#like. how is it possible that someone could not think pporappippam is the song of their dreams

[a-moth-to-the-light]

Comeback Celebration: Current Top Ten Sunmi Songs

I noticed, while I was working on this, that I talk about Sunmi the way orbits talk about Loona--I think you'll see what I mean as we go down the list! I think it's the admiration I have for how creative & well-crafted her releases are. "Heroine" was the song that got me into Sunmi, though her most recent comeback at the time was "Lalalay" (I remember because the ponytail dance was EVERYWHERE). My admiration was secured after her 1/6 album--even though her discography is still small, I think that album really fleshed it out, to the point where I finally felt like I could understand her as an artist. Happy Sunmi comeback to us all!

1. pporappippam

This is my "Butterfly". I remember when this song came out, I remember when it changed the world, it's all things divine, it's my conduit to a romanticized version of my teenage years, it's a supercut of all the most wonderful colors you've ever seen in the sky at sunset. In all seriousness, though--I really don't get how people find this song boring. It manages to be a soft, ethereal track and an addictive pop hit, a perfect balance of peaceful atmospherics and unrelenting pace. This one is really special to me!

2. 1/6

This is my "Loonatic". I got dream pop with this song--okay, "1/6" might not exactly be dream pop, but it's soft and dreamy in a way that made me finally see the appeal of that type of song, like why someone would want to get lost in that hazy sonic world.

3. Siren

"Siren" is a piano crashing into you from a third-story window. Like, I don't know how it's ever possible to be emotionally ready for this song. Its brute-force approach is just so goddamn memorable, especially because Sunmi doesn't overuse it in the rest of her discography--she usually goes for subtlety, but her vocals carry a powerful chorus like this one just so well.

4. Narcissism

This one's also in the brute-force category, especially because the production takes this really messy, maximalist approach--and fuck it, it works. I love this song a whole lot: the soft intro; the weird schoolbell-through-intercom-static sounds; the way the chorus hits; the way Sunmi navigates the song's rapid rises and falls. If you miss old-school EDM (read: if you obsess over Dreamcatcher's "Can't get you out of my mind" like I do), I think you'll really enjoy this one.

5. Call

Yeah, no surprise here, I always love club music. But this club classic is particularly intricate, built on a really interesting contrast: Sunmi's gritty vocals over an exceptionally pristine house beat.

6. Black Pearl

This song is just cool. Like, that saxophone solo is just really, really cool. Like, I want to be a guy who has this song at the top of his most-listened list. Maybe one day!

7. Heroine

Yeah, the beat drop is kind of wimpy, so that part didn't age all that great. But Sunmi's PERFORMANCE here?? That prechorus is one for the ages. Five years ago, the emotion of this song absolutely captivated me, and it still resonates with me today.

8. Lalalay

In contrast, this one aged wonderfully! Now that I'm not being constantly overloaded with beat drops in every other song (thank you, 2019 Twice & 2021 Olivia Rodrigo!), I can really appreciate how interesting "Lalalay" is! I used to think this one was boring and lacking inspiration, but now that I'm revisiting it, I think the dynamics of the chorus are pretty compelling (yes, I think the beat drop is compelling, sue me)--like, do you hear how the weird note thingie is fading in and out? how the volume shifts? I love it so much!! My favorite part is the bridge, though--the flight attendant bit remains iconic, and the segue into the final chorus is breathtaking.

9. Heart Burn

This will forever remind me of a song from my childhood--the melody of the chorus is vaguely reminiscent of Taylor Dayne's "Tell It to My Heart", which my mom used to play in the car--so this song hits unfairly hard for me. Like, it's already a reserved, mysterious summer hit, but to me it sounds like a half-formed image of your old living room, or the voice of an elementary-school friend whose name you can't quite recall speaking from the void. Cloudy, surreal, a bit unsettling, but altogether sweet. Also, the color scheme of this music video is super striking, so "Heart Burn", despite its simplicity, gets a LOT of bias points from me.

10. What the Flower

This is like the evil twin of Red Velvet's "Good, Bad, Ugly". They both go for the lounge-singer vibe, but Red Velvet have really pure, sweet-sounding vocals, while Sunmi's voice, and her work as a whole, have always been very savory (like, anti-saccharine?). Both songs are great, and I especially love how both allow for some wonderful piano appreciation (shoutout to the guitar in "What the Flower", too!). The singalong bit at the end of "What the Flower" is really striking, so this one has stuck around in my head over the years, even before I could really appreciate its quieter sections.

Honorable Mentions: 24 Hours (obligatory), Who am I, Curve (also obligatory), Tail (Sunmi's charisma wins this one), Call my name