#like: i find izzy fascinating because he was written by the same team who wrote everybody else

[knowlesian]

my last post and the shameless mountain goats reference i threw in there got me thinking about one of my favorite story beats, because it combines a lot of character work and thematic oomph in one: ed being a victim of his own legend and ability to protect himself by hiding in plain sight + codeswitch into the version of himself that best suits the company/situation he’s in, in many ways but often most visibly through his interactions with izzy.

my take on “is blackbeard real or fake” has always been “yes”; blackbeard is pieces of ed filtered and strained and assembled and pruned down in ways that scarred him even as they kept him safe, in ways that are very sad and often stretching the definition of safe as far as ed’s personal definition of murder. nonetheless: it got him to the place he's at, still alive. could he have done it another way? who knows! that was the way he did it, it's the way he knows will work because it did work.

or: he thinks he knows that. but the legend was never all of ed and in fact demanded he spotlight pieces of himself he doesn't like so much a lot and repress a lot of the things that make him feel good, it’s not helping/hurting anymore. it’s just dragging him down.

so ed is sick of the blackbeard schtick; and here’s the rub. if he’d been worse at the art of personal fuckery alongside the pirate type, maybe none of this is happening. the world never knows his name; or worse, once he gets spotted as a man who won't kill they mock it. 

that version of ed does not attract izzy ‘ask me about my boner for the sunk cost fallacy’ hands, or does not keep him. because izzy has built his identity around ed’s legend; who is blackbeard’s first mate, if there is no blackbeard? who the fuck even is izzy hands, if he’s not seated at the right hand of edward teach?

now. you would hope, in a better world, that izzy would be like you know, edward, the thing here is: you wanting something different involves emotional consequences for me. i would have to figure out my whole life over again and i am simultaneously con o’neill’s age and emotionally sixteen like the real world me was, so you can see that would be super complicated. i have so fucking much baggage and you are just adding to it, and i do not like that. also: this fucks up my work situation and my home life at once, it makes me feel sad and abandoned and itchy in ways i do not wish to label with words because they would be gay ones like ‘please don’t leave me, i love you and i thought it was mutual’ so like... world rocked, thoroughly and in ways that make me want to rant until past last call, in conclusion this sucks and i think it's twenty mistakes in a trenchcoat, some of them maybe life threatening! i wish you would not.

and then he would step back and let ed make his own fucking choices anyway and either do the work to figure himself out in the same space or finally grab those cds from the car and find his own place to do the same, because a shitty fact of adult life is sometimes people cannot be what we want or need. sometimes that is because they suck: sometimes, it’s just because they can’t or don't want to, and that isn't them being mean or withholding. they don't owe us more than the basic kindness and dignity we all owe to each other just because we put in our hours longing for them to do so. that’s some toxic, entitled shit. understandable! an impulse i share at times! but we should never be That Guy (gender neutral) because the friendzone doesn’t actually exist and nobody deserves to win someone else as a prize for hanging around long enough and driving them to the airport. that’s just called being friends, etc.

izzy is sadly currently stuck on being That Guy. so instead of realizing ed is an adult man and can make his own choices, even if izzy thinks they're bad ones, he fucking panics and starts swinging around and finally runs to big daddy england to make stede bonnet stooooooooop (messing with ed’s brain).

and of course he does something like that! he thinks a relationship is when you metaphorically own each other and when you can only be tender after putting your right foot in and then putting it out before once again putting it in and then proceeding to shake it all about, violent rituals unlock love style. he’s a desperate man in a hell entirely of his own making.

and so is ed, in this entirely different way but stuck in his own fucking orbit as firmly as izzy, only ed is trying to claw his way up and out to see what else he can be, while izzy would do juuuust about anything (including lick the king’s boots) to stay the same forever.

that’s some tragic shit. i love this writing team, the end.