#look at just the fucking SHAPE OF HIM

[inkstainedrat]

You know what actually

I need to post this video here

The creator did such a good job putting this together and while it is an older compilation I revisit it a lot and I need the Secondhoes to see it.

[bananafire11]

Tadc..... dinosaurs.... tadc dinosaurs

[carnivalcarriondiscarded]

thinkin' about Bardaby and his illusion smoke...

[serpentface]

A braithuvi horse at rest under the close protection and watchful, scary, pale-eyed gaze of her herd's guardian, a dírgrahdain. Both are landraces developed within the Highlands. The ancestors of braithuvi (and other Highlands native horses) were brought overseas by the ancestors of the Hill Tribes, while the dogs were obtained from native livestock guardian landraces used by proto-Wardi tribes. Each have become distinct over their centuries of living in the Highlands, and dírgrahdain are have a particularly unique place in the cultural schema.

Braithuvi are a woolly horse breed (and one of many, wool horses are widespread, second only to camala in value for textiles) that are also somewhat specialized for milk production. Their meat is relatively poor (other horses are preferred), but they produce high yields of milk and thick, continuous growths of wool.

Horses are not as culturally significant as cattle to most in the Highlands, but are still highly valued animals that are critical to subsistence. Few plant-based textiles can be produced in the Highlands, and almost all in the region are made with braithuvi wool. They can eat a greater variety of forage than cattle, more efficiently converting energy intake from pastures into milk and wool. Their milk is considered to be the very best of all livestock, and is usually what is used to make the prized murre beverage.

Dogs have a very small specific place in the cultures of the Hill Tribes as utilitarian working animals (specifically for livestock and occasionally as home/village guardians), and rarely ever fill other functions. The practice of keeping dogs purely for companionship is virtually nonexistent (though affectionate bonds between people and their herding or household guard dogs will be fairly common), and their meat is considered worthless. Most dogs are not elevated within the cultural schema, and tend to be merely appreciated as useful, loyal animals. Livestock guardian dogs are an exception to this, and tend to be of more significant cultural import. They are animals that exist to protect the herds on which all subsistence depends, and thus have an elevated cultural status and roles in religion and folklore as uniquely protective entities.

Dírgrahdain are the key livestock guardian dogs in the region, and the only natively developed LGD. Their name means 'lion dog', both in reference to their maned appearance and their ability to fend off and even kill the largest of predators. The dogs are characterized by tall, long-legged builds, deep chests, a curly tail, thick hair (and a thicker winter coat), and a shaggy mane. Their bodies tend to be thinner and lankier than their fur coat suggests, but still well-muscled and powerful. Their coloration can vary wildly, but a black mask with a brown or reddish body like this is most typical. Unnerving, pale eyes are prized in these dogs, with the belief that they not only intimidate predators but are uniquely potent at fending off malicious spirits.

The dog's exclusive function is to protect livestock. They are used primarily for the defense of horses, which are small and very vulnerable to predators (lions, hyenas, king hyena, wild dogs, jackals, nechoi, and even eagles can be threats), though some dogs will usually be posted up with cattle herds to deter raiders.

Pups are most commonly born in the field among their herds. They will be carried in their master's coat while still nursing, but will be allowed to join their mother in her duties from the moment they are strong enough to follow. Dírgrahdain live with their herds day and night. Most will never see the inside of a home, and most seem to prefer it that way. They form close and protective bonds with their charges, and will thoroughly integrate themselves into the social fabric of the herd.

These dogs are not human-oriented, and will usually only form bonds with people that they have imprinted on as puppies (and will merely be cool and polite to those met later in life). They are highly aggressive towards strangers, and introductions must be done incrementally and with great care. This is desirable, as this trait makes them an excellent line of defense against livestock raids. Their loud, booming barks can alert of intruders from a great distance, and they can often successfully intimidate khait, causing some mounted raids to end in humiliating failure. Dírgrahdain are often killed in raids, either to fend off the attacking dog or to silence it before its master can be alerted. This is not outright dishonorable, but not something one will be commended for. Cattle raiding culture here values swiftness, stealth, and strategy- such smash and grab tactics are seen as brutish (and will often result in harsher retribution).

Like most LGDs, they primarily defend their herds by displays of aggression and power, using their loud bark, fearsome growl, and powerful bodies to chase and intimidate predators away without physical contact. Even so, it is necessary for all working dírgrahdain to be willing and able to physically confront predators when necessary. A well-trained, well-bonded dog will defend their herds with their very life, and is often effective in combat against even very large wild predators. Their dense ‘manes’ offer a degree of protection from wounds to the throat, and may be supplemented with spiked collars.

If a mother dog kills a predator, it is often customary to open the carcass and lead her puppies to feed on it. This is thought to teach the pups to be fearless against their enemies, and that they will grow up to be uniquely powerful and brave adults. Pups are given names upon reaching adult size, and ones who have consumed the flesh of predators will get unique names related to their mother's kill, or epithets as supplements to a given name (the exact details of this practice culturally varies). One might encounter dogs in the Highlands named things like Lionsbane, Hyena-killer, She Who Bites Jackals, Lion-Fed Shaggy (Lion-Fed being the honorable epithet, Shaggy being the dog's name, possibly given by a very small child)

The mere gaze of a dírgrahdain is said to fend off malicious spirits, and their thundering bark can scare away even the most dangerous of mountain devils. Their shed hair is needle felted into little dolls (usually into the form of dogs themselves) and placed into the cradles of infants and worn as charms by children to protect them from harm (both mundane and supernatural). Manes taken from dead dírgrahdain have uses among some of the Hill Tribes, and are typically only allowed to be used by their masters (unless recieved as a gift). The most prominent usages are being worn to fend off evil spirits and predators while traveling alone, and some traditions involve placing the manes around the necks or across the bellies of women in labor as a means of spiritual protection for mother and child during birth.

The Hill Tribes and Wardi both identify the same constellation along the ecliptic as a dog. In the case of the former, this stellar dog is identified as Mak-Urudain, a gigantic dírgrahdain with fur the color of flame and eyes as bright as stars, who is the eternal guardian of the Celestial Fields. He allows the souls of the worthy dead to pass into the afterlife and for esteemed ancestors to descend back to the land to guide the living, while preventing malicious spirits, devils, and the dishonored dead from entry.

One Bernike tale describes her attempting to fly into the Celestial Fields to steal the heavenly cattle who graze there. She took the form of a golden eagle, pretending to be an ancestor returning from a sojourn to the world of the living in order to get past the guardian hound. Mak-Urudain was not fooled for long, and led her on a long chase through the night sky before capturing her and hurling her out of the Celestial Fields.

She was never able to even touch the ground of the Fields (much less take any cattle), but had just enough time to take a single seed of heavenly grass in her beak. She returned to her mountain (missing most of her tail feathers and much of her pride) and planted the grass in her then-barren slopes. This is why the grass on Bernike's mountain is so tall and abundant and why cattle there grow so fat and healthy, like all cattle will in the afterlife. The howling winds heard from the mountaintops are playfully suggested to be the barks and howls of Mak-Urudain, calling down from the heavens to keep the witch grounded in the world of the living.

[fantasykiri5]

A pair of birds of prey for days 15 and 16 of @hermitadaymay !!! Definitely not a day and a half (?) late

[poisonousquinzel]

"harley quinn's never had a good design in the last deca-!" WRONG dropkicks you through a brick wall

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[hakusins]

tw // scars, blood, bruises, piercings, cigarettes, a bit of ooc?

man, i love whitney

[puppyeared]

i like him

[cthoniccompanion]

me during the major update trailer: huh prometheus is kind of an odd choice for a secondary antagonist

me after fighting him 1 time on olympus: oh actually I'm not normal about him At All huh

[visionsynth]

for the art requests thing - i would looove to see your take on a phantom of the opera style papa V with a half face mask!

:-]

i am so bad at character design but ill take any excuse to combine my favourite things

[gingerale13]

VALENTINES DAY YAOI

[carnivalcarriondiscarded]

yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3

[varilien]

given that i've ran this blog for as many years now i think i should get much credit for this being what, only the third dick joke i've ever made here hdfkhkj

anyways. there's this point in the story where vash and wolfwood have to go their separate ways for a while, but neither of them are dealing with it particularly well

(image id below the cut since it's a longer one)

[image ID: a rough, doodley 5 panel digital comic of vash and meryl from trigun, but from my leaden skies au where they've both been lightly redesigned to fit into the setting of monster hunter. vash is a wyverian with long pointed ears, wearing a red coat with gold trim and buttons. meryl is a human wearing a beret as seen on other guild girls, but her all-white outfit is a practical two-piece blouse and shorts set. the whole comic is comprised of warm colors, orange and yellow and dark purple

panel 1: vash sitting in the foreground at a brown desk covered in candles and books, with a book opened in front of him that he flips through with a bored expression and his cheek resting against his hand. he appears to be in a library, lit by candles on dark grey chandeliers hung from the ceiling. meryl is in the background stretching up to reach a book high on a shelf, and beside her is a table which is also covered in candles and several tall stacks of books

panel 2: a closeup of vash's face as his eyes widen and his ears prick up. something in the book has apparently caught his attention

panel 3: a closeup of the page vash was looking at, an illustrated info sheet about the flying wyvern, khezu. a candle in the table brightly illuminates the colored page

panel 4: meryl has come around by vash's shoulders with a stack of books held in her arms. she quirks a brow as she looks over vash's shoulder at the book. vash has a neutral, hard to read look on his face, but his ears are still up and his eyes are still shiny and wide as he seems to consider the page for a while

panel 5: a yellow word bubble comes from vash, who huffs a long sigh and says, "maybe i should call him...". his head has tipped to the side as he rubs his neck and frowns, blushing a little with his ears drooping. meryl physically recoils from him and her face scrunches up in disgust, saying, "eww" and, "there's something wrong with you"

end ID.]

[citrine-elephant]

au where post - death island, leon goes rogue and decides to become a stripper while he's laying low

inspired by: sadness <3

[luck-of-the-drawings]

IM SO IN LOVE WITH VAMPIRES!! and boy do i love THE SUCKENING!! VERY excited to see the misadventures of sad wet cat, sharp angry cat, and the COOLEST cat i ever did see