#local painters North shore

[paintbuddy]

Local Painters North Shore | Painting & Decorating Experts

Request a free quote from a Leading painting company in North Shore. We provide top-notch residential and commercial painting services that you can rely on!🏠

[technicolorpainting]

Painters North Shore | Technicolor Painting

Technicolor is Your Trustworthy Painting Services Company that has Top Rated Reviews and Certified Local Painters North Shore. FREE Quote Now!

[aonekoreanpaintings]

Unique Wall Painting Design Ideas to Inspire Your Next Project

Read this post if you wish to improve your wall design and paintings! This is made to help people with wall painting design that are suitable for them.

https://aonekoreanpaintings.tumblr.com/post/714456086860709888/unique-wall-painting-design-ideas-to-inspire-your

[opcpaintings]

Hire the Best Painters North Shore

Painters in North Shore offers exceptional painting services and not just simple home, exterior, and interior painting. The wide range of services included in our painting services are:

[ammg-old2]

The west coast of Ireland is famed for its wave-beaten shores and bare, stony mountains, where only a few stunted trees grow in hollows and valleys, bent by harsh storms blowing in from the North Atlantic.

The coastline, with its cold, clean winds and ever-changing skies, gives an impression of unspoiled, primal nature. In 2014, the Irish government designated a 1,550-mile tourist route along the coast, and called it “The Wild Atlantic Way.”

Yet, where generations of painters, poets and visitors have rhapsodized about the sublimity of nature and the scenic Irish countryside, ecologists see a man-made desert of grass, heather and ferns, cleared of most native species by close-grazing sheep that often pull grasses out by the roots.

As climate change threatens even more ecological disruption, a growing Irish “rewilding” movement is calling for the restoration of the native forests that once covered these lands, both as natural machines to capture atmospheric carbon, and to preserve and extend what remains of Ireland’s dwindling biodiversity.

Rewilding, the practice of bringing ravaged landscapes back to their original states, is well established in Britain, where numerous projects are underway. For Ireland, this would mean the re-creation of temperate forests of oak, birch, hazel and yew that once covered 80 percent of the land but now — after centuries of timber extraction, overgrazing and intensive farming — have been reduced to only 1 percent.

For some, rewilding began with a personal choice.

In 2009, Eoghan Daltún, a sculpture restorer, sold his house in Dublin to buy 33 acres of gnarled oaks and rugged hillside on the Beara Peninsula in County Cork, in the far southwest. Where local farmers had once raised a few cattle and sheep, he erected a fence to keep out feral goats and sika deer, two nonnative, invasive species that nibble undergrowth and saplings down to the roots, and kill older trees by gnawing away their bark.

One day in late spring, with the wind driving rain off the foaming ocean, he proudly showed off the results. Wood sorrel, dog violet and celandine were already in flower beneath the twisted branches of mature oak and birch, thickly draped in mosses, ferns and epiphytic plants. New shoots of oak, hawthorn and ash pushed up through the grass and dead ferns.

“The sheep and deer would eat those little saplings before they even started on the grass, so when the old trees eventually died, there’d be no new ones to replace them,” said Mr. Daltún, who wrote about his experiment in “An Irish Atlantic Rainforest,” a memoir. “But the native forest is returning here, all by itself. I don’t have to plant anything.”

Ireland has committed to increasing the total proportion of forested areas to 18 percent by 2050, from 11 percent currently. Yet this would still be well below the European Union average of 38 percent, and most of it would consist of commercial spruce and pine plantations that make up more than 90 percent of Ireland’s current woodlands.

Grown to be harvested within 30 to 40 years, these nonnative conifers are treated with chemicals that pollute groundwater and rivers. Ecologists say little can grow on a forest floor carpeted with dead needles and a desert for insects and native wildlife. And much of the carbon they store is released again when they are harvested.

It would be better for biodiversity and carbon sequestration to pay farmers and landowners to grow native trees and leave them unharvested, according to Padraic Fogarty, the campaign officer for the Irish Wildlife Trust. He cited the example of Costa Rica, which has reversed the Central American trend of deforestation by paying farmers to preserve and extend the rainforest.

Ray Ó Foghlú of Hometree, another rewilding organization, believes farmers could be paid not to plow or graze strips land that border remaining pockets of native woodland — often only a few trees and bushes — that cling to inaccessible hillsides or in the awkward corners of fields. Biologically rich, these microforests would, if left to themselves, quickly recolonize neighboring areas, Mr. Ó Foghlú believes. He himself recently bought nine acres of “scrubland” — home to sessile oaks (Ireland’s national tree), hazels, wood sorrel, blue bells and anemones.

“I pinch myself still that I own it,” he said. “It has a river running through it, and I can’t believe it’s mine, for the price of a second hand car these days.”

Irish rewilding enthusiasts look enviously at the highlands of Scotland, ecologically very similar to the west of Ireland, but where the concentration of ownership in the hands of a few hundred aristocrats and magnates allows rewilding at much greater scale.

Ecologically minded figures like the Danish billionaire Anders Holch Povlsen, Scotland’s largest private landowner, with 220,000 acres, can clear deer and livestock from tens of thousands of acres, allowing native growth to quickly regenerate. Eradicated native species, notably the European beaver, have also been reintroduced to Scotland to restore ecological balance.

In Ireland, where the average farm size is 83 acres, such large-scale rewilding would seem to be unfeasible. The big exception, so far, has been in the unlikely setting of County Meath, in the flat, highly fertile and intensively farmed east of the island, and in the unlikely person of Randal Plunkett, a New York-born filmmaker, vegan and death metal enthusiast.

Since Mr. Plunkett — better known, to some, as the 21st Baron of Dunsany — inherited his 1,700 acre ancestral estate in 2011, he has cleared it of livestock and left one-third to revert to unmanaged forest, complete with a wild herd of native red deer.

“Biodiversity is expanding dramatically,” said Mr. Plunkett, 30, standing in thick woodlands humming with bees and other busy insects. “At least one species has returned every year since we started. Pine martens. Red kites. Corncrakes. Peregrine falcons. Kestrels. Stoats. Woodpeckers. Otter. We think there’s salmon in the river again, for the first time in my life.”

One of his forebears, Sir Horace Plunkett, pioneered modern, industrial farming in Ireland early last century, encouraging small farmers to set up cooperatives and to mechanize their operations and use fertilizers and chemicals. Today, Randal Plunkett says, not everyone in this rich farming area is happy about his decision to abandon intensive agriculture, or to ban all hunting on the estate.

“It’s safe to say I’m not popular with the hunting crowd,” he said. “I’ve had death threats.”

Rewilding has its opponents. Ireland’s influential agribusiness lobbies are economically and culturally suspicious of suggestions that farmland should be allowed to revert to what they traditionally derided as “scrub.” People will always need food, they point out. In more marginal areas in the uplands and west, farmers argue recent regulations have reduced the numbers of sheep they can graze per acre, and that removing them altogether would harm existing biodiversity.

“If you leave an area ungrazed and unmanaged, you leave an area that’s at risk of being burned,” said Vincent Doddy, the president of the Irish Natura and Hill Farmers Association. “I think cattle and sheep are the most cost effective way of managing the land.”

Even on poor soil and small farms, where livestock production is sustainable only through government grants and second jobs, the title of farmer is still prized beyond its cash value.

“You’d have some of them who’d say, ‘Sheep are a part of my family tradition, and my identity, and it’s what I want to do,’” said Mr. Daltún, who himself keeps some cattle on his 33 acres. “But others would see the benefit of being paid for looking after the land, and letting it regenerate, and to have time to focus more on their other work or business.”

[upscalepainting123]

Which structures in Sydney do commercial painters paint?

Painting Sydney: Investigating Designs Where Business Painters Work

With regards to keeping up with the lively charm of Sydney, business painters assume a significant part. From the notorious horizon to the curious corners of the city, these talented craftsmen are the unrecognized yet truly great individuals behind the new layers of paint that keep Sydney putting its best self forward. Be that as it may, where precisely do they carry out their specialty? How about we jump into the universe of business painting in Sydney and investigate the designs that accept their master contact.

High rises and Tall structures

Sydney's horizon is a demonstration of current engineering and metropolitan complexity. High rises like the Sydney Pinnacle and the Aurora Spot stand tall, shining in the daylight. Be that as it may, keeping up with these monsters requires something other than a wiper and a container; it requests the skill of business painters. From outside exteriors to inside spaces, these experts guarantee that each surface is covered with accuracy and care, shielding these design wonders from the cruel Australian components.

Office Edifices and Business Spaces

The clamoring business locale of Sydney are bursting at the seams with action, lodging a horde of workplaces, shops, and business spaces. From the glass-fronted veneers of corporate base camp to the in vogue insides of retail outlets, business painters are continually working, reviving these spaces with new layers of paint. Not in the least does this upgrade the stylish allure of these conditions, however it likewise makes a favorable climate for efficiency and trade.

Private Properties and Apartment complexes

Sydney isn't simply a city of high rises and office towers; it's likewise where individuals call home. From the verdant rural areas of the North Shore to the lively neighborhoods of the Inward West, private properties speck the scene of the city. Business painters assume a urgent part in keeping up with these homes, whether it's applying a new layer of paint to the outside walls or redoing the insides to mirror the most recent plan patterns. All things considered, there's nothing very like returning home to a space that feels splendid, inviting, and restored.

Friendliness Settings and Amusement Foundations

Sydney is prestigious for its energetic nightlife and flourishing accommodation scene. From stylish mixed drink bars to comfortable bistros, these scenes are the heartbeat of the city's public activity. Business painters add to the mood of these spaces, changing dull walls into show-stoppers that mirror the interesting character of every foundation. Whether it's making a modern air for top notch food or a lively energy for a local bar, these experts know how to set the right state of mind with a stroke of their brushes.

Instructive Foundations and Public Structures

Instruction is a foundation of society, and Sydney brags a plenty schools, colleges, and public structures devoted to information and learning. Business painters assume a vital part in keeping up with these foundations, guaranteeing that they give a helpful climate to understudies, educators, and guests the same. From lighting up homerooms with bright paintings to saving the authentic honesty of legacy structures, these experts comprehend the significance of making spaces that move inventiveness, interest, and development.

Conclusion

All in all, in Sydney commercial painters are the uncelebrated yet truly great individuals behind the city's lively tasteful. From transcending high rises to comfortable homes, they work resolutely to guarantee that each surface gets the consideration it merits. So the following time you appreciate the excellence of Sydney, make sure to offer your appreciation to these gifted craftsmen who keep the city putting its best self forward.

[bryanjames9126]

Enhance Your Home's Aesthetics: Top-rated Painters in North Sydney

When it comes to creating a living space that truly reflects your style and personality, the color palette plays a pivotal role. Your home is a canvas, and the brushstrokes of a skilled painter can transform it into a masterpiece. In North Sydney, where the blend of modern living meets classic charm, finding the right painters is an essential step toward enhancing your home's aesthetics.

Understanding the Local Landscape

North Sydney, nestled on the northern shores of Sydney Harbour, is a unique blend of residential neighborhoods and commercial hubs. The architectural diversity, from historic homes to contemporary apartments, demands a nuanced approach to painting. Top-rated painters in North Sydney understand the local landscape, taking into account the surrounding environment, architectural styles, and the preferences of the residents.

Craftsmanship Beyond Color

Painting is not merely a task of applying color to walls; it's an art form that requires precision, skill, and a keen eye for detail. The top-rated painters in North Sydney go beyond the surface, focusing on craftsmanship that stands the test of time. From meticulous preparation of surfaces to selecting the right type of paint for different areas, these professionals take pride in their workmanship.

Personalized Consultations for a Tailored Experience

No two homes are the same, and the best painters in North Sydney acknowledge this fact. They offer personalized consultations to understand your vision, preferences, and lifestyle. Whether you're aiming for a contemporary, minimalist look or a classic, timeless feel, these painters work closely with you to bring your ideas to life. The result is a home that resonates with your personality and provides a welcoming atmosphere.

Quality Materials for Lasting Results

Aesthetics are not just about the immediate visual impact; they are about longevity. Top-rated painters in North Sydney prioritize the use of high-quality materials, ensuring that the vibrancy of colors persists over time. Their commitment to using premium paints and finishes reflects in the durability and resilience of the painted surfaces.

Respecting Deadlines and Minimizing Disruptions

Home improvement projects often come with concerns about disruptions to daily life. Recognizing the importance of your time and peace of mind, the best painters in North Sydney adhere to deadlines and strive to minimize disruptions during the painting process. Their professionalism extends beyond the brush, making the entire experience as smooth and stress-free as possible.

In conclusion, enhancing your home's aesthetics in North Sydney involves more than just a fresh coat of paint. It's about entrusting your space to top-rated painters who understand the nuances of the local landscape, value craftsmanship, and prioritize your unique vision. With these professionals by your side, your home becomes a work of art that tells a story—one that reflects your taste and enhances the beauty of North Sydney's diverse architectural tapestry.

[chrisben03]

Transforming Spaces: The Expert Painters Of Pymble

Pymble, a charming suburb on Sydney's North Shore, boasts beautiful homes and picturesque landscapes. In this idyllic setting, residents take pride in maintaining their properties, ensuring they reflect the elegance and tranquillity of the area. One essential aspect of property maintenance is the art of painting, and that's where the expert painters of Pymble come into play.

Professional painters in Pymble offer more than just a fresh coat of paint; they bring homes to life, elevate their aesthetics, and protect them from the harsh Australian climate. In this article, we'll delve into the world of painters in Pymble, exploring the importance of their work, the services they provide, and why they are the go-to choice for homeowners in the area.

The Importance of Professional Painters in Pymble:

Enhancing Aesthetics:

A fresh coat of paint can work wonders in rejuvenating the appearance of a property. The professional painters of Pymble understand the significance of colour and finish. They advise homeowners on the most suitable paint options to match their property's style and ambiance. Whether it's a classic heritage home or a modern masterpiece, skilled painters ensure that the chosen colours enhance the overall aesthetics.

Durability and Protection:

The Australian climate can be harsh, with the sun's UV rays and occasional rain posing challenges for the exterior surfaces of homes. Professional painters in Pymble use high-quality paints that not only beautify but also protect properties. Their expertise in surface preparation, such as sanding, filling, and priming, guarantees long-lasting results.

Services Offered by Painters in Pymble:

Interior Painting:

The interior of a home is a canvas for personal expression. Professional painters in Pymble offer comprehensive interior painting services, transforming living spaces into cozy, inviting areas. They handle everything, from preparation and priming to the final coats, ensuring a seamless and uniform finish.

Exterior Painting:

The exterior of a property is its first impression. Expert painters in Pymble specialise in exterior painting, utilising weather-resistant paints that stand up to the Australian elements. Their precise application techniques result in a flawless finish that enhances a home's curb appeal.

Colour Consultation:

Choosing the right colours can be challenging. Painters in Pymble often provide colour consultation services to help homeowners select hues that harmonise with their style and surroundings. They consider factors like architectural elements, natural lighting, and personal preferences to guide the decision-making process.

Commercial Painting:

Pymble is not just about residential properties; it also hosts various businesses and commercial establishments. Professional painters in Pymble extend their expertise to commercial spaces, delivering top-notch painting solutions to enhance the appearance and professionalism of businesses.

Why Choose Professional Painters in Pymble:

Local Knowledge:

Pymble's local painters are well-acquainted with the suburb's architectural diversity and weather conditions. Their local knowledge enables them to recommend paint options that endure the specific challenges of the area.

Quality Workmanship:

Professional painters in Pymble take pride in their workmanship. They employ skilled techniques, such as sanding, sealing, and precision painting, to achieve impeccable results. Quality is not compromised, ensuring that every project is a testament to their dedication.

Timely Completion:

Time is of the essence when it comes to painting projects. Pymble's expert painters are committed to completing projects on schedule, minimising disruption and inconvenience for homeowners.

Peace of Mind:

Hiring a professional painter in Pymble offers peace of mind. Their expertise, combined with the use of premium materials, guarantees that the finished project not only looks outstanding but also endures the test of time.

Conclusion:

The expert painters of Pymble play a vital role in enhancing and preserving the area's exquisite properties. Their local knowledge, dedication to quality workmanship, and commitment to timely completion make them the preferred choice for homeowners and businesses in the suburb. Whether you're planning to rejuvenate your living space or elevate your property's curb appeal, professional painters in Pymble are your trusted partners in turning your vision into reality.

[welzie-art]

What's It Like To Be An Artist On Maui

What Its Like to be an Artist on Maui

Maui is a magical place where artist from all over the world come to visit and absorb the inspirational and creative energy. The Valley Isle offers everything a creative person needs to express theirselves through art. You will find every type of fine artist here on Maui from painters of all mediums, like myself, ceramics, glass, muralists, wood, traditional Hawaiian mediums, sculpture, photographers, reclaimed art, and so much more. 

I want to dive into what its like to be an artist here on Maui and why so many artists choose Maui as their place of creativity and refuge. For myself, being an artist here on Maui is a relatively new experience. I spent all of my professional art career on Oahu, Hawaii, where I went to UH Manoa, started out in the art markets and developed my career with other amazing Oahu artists. In 2010 I had my first experience showing my work here on Maui and got a little glimpse into the Maui Art world. Read more about that experience here. 

In June of 2019 we opened our first Maui art gallery at the Andaz Resort Wailea, The Welzie Art Gallery. This was a giant step for me as an artist and changed the course of my art career. After 3 months of being here on Maui, my wife and I fell in love with the slower pace and the bustling art scene. Running our gallery from Oahu just didn’t seem like the way to go. Once we found a warehouse space to create my studio, We were ready to make the move to an outer island.

Its been 4 years since making the transition to Maui and I have come to realize Maui is an amazing place to be an artist. 

Here Are My 5 Reasons Why Being an Artist on Maui is Amazing

Reason 1

 The pace of Maui is slow, which makes everything not stressful, but at the same time it is not so slow that time seems to stand still. For me, I need a little tempo to life and Maui Has the perfect balance. Its so convenient to be able to get to all the art stores, hardware stores, galleries and everything you need all within a short 20 min drive. With no traffic. The mellow pace of the island just reinforces a mellow and happy artist, which is exactly what I need to create my happy art.

Reason 2

There are so many galleries on the island with so many towns being little creative hot spots. This is great for any artist because it allows them to show their work in multiple areas close to home. 

Hana, which is out on the east side of the island is very secluded and lush, where you will find the artists who need to get away from it all and create in their own little jungle world.

Paia is the small surf town on Maui’s north shore where you will find the surfing artist from all over the world who balance their creativity with their passion for riding waves in the world class surf surrounding the area. Yogis and hippies help contribute to the art scene in Paia, giving the area a very rootsy vibe.

Wailuku is getting brighter and brighter everyday as the small town nestled around Iao valley has created Small Town Big Art, an organized effort to seeing the community grow through art installations and outreach. STBA brings artist from around the islands and around the world to show their work and inspire the local community.

South Maui, where my studio and art gallery are, seems to be quickly becoming a major arts center on the island. In Kihei near my studio you will find artist, photographers, framers and creators starting to gather. There are now over 5 art galleries in South Maui, as well as a 3rd Friday event which shows artist works. The Four Seasons has artists showing their work daily in the lobby, The Andaz Wailea has created the Artist in Residence Program where I am the resident artist (I don’t live on site) It’s safe to say South Maui is definitely becoming another strong art hub in the Maui art community.

Makawow/Upcountry

In this upcountry town you will find a handfull of galleries with a country vibe. Nestled on the slopes of Haleakala, you can look out over the island while wearing a jacket and cowboy boots. You will find beautiful landscape painters such as Jordanne Gallery and others. It's such a different vibe up on the mountain and is a great example of the diversity in culture on Maui.

Lahaina,

The art Mecca of the Hawaiian islands, The gathering place for all Hawaii artists. With so many galleries and art culture in Lahaina, its hard to say there is a more artsy town than Lahaina. As Lahaina rebuilds I think and hope that all of us Maui artists know how important it will be to make sure the art scene of Lahaina town comes back and shows more local artists than ever before.

Reason 3

Like all the Hawaiian islands Maui is absolutely beautiful. If you’re an artist that gets a recharge from nature and getting away from it all, then Maui is like a constant reset button. Jumping into the clear, warm blue waters or looking out over the edge of a massive cliff on a hike, Maui can recharge your soul every single day. For myself as a creator, the ocean has always been a big source of inspiration. A good surf, snorkel or ocean swim would always get me in the right head space to create something happy and fun in the art studio.

Reason 4

Now this may be a controversial topic but one of the reasons why Maui is great to be an artist isa because so many people come to visit Maui every year and Maui is known for its art culture. As an artist you always want more people to see your artwork, and having new people come and visit every week allows for the artist to spend more time creating artwork and less time having to travel around showing their work. It is more like a “If you build it they will come” mentality. We as Maui artist get to make what we want to make then have the ability to show it to lots of new people right on our door step.

Reason 5

Maui has so many programs embedded into the Maui community to help facilitate the Arts. For example the Maui Arts and Cultural Center that shows artwork, theater and music. The Hui No'eau Visual Arts Center in Makawow which has art programs and gallery space. Maui Open Studios which organizes Maui artist to open their studios for art collectors to visit their creative space. Small Town Big Art, which I have mentioned before that brings artists of all kinds from all over the world to help bring creativity and inspiration to the Wailuku area. Maui truly is truly an art island paradise.

There are so many reason why Maui is an amazing place to be an artist. For myself, anywhere in the Hawaiian islands is an amazing place to be an artist. Hawaii breaths energy and mana and for someone who needs some creative energy, Hawaii is the place to thrive. Any artist in Hawaii with the ability to make a living here is truly fortunate. I am so fortunate to call Maui my home and to be a part of this Maui Art Community.

Aloha,

Welzie

[olympicpaintingpros]

Why professional Painting Contractor North Shore is better than local ones?

To find a painting contractor In North Shore is one of the challenging tasks when it is about renovating a building according to your need and requirement. You search, bargain and then assign the work and often your remain unsatisfied with their work. Same is true when you want to get your office renewed. You will remain dissatisfied upon hiring a local painter and only a professional can offer you the right justice in this context.

Especially when you make searches on the internet with the title” commercial painting contractors near me”, you will get a long list of them online. But selecting the best who offers standard results and have experienced and skilled workforce that can add up the value to your office is difficult. Selecting a professional painting contractor is always better over a non professional painter as they can help you with deciding the texture and colour of the paint. So, their suggestions will definitely uplift the aesthetics of your place apart from getting a professional painting done by them. They have well equipped people working under them and they will produce the required outcome in a stipulated time. They function in a professional manner, making sure that they are not causing any problem for you. Hiring them is time and cost effective.

Now, getting an access to them is easy as every one of us uses internet and the professional commercial painting contractor north shore have an online presence. You can view every single detail about them at their website. So, make sure that you read it carefully before assigning the work to any of the professionals.

[peacockpainting]

When looking for a professional to do painting jobs for your property, there are two main types of painters that you can choose from Residential and Commercial painters. Here is a quick rundown of the key differences between the two to help you make a more informed decision.

[dutch-and-flemish-painters]

François Musin - On the beach at Katwijk - 

oil on panel, 

Katwijk, also spelled Katwyk, is a coastal municipality and town in the province of South Holland, which is situated in the mid-western part of the Netherlands.

The Oude Rijn ("Old Rhine") river flows through the town and into the North Sea.

Katwijk is located on the North Sea, northwest of Leiden and 16 km north of The Hague. It shares its borders with the municipalities of Noordwijk, Teylingen, Oegstgeest, Leiden, and Wassenaar. In August 2020, Katwijk had a population of 65.929 and covers an area of 31.15 km2 (12.03 sq mi), of which 6.40 km2 (2.47 sq mi) is water. Katwijk is by far the largest town in the Duin- en Bollenstreek ("Dune and Bulb Region").

Katwijk is a seaside resort with a wide sandy beach. Its attractiveness is mainly due to its laid-back atmosphere. The boulevard along the shore is not spoiled by large hotels or apartment blocks and has not given in to an excessive commercialisation. Although most buildings lining the boulevard are tourist apartments and pensions, most are just three floors high (and none more than five) and offer a distinctive 'feel' of the 1950s. Besides the beach, there are a few museums in Katwijk, like the old fisherman's museum Katwijks Museum and the Spinoza-museum. A few kilometers inland is the Valkenburg Lake Steam Train, a narrow-gauge railway museum where a scenic steam locomotive driven train ride can be taken around Lake Valkenburg. Katwijk has many hotels and three camping places, mostly situated in the dunes.

François-Etienne Musin (4 October 1820, Ostend - 24 October 1888, Saint-Josse-ten-Noode) was a Belgian painter who specialized in seascapes and scenes of coastal landscapes, rivers and harbours.

Musin's father was an innkeeper, shipbuilder and oyster farmer who had spent some time in a penal regiment for desertion during the Napoleonic Wars. As a child, he paid more attention to the sea than his studies. His artistic talent was discovered when he was locked in the attic as punishment and used a piece of charcoal to draw a view of the Ostend docks on the wall.

In 1831, he received his first lessons from Michel Van Cuyck and François-Antoine Bossuet, who would later become famous for his vedute, but was still working for the Port of Ostend at that time. He later attended the local Beaux Arts Academy and graduated after winning a gold medal in 1835. By this time he had already gained some dangerous experience with ships and sailing while tending to his father's oyster beds.

He continued his studies at the Académie Royale des Beaux-Arts in Brussels, where he studied under François-Joseph Navez. While there, he made drawings of surgical procedures in the operating room of Doctor Louis-Joseph Seutin, with the intention of publishing them in a textbook. In 1839, he was drafted in the Army, but his father paid for a replacement (a common practice at the time). In 1840, he began to exhibit and moved to Brussels permanently in 1842, completing his studies the following year. His career was substantially advanced when King Leopold I bought two of his paintings in 1845.

[aonekoreanpaintings]

If your old house paint is discolored, then you need the services of a painter in North Shore. Contact us at A One Korean Painting. Our team of expert painters uses the finest quality products and provides superior customer service, ensuring that prep work is done with the right tools to achieve the best paint job possible.

[opcpaintings]

Hire the Best Painters North Shore

Painters in North Shore offers exceptional painting services and not just simple home, exterior, and interior painting. The wide range of services included in our painting services are:

[the-paintrist]

Christian Zacho - Cliffs on the shore at Rø, Bornholm - 1871

oil on canvas, Height: 106 cm (41.7 in); Width: 168 cm (66.1 in)

Bornholm (Old Norse: Burgundaholmr) is a Danish island in the Baltic Sea, to the east of the rest of Denmark, south of Sweden, northeast of Germany and north of Poland. Occupying an area of 588.36 square kilometres (227.17 sq mi), the island had a total population of 39,439 on 1 April 2020.

Among Bornholm's chief industrial activities are dairy farming and arts and crafts industries such as glass production and pottery using locally worked clay. Tourism is also important during the summer months. The island is home to many of Denmark's round churches.

The island is known as solskinsøen (Sunshine Island) because of its weather and klippeøen (Rock Island) because of its geology, which consists of granite, except along the southern coast. The heat from the summer is stored in the rock formations and the weather is quite warm until October. As a result of the climate, a local variety of the common fig, known as Bornholm's Diamond, can grow locally on the island. The island's topography consists of dramatic rock formations in the north (unlike the rest of Denmark, which is mostly gentle rolling hills) sloping down towards pine and deciduous forests (greatly affected by storms in the 1950s), farmland in the middle and sandy beaches in the south.

Strategically located in the Baltic Sea, Bornholm has been fought over for centuries. Usually it had been ruled by Denmark, but also by Sweden and Lübeck, Germany. The ruin of Hammershus, at the northwestern tip of the island, is the largest medieval fortress in northern Europe, testament to the importance of its location. This island and Ertholmene is what remains in Denmark of Skåneland east of Øresund, having been surrendered to Sweden in 1658 but with Bornholm after a local revolt later regained in 1660.

Peter Mørch Christian Zacho, usually known as Christian Zacho, (31 March 1843, in Grenå – 19 March 1913, in Hellerup) was a Danish landscape painter who is remembered for his idyllic scenes of Danish beech woods.

[mybeingthere]

Modernist painter Arthur Dove (1880-1946)"Arthur Garfield Dove spent his early years in Geneva, New York, where his father was a building contractor and brick manufacturer. He attended Hobart College before transferring to Cornell University, from which he graduated in 1903. He then moved to New York City, where he worked as an illustrator for various popular periodicals for several years. In 1908–9, Dove and his wife Florence traveled to France; in Paris, Dove associated with other young American artists such as Alfred Maurer and Max Weber, and his work was included in group exhibitions. Returning to New York, Dove met Alfred Stieglitz, who invited him to submit work to the Younger American Painters exhibition, which also included work by John Marin, Marsden Hartley, and Edward J. Steichen, and was held at his gallery at 291 Fifth Avenue in 1910. Dove’s first one-person show was held at 291 in 1912; by then, his place in the artistic avant-garde of the Stieglitz circle was assured.

In 1910 and 1911, Dove created a number of inventive works of art that used stylized, abstract forms at a remarkably early date in American art; he is considered the first American artist to have created such purely nonrepresentational imagery (49.70.77; 49.70.72).

As the decade progressed, he was further influenced by Cubism, by the Expressionist work of Vasily Kandinsky, and by the writings of the French philosopher Henri Bergson (1859–1941), who stressed the importance of a mystical, rather than analytical, understanding of the world. Bergson proposed the existence of an “élan vital,” a spirit or energy that constantly animates all living things in their fight for existence. This idea appealed to Dove, who himself was fascinated with natural cycles of growth and renewal and sought to make those universal harmonies visible in his work. He was also frequently inspired by the parallel between the visual arts and music (49.70.77).In 1921, Dove left his wife and son for the artist Helen Torr, nicknamed “Reds,” the wife of the illustrator Clive Weed. Dove and Torr (who would eventually marry in 1932) began living together on a houseboat docked at Halesite, on the north shore of Long Island. Dove’s primary subject for his art was the local landscape, which he simplified into its essential forms with expressive color and line (49.70.40). His first-hand experience of the ocean tides, weather patterns, and seasonal cycles also informed these works, as did his quest for a symbolic color effect that he called “a condition of light.” As he described the latter idea in an autobiographical essay (published in Samuel M. Kootz, Modern American Painters, 1930), “It applied to all objects in nature, flowers, trees, people, apples, cows. These all have their certain condition of light, which establishes them to the eye, to each other, and to the understanding.” During the 1920s, his experiments with various subjects and materials also resulted in a series of collages, several abstract portraits, and still lifes of domestic objects and agricultural machinery (49.70.36). After 291 closed in 1917, he continued to exhibit his work at Stieglitz’s later galleries, the Intimate Gallery (1925–29) and An American Place (1929–46). Through Stieglitz, Dove also established a productive relationship with the patron and collector Duncan Phillips.

When Dove’s mother died in 1933, Dove and his brother became co-executors of the family estate in Geneva, New York. Dove, who had been struggling financially, moved to Geneva with Reds and lived on his family’s property while settling the debt-ridden estate. Despite his reluctance to relocate to Geneva, which he considered provincial, Dove remained there with Reds through 1938. Geneva provided him with new subject matter for his art, including the family farm, the local barnyard animals, and nearby lakes, as well as the city’s more industrial downtown area of warehouses and railroad tracks. Dove made only one trip to New York City during these years, although he maintained a close correspondence with Stieglitz, who would remain a lifelong friend and supporter. In the relative isolation of Geneva, he concentrated more than ever on themes of interdependence between living creatures and their environments (49.70.37; 49.70.75) and on the purely formal appeal of natural objects’ shapes and lines, which he emphasized to the point of abstraction with organic shapes and unexpected color schemes (49.70.96; 2006.32.14). He shared these interests with Georgia O’Keeffe, who was perhaps his closest ally among the other artists of the Stieglitz circle.

In 1938, Dove and Torr returned to Long Island and rented a small house, a former post office that stood directly on the shore of a mill pond in Centerport. Forced to live a sedentary life after a heart attack and a diagnosis of severe kidney disease, Dove found his view confined to the immediate neighborhood around his home. However, he transformed this limitation into a period of experimentation with form and medium. In a diary entry for August 5, 1942, Dove directed himself to work at the “point where abstraction and reality meet” (Archives of American Art, Smithsonian Institution). Some of his works of the 1940s drew inspiration from the local landmarks of his town on the Long Island shore (1992.24.5; 1984.536.1). Coming full circle, he also produced a number of paintings and drawings that are as purely nonrepresentational as the innovative works of his early career.

Dove continued to work into the last year of his life; he died after suffering a heart attack in 1946, only a few months after Stieglitz had passed away. Until his final days, his diary entries recorded his artistic goals alongside observations of the natural surroundings. His reputation continued to grow after his death, and he has been credited with exercising an indirect influence on the first generation of Abstract Expressionists, such as Jackson Pollock and Mark Rothko, who placed similar emphasis on the artist’s subjective experience of his surroundings and on the intrinsic emotional power of color and line."

https://www.metmuseum.org/toah/hd/dove/hd_dove.htm

Jessica MurphyDepartment of Modern and Contemporary Art, The Metropolitan Museum of Art.