#lindsey stirling angels we have heard on high

[rhaelynn]

Just wanted to share these today…

I genuinely forgot how therapeutic music could be until I listened to this today 😮‍💨 it is reviving teenage me who went crazy™️ over her musical medleys

And this girlie is just an absolute darling for giving us an mv to anticipate <33

[mintgirlsworld]

Иногда синий цвет просто прекрасен.

[throughdigitaleyes]

Lindsey Stirling Snow Waltzes Through Providence

Lindsey Stirling played to a Sold Out Providence Performing Arts Center on Thursday night (12.14.23) as she blew through town on her Snow Waltz Tour.

There’s not much that can get me in the holiday spirit quite like a Lindsey Stirling Christmas Show. They’re family friendly displays that epitomize exactly who Stirling is as a performer; showcasing incredible choreography, wildly impressive/absolutely nerve-racking aerial acrobatics, beautiful costumes and her always jaw-dropping musicianship (duh), she brings her fans on a Christmas journey that celebrates every facet of the holiday.

While this year’s show is likely the most different I’ve witnessed because of the new selections she’s playing from ‘Snow Waltz’, it also maintains many familiar touches. The amusing bits that always get such genuinely joyous reactions from the crowd (such as the toy instrument medley and the tour manager Christmas tree interludes) still pop up throughout the set. They keep even the youngest of fans engaged during costume changes, and paired with Stirling’s heartfelt stories, guide us through her stunning display in a way that understands the whimsy of Christmas without ever abandoning the true reason for the season.

Highlights in a Lindsey Stirling show, for me, are always in the moments that show just how absurdly talented a musician she really is. ‘Angels We Have Heard on High’ is definitely one of them, and was a highlight in both of the previous Christmas shows I’ve seen Stirling perform. But this year it was even better, following her breathtaking arrangement of ‘O Holy Night’. Then there were two of her show-stopping original compositions off her newest Christmas album, the titular ‘Snow Waltz’ and ‘Ice Storm’, two rockin’ pieces that absolutely blew me away.

CLICK HERE to see More Photos from the show on Facebook, and Have a Very Merry Christmas!

All photos ©Timothy Patrick Boyer, 2023.

[angelskysposts]

Watch "Lindsey Stirling - Angels We Have Heard On High (Official Video)" on YouTube

Lindsey Stirling is a wonderful

violinist and a terrific dancer. She can dance & play the violin at the same time now that's talent

[grande-caps]

Sceencaps || Lindsey Stirling - Angels We Have Heard On High GALLERY LINK : [x] Quality : HD Screencaptures Amount : 161 files Resolution : 1280x720px

-Please like/reblog if taking! -Please credit grande_caps/kissthemgoodbye!

[gungieblog]

Lindsey Stirling - Angels We Have Heard On High (Official Video)

[black-arcana]

Lindsey Stirling - Angels We Have Heard On High

[musicdailymix817]

Lindsey Stirling - Angels We Have Heard On High

[hazeleyeartistsposts]

Lindsey Stirling honors real angels. - Angels We Have Heard On High

[cuoredangelo]

Lindsey Stirling - Angels We Have Heard On High   

   Angeli che abbiamo sentito in alto                                          

[amin13864]

Watch "Lindsey Stirling - Angels We Have Heard On High (Official Video)" on YouTube

[eleonorljunggren]

Lindsey Stirling - Angels We Have Heard On High (Official Video)

[tommyclove2]

Lindsey Stirling - Angels We Have Heard On High (Official Video)

[snowflakesonchristmas]

[feadae]

@bliss-delight-jr Here are the song recs you requested! The list ended up being kinda comically long; way too long to put in a reply, so here it is (you asked for bops and jams and I added a bunch of bangers too bc I have a ton of bangers in my playlists and not many jams)

-“Topsy Turvy” from Hunchback of Notre Dame – movie and musical versions are both amazing, but the movie version is more of a consistent bop; the musical version is just a few clicks slower and is split in half by two numbers, which are both amazing, but don’t have the feel of a bop) -“Roundtable Rival” by Lindsey Stirling – a freaking JAM and also a BANGER -“Thrift Shop” by Vitamin String Quartet – a JAM -“La Llorona” from Coco – not a bop, a jam, or a banger, but like, it’s so GOOD -“The Court of Miracles” from Hunchback – again, the movie and musical versions are both great, and I’ve actually been using the musical version to get me up and moving in the morning, but the movie version is WAY more of a bop in terms of tempo and general feel; in the musical, Clopin sort of relishes having caught Quasi and Phoebus and the song is a slower kind of menacing, but in the movie, Clopin revels in being about to kill the Boys and the song is fast and bouncy and lively and a bop -“I’m the One That’s Cool” by The Guild feat. Felicia Day – a banger if I’ve ever heard one -“96,000” from In the Heights – a bop -“Carnaval del Barrio” from In the Heights – a jam that becomes a bop that becomes a banger -“The Rocky Road to Dublin” by The High Kings – a BOP -“Facade” from Jekyll and Hyde – closest to bop? I judge the difference between bops, jams, and bangers by the kind of movements that I naturally make when I hear the songs, and I make “banger” movements when I listen to “Facade,” but there’s something in my brain that’s telling me it’s too lively to be a banger, so I don’t know. It’s good, regardless. -“Murder, Murder” from Jekyll and Hyde – now this is a banger, for sure. A musical theater banger. -“Joy of the Lord” from Hands on a Hardbody – first, that’s a hardbody TRUCK. Don’t get any ideas. And “Joy of the Lord” is kinda repetitive, but it’s such a bop; I love it -“Born in Laredo” from Hands on a Hardbody – somewhere between a jam and a banger; this is an angry ballad, and I’m LIVING for it -“Can’t Sleep Love” by Pentatonix – somewhere between a jam and a bop -“Tavern Song (Thai Mol Piyas)” from Hunchback of Notre Dame – now this one is only in the musical, but the chorus is such a bop! The verses are closer to a jam and the whole song is so good. Fun fact: it’s the only song in the whole show that includes a language that is not English, Latin, or French! -“Esmeralda” from Hunchback of Notre Dame – I’m so sorry that there’s so much Hunchback on here, but it’s Alan Menken and Stephen Schwartz’s fault for writing such Damn Good Music, and I’m a little obsessed rn since I’m in the thing. But “Esmeralda” is the Act I finale and it’s a musical theater BANGER. I get CHILLS every time. -“Un Poco Loco” from Coco – a bop, pure and simple. It’s so cute. -“Istanbul” by They Might Be Giants – also a bop. Very catchy. Fun fact: the first time I heard this song it was a Barbershop cover on YouTube, and for a solid five years I didn’t understand that it was a cover and not an original, bc I’d never heard the original and I’d never heard of They Might Be Giants, so I figured it was the name of the quartet the guy singing it was in (it was one of those quartet-with-yourself things YouTube vocalists love but I digress). I also didn’t get the concept of YouTube cover artists arranging their own covers if they wanted to genre-bend, so I was v disappointed when I couldn’t find the sheet music for my own Barbershop quartet to sing at contest -“I See Fire” by Peter Hollens – a jam -“Help!” by The Beatles – a bop -“All for the Best” from Godspell – a very fun bop that plays on multiple meanings of the phrase “all for the best” and there are some pretty dang cute videos of high school productions of this one -“Alas for You” from Godspell – a BANGER. A righteous-anger BANGER. If I recall the plot of the show correctly, this is Jesus losing it in the temple that folks turned into a marketplace. -“Flip Flop and Fly” by Ellis Hall – the first place I heard this was in Chicken Run as a kid, and I don’t know if it was written specifically for the movie or not. All I know is that it’s a futzing BOP. -“Flintstones” by Jacob Collier – a BOP. -“What the Heck I Gotta Do” from 21 Chump Street – 21 Chump Street is a 15-minute mini-musical written & composed by Lin-Manuel Miranda, based on a true story, and “What the Heck I Gotta Do” is such a cute bop. -“Run, Freedom, Run!” from Urinetown – Yes that’s what the musical is called. It’s an Experience. “Run, Freedom, Run!” is a BOP, though. -“Cop Song” from Urinetown – A bop that becomes a banger -“Jet Set” from Catch Me If You Can – a BOP. Honestly this whole musical is so good. It’s a bit like Cheez-Its in that you kind of forget about it when you’ve got more interesting options available, but then you choose it and you’re like, “I forgot how good this was!” That’s Catch Me. And yes, it’s based on the Leo DiCaprio movie. -“Somebody’s Eyes” from Footloose: the Musical – I don’t really have strong feelings about this musical, but “Somebody’s Eyes” is fun. It’s a jam. -“Jolly Holiday” from Mary Poppins: the Musical – A bop. Mary Poppins the movie was my CHILDHOOD and I got really excited when I heard that it was a musical too, and I love the musical. They add huge chunks to the songs that aren’t in the movie, but they sound good and stand pretty well on their own. “Supercal” and “Step in Time” get honorable mentions, because I adore them both, but the musical versions don’t really fit into the bop/jam/banger categories. I 100% recommend watching a video of “Step in Time” though; the choreography is KILLER. -“We Go Together” by David Tennant and Catherine Tate – this is a bonus track on the soundtrack for the Much Ado About Nothing where David and Catherine were Benedick and Beatrice, and this song is such a cute bop that encapsulates the Beatrice/Benedick dynamic really well. It’s great and I kinda wanna see if I can convince a future boyfriend to sing it with me. -“Moon Goddess” by Jocelyn Hagen – this is a choir piece, and you wouldn’t expect a choir piece to be a banger, but “Moon Goddess” is a BANGER. Trust me. -“Godzilla Eats Las Vegas” by Eric Whitacre – it’s a concert band piece and I guess it could maybe be a banger but I really just want you to listen to it because it’s exactly what it sounds like and it’s HILARIOUS. -“Incantation and Dance” by John Barnes Chance – another concert band piece, and kinda long, but it’s a jam that becomes a banger, and it’s spoopy too; perfect for Halloween Season -“The Typewriter” by Leroy Anderson – a concert band piece where the primary soloist plays an Actual Literal Typewriter and it’s great. A bop. -“Livin’ It Up on Top” from Hadestown – a BOP. The musical is one of those concept-album musicals and it’s a Great-Depression-era retelling of the Orpheus and Euridice story and it’s GREAT. -“Way Down Hadestown” from Hadestown – also a bop -“Our Lady of the Underground” from Hadestown – Persephone gets to start Act II with a kickass solo and it’s a JAM. I adore it and I really wanna sing it for a hypothetical voice recital -“You’re Gonna Go Far, Kid” by The Offspring – a BANGER -“When You’re Evil” by Aurelio Voltaire – a JAM. A SPOOPY jam. -“The Devil Went Down to Georgia” by The Charlie Daniels Band – a bop and a banger all at once. I adore it. -“Down in New Orleans” from The Princess and the Frog – both the reprise and the original are such good bops, but I especially love the reprise because Anika Noni Rose’s voice is ANGELIC. -“Through Heaven’s Eyes” from The Prince of Egypt – I adore this whole soundtrack with my whole soul, but “Through Heaven’s Eyes” is the only song that really fits into a bop/jam/banger category, and that only barely. It’s a bop if you squint, but regardless it’s really good and I love it. -“The Mad Hatter” from Wonderland – a musical theater banger. The new Mad Hatter is a woman, and she’s a mezzo-soprano, so you know what that means: a jazzy introduction song where she gets to belt her heart out and it’s great. -“I Will Prevail” from Wonderland – the Mad Hatter’s other solo, also a banger, goes even harder than the first one, because It’s Act Two, Bitches, Shit’s Gettin’ Real -“I’ll Think of You” by Kurt Hugo Schneider – a cute little a capella bop. I definitely recommend watching the video on this one because the patty-cake thing the singers do while singing is really impressive and really cute. -“Oh, the Thinks You Can Think” from Seussical the Musical – listen this musical is so cute, and I’d love to play Gertrude McFuzz, because she’s so cute, but I’d ESPECIALLY love to play the Cat in the Hat, because he falls into the category of Chaotic Good/Chaotic Neutral, Spritely Character Where Gender Doesn’t Matter in Casting (others in this category include Puck from Midsummer, Ariel from The Tempest, and Clopin from Hunchback—all characters I want to play). And this song is the opening number and it’s a really fun bop. -“Tango: Maureen” from RENT – a jam. Makes me want to learn how to tango. -“La Vie Boheme” from RENT – a BANGER. -“The Road Goes On” from The Lord of the Rings: the Musical – YES, this is a real musical. YES, I’m as excited as you are. This song is a bop, through and through. -“Both Sides of the Coin” from The Mystery of Edwin Drood – a BOP. The whole musical is wonderful and I love it and you should listen to it (have the Wikipedia summary pulled up while you do; since it’s based on a book that never technically ends, since Dickens died before he could finish it, the musical is a solve-it-yourself with multiple endings, where the audience picks the ending every night) -“Be Good or Be Gone” from Pump Boys and Dinettes – somewhere between a bop and a banger -“Papaoutai” by Pentatonix feat. Lindsey Stirling – a bop -“Ac-Cent-Tchu-Ate the Positive” by Bing Crosby feat. The Andrews Sisters – a cute little bop -“Hobbit Drinking Medley” by Peter Hollens feat. Hank Green – such a bop. So cute. I really like the video -“Independence!” from The Trail to Oregon – this is a StarKid one, and it’s so fun. A bop. -“Rogues Are We” from Holy Musical B@man! – more StarKid. Closer to a banger. Especially fun to sing along when you’re alone in the car and you can belt out all the notes in all the character voices with no one to give you a funny look for it *I was trying not to do this, but just anything by Celtic Woman. It’s all so good! -“Finnegan’s Wake” by The High Kings – such a BOP, good LORD. -“Way Ahead of My Time” from Taxi Cabaret – it’s a bop, and it’s sung by a gay caveman. That is all you need to know. (There are a bunch of really good professional versions but I found a high schooler called Wyatt Walberg on YouTube doing it for his school and his version is really good) -“Any Kind of Dead Person” from Ghost Quartet – a BOP. And another spoopy bop, no less. -“Alive” by Skipinnish – I don’t remember where I first heard this, and my brain is telling me there’s a distinct probability that either you or Sock recommended it to me (OH I think it’s in a playlist one of y’all made for CotIG), so if you already know about it, then this is a reminder to listen to it again, because isn’t it so good?! A bop. -“Danger On the Dance Floor” by The Cog is Dead – A BANGER. A TANGO. A GREAT STORY. WHAT MORE COULD YOU WANT. -“Nicknackatory” by Mr. B, the Gentleman Rapper – so apparently gentleman rap (I think it’s called chap-hop, which makes me really happy) is an actual genre, and I love it with all my heart. This is hilarious. A bop.

So...yeah