#literally in the theater tearing up whenever someone is kind to Kiki just for the sake of kindness

[hawnks]

"You're crying over Kiki's Delivery Service?"

You don't UNDERSTAND. The toil of capitalism kills the joy in life but love and kindness brings it back!!!

[zukadiary]

Ocean’s 11 ~ Cosmos Troupe 2019

Ocean’s was great! I loved it so much! I thought the previous two versions were fine, but never cared for either enough to go back and watch them again. Turns out if you adore every single person in the troupe putting it on, the ensemble cast makes it a home run. 

If I remember correctly, there are some noticeable differences between the Hoshigumi and Hanagumi versions. This was a slightly tweaked and polished Hanagumi version. The show does a great job of featuring a lot of people; nearly everyone gets something fun to do (it’s consequently not the best taidan for Akkii or Riku, but if it wasn’t their last I’d really say it’s good for everybody). The scenes change quickly (and flow a lot better than I remember), so even if a given person’s appearances are short they’re typically fairly frequent. I’m not terribly pleased that the prolific use of projections seems to be a continuing theme in Takarazuka, but Ocean’s actually used them WELL, and with all the hacking/security/surveillance going on, and the flashing lights and artificiality of Las Vegas, it actually makes sense. 

There are three (3!) major ad lib scenes that are different every day, something I didn’t realize ahead of time having only seen the previous versions on DVD:

Tess walking in on Benedict and his lackeys trying to physically threaten the Evergreen people into handing over the rights to their non-profit and Benedict having to lie about what they were doing

Saul giving everyone a pre-caper “acting lesson” in which Susshii says something ridiculous and the rest of the eleven have to remember it and mimic her in unison

Rusty pretending to be “Dr. Johnson” to cart Saul off after the fake heart attack that serves as a distraction during the actual heist (for those who can read Japanese, one brave twitter user is keeping track of all the Dr. Johnson ad libs)

...and these made me really look forward to seeing the show again and again. I probably could have gone every day and been thoroughly entertained. 

Danny Ocean is the most boring vanilla blank canvas of a character and requires the actress playing him to really bring everything herself. Fortunately, Makaze and her devastatingly attractive body could have stood in the corner in those open-necked suits without saying a word for 3 hours and I’d still have given it a 10/10. On top of that though, I thought she played him perfectly. Her sort of low-key coolness that for me has come off a bit stiff at times with some of her other top star stuff was spot on for Danny, who I fully believed was chill, aloof, and sexy enough to both pull off such an impossible robbery without a moment’s anxiety, AND stalk the woman trying to divorce him such that she was not only NOT immediately put off completely but also ultimately able to fall back in love with him. In the dream sequence that opens Act 2, when Makaze changes from serpent to prince and leaves the bouquet of flowers on Tess’s bed for her to accept whenever she’s ready, my heart clenched so bad I accidentally groaned audibly the first time I saw it. She also sang the best I’ve ever heard her sing. 

Madoka is a beautiful Tess, and above all else I was THRILLED that they finally let her have such a grown up role and that she slayed it. I had absolutely no doubt that she’d slay it; she’s a fantastic actress who as far as I can tell is only battling her round little face and height difference with Makaze when it comes to getting mature roles. But they styled her flawlessly and her dresses were to die for and she looked so fantastic I hope all concerned parties got the hint that this is fine. I want to see the two of them do something sizzling hot together (although I have to admit, dude chasing after his wife who wants so badly to divorce him IS a fun dynamic that we never really get to see in Takarazuka, unless they’re doing Ocean’s).  

I love Kiki more and more every time I see her, and while it’s hard not to be annoyed that she’s not a top star already, I will be so furious if they take her away from Soragumi; I absolutely love what they bring out of her. I think she and Makaze have a great dynamic together, and she was both cool and funny enough to make Rusty very enjoyable to watch. There wasn’t a single Dr. Johnson scene I saw that didn’t have me laughing out loud and wishing I had another ticket. One day I sat in B-seki with a group of students on a class trip, and one of them gasped す���い when she finished her finale-opening solo. Here’s a funny story from Makaze’s ochakai that I read on twitter: there is a duet between Danny and Rusty during which Rusty lights a cigarette, and apparently Koike wanted to modernize Ocean’s by giving him an IQOS instead. Makaze convinced him that was the worst idea ever and wants all Kiki fans to thank her personally.

MVP: Zun as Benedict. I suspect her interpretation might be polarizing once the world at large gets to see Ocean’s, but I loooooved it. Once upon a time there was a Japanese meme going around about what kind of date various prominent otokoyaku would bring you on, and Zun was pegged as a young, sweet, filthy rich kid who would reserve the entirety of Disneyland and then take you there. Her Benedict was like the evil version of that. I appreciated so much that she went a different direction than Beni and Daimon and played him as just a rich sleazy horrible asshole without the over-the-top comical bits—and she was STILL very funny, just as the straight man to everyone else’s ridiculous antics. She was so dark, so angry, and had such a scary glint in her eyes for such a cute little muffin; so impressively gross it was weird to see her smiling genuinely in the finale. And she’s a DAMN GOOD STAGE KISSER, astonishingly so for someone who’s yet to have a romantic lead outside of shinko and Bow Hall. I very much enjoyed her team as well—mostly Mitsuki Haruka as Taylor, Aishiro Moa as Beth, and Hoshizuki Rio as Charles, keeping things funny and chaotic. Kihou Kanata/Manase Mira were even hilarious as the bodyguards (Wakato Ritsu was a fine Bruiser, but IMO it’s pretty hard to beat Taso... and I felt a gaping hole where Fuuma Kakeru should have been).

Seiko could have carried this show by herself. For whatever reason—and I rewatched the Hanagumi version recently—I didn’t think Queen Diana, outside of being sassy, was as good of a role as it was (does the DVD fail to show a lot of her antics? Maybe. Was I doing a lousy job paying attention? Possibly). But no, Seiko was all over it, convincingly the biggest force in Vegas (and this cast). I am going to miss her so so so much. Akkii and Riku ended up with the more senior but less meaty roles of Frank and Basher respectively. While Frank is on the quieter side during most of the scenes with all the 11 except for his opening solo and arrest, I personally, for probably biased reasons, really enjoyed watching Akkii and Sora in the background, where Frank is very frequently trying to coerce Linus into getting over himself and just doing the thing already. I don’t know if this has been especially tough on Riku, but her eye bags have eye bags :( As much as I’m going to miss her, I hope she gets through this and takes a nice long rest. The Soragumi landscape is going to be so weird and different without these three. They come down for the parade together with Seiko in the middle and I got choked up every single time. 

I’m thrilled that Sora got Linus mostly from a rank standpoint; they announced Ocean’s before Aichan’s transfer to Senka and I was positive she was going to be Livingston. The role itself kind of unfortunately emphasized how tiny and behind she is in this troupe, but at the same time she was SO grumpy and SO cute. I feel bad taking pleasure in her angst but boy was she cute. She talked about how interesting it was to play someone who was struggling to overcome his own roadblocks, both as the only upperclassman to ever play this role, and also having just turned ken-10, where otokoyaku are supposed to “come of age” so to speak. And the frustration and uncertainty she put into the role was extremely palpable. As I’m used to her being a disembodied arm or a blurry image over someone’s shoulder on most DVDs, I couldn’t be happier that she finally has a whole solid handful of her very own scenes that I might actually be able to see not only in the theater. She’s closer to the middle when the otokoyaku dance too, AND she moved up a parade spot. I most definitely teared up when she came down the stairs featured between Rara and Mineri.

Moeko was SO CUTE as Livingston, and the scene where Rusty busts into Livingston’s place pretending to be an FBI agent was one of my favorites, along with the one where Danny comes to get the Malloy brothers and they mess with his face on the security camera. I’m so enamored with both Kotti and Yuuki Shion (Yuuki Shion dangerously so, YIKES; she’s like the awkward baby Sora I fell in love with reincarnated, plus she can do Komu-esque things with her legs and jump so astonishingly high). I will forever be obsessed with Susshii and how much joy and passion she pours into playing even the most crotchety old men. I don’t know what it IS about Rinkira that screams old man to the producers (other than that maybe they just need someone to do it), but I even liked her as Reuben, and Akine Hikaru as Yen a surprising amount. I always thought of Yen as a scary role that you don’t want your girl to get stuck with, and for someone prominent I guess it would be a bummer, but I don’t think I’ve ever noticed Akine Hikaru do much of anything before, so I was mostly just wide eyed at how acrobatic and good with a yo-yo she is. 

The finale is REAL good; Makaze is hot and a little sweaty and her hair is styled to make her look even sweatier. The top-star-in-a-harem-of-musumeyaku number is done in one of my favorite aesthetics, where the musumeyaku let their hair down (literally) no matter how intricately they were styled up to that point, and you can see the creases from their former pins and braids and it’s a little messy and loose and sexy which are all things I wish they’d let musumeyaku be more often, and Makaze is in the middle just like doing illegal things with her mouth and all that jazz. The otokoyaku dance is good too, and the duet dance is cute as shit (there’s a part where Makaze like boops Madoka’s nose and then Madoka pushes her like ~stop that~ and ugh). 

And speaking of ugh, the end of Act 1 where all 11 of them turn around and saunter toward the back of their stage after formulating their flawless plan put my stomach in knots, both for the sheer swagger and the overflowing love I feel for this lineup of this troupe. I know I’ve been saying this for like two years and it STILL hasn’t happened on the scale I’ve been expecting, but I can feel the transfers coming and I’m scared.