#liv durand

[ladyblueberrymuffin]

[yesonlinetvshowstuff]

FC Goa are quite close to making their second Durand Cup final appearance in three seasons, but will have to overcome the challenge of Mohun Bagan Super Giant in the semi-final to do so.

[thechanelmuse]

My Top Albums/EPs of 2022

So I bet you thought I forgot to post my end-of-the-year music list 😏

Chile, I did 🙃. Better late than never tho, right? 

Enjoy!

JAZZ

The Baylor Project - The Evening: Live at APPARATUS

Billy Drummond & Freedom of Ideas - Valse Sinistre

Brandon Coleman - Interstellar Black Space

Cécile McLorin Salvant - Ghost Song

Charlie Gabriel - Eighty Nine

Jeremy Pelt - Soundtrack

Joshua Redman Quartet (Redman, Brad Mehldau, Christian McBride, Brian Blade) - LongGone

Makaya McCraven - In These Times

Marquis Hill - New Gospel Revisited

Ron Carter - Finding the Right Notes

Samara Joy - Linger Awhile

COUNTRY

Abbey Cone - Hate Me EP

Carrie Underwood - Denim & Rhinestones

Luke Combs - Growin Up

Madeline Edwards - Crashlanded + Madeline Edwards EP (two projects)

Maren Morris - Humble Quest

Mickey Guyton - I Am Woman EP

FOLK

Brandi Carlile - In These Silent Days (Deluxe Edition) - In the Canyon Haze

Kina Grannis - It's Hard to Be Human — (2021 album)

Valerie June - The Moon and the Stars: Prescriptions for Dreamers + Under Cover (two projects)

GOSPEL

DOE - Clarity

Kirk Franklin & Maverick City Music - Kingdom Come One (Deluxe)

Ricky Dillard - Breakthrough: The Exodus (Live)

Tasha Cobbs Leonard - Hymns (Live)

Tye Tribbett - All Things New

BLENDED GENRES

Gabriels - Angels & Queens – Part I

Janet Jackson - The Velvet Rope (Deluxe Edition) — 25th anniversary

Moonchild - Starfruit

PJ Morton - Watch the Sun (Deluxe)

Robert Glasper - Black Radio III (Supreme Edition)

SZA - SOS

Tank and the Bangas - Red Balloon

Various Artists - Stranger Things: Soundtrack from the Netflix Series, Season 4

YEBBA - Live at Electric Lady

SOUL/BLUES (ROCK*)

Jamison Ross - JAMO

Lady Wray - Piece of Me

Lee Fields - Sentimental Fool

Liv Warfield - Live at Cafe Wha? *

Lizz Wright - Holding Space: Live In Berlin

Miko Marks and The Resurrectors - Feel Like Going Home

Various Artists - Summer of Soul Original Motion Picture Soundtrack

R&B

Alex Isley & Jack Dine - Marigold

Ari Lennox - age/sex/location

Arin Ray - Hello Poison

Coco Jones - What I Didn't Tell You

Durand Bernarr - Wanderlust

India Shawn - BEFORE WE GO (DEEPER)

Kenyon Dixon - Closer

Lucky Daye - Candydrip

Mariah Carey - Butterfly: 25th Anniversary Expanded Edition

Mary J. Blige - Good Morning Gorgeous

Ravyn Lenae - HYPNOS

Sevyn Streeter - Drunken Wordz Sober Thoughtz

Siergio - BEFORE IT'S TOO LATE

POP/ALTERNATIVE (ROCK)

The 1975 - Being Funny In a Foreign Language

Aurora - The Gods We Can Touch

Avril Lavigne - Let Go (20th Anniversary Edition)

James Bay - Leap

LÉON - Circles

Lissie - Carving Canyons

Sigrid - High Note

RAP

Danger Mouse & Black Thought - Cheat Codes

Denzel Curry - Melt My Eyez See Your Future

Elzhi & Georgia Anne Muldrow - Zhigeist

JID - The Forever Story

Leikeli47 - Shape Up

Mozzy - Survivor's Guilt

Nas - King's Disease III

Saba - Few Good Things

Smino - Luv 4 Rent

EXPERIMENTAL

Niia - OFFAIR: Mouthful of Salt

Sault - Air + Aiir (2 projects)

HONORABLE MENTION

Beyoncé - RENAISSANCE

I know it’s coming... *hands on hips* “Honorable mention?!?”

I just can't listen to Renaissance straight through. I’ve tried and tried and tried. When it comes to my listening experience, I approach music sonically first, following the story and arrangement of the music instruments, and how the timbre of one's singing or rapping meets and interweaves between those elements. Give me an audio painting with a tapestry of enthralling colors and textures that I can feel. Then I'll invite in the lyrics.

It's like cinema. The average person most likely follows the eyes of the camera as it relates to the dialogue for the cinematic story. The way my brain is wired 🤖 I have to separate a number of other elements into parts as the story moves along — from the color grading and lighting to the sound design and mise-en-scène — to fully understand the director's vision and grasp the actual tale.

The thing about Renaissance as a whole is that it doesn't breathe enough for me. It feels chaotic like a tide than a flow if I let it run straight through. Give me spatial, darling! But that's the intentional, heavy-handed part about Renaissance, especially on the heels of a post-pandemic world: "Get tf up, dance and feel good." I don't wanna dance; I just wanna listen 😩 lol

Side note: 

We all have a specific musical palette as to why we fully gravitate to some songs/albums and not to others. I posted my review of Susan Roger’s book, This Is What It Sounds Like: What the Music You Love Says About You, a few months ago. (She was Prince's sound engineer from 1983 to 1988.) If you’re curious about why you like the music you like, I recommend for you to read it.

[kirkwall]

For the not so nice OC Meme: For Mariselle Durand, break, ghost, monster. For Liv Trevelyan, hide, nightmare, and wounded.

thank u for asking these kate!! also sry for the delayed reply, didn't wanna do it on mobile and it took me some time to get to the puter today

for mariselle:

What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?

at the point in act 1 she's currently at she has yet to experience real personal failure. she thinks she has an unshakable faith in lathander but so far everything in her life had worked out and she managed to save everyone she meant to save. so her lowest so far hasn't been really low. probably when she was heartbroken as a teenager and her parents and grandma saw her like that and comforted her. something that would really break her for good would probably be losing someone and lathander refusing to lend aid or at least her feeling like he did.

Who or what haunts your OC? What happened? How do they live with their ghosts?

she is surprisingly unhaunted at least in terms of ppl. but i think what somewhat haunts her is her own need to prove herself. she is terrified of being a disappointment to her family and her god so she throws herself into over-preparation and perfectionism at times.

Is your OC monstrous in any way? Is there something that makes them monstrous? Are they aware of their own monstrosity? Do they accept it or reject it?

it's the opposite of what she is trying to be and so far she hasn't done anything that could be seen as monstrous, really. hypothetically the only thing that might lead her down that path is her blind faith which could turn her into nothing more than a divine weapon.

for liv:

What does your OC hide? Why do they hide it?

they try to hide that they often have no idea what they're doing or why they were given as much authority as they have. they've never been one for leadership and feel overwhelmed but they pull it together (mostly with josie's help) to fulfill the role of inquisitor the way ppl expect them to.

What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?

they constantly have nightmares about any important decision they have to make and whether or how many ppl it might get killed. during trespasser they started to have nightmares about themself becoming dangerous to those around them as well. they tell josie about all of them and they deal with it by talking it out and honestly just being comforted by the one they love most.

How does your OC handle being wounded? Are their wounds mostly physical? Mental? Emotional? What's the worst wound your OC has ever experienced?

i would say the worst wound to them would be the anchor. they usually have a very "ah it's just a flesh wound" approach to physical injuries and they also adjusted well to their missing arm, but the anchor was what terrified them bc they could not trust it and for the most part did not understand it. in terms of mental wounds, prior to the conclave they had hardly ever experienced anxiety but over the course of events they developed a sometimes debilitating anxiety disorder

[morgane-masse]

J’ai eu la chance de pouvoir travailler à la mise en forme de l’ouvrage 🔥 Pour des écoles d’art féministes !🔥, ouvrage précieux à mettre entre toutes les mains.

Il est la retranscription de six années de conférences, workshops, arpentages, entretiens, groupes de lectures, traductions, discussions, etc menées à l’@ésacm. S’en sont suivi trois années de travail éditorial (retranscription, corrections, ajustements) grâce au super boulot des étudiant*es et chercheureuses de l’école ! Edité par Lilith Bodineau (@lilithbodineau), Léon Bornais, Nelly Catheland (@nelly.catheland), Charlotte Durand (@cha.rlottedurand), Martha Fely (@marthafely), Lola Fontanié (@fontanielola), Eulalie Gornes (@eulaliegornes) , Chloé Grard, Sophie Lapalu, Eden Lebegue (@edentifrice), Michèle Martel, Sarah Netter (@sarahn.etter), Clémentine Palluy (@clementinepalluy), Mauve Perolari (@cleo_mauve), Simon Pastoors (@simonpastoors), Rune Segaut (@novae_ae), Danaé Seigneur (@danaeseigneur) et coordonné par les incroyables Michèle Martel et Sophie Lapalu (@sophielapalu).

« Ce livre a pour premier objet de partager le contenu de conférences, entretiens, workshops et groupes de discussion qui ont eu lieu à l’École Supérieure d’Art de Clermont Métropole entre 2017 et 2022. Retranscrire un cycle de conférences féministes intersectionnelles dans une école d’art s’avère crucial pour partager des outils d’émancipation et bousculer les critères implicites qui structurent nos regards et nos pratiques (identification aux normes visuelles occidentales, représentations romantico-capitalistes de l’artiste-auteurrice…). Il est primordial de donner la parole aux artistes et à celleux qui les soutiennent. Ce livre est aussi l’occasion de travailler avec un groupe d’étudiantes, d’artistes et de chercheureuses de la Coopératives de recherche au sein d’un séminaire destiné à élaborer l’ouvrage lui-même; il est un outil pour un travail pédagogique collectif et idéalement horizontal au cœur d’une institution hiérarchisée et hiérarchisante. Les invitations, la transcription et l’édition des textes se sont faits en commun. »

Avec Nino André & Vinciane Mandrin, Rachele (@borghirachele), Borghi, Tadeo Cervantes, Adiaratou Diarrassouba, Kaoutar Harchi (@kaoutarharchi), T*Félixe Kazi-Tani (@flxkztn), Nassira Hedjerassi, Gærald Kurdian (@geraldxoxoxo_), H.Alix Sanyas (@bye.byebinary), Sophie Orlando, Émilie Renard (@emilie.insta.renard), Liv Schulman (@liv_schulman_), Danaé Seigneur (@danaeseigneur), Pau Simon (@ronde_fluo).

16 x 22 cm 300 pages Publié chez @tombolopresses et diffusé dès février par les presses du réel ! Imprimé en offset par @Mediagraphic, merci pour leur précieux suivi. Typographies utilisées : JL Impact Nieuw 2019 de Jung-Lee Type Foundry (@jlt), Amiamie (Mirat-Masson @miratmasson, Bye Bye Binary), Rosart (Katharina Köhler, Camelot Typefaces @camelot_type)

💋Les couvertures on été tamponnées manuellement avec les étudiantxs de l’ÉSACM à l’occasion du lancement mercredi 10 janvier à Clermont. Merci beaucoup à toutes les personnes venues nous aider <3

👀 D’autres lancements à suivre… 👀

[a-crack-in-the-universe]

Without a word, Liv untied one of the frayed strings and tied it onto my wrist. Tears were running down her cheeks, but she didn‘t look at me. I tried to imagine myself in her place, but I couldn‘t. It was too hard. I remembered losing my mom, staring at my suit laid out on the chair in the corner of my room, waiting for me to put it on and admit she was dead. I remembered Lena kneeling in the mud, sobbing, the day of Macon‘s funeral. The Sisters staring glassy-eyed at Aunt Prue‘s casket, handkerchiefs wadded in their hands. Who would boss them around and take care of them now? That‘s what no one tells you. It‘s harder to be the one left behind.

Beautiful Chaos

[raiders-of-the-lost-diadem]

Its been a while since I've sketched but I couldn't get this book scene outta my head!!

[thewidowstanton]

The Widow’s Best of 2019

Welcome readers to our Best of 2019 round-up. Some of you might remember that when one half of The Widow, Liz Arratoon, started writing about the circus 25 years ago – with Widow other half Adrian Arratoon by her side – she was almost a lone advocate for the art form. Don’t you get jaded, people ask us. Absolutely not! But we do long for something a bit different, and this year we have been disappointed that so many circus shows and acts have started to look a bit similar and yawny.

One notable exception gets our Best Show, and we did love Company Soralino’s clowning with cardboard boxes, and Mizuki Shinagawa on silks at the 40th Cirque de Demain festival, but we have cast our gaze beyond circus to take in whatever else has taken our fancy. Just to remind people, and before any more sensitive hearts are broken, anything we have seen this year, no matter when it was created, is eligible for selection, but if we haven’t seen it, it isn’t. Our list, our rules, and, in no particular order, here it is. All shows are in London unless otherwise stated.

BEST SHOW: We really enjoyed Aurelia Thierrée’s Bells and Spells at the Norfolk & Norwich Festival, but our Best Show is La Nuit du Cerf (A Deer in the Headlights) by Cirque Le Roux, seen on French TV. This is the company’s follow-up to The Elephant in the Room, and new cast members Valerie Benoit and Mason Ames join the original troupe of Lolita Costet, Yannick Thomas, Philip Rosenberg and Gregory Arsenal. Together they showcase a sophisticated and exquisitely choreographed blend of top-flight acrobatics, handstands, hand-to-hand, roller-skating, tight wire, you name it, in a totally fresh and exciting presentation, all backed by a wonderfully eclectic soundtrack. If only more companies could come up with something so innovative.

FEMALE ARTIST OF THE YEAR: Extraordinary acrobat Esmeralda Nikolajeff, part of the line-up for Barely Methodical Troupe’s third show, SHIFT, which opened the London International Mime Festival at the Platform Theatre.

MALE ARTIST OF THE YEAR: Wes Peden, juggler, who had a scintillating guest spot in Gandini Juggling and Alexander Whitley’s show Spring at Sadler’s Wells. Don’t miss his solo show Zebra at the Southbank Centre’s Purcell Room during the London International Mime Festival in January 2020.

BEST GIG: Le SuperHomard in the library at the Institut Français as part of the Music Rendezvous season, and Durand Jones and the Indications, seen at the Southbank Centre’s Queen Elizabeth Hall during Meltdown.

MOST ENTERTAINING: Lucy Worsley’s talk about Queen Victoria at Southwark Cathedral.

BEST VENUE: The Poodle Club in Sydenham. 

BEST ACT: Foot-jugglers Marina and Svetlana Tsodikova, who are the Crystal Ladies in Cirque du Soleil’s Totem. They also get MOST GLAMOROUS.

BEST COSTUMES: Alejandro Gómez Palomo for The Male Dancer, choreographed by Iván Pérez, seen on the Arte app; Jean Paul Gaultier’s Fashion Freak Show (pictured below) seen at the Folies Bergère in Paris, and Queen Victoria’s crown, designed by Sheila Hay for A Night with Thick and Tight at the Lilian Baylis Studio, during the London International Mime Festival.

BEST INTERVIEW: Alec Baldwin’s chat with Elaine Stritch on his podcast Here’s the Thing.

BEST MAGIC TRICK: Shin Lim, winner of America’s Got Talent: The Champions 2019, doing card tricks.

LOUDEST GASP!: This photo of Joan Crawford, seen on @cjubarrington’s glorious Twitter account, where he posts vintage photos of Hollywood stars.

BEST MOVE: Anything by world champion football freestyler Liv Cooke.

BEST CASTAWAY: Living legend John Cooper Clarke on Desert Island Discs on BBC Radio 4.

BEST GOWN: Kathleen Nellis’ fabulous recreation of Marlene Dietrich’s ‘naked’ dress for Peter Groom’s show Natural Duty, originally designed by Jean Louis. Peter also wore it in Dietrich: Live in London, seen at the Crazy Coqs, Live at Zédel, for which he gets BEST CABARET.

MOMENT OF WONDER: Andy Goldsworthy throwing handfuls of snow into the wind in the documentary Rivers and Tides.

BEST LOOK AT THE MET GALA: Harry Styles wearing a sheer Gucci blouse!

HOTTEST TICKET: Phoebe Waller-Bridge’s solo triumph, Fleabag, at Wyndham’s Theatre, and, yes, we did speak to Andrew Scott this year!

FUNNIEST PERSON: David Mills, who stormed New York with Bitter Endings, but we saw him at the Poodle Club. Someone! Book this show for London!

BEST DANCE: The Seasons’ Canon choreographed by Crystal Pite at the Opera Garnier, seen on the Arte app.

BEST SET: Anna Reid’s simple, stylish and effective design for The Sweet Science of Bruising at Wilton’s Music Hall.

BEST SHOWBIZ STORY: The Man Behind the Microphone, first heard on Outlook on BBC World Service. The story of how filmmaker Claire Belhassine discovered that her unassuming Tunisian grandfather, Hedi Jouini, had been a singing megastar. Then we found the film of the same name.

BEST DOCUMENTARY: Liz Garbus’ 2016 Leave Nothing Unsaid, in which Anderson Cooper interviews his remarkable mother, Gloria Vanderbilt, about her life. Devastating and moving.

MOST FLAMBOYANT: Zack MacLeod Pinsent, who dresses like this all the time!

BEST SHOWBIZ BOOK – MALE ARTIST: Me by Elton John with Alexis Petrides.

BEST SHOWBIZ BOOK – FEMALE ARTIST: Dreamgirl: My Life As a Supreme by Mary Wilson… of the Supremes, with Patricia Romanowski and Ahrgus Juilliard.

BEST AUDIENCE: Ah, woof!

MOST NOTABLE ANNIVERSARIES: Ten years of The Double R Club, which was founded by Benjamin Louche and Rose Thorne, and runs at Bethnal Green’s Working Men’s Club, and three years of Cabaret vs Cancer, the registered charity started by Rose.

BEST VINTAGE CIRCUS PICTURE: Coo!

BEST FILM: Spike Lee’s BlacKkKlansman – which should have won the Oscar – and Olivia Wilde’s delightful teen comedy Booksmart.

BEST FILM SCORE: Out of Blue by Clint Mansell.

MOST IMPRESSIVE MEMORY FEAT: An hour and 40 minutes’ worth of words spoken by the one and only Maggie Smith, who returned to the stage in A German Life at the Bridge Theatre.

MOST ALLURING: Dina Martina, seen at Soho Theate Downstairs in Forgotten but Not Gone.

MOST MISSED: Agnès Varda, Clive James (born Vivian Leopold James!), and the French TV variety show Le Plus Grand Cabaret du Monde, hosted by Patrick Sébastien, which started in 1998 and ended this year.

GONE FAR TOO SOON: The creative genius Nell Gifford, co-founder of Giffords Circus, who died at 46.

MOST ANTICIPATED: Obviously Wes Peden’s previously mentioned Zebra, and Daniele Finzi Pasca’s latest creation, NUDA, premiering on 11 September 2020 at LAC, Lake Lugano in Switzerland.

Look out for our first interview of 2020, with Scottish aerialist and acobat Lauren Jamieson, who has a PhD in chemistry but gave up her science career to focus on circus full time. She will appear in The Feathers of Daedalus show Tarot during the Vault Festival 2020.

Picture credits: Company Soralino, Valérie Thénard Béal; Wes Peden, Pierre Feniello; Peter Groom, V’s Anchor Studio. Any we’ve missed, please let us know.

Follow @TheWidowStanton on Twitter

© thewidowstanton.com

[thedjmusic]

Defected Chilled House 2022-04-17

DOWNLOAD: https://thedjmusic.com/music/defected_chilled_house_2022_04_17012

DATA CREATED: 2022-04-17 TOTAL: 92 GENRE: Chill Out, Lounge

1,"2fox, Afronaut Zu - We Are.mp3"

2,"Al Dobson Jr., Ptaki - Santiago Black - Ptaki Remix.mp3"

3,"Andrew Ashong, Theo Parrish - Flowers.mp3"

4,"Barry Can't Swim - Jazz Club After Hours.mp3"

5,"Ben Westbeech - Inflections.mp3"

6,"Bonobo, Jordan Rakei - Shadows.mp3"

7,"Burial, Four Tet - Nova.mp3"

8,"CamelPhat, Elderbrook, Simon Mills - Cola - Simon Mills Full Sugar Mix.mp3"

9,"Chaos In The CBD - Midnight in Peckham.mp3"

10,"Chaos In The CBD, Lee Pearson Jr. Collective, K LaDawn, Joe Armon-Jones - It's up to Me.mp3"

11,"Chez Moon, Larse - Midnight Love - Larse's Full Moon Remix.mp3"

12,"Cody Currie, Eliza Rose - Flame.mp3"

13,"Craftsmanship - That Girl Of Baja California.mp3"

14,"Darius Syrossian, Simon Mills - White Rabbit - Simon Mills Remix.mp3"

15,"DJ Gregory - Elle - Criola Remix.mp3"

16,"Dovie Cote' - My Desire - Original Mix.mp3"

17,"dreamcastmoe - L Foot, Right.mp3"

18,"Elkka - Burnt Orange.mp3"

19,"Emanative, Liz Elensky, Dan Jose, Deoke, Awkward Corners - Love & Light - Awkward Corners Life & Death Mix.mp3"

20,"FCL, San Soda - It's You - San Soda's Panorama Bar Acca Version.mp3"

21,"Fish Go Deep, Tracey K, Charles Webster - The Cure & The Cause - Charles Webster Vocal Remix.mp3"

22,"Four Tet - Baby.mp3"

23,"Girls of the Internet - When U Go.mp3"

24,"Honey Dijon, Tim K, John Mendelsohn - Thunda (feat. John Mendelsohn) - HNNY Remix.mp3"

25,"Jas Artchild, Medlar - Technicolour - Medlar Remix.mp3"

26,"Joe Hertz, Collard - Colourblind.mp3"

27,"Joy Orbison, Léa Sen - better.mp3"

28,"Khruangbin - August 10.mp3"

29,"Khruangbin - Time (You and I).mp3"

30,"Kid Fonque, Jonny Miller - Afrika Is The Future! (Shur-I-Kan Slinky Mix).mp3"

31,"King Deetoy, Chymamusique, Shazmusic - Bring it On.mp3"

32,"Laroye, Abi Flynn - Rise - Exteneded Version.mp3"

33,"Luke Fono, BB James - 4Real.mp3"

34,"Miguel Migs, Lisa Shaw - Promises (feat. Lisa Shaw).mp3"

35,"Nightmares On Wax - Imagineering.mp3"

36,"Nikki O, thatmanmonkz - Pourin' Over Me.mp3"

37,"Noir, Hayze - Around - Acoustic Version Long.mp3"

38,"Oscar Jerome, Ben Hauke - No Need - Extended Mix.mp3"

39,"Osunlade - Tom's Bar.mp3"

40,"Payfone - Sofian - 12" Mix.mp3"

41,"Piem, ANNNA, Payfone - 19 - Payfone Remix.mp3"

42,"Quimbie - Sunday Fiction.mp3"

43,"Rachel Row - Follow The Step.mp3"

44,"Romare - Come Close To Me.mp3"

45,"RÜFÜS DU SOL - Innerbloom.mp3"

46,"RÜFÜS DU SOL - Underwater.mp3"

47,"RÜFÜS DU SOL - Until the Sun Needs to Rise.mp3"

48,"Secret Night Gang, Cosmodelica - Captured (Cosmodelica Dub).mp3"

49,"Session Victim - MPFree Now.mp3"

50,"Shakedown - At Night - Afterlife Mix.mp3"

51,"Snips, Pauline Taylor - Say It (feat. Pauline Taylor).mp3"

52,"SONIDO - Make Me Feel.mp3"

53,"Soul Saver - Another Day.mp3"

54,"Sticks & Stonez, Liv East - You're My.mp3"

55,"Tinush - Struggle.mp3"

56,"Zito Mowa, OKAY GOD - Flavio's Glass Of Scotch.mp3"

57,"79.5 - Terrorize My Heart (Disco Dub) [Bonus Track].mp3"

58,"Anchorsong, Bookend - The Ocean.mp3"

59,"Bonobo - Rosewood.mp3"

60,"Brijean - Moody.mp3"

61,"Dina Ögon - Tombola 94.mp3"

62,"Durand Jones & The Indications, Aaron Frazer - Witchoo.mp3"

63,"Ferreck Dawn, Robosonic, Nikki Ambers, Bolier - In My Arms - Bolier's After Hours Mix.mp3"

64,"Folamour - After Winter Must Come Spring feat. Elbi.mp3"

65,"Folamour - Petit Prince Du Macadam.mp3"

66,"Girls of the Internet - Above.mp3"

67,"Girls of the Internet - In Love Again - Short Version.mp3"

68,"Hadiya George - Balance.mp3"

69,"Hadiya George, godmode, Smash Brothers - Hot Flavor - Godmode Smash Bros Remix.mp3"

70,"Human Movement, Eliot Porter - Run It By Me (feat. Eliot Porter).mp3"

71,"Jimpster, Cairo - Rain.mp3"

72,"Jimpster, Oliver Night - Ascension.mp3"

73,"Jitwam, Cosmo's Midnight - Feel Good.mp3"

74,"Josh One - Contemplation.mp3"

75,"JT Donaldson, Liv.e, Girls of the Internet - Stay Inside (feat. Liv.e) - Girls of the Internet Remix.mp3"

76,"Little Dragon - Hold On.mp3"

77,"Miči, Sun-El Musician - Respond.mp3"

78,"Miguel Migs, Lisa Shaw, Girls of the Internet - Promises (feat. Lisa Shaw) - Girls of the Internet Remix.mp3"

79,"Miguel Migs, Meshell Ndegeocello - What Do You Want (feat. Meshell Ndegeocello) - Edit.mp3"

80,"Mom Tudie, Byulah - 2.mp3"

81,"Nightmares On Wax, Haile Supreme, Wolfgang Haffner - Creator SOS.mp3"

82,"Okvsho - Scho Guet.mp3"

83,"Rasmus Faber, Frida Öhrn, Girls of the Internet - Two Left Feet (feat. Öhrn) - Girls Of The Internet Remix.mp3"

84,"Sampology - Running Around.mp3"

85,"Say She She, Piya Malik - Forget Me Not.mp3"

86,"Shire T, Maribou State - London. Paris. Berlin..mp3"

87,"Spiller, Sophie Ellis-Bextor, Breakbot, Irfane - Groovejet (If This Ain't Love) [feat. Sophie Ellis-Bextor] - Breakbot & Irfane Remix.mp3"

88,"St. Panther - Problems.mp3"

89,"The Vision, Andreya Triana - Home (feat. Andreya Triana).mp3"

90,"THEMBA, Thoko (SA), Black Coffee - Reflections - Black Coffee Remix.mp3"

91,"Tom Misch - Gypsy Woman - Quarantine Sessions.mp3"

92,"Wallflower - Say You Won't Ever - Original Mix.mp3"

[bctvega]

BCT Final Project: The Final Post.

Project Name: “An Interpretation of Casual Existential Despair”

Group Members:

Jacob De Vega 13834964 - Mixed and mastered the soundscape, within Ableton live using recorded sounds captured by self and by partner Matthew, along with Creative Commons and Public Domain sounds found online. Matthew Theunissen 16935567 - Did all video editing using Adobe Premier Pro to match the soundscape using videos recorded by friends Tim Sang and Melissa Gordon as well as himself and group partner Jacob De Vega.

Statement:

Originally when the Final Project was announced, I had decided immediately on something simple. Then Ricardo came and talked to us the week after tackling some common confusions and handing out advice for the final, after which I binned the original idea and went looking for a partner.

Originally, I had hoped to work with Olivia (@liv-hobman-bct) on her concept, but I was ultimately turned down. After ending up with Matt, I took what Ricardo said, “that the most important goal of the project is to have been able to get people to think, or to change your or other people’s thinking. CONTEXT. CONCEPT. REFLECTIVE.” And so the idea of making a video and soundscape about a topic we were very familiar with was the answer we both came to.

Matt and I went looking into news articles and finding a book on the very fundamentals of mental disorders to help us grasp the very basis of what depression really is. For myself, the understanding sort of came readily, as I live with an actual mental condition that leaves myself vulnerable to symptoms of our subject matter.

This served sort of as a reiteration of the soundscape portion of the sound project, especially for me, as my original soundscape was meant to portray the emotion of its title “Anxiety”, but did not receive as high a mark as I had hoped. So in order to tackle the project, I decided to approach it another way, not so on the nose, creating a soundscape that is more of a sort of experience piece, how my own experiences and influence upon my knowledge and study of the subject of mental health issues shaped the sound I created; It was much the same for Matt’s visuals, the other half of this project.

References: 

Mental Health Foundation. (2014). Mental Health Foundation: Quick Facts and Stats 2014. Retrieved from: https://www.mentalhealth.org.nz/assets/Uploads/MHF-Quick-facts-and-stats-FINAL.pdf (Mental Health Foundation, 2014)

Durand, M. ,& Barlow, D.H. (2011). Abnormal Psychology. (Durand & Barlow, 2011)

http://www.stuff.co.nz/national/health/85305366/the-highest-rate-of-teen-suicide-in-the-developed-world

https://depression.org.nz/ and related websites

http://www.stuff.co.nz/national/health/85449334/NZ-suicide-toll-More-discussion-needed-to-bring-down-unacceptably-high-rate-Chief-Coroner-says

http://www.health.govt.nz/your-health/conditions-and-treatments/mental-health/depression and related websites

[ladyblueberrymuffin]

Finally, a new chapter of Beautiful Boundless!

Lena and Ethan deal with some unwanted guests. Liv is absolutely stunning. Floyd plays with frog legs.

[jbergren]

School of Motion Alumni Holiday Card 2017 from Traci Brinling on Vimeo.

This one is a long one, but very worth it. 97 School of Motion Alumni contributed to this one, definitely holds the record so far (2 years in the making :)) Added bonus we are providing the project files for these so you want to make sure you see all the amazing work these animators did. So sit back, grab a drink and enjoy!

Credits - in order they appear in the video...

Title card concept and design – Ewa Niedbala | Sweden Title Animations – Traci Brinling Osowski | Boston, MA

1. A Christmas Story | Jordan Bergren 2. a fire in the fireplace | Zach Christy 3. A good night sleep | Véronita Va 4. a Nativity | Wilson Lievano 5. A Partridge in a Pear Tree | Patrick Butler 6. Advent Calendars | Victoria Blair 7. Advent candles | Cornelia Ryås 8. Another spin around the great wheel | Nol Honig 9. Beer | Erlend Kristiansen 10. Books I'll never read | Justin Owens 11. Bundling Up | Margaret To 12. C9s (Lights) | Jake Bartlett 13. Cats knocking down ornaments ("Helpful" Cats) | Brad Eustathios 14. Chocolate Orange | Elliot Mosher 15. Christmas | Ryan Plummer 16. Christmas Carols! | Dan Melius 17. Christmas pudding | Donika Jordan 18. chrsitmas tree and lights | Jenjen Chen 19. Cinnamon Rolls | Kevin Snyder 20. Coal | Ashley Engelhardt 21. Cookies | Elaine Seward 22. Decorations | Erica Pead 23. Dogs | Jared Tomkins 24. Dogs in santa hats | Erin Bradley 25. Eggnog & Booze | Tristan Henry-Wilson 26. Netflix | Mike Bernard 27. Ewe (you) | Keith Morrissey 28. Family | Franklin Walters 29. Family christmas cards | Peter-Paul Rutjens 30. Fat pants | Earl Cabuhat 31. Feast Max Vellinga 32. Fireworks | Meliha Cicak 33. Fish(carp in a bath-tub) | Daniela Dlugosova 34. Football | Jeff Salvado 35. Friends | Roberta Scialla 36. Frosty & Rudolph | Austin Saylor 37. Gingerbread dudes | Ben Samuels 38. Grandma's gifts | Saul Yance 39. Granny asleep on the couch | Lucy Regan 40. Hand Knit Sweaters | Jenna Harrison 41. Holly | Ollie Mamaril 42. Homemade cannoli’s | Karen Fantasia 43. Ice Cream | Sara Walsh 44. In-laws | Don Lavender 45. Joy | Liv Engel 46. Kids | Algernon Quashie 47. Legos | Liam Clisham 48. Lights and Pine | Christian Prieto 49. Love | Ivan Stanimirovic 50. Mario Kart | Fiona Vane 51. Meatballs | Tony Agliata 52. Mince pies | Sam Burton 53. Money | Cristi Smarandoiu 54. Mulled Wine | Kelly Kurtz 55. Office party | Jessica Bern 56. Old Saint Nicholas | Dan Ito 57. packing the car/roadtrip | Kalika Kharkar Sharma 58. Pandas | Irina Almgren 59. Parols (Filipino Christmas Lanterns) | Amanda Bantug 60. Peace | Miguel Faber 61. Penguin | Giovanny Bautista 62. Pepper Jelly | Ali Walton 63. Pie | Ivan Witteborg 64. Pine | Andrea Schmitz 65. Presents | Chris Greene 66. Purrs | Valeria Searle 67. Rampant consumerism | Mair Perkins / Mair Bain 68. Rudolph | Hannah Guay 69. Santa Claus | Luke Brown 70. Shopping | Herry Koo 71. Skeletor | Patrick Emling 72. Skiing | René Andritsch 73. Smoking reindeer | Emma Elisabeth 74. Snow globe | Jeri Bailer 75. Snowballs | Natalie Wood 76. Snowboarding | LC Miranda 77. Stocking stuffers | Jeremy Rech 78. Sugar | Kevin Snyder 79. Thawing Frozen Fingers | Annemie Debicki-Kouwenhoven 80. The cat climbing in the christmas tree | Melanie Aratani 81. Tons of candy | Xisco Cabrer 82. Too much TV | Neil Lawson 83. Traffic | Greg Stewart 84. Resolutions| Mark Fancher 85. Travel | Eric Brackett 86. Tropical Fruit | Hayley Rollason 87. Turkey | Nassib Mourabet 88. TV | Aaron Keuter 89. Ugly sweaters | Anne Saint-Louis 90. Unwanted gifts | Rodrigo Domínguez 91. Video Games | Chris Gibson 92. Waiting | Samu Rintala 93. Watching Die Hard | Mathieu Durand 94. White Elephant Gifts | Dana Albert 95. Wine | Traci Brinling Osowski 96. Wrapping Paper! | Derek Goulet

Added HOLIDAY bonus - Here are the project files so you can see how that cool thing so and so did - give them a high five or better hire them for something :) drive.google.com/drive/folders/1ACahOyO6Ypnoybbionzw8IDcRehr_-sm?usp=sharing

[morgane-masse]

J’ai eu la chance de pouvoir travailler à la mise en forme de l’ouvrage Pour des écoles d’art féministes !, au contenu précieux à mettre entre toutes les mains.

Il est la retranscription de six années de conférences, workshops, arpentages, entretiens, groupes de lectures, traductions, discussions, etc menées à l’@ésacm. S’en sont suivi trois années de travail éditorial (retranscription, corrections, ajustements) grâce au super boulot des étudiant*es et chercheureuses de l’école ! Edité par Lilith Bodineau (@lilithbodineau), Léon Bornais, Nelly Catheland (@nelly.catheland), Charlotte Durand (@cha.rlottedurand), Martha Fely (@marthafely), Lola Fontanié (@fontanielola), Eulalie Gornes (@eulaliegornes) , Chloé Grard, Sophie Lapalu, Eden Lebegue (@edentifrice), Michèle Martel, Sarah Netter (@sarahn.etter), Clémentine Palluy (@clementinepalluy), Mauve Perolari (@cleo_mauve), Simon Pastoors (@simonpastoors), Rune Segaut (@novae_ae), Danaé Seigneur (@danaeseigneur) et coordonné par les incroyables Michèle Martel et Sophie Lapalu (@sophielapalu).

« Ce livre a pour premier objet de partager le contenu de conférences, entretiens, workshops et groupes de discussion qui ont eu lieu à l’École Supérieure d’Art de Clermont Métropole entre 2017 et 2022. Retranscrire un cycle de conférences féministes intersectionnelles dans une école d’art s’avère crucial pour partager des outils d’émancipation et bousculer les critères implicites qui structurent nos regards et nos pratiques (identification aux normes visuelles occidentales, représentations romantico-capitalistes de l’artiste-auteurrice…). Il est primordial de donner la parole aux artistes et à celleux qui les soutiennent. Ce livre est aussi l’occasion de travailler avec un groupe d’étudiantes, d’artistes et de chercheureuses de la Coopératives de recherche au sein d’un séminaire destiné à élaborer l’ouvrage lui-même; il est un outil pour un travail pédagogique collectif et idéalement horizontal au cœur d’une institution hiérarchisée et hiérarchisante. Les invitations, la transcription et l’édition des textes se sont faits en commun. »

Avec Nino André & Vinciane Mandrin, Rachele (@borghirachele), Borghi, Tadeo Cervantes, Adiaratou Diarrassouba, Kaoutar Harchi (@kaoutarharchi), T*Félixe Kazi-Tani (@flxkztn), Nassira Hedjerassi, Gærald Kurdian (@geraldxoxoxo_), H.Alix Sanyas (@bye.byebinary), Sophie Orlando, Émilie Renard (@emilie.insta.renard), Liv Schulman (@liv_schulman_), Danaé Seigneur (@danaeseigneur), Pau Simon (@ronde_fluo).

16 x 22 cm 300 pages Publié chez @tombolopresses et diffusé dès février par les presses du réel ! Imprimé en offset par @Mediagraphic, merci pour leur précieux suivi. Typographies utilisées : JL Impact Nieuw 2019 de Jung-Lee Type Foundry (@jlt), Amiamie (Mirat-Masson @miratmasson, Bye Bye Binary), Rosart (Katharina Köhler, Camelot Typefaces @camelot_type)

💋Les couvertures on été tamponnées manuellement avec les étudiantxs de l’ÉSACM à l’occasion du lancement mercredi 10 janvier à Clermont. Merci beaucoup à toutes les personnes venues nous aider <3

👀 D’autres lancements à suivre… 👀

[beautifulcasters]

Liv Durand

[prairienina]

My last thoughts were about the two girls who meant so much to me.  L e n a , the one I would never save. And  L i v , the one I was about to get killed.

[my-life-a-reading-list]

Liv sighed. “There’s plenty of oxygen going to all the logs. I used a classic tepee structure. Unless the laws of physics have changed, I don’t know why—” “Do we have to do this the Mortal way?” Ethan looked at Lena. She nodded. “More fun.” John struck another match. “For who?” Ridley held up her hand. “Hold on. That sounds like camping. Is this camping? Am I camping?”

Danderous Creatures, Kami Garcia & Margaret Stohl