#like. I've never really been able to figure it out before. but.

[tyrantisterror]

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[thedisablednaturalist]

I dont know if it’s something youve been asked before, and i dont know how to really phrase my thoughts. But whats it like working in like environmental things well disabled? Have you met many, or any, other disabled people in the field? I’m 16, and ever since I was little I’ve had so much passion for environmental education in particular, and it was a field I wanted to go into for a long time. Sadly it seems like my body has other plans, I’m currently at a point where I might have to drop out of highschool because managing class and disability is too much, and so college feels impossible. And when it was mostly mental stuff I had thought about maybe joining americorps or something because it looked like they’ll take people with a ged and then I could still do work I care about, but I’ve only ever met one physically disabled person doing anything related to the environment and stuff (there’s a person with leg braces and a service dog who works at the local aquarium) so I never really get a chance to ask about this stuff

so idk, sorry if I’m rambling a lot and hard to understand. If it makes you feel any better I’ve cornered every environmental educator I’ve met the last year or so (and I go to a project based environmental charter school thing, so I meet a lot) and asked them a lot of questions too. Especially since my school encourages us to think about future careers and what skills we need

so idk, I want to know. What’s it like? Is it hard? What did you have to do to get the job you have now? Do you regret it, would you choose something different if you could go back? Do you have any advice?

I hope you’re having an ok day, and that I’m not too annoying, and thank you if you even took the time to read this far. -🌱

no no don't apologize, this is exactly what this blog is for. When I started my journey I couldn't find any outspoken disabled environmentalists or any resources for people like us. So I started this blog to compile resources and share what I've learned as my career has progressed. I want everyone regardless of physical or mental state to be able to pursue their passions in environmental science and conservation.

Honestly, this field has a long way to go still. Even big institutions like the Smithsonian haven't quite figured it out yet. But there is definitely a shift happening. I've been seeing so many more disabled young people interested in this field and its amazing. I saw another physically disabled student at the Smithsonian conservation biology institute when I visited as an alum a few weeks ago, and I believe I was one of if not the first person to attend as a wheelchair user (yeah they didn't know what to do with me 😮‍💨) I had a professor who directly singled me out for being a wheelchair user so you will unfortunately run into some bigots in this field.

However the federal government (im assuming you are in the US so apologies if you're not) especially during the Biden administration has been ramping up its hiring of Schedule A employees. Schedule A allows you to circumvent the competitive process through the WRP (workplace recruitment program) once you've graduated college (or GED). Schedule A can be provided by a doctor or disability counselor (My DARS office did mine, love DARS: it's free and every state has one). My manager is HOH as well as one of my new coworkers and I was of course recently hired by the EPA as well. The EPA is probably the most disability friendly place to work in our field, if not anywhere. It has its issues but I've been pretty much over-accommodated instead of under (sad I consider the minimum accommodations to feel excessive).

Here's some of the things I've learned so far:

1. My biggest advice to anyone your age wanting to get into this field is to volunteer volunteer volunteer!! You are most likely at a time where you can afford to work for free. Most environmental internships are unpaid unless you have prior experience with the organization. Try out a bunch of different experiences to find out what you like the most. I never would have thought I'd be a bug person until I did my first invertebrate stream assessment. I got into environmental science late in my college career so it took me a lot longer to figure out what I wanted to do. Get as much experience as you can while you are still supported by your parents and don't have to worry about things like rent or bills. Some organizations are trying to change this so people from lower incomes can still have the same opportunities, but it still has a ways to go. Notably zookeepers have to work either for free or for dirt cheap for a couple years before they get hired full time.

2. Be prepared to lose out on your dream job due to your disability(s). I'm going to be frank and not spout any of that "you can do anything you put your mind to" bullshit. Yes, most things CAN be done by anyone with the right accommodations, but in a field where a large percentage of the work is done physically, you will be unable to do some types of jobs. I'm not saying it's impossible to get your dream job with disabilities, but it's a very common experience for us. For example, I looked into working on a boat. In a perfect world, I'd be given limitless accommodations and time to rest but on a boat that is extremely difficult. You can't take sick days whenever you need them. This was the same thing I had to realize when I was offered my dream job in my dream location: A stream specialist field technician for the USGS in Portland Oregon. I absolutely loved working in the field, and yes there are many of us who do/did fieldwork using mobility aids. I miss fieldwork everyday. But I had to turn it down. I knew deep down I couldn't handle it, having scheduled in advance field excursions that I couldn't postpone, having to hike in difficult terrain in remote locations, even moving across the entire country, at least at the time, was improbable. I was barely holding on at my field job where I did have safety nets. I just couldn't justify the financial and physical strain as well as the risk if I wasn't able to do the job and became unemployed. It broke my heart to give it up and I'm still grieving. But I do enjoy my current job and it lets me prioritize my health. No longer do I just work and sleep because work would take up all my spoons. I've been drawing and gaming and spending more time with loved ones. It is an unfortunate fact of life that sometimes what we want isn't what we need. Being disabled means that sometimes we have to make hard decisions that abled people don't ever have to think about. It's part of the grieving process for those of us who were abled at some point. I can't speak on what it's like for those with lifelong disabilities from birth, but I know its hard for them too.

3. Ok yeah 2 was a huge bummer, but here's where it gets better: When one door with stairs closes, a door with a ramp opens. There will be other opportunities. This field isn't just fieldwork despite what most people think. You don't have to be a super strong ranger that can hike 20 miles in a day without breaking a sweat to do environmental work. The field needs people who take what the guys outside collect and analyze it, research it, visualize it, present on it, take care of it, write about it, archive it, make art of it, etc etc etc. There are so many organizations that need people who can do data analysis and administration. Working at a desk doesn't make you less of an environmentalist. Plus that's not all, you can work in a lab or work with smaller creatures like bugs or herps or fish or you could do botany or geology! You don't need to be able to go out and get them yourself to work with them. Being able to save energy during my workday allows me to pursue my passions like collecting bugs and swimming. I can volunteer with citizen science projects or conservation orgs and still do fieldwork, but because its not a job I can do it when I feel up to it, I don't have to push myself to keep going because I'm worried about being fired. I currently work as a data analyst for the EPA and I work mostly from home so I can do my work without suffering. Yea data analysis isn't my favorite thing in the world but your job doesn't have to be. Sometimes a job is something that makes you money so you can do your passions outside of it. But I am happy the work I do supports something I am passionate about (supporting states so they can clean up more sites and thus have cleaner water).

4. You'll have to learn how to advocate for yourself. Push against boundaries. Explore your options. Especially with doctors. You know yourself best, don't let anyone else define your boundaries for you, even me. If someone says you can't do something because of your disability, but you know that you actually can, tell them and be assertive about it. Many of us are seen as abrasive and rude, but to be a disabled person in a very abled centered world you gotta be. Don't let anyone hold you back because THEY feel uncomfortable. My coworkers at my old job were worried for me when I showed up to work with my crutches for the first time. But it actually made me BETTER at stream assessments (having four legs means you don't slip as much). I could do it even if I needed to take breaks and use mobility aids. Nowadays it's too much for me to be doing that but at the time it was within my limits. And sometimes, you'll overestimate yourself and end up flaring or hurting yourself. It's okay to make mistakes, it doesn't make you a bad person. At first you'll push through too much but as you learn your body's limits you'll get better at managing your disability. And sometimes a great memory is worth a week-long flare up. Its for YOU to decide what you can do.

That's all I can think of for now, I should probably get ready for bed soon. But just remember, there are more of us than they think and we can be capable, productive, and a benefit to the environmental movement no matter our ability or skills.

If you have anymore specific questions, or just need to talk, I'm always available (even if I might take a while to reply).

[skeletons-and-spiders]

Hello there. First, I would like to preface this with the fact that I, 19F, know very little about Therian's or the terminology, so do forgive me if I accidentally offend anyone.

So I first came across the term Therian roughly around late June of 2024. I will admit I was confused about it and first believed it was typical kids going through the whole pretending to be animals while playing phase. But then I started to get recommended videos of Therian TikTok compilations. I decided to watch one just out of curiosity, and I was rather taken aback with how deep it really is. I forgot about it for a while until November. Since then I have done some more research, and now comes my question as to whether I may be a Therian myself.

I saw most videos said to find what your animal is, is that the right term, before anything else, so I first focused on that. I think I may be a wolf. They have always been one of my favourite animals, and as a kid, I used to imagine a world where I was able to transform into a white wolf with a blue streak. I still do sometimes. Also, as a really young kid, like 5 to 7, I used to pretend to be a cat a lot, where I would meow and crawl on the ground. Plus, I am queer, and my gender is a demigirl, something that falls under the nonbinary umbrella, so I've always had a weird relationship with my body in a way. Plus, I am kind of chubby, and I've always been insecure about that.

Now come the reasons I am not sure if I am a Therian.

To start with, I am perfectly fine with being seen as a human, and I still feel like a human and feel fine with that.I also refer to myself as a human and sometimes forget that I think I'm a wolf. I bring this up as all the videos I have watched all mention feeling fully like their animal and hating being seen as human and not feeling human at all. The second thing is I am not sure if a wolf really is my animal. I've seen a lot of people saying they knew that they'd found what animal they were by having dreams or shifts or other things. I have none of those. I've never had memories of past lives or shifts or anything really. Another is how I chose my animal rather quickly. I was In the stockroom of the bookshop I work at, a volunteering job, I was running through different animals by mumbling to myself to see what felt right, like "I'm a cat," "I'm a possum," etc., and when I said, "I'm a wolf," it kind of felt different. But I'm not sure if that's because I am a wolf inside or because I have a lot of verbal stims, and certain words just feel nice to say. 

I do, however, relate to the parts of videos that say most Therians have always felt different. I have, but that may just be due to how I'm autistic and was bullied a lot as a kid until I was like 17. And I am able to imagine myself with wolf ears and a tail, but they aren't like phantom limbs like I've seen other Therians refer to them as due to me not being able to feel any weight or feel them get in my way like, again, I have seen other Therians mention and complain about. 

I have seen mentions of otherkin and alterhuman, but I must admit I find those a tad complicated and am far more unfamiliar with them than Therians.

So yeah. I really would appreciate any advice or tips or anything really to help me figure this out. Has anyone else felt this way before everything "clicked" for them? Am I a therian, or am I just weird and faking it? I'd be more than happy to mention anything else that may help or anything I've forgotten to mention at this current time.

[hyperfixation-tangentopia]

You ever realize you can do literally anything you want creatively

[muninnhuginn]

Writers tag game

Prompt: share some writing

Thanks for the tag, @miyamiwu!

So, I'll be honest, I don't actually have any WIPs I'm intending to do anything with, but I have some oldish abandoned stuff I managed to relocate. It's back from 2021 so in my Untamed era and this bit was specifically set during Fatal Journey*:

Nie Huaisang woke blearily, cold seeping into his clothes from the floor. It was dark and it took several seconds to remember where he was. He could hear the muffled sounds of clanging and voices. As he lifted his head off the ground, they slowly resolved themselves into the clash of swords and yelling. [...] He didn't know what to do. What would his brother do? Xichen-ge? San-ge? He had his flute with him– he could try Cleansing. This was what it was for, right? Before he could doubt himself further, he started playing, pouring all the qi he could muster into the tune. He'd practised for hours the night before, long after San-ge had left, but despite that, he hadn't truly thought then that he'd need to play so soon. Was that so naïve of him? As he watched, Da-ge began to slow in his movements and Nie Huaisang felt himself start to relax. He kept his lips to the flute, trying not to let his relief fool him into making mistakes. Still, he knew he only had to play a little longer and then they could all escape. Him, his brother, his cousin. They could flee far away from the darkness that haunted these halls. And then Nie Zonghui's head hit the floor. He stopped playing.

And then I had this other bit:

He'd messed up. He must have played a wrong note. Maybe he'd misremembered the entire thing? And now Nie Zonghui was dead and his brother - what looked like his brother - was stood, Baxia dripping blood to the floor. [...] The sword was pointed at him. He tried to hold himself steady as he looked down the blade. Tried to blink away the tears that kept escaping without his permission. He could tell he was failing, unable to stop the trembling, but he forced himself to meet the eyes at the other end of the sword. He couldn't die here. He refused to die here. After all, he was the only family his brother had left.

*(it was meant to be part of a short time travel fic where post-canon characters went back not long before NMJ died. It would've had flashbacks to Fatal Journey interspersed with the "present" up until the point at which future NHS tipped off past NHS about the poisoned music. I actually got as far as figuring out where I wanted all the characters to be at the end of it, but I ran out of motivation pretty quickly so there's only this WIP stuff and the intro part written in the end.)

Ahh not sure who to tag when it comes to writing stuff. I know @roseofcards90 and @floofiestboy write some stuff? And anyone else who sees this who writes, feel free to consider yourself tagged ^^

[earl-grey-crow]

.

[jakeperalta]

spent weeks psyching myself up to stand up to my mum and then immediately got shot down by her 😃👍

[dan-crimes]

I love writers I love when they ramble on abt characters and their motivations, their core values and the reasons why they react to things in certain ways and having character interactions work off of each other due to their differing ways of viewing the world and in general I just love character analysis

[ame-to-ame]

Rereading ayaka is in love with Hiroko senpai!!! Last time I read it I don't think it was finished/I didn't finish it but ack. Now I also want to be in love 😭😭😭

[retiredteabag]

Sukuna assimilating to you

Synopsis: After discovering that Sukuna has been wide awake every time you nap together, you become embarrassed around him.

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

It is a scientific fact that when we are around people we love and trust, while in a healthy relationship, the release of oxytocin makes us sleepy.

Sukuna does not need sleep. He is the king of curses, able to continuously use his technique without ever becoming exhausted. When you first suggested that his chambers were "perfect for napping", he had simply raised a brow and considered what that could possibly mean.

You are like a weak creature to him. A kitten or perhaps a rabbit. And since you are never safer than when you are in his presence, you frequently find yourself growing sleepy when you are around him.

Throughout your strange relationship with the king, something that you loved most, is that there never needs to be words exchanged between the two of you. You were both contented to sit in silence. Frequently dozing off together, or so you thought.

You caught on eventually, that he was always awake before you. That his breathing pattern never really changed. That his face never relaxed more than it would if he had simply been sitting with his eyes closed.

One morning, after having stayed the night sleeping, you mumbled to him, "How is it you're always awake before I?"

He rose a brow at you, his upper set of eyes were looking into yours, the lower staring at how you lay across his bed sheets.

"I do not know your meaning." He grumbled out.

You huffed, rolling your eyes. "You never sleep in longer than I do, one day I would like to wake up before you."

"I never sleep at all." He stated before you had even really finished your sentace.

"What?" Your breathy outburst echoed slightly in his bed chamber, "What do you mean you don't sleep?"

"I do not require such things." He turned his torso now toward you, all four eyes studying your face, you had quickly sprung up, seemingly miffed.

"So... so all this time, you've just been... laying there while I've been sleeping?"

"I suppose I have, I do not see how this matters in the slightest." "It matters because I've been... It's just been a big waste of time for you. Sukuna you should have said something." You're upset, he can tell. Your face is scrunched up, your blood is pounding in your veins. Sukuna, however, does not know what to say in this situation.

In all honesty, he figured you knew and were just including him. Did you really think he was that weak? Or could you simply not conceive of a restless existence? Whatever the answer, he had no response for you, expecting a shrug of the shoulders- you he would discover, would not so easily let go of things.

And how humiliated you were. How many HOURS had you spent sleeping with him, within his grasp, in his space for him to have been conscious the whole time? You tried thinking back, attempting to recall a time you had requested a nap when he was uninterested.

He had never uttered a word about it. Never turned you down. Sukuna was not a kind king, he rarely ever did things that were not out of necessity, and he certainly did not do things he didn't like. That, at least, was consolation. You knew he had not been suffering for your sake, but even so, it was embarrassing.

Sukuna, still, could not understand your sheepishness about the subject. He did not care to explain that time works differently for him, that his mind is not so simple as yours and does not require entertainment all the time, that he could sit still for years and not be bothered, and frequently did before you came along.

He assumed you would get over it quickly. In your time as well as his. But days passed and he rarely saw you. You took your dinner with other people of the palace and spoke with him in the most cordial manner. One night, he informed Uraume that they needed to prepare a dish suited for you, something that would entice you, and serve it to him.

He figured this would bring you crawling back to him, tail between your legs. Yet, you did not budge.

Odd.

You were wallowing. You knew it. He did not care to spend time, what? Watching you sleep? Of course, he wouldn't, but it hurt your pride, to know you had been taking up such huge chunks of time lazing about in his presence. Well, not anymore. You slept in your chamber and your chamber alone. Gone were the days of blankets on the engawa, gone were the days of resting beneath the kotatsu while laying your head in his lap, gone were the days of sharing his bed.

If ever he wished for someone to share his bed, he had a whole cast of concubines, though you knew they were never of any use to him, they were mostly just house staff with a fancy title.

The evening he finally decided enough was enough, you were in the washhouse doing laundry.

Your back was arched over a bin full of soapy water. Your hands working tirelessly on some cloth.

"Have you not circumvented me enough?" He spoke in a low and slow tone.

"Lord Sukuna." You bowed, clothing in your hands, suds up your forearms, you bent your neck as to not look at him.

"You will reply now." He raised a brow, watching your hands quietly splash in the washbin.

"Was there something you would like me to assist to?" You questioned. Your head was full of possible reasons for what the king meant by seeking you out personally.

"Do you believe that by not sleeping in my presence I would come to believe you do not require rest?" He spoke in an unserious tone, eyes unblinking.

"No, my lord." Now what was he playing at? Of course that wasn't your intention.

"Then you hide yourself from me because you no longer have time for your king, I suppose." He mused.

Oh, for heaven's sake, "No, my lord."

"I see," He bent down to look you dead in the eyes, "So, you must no longer crave my occupancy of your space. You must not desire my hand running through your hair? I suppose you have tired of staying in my chambers?" His tone remained deep but his eyes were dead serious now.

"I-" You began, but suddenly you felt the urge to cough, swallowing you tried again, "I wished not to preoccupy so much of your time."

"And you made this decision without enlightening your king."

You said nothing.

"You will eat with me tonight, you shall stay in my chambers henceforth." He rose in record speed, turning without a second glance your way, maids were staring wide-eyed at the king of curses as he halted at the entrance of the washhouse. You could not see, but there was finality in his voice.

"I wish not to waste-" You were cut off by Sukunas voice, his broad back still facing you.

"Your wishes do not interest me now, so it seems. It is my wish for you to spend your time with me." His steps resounded through the compound, your face slack.

The maids smirked, and with shocked faces, side-eyed one another. A couple entered the washhouse giving you big open-mouthed smiles, and patted your shoulder as they passed.

That night Uraume made something you would go on to beg them to make for years to come. And when Sukuna pulled you prone from your seated position on his bed, he took a firm fingertip and stroked the space between your eyes, one of his enormous hands encircling your skull and massaging your temples with his thumb and ring fingers. He traced the bridge of your nose to your forehead, the way you would stroke a cat.

Perhaps he thought this would induce drowsiness but all it did was make you feel all floaty inside at his silliness.

And for the first time since that night, you slept alongside him. Within his embrace, and when you awoke, Sukuna's eyes were closed.

[reidrum]

how dare you think it's romantic, leaving me safe and stranded

A/N: if i stared at this any longer it would never see the light of day...so here she is! this is the longest fic i've ever written and i'm kinda gagged about that but i really hope you like it and if you don't that's okay too this is just silly angsty brainrot anyways thanks for reading this my inbox is open if you wanna yap more summary: in which your kidnapping forces you and spencer to face the fallout following your recently ended relationship cw: angst, hurt/comfort, reader is kidnapped/held hostage, implications and mentions of SA to reader but nothing happens, cm type violence, ex!spencer, lowkey lovers to enemies back to lovers, cat adams, medical jargon, miscommunication trope, the bau team is family, afab!reader, pet names wc: 5.1k

Every case you and Spencer have been on has been insufferable for the rest of the team since your falling out, if it had to be given a name. Everyone always had to deal with your constant bickering and harsh words. It was the same in every case, a difference of opinions that led to incessant fighting between you two, Hotch would have to separate you both and use your joint intelligence separately for the sake of keeping everyone alive.

This last case was nothing different, a serial killer in Athens, Georgia who was religiously sacrificing young women in the name of a cult. Both of you fighting over what you believed the other to be wrong about in their part for solving the case. Spencer thought the unsub would have struck in a zone closer to his home, you assumed he was only going after women who resembled someone in his life. The real problem was that you were both wrong.

And it ended with you being held hostage.

It all happened so fast. You were in the car with Spencer and Rossi driving out to the unsub’s house to check for new evidence when you had stopped at a gas station about 15 miles out from the house to refuel. Rossi got out of the car to pump the gas, Spencer sat in the passenger seat, and you went inside to use the bathroom and grab a quick snack.

You quickly washed your hands after finishing in the bathroom and wiped your hands on your pants, still slightly damp as you turn the handle of the door. As you’re perusing the aisle looking for a snack, you can feel the presence of watchful eyes on you. Casually, you slowly look up and around at the source and clock a figure an aisle over with a cap turned downward blocking their face. 

Your gut was sending flares up, telling you that danger was near. You nonchalantly walk over to the aisle he’s in, pretending to look at the nuts and dried fruits while attempting to get a look at his face. In a (maybe not so) bright idea, you think to knock a bag of nuts on the floor next to the lurker’s feet in the hopes he’ll bend down to pick it up for you.

With a push of your hand, the bag knocks off the shelf and onto the floor and you both bend down to pick it up.

“I’m so sorry about that,” you chuckle lightly, “I’m such a clutz.”

“No problem at all, Miss—.” He stops talking all of a sudden, you’re unsure why. You follow his gaze to your left hip where your FBI credentials are peaking out.

Shit.

He draws a weapon faster than you’re able to react with getting your own out, and by the time yours is out the barrel of his is flush with your forehead.

“Drop it.”

You quickly recognize the man as your unsub, miles away from his hunting ground and about to stray from his victimology with you.

“Come on, up. We’re going for a little ride.” He snarls, glancing outside at the black SUV with your colleagues. He grabs you by a hairful and drags you out the back door, shooting the gas station clerk before making the escape with you to his pickup truck. You’re shoved against the car door, back facing him, as he place a zip tie on your wrists and opens the door to sit you in the back seat. The unsub gets in the driver’s seat and starts the car, glaring at you through the rear view mirror, “I’m gonna have fun with you, fed.”

Meanwhile, back in the car Rossi stands at the pump waiting for the tank to fill and Spencer remains in the car looking over the case details once more. He can’t help but feel something is wrong, but can’t place his finger on it. He looks over the details again meticulously, searching for a fault anywhere in your, or even his own logic. Rossi closes the tank and hops back in the car, “She’s not back yet?” he pondered.

Spencer hadn’t even realized you weren’t back yet, “I guess not,” something wasn’t right, “She went ten minutes ago right?”

Rossi nods, opening his mouth to speak when a gunshot coming from the gas station cuts him off. The men look at each other, eyes widened and rush out of the car, weapons drawn.

“FBI!” Rossi enters, looking for any sign of you but coming up empty. Spencer takes note of the disheveled store, produce and cans lying astray. He steps around the mess to find an out of place bag of sour gummy worms on the floor in the middle of an aisle only filled with nuts and dried fruit. 

Sour gummy worms were your favorite.

A sinking feeling settles in Spencer as he tries to fight the reality his brain is trying to tell him. He looks to Rossi with a pained expression, and Rossi matches it back.

“He took her.”

___

The next few hours are a blur for Spencer.

Rossi called the team to meet them at the gas station, already telling Garcia to hack into the security cameras to find any clue of where he’d taken you. Emily and Derek were checking out the crime scene, Hotch and Rossi talking to the sheriff. JJ finds Spencer staring off onto the one road connected to the station.

“We’re gonna find her, Spence.”

He whips his head up at the sound of her voice, “I should’ve realized sooner. I knew there was something off about his MO, a—and I just couldn’t place it. And now she’s gone and it’s all my fault and I never—“

“Spencer,” JJ interrupts softly, “You couldn’t have known. None of us did, even her.”

“I should have,” he laments, “And if she…if something happens to her because I wasn’t paying attention…” He trails off, too afraid of what his brain thinks is the ending of the sentence.

JJ offers him a sympathetic look, understanding the conflicting emotions, “We’ll find her, she’s strong. You know that.”

He stares back at her hoping, praying, that she’s right and you’re going to be okay. You have to be.

He’s pulled out of his head by Morgan calling him and JJ over, telling Garcia on the phone to repeat her findings.

“Okay, I think I have a lead based on the security camera footage on the car he has and where it’s been last seen. I’m sending the last known coordinates to your phones now.” 

An idea springs to him, “Garcia, can you also check the gas station records and see how much he filled his tank?”

The clacking sounds of her keyboard ring through the phone before she speaks again, “He didn’t fill a full tank, only like, fifteen miles worth of gas.”

Everyone looks up at each other in realization of what the new information means. You had to be close by. Morgan walks over to tell Hotch, who immediately talks to a state ranger about setting up a 15 mile radius around the gas station with monitored roadblocks, no entry or exit without inspection. 

After Hotch finishes he walks back to Spencer and lays a hand on his shoulder, “Good job, Reid,” He nods back with a thin lipped smile and fiddles with his pen anxiously, “Are you okay?”. Spencer can’t tell if he’s genuinely asking him or if he’s asking him for the sake of him being able to do his job properly considering the circumstances. Ever the profiler that man is, he thinks.  He nods again nonetheless and walks over to meet Derek at the car.

Spencer and Derek get into the car and set the route for the coordinates Garcia gave, ETA 14 minutes. He swallows nervously, do you even have 14 minutes? What if he’s too late? What if you’re not even there? What if he never got to tell you—

“Reid. Are you even listening?”

“What?”

Derek raises his eyebrows as he glances at his friend, “Got something on your mind?”

“Nothing.”

“You’re a shit liar, man.”

“I’m not lying.” Even he doesn’t believe himself.

“Spencer—“

“I’m just worried! Okay? We’re all worried, it’s not a big deal.” he snaps.

Derek stops at a red light and looks over the console, “I’m going to ignore whatever that was,” guilt sweeps over Spencer’s face as he continues, “I’m not stupid kid, I know how you’re feeling. But you can’t let whatever turmoil you got in that big brain of yours affect this case. Not now.”

“I know that, Morg—“

“No, you don’t. I know you’re thinking about her, we all are. And we all want—need—her to be okay too. We will find her, but we can’t let the unsub get away too.”

Spencer sighs outwardly seeing the truth in his words. As concerned as he was about you he needed to remember this was still an active case. He couldn't let your past with each other cloud his judgement, even if the fallout still haunts him every day of his life. He needs to save you, but he also has a job to do. He just wasn’t sure if he’d remember that when they finally found you.

——

A pounding in your head stirs you awake, the bitter taste of metal flooding your senses as you come to. You blink a few times adjusting to the lowlights of the unfamiliar environment, hoping to find something distinguishable to ground you back to reality. It doesn’t help once you realize the blood crusted over your eye is the reason for your obscured vision. You attempt to rub it off on your shoulder ignoring the sharp pains shooting up from the abrasive contact. 

Once you think you’ve cleared enough you blink a few more times registering your surroundings to be a house, a cabin more accurately. Your memory is a little fuzzy as you try to recount what happened before you were knocked out cold.

Gas station. Unsub. Unsub at the gas station? But where was I…I went to the bathroom… and was getting…gummy worms?… But Rossi and Spencer were just outside… now I’m here…so does that means the unsub—

“Oh good, you’re awake.”

You jolt at the voice—the unsub you’ve come to remember—and you realize your hands are tied up behind your back, quickly coming to the second realization that you are rendered both injured and immobile.

“What do you want, Jason?” you say hoarsely after a minute.

He chuckles, “I didn’t know they made them so pretty at the academy…” he walks over and kneels in front of you, gripping your chin between his forefinger and thumb to move your head, “They probably kept you around for…entertainment right?”

You whip your head, “Don’t fucking touch me.”

“Oh, you’re feisty. That’s good, keep it up. Makes this more fun.” he walks back over to the table and fiddles with something, you can’t really tell from the floor, “So how’d they make it work back in—what is it called—Quantico! They take turns with you or? There’s so many of y’all, probably had a system.”

The pounding in your head makes it more difficult to process anything he’s saying, “The hell are you talking about, take turns with what?” you ask, wincing through another wave of pain.

He turns around holding a metal rod and walks over, angling the rod under your chin to tilt your face up to meet his as he snarls, “I can’t wait to see how it feels to fuck a federal whore.”

All the color drains from your face and you kick into whatever gas is left in your autopilot. Your feet are flailing in every direction, body thrashing violently to prevent Jason from getting a good grip on you. You quickly learn the purpose of the metal rod hearing the clang! first, a millisecond passing before the pain and threat of unconsciousness spreads through your brain. 

The hit takes you out long enough for him to pin you down on the floor, the weight of his body landing on you before the metal rod goes for your limbs. It’s then you realize the throes of death have wrangled you for what appears to be the last time, and it’s probably wise to start saying—thinking— your final words.

To my parents, I love you. To Derek and Penelope, thank you for letting me third wheel with you. Emily, I’ll miss our weekend Sin City excursions. JJ, please give your boys the biggest hug from their favorite aunt. Rossi and Hotch, you always cared for me like I was your own—I am so grateful for you.

And Spencer…Oh, Spencer. How I hoped I would have the time to say I’m sorry for what happened, I hope you’ll forgive me in due time. I wish I told you that nothing about us ever changed for me. You were and will always be, My Spencer, I just wish I could tell you one more time how much I lov—“

“FBI, Drop your weapon!”

A clattering sound of something dropping rings directly next to your ear and the weight that was on you alleviates at the same time. You groan out and instinctively curl up on yourself, the pain spreading throughout your body. The sensory overload is so much you don’t hear the approaching figure crouching next to you.

“Hey Hey Hey,” Spencer stutters, quickly making work of the ties on your hands and holding you gently as he lays your head on his lap cradling you close, trying to hide the forming tears when he hears your whimpers of pain, “You’re okay, it’s okay. The medic’s coming.” He looks back to where the unsub was and watches Derek put him in cuffs, nodding at Spencer before walking out with Jason.

“…Spencer?” you whisper out weakly. You think you’re dreaming honestly, that in the wake of death you learn heaven isn’t a place but only his arms.

“Yeah, honey, it’s me.” he chokes out looking back down at your bruised face. He’s unsure how you still look angelic even when you’re hurt, but it doesn’t surprise him that you do. You were always good at defying the laws of nature, he prayed it extended to your immortality.

“It hurts.” you pout pathetically.

He brushes a strand of hair out of your eyes gently, “I know it does, honey I know. I’m sorry, I’m so sorry this happened. I should’ve been there. I’m sorry, baby.” he whispers tearfully.

You cough out and whimper in pain, “I’m sorry too.”

Spencer shakes his head vehemently, “No, don’t apologize. Don’t do that, just keep your eyes open for me, okay? I’m right here, I won’t leave you.”

The tiredness soon wins and your eyes flutter close. Before Spencer can even panic and beg you to open them again the medic finally comes and asks him—pulls him— to move so they can start working on you.

He reluctantly backs up and watches on with glossed over eyes, barely registering all the things they were sticking in you to wake you up. The medics stabilize your neck with a C-SPINE and lift you onto the gurney, wheeling you back to the ambulance. The same medic who asked Spencer to move comes up to him again, “We’re taking her to Georgetown Medical, you’re allowed to ride in the back with us if you want.”

You slowly come to again on the gurney and Spencer meets your open eyes before you even realize they’re on you. Without hesitation he says, “Yeah, I’m coming.”

The medic team lifts your gurney inside the rig, and right before Spencer gets in he feels a hand on his shoulder. He turns around to find Hotch, “You’ll be okay?” 

It’s a loaded question. He’s not asking if Spencer is okay at this moment, because it doesn’t take a profiler to see that he’s the farthest from it. He says it as a grounding reminder knowing how Spencer gets about you. It didn’t matter to the team if you both fell out, the pair of you never faltered in your subconscious for each other. Both of your actions always moved faster than your brains, especially when it involved the other. 

That’s what worried his Unit Chief.

He nods and Hotch gives his shoulder a light squeeze, “Keep us updated,” the concern clearly etched in his eyes breaking through his usual stoicism as he looks inside the rig, “We’ll meet you there as soon as we can.”

Under the bright lights of the ambulance he’s—unfortunately—able to really take inventory of the injuries you sustained. The blue and black bruising scattered your limbs, the congregation of it on your stomach telling him you have at least two broken ribs. His eyes trail further down your body before abruptly stopping, but not on an appendage.

Spencer’s face pales even further than it already has staring at the glint on the undone button of your trousers shining in the reflection of the light.

If they didn’t get there when they did…If he got to you a second later…He can’t even fathom to think about what would’ve happened.

He’s broken out of his spiral by the EMT sitting next to him offering a tissue, which is when Spencer feels the tear and snot streaks rolling down his face. He takes it and wipes his face mindlessly before muttering, “Can I just…” hands reaching out to you before his words come out. Spencer doesn’t notice the EMT tearing up as he gently buttons your pants.

——

You were a fighter.

At least, that’s what the doctors told Spencer when they came and updated him in the waiting room. He blanks out for most of the conversation, eyes unfocusing and ears on low lest your name be spoken.

“She’s stable and awake now, the nurse can take you back to see her.”

He shakes his head to recenter and mutters a thank you before following the nurse through the double white doors. His senses are heightened as he walks closer to your room. The scuff of his shoes on the linoleum floors, the pedantic beeping of machines in the rooms he passes, until he hears the only voice that’s ever been enough to calm the warzone in his mind.

“Hi, Spence.”

His feet move on their own accord right next to your bedside, hands hovering awkwardly at his side. He’s silent for the first couple minutes, just a faint sniffle here and there before he takes a seat near your bed and hears you speak again.

“You can touch me, Spence. I won’t break more than I already am.”

“Don’t say that,” he chides quickly, “It’s not a joke.”

“Well, someone should be the comedic relief here.”

He lays the tips of his fingers right on top of the tips of yours, “You could have died.”

Your face softens, “I didn’t though.”

“You could have.”

“Spencer—“

“Stop down playing it. You don’t know what it was like finding you like that.”

“I mean I have some idea, ‘cause like, I was there.” 

Spencer deadpans at your poor attempt at lightening the mood, a faint smile peaking through while he shakes his head, “Insufferable even at your deathbed.”

“Yeah, the Grim Reaper heard me yapping and said ‘keep her’.”

He chuckles softly as his hand moves further up to rest the front of his palm on the back of your hand, “How are you feeling?”

“I’ve…been better. The doctor said one of my broken ribs punctured an artery, a big one apparently,” you flip your hand over so both of your palms are touching but not laced, you softly continue, “Told me I was lucky I came in when I did. Any later the internal bleeding would’ve spread to my lungs.”

Spencer feels the tears springing again and a lump forming in his throat, “I’m so sorry, sweet girl,” the pet name slipping out before he could realize, “I should’ve gotten there sooner, or realized something was wrong at the gas station.”

“Hey. Don’t do that. You saved my life.” your fingers intertwine with his and squeeze with whatever strength you can muster, which isn’t a lot and it makes his heart clench tighter. “I’m here.”

He lets out the breath he’s been holding since he walked in, “You’re here.”

“I didn’t forget what you promised me when we…broke up,” God you wish it didn’t sound so terminable as it did, “I knew you’d find me. You always do.”

Another sniffle leaves him as he rubs his thumb soothingly on your hand, “I always do…Look, there’s something I need to tell you—“

He doesn’t get to finish his sentence as Penelope & Company burst into your room bearing balloons, chocolates, and many, many stuffies.

“How’s our girl doing?” Penelope huffs, hauling an entire Hallmark catalog worth of gifts in tow.

“She’s doing fine, Penny.” you chuckle lightly, trying your best to hide the wince of pain from your side, “You did not need to do all this.”

“Nonsense, everyone knows bear stuffies are the real medicine of the world.” she gleefully ignores the nurse onlookers, “I also brought you this, of special request by someone who shall not be named.” From her back she produces a bag of your favorite candy—sour gummy worms. A fact that you knew only one person was privy to.

You act surprised nonetheless, “My favorite! Thank you, Penny. And all of you, for coming to see my crippled self.”

Spencer watches the team take turns doting on you. Emily, JJ, and Penelope sit with you for about four Gilmore Girls episodes—another lost relic of modern medicine, according to Penny—after which Morgan, Rossi, and Hotch keep you company for a little bit before bidding you good night with forehead kisses and well wishes. Spencer stays with you the whole time, never once leaving your side. 

You are so loved, he thinks. He didn’t realize how much he liked watching you be loved. It makes him miss the times when he could do that for you too.

——

Weeks pass since the day of your kidnapping. You still find it weird to call it that, even though it’s literally what happened. You’ve been on house arrest—bed rest—begrudgingly, and while Penelope’s very glittery visiting schedule has kept you entertained, it’s been hard when the only person you really wanted to see has refused to come visit since you left the hospital.

You’ve asked Penelope why Spencer hasn’t come, and all she can offer you is a sad smile and a ‘He said something come up sweetie, sorry.’. Texting him seemed even more daunting, more because you weren’t about to beg for his attention if he obviously doesn’t want you to have it. 

The doorbell steals your attention and you glance over at the schedule before you walk over to open it, not expecting a visitor at this time.

Spencer looks up from his shoes hearing the door open, “Hey.”

A minute passes, “Why are you here?” you ask bluntly.

He looks confused, “I came to check on you, brought you takeout from the Indian place you like.” The food in his hand smells heavenly but you can’t seem to enjoy it yet without getting an answer.

“Why are you here, now?” you ask again with an addendum.

He either really wants to piss you off or his ear blew out on the way over but he chooses to ignore you and enter your apartment, “You having nightmares again?”

“What? No…” you lie poorly, straightening up your back, “Just tired.”

He chuckles, “Good to know you’re still a terrible liar. Did you know you wear Doctor Who shirts when you’re feeling anxious?”

Your brows fuddle in confusion but he elaborates, “It’s probably subconscious, something you find comforting and naturally gravitate to in times of distress. It’s a normal stress response but…you’re wearing an Eleventh Doctor shirt.” My Eleventh Doctor shirt, he thinks.

“That doesn’t mean anything.” you feign.

“Maybe it doesn’t,” he nods, “But you are anxious aren’t you?”

“Spencer, what the fuck is going on, why are you here, really?” your eyes narrow, arms crossing defensively.

“I told you, I came to check on you.”

“You just woke up this morning and decided it was convenient for you to see me today?” Spencer opens his mouth to speak but nothing comes out. You stare at him with tearful eyes and the emotion spills out of you before you can stop it. You speak again after a few moments, voice barely above a whisper, “You left me. Again.”

He tilts his head, “No, I didn’t.”

“Yes, you did.” you grit out, “You were rooted at my bedside the entire time I was hospitalized, and the second I was discharged you were nowhere to be found. I thought, maybe with Penny’s schedule you’d come by, but then I came to find out that you didn’t even put your name down.”

“You almost died!” he retorts, “You almost died, because I made a mistake and you got hurt because of it!”

“So, that gives you the right to abandon me for the second time?”

“I didn’t…” he sighs out roughly, “I didn’t abandon you. I just, couldn’t…face you.” Face you, in pain, as a result of his actions.

“Is that what happened the first time you left?” you bite back.

His eyes steel over, “That was different.”

“I don’t see how.”

“You know why I left.”

“I don’t think I do, Spencer—”

“I left because I was putting you in danger!” he yells cutting you off, “I left because loving you meant dragging you into all the messed up stuff that happens to me, stuff that’ll keep happening to me.”

Tobias. Mexico. Cat.

A single tear rolls down your face, “That’s bullshit, I’m sorry. We work the same damn job, the risks are the same if we’re together or not.”

“You don’t understand—“

“Then fucking enlighten me, Spencer.”

He stares at you, fighting an internal battle of whether he was really willing to admit his truth to you, one that he knows you deserved to know but wasn’t sure if it would put you more in harm's way.

“Cat had details about your family.”

That’s not what you were expecting to hear. Your face drops, “Wh—What?”

His eyes dart around the room nervously, “After I got out of Millburn and we went to see Cat, she was trying all these tactics to get me to break. I was doing fine, until she started talking about you. She was saying things that only you told me, stuff that’s not even on record.”

You remember that day. You were supposed to go with him and JJ to the correctional facility but ended up stuck at the BAU because your skill set was more valuable in helping Penelope locate Mr. Scratch. You remember how he came back to you that day, distant and glassed over. It was easy to chalk up his behavior following it to his recent release, but when you woke up a few weeks later to an empty bed and a throwaway note saying ‘I’m sorry.”, you couldn’t figure out for the life of you why all of a sudden you didn’t exist to him, like you didn’t matter.

“I made a choice, one that I knew would protect you.”

“That’s not a decision for you to make.” you snap.

“I had to,” he says lowly, taking a step closer to you, “If being with me puts your safety at risk…” another step, “I’d rather live in a world where you hate me and are still here…” one more step, “Than one where you loved me and died because of it.” he manages to choke out, taking one final step towards you.

It’s quiet for a couple minutes, save for the soft whistle of the breeze coming from your open window. The resolve in you has long faded, leaving behind nothing but the skin on your bones to weather the damage. It makes sense to you why he did what he did, and you don’t know if the roles were reversed would you do the same thing. But you knew that you loved him and he loved you, and that alone should have been enough.

You can’t help but let out a whine, sounding like a petulant child, “That’s not fair, Spence.”

“What’s not fair, baby?” he softly whispers.

Your whine turns into a cry, “That, all of this. The fall on your sword act in which you decide what’s best for me is to leave me stranded, thinking I did something wrong that made you stop loving me.”

He steps forward a little more, his face mere inches from your own, “You think I stopped loving you?”

“Was I supposed to think otherwise? You couldn’t even stand being in the same room as me.”

His hands raise to gently cup your face, thumbs positioned under your eyes to wipe the fallen tears. He’s missed looking into your eyes as close as he is. For a man who doesn’t believe in religion he’s pretty certain the gates of heaven lie within your irises.

“I was selfish,” he swallows, “I wanted to keep you safe but I did so in a way that I felt was most logical, which turned out to be so fucking wrong regardless since you still got hurt.”

He brings your face impossibly closer, the warmth of his breath gently hitting your face.

“There isn’t a waking moment where I don’t love you. Even when we weren’t together, I still looked out for you and I made sure you were safe in ways I couldn’t tell you. I meant what I said. I told you I’d find you in every lifetime. I love you, in every lifetime, angel girl.”

The ache in your heart only grows with his words, reminding you that he always was and will forever be, Your Spencer.

“You can’t do that again,” you stutter out through tiny sobs, “You need to tell me what’s going on, whatever it is. We figure it out together.”

He nods softly, the hair on his forehead faintly brushing up on yours, “We figure it out together. I’m so sorry for everything, baby.” his lips press a long kiss to your forehead, “I’m here now, I’m not going anywhere.”

You rise on your toes to meet your lips with his, the missed time and unspoken words flowing silently between you both. His hands wrap gently around your waist and pull you flush to his chest, with yours entangling with the brown curls you had missed so much.

Finally back in his arms, you sigh with exhaustion and relief, “You’re here.”

“I’m here, honey.”

[casuallyanidiot]

The crows I've been feeding have started leaving me money as gifts lol. It's got me thinking about Yandere crow hybrid who likes to hang around your home. You feed the local birds, just tossing out seed every night, and you never really expect much to come out of it.

MDNI! Dead dove do not Eat!

Tw. Noncon, stalking, monsterfucking, yandere, size difference

Yandere crow who creeps around in the dead of night while you aren't paying attention to you balcony or yard, lest you see the looming, unnerving figure of a large man with shifting obsidian feathers and too sharp teeth. He's patient and only creeps out from beyond the treeline when the sun starts to set, the smaller birds get their fill for the most part, and you aren't able to see him.

At first he didn't care for you all that much, thinking of you as just some faceless human, but then he started to lurk around your house more and more. Maybe you thought that there were more birds coming than there actually were, because Yandere Crow noticed that you were putting out more seed than usual. You were just attentive like that.

Yandere Crow found himself lurking around your windows more often. He liked to peer in and watch you move about your little home. Your home looked so cozy, and his feathers ruffled at the thought of having such a warm, inviting nest. He felt an odd itch to add his own touches to your house. After all, this was his territory. No other corvid was going to come to this specific place unless he allowed them to, and he was feeling a bit protective of this little feeding spot. It totally wasn't because you were so tiny compared to him, or the fact that you were all alone without him there to guard your property.

Yandere Crow who starts to leave you little shiny trinkets. You think that some of the other birds brought them for you, but despite the fact that he knows you're unaware of him, he finds great pride in you laying out the shiny rocks, coins, ribbons and shells he so meticulously picked out.

Yandere Crow who starts drooling and imagining how pretty you'd be cuddled up beside him with soft downy feathers, blankets, and glittering objects surrounding you both. It was such an alluring fantasy that it almost made him forget that you were human and not just another, regular potential mate.

Yandere Crow who starts fucking his fist and cums on your windows, walls, and doorstep. He hopes that once you smell the musky scent, you'll start getting used to his presence.

Yandere Crow who can't take it anymore, and he breaks into your house one evening. He stands there in your kitchen, drinking in just how sweet and perfect you smell. His feathers rustle and brush up against doorways and walls as he follows his nose to find where you are all curled and fast asleep. He croons softly and looms over your pliant form. The talons on his feet tap impatiently on the ground, clunking against hollow wooden floors. He was shifting and shuddering in excitement. He's never been this close to you before, and now that you were here, face cradled in his claws,

You start to stir. Your eyes flutter open, and they widen in shock. He can see the terror filling out your features, and he feels his cock stiffen. Even as he clamps his hand over your cheeks and mouth to stop you from screaming, you're perfect to him. Maybe he wished you were a bit stronger instead of the cute, fragile little thing you are, but then he wouldn't be able to pin you down and hold you like this, would he?

Yandere crow who thinks you look so pretty in the moonlight. It makes you look like you're glowing as he spears you on a dick that's nearly the size of your whole torso. He purrs praises into your ears as you squeal and cry out.

"Shhh, you have to get used to it," He chides and thrusts his hips into you. Your poor, twitching entrance is stretched out past the point of what must be comfortable, and he does feel a twinge of guilt. He didn't properly court you, nor did he really prepare you to be fucked so thoroughly. He nuzzles his face into your hair in an apologetic manner. "But you're doing so good already for me. Just keep taking it."

Yandere Crow who keeps you trapped like that for hours. He likes being lounged across your bed while he holds you tightly against his chest. His favorite sight is the one of your fucked out, drooling face being smushed up on his chest. He can't help but chirp happily. He's made you cum so many times, and your hole is all sloppy and stuffed chalk full of him cum. It's so much that you can't reasonably clean it all out, and the thought fills him with a sense of satisfaction.

Yandere crow who is perfectly happy knowing that of all the birds you've cared for, he's the only one who's been able to get this special treatment from you.

[quantum1mmortality]

The crew & using toys on their S/O in bed please with a cherry on top??

First time writing the whole crew kinda nervous 🤭🤭 I'm not writing Swansea tho I will NOT be writing nsfw of a married man

Tw/cw; Afab!reader, winners love winning in Anyas hcs (use of the term pillow princess), jorkinit jumpscare

Not proofread

Curly

I'm actually not sure if he'd be into toys

I've literally only written for Curly so I'd say I'm a Curly expert, and I just don't think he'd be into toys

He'd use a vibrator on you every now and then, but he'd just use it to tease you and make you beg for him.

He'd probably use cock rings. I am a firm believer Curly would use cock rings. Not all the time, but if he's had a really stressful day at work, he's wanting an extra hard hitting orgasm.

Omg not a toy but APHRODISIACS!!! This man would go crazy for some aphrodisiacs, whether he's taking it or you are.

Now I wanna write a wedding night one shot with Curly and aphrodisiacs thanks a lot anon 😔😔😔 I've got enough shit to write already

Anya

I don't care what any of you say this woman is a pillow princess

YOU'D be using toys on HER

She'd also be a cryer but that's not the point

She'd have a drawer dedicated to sex toys. She's trying to get into med school, she's CONSTANTLY stressed, how else is she supposed to release some of that stress? Don't judge her.

She wouldn't be into straps or dildos, she'd be into shit that vibrates. Vibrators obviously, rose toys, anything that stimulates the clit honestly

I lied she is into dildos this woman is a sucker for a RABBIT!!! Like I said, if it vibrates, she wants it.

Her favorite combo is the rose toy/vibrator + pussy licking. She cums so fast, then gets embarrassed, then begs for more. Praise her a bunch and she'll be able to go a few more rounds

BONUS CONTENT!!; she has a Christina and Princess Albertina, no further comments

Daisuke

Oh yeah, he's using toys.

He has a tongue piercing and sometimes he'll swap it out for a bar that vibrates but y'all aren't ready for that convo

He's gonna use the basic toys, nothing we haven't gone over yet. Vibrators, rose toys, cock rings, ect. He's just trying to figure out what he likes for right now, and he likes all of them

In missionary, he'd hold either a vibrator or rose up to your clit while he fucks you. Kind of uncomfortable as a position, but if it gets you off, it's worth it to him.

Not sure if this is considered a toy but he'd be interested in sounding. He's definitely had you try it on him once or twice, and he never lasts for more than a minute 😭 poor boy

He's just trying new things out. He's new to having a committed relationship, so anything you'd be into, he'd be willing to try. He'd let you peg him if you wanted, but don't ask me to write that.

My pegging days are over

Jonathan

The kinkiest cunt that ever cursed this god forsaken ship

Toys are a must have for him. On you, not him. He only likes using them on you, because it gives him a sense of power over you.

He'd be one of those assholes that would put a bluetooth vibrator in your panties and wait till you're in public to turn it on the highest setting. Like an asshole

Jizzdaddy would have a lot of toys. He'd have one of those robotic dildo setups that like.. idk does the thrusting how the fuck do I explain this????

You guys get what I mean if you've ever been on a porn site you've seen one

Anyway, he'd have one of those setups and watch it fuck you. Ass up, head down, grasping at whatever you could since HIS sadistic ass turned it up to the highest speed.

Eventually hed get pissed off and fuck you himself, claiming that you love the toy more than you love him 😔 the allegations are true but he doesn't have to know that

He'd also use plugs on you. In public, too. He doesn't care. If you humiliate yourself, that's your fault, not his.

vibrators are used during sex, nothing new. But it's the same situation as before. Claiming you love the toy more than him, so he stops using it.

Sometimes he'll just give in though and decide he doesn't care, and wants to tease you more than anything. Highest speed it can go, or the slowest. No in-between. He'll have you begging one way or another.

Chat I hate writing rough characters someone request ooc soft Joshua hcs so I can write him like I do Curly 🙏🙏🙏

A/N; Anya makes me wanna kiss girls

[phantomrose96]

What the hell happens in the pikmin game?? Those little colourful bitches have been around for ages, but i never bothered looking them up, i just figured they were cute little mascots of some game. But your posts are making me question everything. Is it a horror game? (I know i could just google it, but asking you is funnier)

Yeah you're right asking me is much funnier :)

Pikmin is a fun and relaxing game! You play as a little astronaut man who gets to spend his days growing Pikmin, who are sweet and peaceful little plant creatures with leaves, buds, or flowers on their heads. You can corral them around with a little trumpet, like a bouquet of flowers following you through the pretty and whimsical landscapes of planet PNF-404 :)

Wait did I say fun and relaxing?

Sorry, typo.

It's a brutal skill-based survival game (❁´◡`❁)

So then maybe you're wondering, what's up with the Pikmin? What was that about growing a bunch of little flower guys? Well growing the Pikmin is super important!

It's super duper important mainly because you need to replace the Pikmin who die in the carnage of battle for you!

Battle against what?

Everything.

See on PNF-404, Pikmin are the bottom of the food chain. Just about every living breathing creature on this planet is orders of magnitude larger than the Pikmin and munch Pikmin by the hundreds for breakfast. Predators will do this instinctively. They will do this unprompted. They will do this while you're not looking. They will do this endlessly until every last Pikmin is dead.

So... what good are the Pikmin? What chance do they stand?

Really easy. Pikmin are the most violent creatures in the entire game 🥰🥰🥰.

How else do you survive when you're small and fragile other than incredible violence? Pikmin can exist out and about in swarms of up to 100. And the only way to survive predators as small little leaf creatures is to beat those predators to death with incredible mob violence before they can kill all of you.

Pikmin don't die like plants. They die like warriors.

And sometimes, this is the hardest mechanic to handle. Left to their own devices Pikmin will seek to shed blood. It's up to you to call them away from orchestrating their own demise, their own pursuit of the glory of Valhalla. It's in their nature. It's in their plant-blood.

And they go down hard. They shriek when snapped up in the jaws of predators. They glub and wail when drowning in water. They trill out screams when on fire. They choke and cough in poison. They die instantly to electricity. And you'll know a Pikmin is well and truly dead once it lets out a final whimper, and a ghost drifts away from where it once stood. This can happen by the dozens. This can happen to all 100 at once.

So wait, wait I've gotten far ahead of myself. Why the violence? Why the death? Why the fighting? What was that about a little astronaut man?

Well your astronaut man is Olimar, an honest and simple family man who's a freight ship captain from his home planet of Hocotate. He's a truck driver! He's just a guy taking his first vacation in years.

And a meteorite strikes his ship, tearing it to pieces as it crash-lands on a completely uncharted planet. Welcome to PNF-404...

And so you're Olimar. A truck driver. A nice dad. A victim of capitalism with the world's worst boss. Out on vacation.

Your ship is destroyed. No one is coming for you. No one will save you.

The oxygen on PNF-404 is poisonous.

You have 30 days before your life support system runs out.

You have 30 days until you die a brutal and lonely death.

Your only hope is to find every scattered missing piece of your ship--30 of them--strewn across the planet, return them to your ship, and repair it, before your 30 days are up.

But this is simply impossible. You're one tiny little man. You wouldn't be able to lift a single piece of your ship, let alone 30 of them, let alone doing so while fending off the wildlife hellbent on killing you.

But the Pikmin seem to like you...

So all that death? All the carnage and destruction? It's all in the effort to repair Olimar's ship before he suffocates. You pave a path of destruction decorated with the bodies of any creature that stands before you and your missing ship pieces.

The Pikmin do it. The Pikmin trust you. The Pikmin follow your command and die by your command. After all, you're growing their species. Oh did I forget to explain that part? The "how" of how growing Pikmin works?

Simple. Pikmin are grown from the corpses of the creatures they kill :).

If you kill something, the Pikmin take it back to their base and process it for pieces, and grow new Pikmin from it. That's how you get all the nice little flower creatures following you around. :)

Is it good enough? Can you sleep at night knowing that 50 creatures who trusted you implicitly were slaughtered under your misdirection? All to retrieve a hunk of metal which is 1/30 of the hope of getting you home alive? 100 slaughtered? 200? Day 30 is approaching. Things are looking bleak.

You're Olimar. Day 30 has arrived, and you haven't fully reconstructed your ship. You have no option to stay. Your life support has run out. You watch the Pikmin you've left behind, as you attempt to start up your ship which has not been safely repaired.

You try to take off, and try to make it home.

It does not go well.

But at least the Pikmin have another corpse to carry.

[ahgasegotarmy116]

Faking It | Jeon Jungkook | Chapter One

Summary: Being divorced by the time you're thirty isn't the best feeling in the world but what happens when your parents find someone from your past that's in a similar boat? Pairing: f!reader (30) x Single Dad Jungkook (33) (Arranged Marriage Slow Burn?) Word Count: 11.3k (oh man holy shit) Warnings: Troubles with conceiving/seeing pregnancies to full term, Jungkook's first wife passed away in childbirth. (These themes will be spoken about throughout the fic and I will add extra warnings when need be in future chapters) a/n: Okay this one is gonna be a long one (in terms of chapter length, idk how many parts there will be) I'm really really in love with this story line so I hope you'll come along this cute, silly, awkward, heartwarming and heartbreaking journey with me 🥰 p.s. I've been brainstorming with @kkusadmirer (ofc 🤭) about this fic for a while now and I've just fallen in love with these characters too much that I had to get at least one part out. Okay okay enough from me. I hope you enjoy! (barely edited per usual I'm sry 😅)

"You should start dating again" my mom says to me, a dinner with a table for two this time since she said she wanted to talk to me about something important. If I would've known it was to nag me about something like this again I would've declined the invitation.

"Mom I already told you, I just got divo-" "You got divorced last year" she cuts me off and I sigh, knowing I'll probably get no where with this argument but continue on nevertheless.

"Point being, it hasn't been that long since Robert and I got divorced. I need time and space to figure out what I want out of life. I'm not interested in rushing into another marriage just for it to fail again" I explain and she simply downs the rest of her champagne in response, polishing it off in record time.

"You don't want to end up an old maid who didn't give me any grandchildren do you?" she says, repeating the same old argument again. "Mom I'm thirty, not forty five. I still have plenty of time to worry about babies and getting married again" I argue and she rolls her eyes before asking for another glass when the waiter passes by.

"You should at least try. Don't you like going out on dates?" she asks and I sigh, hating having this conversation over and over again.

"Dating was fun in my twenties but now that I'm more interested in finding someone to settle down with, it seems like all the guys that are remotely my age and happen to be decent human beings are already married" I explain and watch how she immediately takes her glass of champagne off the table once it's placed in front of her.

I'm glad she's drinking because having this conversation with her when she's sober is even more painful.

"You're exaggerating honey. I'm sure there is a fine young man just waiting for you around the corner" but before I'm able to respond to her, her eyes suddenly light up and she quickly gets out of her seat.

"Is it really you?" she says and another woman around her age that I've never seen before comes up to greet her. "How are you? It's been so long!" the mystery woman says and they quickly share an embrace before she turns to face me.

"And who is this beautiful young woman here with you?" she asks, making me shy away from them. "Oh this is my daughter y/n. Y/n this is Mrs. Jeon" she introduces us and tells me all about how they used to go to college together.

"Oh wow I think I remember my mom mentioning you before. You used to come over when I was little right?" I question, now remembering seeing her face in some of the pictures in my baby album.

"That's right! Little Jungkook and I used to come visit you all the time when you were just a teeny tiny little thing. You were the easiest baby I've ever come across, always sleeping and when you woke up you were as happy as can be" she rambles and I get a warm feeling in my chest, loving to have met someone who clearly cared so deeply for my mother and I.

"Who's Jungkook" I ask, looking back and forth between the two of them. "Jungkook is my son, he's just a few years older than you. I remember he was so fascinated by you, always wanting to come over and would watch over you as you slept, never causing a fuss as long as you were around" she says and I blush at the fact that her son would care about me just as much if not more than she does.

"How is he? Is he doing alright?" my mother asks and Mrs. Jeon gets a somber look on her face eyes fluttering to the floor before responding.

"Actually, he lost his wife a few years ago. She passed away after she gave birth to their daughter" she mumbles and I feel my chest tighten up at the thought of someone so young losing their life to something that is supposed to be so beautiful.

"My condolences to you all" I say, my eyes going glossy and she smiles in return, the memory bringing a tear to her eye as well. "Thank you love, that's very kind of you" she says, placing a hand on my shoulder before she clears her throat and blinks back her tears, wanting to put on a brave face in public.

"Why don't you come visit us at our home tomorrow evening? I would love to catch up and it would be good if the kids got reacquainted again" my mother suggests and I glare at her, knowing exactly what she's doing but also knowing there's no way I could stop her. 

"I would love that! Our husbands might enjoy catching up too since they used to get along so well" Mrs. Jeon points out. "Then it's settled! How would you feel about making it a dinner instead?" my mother questions, digging us deeper into this evening we'll all be spending together. "I think that sounds perfect!" she agrees and I tune out the rest of the conversation, already trying to mentally prepare myself for the scheming I know my mother has planned.

~~~~

Kicking off my shoes and walking into my apartment I'm greeted by the serene sound of silence. 

My black tuxedo cat meows as he jumps down from his cat tower and stretches for a second before coming over to greet me. "Hi Salem" I say, scooping him up and carrying him with me into my bedroom where I plop him down in the middle of my bed. "Mom only invited me to dinner because she wanted to tell me to start dating again" I relay to him, while I walk around my room, grabbing all the things I'll need to get ready for bed.

"I should've known she was up to something when she decided to invite me out on a random Wednesday night to go to my favorite restaurant. If the previous glances I had of the totals on those receipts didn't clue me in enough I don't know what would" I say in disbelief, having convinced myself hours earlier that it might've been about something good instead of another chance to nag me about something.

"I don't know why I even bother sometimes. She just has this worst case scenario mindset that I'm going to die alone and not leave a legacy. I understand that I'm their only child but with the way she talks, you would think I was well into my forties already" I say, verbally processing to him while he curls up into a ball, his eyes watch me walk back and forth until I walk into the en-suite bathroom to turn on the shower.

"Thanks for always listening to me Salem" I say, walking back over to him and scratching his head, "Don't know what I would do without you" I mumble before walking back over to the bathroom and closing the door.

Looking in the mirror I study my features, my hair styled just how I like it, my brows perfectly shaped but when I get to my eyes I notice it. I notice why my mother has gotten so worried about me.

It's as if the light's gone out of them. It's more than just 'Hey it's been a long day and I'm tired' no it's 'I don't even know what I'm doing here anymore' and for the first time, I admit to myself that I truly feel that way.

I reach for my cleanser and quickly wash off the little makeup that I still have on, lips completely plain and gone back to their natural color and some how my cheeks don't seem to be as rosy anymore after I had made sure to put on some more blush today to bring some color back to my face. Maybe it's not the makeup that's been washing me out, but the way that I've been living.

I will admit my days consist of going to work and coming home and doing that same thing over and over again. I don't really go out much and I only have a few friends but ever since I got divorced I just end up politely declining any sort of invitation I get from them. Doesn't matter if it's dinner or drinks or clubbing or even just a shopping trip.

I just can't get myself wanting to do anything anymore.

I step into the shower and I flinch slightly at the burning sensation the hot water brings to me but adjust it and step further under the stream once it's just to my liking. While going though my shower routine mindlessly I start trying to get to the bottom of what has got me living like this.

Robert wasn't the best husband in the world, mainly because he cheated on me but before that things were good between us. He made me laugh and was a perfect gentleman that always made me feel special and when we got married I swear I thought I couldn't be happier. 

It felt like my life was falling into place, our life.

Until it wasn't.

I'm knocked out of my train of thought when I hear Salem pawing at the door and remember now that in my whirl winded state of mind I forgot to feed him. "Sorry Salem I'll be right out!" I call out for him and he meows in response. I swear that cat is more intelligent than I am most days.

I finish up my uninteresting night as I always do, turning out the lights and cuddling up with Salem until I eventually fall asleep but it took a little longer tonight. Thoughts full of what my future might look like if I don't start living instead of just existing. 

As the 'what ifs' plague my mind they eventually drown themselves out as that same welcoming feeling of calm finally lulls me to sleep. 

~~~~~~

"Hurry up they're almost here" my mother says, yanking me inside the house before I even have a chance to knock on the front door. "Nice to see you too mom" I say under my breath and she's wound up so tight it doesn't even phase her. I can tell she's been working hard to make sure everything is perfect once the Jeons arrive.

"Did you get that wine I told you to get?" she questions, her eyes lighting up at the sight of the wine bottle carrier in my hand, quickly taking it and rushing into the kitchen. "Yeah no problem mom you're welcome" I say, talking to the air in front of me still waiting for her to show any sign of gratitude.

"Go place your things in your old room so they're out of the way" she call out, leaving me sighing and trudging off to do as she says.

Once I retrace my steps and walk past the door to go to join her in the kitchen I'm stopped in my tracks when the doorbell rings.

"Oh honey can you get that? My hands are tied here" my mom yells and I take a deep breath in and out before doing just that.

"Hello y/n! It's so nice to see you again" Mrs. Jeon greets me as I step aside and let them in, soon after her is her husband who holds out his hand in greeting. "It's been quiet a long time hasn't it? I remember when you use to be-" "Grandpa! Grandpa! I wanna meet the pretty lady too!" a little girl no older than five years old says, walking around her grandfather's legs to get to me, greeting me with the most adorable bunny smile.

"And now who might this be?" I ask, already melting into a puddle from seeing how absolutely adorable she is. "I'm Juni" she laughs when I go down to her level. "Well it's very nice to meet you Juni and how old are you?" I ask and she lights up when I continue taking an interest in her. "I'm four! Well Daddy says I'm turning five soon but it feels like it's taking forever. Right Daddy?" she says and looks back towards the man now left standing in the doorway.

"That's right Juni" he responds and the deep tenor of his voice sends a slight shiver down my spine, so full of love and admiration that is obvious to anyone who might come across the pair. "Oh!" I say, quickly straightening back up to meet this mysterious Jungkook and my throat goes dry once I've laid eyes on him.

Tall, strong build, dark brown hair that's well taken care of and styled perfectly, strong jawline accompanied by the contrast of the softest look in his brown almost black galaxy eyes that are still focused on his beautiful daughter.

"I'm sorry" I say but he shakes his head before he turns his head in my direction, taking in the sight of me as well before speaking. "That's alright, Juni kind of grabs everyone's attention right away" he says giving me a soft smile. "I'm Jungkook" he says, holding his hand out to me. "Y/n" I say shyly and shake it, his hands being much larger than mine is comforting in a way.

"My mom told me we used to come see you when we still lived here" he says once we let go, Juni now quietly watching our exchange. "Used to?" I question, curious to know more about why our mothers had lost touch. "We went back to our hometown for a while and then moved back to the city soon after Juni was born" he says and I nod my head, accepting that as an answer for now but wanting to know more.

"Sounds like I was just an infant though so I don't really have any memory of it" I admit while rocking back and forth on my heels, a nervous habit I've picked up over the years. "It's alright, I didn't expect you to remember" he chuckles, "I was only three so I don't remember much of it either" we laugh at his returned confession and a more comfortable air settles between us.

"Well it's nice to finally meet you" I say and he nods his head. "Likewise" he replies and we stand there for a moment, not really knowing where to go from here then, thankfully Juni breaks the silence.

"Daddy I wanna talk to the pretty lady" she says and grabs my hand and pulls me away from him. "Be nice Juni" he warns and she pouts, leaving me crouching down to her level and tilting my head to meet her gaze. "There's enough of me to go around little one. Don't worry" I say, booping her on the nose and making her giggle again.

Jungkook walks in a bit more and closes the door behind him, watching our little exchange before my mother comes out to check on us.

"Y/n why don't you take Jungkook and..." she says trailing off, not having learned his daughter's name yet. "Juni" Jungkook says and my mother smiles at the sound of the adorable name. "Jungkook and Juni outside. I'm sure she'd love to run around a little bit before dinner is ready" she suggests and I agree while Juni starts jumping up and down, excited to explore an unfamiliar place.

Jungkook follows closely behind as I lead the way but I ultimately end up getting dragged along by Juni who is surprisingly perceptive and has already mapped out the door that we'll be going through. "Come on Daddy keep up!" she calls after him once we've reached the door, looking back and seeing that he's fallen behind.

"I'm right behind you Juni" Jungkook chuckles and once we step outside Juni lets go and runs back and forth all around the yard, looking at anything and everything she can find.

"Be careful!" I say, worried that she could hurt herself but Jungkook comes over and stands next to me and reassures me she'll be fine.

"It's alright, if she gets hurt it'll be a little reminder to pay attention to what she's doing next time. That's the only way kids really learn right?" he says turning towards me, granting me with a soft smile, almost as if he's looking for validation on his parenting choice.

"Of course," I respond, returning the smile, "even some adults need to crash and burn before they learn their lesson sometimes" I point out and it makes him relax a bit more, thankful to see that he's right in his dealings with situations like this.

"She's a good kid" I say after leading him over to the patio set we have out here so we can sit down and watch her. "Thanks, it's been difficult raising her on my own so I'm never really sure if I'm doing a good job or not" he admits and I nod my head, taking a second to think about my response since it's a sensitive subject.

"I can tell that you love her very much so I have no doubt in my mind that you'll always do right by her" and I can tell that my words bring him a sense of comfort. Being a single parent can be extremely difficult especially when you lose the love of your life as soon as you become a father. 

I wouldn't wish that pain on anyone.

"Y/n?" I hear him call out and realize that my mind had drifted off for a second. "I'm sorry what did you say?" I say, my cheeks heating up from having been caught daydreaming. "I asked if you had any children of your own" he chuckles and I again try to figure out the best way to word this but figure the best way to go about it is to be honest. 

I've got no reason to hide from him.

"No, I got divorced last year and my ex husband and I were never able to have children" I say, looking down at my lap, embarrassed to have admitted it but also feeling a certain weight lifted off my shoulders.

"Oh, I'm sorry. I didn't know" he trails off and I panic, realizing I might've made him feel uncomfortable, telling him something so personal so soon. "No don't be, I honestly dodged a bullet with that one" I chuckle, hoping to lighten the situation a bit which thankfully it does as I see his body relax a bit.

"Our relationship had been on the rocks soon after we got married and I don't think we were a good match for each other so I think it was the universe's way of doing me a favor in making us somewhat biologically incompatible" I chuckle and he softly does the same.

"Biologically incompatible" he questions, a deeper meaning obviously hidden behind those words. "We both got checked out and everything looked completely fine but I guess it wasn't meant to be, thank God" I sigh, sincerely thanking whoever might've been in charge of making that executive decision for us.

"I'm not exactly sure what to say to that but I'm glad it worked out?" he states almost as if it was a question and I laugh, in response hoping I can recover this incredibly awkward conversation. "I'm sorry, that was a huge overshare that I probably should've kept to myself" I say, clearing my throat in hopes it would aid in clearing the peculiar air that had settled between us.

"You have nothing to apologize for, I asked and I feel honored that you felt comfortable enough to be so transparent with your answer" he says, the warmth in his tone giving me an ache in my chest. How could someone be so kind to someone they've just met? It's as if I could tell him anything and he would listen to me as if I was the only person in the world.

"Daddy!" 'Well me and Juni', I say to myself and watch as his attention now shifts to his daughter who is running up behind me. "Daddy look!" Juni says, holding out her hands that are now thoroughly caked in mud but hold a rock that is almost a perfectly shaped heart in the center of her palm. "Oh Juni" Jungkook chuckles, the ends of her dress now matching the state of her hands and neither Jungkook nor I can hold in our laughter.

"That's a very beautiful rock Juni! You're so clever" I say and I can see a sense of pride straighten her posture a little bit. "Juni your beautiful dress" Jungkook chuckles, clearly not minding but also trying to figure out what to do. "I'm sorry Daddy" she say, that pride slowly dwindling after seeing the mess she's made of herself.

"Hey Juni" I say, turning her attention back to me and I can see her spirits lift a little. "Would you like to see some of the clothes that I used to wear when I was your age?" I ask and her eyes light up at the thought. "Did you wear pretty dresses too?" she asks, clearly excited about seeing more new things. Her childlike wonderment makes my heart ache. Must run in the family.

"I did, but none of them were as pretty as yours. If you like, you can borrow one of mine while we wash this one" I suggest and the way her head nods up and down so fast makes me chuckle.

"Let's go to my room then! Hopefully we can find something you'll like" I say, standing up and straightening my dress while Jungkook reaches out for Juni's foot.

"Let's take your shoes off before we go back inside baby. We wouldn't want to track any mud into the pretty lady's house right?" Jungkook says, flashing a soft smile at me before looking back down to complete his intended task and Juni complies right away. 

My breath hitches as he purposefully uses the nickname Juni had given me and I quickly walk past them and open the door to go inside, trying to clear my head for a second, willing myself to keep it together.  

"Are you coming with us?" Juni asks and he nods his head, "I gotta go clean your shoes off first though" he says and I walk all three of us over to the bathroom so Jungkook can do just that as well as wash Juni's hands off.

"Wow!" is the first word that comes out of her mouth when we walk into the butterfly themed bedroom, mesmerizing her from the first glance. "Your room is so pretty!" she says, quickly running around here and there, being careful not to get too close since we haven't gotten a chance to change her dress yet.

"You like it?" I question and she's quick to nod her head again. "I wish my room looked like this" she says, spying all of the little butterfly details from the dainty embroidering on the bedspread to the knobs on the dresser, all of them working in harmony.

"We can go look for some butterfly stuff next time we go to the store if you'd like" Jungkook says while he walks into the room and right up to her while she stares up at the ceiling where there are a couple scattered across it. Nothing is too over the top but there is clearly a theme going on that she is captivated by.

"Really?" she asks, confirmation of what he's said being important to make sure she's hear him right. "Promise" he says holding out his pinky that she quickly wraps her's around as best as she can with her little ones being so tiny in comparison to his. She looks at the two of us before beckoning Jungkook to come closer so she can whisper something in his ear.

"Can the pretty lady come with us too?" she 'whispers' in his ear almost as loud as her speaking voice and I try to hold back my laughter, pretending like I didn't hear a thing. "Why don't you ask her?" he whispers and when he leans back she looks him in the eyes and he nods to further encourage her.

"Um, would you like to go shopping with us to get butterflies for my room too?" she asks, walking up to me shyly. Jungkook looks at me with a soft smile and I notice how the tips of his ears have almost gotten a little pink, his expression soft and charming but his body still showing tell tale signs of nervousness.

"Sure Juni, I'd love to go shopping with you" I say and she giggles in response while running back to her Daddy. "Can we go right now?" she asks jumping up and down. "We'll go another time don't worry baby, we've gotta set up a time so the pretty lady can go with us too right?" he reminds her and although she's sad she has to wait she nods in agreement. "Good, now let's get you out of this so we can make you all nice and clean again" he says, unzipping the back of her dress and revealing the cute little white tank top and tights that she wore under it.

I focus my attention on opening up the closet and grabbing a couple of dresses out for her to choose from. "These ones should fit. Which one would you like to wear Juni?" I say and her eyes flitter back and forth between all of them before giving her a Daddy a devious smile and hugging them to her chest. "I want all of them" she giggles and my heart melts, thinking about how fun it would be if I had a daughter just like her.

"Pick one Juni" Jungkook chuckles and she pulls back flipping through the selection I've made before her eyes light up and find the one she's dying to wear. "This one, this one!" she says, lightly holding onto the skirt and jumping up and down. I shift my grasp on them and hold out the one she chose for Jungkook to take and once he does there a static jolt of electricity that shocks us leaving the both of us pulling away slightly.

"Sorry it's probably from all the fabric of the dresses" I explain and he smiles in response. "Don't worry about it. A little spark never hurt anyone" he says and it's almost as if his voice had dropped a bit with that remark, leaving me widening my eyes a bit before turning back around and placing the dresses back in the closet. 

Why does he make me so nervous?

"Lady, lady look!" I hear from behind, and watch as Juni turns this way and that once Jungkook has finished putting the dress on her. "My goodness Juni don't you look adorable!" I say and she runs up to the the mirror in the corner of the room, watching the skirt swish this way and that. "Say thank you Ms y/n" Jungkook says, correcting Juni and finally telling her my name. She sounded too cute calling me 'the pretty lady' I just didn't have the heart to tell her otherwise.

"Thank you Ms y/n!" she says, running up to me and wrapping her arms around my legs since she is still  too small to reach anywhere else. "You're welcome Juni" I say, smiling down at her and smoothing her hair down. "Remember Juni, we're just borrowing it so we can wash your dress. We have to give it back to Ms. y/n before we leave" Jungkook says and I can see her excitement dwindle a bit but is no less thankful for being able to wear it tonight.

"Thank you for letting me borrow it Ms. y/n!" she says and I smile again, falling more and more in love with this adorable little girl with every smile she graces me with. "You're welcome" I say and she lets go of me and twirls around in it before stopping.

"Oh! I promise to be really careful and keep this one clean" she says holding out her pinky to do just as she had done with her father moments ago and I kneel down to her level and do just that before booping her on the nose causing another fit of giggles to spill out of her.

"Y/n, dinner is ready" my mother says while poking her head around the corner and I can tell she is completely satisfied by the scene that she's walked in on. "Oh Juni what a beautiful dress!" my mother says, noticing it right away, remembering it was one of my favorites. "Ms y/n gave it to me!" she says, swishing around in it again before doing a full twirl for us.

"Well aren't you the most darling little girl I've ever seen! Are you ready to eat? I heard that mashed potatoes are one of your favorite foods right?" my mom says, holding out her hand for Juni to take and she gladly does.

"Did my grandma tell you that?" she asks, clearly surprised that this complete stranger already knew something about her. "Yes she did. I hope you like them!" my mom says and Juni rushes down the hallway dragging my mom behind her. "Juni be careful!" Jungkook calls out to her but my mom just laughs it off.

"Why don't you show Jungkook where the laundry room is so you can put her dress in the washer" my mom offers up and I nod my head and look up at him. "That's okay I can just wash it when we get home" he says, politely declining the offer. "It's alright, it's best to wash it right away so it doesn't stain" I say, holding out my hand for the dress and he smiles before handing it to me and following my lead.

"You have a lovely home" he says shyly, looking this way and that taking notice of the small details just as Juni did. 'Like father like daughter' I think to myself. "It was my childhood home as you could probably tell from my old room" I say and he hums in response as I stop at the door to the laundry room.

"I know Juni is never going to stop talking about it" he chuckles and I smile at the loving tone that is always present in his voice whenever he speaks about her. We stand there in silence for a bit while I gather the various cleaning products I'll need.

"If you like, I can show you how to get stains like this out? If there was ever a day when I was her age that I didn't get some sort of dirt, mud or grass stains on my clothes my mother would write that down as a national holiday" I say and he laughs at that before accepting the offer.

"Sure, I'd like that" for some reason I can't seem to find the right words so I simply turn around and rinse off the mud in the little sink we have in here. "Do you think you could get that one for me?" I ask, nodding toward one of the stain removers. He wordlessly does as I ask and helps apply a drop or two of it to each of the areas I point out.

"I could've done that" he says now realizing how he's just standing there watching me clean his daughter's dress. "No, that's okay I offered!" I say, reassuring him that I don't mind. I wordlessly ask for the next stain remover before rubbing it in and ringing out the excess water. He opens up the washer lid for me and I toss it in and look this way and that for the laundry detergent.

"Looking for this?" he asks, pulling it off the shelf above the washer. "See, that's a perk of living on my own now. I don't have to worry about things being up too high for me anymore" I chuckle and quickly scoop in the appropriate amount and start the washer.

"Well let me know if you ever need anyone to get something that's out of your reach, it's one of the perks of being tall" he jokes and I laugh but almost shy away from the fact that he expects to see me again. "So I've heard" I say and try to put the detergent back on my own but it soon tips back over and is close to crashing down until he catches it, which in turn ends with him trapping me between him and the washer.

He slides the detergent back in it's spot and takes half a step back, giving me the smallest bit of space. "Why didn't you let me help you? I was standing right here?" he asks, tilting his head at me. "I don't know, I guess I'm just used to doing things on my own now" I chuckle awkwardly. "Well hopefully you'll get used to letting me help you soon" he says, finally taking another step back and giving me a bit more space to breathe.

"Sorry about that" I apologize awkwardly, leaning my back against the washer now with him leaning up against the wall directly in front of me and giving me a crooked smile. "Don't apologize, there's nothing wrong with being independent" he says and quickly scans my body but he does it so fast that if I would've blinked I would've missed it.

"Daddy it's time for dinner" Juni says, her soft steps not having been heard by either of us over the sound of the washer, breaking us out of the little moment that we had been having. "Okay Juni we're coming" he chuckles and holds out his hand for her to take but she giggles and dodges it, reaching for mine instead.

I squeeze past Jungkook as this little room is only wide enough for one person to walk through and the front of our bodies brush up against each other only for a moment until she's tugged me halfway out the door. "Let's be a train Daddy! Grab onto Ms. y/n's hand so you can be the caboose!" she says, turning this trip down the hallway into a game.

"Oh that's okay sweetie why don't you-" he starts but I hold out my hand for him to take, him only having refused for my sake, not wanting to make me uncomfortable with any unwanted skinship. "Grab on Daddy!" Juni giggles and I look up at him and see that he's looking down at me. He chuckles before grabbing onto my hand and the both of us are soon trailing behind Juni as she drags us to the dining room.

Once we get to the dinner table Juni lets go of my hand and runs back to where Jungkook's mom is so she can continue to help her eat her mashed potatoes. 

When everyone notices that Jungkook and I have arrived, we're greeted with four sets of eyes, all of them extremely happy to see us. It's then when I realize that we were still holding hands so I gently slide mine out of his, almost wishing I didn't have to.

He looks down at where our hands had been connected when I do and I can almost see that he's also disappointed that I let go but his expression is quickly replaced by an awkward smile aimed at our parents. 

When I look at the table I see that Jungkook and I are meant to sit directly across from each other. Which I'm sure is another one of my mother's ploys to get us to keep glancing up at each other, this time though I don't really mind.

When I go to walk to one side to sit down next to Mr. Jeon, Jungkook follows right behind me. 

"Oh did you want to sit on this side?" I ask him and he shakes his head, "No, I just wanted to pull your chair out for you" he says and I feel butterflies in my stomach. "Oh, okay" I say quietly and watch as he does just that and slides the chair in behind me once I've sat down. "Thank you" I reply, smiling up at him and he does so in return before rounding the table to take a seat in his place.

"So y/n, your mother told us that you work in photography, is that right?" she asks and I take a drink of water before responding. "Well not really, I've done a few freelance jobs here and there. Enough to keep me afloat so to say but I hope to do it full time soon!" I say and I see Jungkook perk up at that.

"Jungkook has always loved photography as well! He's always been tinkering away with cameras since he was just a few years older than Juni" his mother says while Jungkook cleans off Juni's face as it seems like she's gotten more food on her face than in her mouth.

"What subject do you usually shoot?" I ask, curious to see where his interests lie. "Mostly editorial, but I tend to enjoy the shoots a lot more when they have to do with nature. I believe beauty can be found in almost anything so I tend to just capture whatever inspires me at the moment" he says, his answer being very similar to mine.

"I feel the same way" I respond simply before shying away from the topic as I feel our parents are studying our interaction.

Once they notice the silence they decide to pick up the conversation just throwing facts about Jungkook and I back and forth, pretty much doing the getting to know you game for us without giving us much room to get a word in edgewise. Which leaves the both of us to just follow the conversation and occasionally making eye contact when either side makes a slightly embarrassing comment.

"Hey Dad" Jungkook calls out to his father over the never ending conversation they're having about us. "How's that new project at work going?" he says and I can already tell that it's one of those kinds of topics that once you get him started on it he won't stop and that's just the case as we now watch the conversation take a turn that is thankfully so far off from the two of us.

As time ticks by and the subjects change a few more times I notice that Jungkook has started to get up and clear the table to which I jump up in response to help him.

"Oh Jungkook don't worry about that I can do it later" my mother says but he shakes his head. "It's the least I could do after you've provided this wonderful dinner for my family and I" he says and I can almost see my mother swooning from his response. "Well thank you very much, sweetie can you show him where to place them, just next to the sink is fine" she says to me and I nod, looking up at him and nodding my head towards the direction of the kitchen.

Once we've gone there and back from the table a few times I decide to just start loading up the dishwasher, trying to escape that mortifying conversation for as long as I can. "I brought your glass for you. Wasn't sure if you were planning to finish it or not" he says, walking over and placing my wine glass on the counter next to me. "Thanks" I say quietly, neither of us having said a word to each other since the very beginning of that dinner.

"Your parents are really sweet" he says, breaking the ice and clearly acknowledging how obvious they all were about their motives. "Yours too. I'm sorry about tonight" I say and his brows furrow, clearly not understanding why I would need to apologize. "I knew my mom would end up doing something like this but once her mind is made up there's no stopping her" I admit and he gives me a crooked smile in response.

"Don't worry, I knew what all of them were up to too. My mother was praising you so much and telling me how beautiful and smart and respectful you are so I had an inkling that this was their plan all along" he says and I turn away from him, trying to hide my flustered expression.

"She's right you know" he says, coming around to stand next to me, leaning against the counter while I face it, cleaning up the inside of the sink and grabbing the towel next to me to dry my hands.

"Right about what?" I question, now turning to face him and noticing just how close he's gotten. "About how beautiful you are" he says and I have to blink a few times, trying to figure out why this incredibly handsome man in my kitchen is flirting with me.

I just wanna thank past me because whatever I did in my last life must've been incredible if I'm being offered up a man as remarkable as he is.

"I-" I start but am soon interrupted by my mom walking in on us. "Y/n could you- oh! I'm sorry, as you were" she says, taking small backward steps out of the kitchen, keeping hers eyes on the two of us before turning around to walk back to the living room that they had moved to.

"I'm sorry about her" I say, taking a drink of my wine but he laughs it off. "It's alright, I don't mind" he says watching me with curious eyes as I polish off the rest of it. "Juni has taken a real liking to you" he says and my heart melts at the sound of her name.

"Really? She's probably the happiest child I've ever seen. I really like her too" I say and he smiles, no doubts memories over the years flashing through his head.

"You've done a really good job raising her Jungkook" I say, and his eyes flutter back to mine, this time being the first time I've spoken his name and it looks as if just that alone brought him so much satisfaction. "Thank you y/n" he says, and I feel my heart flutter, the deep baritone of his voice sending a shiver down my spine.

"Daddy can I have some cake?" we hear as Juni walks into the kitchen, "Can I have some cake..." Jungkook says, trailing off and waiting for those magic words. "Please?" she says, realizing what he had been getting at.

"Sure baby, Ms. y/n and I will bring it out in a second okay?" he says making her smile as she runs out of the kitchen "Thank you" she calls out over her shoulder leaving the two of us laughing at her enthusiasm.

"That's probably what my mom was coming in to ask us for" I say and he nods in agreement, helping me carry everything out so we can all have a slice of the small cake my mom had gotten for tonight. "How much you want to bet that they sent Juni looking for us earlier too?" he whispers to me as we make our way over to where everyone else has gathered. "You might be right about that one" I whisper back, quickly catching onto all of their little games.

After setting the cake and all of the plates and forks down on the coffee table my mom takes on the task of cutting it up and serving it, with the very first piece going to little Miss Juni. "Thank you!" she says, eyes wide as saucers leaving all of us cooing at her. "Eat slow Juni" Jungkook reminds her, no doubt having troubles with her eating her desserts too quickly.

I take on the task of helping my mother hand out the slices and once I give one to Jungkook I finally notice that the only empty seat is right next to him and he looks down at it before looking back up at me in a silent invitation to sit down and I take it cautiously.

The couch that we're sitting on is kind of a love seat ironically, seeing as the whole theme of tonight is trying to set us up with each other.

Once I've sat down I realize that I've sat right next to him to the point of where my shoulder ended up bumping into his. "Oh! I'm sorry" I say, scooting away from him but with the size of the couch I don't really end up moving all that much. "It's okay I don't mind" he says, before taking a bite of his cake and turning to face the rest of the group.

The seven of us continue talking and talking until we notice that Juni has fallen asleep in her grandma's lap. "Here mom let me take her" Jungkook says, standing up but both my mom and his stand up and wave him off. "That's okay, we're just gonna go put her down in y/n's room" my mom says and before he's able to say otherwise they've disappeared down the hallway.

"Does she have school tomorrow?" I ask once he's settled back down. "No, she's on spring break right now until next Monday" he relays and I nod my head. "And what about you? Do you work tomorrow?" I ask and he gives me a shy smile before responding. "I had a shoot scheduled in the morning but we went ahead and pushed it to the afternoon so I don't have to worry about going home anytime soon" he says and my heart skips a beat.

"No, I mean, well I don't want to keep you for too long. You probably have other things you'd like to get done tonight?" I ask and he shakes his head. "No, this is the only thing I have planned for the night so I guess you're stuck with me" he chuckles. "I didn't mean to make you feel like I wanted you to leave I just-"

"It's okay I know what you meant" he laughs and I now take notice that we're the only ones left in the room. "Oh! Where did my dad go?" I ask, my eyes darting this way and that, not even being able to hear his voice.

"I think I heard something about them setting up the fire pit? I'm not sure but he's outside with my dad right now" he says and I spy both of them looking through the glass door before quickly ducking out of view once they realize they've been spotted.

"Maybe we should head out there" I say but he cuts off that thought by asking me a question that keeps me frozen on the spot. 

"Is there a reason why you don't want to be alone with me?" he asks, arm now having been draped around the back of the couch a while ago, completely unknown to me making this all seem a lot more intimate than before.

"Who said that?" I chuckle nervously, clearing my throat before sinking back into my seat. "You just did" he says, nodding towards me and I feel like I want to crawl in a hole and die. I thought I could escape this night without being awkward like this but I guess not.

"You trying to get rid of me?" he teases and I shake my head right away, "No I'm sorry I just-" "It's okay, I'm only joking" he says and I laugh nervously. "So why don't you tell me about yourself?" he says, giving me the most open ended question ever and I scramble to find something but I just can't seem to come up with anything interesting enough to mention.

"Well, my parents pretty much said everything there is to know about me over dinner earlier" I say and he shakes his head. "I want to hear something about you from you. Like what are some of your hope, your dreams, something you're passionate about" he says, being a little more specific this time.

"My dreams?" I trail off, thinking for a second and he watches me as I wrack my brain for something notable. "It's kind of silly" I admit once I've settled on something. "Good thing I've got a sense of humor" he replies, trying to encourage me to continue. 

"Well, I've always wanted one of my photos to be on the cover of TIME magazine" I admit and see his eyes light up. "I have a similar dream" he says and my eyes widen in surprise turning my body to face him, wordlessly asking him to share his too. 

"I'd like one of mine to end up on the cover of National Geographic" he relays and I smile in turn. "That would be perfect for you! Well, since the subject you love to capture the most is nature I could definitely see your work fitting right in!" I say, excited to see someone else who's trying to aim as high as I am.

"And I could see yours being a shoe in for TIME as well" he says, and I shy away from his praise. "Okay and what's something you're passionate about, and don't say photography" he says, interrupting me causing me to slump down, having to take another second to come up with an answer. 

He chuckles a bit at my reaction and I glare at him causing him to smile at me even more so look up to the celling as if it had the answers to something interesting about me. 

"Well, I really love reading. I know it might not seem like a passion but when I read a really good book and I find someone who has read it or will at least let me talk about it it's as if I gain a boost of energy and can't contain my excitement. That's definitely the nerdy side of me showing but that's all I can really think of at the moment" I say honestly and when I look back at him it's as if he thought I was the most fascinating thing he's ever seen. 

"Sorry, I think I got a little carried away there" I say, getting shy from being looked at like that, his soft gaze an expression I'm not used to, especially from someone I just met. "Um, your turn" I say, hoping to get some of the spotlight off of me. 

"I know this might be cheating but I do enjoy taking video and editing them. Even if it were as simple as filming Juni for an afternoon, it's something that if given the chance, would be something I could be extremely passionate about" he says and although it is cheating since it's somewhat similar to photography, I'll let it slide. 

"Have you thought about switching up your profession to include video as well as pictures?" I ask and he nods before answering. "I have but I haven't taken enough time to seriously consider it. Juni is still young and I want to make sure I have a stable income in order to take care of her and if I'm being honest I feel almost as if a career change could jeopardize that" he says and I watch him with the same intent that he had given me and he too seems to shy away from it. 

"It's silly since it would probably be a seamless transition but I can't help but feel reservations towards it" he says and I place my hand on top of his that's in his lap. 

"It's normal for a parent to worry about providing for their child. I don't think it's silly at all and it shows how much you truly care about Juni and her well being. She's lucky to have you as her father" I say and he cringes only for a moment before his expression goes back to a softer one. I want to ask what would've warranted a reaction like that but I leave it alone. 

"Okay your turn, what is something you hope for?" he asks and I already know the answer to it but I'm hesitant to say. I take a second to try and figure out how to formulate it properly but decide to just go for it. 

"I hope to be a mother and have children of my own someday. Doesn't matter if it's naturally or through adoption, I just hope to have someone I can love and care for unconditionally and watch them as they grow and change and pray I'll receive that love and care back from them" I say and he gives me a wary expression and I quickly try to backtrack, not knowing if I've messed up or not. 

"I'm sorry that was probably extremely insensitive of me" I say, pulling away my hand but he holds onto it and gives me a sad smile before responding. "I think you would be a wonderful mother. If you were to give your children even half the time and attention you've given to Juni today they would still be incredibly lucky to call you their mother" he says, reassuring me that it's okay to talk about these topics around him. 

"Last one?" I question, seeing if he's up to telling me something he's hopeful for. "I just hope that no matter what my family and friends stay happy and healthy. It might be simple but I enjoy the simple things in life" he says and I smile, seeing how truly kind and compassionate he is just from his simple answer. "That's a good answer" I say and we both chuckle a bit before we're broken out of yet again another moment by the sound of our mothers stumbling into the room. 

"Oh don't let us bother you we're just going to head outside with your father" Jungkook's mom says to him and I can see now from the warm glow shining through the glass door that they've finally started up the fire pit. 

"Oh we'll come outside too!" I say and try to get up off the loveseat. I'm able to stand but immediately lose my balance and feel a strong set of hands on my hips and end up falling into Jungkook's lap. "I-" I start, turning towards him and trying to get out an apology but stop short when I see how close his face is to mine, our noses almost touching. 

I hear our mothers head outside quickly and close the door but neither of us pay any mind, both focused on each other to the point where neither of us move for what feels like forever but was only a matter of seconds. When I do try to get up I feel his grip on me tighten. 

"I'm s-sorry, this couch is always difficult to get off of" I explain and he smiles. "Like I said before, you have nothing to apologize for" he says, his voice a bit deeper than before and it takes every fiber of my being to stop myself from looking at his lips but when I see his flutter down to mine I can't help but do the same. 

"Daddy, why is Ms. y/n sitting on your lap?" we hear Juni say and I immediately get off of him and throw my face in my hands, trying to hide the embarrassment written all over me but Jungkook handles it like a champ. 

"Ms. y/n just fell down Juni and I caught her. You know how I catch you sometimes before you fall?" he offers and she walks over to us, rubbing her eyes and immediately climbing onto Jungkook's lap. "Oh okay" she says, yawning again after Jungkook places a kiss on the crown of her head. 

"Do you wanna go see the fire that grandpa and Ms. y/n's dad made?" he asks and she hums in approval, still half asleep but wanting to go outside with everyone. "Okay let's go" he says, standing up with Juni in one arm and holding his hand out to help me up. I glare up at him and he smiles, knowing he's added to my embarrassment but I take his hand anyways and he makes no moves to let go once I'm up on my feet, walking us all towards the back door. 

Once we're outside though that's when he lets go so he can hold Juni properly while he walks down the patio steps so we can get to the fire pit. 

"Juni woke up?" his mother asks and Jungkook nods. "Yeah she wanted to come outside with everyone even though she is still very very sleepy" he says, talking in a silly sweet voice that makes Juni pout although her eyes are still closed. "I'm not sleepy" she says mid yawn causing me to coo at her and when she realizes I'm still close by she sits up off of Jungkook's chest and reaches towards me. 

I look between her and Jungkook for a second and he nods his head in approval and hands her to me, grabbing a chair afterwards for me to sit on and pulling up another one next to mine and looks over at Juni to see she's practically sound asleep again. "Are you okay with her?" he asks and I hum in approval leaving him placing another kiss on Juni's head before leaning back in his chair. 

"So Jungkook, what do you think of my daughter?" my mother asks and Jungkook chokes on air, not expecting the straightforward question. "Mom!" I scold and she chuckles, "What? It's a simple question. No need to give a complex answer, unless he wants to" she teases and I swear I can even hear Jungkook's dad chuckling at my mother's antics. 

They couldn't make it more obvious that they're trying to set us up even if they tried. 

My dad luckily somewhat comes to Jungkook's aide and hands him a bottle of water to hopefully help him stop coughing which it does thankfully.

He takes a second to clear his throat and I would be lying if I said I wasn't on edge, waiting to hear what his answer might be. "I think she is a very kind hearted and very intelligent young woman" he says simply and the echos of him calling me beautiful earlier on tonight attach to the end of that. 

"And would you like to see her again?" she continues and he then looks over at me, giving me a soft smile and glancing down at Juni before looking me in the eyes again. "We've already planned to see each other again" he says, memories of Juni's invitation to the butterfly shopping trip fluttering through my mind again. 

"Did you hear that? Jungkook has already asked to see her again" my mom says, calling over to Jungkook's mom as if she hadn't been listening the whole time. "Well technically Juni asked if I could go shopping with them" I explain and Jungkook chuckles. "Juni is a very smart girl" my mother compliments and Jungkook and I can't help but laugh. 

The rest of the night flies by and before I know it we're already standing in the doorway saying goodbye. "It's was so nice seeing you again y/n! I hope to be seeing you again soon" Jungkook mom says, winking at me. "Oh come on honey leave the girl alone" Jungkook's dad says, coming to my aide and saying his goodbyes as well. 

Jungkook's parents say a quick goodbye to Jungkook and Juni as well since they came in separate cars and I notice after that my dad pulls Jungkook aside and says something that I regretfully can't make out. Luckily he doesn't seem bothered by it as they smile and shake hands before my dad pats him on the back, sending him off with I can only assume is well wishes. 

Jungkook says goodbye to my mother and I can tell how much she's praising him, he thanks her for everything and makes his way over to me a few moments later and it's almost as if it was a ghost town with only Jungkook and I in the entryway now, with him holding a still very sleepy Juni in his arms. 

"Thank you for coming, I know this was probably a lot for you" I say, rocking back and forth on my heels and he smiles before answering. "I had fun, and I know Juni did too" he says and I can feel my heart skip a beat, "I did too" I reply shyly. He reaches into his pocket and unlocks his phone before handing it to me.

"Do you think I could have your number? You know, so we can set up that shopping day soon? I know Juni won't be able to stop talking about it until we go" he says, turning into what I could only describe as a shy teenage boy, asking his crush for her number. "Sure" I say, putting it in and calling my number so I have his too. 

"Let me know when you get home safe" I say and place my hand on Juni's back and whisper a quick goodbye which regrettably stirs her awake and I mouth a quite sorry to Jungkook but he smiles in response. 

"Wanna say goodbye to Ms. y/n?" Jungkook asks and she nods her head before opening her eyes and leaning towards me to give me a kiss on the cheek leaving me speechless. "Goodnight pretty lady" she mumbles before laying back down on Jungkook's chest. He chuckles after seeing my reaction and gives Juni a kiss on her head in response. 

"Goodnight y/n" he whispers to me and I send him the same sentiment, walking him to the door and watching as he walks over to his car while he puts Juni in her carseat. He looks back to see if I'm still watching and smiles at me again before getting in his car and driving off. 

"So should I schedule an appointment with the caterers tomorrow or...?" I hear my mother say behind me, making me jump before taking a few steps back into the house and closing the door. "Very funny mom" I say, walking over to the living room and plopping down on the couch Jungkook and I had been sharing a couple hours ago. 

"What's wrong? He's a nice man isn't he? Plus his daughter seems like she loves you! Why don't you give it a shot?" she asks and I sigh, sinking further back into the couch. "I don't know, I just don't want to get my hopes up" I mumble and she sits next to me, placing a comforting hand on my thigh. "What makes you say that?" she asks curiously.

"It's almost as if he's too perfect. He's handsome, charming, charismatic, a great dad and I don't know, he just seems too good to be true" I admit and she nods her head, understanding my hesitation. "Everyone puts their best foot forward when they're meeting someone for the first time. Just go out with him and Juni in a few days and keep an open mind. It's not the fact that he has Juni that's holding you back right?" she questions, trying to figure out what exactly has got me doubting. 

"No not at all! If anything Juni is an added bonus" I say truthfully and she smiles at me. "Good, because I think she's already become very attached to you" she says and I nod my head. "Yeah I think I have too" I mumble and she claps her hands, jolting me out of my train of thought. 

"Now all we have to do is get a ring attached to that finger and the three of you can live happily ever after" she says, getting up to clean up the cake plates that sit on the coffee table in front of us. 

"Mom" I groan and she laughs, "I want some beautiful grandchildren and if that handsome young man can't help you give them to me then I don't know who could" she continues leaving me sighing, not bothering to argue back since she is definitely right about that one. 

I hear my phone chime in my purse moments later after I walk into my bedroom to gather up my things to go back home and see a message from an unknown number but check my call log and see that the numbers match up from when I called myself off Jungkook's phone. 

I quickly add him to my contacts before opening up our chat and see a short but sweet message from him. 

'Home safe and sound. Thanks for having us tonight. Hope to see you soon?' he sends with a question mark at the end, clearly still wanting to double check on if I'll actually want to see them again. I wait a few seconds, my thumbs hovering over the keyboard before finally composing a message and hitting send before I chicken out. 

'See you soon Jungkook. I really enjoyed getting to know you and Juni. Looking forward to shopping for butterflies together!' I say and cringe once I reread it. 'Ugh could I possibly sound more desperate?' I say to myself and toss my phone on the bed, sitting down at the computer chair across from it. 

A minute later I hear another message come in and I practically lunge for the phone, praying I didn't weird him out but moments later I feel heat rushing to my cheeks and have to will myself into not squealing.

'We're counting down the minutes until we can see you again. Let's talk tomorrow and set up a date and time'  he says and I rush to respond. 

'Sounds great! Goodnight Jungkook'  I say, ending the conversation before I end up embarrassing myself even more but before I can even lock my phone his message pops up. 

'Goodnight y/n, sweet dreams' the message is so simple but it still makes me smile. 

"Is that Jungkook texting you?" my mom asks, poking her head into the room and I quickly lock my phone and grab my purse. "Yes it is, goodnight mom" I say, walking past her and straight to the front door with her trailing after me. "Oh come on sweetie you know I'm just teasing you. I really think he's going to be a good match for you" she says and I turn to face her before I leave. 

"I really hope so. Say goodnight to dad for me" I say giving her a kiss on the cheek and getting in my car to drive home. 

~~~~

Once I walk in I'm greeted again by Salem and he walks up, waiting for me to pick him up. "You're such a little baby you know that?" I chuckle and he meows in response. 

I follow the same routine as I always do, carrying him with me into my room and rambling off to him about my day before hopping in the shower but this time I have a lot more to say, leaving me wasting half the hot water and causing me to have to finish up the last bit of my shower in a freezing cold stream. 

After finishing up and finally settling into bed I lay down and Salem curls up next to me. "Things might be changing around here boy. I only hope they're for the better, what do you think?" I ask after having told him everything and I'm met with the feeling of him purring and if that isn't a good sign then I don't know what is. 

"I hope he likes cats" I say, giving him one last pet before turning off the light and for the first time in a very long time I can finally say I've gone to sleep feeling content. The last thought that runs through my head is one that helps me fall asleep with a soft smile on my face. 

I can't wait to see him again...

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[cookinguptales]

You know... I had an experience about two months ago that I didn't talk about publicly, but I've been turning it over and over in my mind lately and I guess I'm finally able to put my unease into words.

So there's a podcast I'd been enjoying and right after I got caught up, they announced that they were planning on doing a live show. It's gonna be near me and on the day before my birthday and I thought -- hey, it's fate.

But... as many of you know, I'm disabled. For me, getting to a show like that has a lot of steps. One of those steps involved emailing the podcasters to ask about accessibility for the venue.

The response I got back was very quick and very brief. Essentially, it told me to contact the venue because they had no idea if it was accessible or not.

It was a bucket of cold water, and I had a hard time articulating at the time quite why it was so disheartening, but... I think I get it a little more now.

This is a podcast that has loudly spoken about inclusivity and diversity and all that jazz, but... I mean, it's easy to say that, isn't it? But just talking the talk without walking the walk isn't enough. That's like saying "sure, we will happily welcome you in our house -- if you can figure out how to unlock the door."

And friends, my lock-picking set is pretty good by this point. I've been scouting out locations for decades. I've had to research every goddamn classroom, field trip, and assigned bookstore that I've ever had in an academic setting. I've had to research every movie theater, theme park, and menu for every outing with friends or dates. I spend a long time painstakingly charting out accessible public transportation and potential places to sit down every time I leave the house.

Because when I was in college, my professors never made sure their lesson plans were accessible. (And I often had to argue with them to get the subpar accommodations I got.) Because my friends don't always know to get movie tickets for the accessible rows. Because my dates sometimes leave me on fucking read when I ask if we can go to a restaurant that doesn't keep its restrooms down a flight of stairs.

I had one professor who ever did research to see if I could do all the coursework she had planned, and who came up with alternate plans when she realized that I could not. Only one. It was a medical history and ethics class, and my professor sounded bewildered as she realized how difficult it is to plan your life when you're disabled.

This woman was straight-up one of the most thoughtful, philosophical, and ethical professors I've ever had, one who was incredibly devoted to diversity and inclusion -- and she'd never thought about it before, that the hospital archives she wanted us to visit were up a flight of stairs. That the medical museum full of disabled bodies she wanted us to visit only had a code-locked back entrance and an old freight elevator for their disabled guests who were still breathing.

And that's the crux of it, isn't it? It's easy to theoretically accept the existence of people who aren't like you. It's a lot harder to actively create a space in which they can exist by your side.

Because here's what I did before I contacted the podcasters. I googled the venue. I researched the neighborhood and contacted a friend who lives in the area to help me figure out if there were any accessible public transportation routes near there. (There aren't.) I planned for over an hour to figure out how close I could get before I had to shell out for an uber for the last leg of the trip.

Then I read through the venue's website. I looked through their main pages, through their FAQs to see if there was any mention of accessibility. No dice. I download their packet for clients and find out that, while the base building is accessible, the way that chairs/tables are set up for individual functions can make it inaccessible. So it's really up to who's hosting the show there.

So then and only then I contacted the podcasters. I asked if the floor plan was accessible. I asked if all the seats were accessible, or only some, and whether it was open seating or not. Would I need to show up early to get an accessible seat, or maybe make a reservation?

And... well, I got the one-sentence reply back that I described above. And that... god, it was really disheartening. I realized that they never even asked if their venues were accessible when they were booking the shows. I realized that they were unwilling to put in the work to learn the answers to questions that disabled attendees might have. I realized that they didn't care to find out if the building was accessible.

They didn't know and they didn't care. That, I think, is what took the wind out of my sails when they emailed me back. It's what made me decide that... yeah, I didn't really want to go through the trouble of finding an accessible route to the venue. I didn't want to have to pay an arm and a leg to hire a car to take me the last part of the journey. I didn't want to make myself frantic trying to figure out if I could do all that and still make the last train home.

If they didn't care, I guess I didn't either.

If they'd apologized and said that the only venue they could get was inaccessible, I actually would have understood. I know that small shows don't always get their pick of venues. I get it. I even would have understood if they'd been like "oh dang, I actually don't know -- but I'll find out."

But to be told that they didn't know and didn't intend to find out... oof. That one stung.

Because.... this is the thing. This is the thing. I may be good at it by now, but I'm so tired of picking locks. I'm tired of doing all the legwork because no one ever thinks to help me. I'm tired of feeling like an afterthought at best, or at worst utterly unwelcome.

If you truly want to be inclusive, you need to stop telling people that you're happy to have them -- if they can manage to unlock the door. You need to fucking open it yourself and welcome them in.

What brought all this back to me now, you may be asking? Well... I guess it's just what I was thinking to myself as I was tidying up my phone.

Today I'm deleting podcasts.