watching its neat to compare and contrast the two. Kind of wish we had more of Yugi facing his past in the current anime but instead it’s Kaiba facing his past. So we...kind of get it? Just with a different character?

Shadi picks up his key and walks away unscathed. Mostly because Yuugi does not currently know how to mind-wipe. Seems that that is mostly a Pharaoh thing and as far as I can tell Yuugi is still just one person with an alternate personality.

Off he goes, that bastard.

Amazing that everyone’s pretty much on good terms with Shadi by the end of S1. Like he’s just kind of a pal that shows up and “accidentally” leads you directly to kill your own Dad when in Season Zero he is...really outwardly evil.

Anyway, that was a hellton of content haha, next week it’s back to Joey dueling a lawyer while Kaiba gets lost in the woods.

[garyofrivia]

a few Modern!Gang college AU headcanons!!!!!

not that anyone asked!!! and this has probably been done already!! but i’m bored at work so :/ i’m so sorry 

Arthur:

graphic design major, creative writing minor

took a photography class to impress that cute albert boy from down the hall and worked extra hard all semester just to end up accidentally telling his advisor that he wanted to double minor in photography as well

Tired™

he’s def one of those students that can fall asleep a n y w h e r e on campus

has a sleeve tattoo and is working on a second ;;;)))

he doesn’t party often, but when he does, the entire fire department and 7 cop cars show up by the end of the night to break it up

there was a rumor his sophomore year that he beat up 5 frat dudes at once during rush week for harassing girls and no one has heard of any issues from that frat since

is banned from the local chili’s for dining and dashing

shoplifts chef boyardee, microwavable ramen, and snickers bars from the student center convenience store to Survive

Charles:

environmental studies major

is in 50000000 activist clubs

regularly punches racist white boys w/ maga merch in the dorm common rooms and when the RA saw one time he didn’t do jack shit bc…. he right

he’s never procrastinated an assignment in his life

studies until 5 am every night but? still wakes up at the crack of dawn to go to the gym????

works part time as a barista at a hole in the wall coffee shop/bookstore and is 100% a coffee snob

doesn’t smoke but knows every weed dealer on campus, mostly bc they’re all enviro studies majors

his roommate thinks he’s a myth bc he’s never there or is just super quiet, but rly he just Minds His Damn Business

can be seen reading for leisure on the quad when it’s sunny and warm

Dutch:

political science major, philosophy minor

arthur and hosea are his friends from high school and they’re the only ones that can tolerate his mood when he goes on Insane procrastination benders where he’s trying to write 4 essays in a single night on a fuck ton of adderall and energy drinks

frequently goes on rants while studying in the student center about capitalism and it somehow always results in him on top of a table, yelling about ronald reagan

it gets Annoying when he talks about ancient greece, which is… constantly..

has 4 girlfriends and 3 boyfriends but still has time to participate in debate team every saturday

accidentally incited a student labor strike on campus one time and the cafeteria wasn’t functional for a week

started 6 clubs, but never goes to meetings and can’t remember what literally any of them are for

doesn’t work at all but somehow? always has money??? like he pays for his friends’ dinners all the time?? how??????

Hosea:

graduate economics student

he’s that cool TA in a super hard class that sends the prof’s tests from previous semesters to all the students so they can study for the final

Constantly in the library reading/studying/tutoring

still lives on campus for some reason and pirates textbook pdfs out of his dorm room

has a 4.2 gpa, but acts like he’s never been to a single class in his life

gets high all the time and talks about moving to europe on a whim and is *THIS* close to just fuckign doin it

makes his own kombucha

when he can’t sleep bc of test anxiety he rambles to arthur and dutch until the wee hours of the morn about existentialism and how great the beatles were

is responsible for multiple people discovering they have a daddy kink despite not having one himself

John:

undecided major (communications maybe, but he hasn’t found his “passion” yet)

failed freshman english twice for just not showing up to class

drives one of those old subarus from the 90’s and does donuts in the student lot when it snows

has a CD collection from his Emo™ days in the glove box and pops one in every now and then when he’s alone and feelin’ nostalgic/sad

skateboards to class and usually almost runs over a bunch of people since he always has headphones on

death note is his favorite anime

that One Room on your hall that is ALWAYS playing loud ass music until 3am

is surprisingly really good at math and tries to help tutor his friends but gets frustrated when they don’t understand “basic” calculus on the first try

his favorite hobby is harassing the ducks on campus and has made enemies of multiple geese

Sadie:

criminology major

plays intramural sports, probably volleyball and softball

everyone’s Jock Girlfriend they wished they had but are too afraid to talk to bc she might snap someone’s neck if they look at her wrong

wears leather jackets and aviators for every occasion

one time gave a monologue about sexism in her political theory class after not saying anything for the entire semester and her professor was moved to tears

has a lot of friends but only a few are ride or die babey!!!!!!!! (it’s arthur, charles, and abigail and they bully john together)

knows a lot about cars and ppl pay her to fix theirs since college kids usually can’t afford to go to a garage

speaks german because she got bored one summer and taught herself a fucking language i guess

Sean:

french major (????why is he like that???)

he says he’s studying a different language because the thinks it’ll make him hotter, but really it’s because he fantasises about moving away one day to start a new life

always says how college isn’t really for him and is .2 seconds away from dropping out

hangs out with john a little too much for his own good and once broke his wrist while trying his skateboard

“hey, have you heard of [insert incredibly obscure punk rock band name here]?”

gets blackout drunk every weekend and keeps a journal for the sole purpose of documenting the various places he’s woken up

wears stupid beanies and owns one (1) hoodie that he wears year round

quotes memes out loud to be able to communicate his emotions effectively

a ~Film Hoe~

also………. he vapes

Javier:

international studies major, finance minor

studied abroad in spain and almost didn’t come back bc he loved it so much

plans to get mega rich so he can travel Everywhere

um,,, he loves classic lit and owns an entire library full of it

took a gap year after high school to tour with his band and kinda became a lil famous so that’s cool

runs a thirst trap instagram acct and models part time ;)

every single person that encounters him has been attracted to him in one way or another and they truly don’t even question it

he’s a major mama’s boy and she visits him all the time

he rooms with sean who drives him insane but they have similar music tastes and were able to bond over that

they get rowdy on saturdays but has his (few) friends over on sundays for a “family dinner”

Bill:

computer science major

used to play COD competitively and wants to get into videya game development

seems like kind of an idiot when he asks questions in class but his grades show that he’s smarter than he looks

did ROTC for the tuition money but dropped as soon as he found out that you have to enlist after you graduate lmao

southern angery boi that drives a pickup truck and hosts tailgates every single football game

has a bunch of dudebro friends that he hangs out with due to societal pressure, but all he wants to do is bake some cookies

his roommate was scared of him at first but when he bought him a lil gift for christmas before break, he realized that he was a big ole softie

is late to class bc he spends 65943598 years on his hair in the morning even though it literally never looks different

Lenny:

english major, applying to the education masters degree program

he wants to be a high school english teacher fuck me up!!!!!!

was super homesick when he first moved away :( 

writes his friends papers for them sometimes even though he’s killing himself with his own schoolwork

netflix binges and video game benders are regular weekend activities and he’s been known to not move from his chair for 15 hours at a time

runs an avengers stan blog and cried at comic con when he met robert downey jr

begged the manager at the local comic book store for a job and the guy was just like “yeah, kid literally just apply online idc”

has lots of friends that rope him into doing hooligan shit instead of study

is a giant ball of anxiety for the majority of the semester and is just,, Trying His Best

Micah:

he was the maga kid that charles knocked out the first week of classes

[mannatea]

Kent/Lyn, 12 & 35. Hector/Farina, 50!

Thanks for indulging me, but sorry it took me 90 years to get to it. ;P I made it extra long to remind you of the good ol’ days!!!

Kent/Lyn:

12. who do they confide in when shit hits the fan (besides each other)?

I feel like Lyn is the kind of person to have multiple go-to people, depending on the situation at hand.

She strikes me as an understanding and accommodating friend: there are some things that she just wouldn’t burden Florina with/that Florina might not be comfortable with discussing. Rank probably matters a little bit, here, because some issues don’t leave the room (or at least they stay only with the people in the room), like state secrets or the equivalent, but Florina’s perfect for regular friendship things (especially softer emotional discussions), reminiscing about the good old days, and some good old-fashioned harmless venting.

For angry venting, there’s always Sain and Wil. Sain is the right choice if she wants someone to get angry with her—you know, the supportive angry rant-with-you kind of friend who echoes your sentiment and allows you to have a dialogue with emotion! Wil is best if she wants a more neutral opinion/listener who will offer to help/give advice after the rant is over.

Depending on the setting, Wallace is a good choice for some ranting, too, but I love the thought of him being kind of like an uncle figure to her; he fills in some of the gaps about her mother she never really knew were missing, and had a real love for both of her parents that shows in the way he speaks of them; something she kind of holds onto because nobody else gets it.

Hector’s better for a sparring match than dialogue, but sometimes that’s what Lyn needs to get her mind off of things. I like to imagine he kind of ‘gets it’ when she needs to get out some frustration or something; it’s not anything she needs to talk about, but in absence of that, Lyn is the kind of person who still has to do something. If she’s looking for a word-fight she’ll go to him, too. He’s good for that, and he doesn’t (usually) take it personally.

Eliwood is a hard one to pin down, because it’s hard for me to imagine they’re really that close; I don’t think he ‘gets’ her the way most of the other characters do? He tries, though, and that counts for a lot. Also, he’s a lot like Florina in that he’s trustworthy: a good confidante. If Lyn ever needs personal advice (relationship or otherwise), I think Eliwood would be the right guy to go to for her. He wouldn’t tease or poke fun at her, and that information would NEVER reach anyone else’s ears. Ever. He’d offer diplomatic/polite advice with a smile and with an attempt to understand the situation and any important details first. He’s good at asking the right questions most of the time.

It’s been a long time since I deeply considered Lyn’s relationship to Hausen, but I think right now I’m sort of high-key imagining that they’re almost, like…fake-close? It’s not that they don’t love each other, because I think they do in their own ways, but being related or being interested in getting to know someone isn’t just a ticket to a close relationship. Not only do you have to want that, but you have to be compatible AND willing to take the time to cultivate what’s there. Lyn and Hausen both have tons of the latter, but I’m not so sure they’re compatible.

Her friendship with Kent still matters of course, so his place in this mix is probably a bit of everything, but he’s a high(er)-ranking individual she can confide in about information the others aren’t privy to…and he’s also a very good confidante (he’d rather die than betray her trust). She wouldn’t angry-vent at him too much because rather than just get emotionally hyped with her (Sain) or listen to her and offer calm, friendly advice (Wil), he strikes me as the type who wants to Fix It Right Now—even when that’s not necessarily the appropriate response. He may also kind of freeze up and Not Respond At All (when he doesn’t know how exactly he’s expected to respond), almost as a defense mechanism to avoid Responding Poorly.

–

Then you have Kent. Besides Lyn, he uh…really only has Sain. 

But hey, that’s actually pretty much perfect for Kent. He’s never struck me as the kind of person who enjoys societal pleasure of any kind overmuch. It’s not that he finds it painful so much as maybe awkward? Most of his life has been in service and when he was younger and more impressionable—at the age where you learn to make friends and all that—he was more interested in impressing the adults in his life. Thus, he has only ever had one or two people to talk to about more important personal matters. 

Again, it’s probably for the best. A couple of very serious and important relationships is about his maximum capacity. I don’t think he could maintain a slew of decent casual friendships (the way Lyn can), but also his bar for friendship and what constitutes a friend is very high.

Fiora is a good option for some general commiseration re: failure if he would bother to open up about it, but I don’t think either of them would do so easily. Still, they’ve both been commanding officers and I think that alone gives them something to talk about and discuss. I also feel their general morals line up, so if either of them need a rant about something other people would judge them for, they can go to each other.

Fiora and Sain are both great in that they would have Kent’s back if he needed it, so depending on how shit hit the fan, he could lean on either of them (but more easily on Sain just because that friendship has been years in the making; boon companions and all that).

He has decent relationships with some other people, though. I like to think he still looks up to Wallace, thinks well of Wil, and is on friendly terms with Florina, but I imagine his general acquaintances either stagnate or suffer because he’s not good at multitasking emotionally.

That isn’t necessarily a bad thing, though.

(I didn’t really mention Farina because...eh. I enjoy their interaction and I love writing it, but without a lot of very meaningful buildup, I wouldn’t even consider them friends.)

35. do they have any regrets (regarding the other, or just in general)?

This is a delicious question and a perfect one for Kent and Lyn. Let’s assume their paired ending:

I always take the endings (paired or otherwise) with about a grain of salt. You know: more like suggestions! 

Kent and Lyn’s ending makes a reasonable amount of sense (you may have noticed that some endings just don’t ring true to characterization), but it also manages to be ridiculously open-ended. I guess at least it’s “happy.” (Unlike Canas’s. Damn blizzards.)

Anyway, Lyn abdicates and/or never assumes the throne (I guess there’s wiggle room there), Caelin’s totally fine with being absolved into Ostia (you know this is gonna happen), and they’re so chill about this that they don’t even mind Lyn running off with a former vassal. Maybe they didn’t want her ruling in the first place?

Eh, who knows.

The wording leaves room for questions/interpretative differences and all that, but the basics of it boil down to: they both go to Sacae.

This means they both give up things to go there, but we can’t pretend Kent isn’t the one making the bigger/more obvious sacrifice. He literally gives up everything except Lyn. Which, okay, the scope of it isn’t easy for a lot of people to grasp, but like, imagine leaving everything you’ve ever known and moving somewhere else with what you can feasibly carry with you on horseback.

That might not be too hard. Lots of us have moved across a country or even overseas.

Now imagine doing this, but doing it knowing full well that you may very well NEVER AGAIN hear from the people you’re leaving behind.

And not just that, but you’re leaving everything familiar to you. You don’t know the roads, the trees, the shape of the land, the colors, the smells.

Let’s talk Best Case Scenario! Even if, in good ol’ Fire Emblem-land, where farmers can be knights and all that, Kent comes from a farming background, he’d have left that behind before age 10. Again, on the BCS track, let’s say he retained a bit of that knowledge! Great! He knows a little about living off the land!

But he doesn’t know how to do it the way Lyn might know how to do it. So we have to go back to Lyn. She’s still pretty young herself, and her culture was big on group work; it’s not like anyone did the big chores alone. So Lyn almost surely has at least basic knowledge of what to do/what needs done, but 1) never would have done all of it, because roles were outlined, and 2) after a couple/few years away from it, and without the chance to grow into her role as a woman within her society, how much of the really important survival stuff does she actually remember? (Some of this depends on how old you think Lyn is and if her society felt she was an adult; either way she wouldn’t have been an adult for very long IMO, not enough to function in her society as such.)

There’s tons of stuff to explore here!!!! 

Lyn in Caelin has the same problem Lyn on the plains has: she still doesn’t get to become an adult the way she always would have imagined she would. Her culture isn’t dead, but with less than ten surviving people, the chance of it fully dying out within a generation is huge. She can pass some stuff on to a child, but not everything. It’s not the same. She’s going to have to mourn this, and it may not hit her until she’s out there again and the reality of what’s missing hits her.

She could join another tribe, maybe—in theory, it might be more complicated than that—but their customs aren’t going to be the same. Heck, they might not even speak the same (exact or similar) language. (Would they even accept Kent with her? This could be something Lyn is sacrificing to bring Kent with her.)

Anyway, Lyn gets a little of what she wants going back to Sacae (at least freedom), but she doesn’t get her culture back and she doesn’t get that lifestyle back that she misses.

Kent’s making the bigger sacrifice, though, because nothing about Sacae is familiar to him.

Depending on what they try to do and where they go, it’s really easy to imagine regret existing in little bits and pieces.

Kent strikes me as the sort to very rarely have *deep* regrets. He may oftentimes ‘regret’ doing or saying something, but the bigger decisions he makes are done with conviction and never with haste, so he usually stands by them and his heart allows him peace.

That said, there’s no doubt he has regrets. I like the idea of him having a few regrets about situations where OVERALL he feels he made the best choice, but the regret stems from the negative things that happened because of that choice (having to fight his former peers/allies/teachers, for example, or fleeing and leaving his men to possibly die when Laus attacked). You know, he wanted to have his cake and eat it, too, but he couldn’t have both.

And then we have his relationship with Lyn.

I bet he low-key would have regrets about going to Sacae after-the-fact. Not the *actual* going, and certainly not in loving Lyn, but in not spending more time with his family beforehand, in not being more prepared, not asking enough questions, not bringing more supplies, not learning more of the language(s), et cetera. So much can go wrong out there without a support system. Kent’s not stupid and he’s not helpless, but he only has control over so much, and accidents happen. If they ended up in dire straights and there was little he could do to help...or was even actively hindering progress, he’d blame himself and it’d be a whole mess where he feels like he can’t contribute and he’s worthless, and then he’s depressed and miserable.

Lyn surely has regrets in general (re: her culture and her parents and all that), but I don’t think she regrets anything deeply easily (something she kind of has in common with Kent). It usually takes a lot for her to get that lingering gut-wrenching regret feeling. But you’d better believe if Kent ended up miserable she’d feel it. She’d hate being the cause of anyone she cares about’s personal pain, but it’d be a little extra awful if she’s fairly content out there and Kent isn’t.

I rambled too much and my head hurts so I’m not sure if any of this makes good sense, but I think there’s a lot of room for regret within their lives and even their relationship—especially if things go poorly for them. Not the loving part, of course, but the part where they pursued something and because of that their partner isn’t happy anymore (or accepted anymore, or whatever).

Hector/Farina: 

50. if one of them were to come back after a long time, who would come to who? would it go well? would the other person take them back?

The only one who would probably ‘come back after a long time’ is Farina, because Hector’s pretty much tied to his canton after the end-game, so I gotta go with that.

As to if it would go well or not, well, I’m pretty sure I’ve RP’d like 30 variations on this theme (LMFAO), but the biggest factors are: their relationship with each other, and time.

If Hector was kinda into her and she acted like she was fine with that and then flew off for 10 years and came back trying to act like nothing was wrong... Well, it wouldn’t go well. I mean, not at first anything. (Nothing a good RP couldn’t fix, though. :B)

At that point in time, though, for an example to work with, it’s hard to say if Hector would ‘take her back.’ He may be unable to do so officially (married, busy running a country that’s falling apart at the seams, he has a daughter to worry about) and/or emotionally unwilling to let her back in. (Though this depends a lot on their former relationship and how she left/if she ever wrote to him or visited, if feelings were confessed, a lot of what-ifs, tbh.)

It also depends on how lonely he is. It gets clear that Hector and Eliwood get super busy and don’t even get to see each other regularly after the end of the game, so it’s possible that Hector would desire contact with someone who Gets Him (or at least Gets What He’s Been Through). The FE7 endgame is pretty much the opposite of FE8′s: it’s like nobody even knew it was happening and they gotta go back to their cantons like they didn’t just fight a whole ass dragon; he might be happy to have someone he can talk to about that again (in the event that his former vassals may no longer be in his direct employ and/or Farina fought by his side that day).

[kaijutegu]

Hey, sorry if I’m overstepping, I’ve just read your great response to that guy about teeth, but I was a bit confused about the distema thing? I’ve googled it, and found it’s the name for the gap, but I cant find how that relates to diet, or as evidence of anything and I hoped you might be about to explain its relevance, thank you!

Yeah! 

Ok so the diastema’s the gap between the canine teeth and the premolars. In some animals, this is honing, which means that the canines rub against it in such a way that they sharpen- like how you sharpen a knife on a whetstone! In a carnivore, this is REALLY useful because those teeth help wound your prey and rip bits off of it. 

But it’s also useful for animals that have high degrees of male-male competition (like baboons and some other monkeys). Take for instance the gelada.

This animal eats mostly grass. 90% of its diet is grass stems and leaves, with the remaining 10% being grass seeds and other forage. But it’s got HUGE canines!

In fact, you’ll see a lot of totally herbivorous primates with enormous canines. For these primates, they’re not ripping into something that’s moving and trying to get away- they can afford to have longer, thinner teeth that look really intimidating (and are good for piercing/holding things that aren’t trying to escape). However, once you start looking at hominins, that honing complex/diastema goes away, because it stops being useful and starts being a hindrance.

Once hominins really started getting away from the other primates, you start to see some interesting things happen. There’s less sexual dimorphism, and a likely increase in using the teeth as a “third hand” almost. There’s also a diet that’s expanding in scope and incorporating a lot of things that are hard to chew- hominin canines get smaller and smaller because it’s not useful to have big ol’ dagger fangs, and if you have a tooth that breaks and it gets infected, you die. If that happens to a male who hasn’t mated yet, then his genes die with him, and his big teeth don’t pass down. And if females aren’t selecting for an energetically expensive trait, then it won’t persist because the body’ll put more resources into things that are more likely to help survival!

Does that make sense, kinda?