#literally i feel like reid richards though

[mariemariemaria]

Books read in 2023:

Molly Sweeney (Brian Friel)

If Cats Disappeared from the World (Genki Kawamura)

Remembering Light and Stone (Deirdre Madden)

The Seven Husbands of Evelyn Hugo (Taylor Jenkins Reid)

Small Things Like These (Claire Keegan)

The Vegetarian (Han Kang)

The Forester’s Daughter (Claire Keegan)

One by One in the Darkness (Deirdre Madden)

Foster (Claire Keegan)

The Dark (John McGahern)

The Love and Lies of Rukhsana Ali (Sabina Khan)

Agatha Raisin and the Terrible Tourist (M.C. Beaton)

The Thursday Murder Club (Richard Osman)

The Travelling Cat Chronicles (Hiro Arikawa)

The Furthest Distance (Lucy Caldwell)

The Last White Man (Mohsin Hamid)

Convenience Store Woman (Sayaka Murata)

Lies of Silence (Brian Moore)

The Plough and the Stars (Seán O'Casey)

Before the Coffee Gets Cold (Toshikazu Kawaguchi)

So Late in the Day (Claire Keegan)

Burnt Out: How 'The Troubles' Began (Michael McCann)

My Year of Rest and Relaxation (Ottessa Moshfegh)

Not for Profit: Why Democracy Needs the Humanities (Martha C. Nussbaum)

What You Are Looking for is in the Library (Michiko Aoyama)

Diary of a Young Naturalist (Dara McAnulty)

Coraline (Neil Gaiman)

Reflections and some discussion under the cut

As u can see I had a Claire Keegan Deirdre Madden phase at the start of the year.....they're both good authors and Madden is v underrated imo (though Remembering Light and Stone was a little underwhelming for me, but still memorable).

My goal was 25 books and I'm happy I reached it. Reading books was something I loved as a child, but for various reasons I got very out of the habit and it got to the stage where I was really struggling to concentrate on reading novels for even a short period of time. But over the last couple of years I've been sloooowly getting back into the habit and so this year I privately set myself this challenge and while it did keep me motivated because I wanted to reach it, it also wasn't a burden and I really enjoyed being a bookworm again. I thought a few times about getting Goodreads again but I honestly think that it was one of the many things which put me off reading in the first place. I don't like feeling like I have to read fifty or a hundred or more books, and there is pressure to do that, and personally I do not feel that I can always sum up my feelings on a book neatly out of five stars.

Some of my faves this year were: Small Things Like These; One by One in the Darkness, The Thursday Murder Club; Convenience Store Woman; Before the Coffee Gets Cold; Burnt Out. Though I liked most of the books I read this year and I kinda just want to keep adding to this list.

My least faves: The Love and Lies of Rukhsana Ali (it was not the best written but not the worst, I liked aspects of it but others...not so much); Agatha Raisin (though I was expecting it to be well written lol); Lies of Silence (I have literally no idea how that book got shortlisted for the Booker Prize. It was meant to be a thriller but it was dull and predictable. RIP to the female characters' potential. I half wonder if I missed something because it seems to be on the LC curriculum, but there are so many more better books that deal with similar issues, like One by One in the Darkness by Deirdre Madden for example).

DNF (and do not really want to finish): Asking For It by Louise O'Neill. No doubt an important book and well written, but just too graphic for me.

I think I'm gonna keep the goal of 25 books for this year, but branch out a bit more. A lot of the books I didn't get finished last year were non-fiction, so I'll finish them and then add them to my 2024 list (is that cheating? lol idrc), and try to read other non fiction books and memoirs. Also, just over half of the books I read were Irish (14 books - 52 odd per cent), and while I LOVE Irish fiction (somebody talk to me about Deirdre Madden please) and the non-fiction books I read were really important and felt quite personal (Diary of a Young Naturalist gave me a greater appreciation for local wildlife, and was fun to read because I've been to many of the places the author described, and Burnt Out should be read by anybody who wants to understand The Troubles and made me think of my own family's experience, as well as appreciate impressive historical research done by a non-university academic) but I could probably do with exploring other cultures and histories more. So I'll try to do that. I'd also like to read more poetry, but I can't just sit down and read a book of poetry the same way I can a novel, I must spend days and weeks analysing a poem and going insane over it. I may or may not read a poetry book over a few months...we shall see.

[safflowerseason]

veep rewatch 3.01

Some New Beginnings

aka - The One With the Book Tour 

Richard! I love Richard. I love what he brought to the Veep ensemble and I love that the dumbest, purest person in the ensemble ended up as the sidekick to the other dumbest and most vile person in the ensemble. I didn’t mind that he suddenly had a doctorate in American constitutional law or whatever (it’s not like being an academic means you are a functional adult with practical life skills), and even though his rise to the presidency in S7 is patently stupid, I just love his bumbling, relentlessly positive, and super literal approach to life. Sam Richardson is great. 

“I call it Some New Beginnings because it’s plural!”

Now begins the reign of Kathleen Felix Hager, who immediately injects more life into Selina and Amy’s business wardrobes. We won’t really see the change until the next few episodes—Selina always wears a red dress in the premiere, and Amy’s at a wedding where she can’t wear a monochrome skirt-suit or a shirt-dress—but still, it’s very exciting!! And KFH does manage a slight departure with Amy’s formalwear, which has previously tended to dark colors and conservative necklines. This turquoise dress is the brightest and lightest color we’ve seen on Amy so far, and she looks stunning.

As discussed previously, I appreciate that the costume team did not feel the need to vacuum-pack a clearly post-baby Anna Chlumsky into some Spanx underneath her dress, or choose a looser dress for her to wear. The dress is very well-tailored and they’re not trying to hide anything—every newfound curve is on display. Meanwhile, Dan looks very good in his totally-not-intentional matching suit and not at all like Amy’s boyfriend. It’s not like he’s standing next to her in pictures and sharing the cost of a wedding present and making jokes about the fact that they’re basically married. What a ridiculous notion. 

Mike: See what everyone's gifting us? Some New Beginnings, Our Next American Journey. Dan: Really well written…by me. (He’s offscreen for this line, but I love this little aside…one day I’m going to write a one-shot where Dan writes Selina’s book. Ugh, Writer!Dan...so hot.)

Amy: Selina’s never been away without us this long before.  Dan: I guess this is what it’s gonna to be like when our kids go to college too, huh, sweetie?  Amy: Yeah, dream the fuck on, Dan.  Dan: You know I'm only being nice to you because I know that Selina's gonna make me the campaign manager. Dan’s version of being nice to Amy is teasing her about their future children. I cannot. This whole exchange is just too much for my heart now. (Also, what a ballsy thing to say while Amy is ostensibly dating another man. Dan must be feeling very confident in his relationship with Amy at this moment.) 

His unhinged impatience with Hughes not announcing is some neat foreshadowing that he’s going to be a terrible campaign manager. 

I enjoy Mike and Wendy’s relationship…Kathy Najimy is lovely and funny, and she and Matt Walsh have a fun chemistry. She has a kind of smooth composure to her manner that’s a good contrast with the more frenetic energy of Selina’s staff. 

I like to think part of the reason Dan snarks at Amy for not having a second phone is that he really just wants to be scheming with her at all times. 

Selina: So, these rumors, right? I'm getting Maddox. What are you getting?  Richard: I…I’m not getting a huge amount, if I'm being honest. Selina: Hey, Richard, no offense— Richard: None taken. Selina:—you’re a catastrophe.

In general, Iannucci Veep is better at marking time than Mandel Veep, but seriously…when is this wedding happening? We know it’s been two months since the S2 finale, in which both Selina and Amy appeared to be wearing clothes appropriate for mid-late D.C. spring (long sleeved dresses on both of them). So if it’s two months later, does that mean we’re in May-June? The end of June can be hot in D.C., but everyone is walking around outside dressed like it’s a pleasant spring day. Furthermore, the timeline is complicated by Episode 2, when it seems like we’re suddenly in early autumn…but also, Mike is on his honeymoon and Jonah has clearly just been fired! So WHEN is this wedding?! (Some of this confusion is obviously influenced by the uncontrollable dimensions of filming on location, such as weather…) 

Love how Ben goes straight to the minibar in Selina’s suite. 

Ben: So where’s the team?  Selina: They’re all at Mike’s wedding…I kind of miss ‘em. *phone rings* Oh, it’s just Gary, press ignore. 

Dan and Jonah’s scene in the bathroom made me actually kind of miss their DC bro antagonistic energy. I can’t believe they shared no scenes together in S7!

First mention of Bill Ericsson…considering how many political flubs/bone-headed campaign decisions Bill actually makes in the series, he doesn’t exactly live up the all-knowing ice-god of strategy reputation they give him in the beginning. (My blog is basically an anti-Bill Ericsson blog now, sorry.)

Dan: You keep a second phone there? Hypocritical…and horny.  Love Reid Scott’s eyebrow arch on this line. 

Jonah: “Team Veep goes into meltdown as Sec Def Maddox news breaks”….And upload the money shot. Sue: I hate how he learned English from pornography. 

Richard: Ma’am, if you need any help with your campaign, I'm real good in a high-pressure situation. Selina: Really? In what sense “good”? Richard: Well, I was all over that book line thing.

It is intriguing how…active Dan is in this episode compared to Amy, or to be more specific, how his actions are highlighted by the script in a way that hers are not. He manipulates Jonah to get the ball rolling on the President’s announcement, runs back to the White House to witness/further exacerbate the fallout from that, actually asks Selina to make him the campaign manager, and in general is just furiously scheming all over the place. And it’s all explicitly tied to his desire to be the campaign-manager. Meanwhile, Amy is Hendrix-texting and presumably dealing with the Maddox news in some way, but we don’t really see her doing it. This will be a trend to follow in the first half of the season…some interesting gender dimensions to trace, for sure. 

Kent: Don’t go interrupting any major sporting events! Unless it’s golf. 

Jonah: I’ll be back! I’m gonna be back as the fucking President. Jonah Ryan, 2026!  Staffer: That’s a midterms year, Jonah.  Jonah: Well then I’ll change it!

I tend to think that Jonah’s career as a politician was a Mandel-era idea, but I do wonder with this line what Iannucci’s team of writers had planned for the character, if they also saw Jonah as an actual campaigning politician rather than just representative of the scuzzy underlings who populate D.C.

If it’s day six of the book tour, it makes you wonder how long Selina has been separated from her team. In light of Amy’s comment, it’s interesting to think about the logistical ramifications of it…six days feel like a stretch for Selina to be without her full staff, especially Gary and Amy. Not to mention Dan would want to gloat on the road about the success of “his” book. Were they just all on the book tour with Selina and then flew back to DC for a quick weekend wedding break? That would explain why they all appear to arrive together, at the very least. 

“The seven foot mouth” is maybe my favorite Jonah insult of all time. 

Amy’s drunk dancing is so cute! (In contrast, it is literally impossible for me to imagine Dan drunk dancing.) 

[ournewoverlords]

Rocketman is great, go see it!

I'm not the man they think I am at home Oh no no no I'm a rocket man Rocket man burning out his fuse up here alone

Oh man, I was surprised by how much I enjoyed this movie. I’m apathetic towards biopics and I barely know any Elton John songs outside the Disney ones (yes, I’m a heathen, my excuse is that I didn’t get to America until 1995 and some combination of Britney and N’Sync consumed my formative years) but I had a big doofus grin throughout this movie and discovered a lot more sympathy for a celebrity I had in the back of my head as “the eccentric old dude who seems nice enough but probably doesn’t have all his marbles?”. That’s not because the film glamorizes Elton John by any means - it literally starts out with him declaring he’s done a great many horrible things, and concludes with him sighing that he’s been a cunt since 1975 - but you see the man inside the glittery bird costume, broken but trying, and I think that makes it a success in my book.

It’s a “musical fantasy” - honestly, a straight-up musical - that hits some pretty familiar narrative beats: main character bursts into rehab in the opening, looking like he needs a shower, a shave, and a hug, and now we’ll learn how he got there. No surprises, but it’s a clever way of unspooling his character arc as the movie progresses, because we watch him start his account with flat-out lies - “my dad was great, always there for me” - and then as he keeps going, it starts pouring out of him and he can’t help but begin to confront the truth. One character arc, the literal arc, is about his downfall, but the other one - the one behind it - is about his healing. It’s not an “X happened, then Y happened” kinda biopic, the journey here is as much inward as temporal - this is Elton, coming back to face the words a musician early in his career told him: “You gotta kill the person you were born as in order to become the person you want to be.” But who is the person Elton wants to be? What if the person he wants to be is just... himself?

And who is that, anyways? What I love about the movie is how it’s interested in what’s behind all the glam, the glitter, the outrageous costumes and crazy heels and rock n’roll - but it’s not afraid of those things either. You don’t have to be one or the other, extrovert or introvert, dazzling showman or a shy kid who only ever wanted to play for himself. Because the man IS fucking fabulous, he clearly had big emotions and a big life, and what I love about this movie is how it’s not afraid to throw itself into that, the same way camp is a kind of defiance against both the people who take life too seriously, and the people who don’t take it seriously enough. It punctuates again and again that this whole thing is about the hole in Elton’s heart, the hole that one’s parents are supposed to fill, and how his outrageous talents both lift him out of there and then give him too many things to fill it with — luxury clothes, booze, sex, drugs, eating disorders, pushing away the only people who care for him as if self-hatred were its own addiction. It’s a bottomless pit, and the struggle Elton faces is whether there’s anything worth salvaging at the bottom of it. It doesn’t sound like a very heroic choice, but it is: choosing life.

Some notes I jotted down right after watching, spoilers under the cut:

There were some things I didn’t think worked as well, though it wasn’t that they were bad, just that I wish there was more there.  

For example, I thought that the final sequence where the characters from his past re-appear in this kind of cliched therapy sequence felt a bit too on-the-nose and forced, or at least clunky compared to the deftness of many of the earlier scenes. As a climax, it didn’t really land for me. This is part of my general wish that the story had more “meat” on it — i.e., a bit more prose and less verse — because it feels like it should be building up to this realization that Bernie was the one who truly loved him this whole time (not romantically I mean, but, in the more meaningful sense, properly). Because Bernie essentially becomes a peripheral character after their initial honeymoon — he’s always kinda in the background, but they drift apart over the years to underline Elton’s fall — so their relationship doesn’t have as much weight as it could’ve to me even though it is a thread that runs throughout the movie.

Don’t get me wrong — the scenes they have together are sublime, especially that “Your Song” scene, where the look Elton gives him really makes me wonder if Elton’s aborted kiss really was just a young man confusing his momentary giddiness for a crush. Jamie Bell gives this wonderfully gentle performance that keeps him as this North star in your mind, the one you want Elton to find home by. I just wanted more, especially in the latter half of the film, because I think the core of this film is about a love story, between Elton John and the things that save him: his best friend, and his love for music.

That’s my critique of the film in general, if I had to have one — despite running over two hours long, there’s some parts that feel oddly compressed or skimpy. John Reid, Richard Madden in an incredible performance as Elton’s frighteningly intense yet undeniably attractive business (and pleasure!) partner with the Hugo Boss suit and smoldering black eyes, goes from what girls want the dude in Fifty Shades to be to an abusive, cold-blooded asshole in the span of what feels like two scenes and ten minutes. It’s like one second, Elton’s star is rising and he’s flying high — and then in the next, he’s snorting coke, fighting with John, and drinking too much. It is heavily implied that: 1) getting famous was synonymous with doing drugs at the time, and because of Elton’s personality he couldn’t brake (but I still wish they made this subtext a bit more text) and 2) that behind this lurch downwards is his inability to be honest about his sexuality — John, of course, wants him to marry a beard “for the business” — but it’s strange that that’s not brought up earlier as a theme, when he was secretly getting kissed by the trumpeter and then happily trysting with John.

“Living a double life”, though, is a huge theme in another way: it’s the contrast between Elton’s happy, extravagant show life and Reginald Dwight, a lonely little boy trapped inside a miserable man trapped inside a mansion that provides so much of the pathos in the “adult” years of the film. None of the fame and fortune have brought him love, only adoration. If that’s a familiar thesis in biopics about famous people, it still works for me here because Taron Egerton’s performance is just SO GOOD. He gives it his all in every moment, not just the big singing and dancing ones. Behind all the little drug-induced twitches and grimaces of self-loathing (but also just the tiiiny bit of ego all great performers have), you can see the sweet kid who deserved better, who just wants to “go home”, if only he could find it.

I think the fundamental reason behind my “I wish there were more stuff” is the fact the movie structures itself after a musical, and for musicals the non-singing parts are more about how you get from one big singing part to the other. That’s a hard space for a biopic, especially one that gets into pretty serious territory and has years to cover; song and dance end up competing with time for character work. But the director does something I think is really clever, though, and that’s to use those musical sequences as part of the story — the moments flow into the song, and the song crystallizes the moment/theme/feeling in this natural way. They’re not an excuse to check off Elton John’s biggest hits, but rather fulfill a cinematic purpose in capturing an emotional rather than factual truth.

Not just the songs, but there are a number of these deft little scenes I really liked because they make the “point” in a single shot/cut/image, with very little dialogue. Some examples:

- The first time Elton and Bernie meet, Bernie mentions the country song Elton’s prospective manager had just disparaged and Elton kinda smirks, then in the next beat realizes that maybe that was kinda asshole, and he clumsily hums out the first verse, and Bernie perks up and follows with the next, and soon they’re both banging on the diner table and singing it together with huge grins. What’s especially great about this scene is that you can’t figure out if they’re doing this in “reality” and everyone thinks they’re crazy, or if this is one of those musical fantasy sequences. The point is that the distinction between them doesn’t matter, because that sequence is about the feeling of the moment, and at that moment they feel connected. Love at first sight.

- The scene where many years later Elton, now successful and dare-we-say perhaps even hopeful that his father might accept him now, finds the man with his new house and family — and after the expected awkward intro it seems to be going ok, his father’s invited him to come sit and chat inside. So there’s his father sitting on the couch… and then this pair of boys, his new sons, comes over and he just wraps his arm around them so easily, and your gut sinks instantly, before it even cuts to Elton, whose face has shattered all at once

- Nice studio girl, lifting her voice with his in his darkest moment -> cut to wedding -> cut to morning at the house, each opening their own door and greeting each other with an excruciating level of politeness. Says it all in three scenes.

- The levitation during his performance at The Troubadour. PERFECT. You can say “this and this happened”, “and then he gave an amazing performance”, but that’s not as powerful as showing the feeling Elton John must’ve felt during that performance: a lonely little boy turned struggling young man who felt, for just a moment, that he could fly.

- Another musical sequence - Elton’s suicide attempt, where they carry him onto the ambulance and he keeps batting away the oxygen mask to keep singing. It works on so many levels because he’s just a kid who wants to sing, he’s the star who was born to sing, but he’s also a man who doesn’t want to live.

[kathillards]

misc morphicon stories

ok so i feel like i’ve talked FOREVER about all the wild shit that happened to us at morphicon (running into rangers at the car valet!! meeting chip lynn!! azim calling us his favorite ladies at the con!!) but i wanted to make a write up for all the stuff i haven’t talked about yet because i have to remember all this and i want you all to experience it too!! it was so fun oh my god if you haven’t been to morphicon... start making plans for 2020 guys it is legit INSANE best weekend of my entire LIFE

- ann marie crouch is AN ACTUAL PRINCESS SENT FROM HEAVEN we ran into her on our way back to the hotel one of the days and we were like omg it’s princess shayla we love you!! and she was so sweet and stopped and talked to us even though she was on her way out for a nap and she was in full shayla gear she looked so pretty! and we saw her on the way back too she had changed into casual clothes but still rocking it WE LOVE ONE MENTOR ONLY

- jessica rey is so funny and adorable omg we stopped by her booth to buy wild force pins (kat and abbey) bc the wf rangers come PREPARED w/ merch and nobody was there so we all just started talking to her and told her how we loved wild force and alyssa and abbey said she loved the ep where alyssa beat up the boys and she’s so cute and fun to talk to!! she told us about the shades of pink panel and i was like “is alyssa a pink or a white ranger” and she was like “lol i dont even know” also she had her handler take a staged candid of us talking to her because she loved us lmao. and then we were talking about white rangers and all of us were like “fuck tommy lives we stan alyssa only” and she laughed and immediately started telling us about what a dick jdf had been to fans the day before lmao (also for real...he’s a dick) and i was like YOU ARE THE SUPERIOR WHITE TIGER RANGER god shes so cool she loved us and didnt wanna stop talking but we had to move away cuz ppl were lining up for her behind us rip

- RICHARD AND ANGIE oh my god ok so i’d stopped and talked to angie on the first day and also the second day and i told her i’d come back later bc i wanted a photo w/ BOTH OF THEM and i did tell her how much i loved madison and vida like we are ROCCA SISTER STANS FIRST PEOPLE SECOND and shes so cute and she remembered us every time!! and then on the third day i finally got to talk to richard and he’s so sweet we talked about mystic force just at his booth for like ten minutes waiting for angie for the photo op, he asked us our fave episodes and i said dark wish and he actually remembered it so i think he might be the only actor at the con who watched his season. and we told him we loved the mystic force theme song AND HE STARTED SINGING IT. and someone had left him a green zeo figurine for...some reason and he told us “i dont even fucking know who that is” (but nicer lol he is very charming and polite) and we told him it was adam/johnny and he was like ohhhh lmao i love disney era actors not knowing SHIT about saban era. like he literally worked with johnny. i love him. AND THEN HE ASKED US ALL TO BE IN THE PHOTO and since kat paid for half of it we were like aight its a group thing and its the cutest photo i love disney era actors only

- i think i talked about meeting dwayne cameron already but god hes so sweet and i felt bad for him bc caitlin next to him had ppl she was talking to but he was all alone so me and abbey just went up and started talking to him and i told him i loved overdrive and i told him i recognized him as ethan’s bully and we talked about tyzonn and vella and just overdrive in general and hes so SWEET and he HUGGED ME SO TIGHT GOD i think he really enjoyed us like. actually loving overdrive and being able to talk about it. AND HE RAN INTO ABBEY IN CARS LAND AT DISNEY ON MONDAY AND GAVE HER ANOTHER HUG hes so cute (angie was also there with him I LOVE DISNEY ERA SOLIDARITY)

- met monica may and cerina vincent on saturday, not a lot to say bc i only talked to them a bit and took my photos but they are both so beautiful and elegant and classy and i told cerina i loved her in stuck in the middle :’) ranger ladies are so intimidatingly pretty god. also picked up this huge LEGIT spd poster and im gonna put it up in my room as soon as i can because oh my god its professional quality it looks so cool. we also talked to greg aronowitz bc kat wanted her poster signed and hes so cool we told him how much we appreciated everything he did for spd AND THAT WE WERE ON HIS SIDE ABOUT FEMALE RED FUCK DISNEY.

- god what else uhh we wandered around the toys section a lot on saturday/sunday bc we’d kinda. seen everyone. and there were a lot of panels on sunday so nobody was at the booths. i picked up those amazing rider/sentai prints from ceevee SUPER TALENTED SO WORTH IT. also got me a meteor storm figuart B) which i havent taken out of the box yet but i will

- HECTOR AT THE CAR VALET he literally announced he would be at morphicon the day before and then we saw him while waiting for our car and SCREAMED and he was so chill and cool and he came over and hugged us all hes so hot. AND THEN LATER WE RAN INTO SELWYN WARD AT THE CAR VALET and he also laughed when we squealed and came over and hugged us all and guys he smelled soooo nice i was like right up against him i could have died hes so handsome and perfect.

- we also ran into steve cardenas at the car valet like right when we were all leaving the hotel for the last time and we told him that we loved him and i said i was so excited that it was rocky coming back for the anniversary instead of fucking jason and abbey was like “justice for forever red!” and he was like hah i know right anyway every single actor in this franchise hates jdf lmao that was just the vibe of morphicon and it was valid

- fun fact we did not see jdf ONCE. not going to the con, not at the hotel, not ANYWHERE. just his crazy lines. he was like the douchebag cryptid. im glad tho he can stay that way.

- i talked about meeting andre on saturday night right??? hes so SWEET I LOVE HIM he was so happy when ben gave him his fanart of eddie and took a selfie w/ ben right then and there and also took a pic w/ me and abbey ugh i love him i told him he was so valid for being a power rangers youtuber and liking megaforce AND THAT HE’S THE BEST INTERVIEWER THEY’VE EVER HAD (i also told azim this, i’m very passionate about this subject, every other ranger interviewer sucks ASS)

- jason faunt at the elevators!! hes so sweet i told him how excited i was for the anniversary and he said yeah theres a lot more plot going on and told me to take a selfie bc they couldnt stop him here fhjggd i love that pic i love him AND THEN ALSO later we ran into NAKIA IN AN ELEVATOR AND SHES SO SWEET I SAID “WE LOVE YOU WE WATCHED ALL OF ZEO FOR YOU” and she was like aww thank you so much!! a literal goddess AND THEN LATER AS WE WERE CHECKING OUT karan walked by us to go to nakia and i was so excited i waved and said hi to her and she said “hi baby how are you” SHES SO WONDERFUL I LOVE MY MOTHERS

- i think i told the chris reid story already but like. hes so charming and was so nice even tho i interrupted his express checkout but like. i Had to tell him how valid ninja steel was i was literally like fuck the dudebros they’re so annoying you guys fighting w/ that one guy on twitter over the kcas was the FUNNIEST thing to EVER happen to this fandom and he laughed.

- we also went up to kelson’s booth later and told him how much we loved mick and all his roles!! and talked to him forever about all of them, told him we were kalish/disney era supremacists, told him HOW GOOD HE IS AT VOICE ACTING WE LOVE FLIT AND NORG IN THIS HOUSE he looked so happy :’) i feel like everyone just compliments him on boom which, no offense, but appreciate your voice actors guys. i told him we grew up on disney era and it was like new zealand only had twelve actors and he was five of them and he laughed and was like yeah. i also told him how we loved mick and brody’s father/son relationship and he was like yeah they ended up liking that a lot too which is why they sort of pushed brody’s real dad to the side so mick could shine more and i was like that’s LEGIT. i also told him the prism was brody’s mother and he agreed so that’s canon now. AND I TOLD HIM how fucking dark ninja steel went w/ his storyline literally being about slavery and human trafficking and he was like I KNOW RIGHT and we just talked about how dumb everyone is for being mean to ninja steel and chris showed up at this point too and we all laughed about it together

- ok and then tbh we just spent all of sunday loitering around the megaforce cast but it was worth it because they LOVE US oh my god we talked to them like all sunday about just. everything. azim’s gf jordan was there and she kept telling us to just stick around we talked to her a lot, we asked her about alex heartman and like where tf was he and she said he was working :( BUT AZIM AND ALEX ARE STILL CLOSE so victory. azim also told us a bunch of little stories like how he and the megaforce cast searched for a house to stay in together and ended up finding one at the base of a volcano and he and drew would race around the volcano in the mornings like the crazy people they are, we told him how much we loved andrew’s ACTING SKILLS and “do you see any tears” and he cracked up and said “they used to call me ‘freaky tiki man’ all the time because of that one line” and he told us about other fan encounters and things, we told him on saturday how we all met and became friends because we were the only ppl who loved and defended megaforce and he was SO TOUCHED HES SO SWEET GOD i would die for him. 

- cameron gave us (me and kat) all his money to buy him lunch from the food trucks and i guess just trusted that we loved megaforce so much we wouldn’t just run away with all his money????? and he was absolutely correct we got him teriyaki chicken with garlic noodles and he loved us. his handler also asked us to buy him food and gave us his CREDIT CARD dfhdgfjgdf like power rangers people are wild man. who just gives their credit card to random 20yo girls and just. trusts that they love this children’s show so much they won’t steal it??? i mean they were right and we didn’t but still. AND HE MADE ME AIRDROP one of my megaforce reaction pics to his phone because he loved it so much (it’s the one of jake and emma and orion looking super done, that i had ben redraw for me, so we showed them both pics and all three of them LOVED IT) and cameron even looked ben up on deviantart to see it fdgjkdfdg he loves usss. christina was telling us how they were talking about us at dinner and cameron told her that we were his favorite part of the con :’)) azim also mentioned that they talked about us at dinner because he said to kat “we were discussing that you look like that girl from 10 things i hate about you who was julia stiles’ best friend” LIKE IMAGINE. HAVING THE MEGAFORCE CAST. DISCUSS WHO YOU LOOK LIKE FDJGKDHFJGD they’re so cute ugh and azim and cameron hugged us all goodbye and john mark and christina said goodbye too and i just. love them. so much. 

- at one point cameron asked me and kat how old we were and she was like “twenties...as a group we are in our early twenties” and he was like “.... so old enough to know how a hangover feels right?” and we lost it dfgjfdkdgjh and i said “if i were an actor i would just be stoned the whole con” AND CAMERON JUST NODDED AGGRESSIVELY god the entire cast was definitely hungover and they’re so valid. except christina, we asked her and she said she only had a milkshake so maybe she was their designated driver. 

- andrew is so chill too (i mean i do think he is perpetually high but its fine) i think he just loves talking??? like he’s there for the babies (so many babies!! and they love troy so much!!! hes so adorable with them) and then he just wants to chill like we went up to him on sunday and he was like oh hey did you guys see this picture and he pulled out his phone and showed a pic of the megaforce cast doing a goofy zombie pose at their photo ops and he told us his backstory on each of their zombie poses like. who does this??? he’s so adorable.

- and ofc we stopped by christina again on sunday bc she’s THE FAVE and shes just so cuuute ugh and i told her i loved all asian rangers bc i am asian!! and she was like omg are you?? and i was like yeah i’m south asian and she was like omg so that’s all part of asia too OH I GET IT SO WE’RE BOTH ASIAN and i was like YES AND YOU’RE ALL MY RANGERS and she smiled at me it was like staring at the sun tbh. i love and would die for her.

- when we went to say goodbye to the megaforce cast cameron just looked at all of us standing around his booth and was like, so genuinely, “you guys are the best” and it still makes me cry thinking about it. AND AZIM’S FACE when we all said “megaforce’s defenders never surrender!” to him he had the sweetest smile god i really would take a bullet for the entire megaforce cast in a heartbeat. they are the sweetest angels & deserve the world. if any of you breathe a word wrong about jake holling in my general vicinity ever again i will fry your intestines and eat them for breakfast thank you GOODBYE.

[scifihorroradventure]

IT (1990)

In the small town of Derry, Maine, an ancient evil makes its presence known, slaughtering multiple children. Recognizing the pattern, Mike (Tim Reid) calls his old childhood friends Bill (Richard Thomas), Ben (John Ritter), Beverly (Annette O'Toole), Richie (Harry Anderson), Eddie (Dennis Christopher), and Stanley (Richard Masur) and tells them that "it" has returned. Though glad to hear from him again, they are terrified of the memories that come flooding back to them, as together they all faced the same evil when they were children - A murderous clown known as Pennywise (Tim Curry). The group eventually conquered their fears and defeated the beast, sending it into a deep slumber, but their fears quickly resurface when faced with the prospect of dealing with Pennywise once again. Reuniting in Derry, the adult Losers Club prepare to defeat Pennywise once and for all, even as the clown preys upon every fear they've ever had...

A two part television adaptation of Stephen King's famous novel, It definitely has its heart in the right place, but is unfortunately besieged by a series of problems. One of the biggest of these becomes almost immediately apparent in the first few attack scenes involving the girl on the tricycle and the flashback with Georgie - The movie can't show anything. Each time Pennywise attacks anyone in this movie, he either only sticks around long enough to give them a quick scare, or the aftermath of his attack is never shown. As such, despite how fearsome the clown is supposed to be, he never really accomplishes anything, making him seem scary, yet ultimately ineffective at... anything, really. Yes, this was intended for television and not a theatrical release, thus they could not show carnage one might expect to see on the silver screen, but this was still a feature length film adaptation of a Stephen King novel intended for adults, and the movie fails to show a level of 'gore' one might expect to see on detective shows of the time like Columbo or Murder, She Wrote. Frankly, when Henry Bowers gets stabbed near the end of the movie, it's almost out of place in this otherwise non-violent film. It's almost enough to ask the question "If they couldn't do It justice, why bother?"

The second largest problem is that the adult sections of the film are massively uneventful and almost feel like filler. It takes forever for the adult Losers Club to finally reunite, and when they do they spend an incredible amount of time just sitting around, either worrying about Pennywise or remembering about when they used to worry about Pennywise as children but never actually doing anything, despite destroying Pennywise being the entire reason they returned to Derry! It’s also odd that, while understandable that they would be creeped out at the prospect of fighting Pennywise again (who wants to fight an evil alien demon clown twice?), no one brings up the train of thought “We beat him as kids, why should we be worried now?” There's also the head scratcher that they all came to destroy Pennywise once and for all but didn't actually bring anything to help get the job done (a fact that the movie brings up via Richie and then immediately ignores). Now, as children, this makes total sense - things like slingshots would be the only thing they have access to. But as adults? They should have been packing guns, hunting knives, swords, axes, machetes, bows and arrows, crossbows, or hell, even baseball bats! Instead, all they bring is Beverly's old slingshot and Eddie's inhaler. Literally over half of the Losers Club didn't even bring weapons of any kind. Aside from this, the movie also suffers from being unable to decide what to adapt and what to leave out from King's novel - The flashback sequences feel like they're being rushed so the film can return to modern day, while the modern day scenes feel like they're being rushed so the film can begin the next flashback. It's this odd rushing of scenes that result in several pivotal plot points like the kids realizing what Pennywise truly is, and even their ultimate (childhood) showdown with him in the sewers, being hurried to and then being done with before they've barely even begun. Meanwhile, sequences like Ben's family troubles, Bill and Mike messing around on Bill's old bicycle, and adult Ben watching a child being attacked by bullies (and not helping) are given ample screen time. Amazingly, despite the film being over three hours long, it feels incredibly rushed and disjointed.

Overall, the cast is serviceable. The kids do alright, in particular Jonathan Brandis and a young Seth Green as Bill and Richie, though Eddie (Adam Faraizl) and Stan (Ben Heller) never really get a chance to shine over the others at any point. Jarred Blancard as the young Henry Bowers does well, effectively portraying an incredibly nasty young man (though thanks to this being television, he never does anything too nasty). As far as the adult cast goes, they almost all have odd, even awkward introductions, such as Beverly being stuck in an abusive, 50 Shades-esque relationship, or Ben trying to turn his date on by discussing how fat he used to be as a child. Richard Thomas as Bill is a decent, if slightly bland lead, responsible for a couple meta Stephen King in-jokes which are funny at first but then just become annoying by the end. Despite having interesting characters, John Ritter and Annette O'Toole just feel kinda there as Ben and Beverly. Harry Anderson as Richie probably shows the most personality out of the adults, while Richard Masur as Stanley doesn't even get to do anything before he's killed off. Tim Reid's Mike seems like he's going to be a major player in the story, as he is responsible for recognizing that Pennywise has returned and summoning the rest of the Losers Club, but is injured and removed from the story not too long before the climax, while Dennis Christopher's Eddie is killed off almost as an afterthought. Ultimately, the actors are good, but none of them really have any interesting material to work with, resulting in most of the scenes being rather boring to watch.

Of course, the one thing this film is often remembered and praised for is Tim Curry's iconic performance as Pennywise the Dancing Clown. And honestly, this is one aspect where the film really does shine. As Pennywise, Curry exudes an air of utter menace and malice while also retaining plenty of clown-like playfulness. There are a few instances where he threatens to go overboard with the silliness (such as when he taunts adult Richie in the library), but they never cross the line. Pennywise's scenes are the only time where the movie actually starts to become creepy, but unfortunately he is never on screen long enough for the atmosphere to take full effect. And lastly, while the unveiling of Pennywise's true form was necessary for the climax of the story, it does suffer from a total lack of Tim Curry during the encounter, and while the Spider's design is decent, the puppet's movement is laughably stiff and it features amusingly large, Cookie Monster-like eyes that are focused on very clearly in a few shots. If only they had been able to find a way to work Curry into the monster's final scene, even just his voice. On the plus side, though, the effect of the shimmering light traveling through the sewers as Pennywise attacks and devours Belch is effectively unsettling, a rare case of keeping the monster off screen done right.

While the cast and crew give it their all, It ultimately falls short of what was required to bring Stephen King's novel to the big (or even small) screen, with director Tommy Lee Wallace and various members of the cast echoing these sentiments for a variety of reasons. While the film can be scary for younger viewers, it can be tedious and boring to older audiences, which would be bad enough if this were a regular length movie, but with the monstrous run time of 192 minutes (187 on the DVD), it can be a Herculean task to get through at times. Of course, one must watch this at least once if for no other reason than Tim Curry's amazing performance as Pennywise, but after that I can't honestly recommend watching this again for at least another twenty seven years.

Rating: ★★★

Cast: Tim Curry ... Pennywise the Dancing Clown Richard Thomas ... Bill Denbrough Jonathan Brandis ... Bill Denbrough (Age 12) Tim Reid ... Mike Hanlon Marlon Taylor ... Mike Hanlon (Age 12) Annette O'Toole ... Beverly Marsh Emily Perkins ... Beverly Marsh (Age 12) John Ritter ... Ben Hanscom Brandon Crane ... Ben Hanscom (Age 12) Harry Anderson ... Richie Tozier Seth Green ... Richie Tozier (Age 12) Dennis Christopher ... Eddie Kaspbrak Adam Faraizl ... Eddie Kaspbrak (Age 12) Richard Masur ... Stanley Uris Ben Heller ... Stanley Uris (Age 12) Michael Cole ... Henry Bowers Jarred Blancard ... Henry Bowers (Age 14) Olivia Hussey ... Audra Denbrough Tony Dakota ... Georgie Denbrough Chris Eastman ... Belch

Director: Tommy Lee Wallace. Producer: Mark Bacino (associate producer), Allen S. Epstein (executive producer), Jim Green (executive producer), and Matthew O'Connor (supervising producer). Writer: Tommy Lee Wallace (teleplay), Lawrence D. Cohen (teleplay), and Stephen King (original novel). Music: Richard Bellis. Special Effects: John Thomas (coordinator), John Deall (uncredited crew), Tony Lazarowich (uncredited assistant), Bob Comer (uncredited animatronics), Gene Warren Jr. (special visual effects supervisor: Fantasy II), David Emerson (uncredited optical camera), Michael Joyce (uncredited model shop supervisor), Bret Mixon (uncredited roto supervisor), and Tim Scannell (uncredited rotoscope artist and camera operator).

[fallenloverecords]

Interview: Pickle Darling

Hi lovers! Here at Fallen Love headquarters we periodically interview people that we adore in order to shine a spotlight on our wonderful pop planet. We post all those interviews right here for your education and enjoyment.

Pickle Darling is the bedroom pop of Lukas Mayo from Christchurch, New Zealand. Fallen Love head Harley interviewed Lukas through a 16-hour time zone warp on a Sunday/Monday. Fallen Love Records: Who is Lukas Mayo? How did Pickle Darling come to be? Lukas: Lukas Mayo is some insecure loser from Christchurch, New Zealand. Pickle Darling is me taking my innermost insecurities and making dumb redemptive pop songs out of them. It feels more "me" than Lukas Mayo does. I'd been in a few bands and collaborations growing up which were all fruitful but ultimately incredibly hard. I think I was way too self-indulgent at those times and I was terrible at compromise. I would rather have had something suck but be true to me than be "good" and not be a great representation of myself. Since then I've grown as a person and I think I'd be a much better collaborator now. FLR: This past April you released your first EP of original songs, Spring Onion Pancakes. How did the track listing come about? L: I've been writing songs for as long as I can remember and those were kind of just the six most recent! I was also in a five-year relationship which had just suddenly ended and the EP kept me out of wallowing in self-pity. It's upbeat and colourful because I wanted to make sure that all my songs were full of love and humour and kindness and friendship. It's still a sad EP to me but I'm super glad that people don't think of my music as sad music. Most of it was written when I was in class though which is probably why all the lyrics are basically "I suck and I'm a loser" 'cause that's how I generally felt at Polytech. lol FLR: What are spring onion pancakes like? My research says it's a traditional Chinese dish. L: Oh yeah, I've only actually had them once. The bus station in town has a place that makes them. I was with my friends Heather, Isaac, and Nico and we had just watched a movie and then got spring onion pancakes together. My hands were all greasy on the bus ride home, though. (Sorry, Christchurch Metro Bus services.) My EP is so hard to search for on Google 'cause you have to wade through three pages of recipes. FLR: Does anyone make spring onion pancakes with pickles? That would be a search engine nightmare. L: There's some weird stuff when you google Pickle Darling. There's another Facebook page which is just a cat called Pickle Darling. I'm hoping if I get a Pitchfork feature one day, they accidentally get in touch with whoever runs that page and they do an interview on my behalf. It would probably be more interesting than me, to be honest. FLR: I'm actually interviewing the other Pickle Darling tomorrow. It's part of a dueling interview series I'm doing. Like when I interviewed Kevin Shields and the director of the slasher movie My Bloody Valentine. L: lmao I avoided My Bloody Valentine for years thinking they were Bullet For My Valentine. FLR: On the topic of your hometown, what is the music scene like in Christchurch? I can't say I really hear any Dunedin sound in your music. L: I don't feel hugely involved in the Christchurch music scene. I haven't done many gigs and kinda bypassed it and went straight to the internet. That sounds kind of douchey of me. I have mad love for a lot of Christchurch artists. There are heaps of super talented people here who make amazing music and people have reached out to me and shown me so much kindness but I spend most nights by myself just going for walks around Opawa or watching films or reading. I'm not a super regular gig attendee. I go to maybe one a month and I'm always the least cool person there. It's cool, though, I enjoy it when I do go. And I'm slowly feeling more and more involved in the Christchurch music scene as people become a bit more aware of what I do. I feel like locals will see me on the internet and be like "Hey, that's that dweeb I see walking around town all the time. Weird." FLR: You only played live for the first time this year, right? How has that side of things been? L: I feel like such a fraud 'cause I've had such great opportunities handed to me right off the bat. My first gig was in a library for NZ Music Month and we were playing with my friend Luke's band EgoValve. That was fun and super low-key and about five people were there and they were all under the age of nine. Richard from Glass Vaults (great guy and great band) heard my Radio NZ interview and got in touch with me and our second gig was opening for Glass Vaults. My third gig was opening for Kane Strang, who I have so much love for. During sound check I was just like "Oh my god, are you Kane Strang? Is your real name actually Kane Strang? I love you, Kane Strang. Your album is great, Kane Strang. Oh my god, you are really Kane Strang. Hi, I'm Lukas. Oh my god, you are Kane Strang." Those two shows were sold out and I had my friends Isaac, Nico, Marcus, and Cameron in my band and they were just fun, positive nights. My fourth gig is going to be at Nostalgia Festival, which also has Connan Mockasin and The Chills. I'm so incredibly blessed with all this stuff.

FLR: For the EP you did a run of cassettes through Slovakian label Z Tapes and a limited run of lathe cut seven-inches on your own. Is having a physical product important to you? Some artists are content to just toss their songs online for streaming and downloading and call it a day. L: I want to be the most working class bedroom pop star out. I love the idea of just sitting in my room making stuff myself and packaging stuff myself and getting my fingerprints on everything and having a merch table with things I've made on it. I just want to make things. Z Tapes did all the tapes, though, which was such a relief and such an honour. Filip is really a hero of Bandcamp. He believed in me from the very start and now they're doing a second run of my EP on tape and it's great. The lathe cuts look cool. I'm super proud of them. My friends Heather Reid Van Gerwen and Noah Mead handled the art side of things, which is why they look so beautiful. I'm always going to want to make a physical thing. I mean all physical media is outdated now so if you're going to do physicals, do something fun and creative with it. Also I'm doing a Christmas tape with Heather and she's painting little pictures to go with them. FLR: What's the most exciting location you've received an order from so far? L: I get a lot of orders from Japan, which is so cool, as well as heaps from the States. It's exciting that the majority of the orders are from outside of New Zealand. It's not just my friends buying my stuff out of pity. There are actual people out there that are listening to my stuff and willing to spend money on it. I'm super grateful for them. I really want to be able to play in those places one day. FLR: I feel you. My label almost never gets any orders from within Canada but I've got a handful of regular customers in Germany and Spain. Each of those orders keeps me going and makes me feel like this is all worth it. L: Definitely! It makes it feel so real, right? FLR: Switching topics: what's your favorite film that hasn't had a Criterion DVD release but totally deserves one? L: Ooh I love this question. Hmm... Oddly enough one of my goals (actually my only goal 'cause I hate goals) is to be successful enough to get invited into the Criterion closet. But hmmm... These are probably pleb picks but I'd love: Happy Together (1997) or just more Wong Kar-Wai in general; Synecdoche, New York (2008); Quiet City (2007); Careful (1992); and Funny Ha Ha (2002) in the collection. Also some Barry Jenkins! These are probably pleb picks, though. Also, shout out to my friends Martin (who directed my video) and Julia who give me good film recommendations. Joe Swanberg is a big influence on my work ethic. He made, like, 30 films in seven years or something. If anyone reads this interview, please send me film recommendations on Twitter! FLR: My top rec is Marty (1955) starring Ernest Borgnine. He's a lonely 34 year-old butcher who lives with his mother and is afraid he'll never fall in love. It's basically the film equivalent of a bedroom pop song. L: Dude, I'm totally going to check that one out! I haven't heard of that one! I reckon my film equivalent of a bedroom pop song is Hannah Takes The Stairs. I sampled that on my EP. My friend Julia recommended that one to me actually. I put that movie on all the time just to listen to. I don't even watch it now. I just put it on while I'm doing housework to listen to Greta Gerwig's dialogue. I love how that film sounds. I love their voices. FLR: What's one question you've never been asked in an interview that you would love to be asked someday? L: An interview question I'd love to be asked is "Hi, I'm Evan from Pinegrove. Do you want to open for my band?" and the answer would be "Yes, Evan from Pinegrove." Actually I'd love to be asked what I'm listening to at the moment. FLR: And finally, what does 2018 look like for Pickle Darling? I hear your first album is nearly finished. L: 2018 will be big for me personally but small for my fans. What I mean by that is I'm going to be working on a lot of stuff but probably not releasing a huge amount until it's all done. I'm doing an album. It's ten tracks and it's going to be awesome. There's a song called "Nicolas Cage" and I think it's my best song. My friend Josiah has a feature on it. Matt Gunn is helping out with the production and I think he is a literal angel from heaven. I'm going to do a bunch of music videos too. I want to tour. I want to do bigger physicals like vinyl and CD's and stuff like that. I just want to make more stuff. Pickle Darling on Facebook Pickle Darling on Twitter

[spotlightsaga]

Kevin Cage of @spotlightsaga reviews... Veep (S06E03) Georgia Airdate: April 30, 2017 @hbo @veephbo Ratings: 0.543 Million : 0.22 18-49 Demo Share Score: 8.75/10 **********SPOILERS BELOW********** If anyone needed proof that the game of politics keeps truckin' on long after terms in any office end, look no further than 'Veep's 'Georgia'. Many have been questioning how the show can move on outside of the 5 seasons that Selina Meyer (Julia Louie-Dreyfus) was either an elected official, an accidental one, or in some sort of a desperate attempt to be one, but it's easy to forget the attention an ex-president (even if it was by default) receives not just by the media, but by political figures both domestic and abroad. Albeit, Selina is most likely domestic political poison back home in the United States with such low approval ratings, but in a small country that is experimenting in a newfound 'democracy' she's literally a figurehead of power and finesse. If you have the time, take a look at the one and only IMDB review of the episode. It's clearly written by an angry Georgian 🇬🇪 viewer. When a comedy as abrasive and crass as 'Veep' can be at times, it's never to be taken so seriously... Even though there can be significant or socially relevant undertones, like silent 'shots fired' masked under the show's heavy handed comedy... But when it is taken seriously, seemingly ruffling feathers over a few silly jokes, then more than likely the show has done a damn fine job at its over-the-top satire that it's come to be so well known for. Let's get this one out of the way just as we had to do in the Netflix S2 series of 'Flaked', we all don't think everyone in Georgia is being poisoned and looks like Stephen Fry after an acid bath just for being a political figure... Although, Georgia is extremely close to Chechnya (have fun with that one, Georgians... It's a shame all those Chechnyans are so smoking hot, but so sexually repressed). With the Chechnya and President Ramzan Kadyrov getting so much attention lately with its 'LGBTQ-Cleansing' and 'Nothing to see here, look there's no bars on the windows... Never-mind the footprints I said don't exist but you've clearly noted DO exist' on camera attitude, 'Georgia' feels like more of a nod to the insanity there than it even remotely mimics the more progressive nature of the independent Country of Georgia. We love you, Georgia, you are on our mind! 😉 Really, 'Georgia' is more of an accidental setting than anything. It's close to Russia and we have good relations so it's better to draw satire from there than it would be a more controversial zone like Chechnya... We'll leave tackling those issues to the brave ones like 'Vice'. I loved the use of Ben throughout the episode as Selina and her gang constantly ran into him standing next to each political opponent, with him admitting he had some sort of shady tie to them in one way or another. Just how old is Ben (Kevin Dunn) anyway? His political career on 'Veep' suggests he's either a living human dinosaur or one of the busiest Americans in Global Politics. Mike and Gary are used well too... Becoming the dopey 'Green Thumb Duo', a somehow both men are corralled into Georgian voting booths and end up with green thumbs they were forced to hide throughout the majority of the episode. It may have not been enough to coerce Gary (Tony Hale) into letting Mike crash in hotel room, but it was enough for a comedic gold moment when both men embraced each other in a sort-of relief from the terror of hiding their shared secret that could have drew a lot of negative attention to Selina's corner. Of course, when Gary is finally caught by Selina, he immediately rats out Mike... And the comedy just literally rolls right off this episode! 'Georgia' finds success in pairing characters that have drifted apart over the course of the series. It's almost felt as if the old school magic from previous seasons had returned... And truly it did, just in a very unorthodox way. Jonah (Timothy Simons) being cast out by his fellow congressman forced him to hang out with an 'always happy to be here' Richard Splett (Sam Richardson). The two ending up at Neo-Nazi concert was another high point for the episode and a great advantage point on Jonah's bald head. Don't need cancer jokes to make this one work! 🤣 Fun fact: LA Native Metal band Endrone was the group Jonah found so 'savage' before the lights flickered on and the two figured out that they were in the midst of white supremacists. And for those that still believe that Americans think that this is really how Georgia is, or that all tourists from Germany are like the ones represented in 'Flaked'... No, Endrone are not actually white supremacists or nazis... Hell, they aren't even White Nationalists! 😂 Sorry, heavy on the pop culture Netflix references tonight! In the spirit of wrapping it up, Amy (Anna Chlumsky) looks like she may have come to an the end of her rope with Buddy Calhoun. It's a shame, because Matt Oberg, who plays Buddy, has been an excellent addition and perfect fit for the show... And he'll have some extra time on his hands now that 'The Real O'Neals' has been cancelled by ABC. Whether Amy chooses to flee or not, now that Buddy has withdrawn from the race, hopefully creator Armando Ianmucci will find a way to have him haunt her in some fashion... 'Veep' is so damn good at keeping recurring and guest starring characters cycling back again and again, which adds to the overall charm of the show. Dan (Reid Scott) may be a bad example, because he's very much a main character, but the having Catherine (Sarah Sutherland) and Marjorie (Clea DuVall) choose him for a sperm donor is exactly what I'm talking about... The constant goings-on of 'Veep' keep characters constantly in the fold with fresh story arcs and new adventures to fall into. Even in its 6th Season, 'Veep' feels as strong as ever!

[safflowerseason]

veep rewatch - 3.02

Season Three, Episode Two - The Choice

aka - The One Where Dan Gets Seasick 

(It seems like a good time to begin this series again...)

Gary, to himself in the mirror: …When did you get your dad’s face?

LOL at Dan telling Richard not to be cute. 

Gary: Ma’am, instead of doing all this pre-campaigning, sometime in the next 24 hours, you grab a mic, you say, "I'm Selina Meyer and I'm running for President of the United States!” *beat* Selina: I’m just gonna use the bathroom really quick.

Kelly: This definitely does not do video. Amy: Then what were you doing?!  (I just think it’s hilarious the way Anna Chlumsky delivers this little line…that perfect outraged bemusement.)

Hahahaha Dan gets so seasick. He’s so terrible I don’t even feel sorry for him. (This also means his S2 line about power-boating on Lake Erie is now irrelevant, which is fine because I think this is a more hilarious canon fact about Dan.) 

Wendy, about Jonah: Look who I found in a basket on our front door. 

What the hell is Jonah wearing in this scene. What is that terrible cardigan. What is that T-shirt he is wearing underneath. What.

Criminal: Hey, I voted for you! Selina: Thank you very much, sir! But I’m afraid you have to go to prison!

The chaotic scene on the boat, with everyone yelling and speaking over one another about POTUS’s announcement is quite well done, reminiscent of the scene in the kitchen during Helsinki (another great Selina-Amy-Gary-Dan group scene.) 

Ben: Ma'am, I swear to God, we all thought he was gonna just eat some shrimp, rattle off a few platitudes, go home, watch Full Metal Jacket for the millionth time and fall asleep.

Amy: Has POTUS gone nuts? We can’t have a crazy president.  Gary: In Italy they do.  (Heh.)

Selina: I can't identify myself as a woman! People can't know that! Men hate that. And women who hate women hate that, which, I believe, is most women, don't you agree with that? 

Dan: I swear to God, I felt better on the fucking boat.

Dan: And as vice president, here's your choice, two doors, pro-choice, pro-life. That’s it. Selina:…Is there a third door?  Amy: What, like a woman's door?  Dan *scornful*: A back door? No.

Lots of little physical comedy bits in this episode…Dan being sick on the boat, Selina and the bathroom door, Richard and Kelli getting tangled up in the phone lines….Most of these bits require really coordinated dialogue as well, characters speaking over one another at the exact right moment…I feel like this kind of really specific and technical scene work went away in the later seasons, in favor of the characters just screaming outsized insults at one another. Which is a bit sad, because these scenes are so superbly done, and all of the actors involved really get to show off their technical skills as well as their mastery of the dialogue. 

There’s an argument to be made that the premise of this episode is not super realistic. I suppose it’s plausible that a lame-duck outwardly liberal but still old-white-male POTUS might reveal he has a more conservative view on the timeline for abortion. What’s less plausible is that Selina’s response requires completely rethinking her views on the topic, or that she’s run for high constitutional office in the United States without articulating a clear stance on the issue. The whole “what’s Selina’s position?!” drama is a bit over-blown. Why doesn’t she just reaffirm whatever her stance is? (I guess that is kind of what she ends up doing, by rehashing the book). And the notion that she could reverse her previous position to something more conservative that aligns with POTUS’s views does not actually make any sense politically, considering Selina’s party and her hopes for the future…like presumably POTUS has also pissed off other members of his liberal party? And he’s a lame duck POTUS anyway. Who cares? 

However, I think this is an example where it’s fine that a show about politics does not hold up to perfect realist scrutiny, because it still makes for a great episode of television where we see Selina really wrestle with her identity as Veep and as a female politician, and we get to dive deep into the stakes of a “controversial” political issue (in quotations because it shouldn’t be controversial) and watch how the team deals with it. 

Jonah: I’m going to be updating more than I'm actually dating…which is a shitload. I think in the BMTL universe, Jonah resurrects Ryantology and his unhinged videos are part of how he wins the presidency. This kind of aggressive-direct-to-the-people-straight-talk-cut-through-the-bullshit rhetoric is exactly how Trump appeals to his base (even though it’s not at all true that it’s “real”), and is certainly more interesting politically than Jonah advancing as a politician because he’s racist and sexist and hates vaccines. 

Kent and Sue begin their hilariously robotic flirting in this episode. 

Selina’s got so many great lines in this scene about gender politics and the politics of abortion, all of which I would put on a coffee mug or a t-shirt.  “Get the government out of my fucking snatch.” “If men got pregnant, you could get an abortion at an ATM.” “As a woman, I am not gonna put in a fuckin’ sentence ‘As a woman…’ I am not putting my eggs in that basket.” “This is about access to safe abortions for vulnerable women.”

Read alongside one another, these lines illustrate how conflicted she is, not about abortion, but about her identity as a female politician and in turn, how that identity is perceived by the public to influence her political choices and views. She doesn’t want to be a labeled as a feminist political warrior, but she is still clearly passionate enough about women’s issues enough to try and figure out a way to articulate her views without sacrificing her political future—a future that depends on the support of old, white men. 

Costume-wise, Amy stands out among the ensemble in another turquoise green dress (I am very into her snakesin heels). This one is a wrap dress that is a bit darker than her dress for Mike’s wedding. Selina is wearing a black top and a red skirt, in a not-so-subtle nod to her struggle over what to say in public about abortion. Dan’s and Mike’s ties both have red in them. Unusually, nothing in Amy’s outfit really links her to Selina or to Dan.

Selina: Well, he fucking fudged it. Now we know he’s running for President, that stupid bastard. 

Dan’s meltdown is very well done by Reid Scott. This season, he really brings out Dan’s more intense side, highlighting his obsessive and neurotic qualities that we don’t normally see (because Dan keeps them buried) and adding this slightly unhinged edge to the character. At the same time, he emphasizes how Dan struggles to keep up the usual facade that everything is easy for him. In the previous episode, we even saw a flash of Dan’s crazy eyes. I simply don’t understand how Mandel watched Dan’s arc in S3 and came to the conclusion that this character didn’t really care about anything except money and sex. All Dan cares about in this season is winning, to the point where he actually self-destructs. It will be really fun to observe how the writers and RS play out Dan’s journey with this rewatch. 

Amy to Dan: Go home. Take an Ambien. Take fifty!

Ben: I’m going home, and if anyone needs me…I don’t care.

Poor Gary in this episode. He fails so hard at trying to be an actual political strategist. 

Dan: Hey you, Ugly Betty, give me that burrito! Jonah: Don’t just give it to him, dude!

“This is what happens when you fuck with my office!” Dan literally is seconds from beating up Jonah in this scene…his dangerous side on full display here. Part of me wishes we saw more of this super macho physical enforcer Dan, but at the same time, I do think it’s a bit jarring compared to Veep’s regular tone as a show. (It also makes you wonder what Dan’s breaking point is, when it comes to physical violence.)

Selina: Well, I said nothing…a big, fat, morbidly obese nothing.