#lolitas blog rates

[sister-lucifer]

I found your blog with a post on bloomers.

I have seen them on Amazon, and a few goth sites. Are there any brands you would recommend?

I just ordered a pair of chubrub shorts from snagtights. I put on a skater skirt this morning, and it was like hmm yeah too risque.

So I am thinking bloomers would definitely be an option to wear a short skirt plus add cuteness.

i have literally never bought bloomers. i am so sorry

BUT i will share this so that hopefully a more seasoned fashionista can help. i’d guess that the safest place to start is probably with high rated lolita and goth fashion brands and similar things if nothing else

also. go ask your question on a lolita or goth fashion subreddit bc they will give u what u need

[lemme-just-oops]

NOT RELATED TO THE USUAL CONTENT!

So, in a tag of my latest posts, I mentioned that I'd commission someone to draw Vega in a lolita fashion. And surprisingly, I actually was messaged by a few blogs.

I actually was ready to go through the payment, but I realized that the paypal adress was the same as the one from an artist, who I cancelled on last minute. (Their profile said the prices were around 30$, but the invoice was in a different currency and I checked the currency exchange rate, and the price was actually 60$. So, I cancelled last minute).

So, I told that blog about my concerns and cancelled that commission as well, and blocked that paypal account.

But at least a third blog messaged me about it. Same price. Cool. They told me that they'd send me a request for the transaction, but then the blog blocked me.

Moral of the story:

So, I want all of you to be safe and remember to take care of your money. Always double check all details before confirming a commission and the transactions! And if something feels sketchy, you can always back out!

Love yall, stay safe.

[ashs-bpd-blog]

Btw if ur a 'nymphete' or 'lolita' (as in the book not the fashion) get the actual fuck off my blog. I get coping and im fine if u don't post shit actually romanticizing that shit but I WILL block you if I see #sweet little lolita or #lolita1997 #nymph3te and that shit on ur posts. As someone who was groomed and raped by an older boy its so fucking disheartening to see people romanticizing this shit. Especially when it's a black person like #coquette bitch do you not know how racist the community is and how it's inherently against you. Why would you want to participate and contribute to the hatred to your own community just for the attention of old pedos and little girls

Istg I'm gonna fucking kill myself at this rate because what the actual FUCK bc the writer of the book was anti pedophilia and was a csa victim himself!! Why are you rotten vitches turning his work into a fetishization of little girls fuck you fuck you fuck YOU ALL I HOPE YOY DIE BITCH

[lolitadelusions]

Threading the Needle

This would be the intro post to this blog, I guess.

Initially, this blog was supposed to be a private endeavor, since I decided against participating on other social media for fear my pictures would be fed into algorithms and data bases. In retrospect, this site will be no different, but at least to me the fact that its traffic isn't as substantial makes it that much safer. I know I'm most likely wrong in my assumptions, but here's to engage in a part of my life that makes me the happiest even when it's hard for me to feel anything at all.

Moving to a more positive point, I suppose it would be sensible for me to share my plans for this blog: I will be posting my ideas for dream Lolita projects, W.I.P.s of things I'm working on -be it Lolita-related or not-, listings of general advice, observations, thoughts and rants, and finally -if I'm feeling particularly brave- some actual photos of me modeling (this is definitely too kind of a term for whatever that I'll be doing if I do decide to take pictures of myself) the coords and pieces I make.

It'd be appropriate for me to disclose that, though I personally feel okay with the idea of sharing this part of my life with who might stumble upon this blog, it's by no means a priority for me to post constant or consistent updates of my progress, or even exhibiting my projects or workings at all with the prospect of entertaining other than myself. This blog will be first and foremost an outlet and a diary for me and my Lolita sewing journey, and I'd like that to be clear from the start.

I could babble on and on about disclaimers, intent and hopes for this blog, but I don't find it necessary for an presentation anyway. One normally needs some time to get acquainted with other people after introducing each other. In that very same vein, I guess we shall find out more about each other in time.

At any rate, shall we meet again, stranger. Should you be interested in unconventional approaches to home-made Lolita/E.L.G. fashion, do consider following this erratic collection of rambling.

Until next time,

A.

[claudssworld]

Blog post #3 02/14/2024

In a world where conventional attractiveness dominates social media platforms like Tumblr, Twitter, and Instagram, unrealistic beauty standards for women are relentlessly promoted. Whether it's the BBL, the Lolita aesthetic, or the coveted gym body, these platforms have become breeding grounds for perpetuating narrow ideals of beauty. According to a research study done by Dawn, B. (2017). "The majority of users posting ED-related content on both platforms (X & Tumblr) were female".  

Whether the users are promoting or recovering, as a society we should acknowledge that media has been a source for girls to gain inspiration from whether it is conscious or subconscious. 

As someone born in 1998, straddling the generational line between Gen Z and Millennials, I've witnessed firsthand the unfiltered landscape of early social media, particularly on Tumblr and Twitter. These platforms initially provided a semblance of freedom of expression. 

Schott & Langan, (2015) " Censorship was also seen as being harmful because it increases a commitment to the pro-ana/mia ideology and results in isolation from alternative ideologies." However, they also served as both a catalyst for eating disorders and a lifeline for those seeking support in their recovery journey.

As trends evolve and consumption rates skyrocket, the pressure to conform to unrealistic beauty standards intensifies, transcending boundaries of race and age. Jean Kilbourne said " If you are not conventionally beautiful, you are an object of ridicule and contempt". (2020).

Acknowledging the pervasive influence of social media on shaping perceptions of beauty is imperative. It's crucial to create spaces that promote diverse representations of beauty and prioritize mental well-being over unattainable ideals. Only through collective awareness and action can we begin to challenge and dismantle the harmful narratives created about women in the media. 

References:

Schott, N. D., & Langan, D. (2015). Pro-anorexia/bulimia censorship and public service announcements: The Price of Controlling Women. Media, Culture & Society, 37(8), 1158–1175. https://doi.org/10.1177/0163443715591672

Branley, D. B., & Covey, J. (2017). Pro-ana versus pro-recovery: A content analytic comparison of social media users’ communication about eating disorders on Twitter and Tumblr. Frontiers in Psychology, 8. https://doi.org/10.3389/fpsyg.2017.01356

(n.d.). https://web.microsoftstream.com/video/55cc9648-244f-4761-804f-d8bb49cf508b

[lessapander]

28: favorite platform for lolita content? (other socials, blogs, anything!)

I'm not sure I have one at this point, since social media is currently a giant bloody mess. I probably use Discord the most to chat with friends (who happen to be lolitas), but it's not really an ideal platform for collating information, is it?

I used to really like Twitter for following Japanese lolita brands and illustrators I liked, but now it's "X-twitter" and was already turning pretty grotty before that. People seem to be bailing out as fast as they can at this rate.

I came back to Tumblr after years away and it doesn't seem that different, but also has decided to start making lots of changes to try to align itself with social media of other flavours? For reasons?? I also dislike how common it still is for people to post a photo that isn't their own, without crediting the original person. I keep coming across lovely photosets, but the account posting them doesn't credit the original blogs or other posts, so I'm lost as to who they belong to. It's a personal peeve.

Sometimes I'll go on the r/Lolita subreddit, but some of the questions (and often answers) I see in the Ask-Us-Anything thread make me despair. Because we've lost so much content to Photobucket's collapse and other sites' deaths, the resources people tend to find are either heavily commercialised, or extremely out of date. It's very sad. That said, I've not been active there for years and mostly lurk at this point.

As for Meta-Face-tagram-threads, let's not get into their nonsense. It's frustrating that so much lolita fashion content is being held hostage there because it was the best platform available in the wake of LiveJournal's demise.

I guess I prefer blogs as a medium overall which is why I'm giving Tumblr another go. I tried the various post-LiveJournal platforms out and didn't really jive with most of them, so we'll see if this finally sticks, I guess.

Original Post for Questions

[enterenews]

A depiction of a troublemaker psychopath? New Jeans 'OMG' music video loud

The new music video of NewJeans, a girl group that created a sensation with nostalgia and peer emotions in the 2000s in the pop music world last year when girl crush became a trend, is creating another topic with various interpretations.

On the 4th, the main character of the topic with various interpretations in the Internet community was the music video for the new song "OMG" released by New Jeans on the 2nd. As a girl group, patients in a psychiatric ward, which can be said to be unconventional, appear. Members wearing patient uniforms embody themselves as a doctor, a match girl, Cinderella, Snow White, and a cat in their imaginations.

Fans are responding enthusiastically to New Jeans' unconventional attempt. After 24 hours of being released on YouTube, the number of views exceeded 7.2 million, and as of 10:30 am on the same day, it exceeded 8.91 million.

Girl group 'New Jeans' released 'OMG' on the 2nd and is causing a sensation. However, there are mixed reviews about the cookie video in the music video. The photo is a scene from the 'OMG' music video. OMG music videos have mixed likes and dislikes as well as high attention. In particular, in the cookie video, someone posted on a social network service (SNS) that appeared to be Twitter, saying, “I am the only one who is uncomfortable with the music video material? Idol music videos are not rated even if they just show their faces and choreography… ', the part where Minji, wearing a doctor's gown, said, "Let's go (to the hospital room)" is controversial. Some point out that it depicts the malicious commenters as mentally ill, along with the interpretation that it is a direct confrontation with the 'Lolita controversy', including the sensationalism controversy that arose with New Jeans' debut song 'Cookie'.

On the 3rd, pop music critic Kim Do-heon wrote on his blog titled 'New Jeans' OMG, Concerns about 'Let's Go', saying, "The last scene where he dares to point out the platform and refers to all opinions coming out as 'mental illness' is It's not refreshing at all."

On the other hand, popular music critic Kim Young-dae said on SNS, "If you can give light listeners universal pleasure, reaffirm the fans why they like the artist and their pride, and make even those fans feel surprised and thrilled with unexpected things. , isn’t that what excellent art and music is?”

[dorkydancingclown]

Hello, hello! I’ve reached 600 followers and decided to do some blog rates. I’ve never done them before but I love receiving some from fellow blogs I follow. They make me smile c: So I hope these do as well! Follow the guidelines below, check out the prompt I’ll be using ♥

RULES !!

🎈  You must be following me ~ 🎈  Reblog this post please !! o: 🎈  Send me a pretty red balloon along with your favorite ��IT’ character :D ! 🎈  Feel free to blacklist the tag ‘lolitas blog rates’ if you don’t want to see these d:

Format and extra info is under the cut ^-^ Thanks everyone !!

EXTRA INFO

So I’ve also decided to make some giveaway icons!! You share who your fave ‘IT’ character is (any of them from any movie adaption!!) along with a lil balloon in your ask, and I’ll make a cute personalized icon just for you c: You don’t have to use it on your blog! It’s just a free thank-you gift ♥

BLOG RATE PROMPT

URL : 5 / 6 / 7 / 8 / 9 / 10 / !!!

ICON : 5 / 6 / 7 / 8 / 9 / 10 / !!!

THEME : 5 / 6 / 7 / 8 / 9 / 10 / !!!

MOBILE : 5 / 6 / 7 / 8 / 9 / 10 / !!!

POSTS : 5 / 6 / 7 / 8 / 9 / 10 / !!!

OVERALL RATING : 5 / 6 / 7 / 8 / 9 / 10 / !!!

FOLLOWING : no but here’s a shout-out hon <3 / now I am o: / ye <3 / OF COURSE

FREE GIFT : [insert image here ~]

[brotheralyosha]

While canon formation has historically been shaped by bigotry it is not a fixed thing and people have been working on canon expansion, particularly with an eye to including underrepresented groups, for decades now. The canon doesn’t exist apart from the classroom, hovering as a celestial sphere from which teachers pluck holy ancient texts. It is—as it has always been—constantly shifting, accommodating new texts and quietly dropping others, as teachers decide what to teach and what to skip. So if today’s students are not, in fact, trapped in the musty archival Hell of a classics-only curriculum—and if they’re not reading only novels, but essays, speeches, and poetry—what is everybody so upset about? And why does the “throw Gatsby in the garbage” stuff get louder every year? I suspect it’s because these arguments are not really about what high school students should read; they’re about how these adults feel about their current reading habits. And because some of these Fitzgerald-haters aren’t simply readers, they are Book People.

A reader is someone who is in the habit of reading. A Book Person has turned reading into an identity. A Book Person participates in book culture. Book People refer to themselves as “bookworms” and post Bookstagrams of their “stacks.” They tend towards language like “I love this so hard” or “this gave me all the feels” and enjoy gentle memes about buying more books than they can read and the travesty of dog-eared pages. They build Christmas trees out of books. They write reviews on Goodreads and read book blogs and use the hashtag #amreading when they are reading. They have TBR (to be read) lists and admit to DNFing (did not finish). They watch BookTube and BookTok. They love a stuffed shelf but don’t reject audiobooks and e-readers; to a Book Person, reading is reading is reading.

Book People tend towards anti-elitism born of the belief that any fiction is transformative and redemptive, flattening YA, Middle Grade, sci-fi/fantasy, romance, and whatever we can agree literary fiction is into a single, unquestionably worthwhile genre: The novel.

But with this commitment to generic democracy comes defensiveness; Book People often feel they’re being demeaned or mocked for liking genre fiction or listening to audiobooks. They also tend to buy into the idea that books are a kind of empathy machine—that reading good books can make you a better person—which makes books that explore ambiguous morality nothing short of dangerous. That’s how you end up with long threads of librarians vowing never to read Lolita due to its offensive content, as though to read the book would be to condone child rape by verbose, smug perverts, as Nabokov allegedly does.

The habit of reading became an identity and culture in response to a growing sense—and fact—that fiction-reading is endangered. Indeed, book reading’s popularity declined over the last few decades; TV decimated reading rates at the end of the last century and the percentage of adults who read at least one book per year has dropped 5 percent since 2011, with fluctuations in between. If reading is threatened by our ever-increasing access to alternate diversions, and if the e-reader and the audiobook lure us away from the physical page, then the book-as-object must be made more precious. The bookshelf becomes a shrine, the book a fetish. This could be why those arguing that classic books alienate young readers suggest 21st Century titles as substitutions: if we want to keep the book alive, we have to read, and more to the point buy, the books being produced now.

But let’s not fool ourselves that these conversations are practical. After all, this latest iteration of the canon wars finds a home on Twitter, where Book People, authors who are required by their agents and publishers to maintain social media presences, and academic Book People-—English teachers and professors invested at both the career and emotional level in the power of the book—go to transmute their anxieties and resentments into discourse. This discourse evinces a conflation of both book-reading and online posting for activism; as has been pointed out, the terrible, embarrassing lure of The Discourse is in convincing us that we’re doing something other than what we’re actually doing, which is posting. Our posts do not, it turns out, affect text selection policy even if it feels like they do.

These complaints represent an outsized emphasis on formal education as bestowing all of a person’s ethics, prejudices, and the breadth of their knowledge. But the properly morally-tuned novel taught at the appropriate age and scaffolded with the optimal lesson plan isn’t a bulwark against teenagers becoming racist or hopeless or violent; after all, students leave the classroom and enter the rest of the world, where they’re influenced by their parents, their peers, their experience and the wider culture. And what a relief! Teachers don’t need that pressure. We just figured out how to do custom breakout rooms on Zoom.

Books aren’t holy, and declaring in capitalized, weirdly baroque curse words that you don’t like certain popular or well-regarded ones isn’t particularly scandalous or interesting. They are, after all, just books. Some are great, some are middling, and six of them are by Chelsea Handler.

[mxlouloute]

PSA - on CSA and my interpretation of Dolores

putting everything below the cut because I am aware this is pretty heavy. But in light of recent anons and IMs it needs to be addressed.

I’ve recently received some anons stating my interpretation of Lolita is wrong and that I’m misunderstanding the intent of the novel. I will NOT, under ANY circumstances ever write my Dolores as in love with HH or take anything that that unreliable rat bastard pedophile narrator says about Dolores at face value. He’s a liar and per the author of the book you are not supposed to side with HH.

I’ve also had some people approach through my IMs asking to  smut as well as change how I write Dolores. per my rules, despite that I default Dolores as 18 at her youngest, there will be NO SMUT. I’m not comfortable with it, and I’m not comfortable glossing over the purpose of the book. you ask and you will be hardblocked.

As for the complaints on her anxiety, skittishness, and tendency to “180″, I’ve based this on studies I’ve read from reliable sources on PubMed. You are welcome to dig through and read for yourself as i know I will keep coming back and try to stay up to date on what those  journals have to say and apply that to my characterization.

As for why Dolores is all over the place, its because the few studies on age, gender , and societal pressure tend to outline that  men and women handle CSA different from each other. There were higher suicide rates among those 65 and older as of a 2019 retrospective study due to victim-blaming. Women are more likely than men to be hypersexual/ promiscuous as well as have long periods of limited or non-existent sexual activity. Among all genders it was found that they are more likely to participate in sexual activity with strangers than people they know and have a difficult time forming last relationships ( both friend, familial, and work wise). PTSD, anxiety, depression, and high risk behaviors ( thrill seeking, drug, and alcohol use)  are also prevalent in all ages, especially those without a good support system.

I’m not going to erase these things form Dolores. She is not Lolita. Even the book makes it explicitly clear that the only person who even calls her Lolita is her rapist.

I understand that this is a very taboo topic, especially in the late 40s/early 50s.   I’m not going to erase it from her. 

If a blog about  the  exploration in found family, healing through built community,  and overcoming trauma isn’t for you, then please, I implore you to not follow.

[hostess-of-horror]

Shelley at School

[This is inspired by "Teenage Shelley" made by @sleepy-heads-blog, a wonderful piece of fan art of Shelley, my fanchild for Sam and Max!]

---

[It's the first few days at school, and Literature class has begun. The teacher, Mrs. Hampshire, had assigned the entire class a project - to recite a piece of classic literature as a way of getting to know each other. As each student went up and performed, they would often recite monologues or famous quotes from the book of their choosing. Then afterwards, they would explain why they chose their literature piece. A student sits down after reciting his piece.]

Mrs. Hampshire: "Well done, Andrew! That was very fascinating. Now, onto the next student... let's see here..." *goes through a list of names on her clipboard* "Ah, yes, Shelley! Shelley, will you please recite in front of the class, please?"

[There in the far back of the class sits Shelley, now grown up into a teenager. Her long black hair is pulled up in a ponytail, revealing one long patch of stark white hair in the middle. Her ears are pierced with gold Anhk earrings, which matches her necklace, and her stitches are now glistening with gold. Her outfit is no longer a pink Lolita dress, but a flowy black outfit with gold sequins and Egyptian-like designs on them. She walks with grace, a sweet smile on her face, with a copy of Oscar Wilde's "The Picture of Dorian Gray" in her hands. As she passes by, students begin to whisper to each other. Shelley ignores them. She goes to the front if the class and begins reciting.]

Shelley: "There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain."

[The students are stunned in silence, and so is Mrs. Hampshire. After a moment of silence, Mrs. Hampshire finally speaks.]

Mrs. Hampshire: "M-my, how impressive! And rather lengthy... tell us, Shelley, why did you pick this one piece of literature to recite for us today?"

Shelley: "Well, the big reason is because I enjoy how the author describes his philosophy about morality and society. Every word he chooses are vivid - flowery - extremely poetic, much like William Shakespeare's plays. In this passage, Oscar Wilde is describing how our sins are considered "socially acceptable" because we put them in art. I find it very interesting that something so vile, disturbing, and often shunned can be enjoyed immensely. It's like we all truly want to bask in debauchery or gluttony or what have you, but can't actually do it, and so we put it in things like paintings or books."

Mrs. Hampshire: "Fascinating... and how does this passage reflect your life?"

[Shelley pauses for a moment to think.]

Shelley: "Um... it reflects..." *touches her stitches* "Myself. I guess you can say that I see myself as a piece of art. I even painted gold on my stitches to make myself beautiful, since I believe stitches are... not exactly the most appealing thing to have."

Mrs. Hampshire: "Well, thank you so much for sharing with us. Have a seat, please."

[Shelley thanks her and goes back to her desk. When she sits down, a few students look back at her. Some of them are confused while others are interested. Mrs. Hampshire continues listing off students. Then, a girl sitting right beside Shelley gets her attention. Her name is Hannah.]

Hannah: *whispering* "How did you recite ALL of that? I can't even remember a simple line for our school play."

Shelley: *whispering back* "You mean no one else can?"

Hannah: "I mean... uh, what I mean is, that was really cool. You're really cool, actually. I've never seen anyone like you before."

Shelley: *smiles* "Thank you."

[rattusrattus3]

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Sources of inspiration/influences: W.I.T.C.H. comic, Emily the strange, Neil Gaiman, Tony Diterlizzi, Jim Henson, Emilie Autumn, troll dolls, vintage toys and fashion, italian folk music, ramshackle glory/folk punk, folklore and fairytales, drag and gender fuck fashion, cats, mythical creatures, Rookie Mag, fairy kei, goth, punk, lolita fashion, pastel goth, creepy/cute aesthetics, post apocalyptic stuff, 

Mental Health Resources:

Mental Illness Happy Hour Podcast, i especially recommend using their search box for finding specific topics, and using the forum to chat about mental health stuff, the surveys are fantastic as well 

DEPRESSION

Suicide Hotline: 1-800-SUICIDE (2433) – Can use in US, U.K., Canada and Singapore

Suicide Crisis Line: 1-800-999-9999

National Suicide Prevention Helpline: 1-800-273-TALK (8255)

National Adolescent Suicide Helpline: 1-800-621-4000

Postpartum Depression: 1-800-PPD-MOMS

NDMDA Depression Hotline – Support Group: 1-800-826-3632

Veterans: 1-877-VET2VET

Crisis Help Line – For Any Kind of Crisis: 1-800-233-4357

Suicide & Depression Crisis Line – Covenant House: 1-800-999-9999

Trans Lifeline: https://www.translifeline.org/

National Alliance on Mental Illness  www.nami.org

DOMESTIC ABUSE

National Child Abuse Helpline: 1-800-422-4453

National Domestic Violence Crisis Line: 1-800-799-SAFE (7233)

National Domestic Violence Hotline (TDD): 1-800-787-32324

Center for the Prevention of School Violence: 1-800-299-6504

Child Abuse Helpline: 1-800-4-A-CHILD (1-800-422-4453)

Domestic Violence Helpline: 1-800-548-2722

Healing Woman Foundation (Abuse): 1-800-477-4111

Child Abuse Hotline Support & Information: 1-800-792-5200

Women’s Aid National Domestic Violence Helpline: (UK Only) 0345 023 468

Sexual Abuse Centre: (UK Only) 0117 935 1707

Sexual Assault Support (24/7, English & Spanish): 1-800-223-5001

Domestic & Teen Dating Violence (English & Spanish): 1-800-992-2600

Rape and Incest National Network Online Help Center: https://ohl.rainn.org/online/

ALCOHOL & DRUG ABUSE

National Association for Children of Alcoholics: 1-888-55-4COAS (1-888-554-2627)

National Drug Abuse: 1-800-662-HELP (4357)

Al-Anon/Alateen Hope & Help for young people who are the relatives & friends of a problem drinker): 1-800-344-2666

Alcohol/Drug Abuse Hotline: 1-800-662-HELP (4357)

Be Sober Hotline: 1-800-BE-SOBER (1-800-237-6237)

Cocaine Help Line: 1-800-COCAINE (1-800-262-2463)

24 Hour Cocaine Support Line: 1-800-992-9239

Ecstasy Addiction: 1-800-468-6933

Marijuana Anonymous: 1-800-766-6779

YOUTH & TEEN HOTLINES

National Youth Crisis Support: 1-800-448-4663

Youth America Hotline: 1-877-YOUTHLINE (1-877-968-8454)

Covenant House Nine-Line (Teens): 1-800-999-9999

Boys Town National: 1-800-448-3000

Teen Helpline: 1-800-400-0900

TeenLine: 1-800-522-8336

Youth Crisis Support: 1-800-448-4663 or 1-800-422-0009

Runaway Support (All Calls are Confidential): 800-231-6946

Child Helpline: (UK Only) 0800 1111

Kids Helpline: (Australia) 1800 55 1800

PREGNANCY HOTLINES

AAA Crisis Pregnancy Center: 1-800-560-0717

Pregnancy Support: 1-800-4-OPTIONS (1-800-467-8466)

Pregnancy National Helpline: 1-800-356-5761

Young Pregnant Support: 1-800 550-4900

Abortion Services Websites

https://exhaleprovoice.org

http://yourbackline.org

LGBTQIA+ HOTLINES

The Trevor Helpline (For LGBTQIA+ questions or problems): 1-800-850-8078

Gay & Lesbian National Support: 1-888-THE-GLNH (1-888-843-4564)

Gay, Lesbian, Bisexual, and Transgender (GLBT) Youth Support Line: 1-800-850-8078

Lesbian & Gay Switchboard: (UK Only) 0121 622 6589

Lothian Gay & Lesbian Switchboard – Scotland: (Scotland Only) 0131 556 4049

OTHER HOTLINES/WEBSITES

Self-Injury Support: 1-800-DONT CUT (1-800-366-8288) (WWW.SELFINJURY.COM)

Eating Disorders Awareness and Prevention: 1-800-931-2237 (Hours: 8am-noon daily, PST)

Eating Disorders Center: 1-888-236-1188

Help Finding a Therapist: 1-800-THERAPIST (1-800-843-7274)

Panic Disorder Information and Support: 1-800-64-PANIC (1-800-647-2642)

TalkZone (Peer Counselors): 1-800-475-TALK (1-800-475-2855)

Parental Stress Hotline: 1-800-632-8188

National AIDS Helpline: (UK Only) 0800 567 123

Sex and Love Addicts Anonymous www.slaafws.org

BetterHelp online counseling www.BetterHelp.com/mental

Crisis Text Line  text  741741

Sexuality and Gender Resources

Scarleteen

DNI: kink/NSFW/porn blogs, transmed/truscum, terf/swerf, racists, antisemites, nazis, thinspo/pro-ana/pro mia blogs, MAP/NoMAP/Pedophiles 

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