#lollapalooza cl

[davidjenkins]

just saw andrew hozier byrne for the second time with one of the most amazing crowds ever. stay jealous

[warmglowofsurvival]

[asongfortheunloved]

Francesca, Hozier in Lollapalooza Chile, March 15th

If someone asked me at the end

I'll tell them put me back in it

Darling, I would do it again, ah, ah

So you can hear me singing (sorry for that) this song with all my wincest feelings and I ask you, if wincest isn't real why there is a butterfly flying in the middle of this concert and THIS SPECIFIC SONG?? (0:59 min) I dont know about you, but i choose to believe.

[felixethereal]

Only in its fifth year, Lollapalooza Paris announced that the KPop group Stray Kids (@/Stray_Kids) is part of the European version of the Chicago summer festival on January 25, Wednesday. Taking place from July 21st to 23rd at the Hippodrome de Longchamp, the group will be taking the stage on Day 1 as headliners of the said event.

On the same date, they will be accompanied by other artists, such as Damso, Niska, and Linsey Stirling, while headliners for the next two nights are Rosalía and Kendrick Lamar, respectively. Lil Nas X, Kygo, Niall Horan, and One Republic are also part of the festival line-up.

Stray Kids are the first Kpop act to take over as headliners for Lollapalooza Paris. Other Korean acts have been making history at respective music festivals, such as BTS’ J-Hope and TXT at Lollapalooza Chicago 2022, BlackPink at Coachella 2019 and 2023, DPR Live and DPR Ian at Coachella 2023 and CL with the members of 2NE1 at Coachella 2022.

(Update from wethepvblic)

My other social media;

Youtube

Twitter

Instagram

Telegram

Tiktok

[laopiniononline]

¿Plagiaron The Black Keys a la banda nacional Los Sillas Musicales?

Nueva publicación en https://ct2.cl/gF

¿Plagiaron The Black Keys a la banda nacional Los Sillas Musicales?

Estamos hablando de la intro de guitarra del tema On The Game, del disco Ohio Players, de la exitosa banda norteamericana The Black Keys publicado el 05 de abril del presente año, la cual es muy parecida  a la intro del tema Muerte Súbita de Los Sillas Musicales, la que fue publicada en abril del 2019, como parte de su segundo LP titulado Nazca.

¿Cómo saber si una canción es plagio?

Si dos canciones comparten una melodía similar, es posible que haya plagio. Otro criterio es la similitud en las letras, especialmente si existen frases o estrofas similares. También se considera plagio si se utilizan elementos instrumentales o arreglos similares, como sería en este caso respecto a la intro de guitarra ejecutada por Dan Auerbach, extremadamente similar a la ejecutada por Dr.800XL en Muerte Súbita, al menos 5 años antes.

Para hacerse de una opinión propia, se pueden escuchar ambos temas en Spotify:

On The Game – letra y música de The Black Keys | Spotify

Muerte Súbita – letra y música de Los Sillas Musicales | Spotify

Consultamos al bajista de Los Sillas Musicales y compositor del tema, Revo Marcelo, su opinión al respecto: “me pillas de sorpresa!, toda la razón. Es un plagio, jaja! está en el mismo tono incluso, que quieres que te diga… ¿conoces algún abogado? Jaja. Hablando en serio, sería un gran honor que los Black Keys se hayan inspirado (tanto!) en uno de nuestros temas, habría que preguntarles… Por otro lado lamento que nuestras ideas musicales no gocen de igual nivel de difusión, La Opinión Online siempre nos ha difundido en todo caso y lo agradezco mucho”.

La canción Muerte Súbita de Los Sillas Musicales trata sobre el genocidio Selknam y cuenta con un delicado video animado dibujado por “COTONA”, la artista de cabecera de la banda.

The Black Keys se ha presentado sólo una vez en Chile con ocasión del festival Lollapalooza del año 2013 y actualmente se encuentra promocionando su duodécimo disco de estudios titulado Ohio Players.

Y tú… Qué opinas?

[lizzygrantarchives]

Radio.com, August 16, 2013

As a remix of "Summertime Sadness" brings her to radio in a big way, we sit down with Lana Del Rey to discuss the past and the future.

By 10:30 p.m, almost 100,000 people have filed out of Chicago’s Grant Park following the first day of Lollapalooza 2013, held a couple weeks back. As the mass of coming-down kids move toward the exits, Lana Del Rey sits at a picnic table backstage, just far enough away from the noise. It’s so dark where she sits that until you come close enough to catch her eye, the only thing you can really see is the cherry of her cigarette. This post-festival scene is in stark contrast to her “pretty crazy” headlining performance earlier that night.

“I had to go around the world for two years just to have an audience in Chicago,” she told Radio.com. “I mean, I could just have been unpopular forever, that probably would have been a lot less tiring.”

A year and a half later, after all the panning and parodies of Born to Die have come and gone, there’s a touch of fame PTSD in how Lana Del Rey speaks about herself. She references her “not great welcoming into the American public eye,” but the truth of the matter is, we’re in the midst of the second coming of Lana Del Rey. When tastemakers grow tired, artists of a poppy temperament can try the most mainstream, “of the people” medium: radio.

Those who wrote off Lana Del Rey may be surprised to learn that she has a No. 1 song on a Billboard chart (Dance/Mix Show Airplay) this week. And a Top 5 (Hot Rock Songs, where she has multiple songs charting). And a Top 15 (Digital Songs). And, most noteworthy of all, a Top 20 on the Hot 100, where French house DJ/producer Cedric Gervais’ remix of “Summertime Sadness” currently sits at No. 16. Originally released on Born to Die, “Summertime Sadness” has been given new life through its remixes, with Gervais’ version racking up adds at Top 40 stations nationwide throughout the last month.

Meanwhile, “Young and Beautiful,” Lana’s contribution to The Great Gatsby soundtrack, is receiving airplay on alternative, not pop, stations. Radio isn’t quite sure what sure what to do with Lana Del Rey, but stations are playing her nonetheless. And not surprisingly, she couldn’t be more thrilled. She discussed all this and more in a meandering chat, including her plans for a new album, which she says have been thrown off by the recent barrage of leaks of her songs.

“To be honest, what really happened was, three years ago somebody remotely accessed my hard drive, so even songs I’ve never emailed to myself [were accessed],” she explained. “There are hundreds of them.”

Seeing your set tonight, it’s clear that your stage performance is more elaborate now than it was when you first started touring behind Born To Die, particularly because of the video vignettes. What were trying to achieve with this incarnation of your live show?

Well, I’m sort of influenced each day by whatever I come upon. Like I don’t listen to that much new music, but I actually really love Father John Misty, who kind of reminded me of my roots. I went back to listening to Joan Baez and Bob Dylan, whose life path really influenced my life path 10 years ago when I was 18. For the visuals, sometimes before the songs even come to me, I definitely have a picture first of something I want to paint with words. I remember when I was 16 and I read Howl by Allen Ginsberg; that was the first time I kind of realized you could paint pictures with words and I wanted to do that.

I actually kind of met my directorial soulmate with Anthony Mandler. I always give him these mood boards and storyboards that he goes through and makes all of the visions I have come to life. He never says no and he asks me why do I want it to be about the kindness of strangers, like in the case of “Ride” [the video/short film] — why am I with different men and things like that? I tell him it’s not about being submissive to men or anything like that. It’s about not really knowing anyone close to you who can help you, and being really lucky enough to finding people who you just meet randomly, who can take care of you until you can take care of yourself.

This is to say, the visuals kind of come from ideas that I think are important. But when it comes to the live show itself, that’s the one thing I really don’t think too much about. I’m kind of traditional in that way, where I don’t have much of a magic show. I’m just kind of there to sing and I don’t have too too much to say.

Something that struck me tonight was that I was standing among all of these young girls and I heard at least five times, “I want to be her.” This whole festival is full of girls in flower headbands like you’re wearing right now. Are you aware of these things?

Wow. Well, my reaction is that it’s pretty surreal considering I didn’t have a great welcoming into the American public eye. I kind of feel lucky enough to have written those songs for myself and to tell my own story to myself. I think it’s important to be a witness to your own life through writing. And for me, I thought that would be where it’s really going to end because I’m not going to be accepted — that is my fate. But I’ve learned to go along with things. I toured all over Europe, which was totally madness — a lot of people, big crowds. I was kind of leading a double life, ’cause I’d come home to America and things were very quiet — I’d go about my day and take care of my brother and sister who live with me. So in a way, I’m just glad that nothing’s going wrong.

Considering this young female audience you have, do you feel any pressure to be a role model?

Well I think the good thing is, I do actually aim to live my life with grace and dignity, if anyone felt like emulating it. I know I look a certain way sometimes, or cast a certain vibe. But I really don’t like to be in trouble. I like to live a good life, it is important to me.

At a certain point, though, doesn’t your act become performance art?

Well it’s kind of become that. When the audience gets bigger, it becomes less for you and more of a performance, even though I’m not really a natural performer. I love to write, I love to record in the studio – that’s what I love.

Speaking of, are you working on any new music right now?

I was until my record got leaked last week, ’cause my life is like completely invaded. But yeah, I’m writing songs that I really like right now. They’re really low-key and stripped back, all sort of West Coast inspired. The further along I’ve gotten, the more I stay working with like the same four people. Like Dan [Daniel Heath, who co-wrote “Blue Jeans”], who’s not into pop music but rather, a composer for scores and studied under Hans Zimmer. Him and my boyfriend Barrie [Barrie-James O'Neill, of Glasgow folk-rock band Kassidy]. But I want to work with Lou Reed, and I’d like to kind of keep things low-key and cool.

I think the thought was that some of those leaked demos were of songs you wrote much earlier in your career.

Well some of them were, but some of them, like “Black Beauty,” weren’t…

Are you going to move forward with work on them, or do you feel too discouraged because of the leaks?

I do feel discouraged, yeah. I don’t really know what to put on the record. But I guess I could just put them on and see what happens. Each time I write… I’ll never write a song if I don’t think it’s going to be perfect for the record.

That’s a lot of pressure to put on yourself.

That’s the way I kind of do it, which means I don’t write all the time. My muse is really fleeting. Sometimes it’s six months. I don’t really push it. ’Cause you have to go do things to write about. You have to go get into to trouble to write about it. (Laughs)

Do you feel like where your life is at right now is more conducive to writing music more organically than before Born To Die came out and you were so shrouded in hype?

Yeah, I didn’t like that. I don’t think it’s been conducive to writing, being on the road and all that. I don’t really feel inspired to write at all, but beforehand, when I was in Brooklyn for nine years… I was kind of a night owl and just walked around and met weird people. That was me picking up life experiences and meshing them into my own. That really did it for me. Actually, Lollapalooza is my last live commitment. It’s too bad ’cause it’s been such a long time since the last record. I really feel like I need six months to live again, time to be like, normal or abnormal. I don’t have anyone writing anything for me. It’s such an internal well and if it’s not full, it’s just not full.

You could work with outside songwriters. Are you open to that kind of thing a bit more now?

Yeah, I’m more open to it now, ’cause personally I’m not really feeling it. (Laughs) Like this guy I worked with eight years ago, Steven Mertens, who made my first record [editor’s note: David Kahne is credited as the producer of her debut, 2010’s Lana Del Ray a.k.a. Lizzy Grant; Mertens is a member of the Brooklyn band Spacecamp]. He knew me really well. So I’d like to maybe go back and get reminded of why I thought I could be anything other than a writer. I’d like to maybe just go back and see what’s there.

Let’s talk for a second about new music you have released relatively recently. Did you write “Young and Beautiful” specifically for The Great Gatsby soundtrack, or was that a song you had previously penned but not released?

I wrote a different song, but when Baz Luhrmann heard it, he asked me if I could I write a memory cue for Daisy. So I sang him a chorus of “Young and Beautiful” that I had already — just a chorus — and he thought that’d be good for her. I wrote the whole thing after I watched her garden scenes.

Were you happy with how it was incorporated into the film?

Yeah. I mean, I’m always wary about super big projects that have a lot of glitz. But something weird that happened, was that “Young and Beautiful” got picked up by alternative stations. I come home [from touring Europe] after four months and “Summertime Sadness” is on the radio, too. So I’m grateful for that, ’cause I love that song.

I want to go back to something you said earlier. You acknowledged that you didn’t have a great welcoming into the American public eye, but now, a year and half after Born to Die came out, you’re connecting with a new audience via the “Summertime Sadness” remix at Top 40 radio.

It just reinforces the fact that… not that nothing really matters, but that other people’s opinions don’t really matter because it can change on a dime. And if people are so ready to change, maybe they don’t have the strongest character. I’m not as interested in flip-floppers. I kind of feel blessed the more I go along. I have a young brother and sister, and it’s gotten really basic for me and become about the family. How are we all going to live together if I’m on the road? Are they going to come with me? Will I ever go home again? Probably not.

My new product manager, whom I’d never met before, brought me a SoundScan to show me that “Summertime Sadness” was being spun, a lot of times in L.A. and in New York. It kind of just doesn’t feel like it’s mine, ’cause I’ve had such a hand up to my face for so long.

Originally published on radio.com with the headline Lana Del Rey on the Leaks, the Imitators & the Haters.

[chorusfm]

Thirty Seconds to Mars Announce Tour With AFI

Thirty Seconds to Mars have announced new tour dates. AFI, Poppy, and KennyHoopla will be on select dates. 03/15-17 – Buenos Aires, AR @ Lollapalooza Argentina 03/15-17 – Santiago, CL @ Lollapalooza Chile 03/21/24 – Bogotá, CO @ Estéreo Picnic 03/22-24 – Sāo Paulo, BR @ Lollapalooza 03/30 – Monterrey, MX @ Tecate Pa’l Norte Festival 04/16 – Glasgow, UK @ OVO Hydro 04/17 – Nottingham, UK @ Motorpoint Arena 04/19 – Manchester, UK @ AO Arena 04/20 – Birmingham, UK @ Utilita Arena 04/22 – Cardiff, UK @ Utilita Arena 04/23 – London, UK @ The O2 04/25 – Amsterdam, NL @ Ziggo Dome 04/26 – Brussels, BE @ Forest National 04/27 – Hannover, DE @ ZAG Arena 04/29 – Cologne, DE @ Lanxess Arena 05/01 – Stockholm, SE @ Hovet 05/02 – Oslo, NO @ Spektrum 05/04 – Copenhagen, DK @ Forum Black Box 05/09 – Krakow, PL @ Tauron Arena 05/10 – Bratislava, SL @ O’Nepela Arena 05/12 – Hamburg, DE @ Barclays Arena 05/13 – Berlin, DE @ Mercedes-Benz Arena 05/15 – Prague, CZ @ Sportovni Hala Fortuna 05/16 – Budapest, HR @ MVM Dome 05/18 – Vienna, AT @ Stadthalle 05/19 – Munich, DE @ Olympiahalle 05/21 – Paris, FR @ Accor Arena 05/22 – Zurich, CH @ Hallenstadion 05/24 – Bologna, IT @ Unipol Arena 05/25 – Turin, IT @ Pala Alpitour Arena 05/27 – Madrid, ES @ WiZink Center 05/29 – Lisbon, PT @ Altice Arena 05/30-06/01 – Galicia, ES @ O Son do Camiño 07/26 – Auburn, WA @ White River Amphitheatre * 07/27 – Ridgefield, WA RV @ Inn Style Resorts Amphitheater * 07/30 – Salt Lake City, UT @ USANA Amphitheatre * 07/31 – Morrison, CO @ Red Rocks Amphitheatre * 08/02 – Maryland Heights, MO @ Hollywood Casino Amphitheater * 08/03 – Nashville, TN @ Ascend Amphitheater * 08/06 – Clarkston, MI @ Pine Knob Music Theatre * 08/07 – Cuyahoga Falls, OH @ Blossom Music Center * 08/09 – Noblesville, IN @ Ruoff Music Center * 08/10 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island * 08/12 – Toronto, ON @ Budweiser Stage * 08/14 – Camden, NJ @ Freedom Mortgage Pavilion * 08/15 – Columbia, MD @ Merriweather Post Pavilion * 08/17 – Brooklyn, NY @ Barclays Center * 08/18 – Mansfield, MA @ Xfinity Center * 08/20 – Charlotte, NC @ PNC Music Pavilion * 08/21 – Atlanta, GA @ Lakewood Amphitheatre * 08/23 – West Palm Beach, FL @ iTHINK Financial Amphitheatre * 08/24 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre * 08/27 – Dallas, TX @ Dos Equis Pavilion * 08/29 – Houston, TX @ The Cynthia Woods Mitchell Pavilion * 08/30 – Austin, TX @ Germania Insurance Amphitheater * 09/01 – Phoenix, AZ @ Talking Stick Resort Amphitheatre * 09/04 – Mountain View, CA @ Shoreline Amphitheatre * 09/12 – Melbourne, AU @ Rod Laver Arena 09/14 – Sydney, AU @ Qudos Bank Arena 09/17 – Brisbane, AU @ Riverstage 09/19 – Auckland, NZ @ Spark Arena * AFI, Poppy, and KennyHoopla --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/news/thirty-seconds-to-mars-announce-tour-with-afi/

[yearsblog]

Years & Years - Lollapalooza Chile - 30/3  (© John Goldsworthy)

[vilaneeve]

Petition to get Rina Sawayama to tour latin america 🥴

[warmglowofsurvival]

[bisexualhobi]

there's gonna be SO many non-armys tho, this is something new and scary, he must be so stressed but also so excited, this is such a huge opportunity! do you think the audience's reaction will be good? i've seen some bad comments on insta but i hope people who go there can appreciate great music and won't scratch him out just because he's a ''kpop boy''. i really really hope it goes well for him!!!!

It really is unprecedented for bts and for kpop acts that tour in general - the gp is a much more tough crowd to work unless you're like gdragon or something lmao. jackson, cl and aespa did a great job at coachella but they were not headliners and they were part of a bigger set but hoseok IS the main attraction here... he's getting prime time.... it's definitely a challenge and especially with bts' reputation and the fact that they're a boyband is not gonna bode well w snobby festival goers. (see the hate comments already pouring in)

the thing is that if it was any other kpop group this would be much easier. they would be virtually unknown to the gp and w no background to base their opinion on they'd be more open minded - but bts is currently exploding in the cultural zeitgeist and the gp is aware of bts even if they don't know who they are which is enough to dislike them. so hoseok already has an uphill battle to start with bc he needs to change the minds of an audience that is already there for someone other than him and that chances are looks down on "manufactured korean boybands". he has one hour to change that.

the good thing about it is that it has a bigger payoff - if he manages to pull this off with this performance he will have succesfully crossed over to the gp demographic and gain a lot of street cred as an artist. something that bts has never done and probably never will. that's why i said hoseok is the only member that could have done this right now - he has enough stage presence and ability to work a crowd this size on his own, plus his music is different enough from kpop and from the bts sound to blend in with what lollapalooza's demographic actually listens to...

this is definitely scary and probably intimidating for him. i would be shitting my pants if my first solo performance was in front of 200 thousand people who did not pay to see me. but i believe that hoseok has the skills and talent to be able to capture a non fandomized audience and to cement himself as a performer to look out for - if this goes well for him he will have positioned himself as an artist with his own identity outside of bts, all with a single day's performance.

[iss4dora]

Sunset at Lollapalooza CL 🌅

[laopiniononline]

María Becerra, Alex Ortiz y Trueno arrasaron en la clausura de #Viña2024

Nueva publicación en https://ct2.cl/f4

María Becerra, Alex Ortiz y Trueno arrasaron en la clausura de #Viña2024

La cantautora María Becerra, hizo vibrar a sus fanáticos en un espectáculo repleto de color que se extendió por más de una hora, Ortiz cumplió haciendo reir al monstruo y Trueno desató la mega fiesta en la Quinta Vergara deleitando a su enorme fanaticada que se quedó casi por completo hasta el final.

.“La Nena de Argentina” abrió su espectáculo  con sus más conocidas canciones para luego entonar ‘Automático’, la canción con la que buscó hacerle un “homenaje” a reggaetoneros antiguos como Daddy Yankee.

El verano austral se adelantó: “Hay un party en la piscina / To’ el mundo sigue mirándono’ / ¿Por qué no nos vamo’ pa’ una esquina? / Y seguimo’ devorándono'”, coreó María Becerra.

Más tarde, ‘La Nena de Argentina’ también interpretó “unas bachatitas” y la voz del español Enrique Iglesias apareció en el escenario de la Quinta Vergara, de la mano de ‘Así es la Vida’.

Con más de 150 millones de reproducciones en Spotify, casi 140 millones en Youtube y dedicada a las madres solteras, ‘Corazón Vacío’ se convirtió en una de las piezas más disfrutadas por los fanáticos, algo similar a lo que sucedió con ‘Desafiando al Destino’.

Figura mediática en su país tras saltar a la fama como youtuber en un canal propio en el que se entremezclaban monólogos, vídeos cantando versiones de otros músicos con tutoriales de maquillaje y rutas de sus experiencias en vacaciones, María Becerra culminó su show recibiendo las gaviotas de Plata y Oro.

Del otro lado, los gritos y aplausos agradecieron la presencia de la joven que en 2019 decidió apostar por una carrera en la música y que desde entonces ha compartido sencillos con reconocidos artistas como Rauw Alejandro, Becky G, Camila Cabello, Lola Índigo, J. Balvin o Pablo Alborán.

María Becerra no se limita a un solo género musical, ya que también ha incursionado en el pop y ha colaborado con reconocidas bandas de cumbia como Ráfaga. Incluso, tuvo una destacada presentación junto a la banda en el Lollapalooza 2023, donde el público enloqueció al ritmo de sus éxitos “Adiós” y “Mentirosa”.

Por estas razones, la presencia de la talentosa argentina fue uno de los momentos más esperados por el público juvenil del Festival de Viña. Su actuación marcó el cierre de seis emocionantes jornadas, fusionando los ritmos urbanos del otro lado de la cordillera con el humor de Álex Ortiz con una rutina cargada de historias, anécdotas y vivencias.

El humor popular del comediante nacional, que realizó una rutina simple, hizo reír al monstruo moderadamente y logró llevarse ambas gaviotas.

Habló de su rutina y muchos otros temas en esta conferencia de prensa:

Finalmente, fue el turno de “Trueno”. El también trasandino, reemplazo del criticado “Peso Pluma” que se bajó de la 63 versión festivalera, aludiendo a problemas personales.

Para todos quienes no lo conocían, fue una verdadera sorpresa descubrir a un artista de “Free style” con diversos estilos musicales y una presentación destacada.

Prácticamente nadie se movió de la Quinta sin ver al argentino, que entre otros temas, nombró a Colo Colo y manifestó su repudio hacia las dictaduras que vivieron Argentina y Chile en el siglo pasado.

El show del cierre del Festival Internacional de la Canción de Viña del Mar 2024 duró poco más de 50 minutos y dejó a “Trueno” en la historia del certamen más importante de Latinoamérica.

[cyberstabbing]

CL: Lollapooloza is dying, will Vans Warped ever become stale? GW: Here's the thing.. The thing about Warped tour.. Ok, here's the difference between Lollapoolza and Vans Warped Tour: Lollapalooza was something that when I was a teenager in high school, those bands specifically on that tour being Pumpkins or whoever it is, Sonic Youth, that spoke to me as a teenager. The thing about Warped tour is that it evolves. So, like Lollapoolza always has the same type of bands like Sonic Youth or The Pixies, bands that I love and I'll go see, but kids are unaware of what that music means, you know? But Warped tour has always been based around like youth culture and youth music like what youth is listening to at the time. And since that's what it represents, I can't imagine it going stale. But it does have to constantly change and evolve. It has to grow, it has to evolve itself.

(june, 2005)

[anam-o]

Metallica confirma una nueva gira a Sudamérica  en 2020 y se acerca a chile. 

El cuarteto liderado por James Hetfield se presentó por última vez en nuestro país el 2017 como parte del festival Lollapalooza. Los hombres de "One" utilizaron sus redes sociales para confirmar una próxima venida a esta parte del mundo que se materializará en 2020.Si bien se desconocen mayores detalles de sus coordenadas, el conjunto formado en Los Angeles se acerca a Chile luego de que DG Medios, una de las grandes productoras de eventos musicales de nuestro país, publicara una gráfica que comparte la misma tipografía eléctrica expuesta por la banda.

https://www.t13.cl/noticia/tendencias/espectaculos/metallica-confirma-una-nueva-gira-a-sudamerica-en-2020-y-se-acerca-a-chile

[yearsblog]

Years & Years - Lollapalooza Chile - 30/3/19